Al Mann - Challenges 2

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feud lwI erupted between famed mental!st. ". Up with an alllwer iha(wouid have taken'~ men weeb to .,> . ch reach. My telepathic communications have been a .ubject or Joseph Dunninger and magician-musician Ri ard Himber research at .. maJor unlversitl;' , . z , _~ over whether there is such & thing as "mind reading,!' . .' ., , t., " ., It all started several months ago'when :a:imber;-guesting : .. "Whe~l JaCk, Dempsey was ch~mplon:l Dunninger added, , "one of Singer's midgets'stated he could whip him in 'three on WOR's all night "Long John Nebel Show," stated "there is rounds. and ctianeng'ed 'h~ to a .fight in Times Square. When no such thing as mind reading" and challenged Dunninger to Dempsey dd not dignify the situation and answer the cnanenge, "prove otherwise." .' the J}lidget c"l~f!d him a 'coward: " . , ~ "I offered Dunnil1l'er'l $1.000 if he could name a three letter "HDUlIph," hm'mph-ed Himber, "$1,000 Isn't bad 'pay for JUst word 1 was thinkinr. The word was to be' written 4o\mand one minl/te's work. :and.:I. mi&'hC, even; . . . the price.", _. '. ,'" '; Himber, president- of ;tt.e' ~cieiy for the promulgati;n of riven to an Impartial person beforehand 10 1 couldn:t be suspected of makinr a 'switch';' Himber said. Magic announced the soCietY', annual-"Bemadette" Awards" "Dunnlnrer didn't answer. But 1 was not too surprised last Friday on N,BC's "Tonight" Show..
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Himber repeated his challenge on several recent Nebel shows, getting a reaction from Dunninger, who thrratened to sue. As a result, Hlmber hasn't returned to the prorram, "But that $1,000 offer stm stands," he says. "I have nothlnr against Dunnlnrer who II undoubtedly ~e wor~'5 &Teatest showman. But nobody can read minda." Dunninser continues to view the challenge diml'" "I will rest on my laurels and admit 1 can't read Mt: Himber's mind. Mind readlnr requires telepathic coDlIJ.unication, and lome minds simply cannot be read: . . ' "I havf, performed before more eelebrlties and ,'.\ster a~dl~

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Livdy Feud for Thought Dunninger has yet to ,pick up his "Oscar." "He was probably Just~ut ot town ·.ha~ nlrht." 'said ber doubtfully, "I don~t read mlncls. but 1 'ta~ d;.trlcb.See'!"· , The ashtray in fronto! mevimisbed 'inexplicably. ~'Just ' one little word rm a5kinlr him, to' mind . ~ea(t" ' ,., By the way. Dunningei"!s1:eadY1n[bis own show for fall viewing and 50 ts 'Himber.:-i - :~ .., ' " : ,'0 ' • ' ' This feud-for-thought' i>~.to ])e' the livel1e:.t since Mart1J1 and L e w i s . : "'~' ' .,' . "

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The above newsclip appeared in the for July 18, 1957.

New York Journal American

(Himber challenged Dunninger several times during his shows. History was simply repeating itself. A few years back three young men, Joseph Dunninger, Harry Houdini and Joseph Rinn went around challenging billet-reading mediums, offering hundreds of dollars if the medium could tell them what was written in a piece of paper they were holding. What happened instead was that the good Christian sisters rose up en mass and ran Dunninger and the rest of the party poopers out of their spiritualist church, attacking them with their umbrellas.) I visited Himber in his Essex House apartment shortly after the Journel-American article appeared. As soon as I sat down he threw the paper at me saying, "Keep that." The above article

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was in this paper. I was not a writer yet, so Himber appeared to know that some day I would be and the article would be useful. Himber did tell me to write under an assumed name. "Call yourself Al Mann." He said. Himber confided in me that he had a plot that would be the greatest hoax ever IF Dunninger went along with it. "I thought surely that some one in Dunninger's camp would contact me, but no one ever did." It is a mystery why Dunninger did not answer the challenge. Himber gave him a hint of secret collusion by saying that he could pass the piece of paper with the secretly written three letter word (shoould not take too much effort to swami-write a 3-letter word) to any impartial spectator in the audience. All Dunninger needed to do then was to pretend to write a word on another papar or index card and then ask the impartial person to callout the three letter word at which time Dunninger could swami~write the word on his paper and pass it out to anyone. Only Himber would know that Dunninger had swami-written the word. The rest of the audience would be dazzled. Himber was famous for being a prankster at the famous people, so Dunninger could not trust him. 1944.

expense of

The fact is that Himber had been harassing Dunninger since See the Back Room of the Phoenix Issues 55 to 66.

Himber was traveling the same identical road that all psychic debunkers follow. At first Himber got publicity by saying that mindreading was bunk, but in his older years he always told his audiences that mindreading was real. Every time he left the Essex house he stopped by the desk and did something for the lady receptionist and convinced her that it was mindreading. I was with him when he wrote a prediction on paper and then asked the receptionist to callout a number between 10 and 50. Both numbers had to be different. You guessed it. The lady called out 35 to match Himber's prediction. When asked how mindreader's read minds, Himber no longer said that it was all bunk, he said "By mathematics." A profound answer, indeed. During one of my visits to Himber's apartment in the Essex House, I found him giving a music lesson to a 12 year old girl. I walked in just as the lesson was over. Himber introduced me to the young lady and told her that I was a mindreader. The young lady was agog with expectations. Himber threw a hard cover book at me and said, "Do something for her." The book was one of Himber's forcing books placed under hard cover. It forced the word 'problems.' Needless to say, we had another convert.

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MEETING A REAL CHALLENGE Let's say that you are doing your show where you pretend to be reading sealed messages or just folded billets with questions. Some clown in the audience pops up and says, "Mr. Mentalist. I will give you $500 if you tell me what I have written in this folded paper!" This party will not give you a chance and he is not collusion with you. He just wants to make you look stupid. how will you answer that challenge?

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The best method is exactly like Richard Himber was proposing. You take out a blank index card and say "I am going to write something down on this card which will approximate what you have written. -- I am going to invite a young lady to corne up on stage and read to you what I have written." You have already pretended to write something on the card but actually you write nothing, and then fold the card into quarters and secure the folded card with a paper clip in readiness to do the Opener Move. "My card is folded four ways." You say. "And secured with a paper clip. There is no way that I can change what I have written unless I remove the paper clip and unfold the card." "Please pass your paper to an impartial person in the audience." You command. The challenger has no recourse but to do that. For he too is curious to see what you have written since you told him that you have written something comparably close to what he wrote. "The person holding the paper, the audience what is written on it."

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The person now holding the paper in the audience opens out the paper and may say, "The paper is totally blank. There is nothing written on it." You remove the paper clip from your folded card and hand the card to the young lady who is now by your side. "Please tell the audience what I have written on the card." "Nothing!" says the young lady, " The card is blank." would indeed be a great triumph for you or any Mentalist.

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That could happen. But if the challenger really wrote something on the card, You simply write the same thing on the outside of the folded card with your swami gimmick. Then remove the paper clip and pocket it and the writer and then flip the card open with the Opener Move and give the card to the young lady to read. 3

If it should happen that the challenger will not pass his paper to anyone else then he is the loser for everything appears fair. Himber never told me what three letter word he had written. Probably because I never asked him. Wish that I had. But it would not surprise me if the paper was blank. THE STREET CHALLENGES Please note that almost any challenge can be met as detailed above. I am sure that every Mentalist that practices his art has been challenged on the street with "Tell me what I am thinking." My usual answer to the above challenge is , "Pay me my fee first and I will read your mind." No one has paid me yet and I have had no need to meet the challenge. ( I have done mindreading on the street using the Center Tear.) But if the challenger on the street is a VIP and potential employer then I would proceed by using the Opener Move. DUNNINGER'S IMPOSSIBLE PREDICTION SECRETLY READ THIS. KEEP THE $1.

WRITE

A version by Ralph Reed of Dunninger's Impossible Prediction first appeared in the Tarbell Course No.5, page 179, (1945). Fig. 1. The origin of the mystery was credited to a 'certain Mentalist.' Dunninger's name is not mentioned but everyone knew who the 'certain Mentalist' was.

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An exact same method is later published in Bascom Jones' Magick #243 credited to Dunninger by B.C. Milnov. Fig. 2

Odd Coincident

Fig. 2 • B. C. Milnoy The effect is that while dining in a restaurant, the Mentalist proves that he is psychic by doing a test with the waitress, any waitress who is asked to write a three digit number on a card while the Mentalist does the same. The two cards are given to the VIP, a potential employer. The numbers on both cards are identical.

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I cannot think of a more intriguing plot for a mystery worker. Little wonder that audiences come running when they hear there is a Mentalist performing. Audiences are dazzled by what appears to be a feat from another world. Mediums performed the test long before Dunninger, but it was Dunninger who made it popular mostly by his powerful Svengali-like showmanship. The success of the effect depends on a secret message that is passed to the waitress telling her to please write down a certain number. All is well that ends well. So no matter what method is used, provided it works. DESTINY'S DICIPLE Under the above title, Dunninger gives away his secret in Magick #123. It was a masterly play on words. That is what Mentalism is all about. By the masterly and correct use of words miracles are created. Through his many years of performing Dunninger had developed the power of transporting his audience into an enchanting four dimensional world where miracles are common, mostly by a play on words.

DUNNINGER

Marvin Miller adds a touch of genious to the above in Magick #173 by having the waitress circle the number. The effect looks like a miracle provided you do not gum up the 'play on words. ' Any method used to successfuly produce this effect is looked upon with wonder by the spectator. BUT (there always is a BUT) the ugly head of the skeptic rears up and asks questions. "Big Deal. He probably had all the waitresses cued and payed. So he did it in a second restaurant, he could have had that one fixed too. After all how many restaurants are there? (just about 35,000 in N.Y. - Statistical Abstract, 1975.) Why not allow the VIP to write the number? After all, he is footing the bill. And he will no doubt hire you." THE VIP'S CHOICE So we will allow the VIP to choose the three-digit number. That should make the plot stronger and most profound. 1. The waitress is given an index card folded twice and secured with a paper clip. The card is shown before folding it to be blank on both sides.

2. She is instructed to secretly write a three digit number on the card and then fold the card and place the paper clip in 5

place and return it to the Mentalist. and dismisses her. 3. The VIP is asked to either writes it or just recites number chosen by the VIP.

Mentalist tips the waitress

choose a three digit number. He it. The Mentalist now knows the

4. The Mentalist swami-writes the number on the outside of the folded billet and then opens it and does the flip with the Opener Move. The number that the waitress wrote is now on the back of the card facing the Mentalist while the number that the VIP chose and the Mentalist swami-wrote is facing the VIP. 5. Usually, the card can now be torn in half given to the VIP with the force number on it.

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THE OPENER MOVE

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As shown in Fig. the thumb and first finger of the right hand pinch the folded card by the loose corner of the top fold. While the thumb and first finger of the left hand take the card by the loose corner of the third fold. Both hands are then turned at the wrist only. As shown by the arrows in Fig. 2, the left hand turns backwards towards you while the right hand rotates forward away from you. The above action rind over a drink.

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This action snaps the folded card open and as the right hand moves to the left in front of the left hand, the card turns over so that what was the outside of the card is now the inside and any word or number written on the outside of the folded card now appears to have been in the inside. NOTE: When prefolding the index card, it must be folded in half back and forth several times to break the crease so that the card will easily fold either way.

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TWIN TEAR Sure had a swell time at the PEA convention in Atlanta last June 9 to 12, 1994. There was wall to wall lectures and shows almost around the clock. I took part in the billet and center-tear work shop together with Lee Earle and Docc Hilford, editor of the New Invocation .•

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us with a Docc surprised master demonstration of Annemann's CT done wi th a sheet of newspaper 6 (Fig. 1) and from Jinx No. reminded us that there is some fine mentalism in the Jinx. Docc's presentation was flawless and looked good from all angles as Lee and I were sitting alongside • Docc also reminded me of an effect called Gemel's Messages which is a paper tearing routine for the answering of two questions. Gemel's Messages appeared in Mental-Ettes in 1978. The same principle can be used with a sheet of newspaper.

Let's call this effect TWIN-TEAR. To do it you will need a sheet of today's newspaper that measures 13-1/2 by 23 inches. Choose a sheet that has several headlines and plenty of print. Next tear the one sheet into four parts and use one part that measures 7 This piece is shown by 11-1/2 inches. in Fig. 2. two circles as Next you draw shown in Fig. 2, with an ink marker. The best way to know just where to draw the two circles is by folding the paper in half, and in half again and in half a third time to arrive at a paper folded three ways into eighths. Then open

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you will see the creases of the folds as in Fig. 3. The two circles as shown are the pieces that will be stolen when the paper is torn to bits. Ask two persons to underline one word in each circle and then, they are to fold the paper in half, and again in half and again a third time in half. The spectator ends up with a wad of paper that measures about 3 by 3-1/2 inches. No one in his right mind can imagine that you can ferret out the underlined words after all that folding. They will never see you unfold the paper, therein lies a mystery. And to make things worse you tear up the wad of papers to tiny bits.

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So you take the folded wad and feel it, etc. and then tear it in the same fashion as any other center tear move where you steal the folded center pieces.

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Figure 4 shows the two stolen pieces which you open behind a slate or tablet. Have fun. Al Mann

8

A HISTORY ON THE OPENER MOVE I have been asked where I got the Opener applied to so many baffling tests.

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The original idea of writing on the outside of a folded card and then opening it out so that the writing appears to have been on the inside was first published by Ed Melon in a two-page fly leaf called O'HAGAN'S DIGITELEPATHY copyright 1958. The original idea by O'Hagan could easily move a mountain BUT his handling was naive. O'Hagan's handling is shown in Fig. 5.

Fig. 5

To make the O'Hagan move, the body and arms had to turn about one quarter turn to the left while the left hand made a flip over. Altogether it was not a Mentalist's move. A Mentalist works with his mind and the above gyrations of the body should not be needed. I tried it several times and did not feel comfortable with it and I was sure I could never fool anyone with it. I am sure that O'Hagan could pull it off perfectly. As luck would have it I had to make a trip by car across country. So I went to the ESSO Travel Service in NYC to pick up some maps. I told the young man behind the counter what I wanted. He broke out all the maps I needed and then traced the best route for me on the maps with an ink marker. These young men are beautifully trained to appear sharp and intelligent. They take a folded map and hold it between both hands and snap it open with a flourish and the map shows up right-side up for the marking. My attendant goofed and ended with the wrong side of the map upwards. I noticed a disgusted look in his face as he had to turn the map ove r • That's where I got the idea of the Opener Move. If these young people could open up a map to either side maybe I could do the same thing with a folded index card. I went home and tried it

9

and the Opener Move Tesseract 8/24/78.

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Several Mentalists at the PEA convention in Atlanta (94) asked me to show them the Opener Move. I did and most of them caught on right away. But one chap just could not do it. He kept spreading his hands apart instead of twisting them. I was at a loss as to how to explain it to him. Finally I said, "Make believe you are twisting a slice of lemon rind over a drink." That did it.

1

TWO-WAY OPENER Try the following. Take an 8-1/2 by 11 inch piece of paper and mark one side No. 1 and the other side No.2. Then fold the paper in half from bottom to top. The No. 1 side will be in the inside. Fold it in half again from left to right. And again fold it in half from left to right. The paper has been folded three times and now looks like in Fig. 5.

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Fig. 5

Note that the loose corners are to the upper right corner. Now if you take the first upper loose corner with your right fingers and the third loose corner with your left fingers and pull your hands apart, the paper will open up with the No. 1 side towards your audience. To open so that the No. 2 side is to the audience, take the second loose corner with your right fingers and the fourth loose corner with your left fingers BUT YOU MUST TURN YOUR LEFT HAND SO THAT THE THUMB IS BEHIND (THE AUDIENCE SIDE) THE FOURTH LOOSE CORNER WHILE THE FIRST AND SECOND FINGERS OF YOUR LEFT HAND ARE IN FRONT OF THE FOURTH LOOSE CORNER (YOUR SIDE.) The above is good for doing a two-way prediction BUT by using a swami writer you can also have prediction messages appear inside the folded paper after pretending to write something on the No. I Side.

10