Carol Of The Shepherds - Sparke, Philip Arr. - [anglo Music, 2001] (2).pdf

Grade 3

(:arol of the Shepherds Philip Sparke

for Fanfare Band

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Carol of the Shepherds Philip Sparke

for Fanfare Bond

Edition number: AMP 012 Philip Sparke CAROL OF THE SHEPHERDS

© 2001 by Anglo Music Press, PO Box 303. Wembley, HAg 8G)(, England Copyright secured / All rights reserved

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Philip Sparke

Philip Sparke was born in London in 1951 and studied composition, trumpet, and piano at the Royal College of Music where he gained an ARCM.lt was at the College that his interest in bands arose. He played in the College wind band and formed a brass band among the students, writing several works for both ensembles. At that time, Sparke's first published works appeared - Concert Prelude (brass band) and Gaudium (wind band). A growing interest in his music led to several commissions, his first major one being for the Centennial Brass Band Championships in New Zealand - The Land of the Long White Cloud. Further commissions followed from individual bands, various band associations, and the BBC, for whom he three times won the EBU New Music for Wind Band Competition (with Slipstream, Skyrider and Orient Expressl. Sparke has written for brass band championships in New Zealand, Switzerland, Holland, Australia, and the UK, twice for the National Finals at the Albert Hall, and his test pieces are constantly in use wherever brass bands can be found. A close association with banding in Japan led to a commission (Celebration) from and eventual recording of his music with the Tokyo Kosei Wind Orchestra. This opened the door worldwide to his wind band music and led to several commissions, particularly from the United States. In 1996, the US Air Force Band commissioned and recorded Dance Movements, which won the prestigious Sudler Prize in 1997. Philip Sparke's conducting and adjudicating activities have taken him to most European countries, Scandinavia, Australia, New Zealand, Japan, and the USA.

Philip Sparke wurde 1951 in London geboren. Er studierte Komposition, Trompete und Klavier am Royal College of Music und wurde dort als ARCM (Associate of the Royal College of Music) ausgezeichnet. Sein Interesse an Musik fur Bandformationen geht auf diese Zeit zuruck. Er spielte im Blasorchester des Colleges, qrundete mit anderen Studenten eine Brass Band und schrieb fur beide Ensembles etliche Stucke, Gleichzeitig wurden mit Concert Prelude fur Brass Band und Gaudium fur Blasorchester erste Arbeiten von ihm ver6ffentlicht. Seine Stucke erregten zunehmend Aufmerksamkeit und dies hatte eine Reihe von Auftragskompositionen zur Foige. The Land of the long white Cloud fur die Centennial Brass Band Championships in Neuseeland war darunter das erste gr6Bere Werk. Es folgten weitere Auftragskompositionen tur verschiedene Bands, diverse Band-Zusarnrnenschlusse und die BBC, fur die er mit Slipstream, Skyrider und Orient Express dreimal den EBU New Music for Wind Band Competition gewann. Er hat fur Brass Band-Wettbewerbe in Neuseeland, der Schweiz, Holland, Australien und GroBbritannien komponiert, zweimal auch fur die landesweite Endausscheidung in der Albert Hall. Seine TeststUcke sind weltweit aus dem Brass Band-Bereich nicht wegzudenken. Die enge Zusammenarbeit mit Bands in Japan brachte ihm mit Celebration einen weiteren Kompositionsauftrag ein und fuhrte zur Einspielung seiner Musik durch das Kosei Wind Orchestra Tokyo. Dadurch 6ffneten sich seiner Musik weltweit Turen und Tore und er erhielt weitere Auftraqe, vor allem aus den USA. 1996 wurde Dance Movements von der US Airforce Band bestellt und aufgenommen. Das Werk gewann 1997 den begehrten Sudler Prize. Seine Tatiqkeit als Dirigent und Ratqeber haben ihn in die meisten europalschen Lander, nach Australien, Neuseeland, Japan und die Vereinigten Staaten gefUhrt.

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Philip Sparke est ne Londres en 1951. II a obtenu un dipl6me ARCM du Royal College of Music· ou il a etudie la composition, la trompette et Ie piano. C'est au Royal College of Music qu'il commence a s'interesser aux formations d'instruments a vent. II joue dans l'Orchestre d'Harmonie du College, forme un Brass Band avec d'autres eleves et compose plusieurs pieces pour les deux formations. C'est durant cette periode que verront Ie jour ses deux premieres ceuvres publiees : Concert Prelude (Brass Band) et Gaudium (Orchestre d'Harrnonie). Sa musique suscite un interet grandissant et plusieurs commandes lui parviennent. La premiere commande importante qu'il recoit est celle d'une ceuvre pour un concours de Brass Bands en NouvelleZelande - les Centennial Brass Band Championships. II compose pour cette occasion The Land of the long white Cloud. D'autres commandes suivent ; elles lui sont adressees par des orchestres, par differentes federations d'orchestres ou par la BBC, pour laquelle iI remportera trois fois Ie concours pour Orchestres d'Harmonie de I'Union Europeenne de

Radio-Television (avec les pieces Slipstream, Skyrider et Orient Expressl. Ses compositions figurent requlierernent au programme des concours de Brass Bands du monde entier : il a notamment compose des ceuvres pour Brass Band pour des concours en Nouvelle-Zelande, en Suisse, aux Pays-Bas, en Australie et au Royaume-Uni ou deux de ses pieces ont ete [ouees lors de la Finale Nationale au Royal Albert Hall. Tres present dans Ie do maine de la musique pour Orchestre d'Harmonie au Japon, Philip Sparke a ecrit une ceuvre de commande (Celebration) pour I'Orchestre d'Harmonie Tokyo Kosel, avec lequel la piece a par la suite ete enreqistree, Cela a contribue la diffusion l'echelle mondiale de sa musique pour Orchestre d'Harmonie et beaucoup de commandes lui sont parvenues, notamment des Etats-Unis, En 1996, la Musique de I'US Air Force lui adresse la commande de Dance Movements, une piece qu'elle enregistrera par la suite. Cette ceuvre remporte Ie prestigieux prix Sudler en 1997. Ses activites de chef d'orchestre et de membre de jury ont conduit Philip Sparke se rendre dans la plupart des pays d'Europe, en Scandinavie, en Australie, en Nouvelle-Zelande, au Japon et aux Etats-Unis.

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Nato a Londra nel 1951, Philip Sparke ha studiato composizione, tromba e pianoforte al Royal College of Music, dove si e dove si e sviluppato il suo interesse per la musica bandistica. Ha suonato nella banda del Royal College e allo stesso tempo formato una brass band con altri studenti, componendo diversi brani per i due organici. Risalgono a quegli anni Ie pubblicazioni delle sue prime composizioni: Concert Prelude per brass band e Gaudium per banda cui, grazie al crescente interesse per i suoi brani, sono seguiti numerosi incarichi di composizione. II piu importante e stato senza dubbio in occasione del "Centennial Brass Band Championship" in Nuova Zelanda, concorso per il quale ha composto The Land of the Long White Cloud. Altre commissioni sono in seguito pervenute da singole bande, da varie associazioni bandistiche e dalla BBC, che con i brani Slipstream, Skyrider e Orient Express di Philip Sparke e risultata per ben tre volte vincitrice del Concorso per Banda "EBU New Music". Philip Sparke ha composto inoltre brani prova per concorsi di brass band in Nuova Zelanda, Svizzera, Olanda, Australia e Gran Bretagna e due volte per Ie finali nazionali tenutesi nella prestigiosa Royal Albert Hall di Londra; di conseguenza Ie sue composizioni sono spesso utilizzate come brani prova in concorsi per brass band nel mondo intero. La stretta collaborazione con Ie bande giapponesi in occasione di Celebration, commissionatagli dalla Tokyo Kosei Wind Orchestra, che ha incluso anche un'incisione con la stessa banda, e valsa a Philip Sparke fama mondiale e numerosi incarichi da tutto il mondo, ma in particolar modo dagli Stati Uniti. Nel 1996 la banda della US Air Force gli ha commissionato Dance Movements (sequita anche in questa caso da incisione), brano che un anna piu tardi e valso al compositore britannico if prestigioso riconoscimento "Sudler Award". Lattivita di direzione e membro di giuria 10 vede ogni anna viaggiare in quasi tutti i paesi europei, oltre che in Australia, in Nuova Zelanda, in Giappone e negli Stati Uniti.

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Philip Sparke werd geboren in Londen in 1951 en studeerde compositie, trompet en piano aan het Royal College of Music. Tijdens deze opleiding groeide zijn belangstelling voor blaasorkesten. Hij speelde in het harmonieorkest van het College, vormde een brassband met medestudenten en schreef verschillende werken voor beide orkesten. In deze tijd werden zijn eerste werken gepubliceerd - Concert Prelude (brassbandr en Gaudium (harmonieorkestl. Een groeiende belangstelling voor zijn muziek resulteerde in verschillende opdrachten. Zijn eerste grote werk schreef hij voor de Centennial Brass Band Championships in Nieuw-Zeeland en was getiteld The Land of the long white Cloud. Meer opdrachten volgden van orkesten, verschillende orkestorganisaties en de BBC, waarmee hij driemaal de EBU New Music for Wind Band Competition won (met Slipstream, Skyrider en Orient Expressl. Hij componeerde voor de brassbandkampioenschappen van Nieuw-Zeeland, Zwitserland, Nederland, Australie en Groot-Brittannie en tweemaal voor de Britse National Finals in de Royal Albert Hall. Overal waar brassbands zijnworden zijn werken gespeeld. Goede betrekkingen met orkesten in Japan leidden uiteindelijk tot een opdracht (Celebration) van het Tokyo Kosei Wind Orchestra, die ook zijn muziek opnam. Dit resulteerde in een wereldwijde belangstelling voor zijn muziek voor harmonieorkest wat leidde tot verschillende opdrachten, voornamelijk uit de Verenigde Staten. In 1996 nam de US Air Force Band de door hun verstrekte compositieopdracht Dance Movements op. Met dit werk won Philip Sparke in 1997 de prestigieuze Sudler Prize. Sparke's dirigeer- en juryactiviteiten brachten hem naar de meeste Europese landen, Scandinavie Australie, Nieuw-Zeeland, Japan en de VS.

_ _ _ _ _ _----JI

Carol of the Shepherds I'----

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The hymn tune 'Quem Pastores Laudavere' dates back to the 14th century and is widely known throughout the Christian world. Although the tune has been set to a number of different texts in different countries, it was originally a carol, celebrating the Christmas story, in particular the visit of the Angel Gabriel to the Shepherds. This simple but expressive setting presents three verses of the hymn tune, featuring first the trombones, secondly the baritones and f1ugel horns and finally the whole band.

Die Melodie des Kirchenliedes Quem Pastores Laudavere kann bis ins 14. Jahrhundert zuruckverfolqt werden und ist in der gesamten christlichen Welt wohlbekannt. Obwohl die Melodie in verschiedenen l.andern mit anderen Texten unterlegt wurde, handelte es sich ursprunqlich um ein Weihnachtslied, in dem die Weihnachtsgeschichte verkundet wird, speziell der Besuch des Engels Gabriel bei den Hirten. Dieser einfache aber ausdrucksstarke Satz besteht aus drei Strophen des Kirchenliedes. In der ersten Strophe treten die Posaunen hervor, in der zweiten die Baritone und Fluqelhorner und in der dritten schliel3lich das ganze Orchester.

La melodie de I'hymne Quem Pastores Laudavere date du Xlye siecle. Largement connue du monde chretien, elle a ete associee a differents textes dans differents pays. Mais cette hymne etait a I'origine un noel relatant un moment particulier de I'histoire de la Nativite : la visite de I'ange Gabriel aux bergers. Cette composition simple et expressive presente la rnelodie de Quem Pastores Laudavere a trois reprises. Le theme est expose dans un premier temps par Ie pupitre des trombones puis repris par les barytons et les bugles avant d'etre restitue une derniere fois par I'Orchestre de Fanfare en entier.

l.inno Quem Pastores Laudavere risale al 14° secolo ed e molto conosciuto nel mondo cristiano. Nonostante in molti paesi al motivo siano stati affiancati testi diversi, il brano originale era un canto natalizio che festeggiava questa ricorrenza ed in particolar modo la visita dell'Angelo Gabriele ai pastori. Questo adattamento, semplice ma espressivo, propone tre versi dell'inno dove appaiono dapprima seguiti dai f1icorni baritoni, dai f1icorni soprani e infine dall'intera banda.

tromboni,

De melodie van het gezang 'Quem Pastores Laudavere' dateert van de 14e eeuw en is bij christenen wereldwijd bekend. Hoewel de melodie in diverse landen verschillende teksten heeft gekregen, ging het van oorsprong om een kerstlied dat met name de verschijning van de engel Gabriel aan de herders bezingt. Deze eenvoudige, maar expressieve zetting bestaat uit drie coupletten van het gezang, waarbij eerst de trombones aan bod komen, vervolgens de baritons en bugels te horen zijn en uiteindelijk het hele orkest klinkt.

Fanfare Band Full Score Bl> Soprano Saxophone EJ, Alto Saxophone 1 EJ, Alto Saxophone 2 Bl> Tenor Saxophone EJ, Baritone Saxophone EJ, Cornet Bl> Flugel Horn 1 Bl> Flugel Horn 2 Bl> Flugel Horn 3 F / EJ, Horn 1 F / EJ, Horn 2 F / EJ, Horn 3 F / EJ, Horn 4 Bl> Trumpet 1 Bl> Trumpet 2 Bl> Trumpet 3 Trombone 1 Trombone 2 Trombone 3 Bl> Baritone 1 and 2 Bl> Euphonium B.C EJ, Tuba IC and B.C Bl> Tuba IC and B.C Timpani Percussion 1, 2 and 3

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CAROL OF THE SHEPHERDS Philip Sparke

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' 14th century carol melody, arr. Philip Sparke

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60

64

63

62

61

65

67

66

70

69

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B.D.

CAROL OF THE SHEPHERDS

.

-1 l

Meditation on 'Quem Pastores Laudavere' 8[,

Soprano Saxophone [2]

Andante

-41

1

7

14th century carol melody, arr. Philip Sparke

II t t l '»if

5

1

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I

CAROL OF THE SHEPHERDS

7

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Meditation on 'Quem Pastores Laudavere' ED

14th century carol melody, arr. Philip Sparke

Alto Saxophone 1 (FA) [2]

Andante

-&1

1

7

II f

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f I ~

Jf

cresco

[!2J

~~~ = -==::

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AMP 012

mf

CAROL OF THE SHEPHERDS 4

Meditation on 'Quem Pastores Laudavere' E~

Alto Saxophone 2

-'i

Andante

~

l

14th century carol melody.arr.

I

11if

II

Philip Sparke

[2]

8

ITZJ ! !

(FA)

8

f

cresco

dim.

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p

cresco

p

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m~jjJ~~~

mf:===- p

'JJ_. p

cresco

1861

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AMP 012

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' & Tenor Saxophone

14th century carol melody, arr. Philip Sparke

Andante 8

[IT] o

f

cresco

.

1861

'0

raIl. al Fine

~fo~o

~ttl~

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved

AMP 012

CAROL OF THE SHEPHERDS

7I

Meditation on 'Quem Pastores Laudavere' ED Baritone Saxophone Andante _.

$2

[!IJ

$1

8

[2]

8

III

4

[Z]

8

III

1

[i2J

14th century carol melody, arr. Philip Sparke

III

~

8

@1]

8

III

8

III

II

I~"

»if

3 cresco

=it =it

[Z2]

.~

Jggt~~~~

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·~=tf·

rall. al Fine

w"

f·

>-

>-

tS3J

«

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AMP 012

r-.

r-.

A

£ £ ~

ifz

£ £

I

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' H Cornet

14th century carol melody, arr. Philip Sparke

£

II

3

[ZJ

III

8

II

[ll]

I~(~

£1

mp

cresco

mf

,

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f::::::=- p

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved

AMP 012

1

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' & Flugel Horn 1

14th century carol melody, arr.

.

'"!f

r~

f

cresco

5

[!IJ

II

dim.

~

7

II $

Philip Sparke

$ mp

dim.

cresco

~



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[Z]

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.

.

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CAROL OF THE SHEPHERDS 1.J :-

Meditation on 'Quem Pastores Laudavere' & Flugel Horn 2

14th century carol melody, arr.

Philip Sparke

[2J f

cresco

[!J '"!f

~~. -=::::::

=

2

mm,~

P

dim.

dim.

P

[!2] 1#

.

1861

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AMP 012

I

CAROL OF THE SHEPHERDS 19

Meditation on 'Quem Pastores Laudavere' & Hugel Horn 3

14th century carol melody, arr,

Philip Sparke

[2J

~

J--lJ

~J ~J ~ f cresco

dim.

'----"

~ cresco

=f

11if

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved

AMP 012

====- P

~

CAROL OF THE SHEPHERDS

7.

<:

IU""'

Meditation on 'Quem Pastores Laudavere' 14th century carol melody, arr. Philip Sparke

F Horn 1

II ~. I

p-==

dim.

f

[!!]

=

cresco mf

p

dim.

[2J

~l~ll~

eresc.

'»if

=sfz:::=-

'»if

[I] I

f

P cresco

2

1861

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CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' F Horn 2

$s

14th century carol melody, arr.

[iI] ~

cresco

"'!f

dim.

~

1861

P

raIl. al Fine

. !.

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved AMP ()1?

31

Philip Sparke

CAROL OF THE SHEPHERDS

£: ,-' "L

Meditation on 'Quem Pastores Laudavere' F Horn 3

14th century carol melody, arr.

p -=:::::::

===-

4

~.

~

J

Philip Sparke

~

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#¥f7J

rail. al Fine

sf"

§t

>-

>-

ijgf

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II

17'\

t¥k

~ £ £ I

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' F Horn 4

14th century carol melody, arr. Philip Sparke

Andante

- $!I

8

8

ITZJ

III

~

8

8

III

[TI]

III

4

It£~

j§

11!f

[[2]

~~.

II

7

I~.

~~~~ t=d---9 ~ p

cresco

[Z2]

#~§~§~~~g~~~

1861

raIl. al Fine

~~#~.

tTJ·

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved AMP ()1?

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' E~

Horn 1

-

14th century carol melody, arr.

Philip Sparke

[iIJ

til =

cresco

'"!f

dim.

~t~t~1~

cresco

mf

'"!f

© Copyright 2001 by Anglo Music Press Copyright secured / Ail rights reserved

AMP 012

p

7~ __ I~ p

~

= ifz:::::=-

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere'

a Horn 2

14th century carol melody, arr.

1171

Andante [2]

- 'II

8

III

4

1~~I~I~11 f

1251 8

III

1331

I~

8

P

dim.

Philip Sparke

P -=:::::

==-

[ZI]

1ttqg¥f3J • P

~.

1861

f

cresco

rail. al Fine

:>:>

(.\,

·r!( ~lll

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CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' H Horn 3

14th century carol melody,arr.

Andante

-

~

~21

11if

p

8

[2]

III

8

ITZJ

8

III

~

III

[TI]

8

4¥If'====-I f

Ilf

p-==

[!]

~ #~ dim.

~

f

II

7

cresco

~

#~§fM

rail. at Fine

~.

[i2]

III

~ cresco

. 5

~

I~ mf

p

~

Philip Sparke

[.

~

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved AMP 012

ffl

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' E~

14th century carol melody, arr. Philip Sparke

Horn 4 Andante

_&1

1

8

8

[ZJ

~

8

III

8

III

[ll]

4:

III

I~ nif

7

5

~

m

IW mf

~

#~~gggj~~ ~~~~S

1861

raIl. al Fine

#~~3ft~·

9~'~~ T >-

>-

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved

AMP 012

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' & Trumpet 1

ITZJ

$1

8

~

III

14th century carol melody.rarr.

8

@1]

8

III

[!!J

III

8

[i2]

Philip Sparke

~ 10

III

open

I~r

~

sfz==- p

raIl. al Fine

i~'

>-~~~

i~~~~ >-

>-

>-

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved

AMP 012

II

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' 14th century carol melody, arr. Philip Sparke

Bb Trumpet 2

[2]

~I

8

ITZJ

III

8

~

III

8

[TI]

III

[!!]

8

III t',

raIl. al Fine

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved

AMP 012

8

~

III

10

II

CAROL OF THE SHEPHERDS

0; C' LQ

Meditation on 'Quem Pastores Laudavere' 14th century carol melody, arr. Philip Sparke

& Trumpet 3 Andante

$ - 2~J·

muted ...........

mp

[2] 8

$1

ITZJ

III

8

~

III

8

[TI]

III

8

8

10

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved

AMP 012

[!!]

III

8

II

CAROL OF THE SHEPHERDS 43

Meditation on 'Quem Pastores Laudavere'

14th century carol melody, arr. Philip Sparke

Trombone 1

[ll]

~C

II

4

Ii S=l fktt

~

~

~ttl~~

ifz ==- P

II

t

~ p

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AMP 012

~

8

III

.

to

II

~ cresco

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' Trombone 2

14th century carol melody, arr.

46 Philip Sparke

8 mp

~£Emf

:==-

~~). p

cresco

raIl. al Fine

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved AMP 012

~~

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' Trombone 3

14th century carol melody, arr. Philip Sparke

[iI] _ t t 1 =~~II mf

4'7 ./

==-

[!2] 8

[2]

III tOI~ ;~ttltt~ sfz ~

.fp

p

cresco

rail. al Fine

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&§

~.

~

fmc'

~

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i~' img;~

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AMP 012

IF

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CAROL OF THE SHEPHERDS

40

Meditation on 'Quem Pastores Laudavere' &

Trombone 1 (Be)

[TI] ~.

II

4

14th century carol melody, arr.

w

Itf r=¥L

[!!]

.j ~"l~

ti~ ifz ==- P

~ ~r

[±2]

III

to

II

:::==-

nif

¥

II

£ [

8

Philip Sparke

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rail. al Fine

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cresc.

~ ~ r~_=_~' l

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AMP 012

.~

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I

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' & Trombone 2 (Be)

-

~}

Andante 8

2

1

,

[2] III

14th century carol melody, arr. Philip Sparke

8

"

I: mp

[IT] f

cresco

rail. al Fine

~ •. » » . ~ ~ ~ i ~«:~<,¥c:::::_ l ll ~ •

© Copyright 2001 by Anglo Music Press Copyright secured / AIl rights reserved

AMP 012

CAROL OF THE SHEPHERDS

42

Meditation on 'Quem Pastores Laudavere' &

Trombone 3 (Be)

14th century carol melody,arr.

Philip Sparke

s s © Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved

AMP 012

II

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' Bo Trombone 1 (TC)

~.

~

II

It nif

~

~.

4

14th century carol melody, arr.

ifz:::=-

[!1]

~

~T ====-

~~$~$~I ~ P

1861

gggr.

$

II

Philip Sparke

~

8

10

III

II

~

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raU. al Fine

~ 9' :-:RJf"~' ~ 9' ~ 9' ~ ~

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$

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CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere'

a Trombone 2

(rC)

14th century carol melody, arr.

Philip Sparke

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[Z}]

f

cresco

it

1861

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rw)

rr

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CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' & Trombone 3 (Te)

14th century carol melody, arr.

[!!] 8 [!2]

II

10

Philip Sparke

Jet? : : I: : E

III

-

.fp

[Z]] - ----

.

.

----

cresco

f

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved AMP ()1?

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' ED Baritone 1 & 2 (FA)

14th century carol melody,arr.

Philip Sparke

Andante

_$1

~

1

8

===-

. cresco

r s s II

3[11]

I~r #~~f

mf

mp

~ S S

II

m7r r

3

--====== f

I

P

[ZIJ

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cresco

.

[Z2]

.

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CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' &

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CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' & Trombone 1 (TC)

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CAROL OF THE SHEPHERDS 36

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CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' Bb Baritone 1 & 2 (FA) Andante

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Fanfare sparke Philip

Grade 3

Carol of the Shepherds PEAM.

2001

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200

~arol

of the Shepherds Philip Sparke for Fanfare Band

Grade 3

arol of the Sheph rds Philip Sparke for Fanfare Band

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Edition number: AMP 012

Philip Sparke CAROL OF THE SHEPHERDS © 2001 by Anglo Music Press, PO Box 303. Wembley, HAg 8GX, England Copyright secured / All rights reserved

Philip Sparke was born in London in 1951 and studied composition, trumpet, and piano at the Royal College of Music where he gained an ARCM.lt was at the College that his interest in bands arose. He played in the College wind band and formed a brass band among the students, writing several works for both ensembles. At that time, Sparke's first published works appeared - Concert Prelude (brass band) and Gaudium (wind band). A growing interest in his music led to several commissions, his first major one being for the Centennial Brass Band Championships in New Zealand - The Land of the Long White Cloud. Further commissions followed from individual bands, various band associations, and the BBC, for whom he three times won the EBU New Music for Wind Band Competition (with Slipstream, Skyrider and Orient Express). Sparke has written for brass band championships in New Zealand, Switzerland, Holland, Australia, and the UK, twice for the National Finals at the Albert Hall, and his test pieces are constantly in use wherever brass bands can be found. A close association with banding in Japan led to a commission (Celebration) from and eventual recording of his music with the Tokyo Kosei Wind Orchestra. This opened the door worldwide to his wind band music and led to several commissions, particularly from the United States. In 1996, the US Air Force Band commissioned and recorded Dance Movements, which won the prestigious Sudler Prize in 1997. Philip Sparke's conducting and adjudicating activities have taken him to most European countries, Scandinavia, Australia, New Zealand, Japan, and the USA.

Philip Sparke

Philip Sparke wurde 1951 in London geboren. Er studierte Komposition, Trompete und Klavier am Royal College of Music und wurde dort als ARCM (Associate of the Royal College of Music) ausgezeichnet. Sein Interesse an Musik fOr Bandformationen geht auf diese Zeit zuruck. Er spielte im Blasorchester des Colleges, grundete mit anderen Studenten eine Brass Band und schrieb fUr beide Ensembles etliche Stucke, Gleichzeitig wurden mit Concert Prelude fOr Brass Band und Gaudium fOr Blasorchester erste Arbeiten von ihm ver6ffentlicht. Seine Stucke erregten zunehmend Aufmerksamkeit und dies hatte eine Reihe von Auftragskompositionen zur Folge. The Land of the long white Cloud fur die Centennial Brass Band Championships in Neuseeland war darunter das erste gr613ere Werk. Es folgten weitere Auftragskompositionen fOr verschiedene Bands, diverse Band-Zusarnrnenschlusse und die BBC, filr die er mit Slipstream, Skyrider und Orient Express dreimal den EBU New Music for Wind Band Competition gewann. Er hat fUr Brass Band-Wettbewerbe in Neuseeland, der Schweiz, Holland, Australien und Grol3britannien komponiert, zweimal auch fur die landesweite Endausscheidung in der Albert Hall. Seine Teststucke sind weltweit aus dem Brass Band-Bereich nicht wegzudenken. Die enge Zusammenarbeit mit Bands in Japan brachte ihm mit Celebration einen weiteren Kompositionsauftrag ein und fOhrte zur Einspielung seiner Musik durch das Kosei Wind Orchestra Tokyo. Dadurch 6ffneten sich seiner Musik weltweit Turen und Tore und er erhielt weitere Auftraqe, vor allem aus den USA. 1996 wurde Dance Movements von der US Airforce Band bestellt und aufgenommen. Das Werk gewann1997 den begehrten Sudler Prize. Seine Tatiqkeit als Dirigent und Ratqeber haben ihn in die meisten europalschen Lander, nach Australien, Neuseeland, Japan und die Vereinigten Staaten gefOhrt.

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Philip Sparke est ne Londres en 1951.11 a obtenu un dlplorne ARCM du Royal College of Music au iI a etudie la composition, la trompette et Ie piano. s'interesser aux formations d'instruments vent. II joue dans C'est au Royal College of Music qu'il commence l'Orchestre d'Harmonie du College, forme un Brass Band avec d'autres eleves et compose plusieurs pieces pour les deux formations. C'est durant cette periode que verront Ie jour ses deux premieres ceuvres publiees : Concert Prelude (Brass Band) et Gaudium (Orchestre d'Harrnonle). Sa musique suscite un interet grandissant et plusieurs commandes lui parviennent. La premiere commande importante qu'il recoit est celie d'une ceuvre pour un concours de Brass Bands en NouvelleZelande - les Centennial Brass Band Championships. II compose pour cette occasion The Land of the long white Cloud. D'autres commandes suivent; elles lui sont adressees par des orchestres, par differentes federations d'orchestres ou par la BBC, pour laquelle iI remportera trois fois Ie concours pour Orchestres d'Harmonie de I'Union Europeenne de

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Radio-Television (avec les pieces Slipstream, Skyrider et Orient Express). Ses compositions figurent requllerement au programme des concours de Brass Bands du monde entier : ll a notamment compose des ceuvres pour Brass Band pour des concours en Nouvelle-Zelande, en Suisse, aux Pays-Bas, en Australie et au Royaurne-Uni ou deux de ses pieces ont ete jouees lors de la Finale Nationale au Royal Albert Hall. Tres present dans Ie domaine de la musique pour Orchestre d'Harmonie au Japon, Philip Sparke a ecrit une ceuvre de commande (Celebration) pour I'Orchestre d'Harmonie Tokyo Kosei, avec lequella piece a par la suite ete enreqistree. Cela a contribue la diffusion l'echelle mondiale de sa musique pour Orchestre d'Harmonie et beaucoup de commandes lui sont parvenues, notamment des Etats-Unis. En 1996, la Musique de I'US Air Force lui adresse la commande de Dance Movements, une piece qu'elle enregistrera par la suite. Cette ceuvre remporte Ie prestigieux prix Sudler en 1997. Ses activites de chef d'orchestre et de membre de jury ont conduit Philip Sparke a se rendre dans la plupart des pays d'Europe, en Scandinavie, en Australie, en Nouvelle-Zelande, au Japon et aux Etats-Unis.

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Nato a Londra nel 1951, Philip Sparke ha studiato composizione, tramba e pianoforte al Royal College of Music, dove si diplomato e dove si e sviluppato il suo interesse per la musica bandistica. Ha suonato nella banda del Royal College e allo stesso tempo formato una brass band con altri studenti, componendo diversi brani per i due organici. Risalgono a quegli anni Ie pubblicazioni delle sue prime composizioni: Concert Prelude per brass band e Gaudium per banda cui, grazie al crescente interesse per i suoi brani, sono seguiti numerosi incarichi di composizione. II piu importante e state senza dubbio in occasione del "Centennial Brass Band Championship" in Nuova Zelanda, concorso per iI quale ha composto The Land of the Long White ClOUd. Altre commissioni sono in seguito pervenute da singole bande, da varie associazioni bandistiche e dalla BBC, che con i brani Slipstream, Skyrider e Orient Express di Philip Sparke risultata per ben tre volte vincitrice del Concorso per Banda "EBU New Music". Philip Sparke ha composto inoltre brani prova per concorsi di brass band in Nuova Zelanda, Svizzera, Olanda, Australia e Gran Bretagna e due volte per Ie finali nazionali tenutesi nella prestigiosa Royal Albert Hall di Londra; di conseguenza Ie sue composizioni sono spesso utilizzate come brani prova in concorsi per brass band nel mondo intero. La stretta collaborazione con Ie bande giapponesi in occasione di Celebration, commissionatagli dalla Tokyo Kosel Wind Orchestra, che ha incluso anche un'incisione con la stessa banda, e valsa a Philip Sparke fama mondiale e numerosi incarichi da tutto il mondo, ma in particolar modo dagli Stati Uniti. Nel 1996 la banda della US Air Force gli ha commissionato Dance Movements (sequlta anche in questa caso da lncisionel, brano che un anna plu tardi valso al compositore britannico iI prestigioso riconoscimento "Sudler Award". l.attivita di direzione e membra di giuria 10 vede ogni anna viaggiare in quasi tutti i paesi europei, oltre che in Australia, in Nuova Zelanda, in Giappone e negli Stati Uniti.

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Philip Sparke werd geboren in Londen in 1951 en studeerde compositie, trompet en piano aan het Royal College of Music. Tijdens deze opleiding groeide zijn belangstelling voor blaasorkesten. Hij speelde in het harmonieorkest van het College, vormde een brassband met medestudenten en schreef verschillende werken voor beide orkesten. In deze tijd werden zijn eerste werken gepubliceerd - Concert Prelude (brassbend) en Gaudium (harmonieorkestl. Een groeiende belangstelling voor zijn muziek resulteerde in verschillende opdrachten. Zijn eerste grate werk schreef hij voor de Centennial Brass Band Championships in Nieuw-Zeeland en was getiteld The Land of the long white Cloud. Meer opdrachten volgden van orkesten, verschillende orkestorganisaties en de BBC, waarmee hij driemaal de EBU New Music for Wind Band Competition won (met Slipstream, Skyrider en Orient Express). Hij componeerde voor de brassbandkampioenschappen van Nieuw-Zeeland, Zwitserland, Nederland, Australie en Groot-Brittannie en tweemaal voor de Britse National Finals in de Royal Albert Hall. averaI waar brassbands zijn worden zijn werken gespeeld. Goede betrekkingen met orkesten in Japan leidden uiteindelijk tot een opdracht (Celebration) van het Tokyo Kosei Wind Orchestra, die ook zijn muziek opnam. Dit resulteerde in' een wereldwijde belangstelling voor zijn muziek voor harmonieorkest wat leidde tot verschillende opdrachten, voornamelijk uit de Verenigde Staten. In 1996 nam de US Air Force Band de door hun verstrekte compositieopdracht Dance Movements op. Met dit werk won Philip Sparke in 1997 de prestigieuze Sudler Prize. Sparke's dirigeer- en juryactiviteiten brachten hem naar de meeste Europese landen, Scandinavie Australie, Nieuw-Zeeland, Japan en de VS.

_ _ _ _ _ _---JI

Carol of the Shepherds 1

_

The hymn tune 'Quem Pastores Laudavere' dates back to the 14th century and is widely known throughout the Christian world. Although the tune has been set to a number of different texts in different countries, it was originally a carol, celebrating the Christmas story, in particular the visit of the Angel Gabriel to the Shepherds. This simple but expressive setting presents three verses of the hymn tune, featuring first the trombones, secondly the baritones and f1ugel horns and finally the whole band.

Die Melodie des in der gesamten unterlegt wurde, wird, speziell der

Kirchenliedes Quem Pastores Laudavere kann bis ins 14. Jahrhundert zurOckverfolgt werden und ist christlichen Welt wohlbekannt. Obwohl die Melodie in verschiedenen Uindern mit anderen Texten handelte es sich ursprunqlich um ein Weihnachtslied, in dem die Weihnachtsgeschichte verkOndet Besuch des Engels Gabriel bei den Hirten.

Dieser einfache aber ausdrucksstarke Satz besteht aus drei Strophen des Kirchenliedes. In der ersten Strophe treten die Posaunen hervor, in der zweiten die Baritone und FIOgelh6rner und in der dritten schlief3lich das ganze Orchester.

La melodie de I'hymne Quem Pastores Laudavere date du Xlye siecle. Largement connue du monde chretien, elle a ete associee differents textes dans differents pays. Mais cette hymne etait I'origine un noel relatant un moment particulier de I'histoire de la Nativite : la visite de range Gabriel aux bergers.

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Cette composition simple et expressive presents la melcdie de Quem Pastores Laudavere trois reprises. Le theme est expose dans un premier temps par Ie pupitre des trombones puis repris par les barytons et les bugles avant d'etre restitue une derniere fois par l'Orchestre de Fanfare en entier.

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l.lnno Quem Pastores Laudavere risale al 14° secolo ed molto conosciuto nel mondo cristiano. Nonostante in molti paesi al motivo siano stati affiancati testi diversl, il brano originale era un canto natalizio che festeggiava questa ricorrenza ed in particolar modo la visita dell'Angelo Gabriele ai pastori. Questo adattamento, semplice ma espressivo, propone tre versi dell'inno dove appaiono dapprima seguiti dai f1icorni baritoni, dai f1icorni soprani e infine dall'intera banda.

tromboni,

De melodie van het gezang 'Quem Pastores Laudavere' dateert van de 14e eeuw en is bij christenen wereldwijd bekend. Hoewel de mel odie in diverse landen verschillende teksten heeft gekregen, ging het van oorsprong om een kerstlied dat met name de verschijning van de engel Gabriel aan de herders bezingt. Deze eenvoudige, maar expressieve zetting bestaat uit drie coupletten van het gezang, waarbij eerst de trombones aan bod komen, vervolgens de baritons en bugels te horen zijn en uiteindelijk het hele orkest klinkt.

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1

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CAROL OF THE SHEPHERDS Philip Sparke

CAROL OF THE SHEPHERDS

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CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' 14th century carol melody, arr. Philip Sparke

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CAROL OF THE SHEPHERDS

1

Meditation on 'Quem Pastores Laudavere' & Soprano Saxophone

'II

Philip Sparke

[2]

Andante 7

14th century carol melody, arr.

II~ ~

t t

$ "'!f

f

cresco

5

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f

ttl

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7

1861

raIl. al Fine

.

)'*1'1 © Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved AMP 012

I

CAROL OF THE SHEPHERDS

3

Meditation on 'Quem Pastores Laudavere' 14th century carol melody, arr. Philip Sparke

H Alto Saxophone 1 (FA)

'2

[2]

Andante 1

7

iii

I

i mf

f

cresco

[IT]

8

t t II dim.

P

1861tr

·

raIl. al Fine •..•

..

_~7@~·T~··~ © Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved

AMp· 012

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' ED Alto Saxophone 2 Andante

121

8

(FA)

14th century carol melody, arr.

[2] I

11if

cresco

f

Itt_' p

Philip Sparke

cresco

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved AMP 012

dim.

CAROL OF THE SHEPHERDS 5

Meditation on 'Quem Pastores Laudavere' &> Tenor Saxophone

14th century carol melody, arr.

Philip Sparke

Andante 8

P

cresco

~

~.~

'"!f

[IT]

. cresco

© Copyright 2001 by Anglo Music Press Copyright secured / AIl rights reserved

AMP 012

Jf

CAROL OF THE SHEPHERDS

7I

Meditation on 'Quem Pastores Laudavere' Eb Baritone Saxophone

14th century carol melody, arr. Philip Sparke

Andante 8

8

[i2J

III

8

ITZJ

III

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8

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8

III

8

III

II

4

cresc.

[Z2J

~

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jM

Iggt~~~~§f

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j~==tf'

raIl. al Fine

"

>-

>-

f' M

r

© Copyright 2001 by Anglo Music Press Copyright secured / AIl rights reserved

AMP 012

rr.

t

r-.

t

€¥1

A

~ t ifz

t

I

CAROL OF THE SHEPHERDS 8

Meditation on 'Quem Pastores Laudavere' & Hugel Horn 1

Philip Sparke

14th century carol melody, arr.

5

f

cresco

dim.

~

~

'"!f

<

r-

~ P

~##1141_ P

cresco

[IT]

-p

#

~C)g~=IE~~

f

~.~~ © Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved AMP 012

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' Bfl Hugel Horn 2

-

5

14th century carol melody, arr. Philip Sparke

Andante

&2

J!

It

t

maj#~.

mp

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li!J "'!f

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2

P

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It

T?F@ P

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cresco

1861

rall, a1Fine

~

rr.

ttll

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved

AMP 012

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' & Hugel Horn 3

19

14th century carol melody, arr.

Philip Sparke

[2] f

cresco

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III

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8

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II t [i2]

3

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P

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p

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p "-'"

~ cresco

=f

11!f

© Copyright 200t by Anglo Music Press Copyright secured / All rights reserved AMP 012

=- P

~

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' Eb Cornet

23

14th century carol melody, arr.

t

~

@1]

II

Philip Sparke 3

ITZJ

8

III

'1711~_ti mp

cresco

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved AMP 012

'»!f

I[

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' Bb Trumpet 1

14th century carol melody, arr.

Philip Sparke 8

ITZJ

$I

8

~

III

8

@1]

III

8

[!I]

III

8

~

III

~ 10

open

I~f'

~

sfz===-- p

II © Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved AMP 012

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' Bb Trumpet 2

,1&

14th century carol melody, arr.

Philip Sparke

Andante

I~

Vmp

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d

,

[2] 8 I

[Z]

III

8

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III

8

@1]

III

[!TI

8

III tu"I,i;Y

raIl. al Fine

© Copyright 2001 by Anglo Music Press Copyright secured / All rights reserved AMP 012

8

l12] III

10

II

CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' 14th century carol melody, arr.

& Trumpet 3

Philip Sparke

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CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' & Euphonium (rC) (FA) Andante

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CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere'

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CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' Trombone 2

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CAROL OF THE SHEPHERDS Meditation on 'Quem Pastores Laudavere' Trombone 3

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4

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CAROL OF THE SHEPHERDS 53

Meditation on 'Quem Pastores Laudavere' Timpani

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