Interior Design

FEBRUARY 2013

rev it up!

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furnishing answers

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treasures to cherish Discovering the new, what’s now, being the first to feature the best has always been Interior Design’s stock in trade. And I’m proud of the rewards we reap—and get to share with you. Recently, though, I have been itching to offer projects not necessarily on today’s radar, a treasure perhaps forgotten that’s of import nonetheless. Call me crazy, but not before you listen to the following story. One day late last year, designer Brad Ford sent me an effusive e-mail about something I “just had to see,” a modernist house nestled in the forest in Accord, New York, near the weekend getaway he had recently bought. (Side note: Of all the ways we score projects, hearsay always ranks high on the list. Thanks, Brad!) A bit of research revealed a spaceship meets Frank Lloyd Wright–style house designed by an architect, Nancy Copley, who still resided there though, in her 80’s, she reluctantly needed to sell. Recognizing that this might be my last chance to experience the project, I jumped at the opportunity, and it proved a rare treat indeed to get to know Nancy and photograph her extraordinary home, truly a Living Treasure. Yes, it looked a bit tired around the edges when I arrived, but adding vintage furnishings and tidying it up brought back its spirit and Nancy’s, too. In a note of irony and sadness, she didn’t live to see her treasure featured in our pages. She passed away, just as we were going to press, from a heart attack. Personally, I believe her heart was broken at the idea of leaving her masterwork. But I am certain—be it karma or whatever— that I was meant to rediscover this forgotten architect, proving that her vision mattered and helping it inspire others. As the headlines mourn the loss of two other extraordinary women, Andrée Putman and Ada Louise Huxtable, I’d like to add Nancy Copley to that list. Never famous, she was unique all the same, and she dedicated every waking moment to what we all so lovingly share: design.

—Cindy

ERIC LAIGNEL

editor’swelcome FEB.13 INTERIORDESIGN.NET

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circui t.

Circuit benches pair cast aluminum frames with FSC ® Recycled reclaimed Teak salvaged from old demolished buildings. In line with life today, this eco-friendly seating goes full circuit, from past to present and indoors to out. www.forms-surfaces.com Circle 39

FSC License Code: FSC-C004453

SUNBRELLA® IS A REGISTERED TRADEMARK OF GLEN RAVEN, INC.

Shown: “Maison et Jardin”

To the Trade 800.669.6002 www.pindler.com/frinier Circle 7

Wellness. March 2013.

wolfgordon.com Circle 112

WWW.INTERIORDESIGN.NET

02.13 CONTENTS FEBRUARY 2013

ON THE COVER

A 1980’s Daimler Double-Six hangs on a wall in the kitchen of a house outside Amsterdam designed by Denieuwegeneratie. Photography: Robert Holden/Photofoyer.

features CLOCKWISE FROM TOP: ERIC LAIGNEL (2); ROBERT HOLDEN/PHOTOFOYER; ERIC LAIGNEL; JOSÉ CAMPOS; MICHAEL MORAN/OTTO

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THE BEACH HOUSE RULES by Raul Barreneche

FALLING WATER by Dan Shaw

Denieuwegeneratie, a young Dutch architecture firm, builds an experimental, super-sustainable house just outside of Amsterdam.

As it evolved over the last four decades, architect Nancy Copley’s own house drew inspiration from its wooded setting in Accord, New York.

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UNDER THE HILL by Maria Shollenbarger

A FORCE OF NATURE by Larry Weinberg

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VOLUME 84 NUMBER 2

Rottet Studio produces a blockbuster of an office for United Talent Agency in Los Angeles.

ON LOCATION by Edie Cohen

Faced with numerous building restrictions in Sagaponack, New York, Bates Masi Architects conjures residential luxury out of programmatic restraint. NO RESERVATIONS by Deborah Wilk

These establishments meet our unabashed approval.

The 19th and 21st centuries meet in the Roundhouse at Beacon Falls, a hospitality complex in New York by Rockwell Group.

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M2L FRESH*

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*Fresh Design: M2L Brand cabinetry by Manfred Petri. World-class design and superior technical hardware unique to the American market. For more iconic design visit M2L.com or call 800.319.8222 to request our catalog. Circle 68

Hospitality Home Contract Circle 92

walk-through

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departments

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CROSSLINES by C.C. Sullivan

CLOSE-UP by Athena Waligore

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GAME ON by Edie Cohen

CENTERFOLD by Craig Kellogg

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ALL GROWN UP by Edie Cohen

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HEADLINERS

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A POINT OF VIEW by Raul Barreneche

DESIGNWIRE by Annie Block, Mark McMenamin, and Matthew Powell

THE SUM OF THEIR PARTS

Professional and personal partners, Nancy Ruddy and John Cetra design holistically, currently focusing on preservation. MARKET by Mark McMenamin

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FLOORING by Mark McMenamin and Athena Waligore

KEEPING UP APPEARANCES

MATTERS OF DESIGN by Joseph Giovannini

With an unparalleled stock of modernist houses, Los Angeles is taking preservation seriously.

A PERFECT STORM

Chris Klapper and Patrick Gallagher bring on thunder and lightning at a Philadelphia gallery. BOOKS by Stanley Abercrombie

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SNAPS

CONTACTS

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INTERVENTION by Stephen Treffinger

87 CONTENTS FEBRUARY 2013

VOLUME 84 NUMBER 2

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TOP: REMKO MODDERKOLK/SWIRL STUDIO; BOTTOM: UNDINE PRÖHL

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adornehome.com

The perfect final touch takes your switches from dull to dazzling. Discover the adorne™ collection of high style, high tech solutions to bring your project to a fashionable finish. Available at Lowe’s, Home Depot, Menards, and select lighting showrooms. It’s time for a beautiful switch. Light SwitcheS | waLL PLateS | Under-cabinet Lighting | wireLeSS SyStemS for the home

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designed to be better.

™

Sunbrella® is a registered trademark of Glen Raven, Inc.

Surround yourself with the world’s most beautiful, worry-free fabrics for furniture and accessories. sunbrella.com/hillside Circle 9

editor in chief

Cindy Allen

EXECUTIVE EDITOR

Elena Kornbluth

DEPUTY EDITOR

Edie Cohen (West/Southwest)

ARTICLES EDITOR

Annie Block

SENIOR EDITORS

Mark McMenamin Deborah Wilk

MANAGING EDITOR EDITORIAL ASSISTANT DESIGNERS

Helene E. Oberman Matthew Powell Zigeng Li Karla Lima

ASSISTANT TO THE EDITOR IN CHIEF BOOKS EDITOR EDITOR AT LARGE CONTRIBUTING EDITORS

Athena Waligore Stanley Abercrombie Craig Kellogg Raul Barreneche Aric Chen Laura Fisher Kaiser Nicholas Tamarin Peter Webster Larry Weinberg

PRODUCTION MANAGER

Sarah Dentry 646-805-0236 [email protected]

PREPRESS IMAGING SPECIALIST RESEARCH DIRECTOR REPRINTS

Igor Tsiperson Wing Leung 646-805-0250 Ness Feliciano 708-660-8612 fax 708-660-8613

Interiordesign.net ASSOCIATE WEB EDITOR

Meghan Edwards

ASSISTANT WEB EDITOR

Olivia Farquharson

ASSISTANT RESEARCH EDITOR DESIGNWIRE DAILY CONTRIBUTORS

Ava Burke Jesse Dorris Sara Pepitone Andrew Stone Ian Volner

S U B S C RIPTIO N INFO RM ATIO N CO NT I NE NTAL U. S. 800-900-0804 ALL OT HE R S 515-247-2984

360 Park Avenue South, 17th Floor, New York, NY 10010 646-805-0200 interiordesign.net

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AMARI & AZIMUTH COLLECTIONS

J A N U S f i b e r ™: O U R G E N E R A T I O N - N E X T H A N D W O V E N W E A T H E R R E S I S T A N T F I B E R ™

T H E B E S T F U R N I T U R E TO S U N I N , D I N E O N , O R S I M P LY LO O K AT. . . I N D O O R S O R O U T® LASTING QUALITY ACROSS THE MOST COMPREHENSIVE IN STOCK COLLECTION WORLDWIDE AVAIL ABLE THROUGH J ANUS et Cie SHOWROOMS, SELECT DEALERS AND INTERIOR DESIGN PROFESSIONALS ATL ANTA MIAMI

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SAO PAULO

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SINGAPORE

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LOS ANGELES

800.24.JANUS

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MEXICO CIT Y

WWW.JANUSETCIE.COM

Boka...

a natural attraction.

wall+covering

colouranddesign.com 1.866.556.9255 Circle 118

National Wallcovering Metro Wallcoverings Koroseal Interior Products Group Hirshfield’s Design Resource Fashion Architectural Designs Surface Materials Wall Resources

Pacific Standard Time

architex-ljh.com • 8 0 0 . 6 2 1 . 0 8 2 7 Circle 21

WHAT’S UNDER FOOT: Floor trends from Tile of Spain president ASSOCIATE PUBLISHER DIGITAL MEDIA DIRECTOR STRATEGIC SALES DIRECTOR, NY MARKETING DIRECTOR EVENTS DIRECTOR ASSISTANT TO THE PRESIDENT marketing ART DIRECTOR SENIOR DESIGNER SENIOR MANAGER COORDINATOR interiordesign.net ASSISTANT WEB PRODUCER

Technology and style are the symbiotic forces behind innovations in Spanish ceramics. Advancements like skinny tile – tile so thin it can be installed directly over existing tiles in renovations, saving time and money. Smart nano-technologies pair the high thermal mass of ceramics with radiant heat to create luxuriously warm

services BOOK SERIES DIRECTOR HALL OF FAME DIRECTOR CONTRACTS COORDINATOR SPECIAL PROJECTS MANAGER sales INTEGRATED MEDIA SALES SALES REPRESENTATIVE INSIDE SALES DIRECTOR SALES ASSOCIATE SENIOR SALES COORDINATOR SALES ASSISTANT PHILADELPHIA ATLANTA PRODUCT FIND SALES MANAGER CHICAGO

surfaces that are also energy efficient. LOS ANGELES

Design is driven by technology. Inkjet decoration techniques provide the means to decorate highly textured

FRANCE/GERMANY/POLAND

ITALY

surfaces in mass production. It is now possible to recreate textile, stone, metal

ASIA

or wood flooring looks. A revival of vintage designs reinterpreted

audience marketing SENIOR DIRECTOR

Mark Strauss Carol Cisco Pamela McNally Gayle Shand Tina Brennan Rachel Long Kalyca Rei Murph Denise Figueroa Selena Chen Yasmin Spiro Andrea Rosen 646-805-0277 Ashley Teater Kathy Harrigan 646-805-0243 Regina Freedman 646-805-0270 Sandy Campomanes 646-805-0403 Kay Kojima 646-805-0276 Karen Donaghy 646-805-0291 Gina SanGiovanni-Ristic 646-805-0283 Jonathan Kessler 646-805-0279 Xiang Ping Zhu 646-805-0269 Valentin Ortolaza 646-805-0268 Alana Taylor 646-805-0271 Greg Kammerer 610-738-7011 fax 610-738-7195 Craig Malcolm 770-712-9245 fax 770-234-5847 Tim Kedzuch 847-907-4050 fax 847-556-6513 Julie McCarthy 847-615-2077 fax 847-713-4897 Reed Fry 949-223-1088 fax 949-223-1089 Mirek Kraczkowski [email protected] 48-22-401-7001 fax 48-22-401-7016 Riccardo Laureri [email protected] 39-02-236-2500 fax 39-02-236-4411 Quentin Chan [email protected] 852-2366-1106 fax 852-2366-1107 Katharine Tucker

and distressed or weathered looks impart history to modern designs. Rethink the possibilities of Tile of Spain.

CHAIRMAN AND CEO OF SANDOW Adam I. Sandow CHIEF FINANCIAL OFFICER AND CHIEF OPERATING OFFICER Chris Fabian EXECUTIVE VICE PRESIDENT, COMMUNICATIONS Jessica Kleiman VICE PRESIDENT, CREATIVE AND EDITORIAL Yolanda E. Yoh EXECUTIVE VICE PRESIDENT, INFORMATION TECHNOLOGY Juan Lopez VICE PRESIDENT, WEB TECHNOLOGY Christopher J. Coleman

FIND INSPIRATION!

TileofSpainUSA.com Circle 98

SANDOW, publisher of NewBeauty®, Worth®, Luxe Interiors + Design™, Watch Journal®, Furniture/Today® Group, and Interior Design®, is a leader in building multi-platform brands that inform, inspire and engage highly coveted consumer and business audiences. Meeting at the intersection of luxury and design, the SANDOW brands—all powered by innovation—span digital and print media, licensing, consulting, e-commerce and retail, business information and marketing services. Learn more at sandow.com.

Integral form Customize, expand, reinvent – USM transforms imagination into unique compositions.

Select USM Haller pieces in stock for Quick Ship delivery through authorized sales partners. USM NY Showroom, 28 – 30 Greene Street, New York, NY 10013, Phone 212 371 1230 [email protected], www.usm.com

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Sero design creates unique styles. Sero design technology is a breakthrough in flooring design applied to hybrid resilient and modular. Design is no longer limited to a square.

Shown: 36” x 36” Modular and Hybrid Resilient Style: Canopy Color: Claystone Circle 97

Hybrid Resilient Modular Broadloom Woven 800.655.1075 tandus.com

HUSK OUTDOOR_DESIGN PATRICIA URQUIOLA WWW.BEBITALIA.COM

USA DISTRIBUTOR FOR B&B ITALIA OUTDOOR 120 NORTH STREET, TETERBORO, NJ 07608 TEL. 201 567 2000 - [email protected]

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interiordesign.net 1

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Projects and products, people and places—all online exclusives

interiordesign.net/abe13. 2. Zermani Associati Studio di Architettura’s Cappella nel Bosco, a chapel in Varano de Marchesi, Italy, among our roundup of contemporary religious spaces. . .interiordesign.net/religious13. 3. Our outdoor-product survey, with specifying data on such manufacturers as Paola Lenti, which produced the Patricia Urquiola furniture in this rooftop garden, an Interior Design Best of Year honoree project by Barlis Wedlick Architects. . .interiordesign.net/outdoor13. 4. Bunny and Lucy, in powder-coated iron, by Bend’s Gaurav Nanda, profiled in our Ones to Watch series. . .interiordesign.net/OTWfeb13. 5. Video studio visit of Tillett Lighting Design, which chose the inground LEDs illuminating the allée of lindens at Louis I. Kahn’s Franklin D. Roosevelt Four Freedoms Park in New York. . .interiordesign.net/videofeb13. 5 3

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Join Interior Design on Facebook, Twitter, and Tumblr.

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INTERIORDESIGN.NET FEB.13

CLOCKWISE FROM TOP LEFT: PATRICIA WILLIAMS; MAURO DAVOLI; PETER AARON/ESTO; COURTESY OF BEND; CHARLIE BROKATE

1. 10 Questions With. . .Hitoshi Abe of Atelier Hitoshi Abe. . .

WWW.carlHansen.com

304 Hudson st. nY, nY

every piece comes with a story ch163

design: Hans J. Wegner. 1965

New: Carl Hansen and Søn presents the CH163 series of classic sofas, created by Hans J. Wegner in 1965.

Sofa: CH163 in smoked oak and black leather, designed by Hans J. Wegner.

the New haNs J. wegNer sofa series is exclusively available at these authorized dealers. arizoNa BultHaup

califorNia JuleS Seltzer aSSoCiateS daNiSH deSiGN Store

illiNois MorleN SiNoWaY atelier

georgia SWitCH ModerN

New york Suite NeW York

oregoN HiVe ModerN

washiNgtoN dc FurNiture FroM SCaNdiNaVia

wiscoNsiN CeNturY HouSe

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The cure for the common interior

AMBIGU

make believe

AMBIGU

soothsayer

AMBIGU

spellbound

REJUVENATIONS™ is an elegant sheet flooring collection created for healthcare facilities that demand high visual impact and lasting performance. The look is inspired by stone, wood, and natural fiber textiles. The clarity and definition are enhanced by five exclusive embosses. And each design in the collection – including Ambigu, StoneRun, and TimberLine – easily coordinates by color and texture using Continuum™ Color + Design. Explore the entire Rejuvenations portfolio today at armstrong.com/rejuv and discover the many cures for the common interior.

DESIGNED TO DAZZLE PRODUCED TO PERFORM CREATE WITH CONFIDENCE ™

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COMMERCIAL FLOORING

The creative space that needed a creative solution.

Allsteel® Involve™ System and Global Accord™ Seating

125 employees + 30 private offices + 6 common areas + 1 insane deadline + 1 of our experienced project managers = a walk in the park

When it comes to office furniture, no matter the problem, we find the solution. To get started, order your free copy of our idea book, Possibilities, at staplesadvantage.com/possibilities. Circle 95

headliners BATES MASI ARCHITECTS

ROCKWELL GROUP

ROTTET STUDIO

“The Beach House Rules,” page 192

“Falling Water,” page 212.

“On Location,” page 182

PRINCIPAL:

David Rockwell, AIA.

PRINCIPAL:

Harry Bates.

COMPLETED PROJECTS:

PRINCIPAL:

Paul Masi. COMPLETED PROJECTS:

Houses on Long Island, New York, and Cape Cod, Massachusetts.

DENIEUWEGENERATIE

CURRENT PROJECTS:

Thomas Dieben.

An apartment and Tessa restaurant in New York; houses in Matinecock, New York, and Pirogova Pond, Russia. HONORS: Interior Design Best of Year awards; AIA regional, state, and national honors. GENERATIONS: The age difference between Bates and Masi is 46 years. MODERN MENTORS: Bates worked at Skidmore, Owings & Merrill in the 1950’s and early ’60’s, Masi at Richard Meier & Partners Architects in the 1990’s. 138 Main Street, P.O. Box 510, Sag Harbor, NY 11963; 631725-0229; batesmasi.com.

“Under the Hill,” page 164 PRINCIPAL: PRINCIPAL:

Sanne Oomen. PRINCIPAL:

Oscar Vos. COMPLETED PROJECTS:

Appel Arts Centre, Kleine Komedie theater, and Het Depot office, all in Amsterdam; Bab Al Bahrain public square in Manama, Bahrain. CURRENT PROJECTS:

Residences in Amsterdam; Singer Laren mixed-use complex in the Netherlands; a visitor center in Flevoland, Netherlands. PAST : Dieben, 33, Oomen, 32, and Vos, 33, met in 1998 as architecture students at Delft University of Technology. PRESENT : They founded Denieuwegeneratie in 2008. 137-3 Tolstraat, 1074 VJ Amsterdam, Netherlands; 31-20-820-2284; denieuwegeneratie.nu.

Nobu Caesars Palace in Las Vegas; Elinor Bunin Munroe Film Center at Lincoln Center and the Library at the Public in New York. CURRENT PROJECTS:

Nobu Doha in Qatar; Hudson Yards residential tower and cultural center in New York; National Center for Civil and Human Rights in Atlanta. HONORS: Interior Design Best of Year Awards; Emmy Award; AIA national, state, and local awards. SENIOR ASSOCIATE:

David Zaccheo. COMPLETED PROJECTS:

MiMA apartment building in New York; Hotel Bel-Air in Los Angeles; Marina Bay Sands Casino in Singapore. CURRENT PROJECTS:

Steeplechase Plaza at Coney Island in New York; restaurant at the Langham, Chicago. COUNTRY : Rockwell enjoys cooking at his weekend house in New Palz, New York. TOWN: Zaccheo likes to gallery-hop on Saturdays in the city. 5 Union Square West, New York, NY 10003; 212-4630334; rockwellgroup.com.

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INTERIORDESIGN.NET FEB.13

FOUNDING PRINCIPAL:

Lauren Rottet, FAIA. PRINCIPAL:

Richard Riveire, AIA. COMPLETED PROJECTS:

Presidential Bungalows at the Beverly Hills Hotel in Los Angeles; Morrison & Foerster offices in San Francisco; the Surrey hotel in New York. CURRENT PROJECTS:

Gaslamp Hotel in San Diego; Paul Hastings offices in Atlanta, Tokyo, and Seoul, South Korea. HONORS: Interior Design Best of Year Awards; National AIA Awards; Gold Key awards. ACTRESS: Rottet’s cinematic role models are Goldie Hawn and Meryl Streep. ACTOR : Riveire’s are Johnny Depp and Cary Grant. 555 South Flower Street, Suite 700, Los Angeles, CA 90071; 213-612-4585; rottetstudio.com.

25 Years of Design The 25th annual International Contemporary Furniture Fair May 18-21 2013 at New York City’s Jacob K. Javits Convention Center 800-272-7469 or 212-204-1060 icff.com

Circle 34 Produced and Managed by GLM

T: +1 (800) 437-6360 F: +1 (718) 729-2941 E: [email protected] W: mechosystems.com

We’re not the same ol’ MechoShade. We’re the new MechoSystems.

This client used a logo, but it could have been another graphic. ImageShades offer a thrifty alternative to architectural signage.

Divide an exhibit, showroom, or conference center with your image. Achieve privacy and advertising in storefront windows, simultaneously.

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© 2013 MechoShade Systems, Inc. All rights reserved. All trademarks herein are owned by MechoShade Systems, Inc. No part of this advertisement may be reproduced or otherwise used without the express written consent of MechoShade Systems, Inc.

The innovative MechoSystems accomplishes more than shading with its world-leading windowcovering systems. Logos, photos, or patterns can be printed—clearly—on ImageShades® to be used with manual- or motorized-shade systems.

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A.K.A. COLLECTION

From battleships to bistros to backyards. Authentic Tolix® Marais chairs, stools and tables, a DWR Contract exclusive.

W W W.DWR.COM | 1.800.944.2233 | DWR STUDIOS Contract and hospitality: dwr.com/contract | Call to request our free catalog. Download our iPad app.

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© 2013 Design Within Reach, Inc.

THE BEST IN MODERN DESIGN

DESIGNwire edited by Annie Block text by Annie Block, Mark McMenamin, and Matthew Powell

Wood You Believe? Go to interiordesign.net/wood13 for more images of pieces in the MAD show.

CLOCKWISE FROM TOP RIGHT: COURTESY OF PETER AND GWEN NORTON; COURTESY OF THE ARTIST; COURTESY OF THE ARTIST/SCHROEDER ROMERO & SHREDDER GALLERY; COURTESY OF TOMLINSON KONG CONTEMPORARY; COURTESY OF THE MUSEUM OF ARTS AND DESIGN

See a well-worn medium in a whole new light in “Against the Grain: Wood in Contemporary Art, Craft and Design” at New York’s Museum of Arts and Design, March 19 to July 7. The show explores cutting-edge conceptual and technical trends in woodworking via more than 75 installations, sculptures, objects, and furniture pieces by 57 global artists and designers, including Martin Puryear, Maarten Baas, and Ai Weiwei. The exhibition premiered at the Mint Museum in Charlotte, North Carolina, last September, but several works have been added specifically for the New York run. Among them are: Nina Bruun’s ethereal ribbonlike perch, a dramatic split and cantilevered shelf by Joseph Walsh, Laurel Roth’s sheep skull blinged out with gold leaf and Swarovski crystal, Siamese twin–style Windsor chairs by Christopher Kurtz, and Ricky Swallow’s sculpture that, amazingly, looks just like a beanbag. Clockwise from top right: Ricky Swallow’s Come Together, in laminated jelutong, appears in “Against the Grain: Wood in Contemporary Art, Craft and Design” at the Museum of Arts and Design in New York. Enignum in ash by Joseph Walsh. Laurel Roth’s Food #3-Sheep in verawood, gold leaf, and Swarovski crystal. Christopher Kurtz’s (A)Typical Windsor Form in ash, oak, pine, and milk paint. Nest in birch and cotton by Nina Bruun. FEB.13 INTERIORDESIGN.NET

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Foreign Exchange Final boarding call: We asked, “If you could get away this winter, what would be your ultimate design destination?”

“Sri Lanka, where I could observe the tropical modernist architecture of the late Geoffrey Bawa while taking in the island’s warm winds, blue waters, and quiet beaches.” —Sharron van der Meulen

“Art Across America,” a collaboration between the Los Angeles County Museum of Art; the Museum of Fine Arts, Houston; the Philadelphia Museum of Art; and the Terra Foundation for American Art in Chicago, brings the first survey of historical American art to the National Museum of Korea in Seoul through May 19. None of the more than 100 paintings and pieces of furniture and decorative art from the four institutions has been shown before in the Asian nation. Come spring 2014, the NMK reciprocates by sending 120 Korean paintings, ceramics, costumes, and furniture to the Philadelphia Museum of Art.

Clockwise from top: Included in “Art Across America” at the National Museum of Korea in Seoul is Lorser Feitelson’s oil on canvas, which comes from the Los Angeles County Museum of Art. Earthenware candlesticks by Malcolm Leland. A Helen Lundeberg oil on canvas.

DESIGNwire

of ZGF Architects

“Zermatt, an incredible village in Switzerland, and I would stay at the Omnia, perched on a mountain above it all, with rooms, views, and cuisine to match.” —Doug West of HOK

—Jane Smith of Spacesmith

“We’re heading to a Bozeman, Montana, fabrication shop for a week-long thinktank-with-tools with our artist, designer, architect, and fabricator friends.” —Robert Stansell and Tim Welsh of Emporium Design

“Machu Picchu, Peru, so I could hike up the Inca Trail for a few days.” —Cassandra Adams of Cassandra Adams Architect

Next Q: Check out the Designwire Weekly e-newsletter to participate. 34

INTERIORDESIGN.NET FEB.13

Thumbing through fashion magazines, fine-art photographer Michael Eastman developed a fascination—not for the models or clothes, but for the frequent use of melancholic historical settings. The faded facades and threadbare upholstery of such backdrops sparked in him a love of architectural decay. Which explains the focus of his current exhibit at London’s Michael Hoppen Gallery: Havana. A colorful mix of crumbling exteriors and antiquated interiors dating to the late 19th century, the series of 20 large-scale digital C-prints was begun in 1999, when Eastman first gained access to the Communist country through a cultural exchange. The show runs through March 29.

From left: “Michael Eastman: Havana,” on view at the Michael Hoppen Gallery, London, includes Blue Facade, a digital C-print. Portrait Havana, an interior dating to the early 20th century.

TOP: COURTESY OF MUSEUM ASSOCIATES/LACMA (3); BOTTOM: COURTESY OF THE ARTIST (2)

Aging Beauty

“Asmara, Eritrea—a practically unknown cosmopolitan Shangri-La in East Africa. The climate is similar to San Diego yearround, but most extraordinary is the concentration of modernist architecture and interiors built in the 1930’s by the Italians who ruled there until WWII.”

So Happy. Together. Boldly modern. Wonderfully vivid. Find happiness with our latest wallcovering collection by Trove. Shop and explore knolltextiles.com The Vivid Collection by Trove, Best of NeoCon Silver Award Winner

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Andrée Putman, 1925–2013 In Paris for a 1979 exhibit of my textiles at the Musée du Louvre, I was being interviewed by a heavy-set, middle-aged editor when Andrée’s name came up: “She and I were in school together,” the editor said. “Andrée was the plainest, most ungainly girl in class. But now, when she enters a room, every head turns!” I had known Andrée much earlier as the tall, engaging Madame Putman who lived in a spacious Left Bank apartment full of her husband’s collections. Then, after a divorce and a job with a stellar branding agency, she announced, “Jacques, I will become a grande décoratrice!” Her muse was Eileen Gray, the Irish champion of modern who worked until age 96. Andrée began by producing re-editions of Gray and Antoni Gaudí’s costly furnishings, and then started designing limited editions of her own. When I was returning through Paris with my first Thai silk collection—a riot of color— Andrée, tall in beige, asked: “Don’t you know that color is over?” She was right; soon I would be designing cool jacquards without color or texture. Andrée’s magic leapt the Atlantic Ocean when she designed interiors for the Morgans Hotel and the Palladium nightclub in Manhattan. When she began collaborating with us, our board would fly her in on the Concorde for meetings. Seated next to Andrée at a dinner for MoMA’s 1980 Eileen Grey exhibit, I chided, “Color is back!” She replied: “Oui, Jacques. And it’s black.” New York City has been black ever since. —Jack Lenor Larsen

Proper, even prim, especially in her mink jacket on a winter day, the petite, tidy Ada Louise Huxtable regularly tossed hand grenades at developers and compromised architects during her 40 years as an architecture critic. She was fearless. Even Leona Helmsley couldn’t show her face in polite society after Ms. Huxtable got through with her husband, Harry, during her New York Times reviews of the Helmsley Palace Hotel in the late ’70’s. She was arguably the most visible and powerful critic in the nation, her fury fueled by righteous indignation politely camouflaged by her epigrammatic style. She won the first-ever Pulitzer Prize for Criticism in 1970, and a MacArthur Fellowship in 1981. Her victories were hard won: She once said that every article at the Times was a struggle. Born in Manhattan and educated at Hunter College and New York University’s Institute of Fine Arts, Huxtable worked as an assistant curator under Philip Johnson in MoMA’s architecture and design department from 1946 to 1950. She came of intellectual age when modernism was the theology of social progressives. Her modernist formation never really waivered, but, unlike that world-class dabbler Johnson, she folded politics, context, finance, structure, and history into her thinking. She opened her architecture columns to urbanism and historic preservation. Her career at the Times virtually began with her spirited defense of, and requiem for, McKim, Mead & White’s Pennsylvania Station, and, by a symmetry of fate, she closed her career a month before her death in January by defending the beaux arts New York Public Library in The Wall Street Journal from what she considered the depredations of “Modernization.” She launched the grenade even though she was dying of cancer, registering her opinion before she couldn’t. Her courage, integrity, and bite never abandoned her. —Joseph Giovannini

Ada Louise Huxtable, 1921–2013 36

INTERIORDESIGN.NET FEB.13

BOTTOM: ALFRED EISENSTAEDT/TIME & LIFE PICTURES/GETTY IMAGES

DESIGNwire

TO FIND YOUR NEAREST SHOWROOM CALL 1-888-POLIFORM/ [email protected]/ WWW.POLIFORMUSA.COM “DESIGN NOW” QUICK SHIP PROGRAM AVAILABLE

New York, Miami, Los Angeles, Chicago, Washington Dc, Tucson, Phoenix, Salt Lake City, Puerto Rico, Denver, Dallas, Austin, Houston, San Diego, San Francisco, Seattle, Portland, Philadelphia, Des Moines, St Louis, Oklahoma City, Naples, Reno, Boston, Atlanta, Cincinatti, Sun Valley, Mexico City, Santo Domingo, Panama, Toronto, Montreal, Vancouver, Calgary. Circle 84

Straight From the Crate

When Salasstudio embarked on the renovation of a wine cellar for Vega-Sicilia vineyard in Valbuena de Duero, Spain, the firm knew the materials had to meet stringent bacterial requirements for the proper

aging of wine. Conveniently, the solution came from the wine barrels themselves—specifically, the oak used to create them. Slats of the wood form undulating ceilings on both levels of the 20,000-square-foot building while simultaneously concealing the essential climate-control system. They reappear as treads on the steel staircase, which is bordered by a bamboolike stainless-steel rail, its up-lit “branches” penetrating both floors. Ceramic tile, known for its sanitary properties, clads the walls while echoing the existing flooring in the same material.

Go to interiordesign.net/salas13 for more images of the wine cellar.

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INTERIORDESIGN.NET FEB.13

DESIGNwire

RAFAEL VARGAS

Clockwise from top left: Oak slats line the ceiling and ceramic tiles the wall of the Vega-Sicilia wine cellar in Valbuena de Duero, Spain, by Salasstudio. The stairway’s stainless-steel latticework. The 20,000-square-foot twostory building. Ceramic-tile flooring.

AGENT ANNA AVEDANO TEL. 240 441.1001 [email protected]

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SEATING SYSTEM ANDERSEN DESIGN RODOLFO DORDONI

www.minotti.com

DESIGNwire

For its new offices in downtown Montreal, multiplatform interactive ad agency Blue Communications ordered an environment that encouraged creativity and communication. Designers Jean Guy Chabauty and Anne Sophie Goneau began with a 2,750-square-foot blank canvas: white-painted walls and exposed pipes 30 feet above warmly varnished concrete flooring. In the open office area, wide expanses of space surround 36-foot-long benching systems, the adjacent conference room and its Charles and Ray Eames table discreetly demarcated by 10-foot-high glass walls. Generously proportioned fenestration provides natural light and panoramic city views throughout. And while the deep-sea taxidermy in the clinically austere kitchen could symbolize swimming with sharks, it’s actually a metaphor for floating in a basin of innovation.

Their Blue Heaven

STÉPHANE GROLEAU

Clockwise from top: Neon signage signals the entry to Montreal’s Blue Communications, an interactive ad agency with headquarters by Jean Guy Chabauty and Anne Sophie Goneau. A taxidermy hammerhead shark and a 16-foot long island in the kitchen. Custom benching workstations of solid-surface tops on steel bases. Floor lamps by Michele De Lucchi and Giancarlo Fassina and custom sofas on concrete flooring in the lounge.

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Classic ukiyo-e, or “pictures of the floating world,” join contemporary versions in “Edo Pop: The Graphic Impact of Japanese Prints,” at the Japan Society Gallery, New York, March 9 to June 9. The show’s 92 woodblock prints are a mix of old— from the 18th and 19th centuries, during Japan’s Edo period—and new—from the 21st century, aka “pop.” Debuting at the Minneapolis Institute of Arts, the Manhattan run adds 30 pieces to the exhibit, including Utagawa Hiroshige’s Eight Shadow Figures, circa 1842.

PARC LOUNGE

Find us at landscapeforms.com or contact us toll free at 800.430.6202.

Designed by John Rizzi

A Michael Thonet chair missing a leg. A 19th-century coatrack minus a hook. Such misshapen and injured pieces are the unsuspecting stars of “City of Broken Furniture,” at Vienna’s Austrian Museum of Applied Arts, March 20 to May 26. Young photographer and sculptor Kerstin von Gabain was invited by the museum to curate an exhibit; she responded by visiting local antiques shops, purchasing damaged items, and resuscitating them with what resembles sadistic medical interventions. Her gauze applications shed new light on the show’s dozen pieces, which are accompanied by six of her photographs.

D E S I G N . C U LT U R E . C R A F T. Circle 59

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INTERIORDESIGN.NET FEB.13

FROM TOP: COURTESY OF THE MINNEAPOLIS INSTITUTE OF ARTS; COURTESY OF THE ARTIST (2)

DESIGNwire

ERWWRPSKRWR†3HWHU.LWFKHOOWRSSKRWR%D\VWDWH+HDOWKE\6WHIĺDQ%UDGOH\$UFKLWHFWV†5REHUW%HQVRQ3KRWRJUDSK\

The vibrant comic strip–style of Roy Lichtenstein’s bendayadorned pop art is well-known. Less familiar are the painter’s explorations of large-scale female nudes and nearly colorless Chinese scenes made in the final years of his life. All these genres appear in “Lichtenstein: A Retrospective,” through May 27 at London’s Tate Modern. Among the 125 paintings and sculptures is Landscape in Fog, an oil and magna on canvas from 1996, the year before the artist’s death.

march-april Building Energy March 5-7 Seaport World Trade Center, Boston; 413-774-6051; nesea.org/buildingenergy.

Environments for Aging Conference April 6-9 Roosevelt New Orleans; 702-9448748; environmentsforaging.com.

Thailand International Furniture Fair March 13-17 Impact Muang Thong Thani, Bangkok; 66-2-507-8363; thailandfurniturefair.com.

Salone Internazionale del Mobile April 9-14 Fiera Milano, Rho, Italy; 39-02-725941; cosmit.it.

Dragon Furniture Fair March 17-20 Qianjin Exhibition Center, Foshan, China; 86-757-2388-8888; quianjin.com.

$67w 'LJLWDO*ODVV3ULQWLQJ

Kitchen & Bath Industry Show April 19-21 Ernest N. Morial Convention Center, New Orleans; 877-267-4662; kbis.com.

COURTESY OF THE ESTATE OF ROY LICHTENSTEIN/DACS 2012

DIFFA’s Dining by Design New York March 21-24 Pier 94; 212-727-3100; diffa.org.

High Point Market April 20-25 Multiple venues, North Carolina; 800-874-6492; highpointmarket.org.

Domotex Asia/Chinafloor March 26-28 Shanghai New International Exhibition Center; 86-21-61956088; domotexasiachinafloor.com.

Lightfair International April 21-25 Pennsylvania Convention Center, Philadelphia; 404-220-2132; lightfair.com.

IIDA Leaders Breakfast March 28 Hyatt at Olive 8, Seattle; 888-799-4432; iida.org.

Coverings April 29–May 2 Georgia World Congress Center, Atlanta; 800-687-7469; coverings.com. FEB.13 INTERIORDESIGN.NET

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&UHDWLYHYLVLRQLQJDSSOLHGWRJODVV /DQGVFDSHVE\SKRWRJUDSKHU3HWHU.LWFKHOO $UWZRUNE\6X]DQQH7LFN 0DGHLQ&KLFDJRVN\GHVLJQFRP &LUFOH

57 PROJECTS

OF THE TOP 100 GIANTS DESIGN HEALTH-CARE

12 HKS designed the Children’s of Alabama Benjamin Russell Hospital for Children in Birmingham.

Gensler (1) Jacobs*(2) HOK (3) Perkins+Will (4) Cannon Design (6) Leo A Daly (7) Callison (8) Interior Architects (9) NBBJ (10) HKS (12) AECOM (13) Perkins Eastman (16) SmithGroupJJR (17) PageSoutherlandPage (18) Skidmore, Owings & Merrill (19) HDR (20) Fentress Architects (22) TPG Architecture (24) DLR Group (25) * including KlingStubbins

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2% 1% 12% 37% 53% 35% 15% 2% 70% 45% 45% 57% 39% 35% 11% 55% 2% 3% 6%

EwingCole (26) Rockwell Group (27) ZGF Architects (31) Flad Architects (32) Corgan Associates (33) DWP (37) Shepley Bulfinch (39) Vocon (40) VOA Associates (41) Little (42) RTKL Associates (44) Gresham, Smith and Partners (49) Elkus Manfredi Architects (51) DBI Architects (52) Lawrence Group (55) Ware Malcomb (56) FKP Architects (58) Environetics (60) Ballinger (61)

35% 3% 38% 35% 4% 5% 35% 3% 11% 1% 6% 49% 8% 5% 40% 21% 90% 9% 31%

HMC Architects (63) Stonehill & Taylor Architects (65) RSP Architects (66) OTJ Architects (67) VeenendaalCave (69) Kasian (70) Harley Ellis Devereaux (73) Staffelbach (74) Huntsman Architectural Group (75) Cooper Carry (76) LS3P Associates (77) Aedifica (79) Baskervill (80) Francis Cauffman (82) Swanke Hayden Connell Architects (86) H. Chambers Company (88) Switzer Group (89) JPC Architects (92) FXFowle Architects (99)

42% 15% 13% 20% 7% 2% 8% 2% 15% 3% 9% 1% 6% 50% 40% 1% 3% 10% 5%

DESIGNwire healthcaregiants

BLAKE MARVIN

FIRM (Giants ranking) HEALTH-CARE PROJECTS % OF TOTAL WORK

Acrovyn® 4000 is designed with human health in mind. We can prove it!

Americans spend about 90% of their time indoors. That makes the products you put & into your buildings as important as what you put in your mouth. You wouldn’t dream of eating something unless you knew what it contained, so why choose a building product without the same information? You no longer have to because we disclose what Acrovyn® 4000 is made of—right on the product. An industry first, our labeling program was developed with Perkins + Will and is supported by a multi-attribute, third-party certification. It is reassurance that Acrovyn 4000 is designed with human health in mind. To learn more, call 800-233-8493 or visit transparency.c-sgroup.com. Find Construction Specialties on ®, ® or twitter.com/acrovyn.

Protection for tomorrow’s environment Circle 130

FEES GENERATED FROM HEALTH-CARE PROJECTS REPRESENTED 14% OF ALL DESIGN FEES EARNED IN 2012

2012 Actual health-care fees 2013 Forecasted health-care fees

$378.35 $379.18

in millions

DESIGNwire healthcaregiants

16

Clockwise from left: Perkins Eastman designed the Danbury Hospital NICU Roof Garden in Connecticut. The San Antonio Military Medical Center is by RTKL Associates. Fairfax Pediatric Associates by OTJ Architects is in Virginia.

FEES BY PROJECT TYPE Total $2,612.12

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Educational $177.46

Retail $184.55

Government $201.83

Residential $80.22 Transportation $61.33

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Cultural

$52.79

Other

$77.43

CLOCKWISE FROM LEFT: SARAH MECHLING/PERKINS EASTMAN; CHARLES DAVIS SMITH; AMANDA HEPTINSTALL

in millions

Health Care/Assisted Liv- $378.35

Hospitality $474.00

Office $924.16

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Sunbrella® is a registered trademark of Glen Raven, Inc.

You can feel confident that Sunbrella Contract fabrics with Defiance® have all the styles you want and the performance you need to create beautiful, comforting environments. sunbrellacontract.com/comfort Circle 8

Seeyond

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46% OF GOVERNMENT PROJECTS WERE HEALTHCARE PROJECTS

ARCHITECTURAL SOLUTIONS

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DESIGNwire healthcaregiants

WALLS FACINGS CLOUDS ENCLOSURES COLUMNS

From top: ZGF Architects designed the Ann & Robert Lurie Children’s Hospital of Chicago. The New York Downtown Hospital Wellness & Prevention Center is by Swanke Hayden Connell Architects.

Methodology

Data in this section derives from the first installment of the two-part annual business survey of Interior Design Giants, comprising the 100 largest firms ranked by interior-design fees for the 12-month period ending December 31, 2012. Interior-design fees include those attributed to: 1. All types of interiors work, including commercial and residential. 2. All aspects of a firm’s interior-design practice, from strategic planning and programming to design and project management. 3. Fees paid to a firm for work performed by employees and independent contractors who are full-time staff equivalent. Interior-design fees do not include revenues paid to a firm and remitted to subcontractors who are not considered full-time staff equivalent. For example, certain firms attract work that is subcontracted to a local firm. The originating firm may collect all the fees and retain a management or generation fee, paying the remainder to the performing firm. The amounts paid to the latter are not included in fees of the collecting firm when determining its ranking. Ties are broken by the dollar value of products installed. The data was compiled and analyzed by the Interior Design market research staff in New York, led by Wing Leung, research director.

WATCH OUR 90-SECOND VIDEO : WWW.SEEYOND.COM/TESSVIDEO Circle 89

PAT E N T P E N D I N G

COMPLETE SYSTEM : DESIGN / MANUFACTURING / INSTALLATION / SEEYOND.COM 800.508.5455

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FROM TOP: NICK MERRICK/HEDRICH BLESSING; CHUCK CHOI ARCHITECTURAL PHOTOGRAPHY

Go to interiordesign.net/hgiants13 for more images of health-care projects.

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It’s where surprises are simple. Every day, you inspire. You create. You delight. With each new idea, you make someone’s day. And you make it look easy. Because you know what you want. And best of all, you know where to find it.

SCAN QR CODE FOR MORE INFORMATION

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crosslines the sum of their parts

CLOCKWISE FROM TOP: COURTESY OF CETRARUDDY; ALAN SCHINDLER; THOMAS LOOF

Clockwise from top: A computer rendering of Walker Tower, a 1929 New York building being restored and converted to condominiums. The founders of CetraRuddy and Cetra/ CRI Architecture. A custom velvet-covered headboard against hand-screened Manila hemp wall covering in a Walker Tower model guest bedroom.

In 1987—the year The Simpsons hit the airways, Whitney Houston just wanted to dance with somebody, and Prozac was first prescribed—the buzz in the design community included the professional partnership of architect John Cetra and interior designer Nancy Ruddy, a married pair of New York insiders who’d worked at Perkins+Will and Eli Attia Architects. They’d already collaborated and wanted to pursue what to them was a fairly obvious concept: designing entire projects—from inside out and outside in. A mere quarter century later, the combined firms of CetraRuddy and Cetra/CRI Architecture are 60 staffers strong and integrated design is still the sole focus. The namesakes spend most of the day at a round table in the center of their studio, working in tandem on everything from parti to finish and flavor. After two recessions, restoring many iconic buildings, and furnishing dozens of memorable interiors, it’s still all about John plus Nancy, which currently equals adaptive reuse.

Professional and personal partners, Nancy Ruddy and John Cetra design holistically, currently focusing on preservation

What was the impetus for this latest focus on converting large New York buildings? Nancy Ruddy: From our

beginnings, we’ve done adaptive reuse of historic buildings, and we’ve had a passion about inspired housing. They’re each central to our perception of life in the city, so we love projects that combine both. The firm’s work is so contemporary, yet old buildings inspire you? John Cetra: In college, I

witnessed the loft typology emerging in SoHo, with its incredible potential so

FEB.13 INTERIORDESIGN.NET

53

radically different from the cookie-cutter apartments in white-brick buildings going up at the time. We’ve converted the Barbizon Hotel and many of the cast-iron and stone classics in the Ladies’ Mile Historic District, with their 12-foot ceilings and huge double-hung windows. Inside they may be little more than floor slabs and columns, but, like novelists, we romanticize their heyday and try to evoke those memories into the buildings’ new lives. So the interiors reference and interpret history? NR: Yes, that’s part of our inspi-

ration. Our research often leads

craft and level of detail. But our love of loft-style living means adaptive reuse is about creating better and more inspiring housing. How did those ideas work for Walker Tower? JC: It was designed by Ralph

Walker for New York Telephone in 1929 and we’ve made significant changes to make it work as condominiums. The interior and exterior details are a culmination of everything we’ve learned from historic projects in general. On the exterior, for example, we incorporated glass-and-bronzedsteel paneling into the existing brick facade. It looks art deco— like it was always there.

We interpreted the studied majesty of art deco in living spaces that are less formal, more downtown, with a bespoke, crafted quality that recalls 1930’s Paris. Everything you touch is like a jewel: The ebonized 8-foot-high doors and custom antique bronze hardware, French herringbone floors, and stepped ceilings. With more expansive windows and doors out to Walker’s terraces and setbacks, the feel is more

crosslines Clockwise from top right: A French 1940’s side table and a Marco Zanuso chair in a Walker Tower model master bedroom. A computer rendering imagining the penthouse of 141 Fifth Avenue, a condominium conversion. A custom mahogany desk in the sales center at the Barbizon/63, another New York condominium conversion. The brick facade of the former Barbizon Hotel for Women, originally built in 1929. Cipriani 42nd Street, which had formerly been the Bowery Savings Bank.

us to the original quarries and descendants of the craftsmen who worked on the landmark, like those involved with what’s now a Cipriani in Midtown. So history informs the contemporary vocabulary of our interiors through this increasingly rare 54

INTERIORDESIGN.NET FEB.13

CLOCKWISE FROM TOP RIGHT: THOMAS LOOF; COURTESY OF CETRARUDDY; ALAN SCHINDLER; JOHN CETRA; COURTESY OF CETRARUDDY

The interiors seem to capture the essence of Walker’s vision. NR: It’s our proudest moment.

Act Natural. Shown: UR501™ in Flax. All in 100% recycled content yarn.

To learn more call 800 336 0225 ext 6511 (U.S.) / 800 267 2149 ext 2128 (Canada) or visit us online at www.interface.com. Mission Zero and the Mission Zero logo are registered trademarks of Interface, Inc.

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D E S I G N T R E N D S I N S P I R AT I O N E D U C AT I O N

CONNECTING THE TILE + STONE INDUSTRY Connect with the world of tile + stone design at Coverings, the ultimate design resource attended by more than 20,000 tile + stone professionals

From top: LEDs in the ceiling of Lincoln Square Synagogue. The 50-story One Madison Square Park.

and 900+ of the finest suppliers

like West Coast art deco, which works with the proportions and verticality of the 23-story building.

magnificent vignettes to inspire your next project, seek technical advice to ensure proper specifications, and attend nearly 70 FREE educational sessions qualifying for valuable certification credits. Coverings is an AIA/CES Provider, an NKBA CEU Provider Partner and your absolute connection to free education and CEUs.

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What about the common spaces? NR: The lobby sequence is curated

and sophisticated, with an 8-foottall chandelier and a new terrazzo floor inspired by the new façade paneling. We installed a new mural and a sculpted frieze, and wrapped them all in a classic art-deco interior to recreate a sense of the era. The clubroom is also quite beautiful in this way. In the model apartments, we went for eclectic wall coverings and carpets. Furnishings range from art deco to mid-century modern.

JC: It’s great to discuss design

ideas, but you also need to see what those ideas mean. So we draw them. With us, there are no sacred ideas, no politics, just collaboration and tracing paper. We have a shared passion for problem solving. —C.C. Sullivan

crosslines

Your 2009 tower, One Madison Park, is unique on the skyline. What’s your next new building? JC: Just opening now is Lincoln

Square Synagogue, what we believe is the first ground-up synagogue in Manhattan in the last 50 years. The facade has five curving ribbons of glass that symbolize the five books of the Torah, with stone pillars patterned to suggest a Jewish prayer shawl. It’s the congregation’s shul or sanctuary—literally their spiritual house. We enjoyed the challenge of trying to express Modern Orthodox Judiasm in a contemporary vocabulary. Is integrating interiors and architecture your biggest design challenge? NR: That’s what our clients come

to us for. John is design principal and I direct all the interior-design work. And we work together on our sole interest: the best solution. 56

INTERIORDESIGN.NET FEB.13

FROM TOP: EMMANUELLE SLOSSBERG; DAVID SUNDBERG/ESTO

from around the globe. View

Circle 16

mo2no2lith noun \’mä-nә-,lith\ 1 an organized whole that acts as an influential force 2 the new look of your toilet

Coming this spring, Geberit will introduce an entirely new toilet concept, one that will forever change the look of the bathroom. Once you’ve seen it, you’ll never again be satisfied with your current toilet. Get ready. Sign up now for your advance preview materials. Call 866/787-3924 for more information or visit → geberitnow.com/newlook

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Home may mean different things to different people, but you can find the right thing for all of them. One of Europe’s leading manufacturers, ALNO provides award-winning kitchens and support from initial design to installation and beyond. FLAGSHIP SHOWROOM AND HEADQUARTERS ALNO USA CORPORATION Architects & Designers Building 150 East 58th Street, 10th Floor New York, NY 10155 Tel. 212.688.8088, [email protected], www.alno.com ALNO Austin, TX Tel. 512.383.9906

ALNO Long Island North ALNO Pasadena, CA Tel. 516.869.8585 Tel. 626.355.7500

ALNO Washington, DC Tel. 301.657.8618

ALNO Bermuda Tel. 441.296.9292

ALNO Long Island South ALNO Pittsburgh, PA Tel. 516.799.9090 Tel. 724.733.8136

ALNO Wilton, CT Tel. 203.761.1314

ALNO Birmingham, AL Tel. 205.978.5629

ALNO Montreal Tel. 514.737.4000

ALNO Puerto Rico Tel. 787.523.0303

ALNO Cleveland, OH Tel. 216.464.6500

ALNO Naples, FL Tel. 239.300.9712

ALNO San Francisco, CA Tel. 415.541.0754

ALNO Denver, CO Tel. 303.282.0382

ALNO Englewood, NJ Tel. 201.568.1900

ALNO Miami, FL Tel. 786.344.3650

Coming soon ALNO Miami in the Design District

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2

1

6

5

3

up close

text by Athena Waligore

not standard time

Some LEFF Amsterdam clocks are traditional, others are alarming 1. Scope in high-density polystyrene in grey. 2. Metlev in colored glass and stainless steel in dark blue. 3. One75 in matte-painted steel. 4. Day & Night in plastic with removable watch in black leather with white dial. 5. Felt in recycled-PET felt with aluminum hands in orange. 6. Wyzer in plastic in grey and dark green. circle 400

4

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REMKO MODDERKOLK/SWIRL STUDIO

See page 64 for sources.

Arc-Com Fabrics, Inc. (800) 223-5466 www.arc-com.com Circle 17

UPHOLSTERY PATTERN

Metro

1

closeup cut her teeth Recent Savannah College of Art and Design grad Christy Batta’s clock was inspired by the saw

1. Christy Collection in ABS plastic and aluminum in violet, black, and Mint by Working Class Studio. circle 401

COURTESY OF SCAD

See page 64 for sources.

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INTERIORDESIGN.NET FEB.13

From the Fiber up. High performance fabrics for every environment, Indoors and Out.

Bella-Dura Fabrics

Visit www.bella-dura.com Circle 111

Proudly made in the USA

closeupSOURCES

not standard time LEFF Amsterdam, 877-474-0454; leffamsterdam.com.

INTRODUCING

BASYS Wall Mount ™

cut her teeth Working Class Studio, through ShopSCAD, 912-525-5180; shopscad.com.

COURTESY OF SCAD

Any Application. Any Environment.™ Introducing BASYS wall mount, the latest addition to Sloan’s modular line of electronic faucets for commercial applications. Backed by years of field research with architects, engineers and plumbers, BASYS embodies intelligent design inside and out. Our new wall mount provides uninterrupted clearance, ease of installation and maintenance and a sleek overall appearance to meet the needs of any application or environment.

Build a BASYS online: sloanvalve.com/basys

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HI-MACS® Annual Event

2013 DESIGN CONTEST

...so I scribbled this drawing. And I explained: “This is only his box. The sheep you asked for is inside.” But I was very surprised to see the face of my young judge lighting up: “That is exactly the way I wanted it...” - From by Antoine de Saint-Exupéry

“Whatever you ask for is inside.”

Awarding $30,000 to Winners What creative idea is inside your box? Allow the Limitless Possibility of HI-MACS® to reveal your creativity. The design contest is open to individual or group professionals. The website will be open for submissions until April 30, 2013.

www.LGhimacsusa.com Circle 64

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www.concettous.com Profondo 8531

Handmade surface art created from semi-precious stone. Infused with energies known to a myriad of ancient cultures worldwide. CA009-14-107863-2

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www.craftmade.com www.ellingtonfans.com www.jeremiahcompany.com Circle 123

walkthrough firm: rapt studio site: san francisco

game on Kixeye. Kick-ass. The former is the name of a San Francisco online gaming company. The latter was its CEO’s vision for a new headquarters for his staff of 300. Kixeye had leased three high-rise floors totaling 50,00 square feet in the Financial District, “so their landlord was initially terrified of the gamers in hoodies,” reports David Galullo, CEO and design principal of Rapt Studio, the firm hired to make the virtual idea a reality. Since intimidation looms large in Kixeye games—Battle Pirates and Backyard Monsters

ERIC LAIGNEL

In reception at Kixeye, an online gaming company, painted acrylic and an LED eye form the logo. FEB.12 INTERIORDESIGN.NET

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are examples—Rapt suggested evoking it from the start. Blood-red light columns, reminiscent of full-body scanners, mark the entry, on the top floor. Next comes a vintage steel security desk where guests sign a nondisclosure agreement. Only then can they leave this anteroom for reception, where they’re greeted by a 7 ½-foot-tall rendering of Kixeye’s logo: A scary stylized unicorn fitted with a single red 70

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LED eye, it alludes to gaming cultures, ancient and modern. All floors are rectilinear in plan: Open workstations line the perimeter, meeting rooms sit at each corner, and private offices are near the core. Each of the two lower floors has a conference room; the boardroom and canteen are on the top floor along with reception. The palette is predominantly white and gray with occasional shocks of color. Fur-

nishings are a sleek mix of contemporary and classic: seating by Charles and Ray Eames, Don Chadwick, and Yves Béhar; pendant fixtures by Enrico Franzolini and Vicente Garcia Jiménez; flooring of glossy epoxy, checkerboard linoleum, or pixilated carpet tiles. Rapt makes movie references, too: The boardroom’s imposing steel light ring above a huge rectangular table channels the situation

walkthrough

ERIC LAIGNEL

Clockwise from top left: Before proceeding to reception, guests sign in at the vintage steel desk in the anteroom staff dubs the “security bunker.” Chairs by Studio 7.5 stand beneath a blackened-steel ring fitted with fluorescents in the boardroom. Reception’s seating area features a pendant fixture by Enrico Franzolini and Vicente Garcia Jiménez and chairs by Charles and Ray Eames. The desk is Corian and painted oriented strand board.

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walkthrough From top: Yves Béhar chairs and whiteboard-painted panels furnish a meeting room. In the office area, benching workstations seating eight are topped with plastic laminate. Linoleum flooring, fluorescent pendant fixtures, and a cardboard cutout from a Kixeye game outfit the canteen.

room in Dr. Strangelove, while the canteen’s exposed ceiling was inspired by the Ministry of Information in Terry Gilliam’s Brazil. —Edie Cohen

ERIC LAIGNEL

FROM FRONT CERAMICHE MARCA CORONA: TILE (ENTRY). DELRAY LIGHTING: PENDANT FIXTURES. POLYGAL: COLUMN SURROUND. INTERFACE: CARPET TILE (BOARDROOM, OFFICE AREA). HPL CONTRACT: TABLES (BOARDROOM, CANTEEN), DESKS (OFFICE AREA). ARMSTRONG: CEILING SYSTEM (OFFICE AREA), FLOORING (CANTEEN). PRUDENTIAL LTG.: CEILING FIXTURE (OFFICE AREA). HERMAN MILLER: CHAIRS (BOARDROOM, RECEPTION, MEETING ROOM, OFFICE AREA). CRAWFORD LAB-

ORATORIES: FLOORING (RECEPTION, MEETING ROOM). CB2: TABLES (RECEPTION), WHITE CHAIRS (CANTEEN). FOSCARINI: PENDANT FIXTURE (RECEPTION). BLUE POND SIGNS: CUSTOM SIGNAGE. ACUITY BRANDS: RECESSED FIXTURES. DUPONT: DESK MATERIAL (RECEPTION), COUNTER MATERIAL (CANTEEN). ORIGINAL CAST LIGHTING: PENDANT FIXTURES (MEETING ROOM, OFFICE AREA). IDEAPAINT: WHITEBOARD PAINT. ALLSTEEL: FILING CABINETS (OFFICE AREA). TECTUM: CEILING SYSTEM. KNOLL: COLORED CHAIRS (CANTEEN). ABET: CABINETRY. THROUGHOUT SHERWIN-WILLIAMS COMPANY: PAINT. TOLLGRAPHICS: CUSTOM GRAPHICS. NABIH YOUSSEF ASSOCIATES: STRUCTURAL ENGINEER. RANDALL LAMB: MEP. TAMALPAIS COMMERCIAL CABINETRY: WOODWORK. DOME CONSTRUCTION CORPORATION: GENERAL CONTRACTOR.

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SYMBOL

me m osamp les. c o m

Rest Assured Your Home Will Wear It Well

Circle 23

walkthrough

firm: rios clementi hale studios site: los angeles

all grown up The two-story, 1,000-square-foot addition is surrounded by a palisade of 18-foot-high Douglas fir structural beams.

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When we last encountered Frank Clementi and Julie Smith-Clementi, they had updated their 1920’s Venice bungalow and added a second floor, doubling its size to 1,200 square feet. Their daughter Emilia was 2; she’s now 16. Their second daughter, Nina, is 10, and the architects, coprincipals at Rios Clementi Hale Studios, have expanded anew. They have built a three-car garage and capped it with a proper master suite, complete with an en suite bathroom, a walk-in closet, and suspended fireplace that swivels 76

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to warm both the room and its adjoining deck. “The girls were sharing a bedroom, and we all shared the one bathroom,” Smith-Clementi says of what necessitated the addition, which brings the current total square footage to 2,200. The garage and kitchen are joined by a breezeway, which is topped by part of the family room and a whole new bedroom. In terms of scale and recessive color palette, the addition’s interior continues the modernist aesthetic of the original bungalow. Yet its ex-

terior is eye-popping to say the least. The couple surrounded three of its secondfloor facades with a palisade of 34 18-foot-long Douglas fir structural beams that are downright sculptural. “It’s my tree fort,” states Clementi. Acquiring the adjacent lot, the Clementis also tweaked the open-plan ground floor to capitalize on the expanded setting. Moving the front door and pulling back the stairway opened sight lines. The kitchen, once central, was relocated to a rear corner, freeing space for a breakfast

UNDINE PRÖHL

walkthrough

Opposite, from top: Although the living-area portion of the house was existing, the concrete floor tile and fireplace’s folded blackened-steel cladding are new. Surrounding the master suite on the second floor, the custom 4-by-12-inch beams are bolted to the concrete framework.

Clockwise from top: Acquisition of an adjacent lot allows for lush landscaping that includes lemon, apricot, and plum trees; artichoke, fava-bean, and tomato plants; and a custom cedar picket fence. Furnished with woven-cane pendant fixtures, Charles and Ray Eames chairs, and a custom table topped in maple veneer, the breakfast area is new, thanks to the kitchen being repositioned. The custom plywood storage unit incorporates the stairs.

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Clockwise from top left: The addition’s ground floor includes a three-car garage. Above the breezeway, a corridor and family room connect the master suite to the existing house, all with maple flooring. During the day, the 34 beams double as a sun trellis; at dusk, they look like an art installation. Cork-tile flooring, a swiveling steel fireplace, and a custom 7-foot-high plywood headboard appoint the master bedroom.

FROM FRONT ROOM & BOARD: RUG (LIVING AREA). NOTNEUTRAL: THROW PILLOWS (LIVING AREA, BREAKFAST AREA), TABLEWARE (BREAKFAST AREA), BEDDING (BEDROOM). IKEA: PENDANT FIXTURES (BREAKFAST AREA). HERMAN MILLER: CHAIRS (BREAKFAST AREA, BEDROOM). FIREORB: FIREPLACE (BEDROOM). 14 ORA ITALIANA: FLOOR TILE. THROUGHOUT GRANADA TILE: FLOOR TILE. BENJAMIN MOORE & CO.: PAINT. ML SMITH LANDSCAPE DESIGN: LANDSCAPING CONSULTANT. INTEGRATED ENERGY TECHNOLOGIES: AUDIOVISUAL CONSULTANT. GORDON L. POLON: STRUCTURAL ENGINEER. CUSTOM INTERIOR DESIGN: WOODWORK. SCANLON CONSTRUCTION: GENERAL CONTRACTOR.

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UNDINE PRÖHL

nook, a full-height storage unit that incorporates the staircase, and sliding glass doors behind the living-area fireplace, newly clad in blackened steel. Speaking of cladding, the maple flooring is now concrete tile. It carries through to the three new patios for a cohesive ground plane. —Edie Cohen

Arc-Com Fabrics, Inc. (800) 223-5466 www.arc-com.com Circle 18

®

wall covering Pattern

Portofino R

Lumens means lighting.

Tam Tam Suspension Light by Marset Mini Pendant & Wall Sconce exclusively at lumens.com View the Tam Tam Collection at lumens.com/tamtamcollection

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Trade professionals register at lumens.com/trade Circle 67

walkthrough firms: mobil arquitectos; ignacio irarrázaval site: chiloé island, chile

a point of view

From top: Larch shingles clad Hotel Refugia, which is raised on concrete piers, a riff on the region’s traditional dwellings on stilts. The lobby is paneled in slats of indigenous wood.

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NICO SAIEH

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Opposite, from top: Sited on 25 acres, the hotel overlooks the Gulf of Corcovado. The lounge, on the ground floor, is appointed with custom furniture made by local artisans, texturedconcrete surfaces, and flooring of ulmo, an indigenous wood. From top: The cantilevering second story helps protect the low-E glass wrapping the ground floor from the area’s frequent yet brief gusty rain storms. All 12 guest rooms have Andes mountain and gulf views. The lounge centers on a blackened-steel fireplace.

walkthrough Commanding a verdant promontory on Chiloé Island, part of an archipelago near Chile’s southern tip, Hotel Refugia is all about the view. You can gaze across the Gulf of Corcovado, studded with tiny islands, toward the Chilean mainland, the snow-covered peaks of the Andes in the distance. Preserving these vistas from every vantage point was Mobil Arquitectos’s guiding principle in designing the 13,500-square-foot lodge. Mobil’s design sits lightly on the landscape: Four giant concrete pillars support the upper guest-room and spa level, cantilevered out toward the Pacific Ocean. That overhanging second floor not only allowed for the ground-level public areas beneath to be wrapped entirely in glass, but also protects them from the area’s frequent wind-driven rain. Partner Patricio Browne describes the building as “a structural composition perched on a hilltop, rather than an opaque edifice growing out of it. It’s about maximizing light, space, sky, and perspective.” Indeed, every one of the dozen guest rooms has a water view. Though aggressively angular in profile, Mobil’s design draws inspiration from the island’s timber churches and waterfront wooden houses

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Clockwise from top left: A soaking pool is tucked in the spa on the second floor. An angled larch canopy precedes the glass entry, at left. An ulmo stair leads to the guest rooms and spa. Guest-room windows are 12-feet wide.

raised on stilts. The exterior is clad in larch shingles; the interior, with an air of Alpine-chalet style by way of Scandinavian modernism, boasts textured concrete surfaces and flooring and walls lined in indigenous woods. Most of the latter were harvested from Chiloé’s forests and cured in nearby Puerto Montt. As for furnishings, interior designer Ignacio Irarrázaval assembled a showcase of furniture, textiles, and baskets made by locals that nod to the rustic environs. “I spent a year looking for and working with the artisans to make them part of the project,” he says.

Continuing the sustainable agenda, Mobil placed north-facing windows (keeping in mind the southern hemisphere’s antipodean exposure) to capture passive solar heat in winter; stored in the floors by day, the warmth radiates back at night. Deep eaves shade the windows from the high summer sun. Luckily, the best views are to the south. —Raul Barreneche

FROM FRONT DAVID JOLLY: FLOOR LAMPS (LOUNGE). THROUGHOUT VMB: STRUCTURAL ENGINEER. RUBEN PAREDES: GENERAL CONTRACTOR.

NICO SAIEH

walkthrough

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WORLD PREVIEW OF FURNISHING FABRICS AND CURTAINS VILLA ERBA CERNOBBIO (COMO) ITALY SPECIALIZED EXHIBITION ENTRANCE BY INVITATION ONLY

PROPOSTE SRL VIALE SARCA 223 20126 MILANO ITALY PHONE +39 02 6434054 WWW.PROPOSTEFAIR.IT

7|8|9 MAY 2013 Circle 85

We get it. With all that goes into designing a portfolio-worthy space, carpet fiber doesn’t top your list. But uncommon fiber can make your work look better, longer - and that’s worth caring about. Really. So connect with your Antron® Fiber Consultant or visit antron.net

Circle 122 © 2012 INVISTA. All Rights Reserved. Antron® and the Antron® family of marks and logos are trademarks of INVISTA™.

market special outdoor section

edited by Mark McMenamin

Hanging Out Every now and then, you need an escape. A nearby escape. Dedon designer Daniel Pouzet happily facilitates such a fancy with Swingrest, which takes the classic porch standard to new dimensions—76 ¾ inches in diameter, to be exact. The suspended lounger’s basketlike bottom is woven from proprietary synthetic resin, while the circular aluminum frame hangs from UV-resistant ropes that support up to 770 pounds. High-pressure laminate forms the top of the super-convenient table, which rotates 180 degrees on its post of powder-coated aluminum, and the base cushion comes covered in waterproof acrylic, in a choice of 24 colors, or three colors of polyurethane vinyl. (Decorative pillows not included.) Terra-firma types, never fear: Swingrest also comes in a standing version that swivels. 877-693-3366; dedon.us. circle 402

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MILENIO

SILLARGA

FLOR HEBI PRIMA MARINA

Exotic Import

Ever eager to leverage world-class design to its A&D clients, Landscape Forms just became the exclusive U.S. and Canadian representative of Escofet, the Barcelona, Spain, authority on exterior appointments. Since 1886, the company has collaborated with such bold-face names as artist Joan Miró and architect Jean Nouvel, and its benches, bollards, and fixtures enliven major cities across the globe. The inaugural 14-item package consists of seating, tables, and a planter, all in Escofet’s signature cast stone. Aggressive geometry rules backless Flor, an abstracted asterisk shape intended for individual or communal seating, and Milenio, a modular system of straight and angled pieces destined for multiple configurations. Things turn sinuous in Hebi, as curved components create snakelike footprints of practically any length, and Lungo Mare, the undulating surface of which references the sea, like its moniker does. More familiar in function is Sillarga, the chair’s ergonomically shaped back echoing its flowing profile, and Prima Marina, the teak-slatted bench. While no color is added to the stone, it is either acidetched or polished, then waterproofed to boost durability. 800-430-6209; landscapeforms.com. circle 403

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LUNGO MARE

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LIFE LIVED

No m ad co l le c t io n. I n sp ire d ou tdoor f u r n it u re p e r fe c te d by Glos ter. ww w.g lo ster.com Circle 119

Out Building

Patricia Urquiola unearths the natural connection between architecture and industrial design with Cottage, a daybed for Kettal. The Interior Design Hall of Fame member calls it “the definitive refuge in which to enjoy the outdoors.” Indeed, it’s a retreat suitable for the tropics as well as the mountains. The 8-foot-high aluminum frame is offered in 27 powdercoated colors, including Texture White. The slatted “elevations” can be specified in aluminum or meranti, a hardwood indigenous to Southeast Asia. Inside, a shelf of the same wood serves the 83-inch-wide cushion, which has an adjustable backrest for two. Woven-PVC flaps can roll down and the sheer polyester curtains drawn to shield the sun or wind. 34-93-487-9090; kettal.es. circle 404

marketoutdoor Déjà New

KATTAN II

Past and present join hands in the latest seasonal selections from Brown Jordan. The past: Cricket II, a reissue of the 1979 folding chair by Henry Glass, flaunts a frame of powdercoated aluminum that collapses SWAY to less than 1 inch tall. The sling seat is Suncloth, a proprietary textile incorporating Sunbrella solution-dyed acrylic. The present: Richard Frinier’s Sway series in powder-coated aluminum. Seating is inset with UV-resistant thermoplasticpolyester mesh; aluminum or glass tops the tables. Somewhere in between: Kattan II, designed in 1956 by Tadao CRICKET II Inouye and refreshed by Frinier with machine-formed brass and Suncloth straps. Frames of the rocking and lounge chairs, ottoman, and tables develop a rich patina or retain their original sheen through occasional polishing. 800-743-4252; brownjordan.com. circle 405

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shade oasis Discover Plantation MAX Cantilever shade oasis at tuuci.com.

tuuci.com | made in miami Circle 104

LANDA

VANTANA

In Good Company

AVA

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INTERIORDESIGN.NET FEB.13

AVANDA

Skim the artful opus that is the Janus et Cie catalog, and the imprint of Janice Feldman is unmistakable. But everyone needs to collaborate now and then. So, the president and CEO shares the spotlight this season with some kindred talents. In Fibonacci, Interior Design Hall of Fame member Michael Gabellini and partner Kimberly Sheppard capture the voluptuousness of supple materials draped over structure—in this case, handwoven JanusFiber or rattan over powdercoated galvanized steel. Seating options in the ninepiece collection include the asymmetrical Avanda recamier, its high back gradually sloping to meet the seat. The Landa lounger’s bowed front points to the ground, giving rear legs a slight reveal. Ava boldly bears its legs beneath an upright seat. Conversly, circular Alba envelopes the body, balancing on tripod legs. Finally, the gentle curves of the Vantana daybed naturally follow the reclining human form. 800-245-2687; janusetcie.com. circle 406

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MIX N’ MAT CH

KINGSLEY˜ BATE

™

ELEGANT OUTDOOR FURNITURE H IGH P OINT • CHICAGO 2013 CATALOG NOW AVAILABLE ONLINE KINGSLE YBAT E .COM

7200 Gateway Court, Manassas, Virginia 20109 USA t 703.361.7000 f 703.361.7001 Circle 3

KB1189

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Hue to the Rescue Take off with color

1. Alfresco Mazatlan chairs in powder-coated hand-welded steel in orange, red, and green by Palecek. circle 407 2. Edi and Paolo Ciani’s Asta chairs in stainless steel and woven vinyl in Citrus by Gloster Furniture. circle 408 3. Allover Sunbrella solution-dyed acrylic and polyester in Grass by Sina Pearson Textiles. circle 409 4. Anywhere Sunbrella solution-dyed acrylic and polyester in Carousel by Sina Pearson Textiles. circle 410 5. Maui chairs in powder-coated aluminum and high-density polymer in Tropical Green, navy blue, Tropical Yellow, and silver by Kannoa. circle 411 6. VB-03 polypropylene rug in lime blue by Loloi Rugs. circle 412 7. Lorenza Bozzoli’s Fedro chairs in aluminum wrapped in handwoven polyethylene in Flamingo, Colibrí, and Quetzal by Dedon. circle 413 See page 98 for sources.

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PMS 418, 414 and black

PMS screens of black

brownjordan.com/frinier Circle 27

Open Party

outdoor

Entertain alfresco 1. Bruno Fattorini & Partners’s Marina table and benches in pultruded fiberglass by Extremis. circle 414 2. Urban table and stools in fiber-reinforced cement by Kannoa. circle 415 3. Zidiz table and armchairs in bent powder-coated aluminum, teak, and Corian in white by Royal Botania. circle 416 4. 8800-0 table in stainless steel and reclaimed teak by Bluecoast. circle 417 5. 8801-0 stools in stainless steel and PVC-coated polyester mesh in beige by Bluecoast. circle 418 6. Antonio Citterio’s Artusi outdoor kitchen in stainless steel by Arclinea Arredamenti. circle 419 7. Atlantic table and stools in anodized aluminum and plastic composite in Mocha by Gandia Blasco. circle 420

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www.cosmit.it Circle 38

marketsourcesoutdoorr Hue to the Rescue 1. Palecek, 800-274-7730; palecek.com. 2. Gloster Furniture, 434-575-1003; gloster.com. 3. Sina Pearson Textiles, 212-366-1146; sinapearson.com. 4. Sina Pearson Textiles, as above. 5. Kannoa, 305-651-9655; kannoa.com. 6. Loloi Rugs, 972-503-5656; loloirugs.com. 7. Dedon, 877-693-3366; dedon.us.

Open Party 1. Extremis, 32-5-734-60-20; extremis.be. 2. Kannoa, 305-651-9655; kannoa.com. 3. Royal Botania, 212-812-9852; royalbotania.com. 4. Bluecoast, 877-261-9327; bluecoasthospitality.com. 5. Bluecoast, as above. 6. Arclinea Arredamenti, 39-0444-394111; arclinea.it. 7. Gandia Blasco, 212-421-6701; gandiablascousa.

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Go to interiordesign.net/outdoor13 for our outdoor-product survey.

The World’s Finest Water Feature

The Harmonic Cascade Waterfall ®

Custom Designed • Precision Crafted • Available Worldwide Exclusively from Harmonic Environments®

Circle 45

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edited by Mark McMenamin text by Mark McMenamin and Athena Waligore

flooring

Beauty Without the Thorns Opposites do attract—just ask Esti Barnes. Vacationing in Antibes, France, the founder and design director of Top Floor spotted a large round cactus. The sighting sparked Espina, Spanish for “thorn,” an apt label for the spiky tendrils that populate the circular rug. But there are no pricks or barbs to fear, just the luxurious feel of hand-tufted wool. Like the manufacturer’s entire assortment, it’s available in any number of custom sizes and colorations. 44-20-7795-3333; topfloorrugs.com. circle 421

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Malene Barnett for Surya

Bernardo Rojo for Nourison

Charlotte Lancelot for Gan

Sandra Espinet for Aga John Oriental Rugs

products Destinations 61, Voyages 29, Destinations 71. standout The brain behind Malene B brings her global perspective—and her boldly colored flat-woven and handtufted wool rugs—to a wider audience. 877-275-7847; surya.com. circle 422

product MUL01. standout Extending his reach from fashion to flooring, the creative director of menswear label Joseph Abboud continues his aesthetic in Mulholland, an ensemble of neutral hand-tufted polyester rugs. 800-223-1110; nourison.com. circle 423

product Canevas. standout Wool felt doubles as a scratchpad for the young Belgian designer’s imagination, the rug’s supertextural surface supplied by cross-stitch construction. 212-421-6701; gan-rugs.com. circle 424

product Walk Little Bird. standout Quirky and classical coexist in the Los Angeles designer’s first stab at flooring, as fowl fades into a forest of abstraction across a ground of silk-wool blend. 310-657-0890; agajohncarpets.com. circle 425

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BOTTOM, FAR RIGHT: PAUL GODWIN

Michael Wolk for Pierpoint Pacific

Kit Kemp for Christopher Farr

Amy Lau for Kyle Bunting

David Weeks for Christopher Farr

product Leaves. standout Typically found frequenting furniture and upholstery showrooms, the Miami designer directs his modern tendencies to the floor with a freeform group of tufted-wool rugs. 336-8417400; pierpointpacific.com. circle 426

product Pebbledash. standout The Firmdale Hotels owner and design director’s modern English approach animates hand-knotted jute, appropriately enough, with varied pebbly textures. 310-967-0064; christopherfarr.com. circle 427

product Flow. standout Wavy strips of dyed cowhide simultaneously channel optical art and the architecture of Gio Ponti—and add to this designer’s growing product collection. 512-264-1148; kylebunting.com.

product Onda. standout The pendant-fixture wunderkind shines his spotlight downward for his rug debut, arranging hand-tufted and hand-dyed wool in striking graphics and colors. 310-967-0064; christopherfarr.com. circle 429

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flooring

Frame Worthy

OPUS

GEODE

MAROC FEZA

Picture this: 500 new patterns to peruse. It’s just another season for Jaipur Rugs, as the rug maker unveils a full gallery of exhibitionlevel entries. The traditional origin of Opus is gently updated through a new dyeing process, which mimics the mottled look of vegetable dyes in hand-knotted wool. Classical damask patterns deconstruct into abstraction in Geode, a blend of hand-knotted wool and silk. And in the vendor’s burgeoning flat-weave category, Maroc is a reversible wool dhurrie inspired by colorful 1960’s graphics, while the jagged geometry of Feza is executed in hemp. Choose from a range of standard sizes and colorways. 888-676-7330; jaipurrugs.com. circle 430

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Set the Stage

Create a dramatic foundation with the Drama Collection from J+J/Invision. Acting on contemporary color, design, scale and texture combinations, Drama takes center stage with three epic patterns: Curtain Call, Marquee and Cameo. FEATURED – CURTAIN CALL MODULAR

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jj-invision.com 800 241 4586 A J&J Industries Brand

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Although it’s usually best not to dwell on the past, Timothy Paul Myers makes a career out of it. The Australian-born, New York–based artist assembles early 20th-century ephemera—tattered trading cards, forgotten mail—in mass multiples and then morphs them into large-scale gridded collages. After being introduced to Myers’s works by Todd Masters, co-owner of Masters & Pelavin gallery in New York, Carini Lang creative director Joseph Carini became fascinated with them, particularly Don’t Forget My Name and two untitled pieces, which are composed of early-1900’s postcards the artist scrawled with pencil and Wite-Out. “I immediately saw it could be translated well into my medium,” Carini recalls. The ensuing collaboration spawned three initial patterns. Working in this new medium, Myers stays true UNTITLED to his source but modifies his signature geometric grid. It turns primitive and organic in Bloomfield, begins to disintegrate in Eisenhower, and is finally reduced to fragments in Henry Hart. Each GoodWeave–certified rug is 6 by 9 feet and hand-knotted in wool and silk using intricate Tibetan knots. 646-613-0497; carinilang.com. circle 431

Off the Wall DON’T FORGET ME

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THE SWISS EXPRESSION OF ARCHITECTURAL DESIGN. Created with Swiss precision and high quality demands. Combined with the love for detail, exceptional bathroom concepts come to life: LAUFEN Palomba Collection 2012, design by L+R Palomba

LAUFEN Bathrooms North America 11190 NW 25th Street | Miami, FL 33172 USA T. 866.696.2493 | F. 866.264.7622 | [email protected] | www.laufen.com/usa

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flooring 1

2 1. Somoroff VI hand-spun rug in Himalayan wool in Llama by Stephanie Odegard Collection. circle 432 2. Custom hand-tufted rug in bamboo silk by Doris Leslie Blau. circle 433 3. Splash Supreme 3 rug in wool and silk in All Natural by Marc Phillips Decorative Rugs. circle 434 4. This Moment hand-knotted rug in Tibetan wool and Chinese silk by Amy Helfand.

Splotch Test Open to your interpretation

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Linen 8 hand-knotted rug in silk by BravinLee Programs. circle 436 6. Canopy 1 hand-knotted

rug in wool and silk by Modern Nature Design. circle 437 7. River Basin hand-knotted rug in silk by Organic Looms. circle 438 8. Bloom rug in silk and

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hemp in Dune by Jamie Stern. circle 439 9. Synergy rug in silk and hemp in Fire by Jamie Stern.

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circle 440 10. Desire rug in silk and

hemp in Iolite by Jamie Stern. circle 441 11. Boardwalk hand-tufted rug in wool-cotton blend in BWS4635 by Foreign Accents. circle 442 See page 126 for sources.

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IllumIne

www.millikencarpet.com 800.824.2246 Circle 121

Bringing the height of luxury to commercial carpeting, the Illumine Collection is a series of rich textures that radiantly appear to be lit-from-within. This timeless grouping incorporates lustrous fibers, subtle textural nuances, high ounce weights, and varying loop and tip shear constructions to create patterns that are subtle yet intriguing, lush and luminescent.

flooringcollection

Benevolent Brilliance PUZZ

SIMEON ABRAHAMIC TRIBAL PATTERNING VOLUTE

Proving once again that social responsibility and design consciousness aren’t mutually exclusive, Arzu Studio Hope unveils the Masters Collection: limited-edition patterns conceived by six internationally renowned architects, each of whom donated their talents to support Arzu’s mission of empowering the Afghan women who handcraft their rugs. Leading the roster are five Interior Design Hall of Fame members. Frank Gehry interpolates the dynamism of 3-D objects onto surfaces with Puzz, ARABESQUE based on models his team created ZH ZH for a pop-up store. In Arabesque, Michael Graves offers an organic configuration with no obvious top or bottom, making it properly oriented from any viewpoint. Robert A.M. Stern considers Volute both geometric and botanic, modern and classical, as fluid arrangements of spirals climb through tidy latticework. From the husband-and-wife principals of Tigerman McCurry Architects, Margaret McCurry imagines faded tribal symbols on ancient dwellings in Simeon, while Stanley Tigerman’s Abrahamic Tribal Patterning recalls Moorish traditions. Finally, reigning starchitect Zaha Hadid plays with perspective in ZH, pitting faint sketchbook strokes against a blazing ground. The numbered rugs are hand-knotted using wool that’s been spun and dyed by hand, and accompanied by a certificate of authenticity. The launch coincides with Arzu’s new alliance with Coalesse. 866-645-6952; coalesse.com. circle 443

FRANK GEHRY

FRANK GEHRY

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MICHAEL GRAVES

ROBERT A.M. STERN

MARGARET MCCURRY

STANLEY TIGERMAN

ZAHA HADID

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Actually laugh out loud. Talk is a new collection of seating and tables designed by EOOS for Keilhauer to encourage face-to-face communication. 1 800 724 5665 keilhauer.com

ARCHETYPE I

TIME I DISSONANCE I

PARADIGM I

Tufted Tribute There’s a time for everything—especially if it’s timeless. Tai Ping director of design and creative development Yasmina Benazzou pays deference to avant-garde structures, mid-century textiles, and Bauhaus weavings in Epoch, a 17-pattern synthesis of geometry and abstraction. Informed by the angles and contours of modernist icons, the rugs are hand-tufted in a variety of fibers; black and gray serve as prevailing neutrals. The random stripes of Dissonance I reference 20th-century textile legend Sonia Delaunay, in a blend of wool, wool lace, and dull silk. Architecture is the muse of Archetype I, a network of interrupted lines in wool lace on a dull-silk background. Wool and flax intermingle in Time I, its rectangular grid subtly streaked in blue. Diamonds arise from raised wool triangles in Paradigm I, a dynamic take on traditional harlequin motifs. Similarly angular forms also dictate Omission I, a broken zigzag with a textured wool background and accents of dull silk. But the source turns natural in Parody I, a large-scale python skin imagined in wool and dull silk. All sizes are custom. 212-979-2233; taipingcarpets.com. circle 452

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OMISSION I PARODY I

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Photo Credit: Kim Sargent

Flowers put a spring in your step

The Loom in Bloom 1. Mad for Plaid digitally printed carpet in solution-dyed nylon by Durkan. circle 453 2. Mirage porcelain pavers in Chambord by Artistic Tile. circle 454 3. Brites vinyl tiles in Citreuse and Shock Me Pink by Centiva. circle 455 4. Rose rug in hair-on-hide in Cardinal, Lips, and rose by Kyle Bunting. circle 456 5. Vintage porcelain tile in Red Natural, Blue

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Natural, Green Natural, Beige Natural, White Natural, and Grey Natural by Apavisa Porcelánico. circle 457 6. Pretty Promise carpet tile in solutiondyed nylon in Palm by Flor. circle 458 7. Tsubaki hand-tufted rug in wool and silk in Tuscan by Warp & Weft. circle 459 See page 126 for sources.

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A Material Change For 16 years, the painterly predilections of Janis Provisor and Brad Davis have been singularly served by wild silk. But after numerous requests from clients, the owners and cocreative directors of Fort Street Studio unveil their first assortment in wool. As it turns out, the transition took more than a quick call to a new supplier—think five weeks in Asia, immersed in the hotbed of rug making. Master artisans were located and entrusted to reinterpret the studio’s watercolor-inspired aesthetic. The focus then turned to perfecting wool technique: knotting, weaving, carving, twisting. Tactility and texture distinguish the eight hand-knotted patterns, most conspicuously in Corrugated, its ridges simulated by high and low piles. Named for its flat-woven components, Flats references carved motifs on antique jade and ivory. Leaves imagines Chinese oolong tea casting shadows across water. The freeform Strato pays homage to the company’s artful heritage, an approach also evident in the stylized randomness of Texture. But old habits die hard, and so hand-cut Moss achieves its furrowed feel through a mixture of wool and, you guessed it, silk. 212-925-5383; fortstreetstudio.com. circle 460 STRATO

LEAVES

CORRUGATED

FLATS FLATS

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MOSS

FLATS TEXTURE

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GRIGIO

Azulej, Patricia Urquiola’s glazed porcelain tiles for Mutina, might make your head spin. Holding court at the company’s stand during Cersaie 2012 in Bologna, the Interior Design Hall of Fame member, who also serves as the company’s creative director, pontificated on creating the collection. “We’ve worked on sizes, blends, opacities, and textures, and processing on the borders,” she said. “We have defined colors, noncolors, and interconnected effects.” Her words translate to Bianco, Grigio, and Nero, her three-piece line, their names referring to the BIANCO GRIGIO

NERO

NERO GRIGIO

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tiles’ base colors. Each is digitally printed with 27 patterns meant to be combined randomly as intricate patchwork. From these, nine compositions were selected to work singularly, in combinations with each other, or with unpatterned tile. Despite high-technology production, Azulej recalls handcrafted majolica tiles because its colors are a bit irregular and may seep around the edges. But filtered through Urquiola’s sensibility, the overall look is contemporary. Approximately 8 inches square, the tiles are resistant to temperature changes and chemicals, making them suitable for exterior and interior applications. Technically a made-up word, Azulej recalls the tile form azulejo, ubiquitous in its native Portugal. 39-05-36812800; mutina.it. —Edie Cohen circle 461

BIANCO

Tile in Translation

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The Gift That Keeps Giving When most couples exchange presents, it often ends with, “Where’d ya get that?” But when designer Melina Raissnia received a small felt rug from her husband, Dodd, it spiked an obsession that would only be sated with an 8,000-mile adventure. Arriving in Tehran, they scoured the main bazaars to no avail. But after traversing nomadic mountain camps and villages, the couple eventually located small enclaves where aged craftsmen keep the art of felt making alive. Peace Industry was born soon after, firmly rooting the pair in the rug business. Designed in the Raissnias’ San Francisco studio, the patterns are produced in the company’s fair-trade workshop in Turkey, employing the same processes that nomads in Central Asia used for centuries. Spunky shapes in earthy colors figure prominently in the latest releases, including the jaunty honeycomb of Hive and the cellular composure of Screen. Jupiter sports a cyclic crisscross, Lace superimposes circular and linear forms, and Fuller resembles shadows cast from a stained-glass window. The rugs are handmade in small batches using lamb’s wool and natural dyes, in any custom color and size up to 12 by 14 feet. To eliminate waste, remnants from rug making are repurposed into hand-sewn baskets and ottomans. 415-255-9940; peaceindustry.com. circle 462

Clockwise from top: The pattern of Lace is felted and dyed by hand. Melina and Dodd Raissnia oversee the construction of Willow in Turkey. A craftsman organizes fibers in the workshop’s wool room. Sheets of finished felt are stored for later use. A basket made from rug remnants rests on Screen, in nutmeg and aqua. Rug edges are finished by Dodd Raissnia. Fuller is in charcoal and cream. Jupiter is in camel, aqua, and black. Assorted wool fibers are stored in plastic bags. Hive is in gray, mint, and indigo.

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ISN’T IMAGINATION A WONDERFUL THING It’s where perfect spaces are born. Where eye-catching combinations of clean lines and flawless surfaces come together in the designs and colors you’ve always dreamed of. Preserving the purity of those visions is what fires our imagination. It’s how we created OKITE®. A beautiful all-purpose quartz surface that transforms the most important vision of all: your projects.

countertops, wall cladding and more

www.okite.us - [email protected] - 1-866-654-8397 Circle 90

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Orange Moose, Oscar Worthy in Extravagant Settings, and Roadside Attractions in Little A Le Inn by Bentley Prince Street. circle 464 3. Astronomie collection vinyl tile in Lunar Greystone in Icy Moons, Space Race Leather in Polar Lander, and Galactic Haze in Comet Rendezvous by Bentley Prince Street. circle 465 4. Margao rug in linen in 795 by Niba Rug Collections. circle 466 5. Contemporary Byron rug in bamboo silk in BB-01 Bluestone by Loloi Rugs. circle 467 6. Squaredance 1 hand-knotted rug in wool and silk in China Blue by Reuber Henning. circle 468 7. Sultry hand-knotted rug in silk, wool, and hemp by Rug Art International. circle 469 8. Ziggy flat-weave rug in natural cotton in light blue and dark blue by Madeline Weinrib. circle 470 See page 126 for sources.

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Distinctly American. Uniquely Crossville.

Bluestone Porcelain Stone® tile takes its inspiration from natural stone. But unlike natural stone, Bluestone has unmatched stain and scratch resistance and will remain virtually maintenance free—even in high traffic settings. What’s more, it’s available in a variety of sizes, including popular plank shapes via Crossville’s “Get Planked” program. So for the rich luster and timeless beauty of stone, Bluestone Porcelain Stone® is the perfect alternative. Crossville is a proud supporter of the American Academy of Healthcare Interior Designers.

Bluestone Porcelain Stone ® Questions: 931-456-3136 | CrossvilleInc.com

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flooringsources Splotch Test 1. Stephanie Odegard Collection, 888-988-1209; stephanieodegard.com. 2. Doris Leslie Blau, 212-586-5511; dorisleslieblau.com. 3. Marc Phillips Rugs, 212-752-4275; marcphillipsrugs.com. 4. Amy Helfand, 718-643-9577; amyhelfand.com.

The Loom in Bloom

5. BravinLee Programs, 212-462-4404; bravinlee.com.

1. Durkan, 800-554-6637; durkan.com.

6. Modern Nature Design, 561-278-3332; modernnaturedesign.com.

2. Artistic Tile, 877-528-5401; artistictile.com.

7. Organic Looms, 312-832-0900; organiclooms.com.

3. Centiva, 800-236-8482; centiva.com.

8. Jamie Stern, 800-524-1598; jamiesterndesign.com.

4. Kyle Bunting, 512-264-1148; kylebunting.com.

9. Jamie Stern, as above.

5. Apavisa Porcelánico, 34-964-701-120; apavisa.com.

10. Jamie Stern, as above.

6. Flor, 866-952-0493; flor.com.

11. Foreign Accents, 800-880-0413; foreignaccentsrugs.com.

7. Warp & Weft, 212-481-4949; warpandweft.com.

Stacked for Success

Kind of Blue

1. Inigo Elizalde Rugs, 917-436-7058; inigoelizalderugs.com.

1. Helen Yardley Studio, 44-20-7403-7114; helenyardley.com.

2. Mannington Commercial, 800-241-2262; manningtoncommercial.com.

2. Bentley Prince Street, 800-423-4709; bentleyprincestreet.com.

3. Milliken & Company, 864-503-2020; milliken.com.

3. Bentley Prince Street, as above.

4. Shaw, 800-257-7429; shawcontractgroup.com.

4. Niba Rug Collections, 305-573-1355; nibarugs.com.

5. Crossville, 931-484-2110; crossvilleinc.com.

5. Loloi Rugs, 972-503-5656; loloirugs.com.

6. Tandus Flooring, 800-248-2878; tandus.com.

6. Reuber Henning, 49-30-32590145; reuberhenning.de.

7. Cancos Tile & Stone, 800-322-6267; cancos.com.

7. Rug Art International, 877-478-4278; rug-art.net.

8. Rosemary Hallgarten, 203-259-1003; rosemaryhallgarten.com.

8. Madeline Weinrib, 646-602-3780; madelineweinrib.com.

Lounge Chair & Coffee Table Circle 30

Molded plywood classics sustainably made in the USA. Available with or without arms in natural or classic walnut finish. With or without upholstered seat pads.

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Flooring created for every step you take.

mattersofdesign Already in the 1930’s, studies revealed that greater Los Angeles had the most modernist structures built anywhere in the country. Since then the number of progressive buildings in the city has steadily expanded: One-lot, one-house suburbs have proved a petri dish for architectural experimentation. “L.A. was ground zero in innovative design,” says Linda Dishman, executive director of the Los Angeles Conservancy, “and not just high-end residential, but also at a level accessible to the middle class.” L.A.’s early-onset modernism now means that those buildings, born to look crisp and new, are old enough to show their age and need preservation. But besides time, the truly seismic force threatening these houses is real estate: A small house on a fancy lot risks becoming a teardown. Judith Sheine, an architect and coauthor of Schindler,

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keeping up appearances With an unparalleled stock of modernist houses, Los Angeles is taking preservation seriously FROM LEFT: GERALD ZUGMANN/COURTESY OF MAK CENTER; JOSHUA WHITE/COURTESY OF MAK CENTER

Kings Road, and Southern California Modernism, jokes, “I write all these Schindler books to raise the value of Schindler houses, so people will buy them for Schindler, not for the site.” Historic preservation started in L.A. in 1970 with the brutish demolition of Irving Gill’s Walter L. Dodge House on Kings Road, an early white, cubist masterpiece built between 1914 and 1916. Just down the street, Rudolph Schindler’s own inventive wood-frame and concrete-slab house, built on a shoestring and a wish in 1922, stood forewarned. The Schindler family and concerned citizens created a nonprofit, Friends of the Schindler House, which now owns and protects it. Word of this special kind of residence spread, and movie industry figures bought and restored trophy houses, often with the help of specialized realtors and architects. Owning one of these properties became a badge of honor, the aura of the celebrity rubbing off on the architecture, and vice versa. An ecosystem of awareness spread, assisted over the last two decades by gathering institutional support. The University of Southern California acquired and stabilized Frank Lloyd Wright’s 1924 Samuel and Harriet Freeman House, a textile-block beauty in the Hollywood Hills; the USC School of Architecture uses it as a teaching lab. The MAK Center for Art and Architecture, a think tank funded by the Austrian government and based in the Schindler House, has acquired two other Schindler properties: “We organize events, tours, and fundraisers around these houses, so they’re a living organism, not an exalted, frozenin-time object,” says MAK Center director Kimberli Meyer. The institutions share ideas about fundraising and different ways of programming. “It’s not just about physical restoration of an art piece,” says Sarah Lorenzen, resident director of Richard Neutra’s own 1932 VDL Research House in Silver Lake, now owned by California State Polytechnic University, Pomona. “It’s a building; it should have activities in it.”

Until recently, the Getty Foundation, which one observer says could have bought all L. A.’s Case Study Houses for the price of a van Gogh, was conspicuous by its absence. But this spring the Getty is helping sponsor “Pacific Standard Time Presents: Modern Architecture in L.A.,” a cluster of shows across the basin dealing with the modernist legacy. And last March, the Getty Conservation Institute inaugurated the Conserving Modern Architecture Initiative to research issues germane to modernist buildings. Its first project: Case Study House No. 8, the Eames House, designed by Charles and Ray Eames in 1949. Modernist buildings present a special preservation challenge because architects experimented with new materials: “We try to identify areas that conservators are struggling with—concrete, curtain walls, plastics, flat roofing systems—lessons that can be applied beyond Los Angeles,” says Tim Whalen, director of the Getty Conservation Institute. “We’re trying to lay out research for best practice. We started with the Eames house as a local but superb example.” With the same scientific approach it uses on art restoration, the Getty’s analytical examination of building materials is informing how to conserve the Eames House. “We’ve used all our information to take a more balanced conservation approach,” says Kyle Normandin, senior project specialist at the institute. “The colors of the house, for example, changed

Opposite from left: Rudolph Schindler’s 1922 Los Angeles house, which the MAK Center for Art and Architecture acquired in 1994 to use as its headquarters. The Hylomorphic Project, a 2006 installation by Open Source Architecture at the Schindler House in 2007. Clockwise from top left: The living room in Richard Neutra’s VDL Research House. The exterior of the 1932 house, which was destroyed by fire in 1963 and rebuilt by Neutra’s son Dion under his father’s supervision. The penthouse of the house, which was donated in 1990 by Neutra’s widow, Dione, to California State Polytechnic University, Pomona, to be used and maintained by the university’s College of Environmental Design.

CLOCKWISE FROM TOP LEFT: DAVID HARTWELL (2); SANTIAGO BORJA

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Clockwise from top: The living room of the 1924 Samuel and Harriet Freeman textileblock house by Frank Lloyd Wright, now owned and maintained by the University of Southern California. Irving Gill’s 1916 Walter L. Dodge House, its 1970 demolition helping kick-start the L.A. preservation movement. The Eames House, designed by Charles and Ray Eames in 1949, the first project for the Getty Conservation Institute’s Conserving Modern Architecture Initiative. The house’s interior, conserved just as Ray Eames left it at her death in 1988. The flat roofing system, a modernist preservation challenge.

over the years they lived in it, so we’re not just aiming at the way it looked in the early images when it was fresh and new.” The directors of the Eames Foundation decided on a conservation rather than preservation strategy. “We liked the history and story of the house, the fact that it was worn lovingly. We like that feeling and want to take it into the future,” says Eames Demetrios, the Eames’s grandson. “We wanted to conserve everything that was still there from the original moment, and avoid doing anything that isn’t reversible. It’s like a work of art: If you’re fixing the Mona Lisa, you might clean it but you don’t repaint it.” Escher GuneWardena Architecture is developing the conservation master plan. “The Eames Foundation decided to restore it to 1988, when Ray died, to acknowledge the ongoing tweaking and manipulation of the house after it was built,” says principal Frank Escher, who commends the Getty for its efforts beyond the Eames project. “I can’t overstate the importance of the Getty Conservation Institute. We have this amazing collection of Modernist houses in a city that’s been an architectural laboratory for decades. But the Getty adds the presence of a ministry of culture to the effort. It’s filling a very big void. It’s a game changer.” —Joseph Giovannini 130

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CLOCKWISE FROM TOP: COURTESY OF USC UNIVERSITY ARCHIVES; LIBRARY OF CONGRESS, PRINTS & PHOTOGRAPHS DIVISION, HABS CAL, 19-LOSAN, 27-5; PHOTOGRAPH IN THE CAROL M. HIGHSMITH ARCHIVE, LIBRARY OF CONGRESS, PRINTS & PHOTOGRAPHS DIVISION; TIM STREET-PORTER/EAMES OFFICE (2)

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a perfect storm

Chris Klapper and Patrick Gallagher bring on thunder and lightning at a Philadelphia gallery

Left, from top: Acrylic tubes were heated and formed into arcs, which were welded into rings, to form armatures for Symphony in D Minor. Resin sheets were cured in a silicone mold on the floor. A winch raised the resin to cover the acrylic armature. Right, from top: The wrapped sheets were secured with zip ties. Motion sensors were placed inside the cylinders to trigger audio and video. Designed using CAD, the relief patterns on

“Would you be interested in trying something really massive?” That was the question posed by Eileen Tognini, curator at Skybox at 2424 Studios in Philadelphia, to installation artist Chris Klapper, whose largest piece to that point was a mere 8 feet high. Tognini challenged her to fill the 7,000-square-foot gallery space with a show that would be “epic in every way.” A bit daunted, Klapper turned to her husband, Patrick Gallagher, a fellow installation artist, to collaborate on Symphony in D Minor, a multimedia work inspired by the viscera of thunderstorms. “A storm rolling in, building to a crescendo, and gradually receding, in our minds, closely followed symphonic form,” Klapper says of the title. “We chose D minor since compositions in that key tend to be more dramatic in tone,” adds Gallagher. The piece comprised a quartet of 22-foot-long translucent cylinders, their shape inspired by long rolling arcus clouds, hung beneath the gallery’s 40-foot-high skylit ceiling. Acrylic tubing was heated, bent into arcs, welded into 5-foot-diameter rings, and spaced at 4-foot intervals to create a circular rib cage for each cylinder. Pliable resin sheets, cast in silicone molds, were wrapped around these armatures, creating a skin upon which storm images—captured on an iPhone by the artists—were backprojected from inside the giant forms. Decorative resin endcaps, molded to evoke storm drains, provided the finishing touch. Despite being referred to as clouds, the cylinders, complete with all their technology equipment, weighed 600 pounds apiece. Thus steel pipes were secured by clamps to steel mounts fitted around the gallery’s original ceiling trusses; suspended from these pipes, the cylinders were free to swing. When the installation was up last fall, the gallery proctor would surprise visitors by reaching up to give one of the clouds a gentle shove, which caused the projections of a calm blue sky to darken and rumbling sounds to emerge. Viewers were then encouraged to push the suspended cylinders harder themselves and, gazing upward, observe the thunderous results. “When gallery-goers realized they could touch the art, a taboo boundary was broken,” Gallagher says. “That was a beautiful thing to watch.” Over the course of approximately 40 minutes, the basso profondo of a full-blown storm diminished to the pitter-patter of receding rain, only to regroup and thunder again. —Craig Kellogg THROUGHOUT NORTHEAST PLASTIC SUPPLY CO.: ACRYLIC. POLYTEK: RESIN. IRON STUDIO: STEEL. ADAFRUIT INDUSTRIES: SENSORS.

the cylinders’ endcaps resembled storm drains. The caps were also molded from resin. Each of the four cylinders was 22 feet long and weighed 600 pounds.

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Dappled with back-projected images of storms captured on an iPhone, the cylinders hung 6 ½ feet from the floor—just within reach of most gallery visitors.

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THINGS ARE NEW AGAIN MADE IN USA ODENSE CHAIR Circle 15

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Interior Design offers a yearly wide-angle view

of the “best” des ign

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Contents Best of Year 2012 speCial seCtion: proDUCts

Arclinea 139 Artistic Tile 140 Concertex 141 Design Within Reach 142

lAuFEn 151

HAlCon 143

KnollTextiles 152/153

Holly HunT 144

legrand 154

Interface 145

M2l 155

JAnus et Cie 146/147

nemo Tile Company 156

snaps 148/149

Rocky Mountain Hardware 157

Keilhauer 150

ultrafabrics 158

Best of year 2012 by the numbers 159 Best of year 2012 Product Winners and Honorees 160

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Arclinea

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Artusi OutdOOr Kitchen Like every Arclinea product, this truly unique outdoor kitchen is conceived as a real space— a kitchen for living and utilizing. in stainless steel Aisi 316 for high resistance, durability, and hygiene, the Artusi is the ideal outdoor kitchen. it features a recessed handle, “italia” (an exclusive Arclinea patent) and 4cm thick doors with internal isolating foam and magnetic seal to avoid water and insect intrusion. it has an integrated barbecue, thermic storage for food and beverage, as well as an Arclinea faucet and a gas bottle container with secure venting. circle 81

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artistic tile

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the show-stopping Estrella is hand crafted in glass mosaic. Estrella’s intuitive use of shape and color will transform any space.

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Best OF YeARhOnORee Portrait

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Meticulously hand carved and delicately textured, these beauties can be composed singularly or as a collage. the Portrait Suite is curated in three patterns across two sizes and each piece is crafted individually by a skilled artisan. circle 23

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Concertex

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HONOREE HEaltH-caRE tExtilE

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ZENUS Zenus is the next evolution of performance fabrics. Stains and spills can be wiped away with just a dry cloth. Multiple layers of skin are applied on top of the textile to create a solid surface preventing moisture, stains, and other materials from entering the textile layer. The industry’s original graffiti-free finish is then incorporated into the skin to become the first ink-erasable fabric. Bleach cleanable, ink-resistant, eco-friendly, and extremely durable, Zenus redefines contract textiles. ciRclE 31

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Design Within Reach

BEST OF YEARHONOREE

HONOREE CONTRACT LOUNGE CHAIR

MILO BAUGHMAN RECLINER 74 Designed in 1966, this sleek, inviting recliner is the work of Milo Baughman, recognized as one of the originators of the California modern movement. He began his career as a custom furniture designer and later joined forces with Thayer Coggin, the exclusive manufacturer of his furniture to this day. Opening with a slight seated push, Recliner 74 offers three stages of comfort, from upright to feet up to full recline. It features attractive solid walnut arms and legs, foam and fiber cushions and choice of leather or fabric upholstery. Custom colors available. Made in U.S.A. CIRCLE 41

PRODUCT Milo Baughman Recliner 74 DESIGN Milo Baughman

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WiNNer coNtract table

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Mesa pairs integrated technology with a modern design that is entirely uncompromised by the connectivity needs of today’s meeting spaces. Power/data access points have been relocated to deliver a seamless and intuitive interface that is literally at the user’s fingertips. a cantilevered surface & layered edge profile offer a modern aesthetic. The continuous edge reveal allows cables to exit gracefully from a concealed drawer eliminating the typical mess of wires. Freeing the surface from grommet holes also allows surface materials to display cleanly and beautifully. The fully concealed interface ensures the product aesthetic remains classic and timeless. circle 44 To see more of Mesa, go to facebook.com/HaLCONfurniture.

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HOLLY HUNT WINNER REsIdENtIal accENt sEatING

pRoduct Odense chair

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OdeNse cHair The Odense chair has a structured wood frame that flows beautifully from each joint, perfectly balanced and proportional. Human in scale, this chair is different from oversize lounge chairs with cushioned upholstery that comfortably hugs the body, lovely veneer work, and a clean-cut silhouette. cIRclE 15

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Interface

Best OF YeARAWARD

WINNER CaRpEt tIlE

Walk the Plank

pRoduCt Walk the Plank

interface.com

taking cues from a love of repurposed materials, Walk the Plank makes proper reference to the eccentric qualities of old timbers with its deeply grooved grain and a bold range of values within each colorway. an inspired tweak on the common carpet tile, Walk the Plank is long and narrow in a 25cm x 1m tile. evoking all the warmth and familiarity of an age-worn wooden floor, this clever shift in format is an instant classic. the “skinny plank” offers new ideas about making pattern on the floor. a herringbone installation brings distinctive scale and movement. ashlar is suddenly made elegant through longer, leaner lines. and mixing with our other sizes gives unlimited possibilities. CIRClE 49

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JANUS et Cie

BOXWOOD MODULAR COLLECTION HONOREE

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The Boxwood Modular Collection demonstrates detailed craftsmanship and is constructed of handwoven JANUSfiber. Boxwood features an open, structured weave with a precise silhouette and includes 15 pieces to be combined in countless configurations. This handsome collection blends into any contract or hospitality setting, inside or out. CIRCLE 42

COLLECTION Boxwood Modular

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GREEN SidE ChaiR HoNorEE GrEEN FurNiturE

The GREEN side chair is designed for planet preservation. With a certified Ecodesign, GREEN is constructed from 100% recycled/recyclable materials - polypropylene seat, powder coated aluminum structure, and beech wood legs. The GREEN Side Chair is suitable for interior use and is also available in an exterior version. circlE 42

product GREEN side chair

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snaps It was the best of times—and projects and products, too—as Interior Design presented its 7th annual Best of Year awards. The nominated design firms and manufacturers headed to 200 West Street in New York, where they anxiously awaited the announcement of winners in nearly 100 categories. The lucky victors headed home with their Harry Allen-designed trophies, crowned by molded light bulbs sure to inspire the next bright idea. A portion of the proceeds from this Edelman Leather-sponsored event was donated to Rebuilding Together NYC, the nonprofit organization founded to help repair and rebuild homes damaged by Hurricane Sandy.

best of the best

and John Rowan and Lori Roop of CF Stinson. 5. West Chin of West Chin Architect takes the prize for Residential Retreat. 6. Strauss and Allen show off this year’s winner and honoree awards. 7. And the winner is…Jessica Phillips Penn, VP of sales and hospitality for Phillips Collection, Nancy Jackson, president of Architectural Systems, Benedikt Gorsolke, project sales and marketing for Dornbracht, and Lisa Gold, global projects

1. Best of Year 2012 campaign photographed by Paul Godwin of Paul Godwin Photography. 2. The two-level, state-of-the-art auditorium at 200 West Street. 3. Interior Design president Mark Strauss and editor in chief Cindy Allen announce the winners. 4. Textile and Wall Covering winners: Audrey Ducas of Weitzner, Echo Mackenzie and Amy Darrah of Edelman Leather, Jane Riback of Robert Allen Contract, Alexander Lamis of Robert A.M. Stern Architects

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manager for Laufen. 8. Allen cheers for Hall of Famer Tom Kundig of Olson Kundig, winner for hardware. 9. American Leather VP of specialty and hospitality sales Frank Boardman, Keilhauer VP of sales and marketing Jackie Maze, CSD Studio principal Lynda Chesser, and OFS’s brand manager Doug Shapiro win in various categories for contract seating. 10. Studying the BoY project and product finalists. 11. In celebration with Allen,

Phillip Jeffries VP of operations Jeffrey Bershad and president Philip Bershad kiss the trophy. 12. Hall of Famer Rand Elliott, whose Elliott + Associates Architects won Education and Designer’s Own Office, with Interior Design managing editor Helene Oberman. 13. Double fisted—Randy Brown of Randy Brown Architects wins for his interiors for Workstations and I Pods and in the Green category for River Probe. 14. The 350 seated attendees

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of Tandus Flooring, Peter Greene, Interface VP of marketing, Jennifer Busch, VP A&D market development for Interface, Michael Mandapati, founder and creative director of Warp & Weft, and Joshua Levinson, president of Artistic Tile. 19. Enjoying the show. 20. Hall of Famer Peter Marino, whose Peter Marino Architect was a winner for Retail Luxury. 21. More than 400 projects and products were honored.

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intently watch the work of the finalists. 15. Winners Scott Bodenner, designer for Chella Textiles, and Momentum Textiles senior designer Ellie Moser. 16. The coveted BoY trophies designed by Harry Allen. 17. Two-time honoree for Health Care Textiles and Green Textiles, Ultrafabrics CEO Clay Rosenberg and president Danielle Boecker. 18. The best in flooring includes: Beth Hiscock, director of product development operations

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Best OF YeARAWARD

keilhauer Winner contract conference seating

Talk Talk more, text less! Replace emoticons with actual human emotions. Talk positions people at a natural angle for face-to-face communication. Elegant high backs, in single or two-seat sizes, provide visual and sound privacy, and low backs create more casual meeting places. Two-seater benches with backs are available in meeting seat height or lounge seat height. Six tables in different sizes and heights complete the series. GREENGUaRD® and level® certified. collection Talk

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laUFen

Best OF YeARAWARD

WiNNer Bath Fixture

palomba collection the beauty of laUFen’s first freestanding solid-surface tub comes from its organic and sensuous shape, a design in keeping with the entire palomba collection. Designed in collaboration with Roberto palomba, the bathtub is the leading protagonist in laUFen’s newest palomba collection. this collection builds on the design language that the palombas describe as a “fingerprint of nature.” the dynamic asymmetrical shape and high back recall a natural water basin carved out of the rocks over the millennia. Roberto palomba cites his inspiration as the interaction between coves and cliffs and the action of the sea against the rocks and the shapes which are formed from the never-ending conflict. circle 60

collectioN palomba desigN Roberto palomba

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BEST OF YEARAWARD

KnollTextiles KAMANI WINNER RESIDENTIAL TEXTILE

Kamani upholstery by Dorothy Cosonas marries a modern floral with an old-world screen printing technique. Named for the flower Kamani, the pattern was inspired by Hindu floral patterns. In addition to upholstery, Kamani can also be used for residential drapery, pillows, and headboards. Kamani is made of 100% cotton and comes in five colorways.

VIVID BY TROVE HONOREE GREEN TEXTILE

The Vivid Collection by Trove is the newest partner launch from KnollTextiles. Dorothy Cosonas, Creative Director of KnollTextiles, worked with Trove designers Jee Levin and Randall Buck to create a delicate and dynamic study of color and movement. Available in three richly colored patterns, digitally printed onto an innovative non-vinyl Type II substrate—new to the contract marketplace. CIRCLE 56

COLLECTION Kamani, Knoll Luxe

COLLECTION Vivid by Trove

DESIGN Dorothy Cosonas

DESIGN Trove and Dorothy Cosonas

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BEST OF YEARHONOREE

JOT COLLECTION Jot

HONOREE WINDOW TREATMENT

DESIGN Suzanne Tick

Jot, designed by Suzanne Tick, is a drapery fabric inspired by digital binary code strings reminiscent of DNA strands. This pixelated drapery, which comes in four colorways, combines three light neutral ground dots conveying a sense of airy buoyancy. Jot creates a subtle geometric shadow play that works so well against a window or as a room divider. Jot is made of 100% polyester, and is

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Greenguard certified.

STITCH HONOREE CONTRACT TEXTILE

The Stitch Collection by KnollTextiles creative director, Dorothy Cosonas, was inspired by stitching and embroidery techniques as well as fashion. The Collection consists of three upholstery fabrics: Tryst, Marquee and Mod Plaid, and coordinates easily with a wide array of fabrics in the entire KnollTextiles oeuvre for a variety of uses.

COLLECTION Stitch DESIGN Dorothy Cosonas

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Legrand honoree Lighting ControL

Best OF YeARhOnORee

CoLLeCtion adorne

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adorne™ PoP-out™ outLet a gentle push reveals the genius of this outlet—three places to plug in that elegantly hide away when not in use. Part of a collection of switches, dimmers, and outlets that feature a unique square design and fit flush within distinctive wall plates with no visible screws. CirCLe 61

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M2L HONOREE CONTRACT DESKING

LUÌ The Luì desk, made by Gallotti & Radice, has a streamlined design that fluidly mixes glass with a variety of other materials. Designed by Paolo Maria Fumagalli, the desk features a 12mm glass top that sits on a shelf made of ash (in a natural finish, wenge-color stain, or black or white lacquer). Optional features include drawers and a felt covering for the center shelf, in a choice of colors. Available in three sizes, from 55 to 71 inches long, with a matte or polished stainless steel frame. CIRCLE 68

BEST OF YEARHONOREE

PRODUCT Luì MADE BY Gallotti & Radice DESIGN Paolo Maria Fumagalli

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Nemo Tile Company

Best OF YeARhOnORee

Honoree Hard Wall covering

ATOM Rearrange the Atom and open up rooms to countless design possibilities. The stretched hexagon shape of this white-body ceramic wall tile comes in three formats: flat, concave, and convex, to add depth and complexity to a space. Atom is suitable for vertical surfaces in wet and dry areas for residential as well as commercial projects. Tiles come in four colors, from creamy white to ashy grey, and are mounted on mesh for ease of installation. Sheet size is 12½ inches by 14¼ inches. Each individual Atom tile measures 33⁄8 inches. circle 78

Product Atom

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Rocky Mountain Hardware

BEST OF YEARAWARD

WINNER HARDWARE

COLLECTION Mack DESIGN Jim McLaughlin, McLaughlin & Associates Architects

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MACK COLLECTION Geometrically pleasing, the new Mack Collection is characterized by angular, reflective planes highlighting the artistry of sand-cast bronze. Designed by Jim McLaughlin of McLaughlin & Associates Architects, the inspiration was to create a collection that is modern yet bold enough to make a statement in scale with its surroundings. A choice of 10 hand-applied patinas combined with the broad product offering, this design compliments a variety of architectural styles from large-scale mountain houses to smaller, more contemporary homes. CIRCLE 87

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Ultrafabrics

Best OF YeARhOnORee

Honoree HealtH-care textile / Green textile

BRIsA® fResco Brisa fresco boasts a refreshing new flair as the latest to the “breathable” Brisa collection. While maintaining the spectrum of qualities tantamount to Brisa, including proprietary Takumi™ technology, premium resin quality, impressive durability, and notable softness, Brisa fresco also features antimicrobial technologies plus expanded upholstering capabilities, allowing designers to successfully integrate this surface into any upholstery or wall covering project. Designed to traverse all markets, Brisa fresco incorporates an inspirational color palette and imparts a fresh attitude on a classic grain. circle 105

Product Brisa fresco

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Spearheaded by the industry’s top publication, Interior Design magazine’s Best of Year Awards honor the most innovative and inspiring projects and products from around the globe. The 2012 numbers speak volumes:

1submissions ,200+

categories

97

twenty-two

countries

honored

400+ projects and products awarded

80,000+

800 online proDuCt votes

+

ceremony attendees

Join us for the 8th Annual Best of Year

Awards in 2013. Online SubmiSSiOnS

open in MAY.

Ceremony Held on December 5.

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InterIor DesIgn: Best of Year 2012 ProDuct WInners anD Honorees

green floorIng Winner: Interface – Urban Retreat Honoree: Chilewich | Sultan – BioFelt

accessorY Winner: Phillips Collection – Square Root Honoree: Big Ass Fans – Haiku ceiling fan bulthaup – b3 drawer organizational system Spark Modern Fires – Vent Free Vu Thru

HarD floorIng Winner: DuChateau Floors – Heritage Timber Edition Honoree: Armstrong World Industries – Striations Biobased Tile Liquid Elements, artfully poured floors – Reflect

offIce accessorY Winner: Haworth – Belong Honoree: Herman Miller – Flo Dynamic Support – Family of Solutions Skyline Design – Cleo Mobile Magnetic Markerglass Steelcase – Victor2

tIle & stone floorIng Winner: Artistic Tile – Estrella Mosaic Honoree: Crossville – Shades by Crossville New Ravenna – Sophie by Giovanni Barbieri New Ravenna Mosaics – Newman Stone Waterjet Mosaic

BatH accessorY anD HarDWare Winner: Tubes Radiatori – Trame Honoree: Boffi S.p.A. – Index Newport Brass – Decorative Square Shower Drain

contract DeskIng Winner: Tuohy Furniture Corporation – Coda Collection Honoree: Bordonabe USA – Most izzy+ – Nemo Bar and Trellis by izzy M2L – Luì

BatH caBInetrY Winner: Lacava – Giulia GA130 Honoree: Porcelanosa – In Robern – Robern Compact Vanity Wetstyle – Frame BatH fIttIng Winner: Dornbracht – Horizontal Shower Honoree: Brizo – Charlotte Electronic Lavatory Faucet with SmartTouchPlus and TempIQ Gessi – Goccia Ceiling-Mount Faucet Graff – Sento BatH fIxture Winner: Laufen – Palomba Solid Surface Bath Tub Honoree: The Bath Works – St. Lyon Bisazza – Counter A Duravit – OpenSpace Hansgrohe USA – Axor Bouroullec Shelf with Integrated SingleHandle Faucet BuIlDIng ProDuct Winner: Architectural Systems – Fusión Wood Panels Honoree: Bendheim – Jelly Bean Glass Collection Joel Berman Glass Studios – Vite Skyline Design – The KnollTextiles Glass Collection BroaDloom Winner: Tandus Flooring – NeedleTech Honoree: Atlas Carpet Mills – Dreamology Collection Bentley Prince Street – So Vintage Durkan, The Mohawk Group – Wild Corners carPet tIle Winner: Interface – Walk the Plank Honoree: J+J/Invision – Paradigm Shift Milliken – Allumé Shaw Contract Group – DyeLab rug Winner: Warp & Weft – Kaleidoscope Honoree: Carini Lang – Barrington David Nosanchuk for Stark – Versus Nanimarquina USA – Chillida Collection Top Floor Rugs – Enwrap

contract taBle Winner: Halcon – Mesa Honoree: Allsteel – Harvest Table Andreu World America – Tao Cindy Rendely Architexture – Sculptural Steel Table green furnIture Winner: Emeco – Broom Chair Honoree: Janus et Cie – Green Side Chair Interior Version Knoll – ReGeneration by Knoll HealtH-care furnIture Winner: Wieland – sleepToo Honoree: Carolina – Reverie Humanscale – ViewPoint V6 Technology Wall Station IoA Healthcare Furniture – Vela + Egg outDoor furnIsHIng Winner: Sutherland – Hoofed Table Honoree: Gloster Furniture – Nomad Janus et Cie – Boxwood Modular Collection Landscape Forms – Parc Lounge outDoor seatIng Winner: Kenneth Cobonpue – Cabaret HIgh Back Sofa Honoree: Dedon – Dala Herman Miller Collection – Medici Offi & Company – Mod Lounger PartItIons anD Wall sYstem Winner: 3form – Edge Honoree: Loftwall – Wave Divider Screen Seeyond Architectural Solutions – Seeyond Movable Walls Teknion – Optos Low Profile Architectural Wall resIDentIal storage Winner: Altura Furniture – Octave 84 Honoree: Karim Rashid – Kaddy Tresserra Collection S.L – Joyero Wren & Cooper – Center City Media Console

resIDentIal taBle Winner: Cliff Young Ltd – 300-RoRo Dining Table Honoree: Federico Delrosso for Henry Timi – FD302 Moebius collection Nico Yektai – Wall Hung Console #1 Studio Tim Campbell – Berlin Console resIDentIal occasIonal taBle anD Desk Winner: Chai Ming Studios at Atelier Gary Lee – Gem Side Table Honoree: Design Within Reach – Risom Desk Holly Hunt – Forsyth Table Stephanie Odegard Collection – Ulta Champa Table HarDWare Winner: Olson Kundig Architects – Tom Kundig Collection Rocky Mountain Hardware – The Mack Collection Honoree: Du Verre Hardware – Arroyo Collection Sargent Manufacturing – Decorative Mortise Lock Thumbturns

kItcHen aPPlIance

Winner: Fagor America – Fully Integrated Refrigerator Honoree: Best – Best Sorpresa Generation II Collection of Range Hoods U-Line Corporation – Modular 3000 Series Clear Ice Machine Viking Range Corporation – D3 Series from Viking Range Corporation kItcHen caBInetrY Winner: SieMatic Möbelwerke USA – FloatingSpaces Honoree: Arclinea – Artusi Outdoor Kitchen Bradco Kitchens + Baths – Slide N Hide Henrybuilt – Henrybuilt Wine Storage System kItcHen fIttIng Winner: Moen – MotionSense by Moen Honoree: Newport Brass – East Linear Kitchen Faucet kItcHen fIxture Winner: Kohler Co. – Kohler Colors Featuring Jonathan Adler on the Kohler Whitehaven kitchen sink Rohl – Rohl Luxury Copper Stainless Sink Honoree: Blanco – Blanco Crystalline Sink Native Trails – Paragon cHanDelIer Winner: Sand Studios – Rain Honoree: Neidhardt Design by Steven Haulenbeek – Zollstock Vibia – Link XXL WAC Lighting – Vela Oled Chandelier lIgHtIng control Winner: Lutron Electronics – Lutron Maestro occupancy/vacancy sensing switch Honoree: Legrand – adorne Pop-Out Outlet Switch Lighting – Switch60

lamP anD sconce Winner: FontanaArte – Yumi Honoree: CL Sterling & Son – Corona Sconce Rock Crystal Collection Foscarini – Stewie Nosanchuk – N1R Floor Lamp PenDant fIxture Winner: 3M Architectural Markets – Flex by 3M Honoree: Babette Holland – Tin Man Pendant Karim Rashid – Nafir Pendant LZF/Globallighting – Raindrop SG taBle lamP Winner: Kartell – Taj Honoree: Flos – Black D’E-light Holly Hunt – Black Cat Table Lamp Hudson Valley Lighting – Roslyn Studio Van den Akker – Nico Table Lamp by Seguso for Van den Akker contract conference seatIng Winner: Keilhauer – Talk Honoree: American Seating – The Us Chair Family Davis Furniture – Exo HBF – Flight Conference Series

contract guest seatIng Winner: American Leather – Alyssa Honoree: Davis Furniture – Tre Sedia Systems – JumpSeat Stylex – Brooks

contract lounge cHaIr Winner: OFS – Madrid Honoree: Bernhardt Design – CP Lounge Collection Davis Furniture – C.R. Lounge Design Within Reach – Milo Baughman Recliner 74 contract lounge seatIng Winner: Knoll – The Lounge Collection by Pierre Beucler and JeanChristophe Poggioli Honoree: Arcadia – Intima Modular Kimball Office – Villa Crescent Paul Brayton Designs – Portofino task cHaIr Winner: OFS – Flexxy Swivel Honoree: Vitra – Pivot resIDentIal accent seatIng Winner: Holly Hunt – Odense Chair Honoree: Craig Van Den Brulle – Riemann Chair Erinn V Maison – London Chair Fritz Hansen – minuscule resIDentIal lounge seatIng Winner: Vitra – Grand Repos Honoree: Baker – Athens Lounge Chair Tufted Esa Vesmanen, Pure Design Finland – Balance Acoustic Chaise Lounge Holly Hunt – Stilt Coupe Lounge Chair resIDentIal sofa Winner: B&B Italia USA – Michel Honoree: Bernhardt Design – Workshop Casadesus – Dali Milano Smart Living – Multibed Castello

To see all of the 2012 Best of Year product finalists, visit boyproductfinalists.interiordesign.net

contract textIle Winner: cf stinson – The Cartouche Collection / Robert A.M. Stern for cf stinson Honoree: Architex Fabrics – Codes - Man vs. Nature Collection KnollTextiles – Stitch Collection Momentum Textiles – Molto Collection Suzanne Tick for Knoll Textiles – Zenith green textIle Winner: cf stinson – The World Beat Collection Honoree: Ultrafabrics – Brisa Fresco KnollTextiles – Vivid Collection HealtH-care textIle Winner: Momentum Textiles – Botanica Collection Honoree: Ultrafabrics – Brisa Fresco Zenus Fabric – Zenus HosPItalItY textIle Winner: Robert Allen Contract – Kirk Nix for Robert Allen Contract Honoree: Bart Halpern – Le Vian cf stinson – Affinity and Revolve / Patty Madden for cf stinson Pollack – Mix Tape HosPItalItY uPHolsterY Winner: Edelman Leather – Leather & Lace Honoree: Green Hides Leather Studio – Weave Collection outDoor textIle Winner: Chella Textiles – Framework Honoree: Beacon Hill – Outdoor Ikats Perennial – Road Trippin’ resIDentIal textIle Winner: Knoll Luxe – Kamani Honoree: Brentano – Tamara Holly Hunt – Royal Flush Fabric Sunbrella – Maison et Jardin Collection soft Wall coverIng Winner: Weitzner – Cumulus Honoree: Carnegie – Xorel Graphic Elitis – Chance/Madone Karim Rashid – Karim Wallcovering for Marburg HarD Wall coverIng Winner: Ann Sacks – Ogassian, Japanese Geo Honoree: Artistic Tile – Portrait Nemo Tile Company – Atom ceramic wall tile Porcelanosa – Madison Plata otHer Wall coverIng Winner: Phillip Jeffries – Aviator Honoree: Jim Thompson – Jim’s Dream Maya Romanoff – Mother of Pearl Marquetry York Wallcoverings – Xanadu WInDoW treatment Winner: Conrad Original Sunshades – Midori - Weave No. 1774 Honoree: Hunter Douglas – Provenance Woven Wood Vertical Drapery and Roller Shades Hunter Douglas Hospitality – Accentuate Collection KnollTextiles – Jot

Introducing the ATOM Collection A New Way to See Space

1-800-NEMOTILE www.nemotile.com Circle 78

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Creativity comes in every vintage

ERIC LAIGNEL

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text: maria shollenbarger photography: robert holden/photofoyer

Denieuwegeneratie, a young Dutch architecture firm, builds an

under the hill experimental, super-sustainable house just outside Amsterdam

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The Netherlands is famous for many things, not least its prodigious output of fine design. Varied topography, however, isn’t one of its big signifiers; when people think Holland, chances are they think flat. So Dutch Mountain—the name of the first residential project from Amsterdam firm Denieuwegeneratie—is a deliberate contradiction in terms, a sort of tongue-in-cheek oxymoron. And yet the name accurately describes what the suburban Amsterdam house is: a glass, larch, concrete, and steel structure partially encased in a manmade hillside, which acts as a natural, sustainable—not to mention conversationstarting—form of thermal insulation. “Believe it or not, the house sits in what is, by Dutch standards, a hilly area,” notes principal Thomas Dieben, who, like his two coprincipals, is in his early 30’s. (Denieuwegeneratie, by the way, is Dutch for “new generation.”) “And many of those hills are artificial, having been constructed in the 19th century by

local noblemen so they could survey their land.” Occupying a 1 1/2acre plot in a verdant, governmentprotected area, the new hillside is also a clever response to council authorities’ requirements that the house be contextually appropriate to the landscape. “We really challenged ourselves at several practical levels,” coprincipal Oskar Vos says. “There’s nothing more idiotic than trying to bury a house, since you need to bring in light and air.” Vos and Dieben—along with third principal, Sanne Oomen, who lives in Dutch Mountain with her husband, advertising executive Lucas Mol, and their two children—began by approaching an engineering and sustainability

Previous spread: A 1980’s Daimler Double-Six hangs on a wall in the kitchen of a sustainably built house outside Amsterdam by Denieuwegeneratie. The chandelier was crafted from vintage teapots by architect Sanne Oomen, one of the firm’s three principals, who lives in the house with her family. Left, from top: In the dining area, rectangles of 1-inch-thick glass in the poured-concrete floor allow light into the basement, where Oomen’s husband, Lucas Mol, stores his art. The house’s entry is in the manmade hillside, which is composed of compacted soil excavated from the site and planted with ryegrass. Right: The living area’s stucco fireplace is flanked by Arne Jacobsen–inspired chairs made of metal from old oil cans. Opposite: Oak cabinets, a mix of 19th-century originals and reproductions, were deconstructed and screwed to the wall and ceiling for kitchen storage. 166

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Left: In use until 2009, the car is now a repository for cookbooks and kitchenware. Opposite top, from left: The wall color was chosen by friend and painter Asmir Ademagic, a former assistant to Sol LeWitt. The stairwell to the entry balcony features artifacts from Africa and a Hendrik Kerstens photograph next to a reproduction of a 15th-century self-portrait by Jan van Eyck. Opposite bottom, from left: The entrance is formed from plates of recycled steel. In the master bedroom, daylight enters via a well leading from a skylight in the roof, through a secondfloor bedroom, and down to the ground level.

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consultant to help them conceptualize and build their vision. “Our specific knowledge of the software part of the project wasn’t sufficient to the task,” Dieben admits. “But we believe the sustainable goals can and should mostly be reached with the actual architecture.” Totaling 7,600 square feet, the house is essentially one large space on three staggered levels. The north side is covered by the mountain of soil, which was excavated from the site and re-constituted around the poured-concrete foundation; the south and southwest facades are glass-enclosed, surrounded by a locally sourced larch frame. “It’s very local,” Dieben jokes, “from a forest less than a half mile from here. The idea was that everywhere there wasn’t mountain, there would be wood and glass. Wood is the intermediary between the earth and the glazing.” The glass walls leverage the south-southwest exposure to the fullest, pulling light far into the house. The entrance, opposite these windows, is embedded in the mountainside. “It’s like approaching a bunker,” Vos notes. “People are astonished when they walk through the door and they’re facing that transparent facade.” The entrance is on the top level; twin staircases descend to the double-height, split-level public space: dining and kitchen areas on the upper side; living and den areas on the lower. “Looking down from the entry gives an Alice-in-Wonderland effect. Into a mountain, through a tiny door, into this amazing volume,” says Oomen. The architects used wooden partitions to divvy up the private space in the earthencased rear of the house. “None of the walls are structural,” says Vos, “so their configuration can be easily altered later.” The rooms are stacked in slightly irregular fashion, with a workspace, two bedrooms, and a bathroom at the top; a utility room that connects the garage to the kitchen in the middle; and the master suite on the lowest level. The envelope is all about austerity: The materials— rough concrete walls, poured concrete flooring, glass, steel, birch plywood—are in full view and undisguised. “It speaks a language that’s honest and clean,” says Dieben. Chandeliers and pendant fixtures throughout are suspended from steel tension rods that traverse the breadth of the space. “The load-bearing structure in the roof is steel,” he explains, “so the rods could be very thin.” As for natural light, “it FEB.13 INTERIORDESIGN.NET

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was tricky to find light sources for the lowest floor,” Vos says. The team solved the problem with what they call a “light chimney,” essentially a well from a skylight in the roof, through a second-floor bedroom, and down to the master bedroom some 13 feet below. The furnishings stand in cheeky contrast to the surrounding austerity; replete with color, custom designs, and flashes of humor, it’s the collective work of the firm and the couple. “Most of the elements”—reclaimed doors and windows, a chandelier fashioned from second-hand teapots, skateboards repurposed as stair treads—“found their way in during the process,” says Ooben. “But this principle of flexibility suits the sustainable story of the house. The interiors adjust to the inhabitants, in this case, my family. We have an eclectic style. We like surprises. We like details. And we didn’t want to live in an architectonic box. The house can handle all this, which means the design succeeded.” Vos and Diemen also cited Mol’s vast collection of art, relics, and curiosities, amassed on his

extensive travels, as an important design consideration: the generously sized basement was conceived to store most of it. One particularly large piece, however, is displayed on a kitchen wall: Mol’s Daimler Double-Six from the late 1980’s. “It retired for the green dream,” jokes Oomen. But it still has a function, holding cookbooks in its seats.

Go to interiordesign.net/denieuwegeneratie for more images of the house.

Left, from top: Next to a vintage Charles and Ray Eames rocking chair, the back of the living area’s fireplace is the kitchen’s clay stove and pizza oven, which redirects the heat it produces into a system of channels that circulates it under and throughout the house; all the woodwork is birch plywood. The angles of the overhang maximize natural light in winter and provide shade in summer. Right: The powder room has an antique sink and toilet bought at auction. Opposite: The vintage floor tiles in the bathroom were sourced from France and Belgium. PROJECT TEAM ARUP: SUSTAINABILITY CONSULTANT. ERCO: LIGHTING CONSULTANT. VAN ROSSUM: STRUCTURAL ENGINEER. VAN VELDHUIZEN: MEP. SIENNA PRODUCTIONS: STUCCO WORK. DE KAMPER BOUWBEDRIJF; 13 SPECIAAL: GENERAL CONTRACTORS. PRODUCT SOURCES FROM FRONT HEMA: CHAIRS (DINING AREA). MINOTTI: SOFA (LIVING AREA). BLOOM: BEDDING (BEDROOM). VUUR & LEEM: STOVE, PIZZA OVEN (KITCHEN). KARTELL: LAMP.

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a force of nature

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As it evolved over the last four decades,

text: larry weinberg photography: eric laignel

architect Nancy Copley’s own house drew inspiration from its wooded setting in Accord, New York

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Standing outside her largely transparent, diamond-shape house in the forested foothills of Accord, New York, the petite 85-year-old Nancy Copley could easily be mistaken for a wood sprite. That is if the wood sprite had studied architecture and interior design at Pratt Institute and structural engineering at Columbia University and had the aesthetic vision, technical capabilities, and sheer moxie to design and build an astonishing and idiosyncratic residence—a testament to organic modernism—on her own time and own dime. A 37year-long labor of love, Copley’s 3,000-squarefoot magnum opus spreads over three levels connected by a large open staircase. The main entry, two bedrooms, and an office occupy the ground floor; the living, dining, and music areas, kitchen, and master suite share the second floor; a spacious balcony, which once housed a pipe organ, sits on top. Of Copley’s many attributes, tenacity is perhaps foremost. As a woman breaking into a man’s profession in the mid 20th century, she

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encountered a lot of friction—from no ladies restroom at Pratt, where she was the only female student in her class, to architectural firms that refused to hire women, or would only assign them menial tasks. “You have to keep fighting the guys to prevent them from giving you some stupid job,” she said at the time. Copley persevered, going on to design the Jewish Institute for Geriatric Care—one of the largest facilities of its kind by a woman architect—in New Hyde Park in the late 1960’s. Other plan-oriented projects followed from her base in Manhattan. But she ultimately took the road less traveled, moving up to the hills north of New Paltz full-time in 1972. She found serenity and inspiration in nature and the specific character of the 50-acre property. Indeed, any conversation with Copley about her house begins with the natural beauty of the landscape that surrounds it. “It tells me what to do,” she says simply. The fall of the land suggested the three levels of the house; a triangular boulder near the entrance, its

Previous spread: Begun in the late 1970’s, architect Nancy Copley’s house near Accord, New York, was under construction for 37 years, with much of the work done by Copley herself. Photography: Bruce Buck. Opposite: A wood bridge leads to the upper entrance, which has a pivoting glass door that opens to the kitchen.

Top, from left: The open staircase, which has spalted-maple treads suspended on steel rods, adjoins an indoor garden and connects the house’s three floors. In the sitting area under the balcony, a Henry Glass sling chair, a sofa by Johannes Andersen, and George Nakashima ottomans gather around a cocktail table also by Nakashima. Bottom: A pair of Swedish 1950’s armchairs faces the view of the woods in the living area.

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Centered on a tower of bluestone that Copley built herself, the great room— comprising living, dining, and music areas, with a balcony that once housed a pipe organ—has oak posts and beams and flooring of reclaimed chestnut planks.

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Top, from left: A 1970’s textile hangs near the stair. A built-in English-walnut cabinet, supported by oak beams, has free edges in the style of Nakashima. Center, from left: The kitchen’s pivot door operates with a system of counterweights. Josef Twirbutt’s 1960’s wood collage hangs above a Nakashima bench. Bottom, from left: A 1980’s copper-and-brass sculpture by Micah Curtis sits on custom walnut cabinetry near a pivoting trapezoid window. A 1970’s wire sculpture by Richard Filipowski rests on the dining table. Opposite: Set amid 50 acres, the house has a bluestone base, copper roof, and angled walls that are predominantly oak-framed glass. Photography: Bruce Buck.

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faceted shape. Copley may have learned about architectural flow from snow falling off trees, but she learned stonemasonry by doing it herself. Using ad-hoc cranes, Copley and her first husband hoisted and hand-set the hewn bluestone blocks that now comprise the 44-foothigh, 30-foot-wide tower at the center of the house, a task that took six years. A scale model shows the main structural components: the tower and its adjoining stone foundation, the oak posts and beams that support the copper roof and upper floors, and the oak ribs that frame the extensive glazing. Around this architectural skeleton, the house came to life, filled with modern wooden furniture, handwoven textiles, and pottery; and with plants, music, and people. A relentlessly creative spirit, Copley constantly tinkered with

it and the nearby diamond-shape thatchedroof barn that sheltered a herd of alpacas. When I asked her what year she completed the house, Copley replied brusquely, “Do you think it’s finished?” Now retired and planning to head out west to paint, Copley has put her house up for sale. It stands somewhat emptied. To bring back its full vitality, Cindy Allen, editor in chief of Interior Design, suggested photographing it with some of the quirky mid-century furniture and objects I deal in, which she felt would be a perfect fit for the singular space. So I took a truckful of my inventory up to the house, where it joined original George Nakashima furniture— including free-edge Minguren and trestle dining tables, Greenrock stools, and a magnificent tortured-wood cocktail table—that Copley

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commissioned directly from Nakashima on trips to his studio in New Hope, Pennsylvania. No doubt Nakashima helped foster Copley’s reverence for wood, manifest in her home’s oak beams and reclaimed chestnut-plank flooring, diligently amassed and stored for years before installation, as well as the built-in walnut cabinets with their free-edge tops. But whereas Nakashima’s studio channels Zen, Copley’s house adds a spark of drama, even theatricality. The glass-paneled cathedral ceiling and suspended staircase soar over the great room, opening sight lines to sky and forest, and enclosing a majestic, acoustically balanced living space, complete with a grand piano, 6-foothigh speakers, and a pipe-organ loft. Like a stage, this is a space meant for entertainment and performance as much as for peaceful contemplation. On the day of the shoot, Copley looked on dubiously as we dragged in a Johannes Andersen leather sofa, a Clifford Pascoe wood-dowel screen, and a Paul Mayen walnut-and-steel ta-

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ble lamp. But she warmed as room settings took shape and affinities appeared—a Richard Filipowski sculpture atop her Nakashima dining table; a Henry Glass sling chair juxtaposed with her Nakashima cocktail table; a Josef Twirbutt wood collage up against the hearth. And she finally lit up on seeing Don Shoemaker cocobolo wood “Sloucher” chairs in the downstairs studio. These earned a nod and a smile— the ultimate Copley seal of approval.

Postscript: After suffering a heart attack, Nancy Copley died peacefully on January 15, 2013, with her husband, Russel Oliver, by her side, at Vassar Brothers Medical Center in Poughkeepsie, New York. In her Editor’s Welcome on page 5, Cindy Allen writes about our memorable encounter with the architect and her living treasure of a house.

PRODUCT SOURCES FROM FRONT STEPHANIE ODEGARD COLLECTION: RUGS (SITTING AREA, STUDIO). THROUGHOUT BENJAMIN MOORE & CO.: EXTERIOR WOOD STAIN. THROUGH WEINBERG MODERN: VINTAGE FURNITURE. ANTIQUE & VINTAGE WOODS OF AMERICA: WOOD FLOORING.

Opposite: The kitchen, tucked into one corner of the diamond-shape second floor, has an oak island and a stainless-steel sink and countertop, all designed by Copley.

Top, from left: A model of the house shows how the oak post-and-beam structure folds around the bluestone tower. Adjacent to the second-floor living area, the master bedroom’s bath is inside the bluestone tower. Bottom: Norman Cherner 1950’s tables and a Don Shoemaker sling chair outfit the ground-floor studio, which has oak-plank walls, bluestone flooring, and shelves designed by Copley.

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text: edie cohen photography: eric laignel

on location

Rottet Studio produces a blockbuster of an office for United Talent Agency in Los Angeles

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It’s a known fact. Talent agencies are as much about image as they are about business. Nowhere is this truer than in entertainment’s epicenter, Los Angeles. Two of the city’s big three agencies already had design-statement headquarters. Creative Artists Agency’s, known around town as the mother ship, is an awe-inspiring work of corporate power construed by Gensler. William Morris Endeavor’s building is a paean to Neil M. Denari Architects’s cutting-edge architectural theory. These descriptions come courtesy of Richard Riveire, principal of Rottet Studio, the firm tapped to put United Talent Agency on a design par with its peers. Riveire’s first task was to differentiate UTA from the competition. “What you guys need,” he told CEO Jeremy Zimmer, “is a place that’s talent-friendly, comfortable, and a little more residential, while still showing the power and prestige of corporate architecture.” Like a film script, this collaboration came with a backstory. Four years ago, Rottet Studio was asked to propose a redesign of UTA’s existing boardroom, part of a cobbled-together Beverly Hills headquarters that evinced the agency’s rapid growth since its 1991 founding. “That’s when we were deciding whether to move or stay,” Zimmer recalls. “The firm’s concept for a conferencing center on top of the building was original and beautiful. My only regret was that we didn’t get a chance to build it.” Move the agency did, though not out of Beverly Hills. “As a client-service industry, UTA needs to be close to its customers,” founding principal and Interior Design Hall of Famer Lauren Rottet adds. UTA took over the former Hilton hotels headquarters: a pair of buildings that flank a plaza, each with four stories, one of which is below grade. Though the interiors, 120,000 square feet in total, accommodating a staff of 350, were badly cut up, some of the innate vocabulary was spot-on. To Riveire, it was like a studio lot; to Zimmer, a campus. At this point, Zimmer stepped up to the lead. “I want this to be the best space in Los Angeles,” Riveire recalls him 184

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Previous spread, left: At the Los Angeles headquarters of United Talent Agency, by Rottet Studio, the valet-parking pickup area features custom vinyl wall covering. Previous spread, right: In the adjacent lounge is a John Miller sculpture incorporating hand trucks and bungee cords. Left: A custom leather-upholstered sofa and a wool rug are paired with an enamel and acrylic on canvas by Retna, a graffiti artist. Right, from top: The 12-foot-long reception desk combines limba, a hardwood, and solid surfacing. A mixed media by Jacob Hashimoto precedes a conference room, one of seven, furnished with Alberto Meda chairs. The switchback stairway that connects the building’s four floors has cerused-oak treads and balustrades of tinted glass.

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directing. “A place where colleagues looked forward to coming,” Zimmer adds, “to have a hospitality feeling—functional, but with buzz.” To be avoided: “Anything that told people how powerful we are.” Zimmer’s contribution to that “best” rating is his extraordinary art collection, mostly large-scale photography. Andreas Gursky’s hyper-kinetic view of the Kuwaiti Stock Exchange looms just beyond reception. In a corridor, Thomas Struth’s image of a Eugène Delacroix painting in the Tokyo National Museum is a personal Zimmer favorite and among his earliest purchases. One of the newest, an abstract tapestry by Pae White, adapted from her photograph of crushed foil, was commissioned for a huge swath of wall in reception. But not everything is monumental. “There’s a small oil on canvas by my grandmother in my office,” Zimmer says. In addition to the art, the quotidian workings of an agency and L.A.’s car culture dictated certain design conditions. Take the valet-parking setup. It has its own small lounge that’s also art-packed. A piece by street artist Retna keeps company with John Miller’s oversize gilded “No,” which, as Zimmer says, “is particularly appropriate since, as agents, that’s what we’re always hearing.” Weekly all-staff meetings take place in the west, secondary building, where most of the ground floor is dedicated to a divisible multipurpose room. The east building, however, is the primary showpiece. It’s home to UTA’s six board members, including Zimmer, most of the 21 partners, the majority of the 130 agents, their assistants, and seven conference rooms that are semitransparent and well lit by clerestories. Its bi-level screening room, on the lowest floors, is the antithesis of a black box. It’s a richly textured volume, with highlow furnishings. At the luxe end of the scale, seating—caramel-colored “Bentley banquettes,” as Riveire calls them—insures the room works equally well with sparse or SRO attendance, as was the case for Flight and This Is 40 screenings. But the glowing moiré effect on the ceiling canopy comes from nothing more than folded swaths of inexpensive polyester. Similarly, theater drapes are a low-cost hospitality velvet, glammed up with Fortuny borders. Rising next to the screening room is Rottet Studio’s main move: a large hole, blasted through all four floors, for a switchback stair in cerused oak and tinted glass, its floor-through views stretching from side to side and front to back. Off the 186

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Opposite: Reception features a commissioned tapestry by Pae White and custom sofas in limba and leather. Top: Just beyond reception, flooring is cerused oak and the photographic print is by Andreas Gursky. Center: A wool rug, Florian MaierAichen’s chromogenic print, and a cibachrome photogram by Adam Fuss appoint an elevator lobby. Bottom: Before Tim Bavington’s acrylic on canvas, the workstations for agent assistants are custom compositions of sycamore and plastic laminate.

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Left, from top: A VIP restroom, one of five, has a marble-topped vanity and James Casebere’s print mounted on aluminum. Weekly allstaff meetings are held in this divisible multipurpose room located in a separate building across the plaza. Rinus Van de Velde’s charcoal on canvas anchors a meeting area furnished with wool-upholstered chairs. Right: Another conference room has a custom table topped with Bardiglio marble and built-in mohair-upholstered seating backed by silk wall covering.

Go to interiordesign.net/rottet13 for more images of United Talent Agency’s office.

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stair, the 9-foot-wide connecting corridors are more than mere passageways; they also function as meeting spots and galleries, their chiaroscuro-patterned wool rugs adding that aforementioned residential quality. Work areas adhere to the industry standard: Runs of agent offices have assistant workstations within easy visual and aural access. Conference rooms are lined with banquettes to accommodate overflow seating. Far from standard, though, are the massive conference tables topped in Bardiglio marble and the degree of custom work throughout. In reception, for example, the desk comprises folded planes of black limba, a hardwood, and blizzardwhite solid surfacing, and the stairway’s handrail is wrapped in hand-stitched leather. “Take away the decorative elements,” says Riveire, “and the office is actually reductive—just white, black, wood, and glass.” The vocabulary is austerely cinematic, a mise-en-scène that works equally well for clients as diverse as Johnny Depp, Gwyneth Paltrow, and Judd Apatow. PROJECT TEAM PATRICIA MCCAUL; HAROUT DEDEYAN; MICHELLE STERLING; JENNIFER MATEO; CHRISTOPHER JONES; JEREMIAH HAHN; JAIME ROVERI; HANY BEHKIT; STEFANIE CHENG; JI IN KIM; JESSICA PELL; BROOKE WALKER: ROTTET STUDIO. SEAN O’CONNOR LIGHTING: LIGHTING CONSULTANT. NEWSON BROWN ACOUSTICS: ACOUSTICAL CONSULTANT. BRANDOW & JOHNSTON: STRUCTURAL ENGINEER. ARC ENGINEERING: MEP. TASLIMI CONSTRUCTION COMPANY: GENERAL CONTRACTOR. PRODUCT SOURCES FROM FRONT COLLECTIVE LA: CUSTOM WALL COVERING (PARKING). MARTIN BRATTRUD: CUSTOM SIDE TABLE (LOUNGE), CUSTOM SOFAS (LOUNGE, RECEPTION), CUSTOM BANQUETTES, CUSTOM UPHOLSTERY (SCREENING ROOM), ARMCHAIRS (MEETING AREA). BERNHARDT DESIGN: CHAIRS (LOUNGE, RECEPTION). BESPOKE FURNITURE: CUSTOM TABLES (LOUNGE, RECEPTION, CONFERENCE ROOM). VITRA: DESK CHAIR (RECEPTION), CHAIRS (CONFERENCE ROOM). KARASTAN: CARPET (CONFERENCE ROOMS). EUROCRAFT ARCHITECTURAL METAL: BALUSTRADE (STAIR). ARTERIORS HOME: WOOD SIDE TABLES (RECEPTION). MILLIKEN & COMPANY: CARPET (OFFICE AREA, MEETING AREA). HALCON: CUSTOM WORKSTATIONS (OFFICE AREA). HERMAN MILLER: CHAIRS. ARMSTRONG: CEILING SYSTEM. TYCO CONSTRUCTION: CANOPY PANELS (SCREENING ROOM). SKOPOS DESIGN: CANOPY PANEL FABRIC. ANN SACKS: TILE (RESTROOM). DESIGNTEX: WALL COVERING. KALLISTA: SINK FITTINGS. SEELEY BROTHERS: CUSTOM VANITY, CUSTOM BASIN. ICF: CHAIRS (MULTIPURPOSE ROOM). JOSEPH NOBLE: ARMCHAIR UPHOLSTERY (MEETING AREA). J. ROBERT SCOTT: BANQUETTE UPHOLSTERY (CONFERENCE ROOM). JIM THOMPSON: WALL COVERING. MASHSTUDIOS: CUSTOM TABLE. ROUILLARD: CHAIRS. THROUGHOUT AXIS LIGHTING: LIGHT FIXTURES. TAI PING CARPETS: RUGS.

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text: raul barreneche photography: michael moran/otto

the beach house rules Faced with numerous building restrictions in Sagaponack, New York, Bates Masi Architects conjures residential luxury out of programmatic restraint

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Previous spread: In a Sagaponack, New York, house by Bates Masi Architects, the master bedroom, lined in hand-weathered oak, opens onto a glass-fronted deck overlooking the Atlantic Ocean. Opposite: Visitors may cross the polished-concrete floor of the double-height entry hall, framed by walls and ceiling of solid and slatted cedar, to take in the panoramic beachfront view. Left, from top: The living area’s custom game table is oak, blackened steel, and laser-cut leather. Stairs tucked between the foyer’s cedar slats and a wall of

Brazilian quartzite lead to the second-floor bedrooms. Right, from top: Beneath the living area’s oak canopy are sectional sofas by Antonio Citterio; across from it are custom pendant fixtures by Matt Gagnon Studio. On 2 acres, the house’s facade mixes concrete, cedar, and Cor-Ten steel.

To witness what unregulated development has wrought on the Hamptons, you need only view Fair Field, a mansion built by billionaire Ira Rennert in 1999 on the beachfront in Sagaponack, New York. An Italianate monstrosity with 29 bedrooms and 39 bathrooms, it is reportedly the nation’s largest inhabited private house. Following the building of the 110,000-square-foot compound, the pastoral enclave, which claims one of America’s wealthiest ZIP codes, elected to assert independence from the town of Southampton and incorporate as a village—with its own zoning and architectural review boards, of course. Literally a stone’s throw from the Rennert pile, on a narrow spit of blue-chip real estate nestled between the Atlantic Ocean and a small pond, stands a house designed by Bates Masi Architects that embraces restraint, not ostentation. Bucking prevailing Hamptons realestate logic, the owners tore down an existing 1980’s eyesore, which principal Harry Bates called “a big white elephant worthy of Austin Powers,” and replaced it with a structure roughly half the size. Due to rigorous beachfront zoning, the firm had to move the new house back 40 feet from the shoreline. Setbacks from the pond on the opposite side could not budge, leaving a much smaller footprint in which to pack an ambitious program of eight bedrooms, two offices, a pool house, and an athletic court. “The design was a process of carving away and integrating the house into the site,” explains coprincipal Paul Masi. “It was about blending materials into the landscape and making things go away.” At 7,500 square feet, the house is hardly small. But it evinces a less-is-more approach. “We kept it as serene as possible and limited the number of materials. You don’t need a lot of design moves when you have the ocean on one side and a pond on the other,” Masi continues. “The idea was for the architecture to take a step back. When you’re on the beach, the house disappears.” Not quite, but there is certainly a light touch.

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The plan is disarmingly simple: The main residence is rectangular with large windows and telescoping glass doors on its long flanks open to the ocean and pond, respectively. The house deflects attention from all angles. Exterior materials—natural cedar and steel—were chosen to blend into the landscape. “We love Cor-Ten because it feels of the earth. In some ways, it’s a nonmaterial,” Masi says. The eastern end of the house abuts a freestanding garage that, together with the pool house finished in matching cedar and steel, and a swimming pool tucked against beach dunes, frames a combined basketball and tennis court. “It was like fitting together the pieces of a very complex jigsaw puzzle,” the architect states. Equally complicated was addressing the mandates of four distinct jurisdictions: village, town, county, and state. Most rooms open onto both bodies of water or offer clear views across the width of the house. With the sliding glass doors pushed back, “The house becomes a big screen porch,” says Bates. Ocean breezes waft through the airy interior, which is predominantly oak and polished concrete, rendering the house a giant beach pavilion. Lofty living spaces and a pair of guest rooms are located on the main level; upstairs are the master bedroom, separate bathrooms and offices for the husband-and-wife clients, and five bedroom suites for the couple’s children and guests. All exterior and interior wood surfaces, except for the oak flooring, were hand-rubbed with steel wool dissolved in vinegar. The solution reacts with tannins in the wood, darkening the material as if weathered over time by salty winds. One synthetic material—Corian— figures prominently in the bathrooms. Slabs of the material form shower floors routed with linear drains and, in the children’s baths, tub fronts carved with nicknames and favorite sports teams. (The father’s bathroom exhibits similar verbiage, although his comprises the names of alma maters.) “It’s like something that washed up on the beach,” Masi adds, referring to the artificial stone’s smooth as ocean-glass finish. Such details affirm Bates 196

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Opposite top: The kitchen’s custom interlocking oak-andsteel tables, surrounded by Lievore Altherr Molina chairs, faces a breakfast bar of the same materials. Opposite bottom: A Citterio table sits before the den’s oak wall, which conceals a TV and bar. Left, from top: Wine bottles cradled in stainless-steel mesh sleeves line a wall of the dining area. The roof deck features a fireplace set into a Brazilian quartziteclad chimney and a custom mahogany sofa. Open to the ground floor below, walkways connecting the master suite to the five children and guest bedrooms wrap around the double-height living area.

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Top: One of the house’s elevations faces Atlantic Ocean beachfront. Bottom: The other fronts a pond. Aligned sliding glass doors on both facades allow the house to transform easily into a permeable pavilion.

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Opposite: This guest bedroom, one of two on the ground floor, has a retractable glass wall that opens onto the concrete patio. Left, from top: The mudroom is fitted with custom Corian storage cubbies. One of the children’s bathrooms has a skylight, walls of pebble tile, and a Corian shower-stall floor scored with linear drains.

and Masi’s love of refinement and craft, which is also evident in their designs for interlocking steel-and-oak dining tables, a wall-size wine rack in which bottles are cradled in stainless-steel mesh “hammocks,” and even a trio of tables for backgammon, chess, and Scrabble in laser-cut leather. The property took a beating during Hurricane Sandy, as the storm surge breached the dune and flowed into the pond on the opposite side, knocking out a walkway and stairs to the beach. Except for a flooded basement, however, the house was unscathed. Bates and Masi imagine the original structure wouldn’t have been so lucky. “That the house weathered the storm so well reaffirms everything authorities have been telling us and everything the code asks for,” Bates says. Like restraint, rules are often a good thing. PROJECT TEAM AARON WEIL; SATOSHI OHKAMI; KERRY SANDOVAL; VICTORIA PRYOR: BATES MASI ARCHITECTS. STEPHEN STIMSON ASSOCIATES, LANDSCAPE ARCHITECTS: LANDSCAPING CONSULTANT. ARCHITECTURAL AUDIO & VIDEO: AUDIOVISUAL CONSULTANT. INTER-SCIENCE RESEARCH ASSOCIATES: ENVIRONMENTAL PLANNING CONSULTANT. GILSANZ MURRAY STEFICEK: STRUCTURAL ENGINEER. STEVEN L. MARESCA ENGINEER: CIVIL ENGINEER. MOLINA FURNITURE: WOODWORK. WRIGHT CONSTRUCTION COMPANY: GENERAL CONTRACTOR.

Right, from top: The property includes a 50-foot swimming pool and a 200-square-foot pool house in the same materials palette as the main house. His bathroom opens to a shared outdoor spa and shower.

PRODUCT SOURCES FROM FRONT FLEXFORM: BED (MASTER BEDROOM), SOFAS (LIVING AREA, DEN), CHAIRS (LIVING AREA, GUEST BEDROOM), COCKTAIL TABLE (DEN). THROUGH LIGHTOLOGY: SCONCE (MASTER BEDROOM). DANSKINA: RUGS (MASTER BEDROOM, DEN). THROUGH KARKULA: CHAIR (DECK). ENVIRONMENT FURNITURE: BENCH (ENTRY). GENERATION BRANDS: RECESSED CEILING FIXTURES. SPINNEYBECK: CUSTOM GAME TABLE (LIVING AREA). LIMITED EDITION: CUSTOM RUG. MATT GAGNON STUDIO: CUSTOM PENDANT FIXTURES. ROTSEN FURNITURE: CUSTOM COCKTAIL TABLE. ELEMENT ARCHITECTURAL LIGHTING DESIGN: RECESSED CEILING FIXTURES. ARPER: CHAIRS (KITCHEN). JAMES DAMATO DESIGN WORKS: CUSTOM TABLES, CUSTOM CEILING FIXTURES (KITCHEN, DINING AREA). THROUGH UNICA HOME: STOOLS (KITCHEN). NATIONAL CATHODE CORPORATION: CUSTOM WINE-STORAGE LIGHTING (DINING AREA). LOVING TOUCHES: CUSTOM SOFA CUSHIONS (ROOF DECK). ELIZABETH DOW MIXED MEDIA: CUSHION UPHOLSTERY. KNOLL: TUFTED CHAISES (LIVING AREA). ROOM & BOARD: BED (GUEST BEDROOM). CASAMIDY: SIDE TABLE. SELUX: CEILING STRIP FIXTURE (MUDROOM). DUPONT: SHOWER FLOOR MATERIAL (BATHROOMS). WESTHAMPTON GLASS & METAL: CUSTOM SURROUNDS. ANN SACKS: TILE (CHILDREN’S BATHROOM). AMERICAN STANDARD: TUB. HANSGROHE: SHOWER FITTINGS (MASTER BATHROOM). STONE SOURCE: TILE. THOUGHOUT GET REAL SURFACES: FLOORING. BENJAMIN MOORE & CO.: PAINT.

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text: deborah wilk

These establishments meet our unabashed approval

no reservations

See page 206 for Dittel Architekten’s Breuninger Kantine in Stuttgart, Germany. Photography: Zooey Braun Fotografie.

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Raumspielkunst Architectural Design and Concepts project Noir Cuisine, Stuttgart, Germany. standout Painted walls, a lacquered ceiling, custom

MDF tables, and built-in pine seating carry out the Asian-French eatery’s namesake theme, with mismatched tableware and windows into the kitchen providing morsels of color. photography Antje Quiram/Aqui Architektur

Fotografie.

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Dittel Architekten project Breuninger Kantine, Stuttgart, Germany. standout Juxtaposing shapes is the conceit in a department store’s employee cafeteria, where custom oak tables and benches stand under a constellation of discs in gypsum board and acoustic plaster. photography Zooey Braun Fotografie.

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Francesc Rifé Studio project Canalla Bistro,

Valencia, Spain. standout Repurposed shipping crates form the banquette, table tops, ceiling treatment, and storage, while walls host illustrations by graffiti collective PichiAvo at this Spanish version of a gastropub—the most casual of Michelin–star chef Ricard Camarena’s three restaurants. photography Fernando Alda.

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António Fernandez Architects project É Prá Poncha, Porto, Portugal. standout Named after a cocktail, this boîte has a canopy of lacquered-MDF ribs that is lit by color-changing LEDs and descends to the floor to create a partition and drink rail. photography José Campos Architectural Photography.

Go to interiordesign.net/roundupfeb13 for more images of the projects.

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falling water The 19th and 21st centuries meet in the Roundhouse at Beacon Falls, a hospitality complex in upstate New York by Rockwell Group

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The upstate New York landscape is rife with abandoned industrial buildings begging for adaptive reuse. Dia: Beacon, the 10-year-old contemporary art museum on the banks of the Hudson River, 60 miles north of Manhattan, is a paragon of the genre—an obsolete cracker-box factory transformed by OpenOffice and artist Robert Irwin into an architectural attraction and catalyst for the town’s gentrification. Inspired by that example, father-and-son developers McAlpine Construction acquired a cluster of forlorn redbrick mill buildings at the other end of Beacon’s mile-long Main Street. Dramatically situated on Fishkill Creek with cinematic views of Beacon Falls, the neglected 6¼-acre compound needed to be resuscitated in a way appropriate for a community of working families, second-home owners, and ex-New Yorkers. “Everyone who saw this property fantasized about what to do with it,” says the firm’s general counsel Brendan McAlpine. By happenstance, he met Jeffrey Ashey, a longtime Beacon resident and CFO of Rockwell Group. “We asked him if the firm would ever consider taking on a small project like ours,” he continues. “After several discussions, it was a go.” McAlpine and his father, Robert, the principal of the company, both did and didn’t know what they were getting into when they dreamed up the Roundhouse at Beacon Falls, a complex they hoped would draw the international art aficionados who make the pilgrimage to Dia. The final vision includes Swift, a farm-to-table restaurant; Patio, an alfresco cafe; 2EM, a cocktail lounge perched above the rapids; and a 14-room boutique hotel (with additional rooms and a spa under construction shortly), totaling 42,000 square feet. In a separate building, the

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Previous spread: The three redbrick mill buildings that now house the Roundhouse at Beacon Falls, a hospitality complex in upstate New York by Rockwell Group, date to the mid-19th century. Top: Chairs covered in woolnylon pull up to walnut-topped tables, all custom, under original ceiling beams at Swift, the complex’s restaurant. Center: Signage is brushed aluminum. Bottom: Concrete-topped tables juxtapose oak flooring and pendants of handblown glass in 2EM, the lounge. Opposite: The restaurant’s 12foot-high windows, overlooking the falls, are framed in powdercoated aluminum.

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“Abandoned for 50 years, what’s now the event space had dirt floors and was filled with old cars”

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Waterfall Room, a 9,000-square-foot banquet hall suitable for weddings and conferences, creates cash flow while driving traffic to the hotel and restaurant. “The McAlpines were so patient about letting the concept evolve,” notes principal and Interior Design Hall of Fame member David Rockwell. “You’ve heard of the slow-food movement? This project could herald the start of the slow-hotel movement.” Rockwell Group is, of course, famous for dazzling big-budget projects, so the Roundhouse was atypical not only because of its modest scale, but also because of the restraint required to keep the focus on the historic structures and their natural setting. “We were so seduced by the site,” Rockwell says of both the heart-stopping environment and the dilapidated mill complex, some components of which are nearly 200 years old. “We let the buildings do the loud talking to amplify the drama of the history,” adds senior associate David Zaccheo. During the six-month planning phase, the architects deferred preservation issues to the developers, who were busy stabilizing the buildings before the design was finalized. “The compound had been abandoned for 50 years,” Brendan McAlpine says. “What’s now the event space had dirt floors and was filled with old cars. We tried very hard to keep as much of the original structures as possible.” When new features such as the 12-foot-tall bay windows in Swift were added, Rockwell Group worked to make them appear inevitable. The design team softened the hard concrete shell of each guest room with tactile furnishings, including walnut headboards, faceted zebrawood side tables, hand-knotted rugs, and oak-plank flooring. The McAlpine team insisted the project benefit the community. “They were committed to locally sourced and locally made, which we found very appealing,” Zaccheo says. “Beacon is a center for small-batch furniture makers and glassblowers, and we were able to bring those talents to the project.” The McAlpines introduced Rockwell Group to area vendors and artisans, who created the glass pendants for the dining room, lounge, and penthouse-suite bathrooms; the lumber for tabletops, wainscoting, and bathroom doors; the tile in the public restrooms; and select wool rugs. Even the art is local: The enormous photograph over the bar is by Mike and Doug Starn, who created the 2010 rooftop installation at the Metropolitan Museum of Art and have a studio in Beacon. “They’re regulars at Swift,” McAlpine says. The Waterfall Room has an airy, postindustrial feel. “We were determined to save the original wood trusses, but otherwise we had to rebuild the whole thing. We used existing bricks to make sure it didn’t look new,” McAlpine explains. Rockwell Group did create a Vegas-worthy moment, however: In the reception anteroom, a pair Opposite top: Custom pine barn-style doors open to blackened-steel stairs leading down to the Waterfall Room, the 9,000-square-foot banquet hall. Opposite bottom: Pendant fixtures by Ernesto Gismondi hang among the building’s original oak trusses, over new flooring of the same wood. Above: Alexa Williams’s oil on canvas hangs in the hall’s anteroom, where the floor is poured concrete burnished with mica and the furniture is custom.

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of barn-style doors slides open to reveal a balcony overlooking the ballroom with its soaring open-truss ceiling and 19-foot-high window wall facing the falls. “Visitors are really affected by the setting,” Zaccheo says. “We brought a bit of urbanity to the country.” To Rockwell, it’s a new vision of luxury: “People are looking for a unique experience,” he says. “Combining industrial structure with contemporary flourishes makes for something pretty unusual.” Those in need of a little more dazzle are invited to take in the view of the falls on a moonlit night. PROJECT TEAM EDMOND BAKOS; SHANNIE COHEN; GREGORY STANFORD: ROCKWELL GROUP. ARYEH SIEGEL ARCHITECT: ARCHITECT OF RECORD. ELIZABETH STRIANESE: INTERIOR DESIGN CONSULTANT. RABE & CO.: CUSTOM GRAPHICS. CIVIL ENGINEER: HUDSON LAND DESIGN PROFESSION ENGINEERING. METCONIX: METALWORK. MCALPINE CONSTRUCTION: GENERAL CONTRACTOR. PRODUCT SOURCES FROM FRONT EMUAMERICAS: CHAIRS, UMBRELLAS (TERRACE). NICHE MODERN LIGHTING: PENDANT FIXTURES (RESTAURANT, LOUNGE). AMERICAN ATELIER: CUSTOM CHAIRS (RESTAURANT). KNOLLTEXTILES: CHAIR FABRIC. WICKHAM SOLID WOOD STUDIO: CUSTOM TABLES (RESTAURANT, ANTEROOM), PANELING (RESTROOM), CUSTOM BED (SUITE). GET REAL SURFACES: FLOORING (RESTAURANT, ANTEROOM), TABLETOPS (LOUNGE), CUSTOM TROUGH (RESTROOM). LAWSON-FENNING: STOOLS (RESTAURANT). HUDSON BEACH GLASS: CUSTOM CEILING FIXTURES. CONCEPTA BARCELONA: CHAIRS (LOUNGE). DWELLSTUDIO: ARMCHAIRS. SIT DOWN NEW YORK: CUSTOM COCKTAIL TABLE. WEST ELM: LAMP. ABC CARPET & HOME: RUG (LOUNGE), SOFA (ANTEROOM), CONSOLE (SUITE). REXHILL FURNITURE: CUSTOM STOOLS (LOUNGE). COOPER INDUSTRIES: TRACK LIGHTING. ARTEMIDE: PENDANT FIXTURES (BANQUET HALL). BENJAMIN MOORE & CO.: PAINT. HIGHTOWER: CHAIRS (BANQUET HALL), COCKTAIL TABLE (SUITE). WESTCHESTER UPHOLSTERY: CHAIRS (ANTEROOM). ROCKY MOUNTAIN HARDWARE: SINK FITTINGS (RESTROOM). TIM LEEFELDT ARCHITECTURE: PENDANT FIXTURES. LIGNE ROSET: FLOOR LAMP (GUEST ROOM). GLOBAL VIEWS: SIDE TABLES. ATLAS INDUSTRIES: CUSTOM BED, CUSTOM DESK. ALIAS DESIGN THROUGH SUITE NEW YORK: CHAIR. FOSCARINI THROUGH SUITE NEW YORK: TABLE LAMP. RELATIVESPACE: FLOORING (GUEST ROOM, SUITE). AREA: BEDDING. SAM KASTEN HANDWEAVER: RUGS. ROLL & HILL: SCONCES. DE PADOVA THROUGH SUITE NEW YORK: PENDANT FIXTURE (SUITE). CB2: SECTIONAL SOFA. AQUATICA PLUMBING GROUP: TUB, TUB FILLER. THROUGHOUT DFB SALES: CURTAINS. ROSE BRAND: CURTAIN FABRIC.

Top: In the men’s restroom, doors are reclaimed pine and custom pendant fixtures are fashioned from antique insulators. Center: Thibault Désombre’s floor lamp stands in the corner of a guest room, furnished with zebrawoodveneered side tables, a Riccardo Blumer chair, and oak flooring that’s been brushed and oiled. Bottom: A Phil Luithlen pendant fixture and Claesson Koivisto Rune’s cocktail table appoint a suite’s living area. Opposite: The acrylic soaking tub and custom walnut bed soften the building’s original concrete bones. Go to interiordesign.net/ rockwell13 for more images of the Roundhouse.

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books

edited by Stanley Abercrombie

by Miguel Ángel Aragonés New York: Rizzoli International Publications, $75 430 Pages, 250 color illustrations It is always a delight to come across a book filled with images of stunning buildings and interiors, especially when you have never seen any of them before, and most especially when their designer is unknown to you. Where has the talented Señor Aragonés sprung from? Born in 1962 in Mexico City and self-taught, he has lectured at a number of international architecture schools and taught at Mexico’s Universidad Anáhuac and the Colegia Oficial de Arquitectos Vasco-Navarro in Bilbao, Spain. He also participated in the first Bienal Nacional de Arquitectura Mexicana sponsored in part by his native city’s Instituto Nacional de Bellas Artes. The designer’s work comprises white-walled lyrical geometries, selectively open to the sun during the day, illuminated in strong colors at night. In his foreword, Michael Sorkin suggests influences from Dan Flavin, Richard Meier, Richard Neutra, Carlo Scarpa, James Turrell, Ludwig Mies van der Rohe, and Robert Venturi. But the Aragonés amalgam, as Sorkin rightly says, “is strikingly his own.” The book shows 14 Aragonés designs. Most are residential, but perhaps the standout is Hotel Encanto in the Las Brisas section of Acapulco de Juárez. We are treated to 54 mostly single-image pages of the Encanto. It was built “with few resources, economic materials, and local labor,” yet it “is also a great labyrinth, whose exits open out onto and are completed by the ocean.” The book itself is an enchantment, with floor plans, locations, dates, and square footages all relegated to an appendix, leaving much of it uninterrupted by text. When words appear (in both Spanish and English), blocks of type are appropriately arranged in compositions we may soon be calling Aragonian. Let Sorkin have the penultimate word: “A discovery has been made and—seemingly out of nowhere—my sense of possible architectures greatly enlarged.” Which leaves the last word to Aragonés himself: “Architecture envelops, blankets us. This is the essence of its nobility and power.”

Designers Abroad: Inside the Vacation Homes of Top Decorators by Michele Keith New York: Monacelli Press, $50 224 pages, 200 color illustrations Seeing what designers have done for their own houses is always interesting; seeing what they have done for their private getaways can be even more so. Here are the retreats of 26 designers in 15 countries. Thomas Bartlett’s house in La Peñita de Jaltemba, Mexico, mixes Portuguese chairs, an 18th-century French chest, rugs from Oaxaca and India, and a wealth of talavera pottery on traditional terra-cotta floors. Interior Design Hall of Fame 220

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member Trisha Wilson escapes from Dallas all the way to Vaalwater, South Africa, where, within sand-colored, hand-plastered walls, she enjoys wovengrass rugs, indigenous masks, and Zulu telephone wire baskets. Fences keep out the lions. Clodagh, another Hall of Famer, goes back to Ballinspittle in her native Ireland, where she restored a 300-year-old stone cowshed, juxtaposing a steel-faced fireplace with Connemara mountain sheepskins, a collection of old boat propellers, and furniture, rugs, and custom lamps by the designer and her children. When Juan Montoya returns to Bogotá, Colombia, he heads to an apartment featuring pre-Columbian sculpture, lambskin-padded closet doors, and elaborately carved and gilded (but empty) picture frames. Juan Pablo Molyneux’s Paris flat in the Marais boasts walls covered in silk damask, gilt-wood sconces, Russian mahogany chairs, and tall bronze lamps on Louis XV tables. Tapestries, too. Mica Ertegun, another Hall of Fame member, retreats to Bodrum, Turkey, to relax with whitewashed walls, native ceramic tiles, white canvas sailing over an outdoor dining area, and a collection of framed calligraphy.

What They’re Reading ... Michael Davis Principal and founder of Michael Davis Architects & Interiors

The Innocence of Objects by Orhan Pamuk New York: Abrams, $35 272 pages, 526 color illustrations Drawn to Istanbul by the traditional textile trade, architect Michael Davis’s interest in Turkey’s cultural capital has grown deeper since discovering the novels of Orhan Pamuk. As the Swedish Academy wrote in awarding Pamuk the 2006 Nobel Prize in Literature, “In the quest for the melancholic soul of his native city, [he] has discovered new symbols for the clash and interlacing of cultures.” Sometimes that quest involves the examination of domestic ephemera, “when his writing draws a connection between the emotions objects provoke and their physical appearance,” Davis says. In fact, the plot of Pamuk’s novel, The Museum of Innocence, was inspired by an actual collection of everyday items he had assembled. After its publication, the author turned curator and established a house museum for his holdings. The Innocence of Objects, a catalogue of those artifacts, is both emotional and objective—part fiction, part reality. “I’ve read it twice, and it’s still revealing itself to me,” Davis continues. “It’s heartbreakingly delicious in every way.” When not engrossed in the literary romance of place, Davis has been working on a restaurant for chef Zakary Pelaccio in Hudson, New York, where he spends weekends. But being housed in a former blacksmith shop, the project is sure to benefit from the architect’s meditations on transformation. —Deborah Wilk

TOP RIGHT: COURTESY OF MICHAEL DAVIS ARCHITECTS & INTERIORS

Aragonés

António Fernandez Architects (“No Reservations,” page 202), 507 r/c Praça João XXIII, 4490-440 Póvoa de Varzim, Portugal; 351-25261-6260; antoniofernandezarchitects.com. Raumspielkunst Architectural Design and Concepts (“No Reservations,” page 202), 41 Talstrasse, 70188 Stuttgart, Germany; 49-711-34225050; raumspielkunst.de. Francesc Rifé Studio (“No Reservations,” page 202), 25 Escoles Pies, 08017 Barcelona, Spain; 34-93-414-1288; rife-design.com.

PHOTOGRAPHERS IN FEATURES Bruce Buck (“A Force of Nature,” page 172), 212-645-1022; brucebuck.com. Robert Holden (“Under the Hill,” page 164), Photofoyer, 39-2-92870390; photofoyer.it. Eric Laignel (“A Force of Nature,” page 172; “On Location,” page 182; “Falling Water,” page 212), ericlaignel.com.

DESIGNER IN CROSSLINES CetraRuddy, Cetra/CRI Architecture (“The Sum of Their Parts,” page 53), 584 Broadway, New York, NY 10012; 212-941-9801; cetraruddy.com.

DESIGNERS IN WALK-THROUGH Ignacio Irarrázaval (“A Point of View,” page 81), [email protected]. Mobil Arquitectos (“A Point of View,” page 81), 5885 Avenida Los Militares, Las Condes, Santiago, Chile; 56-2-27857500; mobilarquitectos.cl. Rapt Studio (“Game On,” page 69), 111 Maiden Lane, Suite 350, San Francisco, CA; 415-788-4400; raptstudio.com.

Lightweight Cast-Rock modules precisely interlock for smooth, seamless sculptural walls.

Dittel Architekten (“No Reservations,” page 202), 100/1 Rotenwaldstrasse, 70197 Stuttgart, Germany; 49-711-46906550; d-arch.de.

Michael Moran (“The Beach House Rules,” page 192), Otto, 793 Broadway, 2nd Floor, New York, NY 10003; 212-777-0078; ottoarchive.com. Zephyr™ ©2012 modularArts, Inc.

DESIGNERS IN SPECIAL FEATURE

Rios Clementi Hale Studios (“All Grown Up,” page 75), 639 North Larchmont Boulevard, Suite 100, Los Angeles, CA 90004; 323-785-1800; rchstudios.com.

PHOTOGRAPHERS IN WALK-THROUGH Eric Laignel (“Game On,” page 69), ericlaignel.com. Undine Pröhl (“All Grown Up,” page 75), 310-399-5031; undineprohl.com. Nico Saieh (“A Point of View,” page 81), 56-9-68346711; nicosaieh.cl.

CORRECTION

NICO SAIEH

Interior Design (USPS#520-210, ISSN 0020-5508) is published 15 times a year, monthly except semimonthly in April, May, and October by Interior Design Media Group. Interior Design Media Group, 360 Park Avenue South, 17th Floor, New York, NY 10010-1710, is a division of Sandow, 3731 NW Eighth Avenue, Boca Raton, FL 33431. Periodicals postage paid at New York, NY, and additional mailing offices. Subscriptions: U.S., 1 Year: $69.95, Canada and Mexico, 1 year, $99.99. All other countries, $199.99 U.S. funds. Single copies (prepaid in U.S. funds): $8.95 shipped within U.S. ADDRESS ALL SUBSCRIPTION REQUESTS AND CORRESPONDENCE TO: Interior Design, P.O. Box 5880, Harlan, IA 51593-1380. TELEPHONE TOLL-FREE 800-900-0804 (continental U.S. only), 515-247-2984 (all others), or IDNcustserv@cdsfulfillment. com. POSTMASTER: Send address changes to: INTERIOR DESIGN, P.O. Box 5880, Harlan, IA 51593-1380. Publications Mail Agreement No. 40624074. Please return undeliverable Canadian addresses to APC, P.O. Box 503, R.P.O. West Beaver Creek, Richmond Hill, ON L4B 4R6.

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Apollo™ ©2011 modularArts, Inc.

In “Still Growing” (January, page 87), HOK should have been listed third and Perkins+Will, fourth.

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contacts

CHECK-IN TO

200 LEX

ExplorE thE bEst in hospitality dEsign at thE nEw york dEsign CEntEr Join us

Monday, april 29, 2013 3-8 pm New York Design Center 200 Lexington Avenue nydc.com RSVP to interiordesign.net/idnydc

the annex Companies with the Library icon

have their complete catalog & brochure available for viewing online and printing at www.InteriorDesign.net/Library

Swivel Seating by Aceray

Committed to delivering distinguished styling, Aceray is proud to introduce an array of contemporary & unique seating designs suitable for furnishing hotels, cafés, bars, restaurants, corporate environments, reception areas, health care facilities, schools, store displays, museums, public spaces, private residences & more. Call 303.733.3404 or visit www.aceray.com circle 225

Crypton Bumper Bed

Bump up your style. Made in the USA with our trademark Super Fabric, this performance-driven sleep cushion tackles mess and moisture head on. Watch stains, drool and spots wipe easily away as your pooch nestles comfortably in our cushy creation. Transform your space with style-savvy, pet-perfect-patterns that elevate every décor. t. 800.279.7866 or visit cryptonathome.com circle 227

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Studio Lilica

Custom architectural lighting and fabric sculptures channel light, line and motion to transform conventional spaces into extraordinary environments. Our Lightform Sculptures® are available in a wide range of colors and custom options. Please visit us online to view our complete line of lighting, sculpture and custom environmental installations for modern interiors. For more information, please contact us at: t. 626.358.8754, [email protected] or visit studiolilica.com circle 226

Mayer Fabrics

Evoking simple pleasures, the Lucia Cassa Environmental Collection features soothing color combinations. All patterns are constructed from recycled polyester. Array features a soft chenille stripe. Botanica is a tightly constructed floral while Sashiko incorporates a stitch pattern. Turnabout is a smart-looking reversible coordinate. Please visit us online at mayerfabrics.com circle 228

Pratt & Larson Ceramics

Celebrating 30 years of producing the finest in handmade ceramic tile in Portland, Oregon. Our luxurious offering of custom tile is made to order in any color. Visit our website to locate a dealer and order a color catalog. t. 503.231.9464 or visit us online at www.prattandlarson.com circle 229

Floating Shelf by Rakks

Finally, a floating shelf that is strong enough to hold books. Our attractive, low profile shelves screw directly to the wall and can hold up to 25 pounds per linear foot. Stocked in clear anodized aluminum, shelves can be ordered in lengths up to 98 inches and shipped by UPS. Visit rakks.com or call 800.826.6006 circle 231

Trifecta® by Safco

The right receptacle can help encourage guests to recycle while enhancing the space. Get complete customization with Trifecta. Visit www.safcoproducts.com to select the color, laser lid inscription, size and more! circle 233

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DORMA World of Access

DORMA introduces its design center—a 360° experience in access technology located centrally in NYC. This spacious setting is a center of gravity for architects, designers, planners, and business partners. Interactive displays exhibit the right products for every project and location, with industry experts on hand to advise on the best possible implementation. t. 646.574.7464 or www.dorma.com circle 230

Avery Boardman

Trust Avery Boardman to create the perfect sectional for your space. Call on the experts to customize your furniture to the most minute detail. From regular to convertible, reclining to theater seating. No limits. Completely hand crafted in the U.S.A. for expedient delivery. Call 212.688.6611 to receive a free copy of our catalog or visit us online at averyboardman.com circle 232

Infinity Drain

Make the drain disappear with TileDrain by Infinity Drain. Incorporate tile or solid surface material for a virtually seamless installation. Available in three sizes and works with any type of waterproofing. Visit us online for product specs, authorized dealers and image gallery. t. 516.767.6786 or www.InfinityDrain.com circle 234

theannex

WingNut in Rustic Copper from Sonoma Forge

A little urban, a little country, this graceful style enhances kitchen or bath and complements the nicely-appointed restrooms of upscale hospitality venues with elegance and reliable functionality. In rustic copper, rustic nickel, and oil-rubbed bronze. Options include fixed or swivel spout and side spray. sonomaforge.com circle 235

California Faucets

From the makers of award-winning StyleDrain®, a drain that virtually disappears. StyleDrain Tile™ allows you to integrate any tile or stone to seamlessly match the rest of the shower. Easy installation compatible with every water-proofing method. Proudly carries the Made in California designation. t. 800.822.8855 or please visit us online at styledrain.com/ID circle 237

Cascade Coil Drapery

Metallic wire mesh drapery panels capture decorative lighting throughout the concourse at the Carrara Stadium located on the Gold Coast in Queensland, Australia. The wire mesh fabric diffuses and enhances lighting while adding just the right amount of shimmer, shine and definition to the interior. Complement your project using Cascade Coil for space division, window treatment, wall covering, retail display, semi-security, and more. t. 800.999.2645 or visit www.cascadecoil.com circle 239

Sloan BASYS™

Elegant form is the hallmark of our BASYS™ family of hands-free faucets. Designed with modular components for custom specification and easy service. Wall mount design now available. Visit our website to view the complete BASYS™ lineup and download BIM models. t. 800.982.5839 or visit www.sloanvalve.com circle 236

O-KERA Ceramic Slab

Earth, water and fire make it as light as air. Introducing O-KERA® ceramic slabs - thin (1/4”) and light (2.89 lbs/sf) O-KERA® represents a new surfacing category suitable for wall cladding, building façades and many other applications. Launch in U.S. on 1st quarter 2013. t. 866.654.8397 or visit www.o-kera.com circle 238

From Clear Skies to High Seas

Motoart’s PBY Catalina Table is made from rescued airframes from one of the most widely used multi-role aircraft of World War II – known as the American Flying Boat. Motoart beautifully transforms these into elegant conference tables or executive desks. t. 310.375.4531 or visit www.motoart.com circle 240

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Architectural Systems, Inc

BOY 2012 winner Fusión Wood Panels delivers an organic architectural statement, mixing natural materials and reclaimed wine barrels in a range of patterns and species. A leading distributor of interior finishes, ASI's curated product collections offer innovation for commercial interiors. t. 212.206.1730 www.archsystems.com circle 241

The Harmonic Cascade® Waterfall

With its dazzling cascading patterns, vivid programmable illumination system and custom designed water purification, the Harmonic Cascade® is sure to enhance any environment. These state-of-the-art water features are available exclusively from Harmonic Environments. t. 800.497.3529 or visit HarmonicEnvironments.com circle 242

Powell & Bonnell

Powell & Bonnell’s newest addition to their statement lighting collection is the Beacon floor lamp. Its extraordinary size belies the carefully hand forged details of this lamp. The large shade conceals a fanciful surprise; a wire “bird’s nest” that cradles the delicate light source and is only visible to those seated under the glow of this simply refined lamp. t. 800.272.2058 www.powellandbonnell.com circle 243

Magnuson Group

BERTA is a modular bench & planter family constructed of polished aluminum plate with die-cut plant motif. BERTA may be painted on the underside and fit with LED lighting to add a splash of color as pictured here. t. 800.342.5725 or visit us online at www.magnusongroup.com/berta circle 244

Juxtaform

Juxtaform stretched fabric panels allow designers to easily divide, define, reconfigure and dramatize interior space. The fire-rated and washable forms are available in a wide array of shapes, sizes and colors. Lightweight and playfully malleable, Juxtaforms accommodate countless configurations and almost any application. t. 888.589.8236 www.Juxtaform.com circle 245

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Vladimir Kagan Couture

Vladimir Kagan is one of the most influential and iconic designers of the century. His new Couture Showroom in New York is the highest expression of his genius. Though Vladimir Kagan Couture welcomes the use of C.O.M., a vast line of elegant mohairs, plush velvets, supple leather and the entire ultrasuede collection was personally selected by Mr. Kagan. t. 212.689.0730 or visit vladimirkagancouture.com circle 246

theannex

Peter Pepper Products

emuamericas, LLC

SHOT Outdoor Seating by Christophe Pillet EMU® chairs and tables can bring a refreshing element to any outdoor environment. With more than 60 years of manufacturing experience, EMU® furniture is the perfect balance of design and strength for your hospitality project. “Made in Italy” at its best! Call 800.726.0368 or visit www.emuamericas.com circle 247

TIMO trash and recycling receptacles offer the utmost in utility for commercial applications. Available in round with top or side openings, or square with a unique ‘tip out’ access door for easy bag removal. Stainless steel & powder coated finishes. 22-38 gallons. t. 800.496.0204 peterpepper.com/timo circle 248

Chameleon Receptacle

Trinity Furniture

A newly refreshed Twist Collection now has updated arm options and added features; boasting 100% renewable components, a lifetime warranty and made proudly in the USA. Models include both individual and tandem chairs and two place sofas, bariatric seating, with accompanying tables. Certified: BIFMA Level Sustainability Standard. Toll free 855.311.6660 or www.trinityfurniture.com circle 249

Like its namesake our newest bins can change graphics to fit any environment. Classic proportions, leak-proof inner bin, rugged but elegant stainless steel top, frame, and leveling feet ensure that it will stand the test of time. 31” X 17”. t. 305.857.0466 DeepStreamDesigns.com circle 250

Corsetto Armchair

OKITE Quartz Surfacing

Quite simply, the stuff of dreams. It lights up any residential or commercial project. It’s a unique compound of resin and up to 93% natural quartz, one of the toughest and most naturally attractive of all minerals. t. 866.654.8397, [email protected] or visit www.okite.us circle 251

Versatile style meets handcrafted sturdiness for a chair that fits in any room of the house, from dining table to living room, and even as a beautiful sidechair in the bedroom. Handcrafted with accents that bring out its clean, classic lines. Available in custom choices of fabrics. t. 877.661.0417 nestcasa.com circle 252

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adindex page

page

A. Rudin ......................................................circle 39 ............ 167

Best of Year Products - M2L .............................circle 68 ............ 155

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Best of Year Products - Nemo Tile .....................circle 78 ............ 156

Alno ...........................................................circle 11 ..............59

Best of Year Products - Rocky Mountain Hardware circle 87 ............ 157

Amtico ........................................................circle 14 ............ 111

Best of Year Products - Ultrafabrics ..................circle 105........... 158

Antolini Luigi ...............................................circle 16 ..............57

Brown Jordan ..............................................circle 27 ..............95

Antron® Carpet Fiber.....................................circle 122.............86

Caesarstone/ Concetto ..................................circle 113.............67

Arc-Com Fabrics, Inc. ....................................circle 17...............61

California Faucets .........................................circle 237 .......... 225

Arc-Com Fabrics, Inc. ....................................circle 18 ..............79

Carl Hansen & Son ........................................circle 28 ..............25

Arcadia ......................................................circle 19 ................2

Cascade Coil.................................................circle 239 .......... 225

Architectural Systems, Inc. ...........................circle 241........... 226

CertainTeed Ceilings......................................circle 2 ................49

Architex International ...................................circle 21 ..............19

Centiva ......................................................circle 51 ............ 127

Arclinea ......................................................circle 81 ................3

Cherner Chair Company .................................circle 30 ............ 126

Armstrong Flooring.......................................circle 22 ..............26

Colour & Design ...........................................circle 118.............18

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Construction Specialties ................................circle 130 ............45

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Coverings ....................................................circle 77 ..............56

Bella Dura ...................................................circle 111 .............63

Craftmade ...................................................circle 123.............68

Bernhardt Design .........................................circle 124.............31

Crossville, Inc. .............................................circle 117 ........... 125

Best of Year Products - Arclinea .......................circle 81 ............ 139

Crypton.......................................................circle 227 .......... 223

Best of Year Products - Artistic Tile ...................circle 23 ............ 140

DeepStream Designs .....................................circle 250 .......... 227

Best of Year Products - Concertex .....................circle 31 ............ 141

Design Within Reach ....................................circle 41 ..............32

Best of Year Products - Design Within Reach .....circle 41 ..............32

DORMA

Best of Year Products - Halcon ........................circle 44 ............ 143

emuamericas ...............................................circle 247 .......... 227

Best of Year Products - Holly Hunt ....................circle 15 ............ 144

Florida Tile ..................................................circle 116 ........... 229

Best of Year Products - Interface ......................circle 49 ............ 145

Fondazione..................................................circle 38 ..............97

Best of Year Products - JANUS et Cie .................circle 42 ..... 146, 147

Forms + Surfaces

Best of Year Products - Keilhauer............................................... 150

Geberit........................................................circle 40 ..............58

Best of Year Products - KnollTextiles .................circle 56 ..... 152, 153

Gloster Furniture ..........................................circle 119 .............89

Best of Year Products - Laufen .........................circle 60 ............ 151

Harmonic Environments ................................circle 45 ..............99

Best of Year Products - Legrand .......................circle 61 ............ 154

Harmonic Environments ................................circle 242 .......... 226

Aceray

Artistic Tile

Avery Boardman

..................................................circle 230 .......... 224

....................................circle 39 ................6

Hive ...........................................................circle 46 .......... C2, 1 Companies with the Library icon

have their complete catalog & brochure

Holly Hunt...................................................circle 15 ............ 136

available for viewing & printing at www.InteriorDesign.net/library

Infinity Drain ...............................................circle 234 .......... 224

Companies with the CEU Center icon

Interface ....................................................circle 49 ..............55

offer free Continuing Education

Classes online at www.InteriorDesign.net/ceucenter

InteriorArts ................................................circle 29 ..............16

For easy use with reply card. Reply form also available online at www.InteriorDesign.net/readerservicecard page

page

Interior Design - DIFFA Dining by Design ................................... 236

Lightfair International ..................................circle 65 ............ 231

International Contemporary Furniture Fair .......circle 34 ..............29

Ligne Roset .................................................circle 66 .............. 41

J&J/ Invision ...............................................circle 52 ............ 105

Lumens Light + Living ...................................circle 67 ..............80

Jamie Beckwith Collection .............................circle 53 ............ 115

M2L ............................................................circle 68 ..............10

JANUS et Cie ...............................................circle 42 ..............17

Maharam................................................................................C4

Juxtaform ...................................................circle 245 .......... 226

Magnuson Group ..........................................circle 244 .......... 226

Keilhauer ............................................................................. 113

Mayer Fabrics ...............................................circle 228 .......... 223

.........................................circle 3 ................93

McNichols....................................................circle 71 ............ 230

KnollTextiles ...............................................circle 56 ..............35

MDC Wallcovering .........................................circle 72 ............ 131

Lacava ........................................................circle 58 ..............66

MechoSystems .............................................circle 73 ..............30

Landscape Forms ..........................................circle 59 ..............42

Milliken .......................................................circle 121........... 109

..................................................circle 60 ............ 107

Minotti S.p.a................................................circle 75 ..............39

Legrand - adorne..........................................circle 61 ..............14

Modular Arts ......................................................................... 221

LG Hausys....................................................circle 64 ..............65

Momentum Textiles ..................................................................73

Kingsley-Bate

Laufen

They say what you buy says a great deal about your taste and persona. Florida Tile believes that what we design and manufacture also says the same about our company. We infuse the qualities of strength, durability, sustainability & value into every product we make. Our line of HDP High Definition Porcelain products bring our attention for detail to the surface. From slate, wood and marble look tiles, we produce a finished product that is both beautiful and responsible. For more information visit

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page

Motoart.......................................................circle 240........... 225

Poliform.USA................................................circle 84...............37

Nemo.Tile.Company,.Inc.................................circle 78............. 161

Powell.&.Bonnell.

Nest.Casa.....................................................circle 252........... 227

Pratt.&.Larson.

New.York.Design.Center........................................................... 222

Proposte......................................................circle 85...............85

Nourison......................................................circle 80............. 121

Rakks.

O-KERA........................................................circle 126.............50

Ralph.Pucci...................................................circle 86............. 234

O-KERA........................................................circle 238........... 225

Rocky.Mountain.Hardware.

.....................................circle 243........... 226 .........................................circle 229........... 224

.....................................................circle 231........... 224

.........................circle 87...............C3

OKITE.

.....................................................circle 90............. 123

Safco.

OKITE.

.....................................................circle 251............ 227

Seeyond.......................................................circle 89...............48

OW.hospitality...............................................circle 115............ 117

Sicis............................................................circle 92...............11

Parterre.......................................................circle 83............. 119

Skyline.Design..............................................circle 102..............43

Patty.Madden.Software..................................circle 6...................4

Sloan...........................................................circle 93...............64

..............................circle 248........... 227

Sloan...........................................................circle 236........... 225

Pindler.&.Pindler...........................................circle 7...................7

sohoConcept.................................................circle 94............. 232

Peter.Pepper.Products.

.....................................................circle 233........... 224

Sonoma.Forge.

.........................................circle 235........... 225

Staples........................................................circle 95...............27

Intelligent Design Perforated Metal Meets Medical Science

StonePeak....................................................circle 96............. 100 Studio.Lilica.

............................................circle 226........... 223

Sunbrella.Contract.........................................circle 8.................47 Sunbrella.Home............................................circle 9.................15 Tandus.Flooring.............................................circle 97...............22 The.Rug.Company..........................................circle 88............. 132 Tile.of.Spain.................................................circle 98...............20 TRI-KES........................................................circle 103..............52

McNICHOLS® DESIGNER METAL McNICHOLS®

Trinity.Furniture............................................circle 249........... 227

Perforated Metal in alternating panel sizes were selected for the exterior of the USF’s Center for Advanced Medical Learning and Simulation (CAMLS) facility, in Tampa, FL.

Tuuci...........................................................circle 104..............91

Architects and contractors look to McNICHOLS for sustainable, functional and aesthetic Hole Solutions for their projects. Hole Product selections include designer metals, perforated metal, wire mesh, gratings and fiberglass in a variety of materials and styles.

USM.Modular................................................circle 107..............21

Ultrafabrics..................................................circle 105.............. 51

For more information on our complete line of Designer Metals or to speak with an Architectural Team Member please call 866.754.5144 or visit mcnichols.com/intdes. We look forward to serving you!

Usona..........................................................circle 108..............98 Vladimir.Kagan.Couture.

............................circle 246........... 226

Walters.Wicker..............................................circle 109..............23 Wolf.Gordon..................................................circle 112................8

McNICHOLS CO.

Zenus.Fabrics................................................circle 31...............13

866.754.5144 | mcnichols.com/intdes

This index is provided as a service. The publisher does not assume any liability for errors or omissions.

Industrial & Architectural Hole Product Solutions since 1952

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1/29/13 10:58 AM 1/29/13 11:19 AM

2013 THE FUTURE. ILLUMINATED. We see the future clearly. And so will you. Philadelphia, PA USA Pennsylvania Convention Center 4.21.13 – 4.25.13

www.lightfair.com

In collaboration with The Illuminating Engineering Society

In collaboration with The International Association of Lighting Designers

Produced & Managed by AMC, Inc.

PHOTO CREDITS (1) BANNER MD ANDERSON CANCER CENTER LANTERN OF HOPE, GILBERT, AZ USA | LIGHTING DESIGN BY CANNON DESIGN | © BILL TIMMERMAN / © MARK SKALNY (2) UNITED STATES INSTITUTE OF PEACE, WASHINGTON, DC USA | LIGHTING DESIGN BY LAM PARTNERS | © GLENN HEINMILLER, IALD, LAM PARTNERS, © BILL FITZ-PATRICK, UNITED STATES INSTITUTE OF PEACE (3) CHANDLER CITY HALL EXTERIOR LIGHTING, CHANDLER, AZ USA | LIGHTING DESIGN BY SMITHGROUP JJR | © TIMMERMAN PHOTOGRAPHY

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california sofa

soho wood

lady

eiffel tower

harput chrome

york desk

pera mw

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crescent mw

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gakko

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snaps party at the penthouse 1

Gorgeous photos and eloquent prose can capture the story, but nothing compares to experiencing a space firsthand. Interior Design gave more than 100 designers the opportunity to do just that at the 6,600-square-foot penthouse that was featured on the cover of our November issue. Guests took in the panoramic New York City skyline views and provocative art—some even ventured down the 80-foot-long steel slide that coils through the apartment’s four floors. The biggest thrill of all? Its designers, David Hotson Architect and Ghislaine Viñas Interior Design, won an Interior Design Best of Year Award for the project.

2

4

1. Fashion designer Yeohlee Teng beginning her

descent down the slide. 2. Interior Design editor in chief Cindy Allen and

3

5

7

6

Ghislaine Viñas of Ghislaine Viñas Interior Design posing behind a lamp by Front.

8

9

3. The 45-foot-high living area. 4. Graphic designer Jaime Viñas and Christopher

Cooper. 5. Slade Architecture partners James and Hayes

10 11

1-6, 8-14: PETER KUBILUS; 7: MATTHEW POWELL

12 14 13

Slade with Interior Design president Mark Strauss. 6. David Hotson Architect principal David Hotson and SilverLining Interiors president Josh Wiener. 7. A photograph by Jill Greenberg. 8. Architect West Chin. 9. The end of the slide for one guest. 10. Interior Design Hall of Fame member Laura Bohn and Peeq Media president Eric Reinitz. 11. Designer Steve Rifkin and Daniel Rozin’s mirror. 12. Incorporated Architecture & Design’s managing director Adam Rolston, Joel Arencibia of SilverLining Interiors, and construction director Drew Stuart. 13. Architect Alexander Gorlin, BR Design Associates senior project manager Lauren Resnick, and Bernhardt Design Northeast national accounts director Sherri Simko. 14. DIFFA’s board director Eileen Shaw and Interior Design Hall of Fame member Clodagh. FEB.13 INTERIORDESIGN.NET

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intervention

For 42 Architects, Hyttgårdsparken presented an unusual challenge—and not just pronouncing it correctly. The Swedish skate park, located in Falun, some 150 miles northwest of Stockholm, was to occupy 1 ½ acres in a UNESCO World Heritage site that includes remnants of a copper-mining operation dating to the 13th century. So, the question was, how to fit a decidedly modern, urban activity into a historic landscape. The result represents a dialogue between the contemporary skater culture and the setting’s clearly evident past use. “We took an archeological approach,” says 42 Architects director Johan Berglund, “creating a park that exists as a series of perceived trenches that have been ‘exposed.’” Those trenches are, in fact, poured concrete, and, in recently completed phase one, they take the form of typical skate-park features, carefully oriented: Stairs, blocks, and rails are situated toward the city side; banked, folded, carved, and angular forms, which more closely reference excavation, face the former copper mine. Phase two, starting construction later this year, will add more skating pits plus green spaces, pedestrian paths, and benches. “I grew up skateboarding on the very spot where the park is now,” Berglund says. “So, of course, I have a strong personal attachment to the project.” However, there will also be boule pitches for the non-roller set. —Stephen Treffinger

hit the decks

ROBIN HAYES

FEB.13 INTERIORDESIGN.NET

235

“ ı want to make a DIFFArence

DINING BY

DESIGN HOSTED BY TRACY REESE, GEOFFREY ZAKARIAN

HONORING ISABEL & RUBEN TOLEDO, RICK WOLF

March 21-24, 2013 Gala Dinner Thursday, March 21st Cocktails by Design Saturday, March 23rd

To read about David’s story, go to diffa.org

Pier 94 12th Ave at 55th Street Co-located with the Architectural Digest Home Show

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IMAGE COPYRIGHT WTAMAS, 2013 / USED UNDER LICENSE FROM SHUTTERSTOCK.COM

to honor my friend David living with AIDS”

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