Guitar Exam Pieces 2019 - G5
This document was uploaded by user and they confirmed that they have the permission to share it. If you are author or own the copyright of this book, please report to us by using this DMCA report form. Report DMCA
Overview
Download & View Guitar Exam Pieces 2019 - G5 as PDF for free.
More details
- Words: 6,747
- Pages: 20
Loading documents preview...
Guitar Exam Pieces 2019 title page G5.pdf September 5, 2018 10:22:30 page 1
Reproduced by permission of ABRSM. All rights reserved.
Guitar
Exam Pieces
ABRSM Grade 5 Selected from the syllabus from 2019 Gary Ryan Guitar consultant
Anthony Burton Footnotes
Name
Date of exam
First published in 2018 by ABRSM (Publishing) Ltd, a wholly owned subsidiary of ABRSM, 4 London Wall Place, London EC2Y 5AU, United Kingdom © 2018 by The Associated Board of the Royal Schools of Music Distributed worldwide by Oxford University Press Unauthorized photocopying is illegal All rights reserved. No part of this publication may be reproduced, recorded or transmitted in any form or by any means without the prior permission of the copyright owner. Music origination by Moira Roach Cover by Kate Benjamin & Andy Potts, with thanks to Brighton College Printed in England by Caligraving Ltd, Thetford, Norfolk, on materials from sustainable sources. Reprinted in 2018
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:13 page 2
Duet
C ontents LIST A
page
1 Anon. Musette: BWV Anh. II 126, arr. Peter Batchelar
3
2
Robert de Visée Gigue: from Pièces de théorbe et de luth4
3
Thomas Robinson Twenty Ways Upon the Bells: from The Schoole of Musicke, arr. Christopher Susans 5
LIST B
1
Mauro Giuliani Andantino: No. 4 from Bagatelle, Op. 73
2
Trad. Irish, adapted Harold Samuel Danny Boy, arr. Richard Wright
10
3
attrib. Francisco Tárrega Tango, arr. Helen Sanderson
11
8
LIST C
1
Paul Desmond Take Five, arr. Abigail James
2
Tatiana Stachak Carmen (Tango Waltz): from Invitation to the Waltz16
3
Laura Snowden The Snow Globe
Other pieces for Grade 5 LIST A 4 Anon. Villanelle in A, arr. Scheit. Renaissance Dances (Universal) 5 J. S. Bach Bourrée I (from Suite No. 3 in G, BWV 1009), arr. Wright. J. S. Bach: Cello Suites 1–4 (Cadenza Music) 6 Baron Sarabande (ornaments optional), arr. Wright. The Baroque Book (Chanterelle) 7 Telemann Gigue, arr. Wright. The Baroque Book (Chanterelle) 8 Vincent Lindsey-Clark Sonata Scarlatta: from Simply Baroque (Montague Music) 9 Pilkington Echo for Two Lutes, arr. Hegel. Duets for Fun: Guitars (Schott) 10 Visée Sarabande: from Suite in D minor, arr. Scheit (Universal) LIST B 4 Carcassi Étude in F (No. 16 from 25 études, Op. 60). Carcassi: 25 études mélodiques progressives, Op. 60 (Chanterelle) or Carcassi: 25 Etudes for Guitar, Op. 60 (Tecla Editions) or No. 21 from The Classical Book (Chanterelle) 5 N. Coste Leçon in D minor. No. 27 from The Classical Book (Chanterelle) 6 J. Ferrer Ejercicio in E minor (No. 7 from Colección 3a de ejercicios). J. Ferrer: Charme de la nuit (Faber) 7 Grieg Waltz (No. 2 from Lyric Pieces, Op. 12), arr. Wright. One + One, Vol. 3: pupil’s part and teacher’s score (Chanterelle) 8 Mertz Allegretto (No. 15 from Schule für die Guitare). Time Pieces for Guitar, Vol. 2 (ABRSM) 9 Tárrega Prelude ‘Lágrima’. Time Pieces for Guitar, Vol. 2 (ABRSM) 10 Sor Allegretto (No. 22 from 24 exercices très faciles, Op. 35). Romantic Guitar Anthology, Vol. 3 (Schott) or Sor: The Complete Studies (Chanterelle) or Sor: The Complete Studies, Lessons, and Exercises (Tecla Editions) LIST C 4 Leo Brouwer Étude No. 6 (from Études simples). Leo Brouwer: Études simples, Vol. 2 (Eschig) or Leo Brouwer: Œuvres pour guitare (Eschig) 5 David Cottam Campanella Prelude. Zebramusic (ESG Music) 6 Gerald Garcia Étude No. 3: from 25 études esquisses (Mel Bay) 7 Guinga Senhorinha. Time Pieces for Guitar, Vol. 2 (ABRSM) 8 Henderson & Dixon Bye Bye Blackbird, arr. Batchelar & Wright. Time Pieces for Guitar, Vol. 2 (ABRSM) 9 Piazzolla Vuelvo al sur, arr. Ryan. Play Piazzolla (Boosey & Hawkes) 10 Trad. Brazilian Tutu maramba (observing repeat), arr. Rivoal. Chansons et danses d’Amérique latine, Vol. E (Lemoine)
14 18
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:13 page 3
3
It is illegal to make unauthorized copies of this copyright music.
Musette
A:1
BWV Anh. II 126 Anon.
Arranged by Peter Batchelar
Allegro q = c.80 m
p 4 4 2 4 m
4
f
5
2 3
i
9
mf
4
13
p
IV
₵II
2 1 1
17
m
i
a
m
i
a
cresc.
m
i
4
Fine
i
D.C. al Fine
mf
The great German composer Johann Sebastian Bach presented two Clavierbüchlein (Little Keyboard Books), copied with the help of family members and friends, to his second wife Anna Magdalena. The first, from 1722, consisted entirely of his own music; the second, from 1725, was an anthology of pieces mostly by other composers, for Anna Magdalena to play for enjoyment or to teach to the couple’s children. The latter collection is the source of this anonymous Musette. The title indicates a dance of pastoral character, named after a type of small bagpipes popular in the 18th century. The repeated bass notes in the accompaniment suggest a bagpipe drone, while the D sharps in bar 17 also imitate rustic piping. © 2018 by The Associated Board of the Royal Schools of Music
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:13 page 4
4
It is illegal to make unauthorized copies of this copyright music.
Gigue
A:2
from Pièces de théorbe et de luth
Robert de Visée
Realized for modern guitar by Gary Ryan
mf
4 2 3
6
3 0
2
11
16
21
2
26
31
mf
4
4 1 0 2 0 3
cresc.
2 1
3 3 1
4 1
mp
2
3
3 2
2 3
2
1 4 1 0
1
[Light and graceful q = c.126]
(c.1655–1732/3)
Robert de Visée was a chamber musician to the French king Louis XIV, playing various plucked-string instruments: guitar (which he also taught to the king), lute and theorbo (bass lute). He also composed pieces for all these instruments, publishing selections in three volumes. This gigue, a dance in brisk compound or triple time, is from his Pieces for theorbo and lute, which appeared in Paris in 1716.
Source: first edition, Pièces de théorbe et de luth mises en partition, dessus et basse (Paris: Bélanger; Hurel, 1716). The source is notated in time, but this edition appears in . The original also includes more ornamentation. © 2018 by The Associated Board of the Royal Schools of Music
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:14 page 5
It is illegal to make unauthorized copies of this copyright music.
5
*
Twenty Ways Upon the Bells
A:3
from The Schoole of Musicke Thomas Robinson
Arranged by Christopher Susans
(fl. 1589–1609)
Con moto q = c.72
I
II
= D p sotto voce
6
11
mp
V
mf
Thomas Robinson was an English player of the lute and the cittern (an instrument with plucked wire strings), and the author of influential instruction books for both. His The Schoole of Musicke, which appeared in London in 1603, is for the most part a lute tutor, with text in the form of a dialogue and exercises for the student. It also contains a series of complete pieces, lute solos and duets, including several in the form of variations over a ‘ground’, a repeated pattern played by a second performer. This one has a two-bar ground imitating the ringing of church bells. In the exam, the candidate should play part I. * This page may be photocopied to avoid the page turn. © 2018 by The Associated Board of the Royal Schools of Music
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:14 page 6
6
II 4 4 i p i
15
p
19
2
2
i
p
p
V II 4 2 4 3
2 2 4 1
2 4 2 4 3 3 1 24
29
3
p
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:14 page 7
7
34
39
mf
mp
V 0 3 42
f
45
mf
rall.
dim. poco a poco
dim. poco a poco
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:14 page 8
8
It is illegal to make unauthorized copies of this copyright music.
Andantino
B:1
No. 4 from Bagatelle, Op. 73
Mauro Giuliani
0 3
Andantino [q. = c.56]
mf
5
9
13
0 1 2
(1781–1829)
4
mf
mp
mp
mf
f
17
mf 21
dim.
Mauro Giuliani was born in southern Italy but lived in Vienna from 1806 to 1819, making his name there as a guitarist and composer. In 1808, he gave the first performance of his Concerto in A major, the earliest virtuoso concerto for guitar and full orchestra. Altogether he wrote three concertos and published more than 200 works for the guitar, solo and in chamber ensembles. This pastoral Andantino comes from a set of ten bagatelles (a word meaning ‘trifles’ or miniatures) published in Vienna in 1816. Source: Bagatelle per la chitarra (Vienna: Pietro Mechetti, c.1819). All dynamics are editorial. © 2018 by The Associated Board of the Royal Schools of Music
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:14 page 9
9
25
29
33
37
mp
mp
mp
AB 3922
mf
mf
f
mp
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:14 page 10
10
It is illegal to make unauthorized copies of this copyright music.
Danny Boy
B:2
Trad. Irish Adapted by Harold Samuel
Arranged by Richard Wright
m 3 1
Heartfelt q = c.56
a
i
m
i
2 m
₵IV
2 1 2 1
m 0 4 4 0 2 mp
3
p
m
i
4 4 2 4 2
6
a
a
m
i
4
m
3 1 0
1 3 1 2 m
mf
a 0 4 4 4 2 2 3 i m m i i
9
a ₵II
₵II
a
p
12 1 i p p
allargando
a
m
a
rall. molto m ₵II
f
tempo rubato m
4 1 1 p mp rall. molto tempo primo 43 0 202 2 1 1 0 4 4 2
3 m 0 2 2 1
15
a m a 4 4 1 3 1 i a
mf
pp
The melody of ‘Danny Boy’ is an Irish folk tune from County Londonderry, first printed in 1855 and commonly known as the ‘Londonderry Air’. The words are by the English lawyer and lyricist Fred E. Weatherly: they were written for another melody in 1910, and adapted by Weatherly in 1913 to fit the ‘Londonderry Air’. With an accompaniment by the pianist and composer Harold Samuel (1879 –1937), the result became one of the most successful songs in the early years of commercial recordings. Weatherly’s lyrics are a girl’s farewell to her beloved Danny as he leaves, perhaps to go off to war. © Copyright 1913 by Boosey & Co. Ltd This arrangement © 2018 by Boosey & Co. Ltd. Reproduced by permission.
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:15 page 11
11
*
It is illegal to make unauthorized copies of this copyright music.
Tango
B:3 attrib. Francisco Tárrega
Arranged by Helen Sanderson
1 4
(1852–1909)
Appassionato q = c.69
I
3 V
II = D
5
4 2 3
f
3
1
3
f
3
4
III
1 2
mf
9
f
f
₵III 1 1 1
mf
0
3
1
4
1 2
3
3 2
3
III
III
23 1
1 0 3
1 1
1
3 1 2
I
0 4
3 4
₵III 1 1 1
0 0 2
The Spanish guitarist and composer Francisco Tárrega was largely responsible for the revival of the guitar as a solo instrument in the years around 1900. This piece published under his name is called ‘Tango’, after the national dance of Argentina, which is popular all over the Spanishspeaking world. However, it was printed after Tárrega’s death, and closely resembles a Habanera (a dance of Cuban origin) written for two guitars and called ‘Enriqueta’ by Tárrega’s compatriot and fellow-guitarist Carlos García Tolsa (1858–1905). So it seems that Tárrega’s ‘Tango’ may be an arrangement rather than an original composition – in which case this duet version restores Tolsa’s original scoring! In the exam, the candidate should play part I. * This page may be photocopied to avoid the page turn. © 2018 by The Associated Board of the Royal Schools of Music
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:15 page 12
12
XII
harm.
14
0 3
4
mf marcato
2
13
gliss. 1
19
4 1 3
1 2
3
1 2
23
mf
1
mp
3 13 2
25
4 1 3
sim.
f
mf
30
4 1 3 2 2
2 3
10
AB 3922
2 1.
3
2.
₵III
1 1 2
III
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:15 page 13
13
2 4 2 2 1 34
gliss.V 3 3
II
0 3 0 3
4 2 2 1 2 0 3
2
1 0
1 0 0 1 0 42
f
f
4 3 47
3
1
0 2 0
3
₵II
1 1 4 1 32 0 0 3
1
mf cantabile
3
1 3 4 3
mf cantabile
38 II 1 2 3
3
3 2
I
3
3
gliss.
4
3 3 2 1 0
12 213 0 3
3
3
3
rall.
3
mf 3
3 mf
AB 3922
4
VII
harm.
pizz.
3
3
harm.
V
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:15 page 14
14
It is illegal to make unauthorized copies of this copyright music.
Take Five
C:1
Paul Desmond
Arranged by Abigail James
Mellow, with swing q = c.138 (iq = qK e)
₵V
p
4
(1924–77)
4 3 2 3 3 1 2 0 0 1 mf
1 2 1 4 2 1 ₵VII
₵V 1
III
7
10
VI 13 1 4 4 1 2 1 2 0 1 3 0 CVIII
f
mf
V I I 1 2 2 2 3 0 0 1 3 4 0 2 2 0 1
CVII
mp
Take Five appeared on the 1959 LP record Time Out by the American jazz group the Dave Brubeck Quartet, and became a massive international hit. Brubeck composed most of the tracks on the album, using the unconventional time signatures for which he was renowned, but this piece in was written by the Quartet’s saxophonist Paul Desmond. Each bar is regularly divided into three plus two beats. As well as alluding to the metre, the title is a familiar instruction to musicians to take a five-minute break. Copyright © 1960 (Renewed 1988) Derry Music Company (World excluding U.S.A.); Desmond Music Company (USA) This arrangement Copyright © 2018 Derry Music Company (World excluding U.S.A.); Desmond Music Company (USA) All rights for the world excluding USA, Canada & Japan controlled by Valentine Music Ltd.
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:15 page 15
15
16 2 VII
f
19
2 mp
25
28
31
AB 3922
mf
rall.
mf
VII 1 3
0 1 0 3 V
22
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:16 page 16
16
It is illegal to make unauthorized copies of this copyright music.
Carmen
C:2
(Tango Waltz) from Invitation to the Waltz
Tatiana Stachak (born 1973)
₵V i 3 4 2 4 1 2 1 1 4 3 q = 75–90
mf espressivo, vibrato, molto rubato e cantabile
i 3 4 3 2 4 4 1 3 3 2 1 2
5
4 4 4 2 1 2 0 1 2 3 4 ₵V
10
f
1
3 2
ritmico, senza ritenuto
to Coda
3 2 1
3 1
14
4
CII 2 3 4
1.
p
2.
mf rubato
3 2 pizz.
mp più animando
Tatiana Stachak is an award-winning Polish guitarist, composer and educator. Since her student years at the Wrocław Academy of Music, she has been interested in the education of young children, and she has written several volumes for beginner and intermediate guitarists, as well as textbooks on guitar teaching and ear training. She describes her Invitation to the Waltz, published in 2010, as a collection presenting ‘some of the many and varied manifestations and styles of this enduringly popular musical form’. It includes this piece in the style of the Argentine tango waltz, which is a relaxed, flowing dance. © 2010 Wydawnictwo EUTERPE Licensed with permission from Wydawnictwo EUTERPE, www.euterpe.pl.
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:16 page 17
17
40 3 2 1
2 4 4 2 1 3 1
molto ritmico
17
p
0 4 2 0 3 1 1 1 2
2
p
sul tasto
21
2 4 2 1 f
2 1 2
22b
2.
f
4
3 2 subito mp
CII
1.
4 1 2
4 2 1 1
pizz.
D.S. al Coda tempo primo
34 4 4 2 0 2 3 1 CII
mf rubato
AB 3922
CODA
15 ma
harm.
V
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:16 page 18
18
*
The Snow Globe
C:3
Laura Snowden
2 3
VII II
Magical q = c.116
I
1
4
1
IX
2
(born 1989)
2
mp cantabile
8 va harm. VII
VII
p l.v. throughout, except at harmony changes
6
It is illegal to make unauthorized copies of this copyright music.
XII XII
11
1
4
1
8 va
8 va
harm.
VII
VII
1
4 3
VII
2 3
IX
1
XII VII
2
4
3
CVII
4 2 3 3 floaty
The British guitarist and composer Laura Snowden studied at the Royal College of Music in London. She was entrusted with the Wigmore Hall premiere of a new work by Julian Anderson, commissioned by the Julian Bream Trust, and she performed at Shakespeare’s Globe with her folk ensemble Tir Eolas at the invitation of John Williams. The Snow Globe is named after a popular toy, a small glass sphere containing a winter scene which when shaken fills with a miniature snowstorm. The composer says: ‘I have loved snow globes since I was a child, and sought to portray their magic by combining harmonics with a slow waltz-like rhythm and an expressive melody.’ In the exam, the candidate should play part I. * Page 20 may be photocopied to avoid the page turn. © 2018 by The Associated Board of the Royal Schools of Music
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:16 page 19
19
16
8 va XII
V
XII VII
XII
XII
4 3 2 21
8 va VII
XII
₵II
V
II
₵III
26
0
II
CVII
VII
mp
mf
p
mp
31
14 2 AB 3922
1 4
3
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:16 page 20
20
35
3
XII mp
p
50
mf
44
4 1
harm.
1
CVII
1 2
39
f
VII
p like a magical memory
8 va harm. VII pp
XII
XII
VII
8 va
VII
AB 3922
VII XII
IX
XII
poco rit.
8 va VII
Reproduced by permission of ABRSM. All rights reserved.
Guitar
Exam Pieces
ABRSM Grade 5 Selected from the syllabus from 2019 Gary Ryan Guitar consultant
Anthony Burton Footnotes
Name
Date of exam
First published in 2018 by ABRSM (Publishing) Ltd, a wholly owned subsidiary of ABRSM, 4 London Wall Place, London EC2Y 5AU, United Kingdom © 2018 by The Associated Board of the Royal Schools of Music Distributed worldwide by Oxford University Press Unauthorized photocopying is illegal All rights reserved. No part of this publication may be reproduced, recorded or transmitted in any form or by any means without the prior permission of the copyright owner. Music origination by Moira Roach Cover by Kate Benjamin & Andy Potts, with thanks to Brighton College Printed in England by Caligraving Ltd, Thetford, Norfolk, on materials from sustainable sources. Reprinted in 2018
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:13 page 2
Duet
C ontents LIST A
page
1 Anon. Musette: BWV Anh. II 126, arr. Peter Batchelar
3
2
Robert de Visée Gigue: from Pièces de théorbe et de luth4
3
Thomas Robinson Twenty Ways Upon the Bells: from The Schoole of Musicke, arr. Christopher Susans 5
LIST B
1
Mauro Giuliani Andantino: No. 4 from Bagatelle, Op. 73
2
Trad. Irish, adapted Harold Samuel Danny Boy, arr. Richard Wright
10
3
attrib. Francisco Tárrega Tango, arr. Helen Sanderson
11
8
LIST C
1
Paul Desmond Take Five, arr. Abigail James
2
Tatiana Stachak Carmen (Tango Waltz): from Invitation to the Waltz16
3
Laura Snowden The Snow Globe
Other pieces for Grade 5 LIST A 4 Anon. Villanelle in A, arr. Scheit. Renaissance Dances (Universal) 5 J. S. Bach Bourrée I (from Suite No. 3 in G, BWV 1009), arr. Wright. J. S. Bach: Cello Suites 1–4 (Cadenza Music) 6 Baron Sarabande (ornaments optional), arr. Wright. The Baroque Book (Chanterelle) 7 Telemann Gigue, arr. Wright. The Baroque Book (Chanterelle) 8 Vincent Lindsey-Clark Sonata Scarlatta: from Simply Baroque (Montague Music) 9 Pilkington Echo for Two Lutes, arr. Hegel. Duets for Fun: Guitars (Schott) 10 Visée Sarabande: from Suite in D minor, arr. Scheit (Universal) LIST B 4 Carcassi Étude in F (No. 16 from 25 études, Op. 60). Carcassi: 25 études mélodiques progressives, Op. 60 (Chanterelle) or Carcassi: 25 Etudes for Guitar, Op. 60 (Tecla Editions) or No. 21 from The Classical Book (Chanterelle) 5 N. Coste Leçon in D minor. No. 27 from The Classical Book (Chanterelle) 6 J. Ferrer Ejercicio in E minor (No. 7 from Colección 3a de ejercicios). J. Ferrer: Charme de la nuit (Faber) 7 Grieg Waltz (No. 2 from Lyric Pieces, Op. 12), arr. Wright. One + One, Vol. 3: pupil’s part and teacher’s score (Chanterelle) 8 Mertz Allegretto (No. 15 from Schule für die Guitare). Time Pieces for Guitar, Vol. 2 (ABRSM) 9 Tárrega Prelude ‘Lágrima’. Time Pieces for Guitar, Vol. 2 (ABRSM) 10 Sor Allegretto (No. 22 from 24 exercices très faciles, Op. 35). Romantic Guitar Anthology, Vol. 3 (Schott) or Sor: The Complete Studies (Chanterelle) or Sor: The Complete Studies, Lessons, and Exercises (Tecla Editions) LIST C 4 Leo Brouwer Étude No. 6 (from Études simples). Leo Brouwer: Études simples, Vol. 2 (Eschig) or Leo Brouwer: Œuvres pour guitare (Eschig) 5 David Cottam Campanella Prelude. Zebramusic (ESG Music) 6 Gerald Garcia Étude No. 3: from 25 études esquisses (Mel Bay) 7 Guinga Senhorinha. Time Pieces for Guitar, Vol. 2 (ABRSM) 8 Henderson & Dixon Bye Bye Blackbird, arr. Batchelar & Wright. Time Pieces for Guitar, Vol. 2 (ABRSM) 9 Piazzolla Vuelvo al sur, arr. Ryan. Play Piazzolla (Boosey & Hawkes) 10 Trad. Brazilian Tutu maramba (observing repeat), arr. Rivoal. Chansons et danses d’Amérique latine, Vol. E (Lemoine)
14 18
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:13 page 3
3
It is illegal to make unauthorized copies of this copyright music.
Musette
A:1
BWV Anh. II 126 Anon.
Arranged by Peter Batchelar
Allegro q = c.80 m
p 4 4 2 4 m
4
f
5
2 3
i
9
mf
4
13
p
IV
₵II
2 1 1
17
m
i
a
m
i
a
cresc.
m
i
4
Fine
i
D.C. al Fine
mf
The great German composer Johann Sebastian Bach presented two Clavierbüchlein (Little Keyboard Books), copied with the help of family members and friends, to his second wife Anna Magdalena. The first, from 1722, consisted entirely of his own music; the second, from 1725, was an anthology of pieces mostly by other composers, for Anna Magdalena to play for enjoyment or to teach to the couple’s children. The latter collection is the source of this anonymous Musette. The title indicates a dance of pastoral character, named after a type of small bagpipes popular in the 18th century. The repeated bass notes in the accompaniment suggest a bagpipe drone, while the D sharps in bar 17 also imitate rustic piping. © 2018 by The Associated Board of the Royal Schools of Music
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:13 page 4
4
It is illegal to make unauthorized copies of this copyright music.
Gigue
A:2
from Pièces de théorbe et de luth
Robert de Visée
Realized for modern guitar by Gary Ryan
mf
4 2 3
6
3 0
2
11
16
21
2
26
31
mf
4
4 1 0 2 0 3
cresc.
2 1
3 3 1
4 1
mp
2
3
3 2
2 3
2
1 4 1 0
1
[Light and graceful q = c.126]
(c.1655–1732/3)
Robert de Visée was a chamber musician to the French king Louis XIV, playing various plucked-string instruments: guitar (which he also taught to the king), lute and theorbo (bass lute). He also composed pieces for all these instruments, publishing selections in three volumes. This gigue, a dance in brisk compound or triple time, is from his Pieces for theorbo and lute, which appeared in Paris in 1716.
Source: first edition, Pièces de théorbe et de luth mises en partition, dessus et basse (Paris: Bélanger; Hurel, 1716). The source is notated in time, but this edition appears in . The original also includes more ornamentation. © 2018 by The Associated Board of the Royal Schools of Music
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:14 page 5
It is illegal to make unauthorized copies of this copyright music.
5
*
Twenty Ways Upon the Bells
A:3
from The Schoole of Musicke Thomas Robinson
Arranged by Christopher Susans
(fl. 1589–1609)
Con moto q = c.72
I
II
= D p sotto voce
6
11
mp
V
mf
Thomas Robinson was an English player of the lute and the cittern (an instrument with plucked wire strings), and the author of influential instruction books for both. His The Schoole of Musicke, which appeared in London in 1603, is for the most part a lute tutor, with text in the form of a dialogue and exercises for the student. It also contains a series of complete pieces, lute solos and duets, including several in the form of variations over a ‘ground’, a repeated pattern played by a second performer. This one has a two-bar ground imitating the ringing of church bells. In the exam, the candidate should play part I. * This page may be photocopied to avoid the page turn. © 2018 by The Associated Board of the Royal Schools of Music
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:14 page 6
6
II 4 4 i p i
15
p
19
2
2
i
p
p
V II 4 2 4 3
2 2 4 1
2 4 2 4 3 3 1 24
29
3
p
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:14 page 7
7
34
39
mf
mp
V 0 3 42
f
45
mf
rall.
dim. poco a poco
dim. poco a poco
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:14 page 8
8
It is illegal to make unauthorized copies of this copyright music.
Andantino
B:1
No. 4 from Bagatelle, Op. 73
Mauro Giuliani
0 3
Andantino [q. = c.56]
mf
5
9
13
0 1 2
(1781–1829)
4
mf
mp
mp
mf
f
17
mf 21
dim.
Mauro Giuliani was born in southern Italy but lived in Vienna from 1806 to 1819, making his name there as a guitarist and composer. In 1808, he gave the first performance of his Concerto in A major, the earliest virtuoso concerto for guitar and full orchestra. Altogether he wrote three concertos and published more than 200 works for the guitar, solo and in chamber ensembles. This pastoral Andantino comes from a set of ten bagatelles (a word meaning ‘trifles’ or miniatures) published in Vienna in 1816. Source: Bagatelle per la chitarra (Vienna: Pietro Mechetti, c.1819). All dynamics are editorial. © 2018 by The Associated Board of the Royal Schools of Music
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:14 page 9
9
25
29
33
37
mp
mp
mp
AB 3922
mf
mf
f
mp
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:14 page 10
10
It is illegal to make unauthorized copies of this copyright music.
Danny Boy
B:2
Trad. Irish Adapted by Harold Samuel
Arranged by Richard Wright
m 3 1
Heartfelt q = c.56
a
i
m
i
2 m
₵IV
2 1 2 1
m 0 4 4 0 2 mp
3
p
m
i
4 4 2 4 2
6
a
a
m
i
4
m
3 1 0
1 3 1 2 m
mf
a 0 4 4 4 2 2 3 i m m i i
9
a ₵II
₵II
a
p
12 1 i p p
allargando
a
m
a
rall. molto m ₵II
f
tempo rubato m
4 1 1 p mp rall. molto tempo primo 43 0 202 2 1 1 0 4 4 2
3 m 0 2 2 1
15
a m a 4 4 1 3 1 i a
mf
pp
The melody of ‘Danny Boy’ is an Irish folk tune from County Londonderry, first printed in 1855 and commonly known as the ‘Londonderry Air’. The words are by the English lawyer and lyricist Fred E. Weatherly: they were written for another melody in 1910, and adapted by Weatherly in 1913 to fit the ‘Londonderry Air’. With an accompaniment by the pianist and composer Harold Samuel (1879 –1937), the result became one of the most successful songs in the early years of commercial recordings. Weatherly’s lyrics are a girl’s farewell to her beloved Danny as he leaves, perhaps to go off to war. © Copyright 1913 by Boosey & Co. Ltd This arrangement © 2018 by Boosey & Co. Ltd. Reproduced by permission.
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:15 page 11
11
*
It is illegal to make unauthorized copies of this copyright music.
Tango
B:3 attrib. Francisco Tárrega
Arranged by Helen Sanderson
1 4
(1852–1909)
Appassionato q = c.69
I
3 V
II = D
5
4 2 3
f
3
1
3
f
3
4
III
1 2
mf
9
f
f
₵III 1 1 1
mf
0
3
1
4
1 2
3
3 2
3
III
III
23 1
1 0 3
1 1
1
3 1 2
I
0 4
3 4
₵III 1 1 1
0 0 2
The Spanish guitarist and composer Francisco Tárrega was largely responsible for the revival of the guitar as a solo instrument in the years around 1900. This piece published under his name is called ‘Tango’, after the national dance of Argentina, which is popular all over the Spanishspeaking world. However, it was printed after Tárrega’s death, and closely resembles a Habanera (a dance of Cuban origin) written for two guitars and called ‘Enriqueta’ by Tárrega’s compatriot and fellow-guitarist Carlos García Tolsa (1858–1905). So it seems that Tárrega’s ‘Tango’ may be an arrangement rather than an original composition – in which case this duet version restores Tolsa’s original scoring! In the exam, the candidate should play part I. * This page may be photocopied to avoid the page turn. © 2018 by The Associated Board of the Royal Schools of Music
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:15 page 12
12
XII
harm.
14
0 3
4
mf marcato
2
13
gliss. 1
19
4 1 3
1 2
3
1 2
23
mf
1
mp
3 13 2
25
4 1 3
sim.
f
mf
30
4 1 3 2 2
2 3
10
AB 3922
2 1.
3
2.
₵III
1 1 2
III
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:15 page 13
13
2 4 2 2 1 34
gliss.V 3 3
II
0 3 0 3
4 2 2 1 2 0 3
2
1 0
1 0 0 1 0 42
f
f
4 3 47
3
1
0 2 0
3
₵II
1 1 4 1 32 0 0 3
1
mf cantabile
3
1 3 4 3
mf cantabile
38 II 1 2 3
3
3 2
I
3
3
gliss.
4
3 3 2 1 0
12 213 0 3
3
3
3
rall.
3
mf 3
3 mf
AB 3922
4
VII
harm.
pizz.
3
3
harm.
V
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:15 page 14
14
It is illegal to make unauthorized copies of this copyright music.
Take Five
C:1
Paul Desmond
Arranged by Abigail James
Mellow, with swing q = c.138 (iq = qK e)
₵V
p
4
(1924–77)
4 3 2 3 3 1 2 0 0 1 mf
1 2 1 4 2 1 ₵VII
₵V 1
III
7
10
VI 13 1 4 4 1 2 1 2 0 1 3 0 CVIII
f
mf
V I I 1 2 2 2 3 0 0 1 3 4 0 2 2 0 1
CVII
mp
Take Five appeared on the 1959 LP record Time Out by the American jazz group the Dave Brubeck Quartet, and became a massive international hit. Brubeck composed most of the tracks on the album, using the unconventional time signatures for which he was renowned, but this piece in was written by the Quartet’s saxophonist Paul Desmond. Each bar is regularly divided into three plus two beats. As well as alluding to the metre, the title is a familiar instruction to musicians to take a five-minute break. Copyright © 1960 (Renewed 1988) Derry Music Company (World excluding U.S.A.); Desmond Music Company (USA) This arrangement Copyright © 2018 Derry Music Company (World excluding U.S.A.); Desmond Music Company (USA) All rights for the world excluding USA, Canada & Japan controlled by Valentine Music Ltd.
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:15 page 15
15
16 2 VII
f
19
2 mp
25
28
31
AB 3922
mf
rall.
mf
VII 1 3
0 1 0 3 V
22
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:16 page 16
16
It is illegal to make unauthorized copies of this copyright music.
Carmen
C:2
(Tango Waltz) from Invitation to the Waltz
Tatiana Stachak (born 1973)
₵V i 3 4 2 4 1 2 1 1 4 3 q = 75–90
mf espressivo, vibrato, molto rubato e cantabile
i 3 4 3 2 4 4 1 3 3 2 1 2
5
4 4 4 2 1 2 0 1 2 3 4 ₵V
10
f
1
3 2
ritmico, senza ritenuto
to Coda
3 2 1
3 1
14
4
CII 2 3 4
1.
p
2.
mf rubato
3 2 pizz.
mp più animando
Tatiana Stachak is an award-winning Polish guitarist, composer and educator. Since her student years at the Wrocław Academy of Music, she has been interested in the education of young children, and she has written several volumes for beginner and intermediate guitarists, as well as textbooks on guitar teaching and ear training. She describes her Invitation to the Waltz, published in 2010, as a collection presenting ‘some of the many and varied manifestations and styles of this enduringly popular musical form’. It includes this piece in the style of the Argentine tango waltz, which is a relaxed, flowing dance. © 2010 Wydawnictwo EUTERPE Licensed with permission from Wydawnictwo EUTERPE, www.euterpe.pl.
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:16 page 17
17
40 3 2 1
2 4 4 2 1 3 1
molto ritmico
17
p
0 4 2 0 3 1 1 1 2
2
p
sul tasto
21
2 4 2 1 f
2 1 2
22b
2.
f
4
3 2 subito mp
CII
1.
4 1 2
4 2 1 1
pizz.
D.S. al Coda tempo primo
34 4 4 2 0 2 3 1 CII
mf rubato
AB 3922
CODA
15 ma
harm.
V
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:16 page 18
18
*
The Snow Globe
C:3
Laura Snowden
2 3
VII II
Magical q = c.116
I
1
4
1
IX
2
(born 1989)
2
mp cantabile
8 va harm. VII
VII
p l.v. throughout, except at harmony changes
6
It is illegal to make unauthorized copies of this copyright music.
XII XII
11
1
4
1
8 va
8 va
harm.
VII
VII
1
4 3
VII
2 3
IX
1
XII VII
2
4
3
CVII
4 2 3 3 floaty
The British guitarist and composer Laura Snowden studied at the Royal College of Music in London. She was entrusted with the Wigmore Hall premiere of a new work by Julian Anderson, commissioned by the Julian Bream Trust, and she performed at Shakespeare’s Globe with her folk ensemble Tir Eolas at the invitation of John Williams. The Snow Globe is named after a popular toy, a small glass sphere containing a winter scene which when shaken fills with a miniature snowstorm. The composer says: ‘I have loved snow globes since I was a child, and sought to portray their magic by combining harmonics with a slow waltz-like rhythm and an expressive melody.’ In the exam, the candidate should play part I. * Page 20 may be photocopied to avoid the page turn. © 2018 by The Associated Board of the Royal Schools of Music
AB 3922
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:16 page 19
19
16
8 va XII
V
XII VII
XII
XII
4 3 2 21
8 va VII
XII
₵II
V
II
₵III
26
0
II
CVII
VII
mp
mf
p
mp
31
14 2 AB 3922
1 4
3
AB3922 Guitar Exam Pieces 2019 G5 noCD text.pdf July 23, 2018 10:15:16 page 20
20
35
3
XII mp
p
50
mf
44
4 1
harm.
1
CVII
1 2
39
f
VII
p like a magical memory
8 va harm. VII pp
XII
XII
VII
8 va
VII
AB 3922
VII XII
IX
XII
poco rit.
8 va VII
Related Documents
Guitar Exam Pieces 2019 - G5
March 2021 0
Guitar Exam Pieces 2019 - G4
March 2021 0
Guitar Exam Pieces 2019 - G3 Abrsm
March 2021 0
Clarinet Exam Pieces 4
February 2021 2
Pick Up The Pieces - Guitar
March 2021 0
Gate 2019 Exam Pattern
February 2021 1More Documents from "Mohit"
Guitar Exam Pieces 2019 - G5
March 2021 0
Streching
February 2021 3
Boies Buku Ajar Penyakit Tht
January 2021 0
Classical Guitar Arr Stephan Schmidt
February 2021 3
Guitar Exam Pieces 2019 - G4
March 2021 0