Conducting Bibliography

CONDUCTING BIBLIOGRAPHY Conducting Treatises and Textbooks Battisti, Frank: On Becoming a Conductor: Lessons and Meditations on the Art of Conducting. Galesville, MD: Meredith Music, 2007. Berlioz, Hector: On Conducting: Theory of the Art of Conducting; found in Treatise on Instrumentation. New York: Kalmus, 1948. Boonshaft, Peter Loel: Teaching Music With Passion: Conducting, Rehearsing, and Inspiring. Galesville, MD: Meredith Music, 2002. Boult, Sir Adrian Cedric: A Handbook of the Technique of Conducting, revised edition. Oxford, Hall the Printer, 1968. __________: Boult on Music. Norfolk: Toccata Press, 1983. Carse, Adam: Orchestral Conducting. London: Augener, 1935. Conductors Anthology: A Compendium of articles from the Instrumentalist from 1946 to 1992, second edition, in 2 volumes (Volume 1: The School Music Director Off the Podium; Volume 2: Conducting and Musicianship). Northfield, IL: The Instrumentalist, 1993. Curtis, Larry G., and David L. Kuehn: A Guide to Successful Instrumental Conducting. Dubuque, IA: W.C. Brown, 1992. Deldevez, Edouard Marie Ernest: L’Art du chef d’orchestra. Paris: Firmin‐Didôt, 1878. Demaree, Robert W. and Don V Moses: The Complete Conductor. Englewood Cliffs, NJ: Prentice‐Hall, 1995. Earhart, Will: The Eloquent Baton. New York: M. Witmark and Sons, 1931. Farberman, Harold: The Art of Conducting Technique: A New Perspective. Miami, FL: Warner Brothers, 1997. Garolfalo, Robert and Frank Battisti: Lead & Inspire: A Guide to Expressive Conducting. Silver Spring, MD: Whirlwind Music Publications, 2005. Gehrkens, Karl W.: Essentials in Conducting. Boston: Oliver Ditson, 1919. Kindle edition, 2011. Green, Elizabeth A., and Mark Gibson: The Modern Conductor, seventh edition. Englewood Cliffs, NJ: Prentice‐Hall, 2004. Grosbayne, Benjamin: Techniques of Modern Orchestral Conducting, second edition. Cambridge, MA: Harvard University Press, 1973. Hunsberger, David: Art of Conducting, second edition. New York: McGraw‐Hill, 1992. Inghelbrecht, Desiré‐Emile: The Conductor’s World, translated by G. Prerauer and S. Malcolm Kirk. New York: Library Publishers, 1954. Koshak, John: The Conductor’s Role, fourth edition. Privately published (available through the Conductors Guild), 2001. Krueger, Karl: The Way of the Conductor: His Origins, Purpose, and Procedures. New York: Scribner’s, 1958. Labuta, Joseph A.: Basic Conducting Techniques, sixth edition. Upper Saddle River, NJ: Pearson, 2009.

Leinsdorf, Erich: The Composer’s Advocate. New Haven, CT: Yale University Press, 1981. Lisk, Edward S.: The Creative Director: Alternative Rehearsal Technique. Galesville, MD: Meredith Music Publications, 1991. Maiello, Anthony: Conducting Nuances: Little Things Mean a Lot. Chicago: GIA Publications, 2007. Malko, Nikolai: The Conductor and His Baton. Copenhagen: Wilhelm Hansen, 1950. Malko, Nikolai and Elizabeth A. Green: The Conductor and His Score. Englewood Cliffs, NJ: Prentice‐Hall, 1975. McElherhan, Brock: Conducting Technique: For Beginners and Professionals, third edition. New York: Oxford University Press, 2004. Meier, Gustav: The Score, the Orchestra, and the Conductor. New York: Oxford University Press, 2009. Phillips, Kenneth H.: Basic Techniques of Conducting. New York: Oxford University Press, 1997. Prausnitz, Frederik: Score and Podium. New York: W.W. Norton, 1983. Rudolf, Max: The Grammar of Conducting, third edition. New York: Schirmer Books, 1994. Scherchen, Hermann: Handbook of Conducting. London: Oxford University Press, 1933. Wagner, Richard: On Conducting. London: W. Reeves, 1897. Watkins, John: The Art of the Conductor: The Definitive Guide to Music Conducting Skills, Terms, and Techniques. Lincoln, NE: iUniverse, 2007. Weingartner, Felix: Weingartner on Music and Conducting: Three Essays by Felix Weingartner (On Conducting, translated by Ernest Newman; On the Performance of Beethoven’s Symphonies, translated by Jessie Crosland; The Symphony Since Beethoven, translated by H.M. Schott). New York: Dover, 1969. Wis, Ramona M.: Conductor as Leader: Principles of Leadership Applied to Life on the Podium. Chicago: GIA Publications, 2007. Wittry, Diane: Beyond the Baton: What Every Conductor Needs to Know. New York: Oxford University Press, 2007. Wood, Henry: About Conducting. London: V. Gollancz, 1938. Choral Conducting Boyd, Jack: Rehearsal Guide for the Choral Conductor. West Nyack: Parker Publishing, 1970. Busch, Brian R.: Complete Choral Conductor: Gesture and Method. New York: Schirmer Books, 1984. Davison, Archibald Thompson: Choral Conducting. Cambridge, MA: Harvard University Press, 1954. Decker, Harold A., and Julius Herford: Choral Conducting Symposium, second edition. Englewood Cliffs, NJ: Prentice‐Hall, 1987.

Decker, Harold A., and Coleen J. Kirk: Choral Conducting: Focus on Communication. Upper Saddle River, NJ: Pearson, 1988. Ehmann, Wilhelm: Choral Directing, translated by George D. Wieke. Minneapolis, MN: Augsburg Press, 1960. Finn, William J: The Art of the Choral Conductor, volume 1. Boston: C.C. Birchard, 1940. Garretson, Robert: Conducting Choral Music, seventh edition. Boston: Allyn and Bacon, 1993. Haasemann, Frauke, and Wilhelm Ehmann: Voice Building for Choirs, translated by Brenda Smith. Chapel Hill, NC: Hinshaw Music, 1981 Heffernan, Charles W.: Choral Music: Technique and Artistry. Englewood Cliffs, NJ: Prentice‐Hall, 1982. Holst, Imogen: Conducting a Choir: A Guide for Amateurs. Oxford: Oxford University Press, 1962. Howerton, George: Technique and Style in Choral Singing. New York: Carl Fischer, 1957. Jordan, James Mark: Evoking Sound: Fundamentals of Choral Conducting and Rehearsing. Chicago: GIA Publications, 1996. Kaplan, Abraham: Choral Conducting. New York: W.W. Norton, 1985. Lamb, Gordon H.: Choral Techniques, third edition. Dubuque, IA: W.C. Brown, 1988. Neuen, Donald: Choral Concepts. Belmont, CA: Schirmer, 2002. Phillips, Kenneth H.: Directing the Choral Music Program. New York: Oxford University Press, 2004. Robinson, Ray, and Allen Winold: The Choral Experience: Literature, Materials, and Methods. Prospect Heights, IL: Waveland Press, 1976. Simons, Harriet: Choral Conducting: A Leadership Teaching Approach. Champaign, IL: Mark Foster, 1983. Swan, Howard, and Charles Fowler: Conscience of a Profession: Howard Swan Choral Director and Teacher. Chapel Hill: Hinshaw, 1987. Wodell, Frederick W.: Choir and Chorus Conducting, revised and enlarged. Philadelphia: Theodore Presser, 1931. Orchestral History and Practice Bekker, Paul: The Orchestra. New York: W.W. Norton, 1936. Berlioz, Hector: Evenings With the Orchestra, translated by Jacques Barzun. Chicago: University of Chicago Press, 1999. The Cambridge Companion to the Orchestra, edited by Colin Lawson. Cambridge: Cambridge University Press, 2003. Del Mar, Norman: Anatomy of the Orchestra. New York: Tapplinger Books, 1985. Green, Elizabeth: Orchestral Bowings and Routines, eleventh edition. Ann Arbor, MI: American String Teachers Association, 1991. Kjelland, James: Orchestral Bowing: Style and Function. New York: Alfred Publishing, 2004.

Moses, Don V: Face‐to‐Face with an Orchestra: A Handbook for Choral Conductors Performing Handel’s Messiah, Bach’s Magnificat, Vivaldi’s Gloria, and Other Works. Princeton, NJ: Prestige Publications, 1987. Mueller, John Henry: The American Symphony Orchestra: A Social History of Musical Taste. Westport, CT: Greenwood, 1976. Mueller, Kate (Hevner): Twenty‐Seven Major American Symphony Orchestras: A History and Analysis of Their Repertoire, 1842‐43 through 1969‐70. Bloomington: Indiana University Press, 1973. Nettel, Reginald: The Orchestra in England: A Social History. West Yorkshire: Pomona Press, 2006. The Orchestra: A Collection of 23 Essays on Its Origins and Transformations, edited by Joan Peyser. Milwaukee, WI: Hal Leonard, 2006. Peyser, Joan: Orchestra: Origins and Transformations. New York: Watson‐Guptil, 2000. Rudolf, Max: Max Rudolf: A Musical Life, edited by Michael Stern. Hillsdale, NY: Pendragon, 2001. Schuller, Gunther: The Compleat Conductor. New York: Oxford University Press, 1997. Spitzer, John, and Neal Zaslaw: The Birth of the Orchestra: History of an Institution, 1650‐1815. New York: Oxford University Press, 2005. Symphony Orchestra: Webster’s Timeline History, 1700‐2007, edited by Philip M. Parker. Singapore: ICON Group International, 2010. Histories of Individual Orchestras Berlin Stressman, Wolfgang: Berlin Philharmonic: From Bülow to Karajan: Home and History of a World Famous Orchestra. Boston: Brill, 1978. Birmingham Worsley, Margaret: History of the Birmingham Philharmonic Orchestra. Coventry: Merciens Manuals, 1999. Boston Baker‐Carr, Janet: Evening at Symphony: A Portrait of the Boston Symphony Orchestra. Boston; Houghton‐Mifflin, 1977. Boston Youth Keches, Krysten A.: Boston Youth Symphony Orchestras (Images of America: Massachusetts). Mount Pleasant, SC: Arcadia, 2007. Brooklyn Edwards, Maurice: How Music Grew in Brooklyn: A Biography of the Brooklyn Philharmonic Orchestra. Metuchen, NJ: Scarecrow Press, 2006.

Cleveland Rosenberg, Donald: The Cleveland Orchestra Story. Cleveland, OH: Gray and Company, 2000. Halle Kennedy, Michael: The Halle, 1858‐1983: A History of the Orchestra. Manchester: Manchester University Press, 1983. London Ehrlich, Cyril: First Philharmonic: A History of the Royal Philharmonic Society. New York: Oxford University Press, 1995. Morrison, Richard: Orchestra: The LSO: A Century of Triumph and Turbulence. London: Faber and Faber, 2004. Pearton, Maurice: The LSO at 70: A History of the Orchestra. London: Victor Gollancz, 1974. Pirouet, Edmund: Heard Melodies are Sweet: A History of the London Philharmonic Orchestra. Philadelphia: Trans‐Atlantic Publications, 1998. New York Canarina, John: The New York Philharmonic: From Bernstein to Maazel. Milwaukee, WI: Hal Leonard, 2011. Shanet, Howard: Philharmonic: A History of New York’s Orchestra. New York: Doubleday, 1975. North Carolina Swalin, Benjamin: Hard Circus Road: The Odyssey of the North Carolina Symphony. Chapel Hill, NC: Chapel Hill Museum, 1987. Philadelphia Ardoin, John: The Philadelphia Orchestra: A Century of Music. Philadelphia: Temple University Press, 1999. Kupferberg, Herbert: Those Fabulous Philadelphians: The Life and Times of a Great Orchestra. New York: Charles Scribner's Sons, 1969. Rochester Cahn, William L.: Rochester’s Orchestra: A History of the Rochester Philharmonic Orchestra. Rochester, NY: Citizens for a Quality Philharmonic, 1989. Seventh Army Canarina, John: Uncle Sam’s Orchestra: Memories of the Seventh Army Orchestra. Rochester, NY: University of Rochester Press, 1998.

Seattle Campbell, Esther W.: Bagpipes in the Woodwind Section: A History of the Seattle Symphony Orchestra and Its Women’s Association. Seattle: Seattle Symphony Women’s Association, 1978. Toronto Warren, Richard: Begins with the Oboe: A History of the Toronto Symphony. Toronto: University of Toronto Press, 2002. Band History and Practice Battisti, Frank: The Winds of Change: The Evolution of the Contemporary American Wind Band/Ensemble and Its Conductor. Galesville, MD: Meredith Music, 2002. Battisti, Frank and Robert Garofalo: Guide to Score Study for the Wind Band Conductor. Galesville, MD: Meredith Music, 2000. Fennell, Frederick: Time and the Winds: A Short History of the Use of Wind Instruments in the Orchestra, the Band, and the Wind Ensemble. Kenosha, WI: Leblanc Publications, 1964. Garolfalo, Robert: Rehearsal Handbook for Band/Orchestra Students. Galesville, MD: Meredith Music, 2000. Labuta, Joseph: Teaching Music in High School Band, revised. Galesville, MD: Meredith Music, 1997. Knight, John: The Interpretive Wind Band Conductor. Galesville, MD: Meredith Music Publications, 2007. Kohut, Daniel: Instrumental Music Pedagogy, Teaching Techniques for School Band and Orchestra. Englewood Cliffs, NJ: Prentice‐Hall, 1973. General Performance Practice Bach, C.P.E.: Essay on the True Art of Keyboard Playing, translated by William J. Mitchell. New York: W.W. Norton, 1949. Berlioz, Hector: Evenings in the Orchestra, translated and edited by Jacques Barzun. New York: Alfred Knopf, 1956. Dannreuther, Edward: Musical Ornamentation, second edition. London: Novello, 1900. Mozart, Leopold: A Treatise on the Fundamental Principles of Violin Playing, translated by Editha Knocker. London: Oxford University Press, 1948. Neumann, Fredrich: Ornamentation in Baroque and Post‐Baroque Music: With Special Emphasis on J. S. Bach, third edition. Princeton: Princeton University Press, 1983. __________: Ornamentation and Improvisation in Mozart. Princeton: Princeton University Press, 1989.

Quantz, Johann Joachim: On Playing the Flute, translated by Edward R. Reilly. New York: The Free Press, 1966. Weisberg, Arthur: Performing Twentieth‐Century Music: A Handbook for Conductors and Instrumentalists. New Haven: Yale University Press, 1993. Repertoire Guides Orchestra Aronowsky, Solomon: Performing Times of Orchestral Works. London: Ernest Benn Limited, 1959. Bagar, Robert, and Louis Biancolli: The Concert Comprehensive Guide to Symphonic Music. New York: McGraw‐Hill, 1947. Burrows, Raymond, and Bessie Carroll Redmond: Symphony Themes. New York: Simon and Schuster, 1942. __________: Concerto Themes. New York: Simon and Schuster, 1951. Daniels, David: Orchestral Music: A Handbook, fourth edition. Lanham, MD: Scarecrow Press, 2005. Del Mar, Norman: Conducting Beethoven, Volume 1: The Symphonies. Oxford: Clarendon Press, 1993. __________: Conducting Beethoven, Volume 2: Overtures, Concertos, Missa Solemnis. Oxford: Clarendon Press, 1993. __________: Conducting Berlioz. Oxford: Oxford University Press, 1997. __________: Conducting Brahms. Oxford: Clarendon Press, 1993. __________: Conducting Elgar (completed and edited by Jonathan Del Mar). Oxford: Oxford University Press, 1998. __________: Conducting Favourite Concert Pieces (completed and edited by Jonathan Del Mar). Oxford: Oxford University Press, 1998. Farish, Margaret K.: Orchestra Music in Print. Philadelphia: Musicdata, 1979. Field, Corey, editor: The Musician’s Guide to Symphonic Music: Essays from the Eulenberg Scores. New York: Schott, 1997. Hale, Philip: Great Concert Music: Philip Hale’s Symphony Programme Notes, edited by John N. Burk. New York: Doubleday, 1935. Hinson, Maurice: Music for Piano and Orchestra: An Annotated Guide, enlarged edition. Bloomington: University of Indiana Press, 1993. LaRue, Jan: A Catalogue of 18th‐Century Symphonies, Volume I: Thematic Identifier. Bloomington: University of Indiana Press, 1988. Moore, Earl V., and Theodore E. Heger: The Symphony and the Symphonic Poem: Analytical and Descriptive Charts of the Standard Symphonic Repertoire, fourth edition. Ann Arbor: Ulrich’s Books, 1962. O’Connell, Charles: The Victor Book of the Symphony, revised. New York: Simon and Schuster, 1941. __________: The Victor Book of Overtures, Tone Poems, and Other Orchestral Works. New York: Simon and Schuster, 1950.

Saltonstall, Cecilia Drinker, and Hannah Coffin Smith: Catalogue of Music for Small Orchestra, edited by Otto E. Albrecht. Washington: Music Library Association, 1947. Steinberg, Michael: The Symphony: A Listener’s Guide. New York: Oxford University Press, 1997. __________: The Concerto: A Listener’s Guide. New York: Oxford University Press, 1998. Ulrich, Homer: Symphonic Music: Its Evolution Since the Renaissance. New York: Columbia University Press, 1952. Veinus, Abraham: The Concerto. Garden City, NY: Doubleday, Duran, and Company, 1944. Choir Burnworth, Charles C.: Choral Music for Women’s Voices. Metuchen, NJ: Scarecrow Press, 1968. Daugherty, F. Mark, and Susan H. Simons, eds.: Secular Choral Music in Print, second edition, 2 volumes. Philadelphia: Musicdata, 1987. DeVenney, David P.: Nineteenth‐Century Choral Music. Berkeley: Fallen Leaf Press, 1987. __________: American Masses and Requiems. Berkeley: Fallen Leaf Press, 1990. __________: The Chorus in Opera. Lanham, MD: Scarecrow Press, 1992. __________: American Choral Music Since 1920. Berkeley: Fallen Leaf Press, 1994. __________, editor: Source Readings in American Choral Music. Missoula, MT: College Music Society, 1995. __________: Varied Carols: A Survey of American Choral Literature. Westport, CT: Greenwood Press, 1999. Dox, Thurston: American Oratorios and Cantatas: A Catalog of Works Written in the United States from Colonial Times to 1985. 2 volumes. Metuchen, NJ: Scarecrow Press, 1986. Eslinger, Gary S., and F. Mark Daugherty, eds.: Sacred Choral Music in Print, second edition, 2 volumes. Philadelphia: Musicdata, 1985. Garretson, Robert L.: Choral Music: History, Style, and Performance Practice. Englewood Cliffs, NJ: Prentice‐Hall, 1993. Green, Jonathan: A Conductor’s Guide to Choral‐Orchestral Works. Metuchen, NJ: Scarecrow Press, 1994. __________: A Conductor’s Guide to Choral‐Orchestral Works: Twentieth Century, Part II. Lanham, MD: Scarecrow Press, 1998. __________: A Conductor’s Guide to the Choral‐Orchestral Works of J. S. Bach. Lanham, MD: Scarecrow Press, 2000. __________: A Conductor’s Guide to Choral‐Orchestral Works of the Classical Period, Part I: Haydn and Mozart. Lanham, MD: Scarecrow Press, 2002. __________: A Conductor’s Guide to 19th‐Century Choral‐Orchestral Works. Lanham, MD: Scarecrow Press, 2008. Knapp, J. Merrill, editor: Selected List of Music for Men’s Voices. Princeton, NJ: Princeton University Press, 1952.

Pahlen, Kurt: The World of the Oratorio. Portland, Oregon: Amadeus Press, 1985. Robertson, Alec: Requiem: Music of Mourning and Consolation. London: Praeger Press, 1985. Smither, Howard E.: A History of the Oratorio, 4 volumes. Chapel Hill: University of North Carolina Press, 1977‐2000. Steinberg, Michael: Choral Masterworks: A Listener’s Guide. New York: Oxford University Press, 2005. Strimple, Nick: Choral Music in the Twentieth Century. New York: Amadeus Press, 2005. __________: Choral Music in the Nineteenth Century. New York: Amadeus Press, 2008. Ulrich, Homer: A Survey of Choral Music. New York: Harcourt, Brace, and Jovanovich, 1973. Young, Percy M.: The Choral Tradition. New York: W.W. Norton, 1971. Band Battisti, Frank: 20th‐Century American Wind Band/Ensemble. Galesville, MD: Meredith Music, 2000. Fennell, Frederick: A Conductor’s Interpretive Analysis of Masterworks for Band. Galesville, MD: Meredith Music Publications, 2008. Garofalo, Robert J.: Guides to Band Masterworks, volumes 1 and 2. Galesville, MD: Meredith Music Publications, 2000. The New ASBDA Curriculum Guide. New York: Alfred, 1997. Renshaw, Jeffrey H.: The American Wind Symphony Commissioning Project: A Descriptive Catalog of Published Editions 1957‐1991. Westport, CT: Greenwood, 1991. Wallace, David, and Eugene Corporon: Wind Ensemble/Band Repertoire. Greeley: University of Northern Colorado School of Music, 1984. Conductors and the History of Conducting Badal, James: Recording the Classics: Maestros, Music, and Technology. Kent, OH: Kent State University Press, 1996. Bamberger, Carl, editor: The Conductor’s Art. New York: McGraw‐Hill, 1965. Bloch, Henry: Directory of Conductors’ Archives in American Institutions. Lanham, MD: Scarecrow Press, 2006. Bowen, José Antonio, editor: Cambridge Companion to Conducting. New York: Cambridge University Press, 2003. Brook, Donald: International Gallery of Conductors. London: Rockcliff, 1951. Ewen, David: Dictators of the Baton: An Intimate Appraisal of America’s Thirty Leading Symphonic Conductors and Their Famous Orchestras. Chicago: Alliance, 1943. Galkin, Elliott W.: A History of Orchestral Conducting: In Theory and Practice. Stuyvesant, NY: Pendragon Press, 1988. Hart, Philip: Conductors: A New Generation, revised. New York: Scribner’s, 1983.

Holden, Raymond: The Virtuoso Conductors: The Central European Tradition from Wagner to Karajan. New Haven: Yale University Press, 2005. Lebrecht, Norman: The Maestro Myth: Great Conductors in Pursuit of Power. New York: Birch Lane Press, 1991. May, Robin: Behind the Baton: A Who’s Who of Conductors. London: Frederick Muller Limited, 1981. Schoenberg, Harold C.: The Great Conductors. New York: Simon and Schuster, 1967. Wagar, Jeannine: Conductors in Conversation: Fifteen Contemporary Conductors Discuss Their Lives and Profession. Boston: G.K. Hall, 1991. Young, Percy: World Conductors. London: Abelard‐Schuman, 1965. Individual Conductors Furtwängler, Wilhelm Furtwängler, Wilhelm: Concerning Music, translated by L.J. Lawrence. London: Boosey and Hawkes, 1953. Shirakawa, Sam H.: The Devil’s Music Master: The Controversial Life and Career of Wilhelm Furtwängler. Oxford: Oxford University Press, 1992. Klemperer, Otto Klemperer, Otto: Minor Recollections. London: Dennis Dobson, 1964. __________: Conversations With Klemperer, edited by Peter Heyworth. London: Faber and Faber, 1973. __________: Klemperer on Music: Shavings from a Musician’s Workbench, edited by Martin Anderson. Norfolk: Toccata Press, 1986. Mitropoulos, Dmitri Arfanis, Stathis A.: The Complete Discography of Dmitri Mitropoulos. Athens; Potamos, 2000. Trotter, William R.: Priest of Music: The Life of Dmitri Mitropoulos. Milwaukee, WI: Hal Leonard, 1995. Monteux, Pierre Canarina, John: Pierre Monteux, Maître. Milwaukee, WI: Hal Leonard, 2003. Munch, Charles Munch, Charles: I am a Conductor, translated by Leonard Burkat. New York: Oxford University Press, 1955. Reiner, Fritz Hart, Philip: Fritz Reiner: A Biography. Evanston, IL: Northwestern University Press, 1994. Morgan, Kenneth: Fritz Reiner, Maestro and Martinet. Champaign, IL: University of Illinois Press, 2005.

Rilling, Helmuth Hansen, Sharon: Helmuth Rilling: Conductor, Teacher. Dayton, OH: Roger Dean, 1997. Shaw, Robert Mussulman, Joseph A.: Dear People…Robert Shaw. Chapel Hill: Hinshaw, 1996. Shaw, Robert: The Robert Shaw Reader, edited by Robert Blocker. New Haven: Yale University Press, 2004. Szell, George Charry, Michael: George Szell: A Life of Music. Champaign, IL: University of Illinois Press, 2011. Thomas, Theodore Russell, Charles Edward: The American Orchestra and Theodore Thomas. New York: Doubleday, 1927. Reprinted by Greenwood Press, 1971. Schabas, Ezra: Theodore Thomas: America's Conductor and Builder of Orchestras, 1835‐1905. Champaign: University of Illinois Press, 1989. Toscanini, Arturo Antek, Samuel: This Was Toscanini. New York: Vanguard Press, 1963. Chotzinoff, Samuel: Toscanini: An Intimate Portrait. New York: Knopf, 1956. Frank, Mortimer H.: Arturo Toscanini: The NBC Years. Milwaukee, WI: Hal Leonard, 2002. Haggin, Bernard H.: The Toscanini Musicians Knew. New York: Horizon Press, 1967. Haggin, Bernard H., Arturo Toscanini, and Thomas Hathaway: Arturo Toscanini: Contemporary Recollections of the Maestro. Cambridge, MA: Da Capo Press, 1989. Horowitz, Joseph: Understanding Toscanini: How He Became an American Culture‐ God and Helped Create a New Audience for Classical Music. New Tork, A. A. Knopf, 1987. Hughes, Spike: The Toscanini Legacy: A Critical Study of Arturo Toscanini’s Performances of Beethoven, Verdi, and Other Composers. New York: Putnam, 1959. Marek, George Richard: Toscanini. New York: Atheneum, 1975. Marsh, Robert Charles: Toscanini and the Art of Orchestra Performance. Westport, CT: Greenwood Press, 1973. Sachs, Harvey: Toscanini. New York: J.B. Lippincott, 1978. __________: Reflections on Toscanini. London: Robson, 1992. Taubman, Hyman Howard: The Maestro: The Life of Arturo Toscanini. New York: Simon and Schuster, 1951. Toscanini, Arturo: The Letters of Arturo Toscanini, edited by Harvey Sachs. Chicago: University of Chicago Press, 2006.

Walter, Bruno Ryding, Erik S., and Rebecca Pechefsky: Bruno Walter: A World Elsewhere. New Haven, CT: Yale University Press, 2001. Walter, Bruno: Of Music and Music Making. New York: W. W. Norton, 1957. Score Reading Dickreiter, Michael: Score Reading: A Key to the Music Experience. New York: Amadeus Press, 2003. Morris, R.O., and Howard Ferguson: Preparatory Exercises in Score Reading. Oxford: Oxford University Press, 1968. Other Catalogues Eagon, Angelo, ed.: Catalog of Published Concert Music by American Composers, second edition. Metuchen, NJ: Scarecrow Press, 1969. Supplement, 1971; second supplement, 1974. Kallmann, Helmut, Gilles Potvin, and Kenneth Winters: Encyclopedia of Music in Canada. Toronto: University of Toronto Press, 1981. Southern, Eileen: The Music of Black Americans: A History. New York: W.W. Norton, 1971. __________: Biographical Dictionary of Afro‐American and African Musicians. Westport, CT: Greenwood Press, 1982. Instruments and Orchestration Baines, Anthony: Brass Instruments and Their History and Development. London: Faber and Faber, 1976. Reprinted by Dover, 1993. __________: Woodwind Instruments and Their History. London: Faber and Faber, 1957. Reprinted by Dover, 1991. Bekker, Paul: The Orchestra. New York: W. W. Norton, 1963. Carse, Adam: The History of Orchestration. London: J. Curwen, 1925. __________: Musical Wind Instruments. New York: Da Capo, 1965. __________: The Orchestra. New York: Chanticleer Press, 1949. __________: The Orchestra in the XVIIIth Century. Cambridge: W. Heffer and Sons, 1940. Reprinted: New York: Broude Brothers, 1969. __________: The Orchestra from Beethoven to Berlioz. Cambridge: W. Heffer and Sons, 1948. Del Mar, Norman: Anatomy of the Orchestra. Berkeley: University of California Press, 1983. Marcuse, Sibyl: Musical Instruments: A Comprehensive Dictionary. New York: W. W. Norton, 1975.

Read, Gardner: Thesaurus of Orchestral Devices. London: Sir Isaac Pitman and Sons, 1953. Sachs, Curt: The History of Musical Instruments. New York: W. W. Norton, 1940. Terry, Charles Sanford: Bach’s Orchestra. London: Oxford University Press, 1932. Individual Instruments Flute Bate, Philip: The Flute. London: Ernest Benn, 1969. Galway, James: Flute (Yehudi Menuhin Music Guides). New York: Schirmer. Reprinted: London: Kahn and Averill, 2003. Powell, Ardal: The Flute (Yale Musical Instrument Series). New Haven: Yale University Press, 2003. Putnik, Edwin V.: The Art of Flute Playing. Summy‐Birchard, 1970, distributed by Warner Brothers; Miami, FL. Toff, Nancy: The Flute Book: A Complete Guide for Students and Performers with a Comprehensive Repertoire Catalog. New York: Scribner’s, 1985 Oboe Bate Philip: The Oboe. London: Ernest Benn, 1969. Burgess, Geoffrey and Bruce D. Haynes: The Oboe (Yale Musical Instrument Series). New Haven: Yale University Press, 2010. Goossens, Leon, and Edwin Roxburgh: Oboe (Yehudi Menuhin Music Guides). New York: Schirmer, 1977. Reprinted: London: Kahn and Averill, 2001. Sprenkle, Robert: The Art of Oboe Playing. Summy‐Birchard, 1961, distributed by Warner Brothers; Miami, FL. Clarinet Brymer, Jack: Clarinet (Yehudi Menuhin Music Guides). New York: Schirmer. Reprinted: London: Kahn and Averill, 2001. Lawson, Colin, editor: The Cambridge Companion to the Clarinet. New York: Cambridge University Press, 1996. Rendall, F. Geoffrey: The Clarinet. London: Ernest Benn, 1969. Stein, Keith: The Art of Clarinet Playing. Summy‐Birchard, 1958, distributed by Warner Brothers; Miami, FL. Willaman, Robert: The Clarinet and Clarinet Playing. New York: Carl Fischer, 1954. Bassoon Langwill, Lyndesay G.: The Bassoon and Contrabassoon. London: Ernest Benn, 1969. Spencer, William and Frederick A. Mueller: The Art of Bassoon Playing. Summy‐ Birchard, 1969, distributed by Warner Brothers; Miami, FL. Waterhouse, William: Bassoon (Yehudi Menuhin Music Guides). New York: Schirmer. Reprinted: London: Kahn and Averill, 2001.

Saxophone Harvey, Paul: Saxophone (Yehudi Menuhin Music Guides). New York: Schirmer. Reprinted: London: Kahn and Averill, 2001. Teal, Larry: The Art of Saxophone Playing. Summy‐Birchard, 1963, distributed by Warner Brothers; Miami, FL. General Winds Weisberg, Arthur: The Art of Wind Playing. Galesville, MD: Meredith Music Publications, 2007. Horn Farkas, Philip: The Art of French Horn Playing. Summy‐Birchard, 1956, distributed by Warner Brothers; Miami, FL. Morley‐Pegge, R. The French Horn. London: Ernest Benn, 1969. Tuckwell, Barry: Horn (Yehudi Menuhin Music Guides). New York: Schirmer. Reprinted: London: Kahn and Averill, 2003. Trumpet Bate, Philip: The Trumpet and Trombone. London: Ernest Benn, 1969. Steele‐Perkins, Crispian: Trumpet (Yehudi Menuhin Music Guides). New York: Schirmer. Reprinted: London: Kahn and Averill, 2001. Wallace, John and Alexander McGrattan: The Trumpet (Yale Musical Instrument Series). New Haven: Yale University Press, forthcoming in 2012. Trombone Bate, Philip: The Trumpet and Trombone. London: Ernest Benn, 1969. Herbert, Trevor: The Trombone (Yale Musical Instrument Series). New Haven: Yale University Press, 2006. Kleinhammer, Edward: The Art of Trombone Playing. Summy‐Birchard, 1956, distributed by Warner Brothers; Miami, FL. Tuba Phillips, Harvey, and William Winkle: The Art of Tuba and Euphonium. Summy‐ Birchard, 1992, distributed by Warner Brothers; Miami, FL. Percussion Blades, James: Percussion Instruments and Their History. London: Faber and Faber, 1970. Holland, James: Percussion (Yehudi Menuhin Music Guides). New York: Schirmer. Reprinted: London: Kahn and Averill, 2001. Montagu, Jeremy: Timpani and Percussion (Yale Musical Instrument Series). New Haven: Yale University Press, 2002. Peinkofer, Karl, and Fritz Tannigel: Handbook of Percussion Instruments, translated by Kurt and Else Stone. New York: Schott, 1976.

Violin and Viola Menuhin, Yehudi, and William Primrose: Violin and Viola (Yehudi Menuhin Music Guides). New York: Schirmer. Reprinted: London: Kahn and Averill, 2001. Cello Pryon, William, and Nona Pleeth: Cello (Yehudi Menuhin Music Guides). New York: Schirmer. Reprinted: London: Kahn and Averill, 2001. Double Bass Turetzky, Bertram: The Contemporary Contrabass, revised edition. Berkeley: University of California Press, 1989. Harp Rensch, Roslyn: The Harp: Its History, Technique, and Repertoire, second edition. New York: Praeger, 1971. Compiled by Jonathan D. Green for the Conductors Guild, rev. 2011