Hope-3_q1_w4_mod4

  • Uploaded by: Diamond Paredes
  • 0
  • 0
  • March 2021
  • PDF

This document was uploaded by user and they confirmed that they have the permission to share it. If you are author or own the copyright of this book, please report to us by using this DMCA report form. Report DMCA


Overview

Download & View Hope-3_q1_w4_mod4 as PDF for free.

More details

  • Words: 2,568
  • Pages: 12
Loading documents preview...
Republic of the Philippines Department of Education National Capital Region

DIVISION OF CITY SCHOOLS – MANILA

Manila Education Center Arroceros Forest Park Antonio J. Villegas St. Ermita, Manila

HOPE -3 GRADE 12 FOLK DANCE LAPAY BANTIGUE

Quarter 1 Week 4 Module 4 Most Essential Learning Competencies: 1. Explains how to optimize the energy systems for safe and improved performance 2. Explains the role of physical activity in managing one’s stress 3. Sets FITT goals based on training principles to achieve and/or maintain HRF. 4. Self-Assesses Health-Related Fitness (HRF) status, barriers to physical activity assessment participation and one’s diet.

HOW TO USE THIS MODULE Before starting the module, I want you to set aside other tasks that will disturb you while enjoying the lessons. Read the simple instructions below to successfully enjoy the objectives of this kt. I Have fun! 1. Follow carefully all the contents and instructions indicated in every page of this module. 2. Write on your notebook the concepts about the lessons. Writing enhances learning, that is important to develop and keep in mind. 3. Perform all the provided activities in the module. 4. Let your facilitator/ guardian assess your answers using the answer key card. 5. Analyze conceptually the post-test and apply what you have learned. 6. Enjoy studying!

PARTS OF THE MODULE • Expectations – These are what you will be able to know after completing the lessons in the module. • Pre-test – This will measure your prior knowledge and the concepts to be mastered throughout the lesson. • Looking Back to your Lesson – This section will measure what learnings and skills did you understand from the previous lesson. • Brief Introduction – This section will give you an overview of the lesson. • Activities – This is a set of activities you will perform with a partner. • Remember – This section summarizes the concepts and applications of the lessons. • Check your Understanding – It will verify how you learned from the lesson. • Post-test – This will measure how much you have learned from the entire module.

1

PRE-TEST Choose the letter of the best answer. Write the chosen letter on a separate sheet of paper 1. A dance developed by people that reflect the life of the people of a certain country or region A. Contemporary Dance C. Ethnic/Folk dance B. Street Dance D. Social dance 2. A classification of dance that is suitable for special occasions. C. Festival Dance C. Wedding dance D. Courtship Dance D. Occupational dance 3. Lapay Bantigue was originated in the island of E. Panay C. Palawan F. Masbate D. Negros 4. Lapay Bantigue is an example of what classification of dance. G. Occupational C. Religious H. Festival D. Comic 5. What movement is being demonstrated by this; “Raise your right arm and do a horizontal thumbs up. Rotate your hand and wrist four counts clockwise, and another four counts counter-clockwise” I. Kumintang C. Salok J. Hayon – hayon D. Wasiwas 6. The Philippine national costume for women is. A. Maria Clara C. Kimono B. Baro at Saya D. Binukot 7. Planting, punding and fishing are examples of what classification of dance. A. Wedding Dance C. Courtship Dance B. Festival Dance D. Occupational dance 8. Which of the following is not an example of Philippine folk dance. A. Itik-Itik C. Scottish B. Maglalatik D. Pantomina 9. Which of the following dance steps used in the dance Lapay Bantigue. A. Kumintang C. Habanera B. Mincing D. Polka 10. The Philippine national costume for men is. A. Ifugao C. Kalinga B. Barong Tagalog D. Bahag

Great, you finished answering the questions. You may request your facilitator to check your work. Congratulations and keep on learning!

2

HOPE-3

LESSON 4: FOLK DANCE – LAPAY BANTIGUE EXPECTATIONS

This module will help you to:

• • • •

Know the meaning of folk dance Identify the classification of folk dance Discuss the background and context of the dance Lapay Bantigue Perform the dance competencies of Lapay bantigue properly.

LOOKING BACK TO YOUR LESSON The FITT Principle (or formula) is a great way of monitoring your exercise program. The acronym FITT outlines the key components, or training guidelines, for an effective exercise program, and the initials F, I, T, T, stand for: Frequency, Intensity, Time and Type. ● Frequency: refers to the frequency of exercise undertaken or how often you exercise. ● Intensity: refers to the intensity of exercise undertaken or how hard you exercise. ● Time: refers to the time you spend exercising or how long you exercise for. ● Type: refers to the type of exercise undertaken or what kind of exercise do.

you

BRIEF INTRODUCTION With each passing year, customs and beliefs of groups of people get built little by little, slowly with time forming into traditions. Folk dances represent one of the strongest ways these (sometimes truly ancient) traditions of countries and regions can be showcased to the public. Even though many traditional dances bear the name of an ethnic dance, not all of them remained folk dances, but all of them try to emphasize the cultural roots of the particular dance. Some of them morphed over time into religious dances, and as such, they are not primarily used to showcase tradition but to enhance religious ceremonies and beliefs. Such dances are often called religious or ritual dances. 3

Dance or dancing is said to be a stress reliever, it is also a form of exercise that will help boost the immune system through cardio exercises in a form of zumba, hiphop aero and dance aerobics. Many of this dance comes in different forms and nature and one of these is the Ethnic or Folk dance. In this module, you will learn one dance offered in K-12 Curriculum in HOPE 3, which is the Folk Dance.

A.

Ethnic / Folk Dance Defined

A folk dance is a dance developed by people that reflect the life of the people of a certain country or region. Not all ethnic dances are folk dances. For example, ritual dances or dances of ritual origin are not considered to be folk dances. Ritual dances are usually called "Religious dances" because of their purpose. The terms "ethnic" and "traditional" are used when it is required to emphasize the cultural roots of the dance. In this sense, nearly all folk dances are ethnic ones

B.

Philippine Folk Dance

The history of Philippine folk dancing incorporates influences from immigrants and conquerors while at the same time maintaining distinctly Filipino roots. Philippine folk dancing is a true reflection of daily life in past centuries while enchanting modern audiences at the same time.

Classification of Philippine Folk Dance Nature Occupational Dances

Game Dances Wedding Dances Courtship Dances

Meaning depict actions of a particular occupation associated with religion, vows and ceremonies depict funny movements for entertainment done with play elements performed during wedding feasts depict the art of courtship

Festival Dances War Dances

suitable for special occasions show imagery combat

Religious /Ceremonials Comic Dances

4

Examples Planting, Punding Dugsu, Sua-sua Kinotan, Makonggo Lubi-lubi, Pavo Panasahan Hele-hele, Tadek, Pantomina Pandanggo, Habanera Sagayan, Palu-palo

LAPAY BANTIGUE Folk Dance Title:

Lapay Bantigue

Meaning:

Seagulls of Bantigue Island, Masbate

Dance Culture:

Coastal Christians

Place of Origin:

Bantigue Island, Masbate

Ethnolinguistic Group:

Masbateno

Classification:

Comic, Mimetic (fowl)

Background / Context: Like many small islands, Bantigue of Masbate rely on the sea to supply fish to great parts of the Bicol region. Each dawn, Bantigue village awaits the arrival of boats with their catch. Gathered on the beach with the people are thousands of lapay or seagulls, flying overhead or moving around the sand and seashore. To while away their time, people turn their attention to the lapay, shooing them or imitating their flight, swoops, dives and glides. This playful frolicking started the first steps of an unrehearsed dance. Music was brought in later to lend order and form. It did not take long before couples competed in show-offs lapay antics, the very core of what lapay is today.

Costume: Female Top (Baro) and Skirt (Saya) Overskirt (Tapis) Male - Top (Camisa de Chino) - Pants (Colored peasant pants, rolled up just below the knee) Footwear – Barefoot

Lapay Bantigue Dance Competencies: 1st Step: LUPAD Flutter your arms gracefully and step sideways for 16 counts. After this, face your partner and do this step again for 16 counts.

5

2nd Step: KUMINTANG Raise your right arm and do a horizontal thumbs up. Rotate your hand and wrist four counts clockwise, and another four counts counter-clockwise. While doing this, your partner will go around you while doing the “Lupad” step. After completing each of the four counts, you and your partner will change positions, meaning, your partner will do the Kumintang and you will dance around him. 3rd Step: STEP TUKA While facing your partner, place the back of your palm on your forehead and do a pecking motion with your back bent. Do this for 8 counts. Then, while still doing this step, go opposite ways eg. you going to the front and your partner going to the back. Do this for four times. 4th Step You and your partner should bend and face opposite directions while stomping for eight counts then raise your arms while twirling to face your partner. Do this for four times. 5th Step Move your arms in front of you up and down for 16 counts. Then, jump lightly in front of your partner and move your arms up and down in synchronization. Do this for 16 counts too. 6th Step: LUPAD Again, flutter your arms gracefully and step sideways for 16 counts. After this, face your partner and do this step again for 16 counts. Pose for your final position right after. Follow the link video

https://lapaybantigue.wordpress.com/teach-me-how-to-lapay/

ACTIVITIES Activity 1. Cultural Costumes 1. Draw / Download atleast (3) Traditional Philippine costumes for men and women. 2. Describe the function of the costume or materials you chose.

Activity 2. Answer Me 1. How would you describe the traditional occupational clothing or costume of the Filipino?

6

Activity 3. Answer Me 1. Describe the movement of the bird Lapay/Seagull.

Activity 4. Define Me 1. Define mimicking (as it is used in the dance Lapay Bantigue)?

Activity 5. Across Curriculum 1. Give atleast 5 facts about the bird “Lapay”/Seagulls.

Activity 6. Picture Assessment 1. What can you say about this picture?

REMEMBER Lapay Bantigue Dance Competencies: 1st Step: LUPAD Flutter your arms gracefully and step sideways for 16 counts. After this, face your partner and do this step again for 16 counts. 2nd Step: KUMINTANG Raise your right arm and do a horizontal thumbs up. Rotate your hand and wrist four counts clockwise, and another four counts counter-clockwise. While doing this, your partner will go around you while doing the “Lupad” step. After completing each of the four counts, you and your partner will change positions, meaning, your partner will do the Kumintang and you will dance around him. 3rd Step: STEP TUKA While facing your partner, place the back of your palm on your forehead and do a pecking motion with your back bent. Do this for 8 counts. Then, while still doing 7

this step, go opposite ways eg. you going to the front and your partner going to the back. Do this for four times. 4th Step You and your partner should bend and face opposite directions while stomping for eight counts then raise your arms while twirling to face your partner. Do this for four times. 5th Step Move your arms in front of you up and down for 16 counts. Then, jump lightly in front of your partner and move your arms up and down in synchronization. Do this for 16 counts too. 6th Step: LUPAD Again, flutter your arms gracefully and step sideways for 16 counts. After this, face your partner and do this step again for 16 counts. Pose for your final position right after.

CHECKING YOUR UNDERSTANDING 1. A dance that depict actions of a particular occupation is ______________. 2. Folk dance that is associated with religion, vows and ceremonies is_________ . 3. Nature of dance that depict funny movements for entertainment ___________. 4. Classification of dance that is done with play elements is _______________ . 5. Dance that is performed during wedding feasts ______________ . 6. Classification of dance that depicts the art of courtship is ______________. 7. Nature of folk dance suitable for special occasions is _____________ . 8. Nature of folk dance that shows imagery combat is ______________ . 9. Lapay Bantigue is an example of folk dance which the nature is __________ . 10. Lapay Bantigue was originated in the island of _____________ .

8

REFLECTIVE LEARNING SHEET Name: __________________________________ Grade & Section: ________________

Let’s Think and Act! REFLECTIVE LEARNING SHEET NO.1

Directions. Answer the following questions. Have fun and enjoy! 1. Are you satisfied with your performance? Why or Why not?

2. Would you recommend dancing as an activity done at home especially when most people stay at home, why or why not?

.

9

POST TEST Choose the letter of the best answer. Write the chosen letter on a separate sheet of paper. 1. A dance developed by people that reflect the life of the people of a certain country or region A. Contemporary Dance C. Ethnic/Folk dance B. Street Dance D. Social dance 2. A classification of dance that is suitable for special occasions. A. Festival Dance C. Wedding dance B. Courtship Dance D. Occupational dance 3. Lapay Bantigue was originated in the island of A. Panay C. Palawan B. Masbate D. Negros 4. Lapay Bantigue is an example of what classification of dance. A. Occupational C. Religious B. Festival D. Comic 5. What movement is being demonstrated by this; “Raise your right arm and do a horizontal thumbs up. Rotate your hand and wrist four counts clockwise, and another four counts counter-clockwise” A. Kumintang C. Salok B. Hayon – hayon D. Wasiwas 6. The Philippine national costume for women is. A. Maria Clara C. Kimono B. Baro at Saya D. Binukot 7. Planting, punding and fishing are examples of what classification of dance. A. Wedding Dance C. Courtship Dance B. Festival Dance D. Occupational dance 8. Which of the following is not an example of Philippine folk dance. A. Itik-Itik C. Scottish B. Maglalatik D. Pantomina 9. Which of the following dance steps used in the dance Lapay Bantigue. A. Kumintang C. Habanera B. Mincing D. Polka 10. The Philippine national costume for men is. A. Ifugao C. Kalinga B. Barong Tagalog D. Bahag Great, you finished answering the questions. You may request your facilitator to check your work. Congratulations and keep on learning!

END OF 4th WEEK *************

10

References https://www.youtube.com/watch?v=WA2mcE2KU0A https://www.kickassfacts.com/seagull-facts/ https://lapaybantigue.wordpress.com/teach-me-how-to-lapay/ Sayaw Volume 1, Lapay Bantigue, pp 31-37 http://www.dancefacts.net/dance-list/folk-dance/ https://en.wikipedia.org/wiki/Folk_dance https://sites.google.com/site/philippinefolkdancevol1/natu

Acknowledgment DEVELOPMENT TEAM OF THE MODULE Management Team: Malcolm S. Garma, Regional Director Genia V. Santos, CLMD Chief Dennis M. Mendoza, Regional EPS In Charge of LRMS Maria Magdalena Superintendent

M.

Lim,

CESO

V,

Schools

Division

Aida H. Rondilla, CID Chief Lucky S. Carpio, EPS In Charge of LRMS HOPE-3 Writers: Paulo James A. Santos T-III, Rio Vesta S. Acuzar TIII, Christy U. Purisima T-III, Teresita C. Montes T-III, Angelo G. Parohinog MT-II, Edgar D. Francisco MT-II Editors: Conrado S. Contreras Jr., HT-VI Reviewer: Luis M. Anchilo, PSDS & Supervisor-in-Charge (MAPEH) Layout Artist:

SHS HOPE -3 Copyright 2020 11

More Documents from "Diamond Paredes"