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G.
SCHIRMER OPERA SCORE EDITIONS
Wolfgang Amadeus Mozart
THE MARRIAGE OF FIGARO (LE NOZZE DI FIGARO)
I NDEX ACT I
NO .
PAGE
Overt ure . . . .. . . . . . . .. ... . .. ... ...... .... . . .. . . . ... . ..... .... . . .
l
D uettino ... . ... . .. . . . F igaro an d Susanna . .. .. . . .. ... . . .. . .. .
14
Cinque . . . di eci . . . Seven ... fourteen . . .
~ \ 2. / Duettino . .. . .. .. . .. .. F igaro and Susanna . .. .. .. . .. . .. ... . . . .
j___J 3.
24
Se a caso madam a la notte t i chiama Some night if your mistress should ring
Cavatina ... . . . .. . ... Figaro . .. ..... .. ...... . .. . . . . ... . .... .
38
Se vuol ballare Should my dear master want some diversion
4.
Aria . . . .. . .. .. . ... .. . Bartolo . . .. . . . . ........ . . . . .. . . . . . . . . .
47
La vendetta Taking vengeance
5.
Duettino .. .. . . .. . . . . . Marcellina and Susanna .. . . .. ... .. . . . . .
56
Via resti servita T~ reet you, my lady
(
6.
Ari l!,. .. . .... .. ... .... Cherubmo . ... . . . . . ..... .. . .. ..... ... .
~
7.
J
8.
68
Non so piu cosa son, cosa faccio I can 't gi ve you a good explanation
Terzetto . . .. . .. .. . .. . Count_. Basilio, and Susanna . . .. .... . . . . .
83
.!-CQs_a sen to! Tost o andate That's the lim1{! - Gotliis minute!
Chorus .. .. .. . . . .. . . . Country men and women . . . .. . . . ..... . . 103 Giovani liete Strew in his praises
9.
Aria . . . . . . . . . . . . . . . . . Figaro . . ... ... . ..... . ... . .. .. . . . . .. .. . 116 N on piu andrai From now on
10.
ACT II Cavatina . . . . . ... . . . Countess ... .. .. . . .. . .. . . .. .. . . . ..... . . 125 Porgi, am or, qualche ristoro Pour, 0 love, sweet consolat ion
11 . " .A\rietta .... . . ~ ~ . . . . Cherub ino .. . . . . .. .. . . ... . ... .... . .. . . 140 ) '---- V oi, c_!ie sapete' Youlcnow the answer 12 . Aria ....... . .. .. . .. . . Susan na . . . . . . . .. ... .. ... . ....... . ... . 148 Venite, inginocchiatevi Come here and kneel in fro nt of me
13 .
Terzetto . . .. . . . ... ... Count, Countess, an d Susann a . .. .. . . .. . . 164 Susanna, or via sortite ! Susanna, what 's t he matter?
14 .
Duettino ... . .... ... . . Susann a and Cherubino . ... .. . . ... .. .. . . 180 Aprite, presto a prite Unlock the door and hurry !
15 .
Finale of Act II . . . .... Count , Countess, Su sanna, Figaro, Ant onio, Marcellina , Bartolo, and B asilio .. .. ... . 190 Esci omai, garzon malnato Out you come, don't waste a moment XI
)
INDEX
ACT III
N O. ,
16 .
____.
17 .
(continued) PAGE
Duetto .. . .. .. .. . . .. . Count and Susanna . ... .. .... . .. . ... . .. 283 Crude!! perche finora But why, why make me suffer
R ecitative and Aria . . . Count. . . .. . .. . .. . ... . .. ... . ...... . .. . 291 Hai gia vinta la causa ! . . . Vedro mentr 'io sospiro " You have won the decision?" ... Shall I look on desiring
18 .
Sestetto . . . . .. ... . .. . M arcellina, F igaro, Bartolo, Don Curzio, Count, and Susanna . .. ... .. . . . .. . . . ... . 305 Riconosci in questo amplesso Now at last I may embrace you
19 .
Recitative and Aria . .. Countess ... . .. . . ... . .. .. .. . .. .. ... . ... 331 E Susanna non vien ! . . . D ove sono i bei momenti And Susanna is late ... Are they ove r, those cherished moments
20.
Duettino ... . . . . .. .. .. Susanna and Countess . .. . . . .. . ......... 343 Sull ' aria "To R omeo"
21.
Chorus .. ... .. .. . .. .. Country girls . . . . .... .. ... . . .... . .. . . .. 348 Ricevete, o padroncina Mistress dear, accept t hese fl owers
22.
Finale of Act III ... . . . F igaro, Susanna, Countess, Count, and Chorus ... . .. . . . . ... . . ... ....... . . . .. . 358 Ecco la marcia There's t he procession
ACT I V 23 .
Cavatina . . ... . .. . . .. Barbarina . .. .. .... . . .. .. . . .... . ... . . . ~ L 'ho perduta, me meschina I have lost it, H eaven help me !
24 .
~
Aria ... . ..... . .... . . . M arcellina . . ... . . ....... . ......... . ... 383 II capro e la capretta The birds and beasts
25.
Aria . . . . . . . . . . . . . . . . . Basilio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394 In quegli anni Youth is headstrong
26 .
r-
rt7 .
Recitative and Aria . . . Figaro . . . . .. . . . . .. . .... ... ..... . .... . . 403 Tutto e disposto . .. Aprite un po' quegli occhi It won't be long now . . . 0 fellow man, be smarter!
Recitative and Aria .. . Susanna ... .......... .. . . ... ... .... . . . 415 Giunse alfin ii momento . .. Deb vieni, non tardar This at last is t he m oment . . . Beloved, don 't delay
28 .
Finale of Act IV . .. . . . Cherubino, Countess, Count, Susanna, Figaro, Barbarina, Marcellina, Basilo, Bartolo, Antonio, and Don Curzio . . .. .. .... 421 Plain, piani n le andro piu presso On my t iptoes I'll go nearer XU
i
Le Nozze di Figaro The Marriage of Figaro Lorenzo da Ponte Wolfgang Amadeus Mozart
English version by Ruth and Thomas Martin
Ove rture
Piano
l
Copyright, 1947, 1948, 1951, hy G. S chirmer, Inr, . International Copyright Secured U226r
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[.Attacca] 42226
t4
Aet l (Scene: An incomp letely fu rnish ed r oom , with a n arm-ch air in the middle. Figaro has a rule r in h is h a nd; Susanna is s e ated at a m irro r, trying on a small, flowered hat.)
No. 1. Cinque. . . dieci . .. Seven . . . fourteen . ..
Duettin~ Figaro and Sus anna
i2226
15
I Ila&
a
t.J
Figaro (measuring)
die - ci fou r- te e n
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f. ~
::9
tJ
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tren th ir
ff
4 ~2 28
FE ,
L J , E T[ [J
ta - se - i ty - sev - en .
.,c "Cf u I! d ., o., R ., I
16
Susanna (looking at herself in tl.e mi1·ro1·)
!1,1 :c---d:~iiii~r ~ Ir~ r ~ r~ r~ If~ r ~ r~r~--1 me , me,
se m just
fat ve r
to in ver per thing for
3
Guar-da un po', Won't you look ,
mio
my
ca - ro dar - ling
Cin - que . Sev - en .
Fi - ga-ro, Fi- ga- ro,
guar-da un won't you
die ci. four - t een ...
!~~~~ guar-da un turn a -
ven - ti .. . twen - ty .. .
l
tren - ta .. thir - ty .
--B
17 (conNnuing to look at her -ref/ertion i n th e mirror)
~ - bra
I
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•
•
•
•
• !: •
IJ
J ___....__ _ _ _]_£_==1r_~.t£ J ] i
po', guctr-rh a-des..,;o ii mio cap- pel round! Is - n't this a love-1 y b on
the
guar-daa-ries-so il m io cap Is -n't this a love - ly
--------
- se - sev - en .
~ r er
Guar-da un po', mio Tell me frank-ly,
=
ca - ro my dear
tre . . . - thret'. .
~
·-,:a c.n : •,-o :i
~ .:.
es-s o il mio
ca_p -
this
rnio cap-Ji'el-lo' il rnio cap don't you fove the trim- ming
~ C.
-
~
sern
it's
;,fp
.\2226
-
bra
a
i8 :----.
fat - to in pret - ty_
ver_ sight
per _ to _
-------
te, see,
sem and
bra it
fat suits
to in ver you to
per a
Susanna
tel T!
Si, Yes ,
or e it's ver
mio co - re, my sweet-hear t,
·' pm
-
y
~h~
~n~
----0 I
,~225
ra must
si _ ch'io say,_ it's _
son_ con to_ my_
ten - ta, lik - ing,
ver
ra y
si, ver
mio y
0
i9
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I
sl_ ch'io smart and
er 3
I"J' I
(?
son ver
con Y-
t57 (?;t-
co - re,or smart and
e _ piu_ ver - Y -
ten - t a, strik - ing,
se m j ust
bra the
ve r
s em a nd
bra it
suits
to in ver Y- thing
fat
pe r _ . for_
----bel - lo, strik - ing,
fat
-
to in you
ver to
per a
(
~
r.,.,
~
~
per_ for_
":u
per _ fo r_
me, me,
i
E* * IE J per_ t e, te ,
y
~
to a
T,
T,
'
i
per _ to a
me! me!
r.,.,
IE te! T!
Ah!i l
I
mat - ti- no al-le noz - ze vi have made it t,11y - self for the
r ~ ,u ~
Ah!i l You
mat - ti - no al - le noz-z e vi have made it your- self for the
---~ :a
,, ij
y
~ mfo
J
~----r J
r:
ci - no , wed - ding,
1-1: • E J• I
l.2226
ci no, wed - ding,
r
qua,nt' as
r
quant' as
p I Ge
yo ur
l
J) ~
Et ~ p 1[Jt r r- p I
dol - ce al mio te - ne - ro bride I am plan-ning to
--
-
so, it,
spo we ar
so, it,
spo wear
p IC] ~ p Up p It J• e my
dol- ce a l t uo t e - ne - r o bride yo u are p lan-ning to
que I'm
r r
-
que I'm
sto 50
~ sto so
:-----
I
20
san - na el- la stes - sa si won - der-fol day that will
be! cap- pel - Ii - no vez - zo - so, che hap - py I hard - ly can bear it! What
====----
J ) Jn :J
=---J) J
a
_J
!~=• r[ r r rrr r r I
re: be,
san - na el-la stes - sa si won - der- fol day that will
Su
che what
Su
che what
Su
a
a
~
*1w..Jw•11J,=1 . . r·t rf{1 , J ' 1 1
san - na el- la st es - sa si won - der-ful day that will
re;
san - na el- la stes - sa si won - der- fol day that will
re;
Su My
be!
be!
Su.- san-na, Su - san- na,
! el- la stes - sa, my be - lov - ed !
el - la stes-sa, my Su- san-na!
!' u:a6
che What
Su
che What
Su
a
a
san - na el - la stes - sa si won - der - ful day that will
san - na el - l& stes - sa si won - der - ful day that will
21
~
~ .l. si fr.c. :will
I
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si '"at will
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fe', be ! ~
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r fe',
day! 3
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ffl u
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::.at will
. r
si a
t
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stes Oh ,
sa what
si a
t
r
t
1
sa what
fe', day!
f ~] ~- g I
stes Oh,
~
t
1C fe',
stes Oh,
day!
sa what
si a
sa what
si a
I,
------f
: Ir
r=
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r=
=-:::/
r
r
Ir
p·
;r Ia stes fulday.
-
aI
na el der -
f
sa that
na el
Ia stes fol day
-
sa that
J
ehe What
fe',
day!
~y
§
*
a~ r
stes Oh,
z_,. - ,. - ,. -
u
p·
r
*
r che What
Su
san
a
won
Su
:-an won
,.
r ,r a
-
d•: r
-
~r
~-
si will
~
si will
I
22
Recitative Susanna and Figaro
Figaro mi - su-ran - do, ca- ro il me, my pre- cious, what on
mio earth
Fi - ga - ret - to? you are do - ing?
Io
I
-----
guar - do se quel let - to, che ci de-sti-na il Con - te, just was mak- ing sure that the space I have been mea-s ur-ing
ra
fa buo - na fi is suf - fi - cient for the
~-e:--
{
gu - rain que - sto lo - co. bed the Count will give us.
In que - sta stan - za? Cer - to, You mean we'll sleep here? Sure - ly !
----
---
____;,,,a,,...-...
,.~-:.--.._
{
a noi la The Count was
ce - de ge - ne - ro - so il pa - dro - ne. kind e - nough to make this our bed a room.
=
Io per You can
me have
te it,
la do - no . for my part!
.,. -._
Jf:
"~
E la ra - gio - ne? Why, don't you like it? ,...--..._
42226
La
ra - gio
I should say
- ne l'ho qui. that I don't!
----·-----
Per Then
23
b
( doing the same)
Figaro
r., 2 I Io I
1~= I
l1r
p p p p
che why
non puoi far, not speak out
~
qui! wrong?
spia - ce taste - ful
;::i::=:
:,= ----==-
i
~
§
Per-che non VO - glio; I just don'twant to .
t
Ma non ca - pis - co, But I can't fa th- om
~,
per - che tan - to so why you find it
~
.,
gg
r
~
p I~ ~
Ia piu co - mo - da that we're get - ting the
~
p g~
stan - za de! bes t room in
:=:+!
p p ,.,
pa - Iaz - zo. the cas - tie.
~l I Per- chio Be
FE paz - zo. Gra - zie, stu - pid. Thank you,
cause
Susanna
non tan - ti e I like your
- :. o
;:,art!
Fig aro
~ Per • TI:en
Io - gi; frank-ness.
guar-da un po - co , se po - t ria - si star me-glio ina.l - tro Io - co. Look a - round the n, and per - haps you can find us bet-ter quar -ters.
..--..
-------·
42226
ti dis -
------.u.------
----
I
,
~
.n.-------
1!1: Ip ~ :a
pa s - si un po say what is
sei tu mio ser-vo,o no? Must you know all I'm think - ing ?
fi - :he
_ ;,,as
g~~g I c i , @~
~
•E ~
~
che and
~
Susanna
---
24
No. 2. Se a caso madama la notte ti chiama Some night if your mistress should ring Duettino Figaro and Susanna
-------
l Se a So m e
ca night
so if
ma - da your mis
ma la tress should
{
te
not
ti as
chia - ma, sist - ance,
ma should
,,,-----
----da ring_
.
l 4~22 6
ma for
tr------.
ti as
din, din, ding, ding,
din, ding ,
25
I;1: ~h ~ ~
a
din, ding,
~
in in
due a
~ ~
IE
I~
da pas - si wink you could
~ Ih
~
I
~~~
-
I
~ ~
IE
la puoi quel an - swe r the
t
gir. call.
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!a
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.
-
It
... - . ~
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Vi en Sup -
...
-
:e::ould
...
=
~~b
s .::ia
E poi pose
-
5::ould
...
;,
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= ...
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din, d:ng,
=
I
~ ~
lg~
~ sio - ne
l'oc - ca am ne e d- ed I
che to
...-------------
_,,-......_
I*
~
~
I~
~
~
~ che to
miil on
vuol wait
I~
dro - ne, mas - ter,
~
I~ vuol wait
~ pa my
-
miil on
-------'
l.
~ pa my
~ t
I~ ~ t -
dro - ne, mas-ter,
26
- ..
,.
. -- - .
.
'
:
,
don, don, dong, dong, '\
I
I
:
:;,
4
I V
-
-
-
.
~
- - " -
-
-
-
--
-
don, don, in tre dong, dong, I could ~ .,_
- fl
- -
~
~
•
.
-
~
lo sal - ti be there in I
---
-
-
-
- -- .
va - do a ser no time at
- - - ---.. -I
-
-
Susanna
Co - si Sup - pose
se ii mat your dear
ii
.\ 22
ti mas -
ca dear -
no ii ca ter should send you
to on
r o, ii est, our
ro
an
Con
-
27
:P
~
din, din, ding, ding,
a ser ::me at
~J
din, din, ding, ding,
ti an
e
on
{ p
~
-:---.
------
I
t a n, way
---- - - · ·-- · •· - -
------
din, ding
-
~
t¥ J
p
Il
t
J, don, ,,ong,
don, dong,
Con
~
-
din, ding
don, dong
-
;; pA@ J_~
IJ don, do ng,
a
m
mia no
por time_
ta
he
il would
an
-:----
I
,~1,a I.,
~
Con
-
J
--------
p
- ous
dia s t a nd
-J,,1
~
vol in
-
J Io my
~i ft
~ ~
IE
ec Be - fore
ed
door - way.
w
I
co in tre I could
-
-----------IE
j
sal stop
ti .. . him .. •
1,
~~
Figarop
~ ~ Su Su
l
-------------~
- --
cre.,c.
f
--------p
-
28
pian, hold
1, W' r
l I
f-i
I
pia n , on ,
Su Su -
san s an
r r r Ir r ., v 1r ----------
pian, hold
pian, on,
c r 1r r ., v 1
Y
I - - - - - - - - I ---------- I ----------
--------
------in on
d
W hil e
san san
na , na,
yo u
pian , __________ more, _____ _ _ _ _
pia n, no
pian , no
fr,,-..._
t;w, [ f -
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42226
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tre an
pian, _______ more, ________
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Su Su
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slu
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pian, no
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A - s[oI fur - ther, And
,..._
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l
-
don! dong!
- ...
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-
;
;
p at
Re c it
r.-.
I L
-
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pre - sto! he ar it!
. - -
r.-.
-
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r.-.
r.-.
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colla p artf'. ~ I .p.
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=
p
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t.J
~re
----
j
;, J
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b ra - m1·' 1·1 the you
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re sto
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♦
t
-
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di - s ca c cas t but
d ir whole I
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SUS
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p ti, c ion s
~ chPa nd
I
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pi
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so - spet
ci a i a ll
r e - sto, sto - r y,
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t or doubts
g_
to from
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ml your
f
§ don, c ong,
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6 ¼'' r ., ;,=1 I r u t.,
•
Figaro 1.l--
---,
fan. mind .
--
-
.
t.,
J
di r must
br a - mo il hear the
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I r· ~ I r J --4 t
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r e - sto, sto - ry,
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l I
j
u the
dir wholt
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II
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so
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bra - moil of the ,
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re - sto, sto - ry,
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dub doubts
bi,i and
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=,
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-
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Di - scac-cia i Dis - card all
mi my
so - spet pi
SUS -
-
-
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-r
-- ~
-
cions
.
~
-
-· ' ti
••
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ge still
---II
.. - - - -
so - spet - ti, i your sil - ly
80
-
and
fan. mind.
'sfp
spet-ti, i jeal - ous
80 -
spet - ti.
SUS -
I My
dub - bi, i 80 - 8pet - ti ge - la re doubts and sus - pi - cions still tor - ture
p
'sfp 12226
mt my
31
::..s
~' (;2 *
~ j
1·
' f~
r
IP
Di - scac-ci a i Dis - card all
ge sti ll
?.}, 7 ~ .1Ji f1,~)
~r
~ ~ ~
fan, i dub mi nd, they
so - spet a nd t au~
~
p
r
IP
so - spet-ti,i jeal - ous and
so - sp et-ti, i si l - ly your
ge - la ti me, my doubts
-
so S US
10 •r
p ~r
IP
p
r
IP
--
re__ mi and sus - pi
-------
sfp
~
ifp
.i fp
.i fp
.ifp
!!O
and
spet-ti, pi - cions,
!1/
r
di - scac - cia i so - spet - ti che tor dis - card them as g r c,,m d - less and ver -
p
., p Ip
fan , cia os,
i my
to y
fan, mi un - kind,
che_ dis
mi my
ge
--------- f ., ~. Q1•~ ., p· i Ip ., p· ~ I c:rytJ:
dub - bi, i doubts and
so - spet - ti ge - la re pi - cions st ill tor - t ure
SUS -
fan,
~
-----
,
l.
t/ I.
~
E t!
mi
my
Ir
to r card
I
I.){ _,,
~
?
to, them
p
~ che as
le--------r to r ve r
IE to y
It
r mi un
-
1---=;. I~
fan , kind,
~;F
cho_ dis -
tor card
p ., 11zr p If -==-- F le r 1EIV{] lgF --------
iir
II
la tor
.,
-
re, ture,
ge - la they t or
re t ure
rni
my
fan, m ind,
-
-F
ge they
la tor
3~
to, them
che
tor ver
to y
p lr?l
le
as
p
re ture
mi un -
r
mi mv
fan,
di your
kind,
I◄ fan,
mind,
ge they
la tor
.-
re ture
mi my
Jmlm i
an d
ge they
la to r
~~
4ii26
so
dub sil -
SUS
ge they
la tor
mi my
-----ffn~
33
Recitative
§
Susanna and Figaro
di \"()U f
Figaro ( worriedly)
~ I::
mi my
a - scol -ta,e but lis - ten
then,
Par - la, Tell me,
ta - ci. calm - ly.
che c'e di what is your
-----::---e-
~ Susanna
~
~ so
~ r::;_j
e :::y
g g g #p
#~ p ~
stan - co d' an-dar cac - cian - do tir - ed of pur - ::;u - ing
Il si- gnor Con - te , Our no~ hie mas-ter,
~ ~ ~ ~
, g p i,., J Ji I~ ~ ~ vuo-le an - cor nel ca-stel - lo, ■'
l
nie - re bel-lez-ze fo - re-stie- re, ::ie.au - ties as partners for ro-manc - es,
■' W '
~
le stra, for- eign
j,
.,
L
",13
j,
L
L
",13
,13
di his
sua con own dear
ll,
sor - te; c::.ar:c - es .
ne It's
gia not
~
I -
!f ,8::::::::
ij~
~
sor - te, wife though,
Figaro
~
p
~
gli vie - ne. 2.p - tu red his fan - cy.
.,
~
~
'l_,;......,;._
~ ~
m
ri -ten-tar la sua will pro-vide bet-ter
.,~~*~
~
.,.Ji~
ba - da be - ne, I can t ell you,
ap- pe who has
~
_a.----
.,L.
., ~
ii
t2 I
1:::a
has de - cid - ed his cas - tie
°'--
- I
~.
---=--
~
~ -•-
-
J J_, P'J, P' ~ ~
~
~--I.,
....
f
nno - vo? s-to - ry? -e----~
5US
~
~
:t, ~
g p 1P p
E di chi Well then,who
dun-que? is it?
~
,., ~,~ Susanna
~ ~ ~
l
Del-la tua Su- san-net - ta. I give you three guess-es!
2:1
34
Figaro(surprised)Susann a
Di Not
te? you?
Di You're
me
me
right the
-
ch' al that
ed ha spe- ran - za and he is hop - ing
des - ma, first time,
-e----
Figaro
.
Ji -r
r
t1
no - bil hav - ing --"[""" _______
T
--~
r
- - T
pro - get - to us so near him
BUO
1
f' u - ti. will go
f'
,,
lis - si - ma sia tal vi - ci- nan - za.. Bra - vo! far to ad-vance his lit - tle proj-ect. Per - feet!
-----
~
{
-ii>------
'
ti - ria- mo a - van - ti! Que - ste le We're mak - ing head - way. That's why he
------
gra - zie seems so
-----~---
son, kind,
que - sta, there - fore
la so
~
ch'e-glip ren-de di te, del-la tua spo-sa. Oguar-daun po', che ca-ri-ta pein res-pect to the brid- al coup-le's com-fort. Just think of that! Such o-ver-whelm-ing
·----
lo - sa! Che- ta-ti, or vie-ne il me- glio; kind-ness! But lis-ten, now comes the best part: ..........ll.
U22e
Don Ba-si - lio,miomae-stro di can - to, Don Ba- si - lio,who teach-es me sing- ing,
----------
35
~
J v~
~
c.h' al that
I
I~
P P I, ~
.,
~ ~
~4 ~ p ~ ~ I~ J3> ., .JJ; ) ~1~ 4.l i~~ I
e s uo fac -to - tum , nel dar-mi la le - zio- nc , !es - son acts as his mouth-piece, and dur-ing ev- 'ry
~
~ garo
~, p I ra. - VO!
Figaro
l l 2·p , ebp p ., ~
I
zo - ne . s t,b- j ect.
Per - fee t!
mi ri - pe - tr 1>-gni di que-sta ca nhe keep'.-' harp-i ng for- ev - er on the
Chi! \\'ho,
Ba- si - lio! Ba - si - lio?
b
b
f I,
b
Susanna
~ j y&p pI,~ p &p~ 'i p E tu ere-de - vi Did you im-ag - ine
oh, bir - ban - t e! How re - volt - ing!
che th·e
::=::@ ~
_,L,,----=
~,u, ,&1,~~ fp,16· Jl,t~t1tJi2,.,p d
~ la so
..
~
pe.. t.;:lmmg
can - to, ~-ing,
........ t.
Ju - sin -
I was in-clined to
~ Susanna
@@Ji l itj
)! )
E i Ia de - sti - na He wants to bribe me
per to
r~ l
l
•
lt__)i
•' •'
-.h
da me cer - te mezz ' ot - t en - er grant him his feu - dal right as lord and
~
Ftro
¼ff ~ ~ ~ Ji f f I
9? -~~ , p p ~ ~ p 2·1 k~ o - re ... che ii di-rit - t o feu -da - le. . . Co - me! rr: as - te r
t>
Me n'e - ra
-----
ga - t o! :1:tnk su!
t
DD D n1
-9----.
----
;17
Figaro
fos -se la mia do - t e mer - to del tuo be! mu - so? Cuunt prom-ised me a dow- ry on the strength of your good look s?
~
~
~
'-
~~
-
on the night of our wed-ding ... What?
?:'E:::~ :::=:: I
::E=::~
ne' fe u-di suo - i Did he not a - bo l -
non !'ha ii ish that
36
Con - te right when
a - bo - li - to? he got ma r- ried?
-,
to re-::;ture
it.
Eb - ben, He did,
42226
e par che and he would
:=:-ft,--,:::::::
me . Bra - vo! me . Would he?
---
----
Con - te! ges - ture!
0 - ra e pen-ti - to, but now he's sor - ry,
mi pia - ce! Who would - n't!
La Con - t es - sa. It'::; the Count- ess.
llel - lo. dar - ling.
Co - rag - gio, mio Good - bye , my love,
Ad-dio, ad I'll have to
te be
ca - ro si - gnor tru-ly no-ble
tro - va-to a - ve - te! But I will show him . . .
Ci \'O-gliam di - ver - tir ; How a - mu::; - ing in - deed!
suo - na.? ring · ing?
che A
-
Fi di - o, an - s,wer, Fi -
so - ro. cheer - ful!
Fi Fi -
Fi Fi
E tu cer-vel - lo. And you be care - ful !
Chi Who's
ga- ro ga- ro
a, Fi garo (st1-idin ggfo1·cefull.lJ
t
~
t
-:t,------_-_-~~~---1 ~ P
~,._,_
_
? a r che ::e would
~
_~loderatoJ
!}- •
crh
;
~
I
-64
~
~
~
Clu ',rho's
'I
!c-t
-
F*
~ ~ P I~ ~
n i - stro, en - voy,
iga - r o
io I
Andante
.
~
;ru; r~
--2- - - - -
(S~ i t s,~s anna.)
~
_2 1P- D t
f:?-9--+r==! t
;;:a - ro
LJ
t
cor - r ie - ro, as cour- ier,
f,
1,
*
'I
PP~ Ip pt Su - san - na .. , Su - san - na ...
e la and my
trt.r, *
'
[Andante]
I 'I r &~
cre-taa.m-ba-sci,t-tri-ce. Non sa - r a,non sa-ra, Fi - ga-ro am-bas-sa-dressin se-cret. Thatshall nev-er be so- Fi- ga- ro
i2228
at
~
-
~
-~
I
Voi m1 you as
bi ~ • ( LU'
Jr-¢ v1 ~ ~ f ~ ~ ., m ~ I ~ ~ gqr P ~ ~ , € IP- P t
~ r
I
ae1 •
b
Sf;-
~
~
a Lon-dra, e ve - ro? We're off to Lon -do n,
ge t-to; :-.t'n-::; ion,;.
~ P
-
., p D p I~
1-
r
tut- to il vo - stro pro in its prop - er di -
*
~ tub tfrb+f r ~ r' ~
*
p~
'I
ea ve - dn schiet-to and see yo ur pur-po,;e
'1'0 f
PP
~
7.
a l·a- pir ii mi - ste - ro, to un-scram-blethis puz -zk
g nor r: -> - ble
~ ~
0- rain-co-min-cio Now I'm be-gin-ning
Bra- vo , si-gnor pa - dro - ne! Splen-did,mydea,-t>t mas- In!
tJ o/~~P P ~ I~ v3
:,,! -
P P t IP
Ids ltauds)
•1,.!,bi11 x
~
b-
~
up and down the room , aittf
-
II
ii di- ce! has spo-ken!
~
~ i
88
No. 3. Se vuol ballare Should my dear master want some diversion Cavatina F igaro
f'
my dear
l:1, - re, mas - ter
si - gnor Con - ti - no, want some tli - ver-sion,
~ I F F F Ir QF Ir
se vuol bal should my dear
r r Ir F * Ir
rr I
-~ la mas -
re, ter
s i - gnor Con want some di -
ti - no, ver - sion,
ii
- ri - no
I'll
mu - sic
le on
I -
ro , tar ,
il chi - tar I'll play the
ri
-
mu
-
no sic
le on
I ro, tar,
12229
si, yes,
le on
suo - ne - ro, si , my gui - tar, yes,
le on
suo - ne my gui -
ro. tar.
suo - ne my gui -
39
- f
-
~ ~
--------
,.
~
E
~
Se vuol Should he,
~
ve for
~
*
ni - re in - stance,
~
.
,u ol bal ::iy dear
=
!>, •
r r
rrel -: ~h
la to
mia go
•
r
r
Is
IE E * scuo - la,
r
la he'll
danc - ing,
ca face
-
1J J t
F pri
0 - la mu - sic,
the
~ :::o .=::c-
le on
~ -~
• ~
_::, t:l
E' :I
-
se lead
-
gne thtj
1J t t
,r
rb , band .
se vuol Should he,
r· f 1f r ve for
t
ni - re in-stance,
Ir E nel - la wish to
r
mia
g0
ne gu i -
,,.
i
=
I
j2 :
-
r
-';l? - la, ,-=-.....C -
ing ,
t
1t r· y 1f la he'll
r
ca - pri - -0 - la t he mu - sic, face
* Ir E
r IF r
le in - se - gne I'll lead the
- ro,
si, band, yes,
t
40
le in - se - gne - ro , si, say so, just let him
sa - pro , with - out
pia - no, pia-no, ver - y, ver - y,
i2226
Sa-
sa - pro, I'll take
pro, then
pro, cue,
SaAnd
le in - se - gne - ro . I' ll lead the band.
sa - pro, a - do,
my
ma and
pia-no, pia-no, pia-no, ver - y, ver - y, ver - y
----
pia - no, _ _ __ sly - ly, _ _ __
pia - no; sly - Iy,
41
~
-
~
-
me - glio o - gni ar us - ing d is
SaAnd
~
I
dis
-
si shall
~,
mu un
Ian cov
do er
.................... ...............
I
my
r 1r r
r r 1r
r
:.?:1
sa -
-----·--- -
Ir
r
r
1r
sco his
~
~
ca ere
no t ion ,
r.,..
Ir
E
prir se -
r
po cret
* Iii
l
tr'o. plan .
................... ...
r.,..
-----
r.,..
• T
----
,? i r
Presto te tly
L' ar Sub
- -
- - -----=--
~
';;.
'L
p I
,
I
-
"
-
-
~
F
±)< • di c:e\'
scher - men - do , out - wit - ting,
tr
.
~
------------
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~
ffl
~
~
.
-
-------
I
- ..----..
1F
qua pun - gen er - ly hit
-
~
Ir
E
te a - do - pran no - cent seem -
l'ar in
-tr
- -
.. -,~
~
IF
do, ing, ~
-tr ~
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a
I r
F
1F
do, ting,
di plan
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. ...--. p la - ning
-tr
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L
,
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.:.
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1f
scher - zan and schem -
r do, ing,
u
-
... ... ....
tut - te 111 get
le mac - chi - ne the best of ~e
c:t~ !Jt,
r ro. yet!
'
I
-
I
.
-I
-
ve - scie beat him
-~-1!
C?Y!SC•
I • ~~
.,.---...___
-
ro I'll
fl;____ . . . . . . . . ~ ... ~
~
A•-•
1!:~
~
ro - ve- scie - ro, hyp - o - crite yet,
.•
•
•
•
•
,
p 1f ~ Ip Ir r te scher - men - do, l'ar - te do -
1f
L'ar Sub - tty
a. -
out - wit - ting,
in - no- cent
-
_2t,
!: \
r r
IE
pran - do, seem - ing, I
-
;
--
-
tut - te le teach him a
~
di qua. pun - gen - do, hit - ting, elev - er - ly
.a
-
~
a
p p IE
--
.a
It
-
=
-
-
-
mac - chi - ne les - son he'll
I
-
1J
p
~
IC
I ~
p ;
-
ro nev -
-
L
ve - scie - ro, er for - get,
-
-
-
..
~
tut - te teach him
f
UUfl
r
di fa scher - zan - do, plan - ning and schem - ing,
le a
4lj
5- J 2 p ~ ~
E
..
ro will
mac- chi - ne lt.: s - so n he
s ci e him __,_ .
-
-
~-:-,
-:
---
-
~
ve - scie nQt fo r
~
; #p I
:=')
,e &
..
I
I
I -
-
;-:e \·
do, - ing,
· ~=
i
~ Se Shou ld
.
:.
ve - scie - ro' er for - get,
:re mpo r0 ]
.•
➔
-
te him
~
,r
'
-·
~
IF
rj - ve - sc ie - r o, th s time I sha ll
bal dear
la mas
-
re, ter
~-
-
-
I
-
I
r
r ro up -
- -I
I':'..
r
IF
ve - scie set his
IF
~ Con di
-
-
I
_r::::::i -
si - gnor want some
chi - ne ::,on he' ll
mac !es
-
~
===--~ r F I - ~ r I~ E
vuol my
le a
- -
pl
-
.
p 1t
~
ro
- do :.o - cent
•
...
-
vv
1F
~-
-!
-
~ ~
t ut teach
ro, get, ~
-
.
-
-
T
.J -;"
1r t 1r
~
t.,'
-.
j
1f
~
I -
Ill
ro. plan.
r
t
ti - no, ver - sion,
•
?
'
t€
le
-.:m
a
I
t,. • --
.,-.~:c
r YUOl
my
F I F~ bal dear
la ma
~
F Ir re , ster
si want
r r gnor some
Con di
1f r -
ti -
no,
ver - sion,
t
--
-
--··
[
-
" -
...
I
-
il I'll
chi - tar - r i - no play the mu - sic
:a
\
. • . .
. .
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-
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-
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suo - ne gui my
.
--
(E :rit)
' - • • r-
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f ,.,
. .... . on
--
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tar!
-
..- .. .
-
--
~
f1
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si, yes,
'
.
--
. ....
rb, tar,
r"o . -
suo - ne my gui
.. ... .e
• ~A I - ... . - - -I
-
-
.
Prest o
-
-
-
V
\
::
!.
-
::'
-
chi - tar play the
il I'll
.
.:
•
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si , yes,
- ...
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. .
.
:a
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.
•
suo - ne gui my
-· -· - -I
rb, tar,
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-
no sic
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V
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I
-
- - -
- ne - ro, gui - tar,
suo my_
le on
- -- -
~
4
I
-
-
------....-
s
.
....
V
ri mu
- ...
-- • .
i
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,l5
Rec.itative
• •
,-
ct 1 :,~a·.-
-
Bar tolo and Marcellina
t ar the
X n ter Bartolo and Marcell i na.)
k_._
Bartolo
tr<~ t ., p
7.. ..
Ed Why
•
•
v~ 1~ p f:~(pJj
a - spet - ta-ste il did you have to
b --. _!)= (~ . 8::Z: .,
• -
ppp
b
.ar : c-:nt me
gi.;. 1 -
I
~ ..
9-S
p -+J
gi or - no fis - sa -to per le noz - ze wait till tht- mom-i.ng of theirv.·ed-ding
Marcellin a (ho lding
t
~
I
a parto ap-
mi di que - sto? as your law - yer?
lo
non mi am well
I
per- do, dot- tor mio, di co-rag - gio a - ble, e - ven at tlwlast mo-rnent,
---.n-----
-P
:E;Z~--------t
4
,I'
a contract in her ha.ml)
p p Pp -F p p p ~ ~ P J,
~., l lJJ.,p ~ , ~ .b I p ~ per rom-per de'spon -sa - Ii to sep-a-rate a coup- le
-
~
~
.2 ? ~ 2 ~ D P ~
ne
L
~~
---
1/p , NJ J
piii a - van - za - t i di que - sto, en - gaged to be mar- ried:
Ul
ba - sto speSt\O un preall I need is a
ii
........._il,..-..._ ------
t·
-
----
~ R J' ) .Ji~ ~/ .J f Jl ~
I'
-----
~ • ;z t.
--
:e - s to; _;::re - text .
H
.,
ed e-gli hame - co, And as for Fi - ga - ro,
-----
112
,.
,:~
~ t.
Ji
., J A
pe - gni. . . :-:-: on - ey
ftf3F? e '-'
.a
Qitf
~ ~
ol - tre he has
sto me
que made
~
~
!F
-
• ..~ ~ ~;
------
so I
i - o . lent him -
*
~
cer-ti imfor some
~
p ., p p p p ~
ba - sta. T here - fore
~
~ ~
con - trat - to, com- mit-ments
~ ff~
pI
con - vie - ne la Su-san-na at - terour strat - e - gy is on - ly too
46
con-vienconar - te If we suc-ceed in
im- pun -ti - gliar-la a ri-fiu - ta-reil Con-te; mak - ing Su - i;an- na re-ject theCount's ad-vane-es,
pren- de- r ail mio par-ti - to, he will fa - vor our proj - ect,
e and
(He takes the cont·ract f 1·om Marcellina .)
Bartolo
si thus
fia mio ma - ri - t o. Be - ne, be - come my hus - band! Splen - did ,
ser - ve, ef - fort
--
io I'll
tut - to fa - rb; do all I can,
sen- za n spar-ing no
....-..
tut - to a me pa - le to ac- com - plish your
~
sa - te . ob - ject.
( A-vrei pur gu - sto di dar in (How I wouldlove to ar- range a
.0.
chi mi fe - ce un di ra - pir l'a-mi-ca.) mo-glie la mia ser - va an - ti-ca a match for my old ser-vant Mar-cel- li -na with the rogue who foiled my mar-riage to Ro-si-na!)
-
-
-i2226
1111!
"'
No. 4. La vendetta T aking vengeance ~ C:
Aria
l
•
Bartolo
--~e ·-e .::
Allegro con spirito
.-----r.------
?'; 15
rs=
r Ir r - 1r
f:'
La ven - det - ta , Tak - ing venge - ance,
..
oh , yes ,
:--------.
:-
r
~ ~ •;,_:.- :o c... -
r
Bartolo
-
~
-
r-I
1C
la ven - det - ta tak - ing venge-ance!
-
'
- ·1
~-=
~ -J--
..
'r
r Ir r 1r
!,'
-=
pia - cer the peak
'= C.
:..3-:·::
ser of
-
r
-
IF r
e un
sag-gi , t o ai ul - ta- tion
ba ex
~
IF'
I
pia -
for
d F .r ..
- !:! - ~L-5
.0-.
:J.!:
~
...;;._..,
r
r;
Jl
ser of
~
Ir· -
ba rank
r Ir r -
to ai and
sag-gi . sta-tion.
-
I
1
r #r
L'ob - bli Bear- ing
-
~
-~= a
---v t: P PI ttr
:Jf!: : ·
r , P ~ t:~Pr 1
r _ l'on - te,gli ol- trag - gi , l'ob-bli - ar _ ~.:2JTie with-out op - po - si- tion, t ak -ing in ~
Jl •
r:li - 2 ?:
~
.II...
•
::i=
./I.
,.~ .:.
... ---------~
~ ~ r 1
r- ~
l'on - te, gli ol-trag-gi suits with sub - mis-sion, -
-
e
that's
bas be -
--------
----
I
48
e
O - gnor just like
vii a
r~-
ta, worm,
e o - gnor a fright
-
vil - fa . ened worm!
Coll' a - st u- zia, Do it my way,
coll' ar - gu-zia, take the sly way.
t .J~-
sfp
si po - treb- be, coll' a - stu- zia, coll' ar give them ac- t ion. I will show you how to
-----....
4222tl
-------
gu-zia, col giu - di - zio, col func-tion,us - ing strat- e -
-------
4i
™·
§
; z y 2 p y y 12Pvv99vv
:I!
vil -
:-::>,
a
si
po - treb - be, no pit - y,
- ~ . : :c ::i , show
----
po - treb - be, si com - punc- tion , and
si
.--------
r -p--------
po - treb - be, si po be - fore they kn0w what
_,..-..____
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w
.....
: •
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l
.:::::; •be,
*
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e, · ·.::em,
il you
~r It
~ ~
fat - t oe se - r io, il out - wit them,yo u will
r·
P Ir
r·
~ ~
fat - to ·e se - rio, i1 will out - wit them ,you
P1
fat- to 'e will out-
,,..---....,.
·.,...---..,,_
,.
--
I
... ,: i --: !
r -
~-
5e
-=-,
-x:t
-··• ,
-
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ri o. them!
IF
r
Ma Take
ere - de - te, si fa - ra , word , it can be do ne, my
Ir· P r r It t
-
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•
,s; ~
~-
:,
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I
I
cri a nd
....... ~ .. ~~
i
t}S
ma
t Ir· p r r Ir i ere de - te, si fa - ra .
a nd
the
5'
:
case
can still
be
-
-
I
t4
won .
~
•
I
(6-= ~ JII
:.,
i IJ
-,,,.---- -----,,
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JU g IJ , J•, J·, J• I, J• £ J3JD-¥
I,.,,...--- II.
I
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JL::· ----
-
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L
r
,.:------
50
se tut - to I shall dis
--r----
p
(
~ p ~ mo, qual - che
no - ni lit - i - gate,
un - ti!
r
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glio hole
tro - ve - ra, can pro - duce.
si I
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vol - ge - re, gil. i - ty,
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se tut-toil I have a -
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- -, - -- - -. I
,,
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se tut - to l'in - di - ce do - ves - si le - gal fa - cit - i - ty, and ver - sa -
-
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I 42226
1•.1
-
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f ~
3
t
gar - bu a 10op
co - di - ce do - ves - si bi! - i - ty, men- tal a ~
r
3
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-------
51
•
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,.:.a.:l
1
3
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to d is
3
I
1
3
3
in - fa! - Ii
bil - i - ty,
3
r
3
~ ~ ~ ~ D ~ FEY ~ P D#p D ~ 2': !"3" ' -2 ge - re, con un e - qui - vo - co, con un si no - ni - mo, qual- che gar i - t y. With my
ex - per-ience and
an - y
op -
--------.:::::=-
~
~!:
!:..t. si · ~::e, and
bu ~-0
____,
--
----
•
. •
I
3
I
3
I
~ ~~ D D
le
r r r
It
glio si tro - ve - ra, nent sure - ly will lose .
qual Oh ,
r-- I
I~
glio _ _ sion _ _
gar - bu con_ - fu
che what
...
I
_;J =:
•
~: - :o ii C a
r r r si
I
le
tro - ve pro _ ,;hall
ra , duce ,
-----~
,f5 - 51 '!°tr - s:~
r 1r si
E
tro shall
I
-----
-
ve - ra! pro - duce!
~ ·'UP ,---_J_ #Ji ..
~· ~
:
s
... ctt All
F. ta of
~
Si the
IE vi cit
-
I F glia y
r..,
IE
r-
co knows
no - see Doc - tor
~
), •
~
t ifp_J~. -
• •
3
*
r..,
""
I
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p
p
~I i
~ I
Bar - to - lo , Bar - to - lo -
52
.-
--· -J
::
-
- -
. .- --
il bir - bo a:; for that
. .,' .u-· -- -: -
! •
~
-~
I
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":
-
:=
-
-& -~
-
...-
--
p
-
~
see tor
I
~
I
I
f
.
- -
-
Bar - to - lo , Bar - tu - lo-
sa - ra, ii his goose; as
bir - bo for that
p
-
I
"i!:
il as
bir - bo for that
Fi - ga -ro Fi - ga- ro,
bir - bo for that
Fi - ga- ro Fi - ga- ro,
vin - to I'll cook
.
sa - ra., his goose,
~
I .
gha y
-
-- ~ -- -
-
-·
~
~
G
p
ra, il goose, as
-
~
I
-·
-
~
_, ":
~
no Doc -
vin - to I'll cook
12226
{
-
~
I
l
l
-
..:.
- - -
co knows
!
...
~
vin- to sa - r'a; tut - ta. Si - vi I'll cook his goose; all of the cit -
Fi - ga-ro Fi - ga-ro , ,_
"
. .- -
~
-
---
--
r
._,
- . I
Fi - ga-ro Fi - ga-ro,
vin I'll
-
to cook
sa hi s
63
,
lia
Sa· his
4U26
54
Recitative Marcellina and Susanna (Marcellina entdrs; then Susanna , with a night-cap, a ri/Jl>on, and a dressin11-11own.)
Marcellina
cor non ho per - so: ex - pert a s - sis - tance
such
ma
ran - za , win - ning.
If
Su it
san is -
---
la re - sta con - fi - dent
mi
I'm
na si a - van n't Su - san
za .
lo
na!
I
VO
shall
spe of
pro pre -
--- --f(alou d )
giam I
non e -
di
don't
ve ven
J er see
E And
la. her.
-------
Susan~a. ( as~de ,
ti
'}
r
I
quel - la that's the
------{~ '"
-♦,---...._
42226
ti
,,
r
buo - na lit - tle
per - la gem
----. _ _,e.
ti
ti
remaining in
~
the background)
,,
,,
la vor- reb he has cho - sen
be for
spo - sar! a wife!
me fa (She speaks of (Di
gg
Marcellina
...
;
vel - la.) me.)
~
Ma da Af- ter
al - fi - ne Fi - ga - ro
Fi - ga - ro all, from a
non pub me - glio spe one can't real - ly ex -
----
--------
-----
..___.,, ...__.,
Bpe -
of
Susanna rar - si: pect much,
"l'ar - gent fai t but "mon- ey
tout:' talk,;;'
(Che (Old
lin - gua! ster!
:opin -
man- co It's too
-0-,.-..._
-----
-._.,,
~ pro pre ma - le, ch'o-gnun sa quan- to bad that she could not find a
va - le.) Bra hus - band!) Real
va! ly!
e
que- sto I can't
giu im -
ff•ON
j
•
bd di - zio! ag - ine
Con quc - gli oc - chi what he sees in
mo - de - sti, this fe - male.
con quell' a - ria pie She is all skin and
~de,
r .,. -.d)
~
lS
(Both are about to leave, hut meet at the door.)
Susanna
Marcellina
fa -
of
to bones!
~ 4 2226
sa!
E I
po - i ... (Me-glio e par - tir.) wish I. . . How do you do?
(Che ca - ra spo - sa!) How nice to see you!
66
No.5.Via resti servita To greet you, my lady Duettlno Marcellina and Susanna
.
\.U ~
-
-
~
t
(~
Allegro
\ ~ ~
..
1
<
-....·-
-
,,
.. -- - -- - - --- - - -
- --
p
3
-
'
-
-·
-
~
r--r, r-r-1
- ------
3
Via re - sti ser - vi - ta, ma-da - ma brilTo greet you, my la - dy, I'm hon - ored su -
Susanna ( curtsying)
lan - te. preme - ly..
...
Non so - no slar - di ta,ma-da - ma pie By your rec- og - ni - tion I'm flat - tered ex -
57 (cut·tsging)
No, no, No, no,
toe-ca a you go
lei! first!
No,
- ca. me!
-
I
pri - ma a, lei beg you, ig -
(curtsying)
toe-ca a you go
~
aa brilRd su-
lei. first! (c1t1·tsying)
Io soi I know
~
Io soi Your no
do-ver mie - i, soi my po - si-tion,bow
do-vcr mie - i, nonfoiri - ci-vil - ta, io soi and pa - tri - cian, in - spires_ re - spect. I know
I pie· ,d ex -
ci-vil - ta, due re - ~pect.
! 4'!226
do-ver ble po -
do-ver to tra -
do-ver my po -
18
mie- i, soi si- tion,bow
do-ver mie - i, nonfoin _.. ci- viimy am - bi - tion is be - ing cor-
io soi I know
do-ver mie - i, nonfoin - ci- vilto tra - di - tion with all due re -
Marcellina (curtsying) la!
Marcellina (cu,rtsying) Del Con - te The Count's lit - tle
Marcellina
I Her
une
58
Susanna
~
ci- vil-
L'a - bi- to! Dig - ni-fied!
ag cor-
g
l'e l\Ia-
ci - vil -
Ille re -
il Her
po - sto! pos - es!
~
~
=
t.yifl/l)
~
l- tie
co! pre - ci - pi - to, I shall fly at her
•llina
•
se an-1:or in one
re - sto min-ute
l ~
-
sc an - 1:ur, in one,
•
.u j+
'i .u j+
a
,1
I
~
4
. I
-l2228
j+
---
-
.:
-
r
-
r
r
l
-
-
-
(curtsying) l
::
-~-.~ -I
-
-
-r - -
de - ere - pi- ta da ri - der mi fa. old bat - tle-·ax, I'll ~et - tle your score.
qua! more! .u
-·
r
::
~
l
-
Si - bil - la De-crt>p - it
4
Her
--
~
.,
-
(muckingl,IJ) r,
I
-......,-
- -
I
-
~
~
Via re - sti ser I praise your de -
- -
',
i,....,,i
- -1!: - - 1!: - -1!:' ·~
-
,
~
.
-~
80 (cu,1·tsying)
Non so - no si ar - di - ta, ma - da - ma pie your ex - pe - nence and broad rep-u And I,
tion!
ta - tion!
Marcellina
(curtsying/
La da - ma d'oTht.> belle of the
La spo - sa no - ,el - la! So young and su
prtt - ty!
Di Spa - gna l'aSpan-ish
The true
Del What
12226
Con dis
te tance
la bel - la! be - tween us!
a ...-::---.
der mi in her
la de - ere - pi-ta, it old bat - tle -ax,
co! pre- d - pi-to,sean-eor she make fun of me, it is
per Bae How dare
pi-to, of me!
Si - bil De - crep
qua,per Bae grace,how dare
\ Jo ~
.
I)
\ Jo ~
l
·~
n
----
• -
. ~· '
I
.....
-
~
31
'
-
~
-~
Ul.88
~
.
-
-
- .
re- sto qua, a dis- grace,
.
--
-
-
'
-
da I'll
co! preshe make
l ~
-
p .a,;
. -,,
.
la de - ere - pi- ta da ri - der mi ' Iaugh in her it old bat - tie-ax,' 111 l
-
~
.
'
,.
'
per Bae-co! pre - ci-pi-to, how dare she make fun of me,
I
.
--
- -·- -l
r~
der, da ri - der mi fa., Si- bil right in her face,de-crep '' '
1
,, f .4.
de-ere-pi-ta, old bat - tie-ax,
per Bae how dare
r
3
ci - pi- to,se an-cor fun of me, it is Jo,.
!
J1 .--::--,._
I
4
it
co! pre - ci - pi-to, she make fun of me,
-~- - - - ----
ri laugh
.
la
re-sto a dis -
~---,
-.:---. ,..,...,
-
·~
r-y-,
--
~
T
r
se an-cor re-sto it is a dis-
---------:
I
I
~..!~
~
88
tf;q la it
•r mi
in her
de old
ere bat
pi - ta, tie - ax,
da ri I'll laugh
der in
mi her
~ re-sto a dis -
qua, grace,
I
-.
per Bae - co I how dare she
pre make
ci - pi - to, fun of me,
re - sto a dis
se an - cor it is
~ eta I'll
da I'll
~
'-
ri laugh
der mi in her
fa. face! (E.xit MrtN:ellfoa rmg;·i~IJ.J
pre-
e make
--..,.
it
~
•ai
• Iler
~
•-sto
du;-
une
cor is
'
1J
re - sto qua. a dis - gran·!
'
-
I
64
Recitative Susanna and Cherubino Susanna
~
4
l
~
lo.s
i" r' ' Va la, vec-chia pe-dan-te, Con-ceit - ed old spin-ster!
,. dot-to-res-saar-ro-gan- te, Do you think you can snub me,
~~
-0--------
-=--------
...
'
per-che hai just be -
..f!:c-:=:.
Cherubino (entering in
let - ti due Ii - bri, cause in the old days ---.o.-------
e sec-ca - ta ma - da-ma in gio-ven-tu. you taught my mis-tress her A ll Cs? ,-.---..
fO
{t,W, ::e
I
Cherubino
tu? you!
Su-san-net - ta, sei Ah, Su-san - na, it':;
Son io, co - sa vo - le - te? Come here, what is the mat- ter?
Ah!
Ah,
Susanna
mi - o, cheac-ci-den-te! cor he caught me! What mi::;-for-tune!
Cor He
------- - -------
------- -------
,,-.,0..,--..._
{ Cherubino
vo - stro? Co-sa av-ven - ne? II Con-te je - ri, per-che tro-vom-mi sol con Bar - ba caught you? Who has caughtyou? Yes-ter-day. the Count found me vis-it- ing a-lone with Bar - ba -
{
-------
-------
il con-ge - do mi die - de; e se la Con-tes - si - na, lamiabel-la co-ma-re, ri - na, and for that he dis-mis::;ed me, and if my dear-est Count--ess, my kind ben-e-fac-tress,
---
,,_
U22e
--- --
,-....ff..-
65
(anxiously)
ri
I
1--,
,..
-clae hai t be -
•
-iwg in
~ ,. sei L, it's
Susanna
'\ 7
I
r
}
7
mi - a ! san - na!
I.
•
---~
{~
~
--
r
•
:r:::5?r P~p' ~~P' P' r io va-do vi - a, io non ti ve-do piu, Su. san- na I have to leave andwon'bee you a-gain, my dear Su -
r
gra- zia nonrn'in-ter - ce - de, can - not ob-ta in my par - don,
~
I.
r
'
Non ve - de - te piit me! You won't ::;ee me a - gain?
-{ .t1: ► s::::
bra - vo! how dread - full
r
,----,
ma But
dun - que non I al-ways
~ :;ps
I
~
anna
Con - tes - sa, se-cre-ta - men - te il vo-stro cur so- spi - ra? Ah! was the Count-ess who wa,;the ob-ject of your ::oe - cret af-fec-tion! Ah,
~
----
Cor Be
~ \ " ~
" .,
--
~
-
.,---.5-
~
r
r
--·
•
•
- - - -:- -
---
-
Fe - Ii - ce Oh,luck-y
te, you,
r
r
~
r,
•-
,..
-
,..
I"
che puo- i ve-der-la quan-do you may al-way,; seeherwhenyou
:::=:~
~
. ,
,,---..;-
f
•
-
~
trop- po ri-spet-toe!-la m'in-spi - ra! la - dy is much touhigh a-bove me!
~
ba -
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41
- ---,.. -, :-
che my
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ress,
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42226
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Y
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r
che la se - ra la spo - gli, you un-dress her each eve-ning,
che la ve - sti il mat-ti - no, you dress her eachmorn-ing, ~~
--~
che le you may
88
(with a sigh)
i mer-let- ti .. . tie her rib - hons .. .
met-ti gli spil-lo - ni, fas-ten all her pins,
ah! se in tuo lo - co. . . cos' hai Were I in your place ... What is
-
---
na- stro, e la not-tur-na cuf - fia one of her fa - vor--i.te rib - hons,
co. Ahil va - go it! Ah, that is
see
---
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.
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(snatching the rib/Jon from hetJ l
....,
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si bel - la. Deb her night- cap. Oh,
I
t
I
fl
ma - re longs to ('
Cherubino
dam - me - lo, so-rel - la,
give it
dam-me- lo, per pie to me, Su-san - na,please,you mustlet me
b-e-
,.-..._J
-d
...__,-
ff O . _ _
.__u
Susanna ( tryJing to get it /Jaclt)
Pre - sto quel na - stro. 0 ca - ro, What are you do - ing? 0 sweet-est,
o
bel - lo, o for - tu - na - to love - liest, o most di-vine of
Susanna(Jollowing Mm, hut tlum stopping, as though
she were ea:liausted)
non te'l ren - de - ro che for the whole wide world will ~
42226
col - la vi - ta I Cos' e quest' in - so I re - turn it! How dare you take that
87 Cherubino
m
Jen - za? rib - bon?
•• hai at is
Eh via, sta che - ta! Don't get ex- cit - ed!
In
ri - com - pen - sa give you my new
I'll
que-sta in ex -
----·-----
,.___
{
§
po - i lore- :;ong
Cherubino
~ E chenedeb-bo fa- re? Leg-gi-laal-lapamia can-zo-net-taioti vb da-re. change. That will make the bar-gain e - ven. What ,;hall I do with luve-::;ong:;?Sing it to the
Ii COId be-
--------ft------
---·---
§
. . het;)
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l
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.
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r leg - gi - la sing it
dro - na; Count - ess,
pie me
tu to
-,,------,..---- T leg - gi-la a Bar - ba sing it tu Bar - ba T
me - des - ma, your - ::,elf,
---- ----
~~
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- na, a Mar - eel - li - na . - na, to l\lar - eel - li - na,
to
Df
leg - gi-laad o - gni don - na ::,ing it to all the la - die,;
del in
----
pa the
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Susanna
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laz - zo! cas - tle!
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41226
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- - " - ro" Che ve
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Po ru You must have lost your
-
bin, mind,
b~
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sie - te voi paz - zo! poor Che - ru - bi - no!
1-.-1
.-
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18
No. 6. Non so pin cosa son, cosa f accio I can't give you a good explanation Aria
I
Cherubino
Allegro vivace Cherubino ,_
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piit Non so I can't give ~
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co - sa fac - cio, ex-pla - na - ti<,JD
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fo - co, o-ra so - no di ghiac - cio, new and con - fus - ing sen - i,;a - tion.
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41
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lo - re, trem - ble,
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0 - gni Ev-'ry
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41
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69
fa
plea
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o - gni makes me
pal - pi - tar, sure and pain,
don- na trem-ble
mi
with
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fa plea \
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mi s'al - te-ra-il
pet - to,
'"ndrapt with at- ten-tion.
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ai
le
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mi sfor - za and day-dreams
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l=ime
12228
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no - mi d'a-mor, di di lo\'e there is mere - ly a
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d'a - mo - re to - geth - er,
7,.,
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-'70
pos can
so spie - gar, un not ex - plain, filled
si - o ch'io long ing
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fo - 'co,o - ra
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"2228
- o ch'io non I
spie - gar. _ _ _ _ _ __ ex - plain. _ _ _ _ __
pos - so can- not
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with
si - o, long - ing,
with
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di co - lo - re, don - na can-giar know that it al - ways ex - cites me,
o - gni yet I
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o - gm that it
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mi_
don - na thrills me
o - gni that it
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a so I
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fa gain
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pal and
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12226
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pi a -
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Par - lo d'a-mor ve Love i::; my in - ::;pi -
gain. ~
pal and
mi fa a - gain
dun- na o - gni that it thrills me
-
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glian - do, ra tion,
par - lo d' a - rnor so on - ly cun-:,;id- er -
qua,all'om-bra,ai mon - ti, ers,woods, and flow-er:,,
ai I
fio feel
ria,ai ven - ti, che il In and dream-ing.
ri,all'er- be,ai it::; mag - ic
suon de' va - ni ac gen - tle winds and
r.,...
.
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show
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U226
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por - ta - no via con hear its mel - low I.
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se, __ tone,_
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por
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ta - no hear its
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'73
~ ■or
so -
;jd -
er -
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via me!
con low
Par - Io d'a-mor ve Love j:; my con - ver -
Se.
tone.
glian sa
do, tion,
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'er- be,ai
ag - .ic
~
fio - ri, moun-tains,
•Di ac ; and
'
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~ - no its
~ 12226
all' ac - qua,all' om I tell my love -
bra, song
all' to
74 ~
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411
ta - no via ev- 'ry word
por my \
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se. ___ tone__
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42226
r,.
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con of
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non no
ho one
chi will
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• m'o - da, lis - ten,
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par - lo then I
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d'a- mor will talk
-·.. I
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Tempo I
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m'o - da, lis - ten ...
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chi will
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ta - no via ev - 'ry word
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colla voce
se if
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me, __ love,_
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par - lo talk to
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d'a- mor my- self
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75
Cherubii;r6, Susanna, Count, and Basilio
~
',,
__
----------------
(As Cherullino ill leaving, he see& the Count in the distance, turns around in fright,and hides himself behiri,d the arm-chair) Cherub mo Susanna ( trying to screen Cherubino) 'I I
·-- - . - - - ~
r
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..-------------·----=:::: --:~-- ------
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Ah, son per- du - to! Wait, I hear foot - steps!
. - .. --
- -
'
- - - -,, r
Che ti - mor! It's the Count!
1.J-
r
il Con - te! Hide quick - ly
~
~
r
mi - se - ra or you are
#
·~
-
-
,. ,,
r
-
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~ e
and
me! lost!
Su - san- na, tu mi sem-bri Su - san- na, you seem Her-vous, ,_
~
>----,
gnor, lord,
~
---~---
,_.0.:---
io chie-do scu - sa, you must ex-cuse me,
,_
se ma - i, qui sor - pre - sa, par ca-ri- fa, parif some-one should come in now - - I beg of you,don't
ma, but,
-----
.--..:
Count (Seats himself in the arm-chair, and takes Susanna's hand.)
--
Si My
,___
-----
--------
:on a
a - gi - ta - ta e con - fu - sa, so con- fused and ex- cit - ed.
Susanna
Coun1
(pulling her h<;t,nd back)
Un mo-men - to, eti la - scio. It will take but a min - ute.
-----
~
~
ro - le: words:
tu sai you know
che am - ba - scia - to - re a the King has ap-point - ed
-----..o.. ,,-.;;
4,2226
Lon-dra ii Re mi di-chiame am - bas-sa- dor to
'76
Susanna (liMwttyJ
ro; Lon - don,
di con - dur me - co and I ar-ranged fur
Fi - ga - ro de - sti - na - i. Fi - ga- ro to go with me.
Si-gnor,se o I dared
~-----
la, par - la, mia ca - ra, me, ask me, my dar- ling,
If
drit-to ch'og- gi pren - di su right you ex- ert o - ver
-----~---(tenderly,and trying to taks her ha~d again)
me, fin - che tu vi - vi chie - di, me, now and al-ways,ask me,
im - po - ni, com - pel me,
pre-scri - vi. La-scia-te-mi, sicom-mand me! I do notwishthat
-::=;;--
-----
(angrily}
non ne vb, I don't want
drit - ti non pren - do, I ask no priv- i - lege,
non ne in-ten - do. it; to ex - ert
-
----
,-,:
me in - fe - Ii - ce! so un - hap - py!
na, No, no, Su - san - na, ~
.\2226
io I
ti VO want you
far to
be
'17 (as above)
"'-wy)
gffl li - ce! hap-py!
ll;Be O -
dared
Tu ben sai quan-to io You must know how much I
t'a - mo; low you;
a te Ba-si - lio tut - to gia I'm sure Ba- si - lio told you al -
..0..
~
~ Ii
sen - ti, lis - ten,
SU
► -ver
~
00
i, si -
se per if you
po - chi on - ly
I
Basilio
•
im-bru-nir del gior- no, the gar-den of the cas - tle,
ah per I will
que-stofa-vo-re io pa-ghe-rei. am- ply re-payyouforthis fa-vor.
------
~
~
•
Susanna
.~ I
r
Chi Ba :::::c,e;
par - la? si - lio!
-
----
0 Good
ed al- cun non en - tri. dont let him en~ ter.
le be ~
"-
-12228
Eu Ht>
Count
De - ii Heav - ens!
E - sci, Hur - ry,
----·-----
-..,:19-
~
§
me - co in giarmeet me to -
-----
illthat
~
mo - men - ti con - sent to
Ch' io vi la - sci qui so - lo? I should leave you a - lone here?
----
Da ma.-da - ma sa- ra., He can't be ver- y far, per-
I
28
a
i
R
Count (pointing to
the chair)
'cc;~--
va - do a haps with
Qui I'll
cer - car - lo. the Count - ess.
.---.
.
• •
\
~
'
Count
.. --
Susanna a
~
r
~
Ta- ci, Qui-et,
..,
~
~
I
e cer- ca ch'ei par - ta. get rid of him quick- ly.
.-. - -
- -
- - --
~
a,
~
la - te. risk-y.
Non vi ce No, that's too
por - rb. this chair.
--::-e-
-- - - - - -
die - tro mi step be - hind
Ohi-me! Oh,Lord,
che how
- -
fa - te! aw-full
-R-
--9--
(:rite Count a
-
. ~
---:
--
tries to hide behind the arm-chai1·; Susanna stands betu:een him and Oherubfoo; the Oou11t draws her Ba.silio (Enters.)
Su - san - na, il ciel vi Su - san - na, He.av - en
A - vre-ste a ca - so ve-du - to ii Do you by chance know where the
sal - vi! bless you!
---------e-
gent!,; wNlY; meanwhile flte page passes in front of flte r:/u1ir aurl crouches in it; Susanna covers
._
Susanna
,
, 7
4
-,,--------p
Con - te? E co - sa de - ve far me-co il Count is? Andwhat on earth should theCount do
.
,-...._ ~
~
~
l
Basilio
1.
I
r
P
'
~~
Con~ te? A - ni-mo, u-sci - te. here? Go now, I'm bus - y.
,,...-
..,...,-----,A-spet Just a
him with the dressing-go1on.)
ta - te, min - ute,
<12226
sen - ti - te, it seems that
Fi - ga- ro Fi - ga - ro
di lui wants to
cer - ca. see him.
(Oh cie - lo!) The Count,
79
Count
l
~
co -
l'o - dia. you do?
ce-
one man
& too
how
me mi he will
,..--.._
~ Basilio
, Cormt
~
~
ser - ve.) Io non ho mai serve me.) That is not so.
nel - la mo-ral sen - ti - to ch'u - no ch'a- ma la mo - glie oThere i::; no such con - clu- sion, that if one loves thewife, one
~her
~ il the
di mm;t
il hate
ma - ri - to, the hus-band.
per In
dir che il fact, my
Con - te v'a - ma. Sor- ti - te, vii mi mas - ter loves you.Get out of here thii. ,..--.._
,,-._ ,-.:
~
let1Ver8
( resentfnlly)
1ilio
~
-spetl a
min - ute
sfre - na - tez - za: io and sug - ges- tion::;. I
non ho d'uo - po have no in- t'rest
del - la in your
,..--.._ ~~
~
~
t!)
~
vo - stra mo - ra - le, lee - tures on mor - als,
--
~
uaN
del Con - tc, in your mas - ter,
.____ ~
~
del suo a - mor. in his love.
Non Don't
c'e al- CUD take it
'i E I" ;;'i
80
i
mi ere - de - a che pre-fe- rir do was just think - ingthatyou would pre-
Io
Ha cia-scun i suoi gu - sti. I don'tmean to of-fend you.
I
co - me fan tut-te quan - te, whirhmost wo-men ad - mire,
un si-gnor Ii - be-ral,pru-den-te,e a lord who is lib-er- al and
Susanna(a:n.:ciously)
a un gio- vi - na - stro, to a young pip-squeak,
a un pag- gio.
a
page-boy.
Basilio
A Che-ru- bi - no? A Che-ruNot Che- ru - bi - no? Yes, Che-ru -
~,.--.._
- no, - no,
~ FJ ~ ~ ~ ~
',=~
d'a - mo - re, the Cu - pid,
~
.tJ .,
gia - va qui in - tor- no prowl-ing near your door,
,.2226
ch'og - gi sul far who ear- Ii - er
--
f~ p£p~ I ,=ip; I
3
r
I
per en try-ing to
r
del gior- no this morn - ing
pas-segwas
Susanna (forcefully}
g
~~ b~ ~
p,
~
;~)
trar. Uom ma-Ii - gno, un' im-po-stu-ra e en-ter.You're a vil - lain, who tells ma- Ji- cious
~
81
Basilio
"
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.
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,
r doa.ld pre-
que - sta. ::;, fa! hood·'
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Eun ma - Ii - gno con voi, To have eye:,;
---.
'1
..
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chi hagli oc-chi in tt· - sta? is that ma - Ii . "iou,;?
in om-',;htad,
~
..
~
~
and
.
~
r
TT can-zo-net -
quel-la ta, di - te-mi in con - fi - den - ,:a, in-stance, this love-song, tell me, ju,-.t be - tween us,
Dte, e
E Fur
~
~
l~
~
-ti
CJ
y
4
~----
,,
I"'
,,
---
·-I
io so-noa-rni - co, I C'?.n be tru,;t - t'tl,
ed al and will
.o..----
11Jt\:~
~
Susannar;,, r·o1t8hr11alion)
~
~ru·-ru-
nul-la di - co, it to no one.
'
~~
i
~
per ma- da - ma? (C'hi dia-vol gliel' ha or theCount-e;:;sr(Whothe cev-il rou!tl have
j,;
*I•l it
t
~
! pro-po - si - to, fi - glia, pro-pos, mydear girl,
leg-
IT'" -
----
te - lo glio. you;:;houldtrain him1:1uC'hbet - tf:>r.
,-..
_.tL;::_ ' ~
~
~ E
e
gli la guar - da a ta - vo-la si spes - so, he serves at ta - ble, he gaz-es at the Count - es,;
::=:::.n.----
llS
~ i2226
e con ta - le im-mo-de - stia with ,-.uch ob - vi- ou,; long- ing
8~ "\ I ~
ches'il Con-te s'ae-eor-p;e, that if the Count should take no-tice
e sultal pun-to, you can im - ag - ine,
--
e
sa. - pe - te' e - gli u - na in that case, what'sbound to
-::=;-o
e5?::::=::::
Susanna be - stia. hap - pen.
Seel - le - ra. - to! Oh, you Ii - ar!
e per - ch'e an - da - te Have you noth - ing more to
voi do
tai men- zo - gnesparthan to spread vi-cious
....-,
....----
,-.::
Io! I!
che in - giu-sti - zia! You're mis-tak- en,
ven - do, pur- chase,
---
.-..--&-
quel che tut - ti ech - o what they
no, say,
....-
Count
-
,___
~2226
---
--::=:::-
(Steps forward.)
Co - me! Real - ly!
nonci ag - giun-goun pe - lo . add - ing in the slight-est.
io not
che di - con tut - ti? What are they say - ing?
,___
Susanna
Basilio
Oh (De -
bel - la.! light - ful!)
...._,,
Oh Ah,
cie - lo! Heav - ens!
a
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•-na id to
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C aunt, Basilio, and Susanna
~.&..l.'-'t) & V
,,
-
•
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---
- - • • •
•
•
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Co - sa That's the
sen - to! Jim - it!
.
---- ..
I
-
- - --- - - - -- ----- {)i,
Count (to Basilio)
~
...-
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1S\o-,zb-, l
cious
yt':;x
...
IL&li,.:;JI~-.&
::-
-
1spar-
__
That's the limit! Go this minute! Terzetto /~-------
- I • f I . - -· -- -- -- -
~
G~ L,--J:.A _j'
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0
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of-
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To - sto an - da - te, Go this min-utt>,
~ tli,.__J
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il se - dut - tor, and throw him out,
to go
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Ba'silio
~ ~
u.....
;'
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dut- tor. prit out.
Ij .U226
In rnal pun - to How ill - cho - sen
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son was
qui my
giun - to; sto . ry,
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0 mio with . out
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v1/ 1vi;-,:,er
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Che ru - i - na! Wt:'ll be ru - ined
na - te, ru - mor,
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-
do
per ju,;t
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me me -- schi- na! by the scan-dal
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son'op - pres-sa dal do if this gos - sip gets a
r:ln \
I
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-
-
- lor! bout!
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Basilio
~.
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Count
-,·
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In How
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To -sto an-da Don't de - lay ~
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,2226
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mal
pun - to
ill . cho - sen
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3,n - da - te, long-er,
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si -
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Che This ~
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ru is
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qui my
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per just
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giun - to, sto - ry,
L_
-
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i - na! aw - ful!
-
son was
-
-
do - na - te, a ru - mor,
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e scac - cia - te il se - dut- tor. go and throw the seoun - drel out.
m
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.{half fainting),
me - schi • na! hap- pen! will
mio out
~
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si a
me me - schi - na! Heav-en help us!
Son'
I
op • am
• gnor. doubt.
I j._
~ feel • ing ver - y
I 42226
- ,or, fai
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.
f'
op - pres - sa am feel - ing
----
dal ver
do y
-
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86
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--1,., \iw 41
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n "
lor. faint.
.
Yr:c (
Basilio
r·'
\
n
~ {)
lo
fsu1J1Jorlin_g_/l,er1
+ ill Ah!
~l poor
I
s~n _ _ girl, _ __
la her
Count (supporting "lier)
v ,(\ ,)
ve is
r
- ri fail
•
na! ing!
-
r r 1fC?o r
1r ., r,
gia poor
1\oei.1-t i~~ \r~_c.,,.'11 ~ ·
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po strength
r
Ah! Ah!
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j' ~:
J I" J.
I
svien Ia po - ve - ri girl, her strength is fail
I
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na! ing! l
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Co We
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Di help
-
-
-
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le bat re - vive
-- . - - -
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-
co or,
-
me,oh good
co or.
-
me,oh good
~
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te il her
.
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te il her
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le bat re - vive
o! her,
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fast,
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o! her,
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...--:::--::---
cor,
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me,oh must
-
-
Di help
me,oh must
::
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Co We
. ".
,-
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Di Lord,_
o! le she_
bat might
te il not
-
te iI not
1•~
o! le Lord,=-- she_
Di
bat might
b.
I
1 42226
1
I
S'J'
§ cor, last,
,J,~
~
cor, last,
co - me,oh or, good
co or,
r
me,oh good
o! le ,-.he_
Di Lord,-
bat
-
te il not
t
gr
might
1•(] gtJr Ir
cor. last.
te ii not
bat
Di Lord,_
le o! she_
might
Basilio
9r ,/ ,rV"' '!
Y1r ~ J··
cor. last.
~
~
' •
(app1·oac1ti11ft t/1e ,a''n11.i:lu1ir
Pian, pian - in Let us put
t,;_,-_
lo
F , , . -1,,, ~ sit down iu it)
su her
J.--~+
in
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j,.,
f
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(recovering)
Co Am
sa veg - gio! I dream-ing?
~ r I
/0 v'-
~
'L.'- D
Jen - za! an- da - te fuor, suit me, iro a -
~ 42226
an - da - te fuor, leave me a - lone,
.
...,.
(repulsing them both)
an - da leave me
te fuor! a -
Che in-so You in -
J
,,~ •
.•('
88
!,)
,,I
Basilio
f'f{I., . ~·,
'.t;,
•
.
(maliciously)
Sia We
-
..
~
mo are
We
-
I_;
'
I~Sia
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') ' '. '
I,
,
q u : i ~ per on ly -
mo are
Count
i: ~z
'•')'''
'
-
a here
i .. :::::: <
iu - tar - vi, to help_ you,
o mio we meant
~1~· vo - stro o no meant
te no
qui per a - iu - tar - vi, help_ you, on - ly here to
l
e
I
si as
non I
tur as
Y'-R
J /4
tr !cJ v',t
J,
nor, e harm, I
uLJ
e
si as
cu
I
sor, harm,
non I
tur as
bar - ti, o sure you, we
sure
I 1
I
nor, harm,
'."'1 /
"w
V\ {) .' '
si - cu as - sure
ro ii you, we
tur - bar - ti, o as - sure you, we
12226
I
I~
//V
bar- ti, sure you,
I
/'vlA..
vo - stro o meant no
nor. harm.
mio meant
sor. harm.
te no
ro ii you, we
i
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~ • I _ ~ ~ f't
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'a·)
\}c,-
Basilio , . , (to the Cou/1,t)
~ ai
del I
!bi
v-.Ovv
r
Oc'f; t ..,.-1 '"/a '~
I
\_i(q
/
pag- gio, told you
89 ti11L-1
Vi/1~ S:U',1
{.
quel rhe ho was
det - to, ru - mor,
a
e - ra
so - lo
- f
un
with
§
ar
.
!bi
V
t
I !· V1 -t ( /U.. .I t7G"N".
u - na per - fi - dia, and ma - Ii - cious;
non ere it's a
~
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il
1,we
~
\\·" clQuiv--z,✓
0
i.-.re
po - stor, not true,
non ere - de - te all' im - po - stor, it's a lie, it is not true,
~ stor! true!
~
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Count
f ~' l t
I
!
Par - ta, Or - der
! '2226
' • ' ·7
f
HlA,IJ
7 oro /J
par - ta ii da - me - ri - no, him to leave the cit - y!
,7
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90
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Susanna
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Po What
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ma da I have
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Co - :Ue? Caught him?
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me sor-pre-so an-cor! caught him once be - fore!
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Co - me? Real - ly?
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Co - me? Did you?
.
Co - me? Real - ly?
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Da tua cu - gi - na, At Bar- ha - ri - na's,
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-----
m'a-pre Bar-ha - ri - na pau - ro - sa fuor dell' u - so, Bar-ba-ri - na o - pened, and looked ex-treme-ly ner-vous. l
pie - chio, I knocked,
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rin-chiu- so, I went to i,;ee An - to - nio,
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92
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pag - gio. bi - no!
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Ah! Ah,
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. and~isci/l;ersO .\, \ - .l -' gown from the chair erubin}}, (astonished) .. _ _ -
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, . l c \--\. G1 ;~ h-J , Susanna ,agitated)
-
41
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ta found
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cru - de this is
stel - le! aw - ful!
-
-
Ah! co - sa veg - gio! Ha! What does this mean? \
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U226
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Susanna'.)
. Ac - ca Noth- ing
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Count
il\• ft A\tJ,,
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Ah! me-glio an - co - ra! Ah, this is price-less! r.,.
.
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(laughing sardoniCJ!.llYr ..,,..-
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Now
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ne - stis - si - ma at last my eyes
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che mai sa - ra! is out of hand!
pvy,_·t
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Basifio
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-,------. ' - sti Dei, Giu af - fair This o
:1 ,-
411
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Co - ~i That's the
I
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fan tut - te le bel - le, n,m c'e al way all wo - men do it, fhey will
§ ~
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Vik~~
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' Dei, fair
.,
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sti af -
va! stand!
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42226
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o - ne Now at
- - - -- - --------
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va, stand.
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non puo ac - ca - der Noth - ing worse than this
hand.
-
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of
.
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no - vi - ta, show their hand.
co mat
-
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co - si That's the
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stis last_
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si my
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ah, ah,
no! nu!
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no! nu!
g'iu - sti Dei, che mai Thi;; af - fair is out
-.U Ef- fr t?±i- J ~
I
sa - ra, uf hand;
-
1-~
chP how
~
nnnc'eal- CU- n:t_ no - vi they will nev- er_ ;;how their
•
ma_
sa this
-_. - _fII£-ltf'Iftr Q- I
fan tut-te_ le_ bel-le, way ,,11 wo- mt>n do it,
eyes_
mai will
or ca now I
si - gno - ra! are o - pen,
sco how
pi see_
me ters
co mat
~
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ac Noth -
ni! end?
va, stand.
11
Ir co That's
0
Now
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der wor:,e
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non puo than tl1is
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11
peg-gio, J1ap-pen,
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si the
ne at
fan way
stis last _ _
tut - te all WO
si - ma my eye~
-
le men
si are
:
r
bel-IP, do it.
gno-ra, o - pen,
-·-
11
95
~ sa
-
sa, will
mai
this
this
ra!
w~t J,. > 4,
end.
),__
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(to the Count, with malice)
-""'-{
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- vi
-
•their
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ta. Ah, del pag-gio
no show
vi their
hand.What I
co mat -
me ters
stand.
told you
~ me ters
or now
pi see__
ca
I
sco_ how_
va!
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stis last_
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che mai how this
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sa - ra! will end!
sco how
eo mat
me val ters stand.
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non c'e al - cu - na no - vi - ta, they w.ill nev-er show their hand .1 ~'-' ', t:.~- ; '- 't,_,) t'>" /C\
42226
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fan tut -te le bel-le, way all wo - men do it,
Co - si That's the
0- ne Now at I
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spet-to. da- tion.
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Ac - ca- der non puo di peg-gio, ah, Noth - ingworse than this could hap-pen, ah,
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Ac - ca Noth - ing
co - si That's the
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giu no
peg-gio, hap-pen,
- sti one
stis last _ _
.
-
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mai this
(2226
bel - le, do it,
non they
si are
gno-ra, o - pen,
or now
ra, giu end, no
-
sti one
Dei,_ knows
Dei,_ knows
che_ how_
r lqr?;r
qJJiJ
sti one
c'e al will
cu nev
ca I
-
pi see_
che_ how_
mai this
na_ er_
no - vi show their
sa will
na_ er
sco_ how_
ra,
giu - sti end,this af -
I
no show
vi their
I I
le men
si - ma my eyes
sa will
r - Ir
-
ta, non hand,they
• co me mat - ters
b,.,
va, or stand,now
c'e al - cu will nev
-
-
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ca - pi see_ I
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c'e al will
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sco_ how_
ta,non hand,they
co - me mat - ten;
va, or ,;tand,now
ca I
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pi see
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no show
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ta, hand.
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Now
ne at
' --·. 42226
11i see
~. J-J-
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stis last
-
;
--
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sa-ra~ of hand,
- -
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co- si fan tut-te le bel- le, that's the way all wo-men do it,
si my
-
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----- - -··- - ---------
---
-
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.p. ,_
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f
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r r nonc'ealthey will
gno-ra,or ca o- pen,now I
--
rJ
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si are
-
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-
ma eyes
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cresc. ..-::::--.-
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- - - - - - -r
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che mai is out
I
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co - me mat - ten;
-
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-----=---::---.
vi their
-
sco how
------- -
-
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no show
I
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-
sa will
~
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ca I
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mai this
na er
.
-
-- - - -
,,
-
,,
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-
- -.
::
-
co-si fan tut-te le bel- le, That's the way all wo - men do it,
val stand.
.\
r
che how
cu nev
giu - sti Dei, this af-fair
-... .. ... . -
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-- . .-
-
ra, end, ~
.. ..
I
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7
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4
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Dei, knows
c'e al will
-
- - - - - - '
-~
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co me va, or mat - ten; stand,now
sco how I
,_
sti one
'
vi - ta, non their hand,they
- - -
:.
~
. - - -.- - - - - -
-
- - '
:.'
-
sa - ra, giu of hand,no
mai out
-
-
-
che is
Dei, fair
- - . -
.
.
-
--::---..
-
..~
99
-
§
che _ _ out _ _
•a irill
sa - ra, of hand,
che _ __ out _ __
sa -
no show __
vi their
co mat
me ten;
of
~ no show __
cu - na no - vi nev- er show their
ri heir
~
:ealwill
~
---
me va, ters stand,
J 0
iJm
~
~
co mat
va, stand,
pi - sco co - me see how mat-ters
ae rrs
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U226
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vi - tai their hand . ~
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me va! ters stand.
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co mat
va, stand,
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no show ___ ~
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sa - ra! of hand.
,.
ta, hand,
---.
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che out
ra, hand,
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100
Recitative Count, Susanna, Cherubino, and Basilio
Count b. i--F-.,
- ---
Ba - si - lio, Ba - si - lio,
in go
to - sto di way and tell
trac - cia right a
~b~
I I
b. Fi - ga - ro Fi - ga - ro
VO
-
I
----,,--..
{
(pointing to Olierubino, who does not move frcrm. the ~Susanna (animatedly)
la - te, want him;
io he
vo has
Ed io Yes,
ve - da. see this.
ch'ei to
che sen - ta; and hear this,
an
~------
{ Count
hur - ry.
che bal - dan - za! Are you bra - zen?
Re - sta - te; No, wait!
e qua- le scu - sa, Howdareyou face him
se la if your
.,..--...
Susanna
Count
col-paee-vi - den-te? Non ha d'uo - po di scu-sa un' in- no - cen - te. M:a co-stui quan-do guilt is so ob-vious? I have noth - ing to hide,for I am blame-less.What a-bout Che-ru_,......,_
{ '22.11
....--
~
~~ tot
ven- ne? E-glie-ra me-co,quan-do voi quigiun-ge - ste, bi - no? He waswithme whenweheardyouap-proach-ing.
d'im-pe to
e mi chie-de- a He came to beg me
::::=::::-1t::::=::::
~
11)
-
I
la for
pa - dro - na a my la - dy's
interpce - der - gli gra-cious in - ter
gra - zia.
ces - sion.
Il vo-stro ar And your ar -
----
~
I
po - se, - vo in scorn-pi - glio lo ri - val com-plete - ly up - set him,
~
ed so
in quel lo - co in that chair in
al - lor he hid
si na des-per -
~ la -our
sco - se. a - tion.
-
~
~ 1-d-0
r-ru-
~
Ma But
,.
S10
I
stes - so m'as - si - si, sat in that arm - chair
. ,_
I -
-
tra - i! room.
..
..--....
~ I
4.2226
quan- do in when I
-
ca - me - ra en en - tered the
~
Ed al - lo - ra di At that time I was
die - tro io hid -
~
mi ing
ce be
-
la - i. hind it.
~~
E But when
t
quan-do io la mi po - si? I stepped be-hind it?
Al
{
Then I
,,--,
Count
sco - si. cov - er.
lor io pian mi vol - si, slipped in - to the seat,
---
e qui m'a un-der this
(to Susanna)
lo! it!
Oh, cie Con - found
dun-que ha sen then he has
-
ti heard
---
{
to quel - lo cb'io the whole of our
Cherubino
Fe - ci
- a! tion!
T
per
tried
non
my ver -
sen - tir y best
quan - to not
po to
~o
{ Count
Oh, Oh,
per-fi - dia! you ras - cal!
Fre
-
na. - te - vi,
Some-one's coming-
vien gen - te. be c~re - full
ing ClierulJino out of tke arm-chair)
re stand
{ UUI
qui, at
pie - ciol ser you Ht - tle
pen - tel ser - pent!
E And
t.08
No. 8. Giovani liete Strew in his praises Chorus
~
Countrymen and women (Rnter Figr,ro, carrying a white veil i11, his hand, and Peasants, dressed in white, who strew
Ii m'a ar this
flou·e;·s f,·om tm,all baskets before the Count.)
~
i
r:l'io our
.
~
•
-
~
111(,ndl-
~ B
And
~ ~
,I
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jJ.
--·.-
i!
I
Da Let
!
jJ.
I
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van us
~-
Da Let \
-
r
ti il all ,_
,_
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van - ti ii us all
~.:.
;:= : -·- -- --
12226
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41 I
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no hon
-
,_..
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no mas
bi - le or him,
- - --· no hon
-
r
P •.
-
stro ter
I
- --. - - .. - -
- - - r
--
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I
,
si - gnor. and lord.
~
,
I
-
I
no - stro mas - ter
bi - le or him,
- ..
~
si - gnor. and lord.
-- -'
~-
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-
-
- -- - -,.f.._ ___ -
-
~
.
t.04
re ed,
vi no
-
ser- ha· in - tat bly pro - tect
to, ed
vi no
-
ser- ha in - tat bly pro - tect
to, ed
can re -
or, __
.,,J_.
en -
d'un maid
12226
bel ly
fio hon
or, ___
en
bel ly
fio hon
re or,
l'al vir
tue's
piu en
bel ly
fio hon
re or,
l'al vir
tue's
mo
mo
can re -
can re -
~
f.05
= --
~
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II
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te, cious, I
■
te,
_,,.
fio friend -
-
ri
ly
and
gra-cious in
his
'lJ
fio
ri
spar - ge - te
.. . .
Da - van-ti il in his be
~
~
II
no - bi - le nev - o - Jenee,
no loved
stro and
si - gnor, a - dored,
ff:--_" - •
f
~ c:an re
no
-
~
- stro si - gnor. no - ble lord.
no our
can re -
4~~~6
stro si - gnor. no - ble lord.
no loved
stro and
si a -
no loved
stro and
si
-
a
-
--
' -
-
-
tOI
Recitative and Chorus Count, Figaro, Susanna,and Chorus
Figaro (aside, to Sm:anna)
Cos' - e que - sta. com - me - dia? (Ee - co-ci in dan - za: What's the mean- ing of this non-sensei(The fun is be - gin-ning !
se You
----:n_..--.
..-..,,.__
Susanna
con - da - mi, cor mi - o.) (Non ci ho spe - ran - za.) bear me out, Su - san - na.) (I am dis - cour- aged.)
Si - gnor, non is - de My lord, we beg your
-8;..--.
{
gna - te par - don,
que - sto del no-stro af do not re - ject this
fet - to to - ken
me - ri - ta of our loy -
to al
tri af -
--:--a-
bu - to; fee- tion.
or che a - bo You a - bol - ished a
-
Ii - ste cus - tom,
--e-----..._,;_.;...,....._,,-
12226
un di - rit - to si in-gra -to a chi hen so re - pul - sive to all who love sin -
~
~
tO'J
Figaro
Quel drit-to or non ve '' piu, That cus - tom has been an - nulled,
a - ma.
cere - ly.
rou
{
.
~
Del- la We
..-..
~ N
co - sa si bra - ma? why do you wor - ry?
--
I I
vo - stra sag- gez - za il are the first ones
I
~
pri - mo to-
frut - to og reap the
gi - fruits
no - i co - glie of the new de
{
le .,.
~ ~
I
§
ri
-
•
I
.,
I rem: cree.
I.-----
r: le We
r:
I p
r:
no - stre have al
y
noz - ze read - y
-
p
i:
si set
son the
gia time
sta for
bi our
..-..
f -
~
~
li - te, wed- ding,
illen sin-
{
~ 42228
..-..
or a voi toe - ca and call u - pon you
do - no co - stei che un vo - stro place this sym-bol of vir - tue to
il-li on the
t08
ha - ta ser- ho, head of my bride,
--
ve - sta. ac - tion.
co-prir di que - sto chaste and ::;pot- less,
sim - bo - lo d'o - ne - sta, can - di - da thanks to your no - ble deed, your gen-'rous
(Dia - bo - Ii-ca. a.-stu - zia! (What dev- il - ish cun- ning!
ma fin- ge - re con-vien.) Son gra.-to, a. but I will play a - long.) I'm tru - ly
.-..
~
mi - ci, grate - ful
a.d un sen for your keen
so sl o - ne - sto! un - der - stand - ing;
Ma non mer but I mer -
to it
per no
-e-
que - sto, cred - it,
drit-to in - giu - sto ne' miei for chang-ing laws which were un -
----
{
feu - di a - bo - len - do, just and im - mor - al.
{
eun
ne tri - bu - ti, ne lo - di, nei-ther trib - ute nor prais - e::;
-
41128
a
I
na - tu - ra, al am bound to
do-ver up-hold __
lor drit - ti io the rights of
109
All
~
di - da pn-'rous
ren - do. na - ture.
Ev - vi - va! ev - vi - val ev - vi - va ! Three cheers for our gen - er- ou,; mas - ter!
Che vir-tii.! Che giu He is great! He is
~
.-to,&
1-
ly
~
~. ,er DO
sti - zia! no - ble!
A voi pro-met - to You have my prom- be
com - pier la ce - ri - mo - nia, to eel - e - brate this mar - riage.
chie - do sol bre - ve in - du - gio; Give me a lit - tle time, though,
--·---
~
~
io I
con piu ric - ca pom - pa with fit - ting pomp and
aiei DD.
---
---
~:::=::::
VO •
need
----
glio it,
in to
fac - cia de' miei piu gath - er my faith - ful
ren - der-vi ap-pien fe - Ii - ci. cir- cum-stance l :;hall u - nite you.
~
~ io
for
of
~ '2226
na si tro Mar- eel - Ii -
vi.) na.)
An - da - te,a Fare - well, till
mi - ci. lat - er.
(Mar-cel(1 will
ttO Chorus SOPRANO
(The Peasants strew the rest of the flowers.)
ri es
te, es
prais
spar and
te,
lie prais
es
,,,,!!'
f ge dai
te, sies,
van us
-
ti il all
no hon
bi - le or him,
van
-
ti il all
no hon
bi - le or him,
1 ! t_)\ IJ
c'.f-p·F·
l,~ti 1111
no mas -
ii ,..
1= no mas
226
stro ter
,
s1 - gnor. and lord.
F p Id -
stro ter
si - gnor. and lord.
, t·
f Ii:
•
,1~:
II He
suo has
gran co re - spect
i:
J
-
, •· (p: ; 91;: II He
suo has
gran co re - spect
re ed,
p: -
re ed,
l
U1
~ spar and
~ spar and
.....
I '
..
..
r
p to,
vi nob
-
ser ly
tat pro - tect
-
ed
D'un Maid
vi nob
-
ser - ba in - tat ly pro - tect
-
-
to, ed
D'un Maid
-
~
'.• pm en
-
nel ly
piu en
-
bel ly
piu en -
bel Iy
~
~ ~ ~
=
re or,
II
n•
»
e: fio hon
IA .. ~
42226
-
vir
-c:
••
re or,
l'al vir
-·
mo tue's
j mo tue's
; rr:---~ =,6 1f: can - nor.'.... re - ward.
can - dor._ re - ward.
He sa - ga
liIO-V& • nI
He is
Gio-va - ni lie He is sa - ga
-
t~, cious,
rl· -
te,
tt2
10
friend
-
-
ri ly
spar and
ri ly
spar - ge - te gra-ciom; and
no - bi nev - o
Da in
van - ti ii his be
- gnor, and
a - dored,
hi
-
le
stro and
si
-
loved
a
-
no~ 10\·ed
stro and
si
-
a
-
.J
~
rio
loved
no nev -
le - lence,
(EJ:eunt Peasants.)
42226
us Recitative
~
Figaro, Susanna, Basilio, Cherubino, and Count
~
~
'
Susanna
Basilio
Figaro
Ev - vi - va! Let's cheer him!
Ev - vi - va! Let's cheer him!
Ev - vi - val Let':; cheer him!
E Why
--- ---
..-..
~ ~
Figaro
(to Cherubino)
E af - flit - to, po - ve - ret - to, Poor fel - low, he's de - ject - ed
voi non ap - plau - di - te? don't you join the cheer - ing?
per-che il pa be-cause the
i
---Figaro scac - cia dal ca - stel has banned him from the cas
lo. tie.
Ah! What?
,--.
,.-.,
I Susanna
I
un gior - no the whole world
I "2228
in un on this
gior - no fes - tive
si bel - lo! oc - ca - ~ion?
---- - ---
,--....
Figaro
di noz - ze! ad - mires you?
-------~----
Quan-do o - gnu On the day
no of
v'am our
I
U4
mi - r&l wed-ding?
---
Per - do - no, mio si - gnor! For - give me, no - ble lord!
co on -
-
ra ly
Men di quel che tu ere - di. Don't be - lit - tle his tal - ents.
fan- ciul - lo. a child.
ca - i; lit - tle,
ma but
dal
I
E I
--~-
~
mio hear
a
E-glie anHe is
·--
-:::=::::--
,---...
{.
Nol me- ri - ta - te. You don't de-serve it.
fi - n e grawn- up.
Ben,
ver, may
man be
io vi per· I will for -
hen,
E - nough.
Ms knees)
do - no.
ro
An - zi fa And I will do
di phi; e - ven more:
-
va - can-tee un po - sto I need a cap - tain
-
d'uf- fi in my
(Tke Count prepares to
zial nel reg- gi - men-to mi - o! reg- i-ment sta-tioned at Se-ville.
uue
Io seel-go The post is
voi,
par - ti - te
to - sto,
yours, de- part at once.
ad Good-
:11&
sanna
leave; Susanna and Figaro detain kim.) Susanna and Figaro
00
glie ant is
di - o! bye!
Ah! fin do - ma - ni sol! Please let him stay to - day ...
No, par- ta to - sto. No, you have heard me.
A ub- bi, dir - vi, si Im pre-pared to o -
.....-.... _,...-..,,
~
~ aa.n be
~
gnor, son gia dis - po - sto. bey your lord- ship's or - der.
-{
~
), ..h
~ per for -
per the
cia - te. bye.
(cken>tbino embraces Susanna, wko is still confused.)
Figaro - A A
(E.uunf th,e Count and .Basilio)
-
(In- a.-spet-ta-toe ilcol-po.) Ehi, ca-pi-ta-no, (That was a stroke of ge - nius!) Well, mis-ter cap-tain,
- ke
* • ..
a me pu - re la best of luck on your
-----
~
__ . J ~ ~
§
la Su-san-na ab-brackiss Su-san - na good-
l'ul - ti - ma vol - ta. ver - y last time,
,..-.__
-.-
IO,from
Via For
{with fe1·gne.1 .foy)
~ fj -
(Io vuo par- lar - ti (De-spite his or - der,
my
pria che tu par - ta.) stay till to - mor - row.)
Ad - di - o, Good - bye, now,
~
ruto
~
.
-
io-lo Che- ru - bi - no! Co - me lit-tle Che- ru - bi - no! What a
IOd-
·-
~ 42226
can-gia in un pun-to glo - ri - ous fu-ture
--::-.a.
il tuo de - sti - no! lies be - fore you!
'
116
No. 9. Non piu andrai From now on Aria Figaro Vivace
Figaro
(to Cherubino)
Non piu an-drai, far - fal- lo - ne a,..mo - ro From now on, my ad-ven - tur - ous lov
do, !>!ODS.
po - so,
del Such
Nar- ci- set-to,A-don-ci - no d'a-mor, no, myyoungcav- a - lier,
12226
Nar-ci - set - to, A-don-ci - no d'a - mor. · bi - no, my youngcav- a - lier.
not-tee no ro-
bel - le tur-ban- do ii ver - sions are done with
ri and
del - le bel - le tur-bando il ri such di- ver-sions aredonewithand
,..,---:::-
,,,.-.
po - so,
so,
...-
I
~
H'.7
Non phi a, - vrai que-sti bei You had bet - ter for-get
m
.t-te e o ro-
~
quel cap feath-ered
pen-nae-chi - ni, allyour fin - 'ry,
l chio - ma, quell' a - ria bril • quel- la pow-dered ring - lets and cream - like com -
~ ri -
and
~
§
fr------
Ian - te, plex - ion
quel in
quel ver - mi - glio don - ne - sco co - lor, ar - my will soon dis - ap - pear, in the
verthe
fr------
iffr----.._
mi ar
don - ne will soon
sco co dis - ap -
lor!
creac.
Non piu a You had
ti8 'fH"
quel cap feath-ered
quei pen - nae - chi - ni, for - get your fin - 'ry,
vrai best
: ~
quel- la chio-ma, pow
quell' a ria bril - Ian - te! and cream - like com-plex- iun.
Non piuanFrom now
t:'\
do, sions.
4.2226
tur- ban - do ii del - le bel - le Such di - ver - sions are done with
ri - po - so, and o - ver,
Nar - ci Che - ru -
t19
~ del - le bel - le tur-ban- do il ri such di - ver - sions are done with and
no d'a - mor, cav - a - lier,
I cap a-ered
~
m
po - so,
ron piu.an-
ram now
Nar - ci - set - to, A - don-ci no, my young Che - ru - bi -
no d'a-mor. cav - a - lier.
~
~
gran mus-tac-chi, stret-to long mus-tach-es proud-ly
gi g ex-
~ ~ ci -
ru -
sac-co, wear-ing!
12226
schiop,po in With a
spal - la, ri - fie
scia-bla al fian-co, and a sa - ber,
col- lo drit - to, in the ar - my
mu-so you will
t20
ca - sco, clash - ing
mol-too lots of
o un gran tur - ban - te,
and hel-mets
flash - ing,
po - co con - tan - te. but not much mon - ej',
and in -
I';',
/:"I,
--·. -.
- -.
ve stead
-
ce of
del min
-
.-
~
fan
-
ll
-
-
l
- - - - ~- - - - ~ - - - -- - - -
- p~ -
4
.
-
I
mar mud
42226
-
.-I
-
cia per you'll stag
-
-
-
..-.I
il ger
-
dan et
1
'
-
-
:.
~
u - na through the
go ting,
-
- - -
------·
-
- -- - -
~
c-resc.
~-
fan - go. sweat-ing.
-
~- ~-
...
Per mon- ta - gne, per val Up the ston- y moun-tains
121
§
0
of
lo - ni, wheez-ing,
con le ne-vi, e i sol - l'o - ni, al con-cer- to di trom some-timesbroil-ing,som× frt>Pz ing, to the tu..."le of trum-pets
~
~ in
I in -
di bom - bar - de, di can bo • ni, wail - ing, while the can - non - balls are
no - ni, hail - ing
tuo - ni, all' o - rec - chio fan fi sail - ing, whis - tling by your pret - ty
schiar. ear.
che and
le the
pal - le in ri - fie
tut - ti i bul - lets
~ ~
Non phi. a You had
~ I -
vrai best
l1S
~
p
12226
quei i,en - nae - chi - ni, for - get your fin - 'ry
f
nonpiu a which you
' ..
'i.
,111.· ',f.',·.; :..l · · •
:,·;
!22
\:
1!
,. i,
ti
l:
1._.
quel to
vrai wore
quel - la feath-ered
vrai get
nonpiu a and for -
cap - pel - lo, per - fee - tion,
chio - ma, caps,
non piu a pow-dered
~
r.,.. vrai curls
ro lov
61111
quell' a ria bril - Ian - tel and cream - like com - plex - ion.
so, er,
Non piu an-drai, From now on,
far- fal-lo - nea-momy ad-ven - tur - ous
not-te e gior - no d'in-tor - no gi - ran - do, no ro - man - tic, phi-lan - d'ring ex - cur - sions.
del - le Such di -
123
~
bel - le ver - sion::;
piu& for -
tur- ban - do il are done with
ri - po - so, and o - ver,
Nar - ci - set - to, A - don- ci Che - ru - bi - no, my young
no d'a cav · :\ ·
= ~
ii &
del - le bel - le Such di - ver - sions
mor, lier.
-
lered
tur- ban-do il are done with
ri - po and o -
so, ver,
Nar - ci Che - ru -
• ~
a-mo·- ous
@
l - le h di -
Che - ru - bi-no, al - la Che - ru - bi - no, on
I ":
:r:
I
to - ria, glo - ry,
~2226
~
:r:
~
:r
~
r
~
I:r:
al - la on to
:r :f k
glo - ria vie - t'ry
~
-1 :r: f
mi - Ii and to
-
tar, fame,
}
vit to
F
Che Che -
I
ru ru -
U4
bi- no,al- la bi - no, on
vit - to - ria, to glo- ry,
al - la glo - ria mi - li - tar, on to glo - ry and to fame,
al - la on to
I I 12226
End of Act I
ill
Act II
~
(Scenl9: A lu:i:urious room, wit!,, an alcove and three doors.)
No.10. Porgi, amor, qualche ristoro
I - la
Pour, 0 love, sweet consolation Cavatina
to
II
!l
Countess [Larghetto]
IU&I in
ryvyte)
~
l
Countess
Por Pour,
:t I
12226
gi,a
- mor,_
0
love,_
ri so -
{26
al on
12226
mio
duo
my
lone
lo, ly,
a' my
miei _ _ __ bro
so -
ken
127
~ 80
~
'
I
,
4
ten
~
Ii
lie
\ I
I -
I
I
"·
::'
•
-. -- -- -- -- -;: I
-
..__/
~~ . ---..... - ~
"
-
-·
-
I
, 0 mi or, I
so - ro, hus-band,
l
,
-
l-
-
.-·
-
J 1
-~
ren - di il mio back my lord
•
~
...
-. - . -r
-
te and l
-
~
--------. -
~
0 mi Give me
~
• ,
~
•
--
,
I
scia al-m'en mo - rir,_ you, let me die,_
la beg
--
I
Ir..
-- --
-
.-
I
~
. duo- 1o,a• " .. so Y - spir! nne1 sto - ro al m10 ,;igh! suf-fhng,hear my bro-ken-heart-ed
-
~
-- -- -
...
~
~I
..
-
--
I
i I
al or_
p
~
I)
Iii
J1
o mi give me
rir, die,
r
l
l:f ~I. l .. Ji .. I r!
lt th O J ,.
ri-
la - scia al-men beg_ you, let
ny
U226
..
ffl •
mo - rir! me die!
] ..
f
ren - di il mio back my lord
te - so - ro, and hus - band,
Il .. Ji .. I r!
-
..
~' or,
mi I
l ..
I
-
I
'
I
Ii
I
I
~rIll! t28
Recitative Countess, Susanna,and Figaro
.
~
C
t
-- - - - -
·- - r
41
'
fl
r
r
Vie - ni, ca. - ra. Su-san - na., Come, Su- san - na, sit down here,
-e-. { --·- -- --
,
fi and
-
--
fa.
{
~
~,.,---
-
!"
"'
-
E gia fi That's all there's
I
vol - le se - dur - ti? Oh,il loves you? Oh, say that he
si - gnor Con - te no, my mas - ter
non does-n't
.0:--
ta.i com - pli - men - ti such a com-pli-ment
--~---
col - le to a
don - ne mie girl of my
-
-.
-----
pa. - ri; sta - tion;
-
di da. - na. - ri. me with mon- ey.
Susanna
Ah! ii cru - del
So he
e - gli
he
, --.
Countess
u~
,
V
Susanna
{I ,1: ::·
pay
,. -r
v-
ni - sci - mi l'is - to - ria.. fin - ish the sto - ry.
-9-
Dun- que And you
s
r
Countess
ni - ta. to it:
-
pin non m'a - ma. loves me no long- er.
E co -me How is it,
r,
!29
I
e ge - 10 - so di voi? Co - me lo that he's jeal-ous of you? It is the
--- --~---- --~
lering)
~ fi
so-noi mo-der- ni ma-ri - ti, same way with all mod-em hus-bands,
-
•re's
~ per ge- nio ca- pric - cio - si, by char-ac-ter ca - pri-cious,
~ •
e per or- go - glio poi tut - ti ge and con-ceit- ed e-nough to be
{
s-n't
~ se if
Fi - ga Fi - ga - ro
~
t'a - ma, loves you,
ei sol po-tri - a __ . he might be a - hie ...
,,--,
gli
[Presto] Figaro
~
La
~ ae
it ,
~ H226
(Enter~ singing)
la Ia
Ia
la la
Ia
Ia Ia
la
Ia
Ia la
Ia
Ia la
la la
1.~,:: !~~
!
t.30
Figaro ( witA
Susanna
la.
{
Ee - co - lo, There he is!
-
ma. - da-ma im-pa-zien - te. my la - dy is wait- ing.
vie- ni, a.- mi - co, Come,my dar- ling,
--
A voi non No need to
-------,~-
casual gaiety)
ca ry,
sta- re in pe na there's no rea - son
per what
que - sto.
Al - fin di The mat - ter's
-
si che ver - y
{
trat - ta? sim - ple:
Al my
si- gnor Con - te no - ble lord takes a
-
{
in - di so he
-
{
rit - to late - ly
4.12.38
la to
spo - sa mi - a; my Su - san - na,
-.o.-
se - ere - ta - men - te ri - cu - pe - rar vor - ri - a de - cides in se - cret that he'll re - store a cus - tom
il he
di has
· ~,;;::::::::_
feu - da - le; a - bol - ished;
e
pos - si - bi - le la the thing is ver - y
--_,
{
pia - ce fan - cy
sa co pos- si - ble
e na- tu and ver- y
tat. (toitla
~
non II to
§
ra le. nat - u - ral.
-
Pos Ver - Y
Na - tu - ral?
si bil? pos - si - ble?
Ver - y
Na - tu - ra -
nat - u - ral?
It
is most
vuol, wants
si i~
bi most
,,,.--....
{
~ Bi
lis nat -
~
e
si - ma, u - ral,
-
y
and,
se
if
Su - san - na Su - san - na
pos -
tt,
E
L·
lis - - si - ma. pos - si - ble.
•
aa,
{
Fi - ni - sci - la u - na When will you ev - er
vol - ta. fin - ish?
Ho gia. fi - ni - to, I have al - read - y.
-e-::::=::::
~ ti has
is
pre- se il par- ti - to, why he de - cid - ed
~
di he
see - glier needs me
-~-
me as
cor - rie - ro, his cour - ier
e la Su and that Su -
~ tuy
san- na san- na
con - si-glie - ra se - gre-ta d'am -ha - scia - ta; should be-come his am-bas- sa-dress in se - cret;
T
~ U226
-
-9',.,.--__
e perch' el - la o - sti and be-cause she has
• 111
t32
~...,
~
na - ta o - gnor stub-born - ly ......... -e- -
ri - fiu - ta ii di - plo - ma rl'o - nor, ch'ei le de - sti - na, re - fused to ac-cept the as - sign - ment, he's of - fend - ed
::::=:~
{~--=--
mi and
~::=:.-.
I .~
e
nae - cia di pro - teg- ger Mar - eel - Ii - na; threat-ens to take sides with Mar - eel - Ii - na:
que-sto that's the
tut gist
---
to of
l'af the
~
-
Susanna
.
71!7
fa - re.
-
sto - ry.
zio ter
pen - si? ser-ious- ly?
{ HHb
-
i..
i..
r Pr r--r Ed hai co - rag- gio di trat - tar scher - zan - do How can you treat such a ser - ious busi - ness
un ne as a
;:::=:.o.::=:::
(°,L.,,,.-..__
{
t.
si of
vi
--
Areri't you
Ee - coil
Here
is
ba hap - PY
pro - get - to: my proj - ect:
--~-
che scher-:i:an - do that I don't take
io it
ci
per Ba - si - Iioun bi-gliet - to io gli through Ba- si - lio I'll send a lit - tle
133
( to tlte
~ Iii
fo note
-
Uld
-
...... ,......_
{
~
'
E af le
che per that the
ca - pi - tar, che l'av-ver - ti - sea di cer - to a11-pun-ta - men - to, to the Count to in - form him a - bout an ap - point - ment
del bal - lo a. un a sup - pos - ed - ly
-
man - te voi made with a
--
0 ciel! Good Lord!
de - ste. lov - er.
,,--...,--ft--
~
a
-
With a
~
An- co - ra me-glio, So much the bet - ter.
-
so
{
co Be -
l ;,1
~
w
ci
si cauH:>
~
{
-
po -trem piu. pre-sto im-ba-raz-zar-lo, we can more read - i - ly at - tack him, ~
con - fun - der- lo, and baf-fle him,
im-bro-gliar-lo, dis-con-cert him,
-;::::=:::,_
~
gli ,tie
ro - ve-sciar-gli i pro-get - ti, get him whol - ly be -wil- de red,
{
~
HH& ~
em - pier - lo di so - spet- ti, in - flame him with sus - pi - cion,
--
e por-gli in andmakehim
I,1
t.84
te - sta, che la mo-der- na fe - sta grasp that what he does to oth - ers
ch'ei di fa - re & me ten - t&, al- tri a lui they will do un - to him, and e - ven with
--.n-I!..
T
fac - cia, in - t'restf
1..---r'l[i
-
-.o.-
-
r
r
r
~
tem-po,i - vi time as well
la
,
--,
7'
qua per - da ii is los - ing
--,-
trac - cia, as his bear-ings,
;:=::-12-
co our
+::::::::: 7
~ r
r
r
on - de While he
~
t:i
-- ...
~ ~
~
~ ~ •
r
r
r
p
~
~
si qua-si ex ab - rup - to, e sen-za ch'ab-bia fat - to per fra- sto - nar- ci al- cun di wed-ding hour will come be-fore he ev - er finds an op - por - tu - ni - ty to
{r-
::::...-.;::=:::::
--:~
=I
se - gno vien I'o - ra del- le noz - ze, hin-der us from get-tingmar-ried,
--
{
in fao-ci& a lei non fia, ch'o-si dop-por-si ai vo - ti or has a chance to make an - y ef - fec-tive op - po -
,.._,
Susanna
mie- i. si - tion.
-
~
~2228
E ver, That's true,
main di lui but in his
ve - ce s·op-por-ra. Mar-eel-Ii - na. stead Mar- eel - Ii - na will op-pose us.
AI
135
~
spet - ta, know it,
lui with
~
~
Con - te there- fore:
~
~
fa - rai 'su - bi - to dir, che ver - so you give the Count a hint that late this
-.o.-
at - ten - da - ti in giar you'll meet him in the
co our
di - no; gar - den,
---
bi - no, per mio con - si - glio non an - cor par - ti - to, bi - no (on my ad - vice he has not yet de - part - ed),
~
to
~
-
al so
----
{
~
sti - to, wo - man,
-ti
---
-po -
Che - ru Che - ru -
da fem-mi - na as dressed up
ve a
...-r--,,
fa - re - mo che in sua ve - ce i - vi sen va - da; w111 keep the ren - dez - vous in place of Su -san - na.
.n---
~
pie - ciol lit - tle
-
e
que-sta That's the
..ro
~
A-
l
sor-pre-so l'u - ni - ca stra- da, on - de Mon - su lordship, sur-prised on - ly so - tu - tion where - by his
~ -12226
da Ma-da - ma, by my la - dy,
sia co can be
136
stret - to a far poi quel che si bra - ma. forced to ac - cede to all her die - tates.
Non c'e mal. Good e - nough.
Che ti par? How is that?
Susanna
e
Nel no - stro ca - so ... Quand' e-gli per All things con-sid-ered... If bethinks it will
e
sua-so ... E do-ve il tem-po? work... but is there time left?
I-toe il The
~
Con - te al - la
-
cac - cia,
Coant has gone hunt- ing ,......,_____ ~
-
per qualch' o - ra e and won't come back
non sa - ra for at least
ri di sev - 'ral
~
io I'll
va - do, go now
e and
to - sto Che - ru - bi - no vi man - do, sendyouChe-ru-bi - no im-med-iate-ly.
-
la,.scioa You have
.:;::=:::;
J. cu - ra time to
U.:i!2ff
-
E po - i? And then?
,i
137
Figaro Allegretto
~ Se vuol bal - la - re, si - gnor Con - ti - no, Should my d~ar mas- ter want ~ome di - ver-sion,
l&I. iagh.
.
ii chi - tar - ri - no I'll play the mu - sic
-
~
~
(B.i:it .Figaro.)
t-toe u
lte
ro,
le suo - ne si, on my gui - tar, yes,
~
le suo - ne - ro, si, I'll play the mu- ,,jc
le suo - ne - ro. on my gui - tar!
~
ri 'ral
Recitative Countess, Susanna, and Cherubino
~
Countess
~
•
~
"
I,.
r
-
Quan - to duol - mi, How it grieves me,
I~#.lm
..o..---.
Su Su -
r
r
san - na, san - na,
~::=:::
che que - sto gio - vi to think that Che - ru -
acioa
1have
~
ab- bl.adelCon- te le stra-va-gan-ze u-di - to! no heard all the non-sense my way-ward hus-band told you.
ah! tu non Ah, you don't
-Q-
~
.,.
- sa r whatearth-ly
~
ma rea- son
,---::::,
42226
me
in
you
!38
Susanna
is;
ap- pun - to fac-ciam che ce la. can - ti. as soon as he comes we'll have him sing it.
-·
Zit - to, vien Lis- ten, who
(Ifnter Clleru/Ji?W)
is
it?
Our
Cherubino
a.-va.n-ti,il.-V&n-ti, si-gnor uf-fi- zi - a - le! Ah,nonchiahe - ro! Come in,come in, most worth-y ma-jor gen- 'ral. Please do not
-
---
,.,..-..__
~
'
r
r
mar- mi call me
-- ,~::::::::~-
p Ip p
con by
no - me such a
~~
l
J)
:h p p ,p
si fa - ta. - le! fa - tal ti - tle, _
..
~ lzg I lzp
~p
ei mi ram - men - ta,
for it
re - minds me
.,
~
che abthat
b~e::=::
co - ma - re tan - to my dear- est, kind-est
buo - na! E tan - to la - dy. . . Who is so
-_.--,
------,9r-
Susanna (mocking Mm)
si, sweet,
-,e.~2226
so
si, sweet,
---e-::::=::::
cer- to! so love- ly!
i - po-cri You lit-tie
I
{39
r
~
I\
I
~
v ,v~vp
Z
-
to ne! hyp-o-crite,
Tien who
-
I(
i-1: - "
via pre - sto Ia can - zo - ne, now quick- ly sing that luve-song
-~-
----
lino
.
"'
~
,.
v
P
r
r
Susanna(poi,iting to Cherubino) I.
"
-
~~-
I
r
Y
che sta-ma-ne a me de - ste, which you gave me this morn-ing
l
Chi n'e l'au - tor? Who wrote the song?
~:::=:::
Jl'1::i l'
Countess
,r-l'r p•,, a ma- da - ma can-ta - te. so the Count-ess may hear it.
4
1chi&lonot
,.
r
l'
~....--._
----------
...
l
r
r
Guar - da - te, Who wrote it?
e-gli hadue Look at his
Countess
f=
• ab-
tllat
~f:'e
ros - sor him blush
sul - la like a
fac - cia. school-girl.
Pren - di la mia Take my gui-tar,
~
~
-to
liO
e san - na,
l'ac-com-pa and ac- com-pa - ny.
-
Io To
so - no si day I'm not
--
tre - man - te, in voice,
~ -eri ,tie
- ma vuo- Je- Lo if ma-dame de - sires- She
vuo - le, si, lo vuol, man- co pa. - ro- le. sure- ly does, come on, no more pre - am-bles.
--
~ 12228
L -
~.
chi Su -
140
No.11. Voi, che sapete You know the answer Arletta Cherubino
Andante con moto
che sa know the
.\
I ~
(Susanna plays the Ritornello on the guitar.)
pe an
- - -.
-
- -
I
~
~
r
t
Don Love's \
I t
<
I
-
ne, ve ten - der
-
-
de se
-
te swer,
che you
-
-,.
-
le, cret-
B 10
share
...... .:. ---.... ·---. - -. • .. . . . --....... - - - - I
~
I
,_
I
lJ
V
Ul26
-
I
• •
co - sae a-mor, hold the_ key,
V
-
--
.
-
' l'ho nel it with
cor, me,
. -----,,-::--~a- ..- .;..'.. --
. ·- - --
-
- •
.
lJ
•
-
•
- - ------
.:
- 141
te, __
ne, ve dies, I
Quel This
~
I
~
I .
I .a.I
j
E It
you,_
lo ch'io new sen -
pro sa
tion
vi ____ ri - di I ____ !!r: - der -
per is
nuo dif
vo !fen!
ca pir from_ all
to ment,
pien walk
me so
VO,
nol I
ro, _
go,_
so. know.
~
~
~
"!'
~ en I ~lled
--
HQ8
to un af with ex
-
fet cite
-
ing
on
air,_
142
Ch'o First
ra e di I _ am
poi am
o,
let hap
-
py,
sen
to
chil
ly,
ch'o soon
ra ti I
mar - tir. de - spair.
l'al - ma av-vam - par, next_ time a - flame, ~~
cer- coun am pur -
61228
be su
ne ing
fuo some
ri di sun - ny
me, ray,
143
~ non try
ne,
so as
cos' I
e. may.
~
---
§
~
~
per. why.
Non tro -vo From this di -
pa - ce not - te, ne di, Ma pur mi lem - ma I find no peace,And yet I
J----
J
\
-
I ~
-
r
Ian bnev ~
!
-
~
J_
r
41 I
. -
~
r
42226
.- -. .;.b.-i, -
I
co - si. to cease.
._
- -
-. -
. .;. .j,.
-
- -- -
~
r
guir er
~
I
:;
-
.
-
~
r
4
-
-
I
.
Voi, You
- --
----
-------- I
I
I
I
I
I
I
~
pia ce want __ it
'
che sa know the
'!"
-- - --
--- - ...-.
I
-
.
I
-
pe .:.n
te swer,
-
~
-;
.
.
- ----.-;
~
. I
144 •i
che you
-"
~
.,
I V
'
-
!
-
V
s'io share \
•
- -·
I V
--
I
-
.,
•
,.
810
share
4.2226
Don Love's
co - Sae a -mor, hold the_ key,
•
-
---
' nel l'ho it with
- ·•
l'ho it
(f
•
Don La
cor, me,
..... -----=-
---
= ~~
•
nel ror, with me,
ne, ve - de ten - der se
.;..:..
-
-
-
-
-
te, cret,
--
-
I
.
te, __ you,_
ne, ve - de beg_ dies, I I ,~
~
. .. - - - - - - -. - -. -. rJ
- --
Don La -
--
ne, dies,
.
__,-
.~-L
~
-
ve - de I beg_
.-
.
1!:.~
te, __ you,_
.
146
Reeitative
~
Countess, Susanna, and Cherubino
Bra - vo,
-
~
che can - ta ste s1 youweresuch an ex-pert
your voice is
sing - er.
does
al
~
; ~
Pre-sto, a noi, bel sol Now come here, hand-some
Fi - ga- ro v'in - for - moFi - ga - ro told you all ..
---
Ch 0 rutino
se.
La - scia- te - mi ve - der; an-dra. Then let me see your height; it will
-----
-e------
'2226
siam d'u you are
146
gua ~ le eta - tu - rajust a-bout my size.
~-
1
t
(Takes oU his cloalrJ
Countess
giu quel man-to. Take your coat off.
Che fa - i? Nien - te pa - u - ra. Be care - fut! No need to wor - ry. ~
E If
se qual-cu-noen-tras- se? some - bod - y should en - ter?
(loc!,ring the door) J.
'
l
J
J)
l
La
cia - mo? do - ing?
--e--
g:=:::
"" _t\ _ l\
{
r
y
=~
harm
are
we
l
chiu - ~ lock the
ro, door.
ma co-me What shall we
--=----
'a
poi do
l
por - ta I must
But
1 l..--
•
Susanna
y
Countess
1. _ _1.
. .
.
_l
1
-.
~
ac-con-ciar-gli i ca-pel - Ii? U - na mia. cuf- fia pren - di nel ga - bi - net - to, so his hair will not show? Get him a bon-net out of my ward-robe dress-er,
_.g_
-~-
(Susanna goes into the Bmall room to get a l>onnet. Cherubino approaches the Countess and
Cherubino
pre - stol hur - ry!
-~ ,\¥2.26
Che What
-
Countess
- -
t
t-47 shows lier the commission, which he carries in his pocket. She takes it, opens it, and notices tk:;:t
~
.
r&.
Cherubino
~
~
r le
V
"
ci - ta did - n't waste a
ry.
l 1,.
L'eb- bi or gen - te! got mo - ment. I
or it
da
Ba
from Ba
---_-:ff.::::=:::
~
:::w:::::w-·-
Countess
Ip
~
si - lio. si - Iio.
-~---
(Returns the commiBBion to Aim.)
Dal - la In their
Susanna (returning
F
a - to han - no il e - ven fur- got
re
si - gil - lo. the seal.
-
si -
,,---._
with a cap in her hand)
Countess
Su.sanna
~
•e
lo on
di
che? what?
Del - la. pa - ten - te. On his com-mis - sion.
~
-
Co - spet - to! che pre How could they be so
~
.
lo,
-
mu - ra! care - less?
,
~
Ee Here
---
co is
la the
cuf - fia. bon - net.
Spic cia - ti: There you are.
,,,,.--.__
va That's
.,,
NS
~
II-
~
vie - ne! home now!
mi - se - ra - bi - Ii noi, How dis - as - trous for us
•I!,
I
II
uue
I"'i
i
rI :
11
f.1,8
No.12. Venite, inginocchiatevi Come here and kneel in front of me Aria Susanna
Susanna
1,,1
Ve - ni - te,in-gi - noc-chia-te -vi, Come here and kneel in front of me,
1 1
and makes kim kneel a slight distance from tke Countess, wko kas
re - sta - te fer - mo Ii, and let me try my skill.
re -
re -
Don't
! ( Ske combs kill kai1j
IL still.
fi?'st from one side,tken takes kim !Jg tke ekin and turns kim, as skB combs tke other side.)
Pian, pia. - no or Now slo~ - ly
42.226
via gi - ra - te-vi, turn your head a-round.
-
~
149 (While Susannais
hen
bra - vo, Bra - vo,
Vt'r -
co - si! y nice.
~
= ....
dressing his hair, Cherubino regards the Countess tenrfrrl.lJ.)
,
-------
~
... -
st
I\~
-
•
.
-
"
~
•
-r,;
~
t
~
"
-
0
'\
l
and
.. -
-- -
-
~
--'
I --'
~
~
~
t
-
-
me! try.
1
~
--
.---
I
I
I --'
I
l
..
-
-
'
t
.. ---.
42226
...
-
. --
- . -.:..
I
.
I
Jilll"""""
-
. -- . -,..
~ ,.-
-
-
0
Hold
I .-1
,
la! still
que-gli oc - chi a and let me
~
_J
-
~
. . -. - -
-
"
J
guar - da - te - m1, guar the Count-ess is not
--
- .-- -- ...
.. -
. . - . u. . - -. - -. .. . - . -!..
---
I
--
I
c,reac.
- ..-
..-
.!..
I
..:. -
.r - ..-. ..-
- - . ..-
drit - tis - si - mo, not ev- 'ry-where,
~--
,
J~J
I
-
I .-1
,
I
;
-
me, eye!
I .-1
- - -· -~
"
- - .. _ -- - -., ---' -. - - - - - - ,.
Drit - tis - si - mo, Look straight at me,
.J_
- .-
■
~
she places the bonnet on him.) ~ ~
-
r
--
_J
r
I
I
_r
que-gli oo-chi a me in the
- - - --
I --'
~-
-
r-,, _ _
I
...... -
,_
. -
la! look
-----l 4
(Continues to dress his hair;
•~
,._ I
I
-
I
..-
-- -I
HO
!\la - da - ma so wait till
da-te-mil sit-ting there,
La fa.c-cia o - ra vol - ge - te- mi, If you would keep your mind on thio
by
non and
o - Ia!que-gli oe-chia me!
~-~ - - n
we'd get it
~
o - ver soon.
~
tis-si- mo, guar- da-te-mi! more you play, .;;:--.. the more de-lay,
e.
j
~
DritThe
da - ma, ma - da - ma, qui non this rate we'll take all af - ter -
rion ma - da - ma qui we'll take all af - ter - noon.
-12228
qui
Re-sta-te Can'tyoube
151
~
or via gi - ra- te-vi, Don't be so fid-get-y!
'-
da- te- mi! have your-self!
The
guar-
Be -
Bra - vo! That',, it.
~
ta
~
Pii1 The
-
al - to quel c'ol - let - to, neck-line should be high-er,
quel the
E
le
sot- to il tri - fl~
be
42226
152
ve - a.re - mo po - scia il pas - so, the mo - tions slight - ly slow - er.
er,
~
J.L ~
4
,
.
'
-
(asid
\
J.L
,
.
-
~
- - - - - - - -- - - -- -. --- - -- - - -------- • • 4111!1/
-
,)
.,
~
pp
~
.,
- -
~
,,,,.--,. -
mi- ra-te qua.n-to e bel - 10, Heplayshispartwithhon - or.
42226
-
Mi - ra-te ii bric-con Just see our pri-ma
..__
41
he 0,
- - ,.- ,,- '
pie. by.
C
I
-
~
quan - o.o sa - re - te' in Now youmustwalk a -
.
r----
-- -
~
~
,~
che fur-baguar-daThe elev-er lit- tie
153
~
che vez - zo, che fi - i:;11 - ra! is full of charmanri glam-our.
a -
mi - ra-te ii bric-con.No pow-,for or cos -
' ii'
1
1
~
! In
'
..
~ ~
-
eel met -
lo,
-
4
,ing
.
-
-- -
,. J..L
!
- -
'
r,
V
IC
mi -
would
~~
-
.
~
.
.
- -
-
-
e
ra - te quan-to bet - ter his com
-
~
- -
~
~
.~
'
-
~
-
be! plex -
-
41
. .·-- ---------=-----
-- - r
~
lo, rhe ion, hi::;
fur - ba guar - da gl,.nce is so po -
~~
eon·ma
I
~ 11'-da-
tu et
- ra, che vez - zo, che - ic, his fig- ure is
'l
-~- . -
fi - gu - ra! tion! per - fee
~
Se
If
i
--
-- -------
l'a - ma - no wo - men fall
se oh,
:-tle
42226
ii ~
~
-
deu)
E
i
le in
l'a - ma- no, han cer- tain-ly, they
t64
che, why.
ha,n Yes, yes,
cer - to, yes, I
cer - to, see it
cer - to clear - ly,
cer - to clear- ly,
lor per the rea-son
1I the
lor per rea - son
.ifp
see_ the rea- son
il lor per - che, the rea - son why,
-12226
lor per see_ the rea - son
ii lor per - che? the rea - son why.
156
Recitative
~
Countess, Susanna, Cherubino, and Count
, per -
1-son
Susanna I,.
Countess
"
P P
-iT
r
v
r
~
y'
~19,=
YYr
r
Ma se ne so- no io me-des - ma ge - lo - sa! He looks so sweet, I could al-most be jeal - ous!
Quan - te buf-fo - ne - ri - e! My, you areworse than chil-dren!
.n:::=::
-;::::::::_.p.
-9-
~
er -
DD
Ehi You
ser - pen - tel - lo, lit - tie ras - cal,
VO
le - te you
d&
-~·
--e:-
~
-
where
tra - Ia - sciar d'es - ser get the right to look
sl so
Countess
per -
-son
• wish you'd
~
" • go 7
"
--- {I,,::::n-4,2226
·--
or quel- le ma - ni-che ol-tre il I think you'd bet - ter roll up his
I
l
7
- mi - to g Ii al - za, sleeves past his el - bows-
~
za - te; non-sense.
,.-···-~-
r
, --,
on - de piu a - gia - ta - men - te then, when we put his dress on,
-
~
l'a. - bi - to gli si a it will not fit so
156
Susanna
Countess
(doing so)
Piu in Up
Ee - co! This way.
(.Discover• a
die - tro, far - ther,
-
l
---.-r quel - lo? rib - bon?
.n:::=::
Susanna ''-
•
l
----n-
•
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fl
io non so co - me, I can't im - ag - ine;
:m
•
po - co pria just be - fore,
-
~:::=:::
r
r
r
r
sdruc-cio - Ian - do. when I stum-bled
_ .g
=,--...::>'
•
...
I,,.
L
Cherubino
Quel E que-sto san - gue? Why is it blood-stained? Oh,
Tl
san- gue ... real - ly,
{
Countess ... ...
•
•
E quel ch'es- so in - vo - lorn - mi. The one he stole this morn-ing .
{ bl,.11;!=1tit8R
e
Che na-stro What is that
!JIili
ribbon wrapped about his arm.)
•n
co - si. like thi,;.
,,-
l7 in un on the =I
'
pel - le io mi sgraf - fia. - i . . . guess I scraped my el - bow,
e la. pia - ga col WHtro io mi fa and I ban-daged the wound with this
{
scia. - i? rib - hon.
-
{ 61111
Mo - stra - te: Let's see it,
non e that's not
ma.I; bad!
---
co - spet - to! Good gra- cious!
ha ii His
157
...
~ brae-do piu can-di-do del mi - o! qual-che ra - gaz - za .. is muchwhit-er than my own, ju:;t like a wo - man',;!
• e
-
-
w
~
E You
se-gui a far still keep up
la, this
~
lino
~ I
Va nel mio Go and look in
a,
~
a piece
plas - ter,
{ (Susanna dashes off; tlte Countess c:otdemplafes her rihbo,i; Cher11hino, kneeling,
~
•
-
ch' sul - lo scri - gno. it"s in the dres-ser.
-
..,...._
~
{
observes her attentively.)
,
iJ
ii
{Fw.
~
na - stro .. rib- hon,
-&--
V
in ver .. you know,
per il co I like the
Susanna (G,1,es the plrtsfl',· sors to th.e Countes&.I
.--
lo - re col _ or,
I-
In quan-to al As for that
...
~
~
~
e
ta, quick,
ie
f' r fl fl mi spia- cea di pri-var- me-ne. I wouldhate to part with it.
f{II(/
flu: scisl
rr Te - ne - te, I found it,
e da le-gar-gli ii but don't we need a
~-~-
J;"'~~
.
Cherubino
brac-cio? band-age?
~
•·
::::=::::
~ U226
Un al- tro na - stro An--oth-er rib - bon,
pren-di in - siem col mio ve - sti - to. bring it a - long when you come back.
-
Ah, Ah,
t58 ( Susanna lern•es throNgh the door rrt the back, taking witli her Ohe-rubi1io's ctoak .)
piu the
--glio - re. bet - ter.
-
pre - sto old one
m'a- vria quel - lo gua - ri - to! wouldhavehealed it much quick- er!
Per - che? And why?
que-sto e mi This one is
~:::=::-
co
ov - ver toe or bound the hair
Al- lor che un na- stro. . . le - go la chio - ma . .. But an- y rib - hon, which touched ,he skin,
-
,.,...-..._
~
Countess
la of
~
•
.
Countess (interrupting him)
I
-.,--, p , ,. ,. ,. ,. ,. ' ' pel - le ... d'og- 6et - to... Fo- re - stie - ro, e buon per le fe - ri - te, some - one, some-bod - y ... Who's a stran -ger will heal your cuts and bruis- es, .Q~
J, ••• -~ l
--,,-----,, non e don't you
-
~
Cherubino
qua - Ii seems to have some pow'rs
-
io I
U:t.28
frat - tan must go
to a
-
sa - pe - a! nev - er heard of.
par - to! way.
Ma-da-ma My la-dy's
Po - ve- rin! che sven My poor boy! What mis -
159
~ e
mi ae is
Ohmein-fe-li - ce! tune! How I am suf - fring!
Or You're
b~:::=:::
~
ciel! Lord,
---cry
per why
~ la of
---
('Jo;,;e
---
me
you
now?
~
ci - no all' ul - ti my death, I might get
mothe
~--
Countess ( dr_ying his
~
l
e
lyou
~
iao
que - sta boc - ca o - se - ri - a! to con- fess how I real - ly ...
cour - age
r~-::::=:::_
Sia - te sag - gio, Che - ru - bi - no,
;:::==:-.
eyes with her handkerchief)
-
(A knock at the door is heardJ
~
-a&
-dy's
you
are
que - sta fol a lit - tle
-
Ii
b
~ Count
-
a? by!
·--
ba -
Chi pie - chia al Who's knock - ing
la at
mia my
(outside)
~
..,. -
ta?
ais -
~ U226
Per- che chiu - sa? Why locked in?
-
oh De - i ! Good Heav- ens!
son I'm
160
sen- za man - tel - lo! with-out your jack - et ..
Voi with
in que- sto sta - to .. . in this con - di - tion .. .
.o.-
.
I\
iJ
r
p
un He
,
p ri - ce - vu - to has re- ceived a
fo - glio,
let - ter ...
la sua he's so
7 7 gran ge - lo - si - a. ter - ri - bly jeal ous!
---
----
---.0:---,1,1:----I I
----------=-·~----~
Count
Co-sa in-du - gia - te? Why this de - lay?
-
Son so - la. I'm a-lone,
----:o..--,..---..__
,.._..--..__
ah si yes, yes,
son so - la. Ea chi par I'm com- ing ... Towhomwereyou
r
----:=--;..Q.
~
Countess
la - te? speak-ing?
A
VO -
To
you ...
Cherubino
i.
cer - to, sure - ly
a voi stes - so. to you on - ly.
Do-po Af- ter
-e--
J
ch'e sue - ces - so, that has hap- pened,
-
UU8
il suo fu - ro - re. . his aw- ful tern - per,
non tro - vo al - tro I can - not let
--- --
con him
161 (Runs into tlw small 1·nr,m anrl s1111b; theC ~ doorJ ountess
§
~~ .i
r
,
si glio. find me.
~
{~
a
Ah!
May
mi God
b~
(Takes the key and runs to admit t!ie Co1nd.) L
r " r di - fen - da il cie · lo in t al a - hove pro - tect me in
f±
pe · thi,-
ri - glio! dan - ger!
l #~
~
(Enters, in hu.nting costume.)
g non fu mai vo-£tra u-san - za. It was nev - er your cus - tom
I.
151
di rin-chiu-der-viin stan- za. to lock your-self in!
~
Count
~
ma i - 0 . . • but this time ...
II' -
aeyou
~
io
-I
sta - va qui met -ten - do .. . on - ly was ar- rang- ing .. .
v:a
met -
Ar -
llllino
~
L_IJ'_j
Cer - te ro - be, Some of my dress-es,
IO ~
~
{
e
che in sua ca- me-ra an she has gone in - to her
-
~ o-gni mo- do voi non sie - te tran- qui! - la. an-y rate, it seems that some-thing up - set you.
:::=::_:.a,.-:::::=::-
~ 42226
Guar - da. • te que - sto Can you ex- plain this
llta ( Cl&eru/Jino, in tl&e small room, noisily knocks over a small table and
!'II
cl&air,
fo- glio che let - ter that
-
stre - pi - to? In ga.- bi- net - to qua.I - che noise in there? A piece of fur - ni - ture fell
Fi- ga.-ro gliscris-se. Fi- ga-ro haswrit-ten!
Count
Cos' e co - de-sto Whatwasthataw-ful
co - sa. e ca. - du - ta.. Io non in - te - si down in your bou-doir. Strange, I did not
---
{
Count
nien - te. hear it .
.a:--
{
Con-vienchea.b-bia.-te i gra.npen-sie-ri m men - te. In that e -vent, you must be hard of hear - ing.
Di che? La v'e qua.1Who, I? Some-bod-y's
----n---
Count
cu - no. in there!
Chi vo- le - te che si - a.? Who could pos - si - bly be there?
---
Lo chie-do a. vo - i , that,
Im ask-ing you
io I
ven-go in que-sto on - ly just came
~
Count
pun - to. in here.
Ahl si. . Of course,
Su - sa.n - na. ... Su - san - na.
a.p - pun - to .. . How could I .. .
Che pa.s Just be -
' j.
I· ,,
I U226
'.:
~
f.63
Countess
m llt-1to
so, fore,
•-ful
mi di - ce - ste, you were say - ing
al - la sua she went to
stan - za. her room.
~
~
- ..
Count
I r
◄
- si
qui, that one,
--
not
Su - san- na, Then tell me,
--- -
e d'on- de vie - ne che sie - te sl tur how does it hap-pen that you are so em-
_.:e-
_-e,.------,_
{'": H
Count
• qgaJid-y's
ba - ta? Per la mia ca-me-rie - ra? bar-rassed? For what pos - si-ble rea - son?
Io non so nul - la; I can't ex-plain it,
ma tur- ba - ta senz' but you do seemem-
::::=::::
J l
Countess
~
a-tlto &tcame
,,
,
non vi - di be - ne. I was notwatch-ing.
~
§
0
or
-e:----
~
~
Al - la sua stan - za, May-be to her room,
al - tro. Ah que-sta ser - va piu che non tur - ba me, tur - ba voi stes - .so. bar-rassed. ls it not you, rath - er, who should be em - bar-rassed_ a-bout Su-san - na?
-
~
---------- -::::=::.:
It
~ pube-
ve - ro, e
not
the
ve - ro, is - sue!
e If
lo ve it's Su -
dre - te san - na,
I
a - des - so. must see her.
~ [ attacca subito] 62221
164
No.13. Susanna, or via sortite! Susanna, what's the matter?
Terzetto Count, Countess, and Susanna (Su,sanna enters through tlte door she used on leaving, and halts, on seeing the Count at the door of the small room.)
Allegro spiritoso
Count Su - san - na, or via sor - ti - te! Su - :;an - na, what's the mat - ter?
Countess Sor - ti Come out
.'
Susanna Cos' What's
.' 4
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l
-
.-
'
co - de - sta all this an-gry
.~
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e
ma - te - vi! pos - si - blel
4 ◄
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r
4
I
-
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I
Ii chat -
-
sen - ti she can -
-
i.J
-
te, now,
co - si do you
vo'! hear?
Im -
~
r
r
-- --
. -,:
II pag- gio do -ve anThe page no long- er
- -
te! not,
J----~------,J
'"
.
r
sor - ti right now
-
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- ---- - - --......... - -
~
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te_ ter?
-
-
--
-
fer-
i--
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-
r
re el- la non she can't ap -
-
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165
- ., do? --
.- .- .-
,
rtlu
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t
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puo, pear,
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creac.
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re' el - la non puo. :;he can't ap - pear!
-
sor - ti right now
- ------ -
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'
t
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-
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Count ~
-
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=
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chi vie-tar - lo or E What rea - son can pre -
~
I
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ii pag-gio do-ve an - do? here? The page no long- er
here?
-"
--
- - -•= = • -
~
~
l
l
.
I
Countess
lltess
Lo vie - ta, She's mod - est,
Chi? Speak!
o - sa? vent her?
o vie - ta she's mod - est,
~
Fer-
Im -
~
' Tl._
t
. '
-
.
::
-
.
l'o ne - sta. that_ is why.
.
r
Un' A
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.
' 'si pro - van - do el-la she has to try it
- -
rJ
I_
·-·
' to
-
-
a - bi spo - sa wed - ding dress was sent her,
~
•
- - - -
-
r ·r r -I -
--
--
Count
NI
p-
sta, on,
pro - van she has
-
do el- la to try
si it
sta on.
e
la Chia - ris - si-ma grasp the sit - u I
---..1
12226
t68
Susanna
I\
.
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-
p
41
A
p
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Count
&,
fa
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1,2226
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chi sa se - vere
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e
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ca a
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si-ma la the sit - u
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pi tick
sco lish
fl
.-
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&,
-- .
-
sa co - sa ly wounds my
- - --
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brutyour
pride,
,._
..
-
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sa - ra, l'a - man - t~ qui lov - er hides in - side. her
.
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f_ &,
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co - sa, a - tion, I\
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pi - sco qual - che tick - Iish sit - u
chia - ris I grasp
veg - gia - mo co - me va, de - nied, it can - not be
co - sa, sa - tion
b-
ra, _ _ side,_
II
r
.
~
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f
&
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brut - tis - si-ma la your shame - ful ac - cu -
co - sa, sa - tion,
I
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co - sa, sa - tion,
•
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her
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co - sa, a - tion,
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Brut - tis - si-ma e la Your shame- ful ac - cu
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167
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l-che - u
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co a
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p - -
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co by
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f
.... H,.. .... - - ... - - -
me sur
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va, prise,
veg he
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ra, wise-,
ehi is
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gia took
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r
-
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your
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sa and
sa un
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va, mo co - me us by sur- prise.
sa sur
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-' ' ~2226
~
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ca This
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co - sa sa - ra, less and un- wise!
sa sur
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brutYour
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qui by
ra, prise,
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f
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qui by
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te them
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co less
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l'a - man I took
p
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sa base
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chi is
co - sa, a - tion!
~
mo us
l
r
-
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gia took
he
e la co - sa, ac- cu - sa - tion
chia - ris - si-ma la Dis - grace-fut sit - u
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r
la - u -
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sa, tion,
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tis- si-ma im - pu-dent
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qual sit
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chia dis
-
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----
-- ~I
168
la co cu - sa
e
ris - si-ma la grace - ful sit - u
co tick
che
qual ver
y
e
brut - tis - si-ma your shame-ful ac
sa, tion,
-
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chi is
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sa, tion
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p
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-
veghe
veg - gia - mo he took us
man - te qui sa - ra., took them by sur - prise, \
a
va, co - me by sur - prise,
sa co- sa sa - ra., base - less and un - wise,
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--
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co
sa, tion,
f
p
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la co cu - sa -
sa, chia - ris - si-ma e la tion, dis - grace - ful sit - u
co
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sa, quel-che co lish sit- u - a
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sa - ra, sur - prise,
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co ver
un-wise,
---::..
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.
169 \
- -
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sa
sa - ra,
y
un - wbe,
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l'a I ◄
-
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. . --·- .
-
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sa sur
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va! prise! ~
sa - ra. un - wise.
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me sur
sa_ co - sa_ and_ base - less
qui by
ra, prise,
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chi is
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co by
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chi
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co me va, by_ sur- prise,
41
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ra. prise.
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---- -
fp,ll_. - · - · - • _-fll
Countess
~
Fer - ma Im - pos -
Su - san Su - sao
~
-
na, na,
te- vi! si- ble!
or via what is
sorthe
- mo us
§ ~
sen - ti She can
ti
mat
--42226
te, ter?
te,
fer Im -
not!
sor - ti Come out
te, now!
t'JO
ma. - te - vi, pos - si- ble!
re el - la. non she can't ap -
sor - ti Right now
io co - si Have - n't you
vo'! heard?
puo. pear.
Dun-que par - la.-te a.I - me - no, I may not see you, Well, if
tr
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Su - sa.n Su - san
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Nem-men,nem-men, nem- me - no, You will not hear her talk - ing,
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na, se qui na, let me
tr -
sie hear
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171
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ta - ce - te! for - bid it!
it,
-
p
•
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r di - no ta - ce ly I for - bid
-
v'or press
~
~
(Susanna !,,ides in tke alcove.)
;:
I
=
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--
--
.
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-
=
Susanna ~
-
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L_
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l
mia, please
I
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-
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di - zio, sid- er, I r,
con - sor my la
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te dy,
mia, please
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giu con
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cie - lo! un pre - ci - pi - zio! Heav - ens! this is dread-fol!
-~. .
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sor - te la - dy,
..
p
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ex-
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di - zio! sid - er!
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dis - or - di - ne, ca - tas - tro-phe
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giu - di - zio! con - sid - er! ~
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ConYour
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giu - di - zio! con - sid- er!
-
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:
to na - ·see - ra. ly come to pass.
-
-
I
.
Countess
- - - -· - -
I
-- 61226
V
I
scan - da-lo, un scan - dal, a
io
..-
I
-
;- .J
~--l -~ ---
t'72
'
Susanna P,
- - . --
-
~
41
.
0 Good \
-·
.
- -·~ - r
I
r
-
I
I
sor - te mio, giu - di - zio! lord - ship, think it o - ver,
. - -·
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41
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te mia, giu dy, think it
-
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-
I
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.
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P.
- -
~
con - sor - te mio, giu - di - zio! your lord - ship, think it o - ver,
Con - sor la My
.
.-
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bJ J J r, •
-
un no
p
-
,
di - zio! ver, 0 -
un no
1-1 -
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p
0
good
scan - da-lo, un dis - or - di - ne, scan - dal or ca - tas - tro - phe
schi - viam must ev -
per ca - ri - ta! er come to pass!
scan - da-lo, un dis - or - di - ne, scan - dal or ca - tas - tro - phe
schi - viam must ev -
per ca - ri - ta! er come to pass!
U226
--....
-
..... 1'73
p
-nna
~ un what
0
Good
zio, ter,
pre - ci - pi a dis - as
~
Giu - di care Be
DD
,,
no
-
un a
scan - da-lo, un scan- dal, a
dis ca
or - di - ne, qui tas- tro - phe will
giu - di zio! un your lord - ship, a
zio! ful!
P.
~ Giu - di - zio! Be care - ful!
llll
no
'
~
INI
~
un a
.
I '' i
qui will
i'
"
~
•
da
scan scan
dal,
scan scan
da dal,
lo, un a
lo, un a
cer sure
-
to na. - seely come to
dis ca
or - di - ne, tas - tro-phe
schi-via.m will sure -
per ca.- rilycome to
dis ca
or - di - ne, tas - tro-phe
schi-via.m will sure -
per ca. - ri ly come to
• :~
~1~
il,, if
:I
ii lb
'
U226
t74
I ciell 0 good Lord,
ra, pass;
un pre- ci - pi what a dis - as
zio, ter,
un scan - da.-lo, un a scan - dal, a
zio, ver,
un scan a scan
disca-
I ta,
con - sor - te mio, your lord - ship, think
pass;
giu- di it 0
da-lo, mdisdal, a ca-
I~ ta, pass;
con my_
sor - te mi&, la - dy, think =-..:
giu it
-
M -. di
zio,
un scan - darlo, un a scan - dal, a
p
qui cer - to na- see - ra, - - - - - - - - - - - - - - - will sure - ly come to pass, _______________
p
' ss,
or - di- ne, tas - tro- phe - =----
12226
schi-viam per ca - ri - ta, will sure - Iy come to pass,
per will
ca come
ri - ta, to pass,
ca come
ri - ta., to pass,
disca-
t'JI
.
~
~
4
m-
-
.
-
qui will
.
~
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.
schi will
ca-
~
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--
-
- -
4
-
cer sure
na - see to come
to ly
-
viam sure
-
per ly
-
viam sure
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ci - pi dis - as
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un
a
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giu - di it 0
giu it
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sor - te mia, la - dy, think
- - --
,
-,, .
- -
Recit. r.,,..
-
-
pre a
~
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Giu - di - zio! warn you! I
con - sor - te mio, Your lord - ship,think
-
a tempo
r.,,..
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con My _ _
\
ta. pass. ~,
un What
.
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r
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lo! ens!
-
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GiuI
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ri to
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,
ta. pass.
r.,,..
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----... -
,.,
- -
;
di - zio! warn you!
.
~
a tempo
cie 0 Good Heav
- - -
4
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'- - - I\
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.
r.,,.. ~·
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r.,,..
ca come
per ly
-
- - -
•
pass.
,,
schi will
I
ri to
ca come
-- - - -
diaca-
-
-
.
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-ra.
-
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Recit
. .- .
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ca-
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p
.
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di 0
zio, ver,
-
un
a ~ -
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un a
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p
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t78
~ qui cer will sure -
ca - tas -
schi - viam per ca. - ri will sure - Jy come to pass,
di - ne, tro-phe
schi - viam per ca. - ri - ta, will sure - Iy come to pass,
-
------- ~-
.. .. ~
~
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p
- -
41
- -
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per will
- .~ per will
◄
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41
= -
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- - - '
-
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.IL r
ca. come
-
ri to
-
cer sure
ta, pass,
- - -
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-
-- -
-
--
schi - viam sure will
-
,,,
"'·. . :z:. ~2226
to Jy
na. come
see to
-
-
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r~ •
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per ly
per Iy
---
ca. come
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tf: -.
-
ca come
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ri to
...
.(2_
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p
-
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schi - via.m will sure
-
:
I
- -
ri - ta, to pass,
- - - --
-
~
qui will
~p
I'
ta '
da-lo,u!! dis - or - di - ne, dal, a ca - tas - tro-phe
dis - or ca - tas -
~
to na. - see - ra' - - - - - - Iy come to pass, ______
-
ri to
.:
t'7'7
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qui will
'
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ca come
ri - ta., to pass,
.p..
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ca come
per ly
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schi will '
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ta., pass,
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na. come
to ly
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qui will
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na come
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to ly
-
schi - viam will sure
- -
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ta., pass, \
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cer sure
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:
-
-
schi - viam will sure
ta., pass,
. -
§
- -
ra, pass,
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see to
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ra. pass.
D
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per
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ca come
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per ly
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t.2226
-
ri to
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ca come
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ta. pass.
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ri to
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ta. pass.
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t.'78
Recitative Count and Countess
Countess
Dun-que voi non & - pri - te? Are you go - ing to o - pen? ~
{
E per-che deg-gio, le mie ca -m&-re a-prir? And for what rea- son should I o - pen my room? ~
Count
{
-~~-
Eb - hen, la - sci& - te, All right, don't
-
l'a - pri I'll get
_..,...,;i
rem sen - za chi a - ve; in just the same.
ehi, Ho,
i
l !
1 ~·
Count
I !,I
j
re - pen - ta-glio d'u- na da. - ma lb- no - re? your in - ten-tion to dis-grace me in pub-lie?
gen-te! Co- me? ser-vants!Howdareyou?
--.
--
ve - ro, course not,
io eba - glio, why should I?
poe-eo sen - za ru-mo - re, With-out noise or dis-tur- bance,
_g--...
{
cun di no- etra gen-te, scan-dal be-fore our ser-vants,
{
::-:~
4,2228
·--
&
~:::=:::
a.n-dar io stee - so I'll go my - self then,
::::=:::n.
E
Of
sen - za scan-- da-lo al nor a- rous - ing a
a pren- der l'oc - cor to get all that is
1'79
ren - te. need- ed.
~
-
At - ten - de - te You will wait for
;_
➔
pur me
~
~-
.,
~
~
~
, sia ii mio so that all
qui. . . ma per-cha in tut - to here- but be-fore leav-ing-
~~
-A-8
1,-frir? r rooa?
(Locks the door to Susanna's roomJ C t · oun ess (aside)
~
~ ...
dub - bio doubts are
di -strut - to, ex-clud - ed-
---
llli •
§
por - te io pri-ma chiu-de- rb. (Che im - prusure and lock all the doors. (This is
an- co le I shall make
-
---
Count
r:-t
den - za!) worse yet!)
~ I
Voi la No,
con - di - seen on sec-ond
den - za thc,ught,
di ve - nir me be kind e - nough
ro to
a come
{
Of
§
~
vre - te; with me.
ma - da - ma,. ec - co-vi ii
My
la, - dy, may
I
brae- cio, es - cort you?
-
-lo al-
: a
~
"
•
~
cor-
•
~
{~ f U226
r
'
'
dia- mo! be it.
-
Count (inaic!!tinl!_ the small room)
Su - san - na sta - ra Su- san - na wont mind
J
An So
-.
.. - - ... ..
qui wait-ing ~
an - dia - mo! Here is my arm.
(.E;r:euntJ
fin-che tor-nia- mo. till we are back here!
I:
#
t.80
No. 14. Aprite, presto aprite Unlock the door and hurry!
Duettino Susanna and Cherubino (Susanna runs out of the alr·o1·e.)
Allegro ass~i
,.;;;-.._
A - pri - te, pre-sto a - pri - te, Un-lock the door and hur- ry!
Su - san-na; sor - ti - te, sorSu - san-na, come out now, and
a - pri-te;e la It's I, it is
~
i:111 I
. .- - r
- - - -\
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r
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{
-
,
ti - te, quick- ly, ..;. .:. ~
- r
I
qua., here,
-
\
r
via sor ver - y
-
r
r
- -
-
.
-
. .-
an - da - te
via
di
you
out
of
J1
min - ute,
~
l
must
get
-
I\
l
UJH
..
.
• - .- L
l
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l
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-
I.
-
I
via out
di of
l
l
. - - "
I
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-
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-
.
qua.
here.
Cherubino (coming out of tA11
.-
- -- - r
I
- ' - .
- - .
r an - da - te you must get
- ti - te,
.:.
l
.
-
I
. . .- . .- .. .. .... .. . .
- . -. - ---
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•
sor - ti - te, come out this
.-
Oi - me! che sce-naorOh, Lord, what a ca -
.
.,,. -
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I.
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-
-
~---2::::..b -
-
~
181
di I
Di la., You can't,
fa!
fear!
Che gran fa - ta - li I've got to get a -
-
p, R I
le, sor.,.., and
' ' ~ di
of
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ra - te, out - side,
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42226
T
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mai Heav
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sa en's
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sa - ra, we do,
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che mai what can ,
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che mai what can
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- - - -
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sa - ra, we do,
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TI
ra, che mai name, what can ,
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rit, che rnai name, what can
-
son ser door from
.,
r
.-
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Le por - te He locked the
. -
son ser door from
-- -
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-, -· che in
-
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r
le por - te he locked the ,
..
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...
che mai in Heav
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ra - te, out - side, .LL
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son Sf'f - ra - te, door from out - side,
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t'a.I way! \
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ea -
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Le por - te He locked the
j\
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sa we
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sa we
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181
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non of
per - der - si out stay is
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ra? do?
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Vue - ci - de Then make a
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8e vi tro - va! good sug - ges - tion!
- -
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gio - va. ques- tion. '
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.
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che mai what can
ra., do,
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we
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' che mai what can
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che mai what can
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che mai what can
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che mai what can
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che mai what can
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USN
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....._,__:,__-
t83
§ a -
(going towards the 1m"ndow wkicA looltB out on t"8 garden}
le
~
di pro-prio nel giarit
a re
is
a - bove the
:::::::--,.._
~ (holding kim back)
§ ing to J°ump out)
Fer - ma - te, Don't do it,
Che - ru Che - ru
-
fer -
bi - no! bi - no,
don't
~
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--
1....---=
----
e;.::_::::...... .
.:::::::::.--
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§ ma - te,
do
it,
fer - ma - te, don't jump, it
per pie - ta! is too high!
( trying to free Mm.self from ker}
§
HU&
--
Qui
It's
per - der - si non su - i - cide, I
t84
,
•
~
-
-
,
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Fer - ma - te, Che - ru Don't do it, Che - ru
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:
M'uc - ci - de It real - Iy
- - --- - - - -- ,,
.
bi - no. bi - no.
know it.
-
-
.
-
- ....._...,.. -
-
se mi does not
I
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,
=====------
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J.L ~
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' Tropp' al - to It's much too
4
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tro - va. mat- ter.
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No
sal - to, jump-ing,
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-- - -- -
fer - ma - te, you nev - er
-
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per pie will get
-
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La - scia-mi, oth - er way
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ta.!
by. \
J.L
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(releaBi'l'l/f himself from her)
- -
-
-
la - scia - mi! left for me,
r---r===:------
J.L ---
!
4I
~-- -
'2226
I
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f ~
Pria di I would
v-
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185
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ab - brae - cio em-brace hPr
mi
te in
1wr my
Jp namt>!
i.
Ad -
not
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~ pie get
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co - si si and here I
~i - o! bye now,
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fa! go,
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pe - ri - re, o real - ly means to
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~ Fer- ma - te, per pie - fa! do it! For Heav-en's sake,stay here,
~
fer- ma don't do
te, fer - ma it,don't do
te! it!
(Cherubino/umps out.)
le y
(8u6anna screams, sits down for a moment, and then goes to the balcony.) U226
-
186
Recitative Susanna, Count, and Countess
Susanna
~
_
,. ,.
r
t
{~
'p ' '
mi read - y
-
~
~
~
a
glio mile
-'
~
~
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r
Ion - ta a - way!
F
~
y
I
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e
gill. un He's al-
co - me fug - ge ! How he can run I
---
.=~ l no;
I~ ma
-.Hut
-e:
{lc.cn
l
➔ ~
I
Oh guar- da ii de - mo - niet - to Look at the lit - tie dev - ii!
-
.
...
~
p
non it
per - di&m - ci in is up to
~
I
triam deal
-
in with
our
ga - bi lord and
net - to; mas - ter.
-
,..---...._
,,
ven Come
;::;_
uau
.....--...
(Ilnter• tile •mall room [and loclt• tile door /Je-
~-
~ .n •f
ga a - head,
poi
t
Aind Aer.])
~
~
lo smar- gias - so: mis - ter ty - rant,
h~
p io I
qui shall
,. l'as be
., pet - to. read - y .
I!
~
~ t87 (Jlnter the Countess and ihe Count. The Count brings a hammer antl a crow-bar; afler e,d1:1~ Count . ing, he ezamines all the doors.)
e
Tut-!o co-me il la.- scia.-i; Ev - 'ry- thing as we left it!
Yo-le- te dun-que a-prir voi stes-sa, Will you your- se If un - lock the door now,
0
or
,.-.,,,.--, -9-
{
~
(p·reparfng to force open _the door)
ipan ia al-
~
deg- gio? ~hall I?
-
i ia
•
Ahi - rile, fer - ma - te, Just wait one mo-ment.
ea-scol - ta - te-miun po - co, I en - treat you to lis - ten.
-
Count
tosses tlie hammer and crow-bar onto a chair.)
-
~
•
""
y r r de - te ca-pa- ce think I could fail you
~
I
~
mi ereDo you
......
,,, ,,, ,,, ,.
,,
di man-car in my du- ty
al do - Yer? Co - me vi pia. - ce, as your wife? That is the ques-tion.
=J
~
{~::?&-
~ en - tro quel Mean-while I
------
I ----..a.-
~
{
....
ga - bi - net - to, pro - ceed - ing am
chi to
v'e find
chiu - so out who
---
ve - dro. is there.
,.---._,
_
~
~
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{
I
Si, Yes,
----~
42226
t lo there
ve is
dre - te, some - one,
~
mau but
-
di te lis - ten
-
mi to
tran me
t.88
Count (incensed)
Non e dun - que Su - san - na? So it's not Su- san - na?
ra - gion can give you no rea - son
---
eun og- get - to, but some - bod-y else
ma in - ve-ce
vi de - ve sus - pi - cion
u - na just a
---
ver - sion,
la - sciar; or doubt.
-
a
per que- sta We were re -
far si frol - ic
dis - po for this
Count
giu - ro as-sure you
-
che l'o - nor, that my hon- or,
-
-'2226
di - te ... say it!
l'uc- ci - de - ro. I'll strike him dead.
----
Chi e Who
Countess ( as above)
(with increasing anger)
que? it?
l'o - nes - ta .. . your good faith .. .
..----.._
Sen - ti - te, Please lis - ten!
(ah (ah,
non ho I'm a -
t81
~
!I - to,
Par - la - te. Speak free - ly !
-
~
lo. It's just
Un fan- ciul?
Just a
a
child?
Countess
~
1e-
Count.
Countess
Count
sta
Si, Yes,
ere re -
Che- ru- bi - no. Che- ru - bi - no.
---
-
(E mi fa- rail de - sti - no Why must I find that page- boy
ri- tro - var que-sto trail - ing my
--0- ✓ ~
(aloud)
~ - po this
o - gni lo - co!) like a shad - ow?
Co - me? What?
non e par- ti - to? Has he not kft?
-
~ Count
~
~ Chi e Who
me!
Now
Ec-coi dub I be - gin to
bi see
spie
ga - ti, day - light
ec - co in this
§
~ llo
I
bro - glio, ec- coil rag - gi - ro on de m'av-ver-te il fo - glio. fu-sion.This is the cun-ning plot_ ofwhichthelet-ter warned me.
a -
~
scel - le He de-
b
{ U218
l'im con -
190
Finale of Act II
No. 15. Esci omai, garzon malnato Out you come, don't waste a moment Count, Countess, Susanna, Figaro, Antonio, Marcellina, Bartolo, and Basilio Allegro Count (w?°tk 1.n·o1ence, at the door of the small room)
.. a,
V
-
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Out I\
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scia rnal - na - to; a mo - ment, wretch -
gar- zon don't waste
sci o - mai, you come,
fp
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..:. ..:.
-
-
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fp
fp ..:. ..:.
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fp
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gued,
..:. ..:.
-
. .. -
Countess (pulling him back from tAe small room)
ra - to, non tar - dar. dis - o - be - dient page.
-
- - - -
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per lui I am
- -- -
per lui_ fam - mi ii cor_ tre - mar, J_ am fright-ened by_ your rage,
- - -
rrr creac.rr·r -fp. - - -
--
quel fu - ro - re, what ex- cite-ment,
- - - - - -- - _..- --
fam-mi ii cor tre - mar, fright-ened by your rage, ~
Ah! si - gno-re, Dear-est bus-band,
,
~
per_ luL J_ am
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fam - mi il cor fright-ened by \
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I am
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sa - te? op- pose me?
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Via par - la - te. No, I am wait-ing. Let
-
-- -
Countess
.. -- -- -
No,sen - ti - te. You must !is- ten!
-
. . - -- .
Count
'
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e d'opand you
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E d'up - por-vi an-ror 0 - sa - te? And you still wonld dare op - po::;e me,
-
-
roo'lft)
··-
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Countess
-
por-vi an - cor still would dare ~
-
- -- ---- - ----
"·
-
tre - mar. your rage.
...__-
... .. ... ..
Count
~
senme ~
.
- -
~ -
- - --
t'
i
Count
Countess
lf
te. you!
l
Via par - la - te, I am wait- ing,
par - la - te, the an-swer,
par - la - te! what is it?
Giu-ro a.I As a
.. (trembling and
laL
am
ciel, joke
12226
ch'o - gni so you have to
spet - to, take it,
ch'o no
gni bad
so - spet - to, in - ten - tion,
e lo and the
192 alarmed)
Count
sciol- toil o - pen
col-lo, ro!-lar,
nu-doil pet - to .. . shoul-ders na - ked .. .
Seiolto il 0-pPn
Per veTo dis-
p 11 11111
!ill!
stir guise
fem-mi - nee him as a
spo-glie .. . wo- man ... Count (Goes to,vard the small_ room,thenturnsaround)
Ah! com - pren - do,in-de - gna mo-glie, How in - de - cent, how out - r a-geous!
Mi fa tor - to quel tra - spor - to, You of - fend me most se - vere - ly
tos-to ven- di bo ld-ness he shall
car, pay!
m'ol-trag - gia - te a du - bi by ac - cus - ing me this
ah!com-pren-do in - de - gna How in - de - cent, how out ~
mi VO' for his
mo - glie, ra-geous!
mi vo' for his
__ J__ 42226
.. J.93
Count
9
Srir-lto il 0-pt>n
tar;
= w
mi fa tor - to quel you of - fend me most
to sto ven - di bold-ness he shall
tra-spor - to, se - vere - ly,
m'ol mo::;t
car-, pay!
trag se
-
ah! com-pren - do in- de - g·na Huw in - de - cent, how out-
wntess
Per veTo dis-
~
tar, way,
~ mo - glie,
~nd)
ra-geous!
Q
ai VO'
for his
l
~ "-
tll..is
m
Ii vo' ,r his
.\2226
mi vo' for his
to - sto ven - di bold-ness he shall
car, pay,
m'ol - trag - gia - te a by ac - cus- ing
du - bi me this (approaching the small room)
mi for
vo' to - sto ven - di his bold-ness he shall
194-
.
(Giv .. Aiw IAIJ hy .)
I
\
-
-
-
.
4
.
E - gli e He is
( turning bacl.·)
. .\
:t:.· ,,,
. ., I V
4 ◄
.
Qua. Let I .,
-.
fl
.
- -· ,.
-·
- --
-
in-no - ren-te! not guilt-y, ~
-
qua. Let
la chh.-ve! me en-ter!
---- _ - ~·. - - .......... ~
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:
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e - gli e in-nohe is not
- - -la chia-ve! me en- ter!
.
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p
.:.
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.
:
.. :--••·-
-;
--
~
-
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Va Go
voi sa - pe - te. Non You.know bet- ter! I
lon a -
¾
tan way
da-gli oc - chi
at once
mie - i! Un' and leave me, you're
in - fi - da !In' em un - faith - ful and
Countess
cer - chi d'in - fa- mar, cov - ered me with shame,
e
you
mi have
cer cov
chi d'in ered me
fa-mar. with shame.
I
I I f
42226
:f.96
~ in-noaot
~ a _ scol - to, won't tis - ten'
~
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ai liare
~
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ma .
but.
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Non I
won't
f---
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Recit.
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h.. b•
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vol - to! lieve you!
( \
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Mo I
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la his
Ah! Ah,
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tempo
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Vel leg- go in I don't be-
lis - ten,
----
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a. - scol - to.
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t!:.~'
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Non son re - a! am blame-less! I
l
---==-
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pa tempo_
mo - ra, kill him.
ra, shall
--
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,ri. Eltrr r
{96
cie - ca ear is
If?ilr
ge - lo deaf to
si rea
-
a, son,
~ - -I ~. ~ ·... -
I
qua] jeal
ra, shall
mo I
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7
......
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mo - ra, kill him,
------=---- - - ~ -. -
~7
1
Ah!la cie Ah,his
ces - so gli fa rage has made him
non si - a, his trea-son!
...
7
411H
l
l
ca ge is deaf
ria Noth
lo to
ca ing
fa
si - a, rea - son,
gion, less,
.. ....
~
I--~
I
mo - ra, mo - ra13 pin he must die__ for
-
~
,------,
che ec ous
SUS -
ria ca - gion del mio pe - nar! noth-ing less can ease my mind!
Ah! Now
com - pren - do! I know you!
19'7
.
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42226
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ra, shall
~
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far, blind.
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Ah! la Ah,his
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non si • a, his trea-son,
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a, son,
mo- ra, mo - ra,epiu He must die __ for
I
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--- - - - - ---~- - -~- - -· --
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ces- so_ gli fa rage has made him
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mo - ra, kill him!
.
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qual jeal
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ra, shall
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la his
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to! tice!
--- - -- :: f p p f . .. . . ... . . - - - -- --. -- - - -------
ng
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mo - glie. wo - man,
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tra - spor in - ju:, -
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in - de - gna Un-worth - y
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quel What
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tor - to, pi- cion!
)US
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-
{98
cie ear
ria noth
ca ge - lo - si - a, is deaf to rea- son,
ca ing
giun, less,
quakhe ec - ces - so gli fa far, jeal- ous rage has made him blind,
qual-che ecjeal - ous
ria ca - gion del mio pe - nar, noth-ing less can ease my mind,
ria canoth - ing
so gli fa has madehim
gion del mio pe - nar, less can ease my mind,
ces
rage
mio ease
41226
BO gli hasmade
pe my
ria ca - gion del mio pe - nar, noth - ing less can ease my mind,
fa far! him blind!
qual - che ecjea l ous
del can
'Opens tlJe door; Susanna; gravely issues from the door -ns there.
nar. mind!
t9t
Countess
~
aal--che ece-al - om;
~
ri& lOth -
ca.-
ing
Andante con moto
Susanna
Si - gno- re! Your lord-ship!
~ - che ecous
(ironically)
stu - po - re? be - wild-ered!
il has
~
11
door-
-
~
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r
4
pag-gio uc - ci come to sur ~
I ~·
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-- .
~2226
--
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-
de - te! ren-der, .!..
w ... .
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-
,
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- --
Quel pag - gio_ mal - na - to your treach-er - ous_ ri - val
.:. .:. .:.. ,
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------ -
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ve - de - te - lo_ is stand - ing_ right
-....__h
......... ------
200
na - to val n
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mi my
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va, che brain, they -I
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111
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con-fu-sa han la how all this has
[',a. v'e ex - plain!
san - na san - na,
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Su Su
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-la this
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mai der-
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Con-fu-sahan la How all this has ~
.
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sto - ria e can't un
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lo
rig-ht
(aside)
r--a,
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Che I
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Susanna
...l
-::::.
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...
-
ti
n
(aside)
sco - la! fooled me,
-1
I
-
de - te stand- ing_
--
-
-
.
Che They I
-
- ..
Count (aside)
-
Countess
.
I
qua. here.
-··.
ve is
------
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---
.
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la.nla
is has
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ran - do fus - ing
mi my
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san - na san - na,
v'e ex
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Y. y Y" y re - sta, non san co - me hap-pened they can- not ex -
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la! plain!
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Su Su
te - sta thing IS
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va. plain.
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la this
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con-fu- sa han la how all this has
- -
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sco - la! fooled me,
,_,.
y
rlPr - :c-t,rnd
-
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r
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mai
un
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mai der-
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can't
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va, te - sta, non san co - me hap-pened they can-not ex - plain,
- .- - - . • sto-ria e
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41
ri!{ ht
'
still might
be
-
-
-
- la? ev - er ..
80
.J
- ---- - ------ - ---• .. - - - - - - - - - - - - - - - - - - - • ~
~
- ----
-
- ----
che
I
Guar - dia - ino! All right then,
----
-UZ2fl
guar - da - te! all right then,
qui a - sco - so sa he still might be_
guar - dia - mo! all right then,
qui a - sco - so he still might.
sa be
.
ao2 ::--
qui a - sco he
I\
Allegro
I
-
V
•
Countess
-
::
., ,
..
I
-
-
-
- -
ra. there.
-
I
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l
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-- - -
I
I I r r ra. son nior - ta, Su - san - na, there. Su - san - na, I'm wear - y, .- (The Count goes into llte small room.) I
-....
Alle1rro
·-
41
--·-. :; -
-- --
• ..
.
sa be_
still
. . - - ·I:
- -
,
r
il fia - to I'm breath-less
-
-
. -- - - - - - - -- -. -.
.. - - - ------
-----
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• ..
..
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r
mi with
_......_
.
- -.
--
- ~ - e-
Susanna (Quickly indicates to the Countess the windoy;, from which Che lie wor
Don't
,.
ta, ry,
•
- '
-
::
'··
there.
I
•
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'4
-
=- .
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'2226
V
-
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I
ca, in ful, the
....
sal page
I
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voe
is
- -
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-
-
Chesba-gliomai pre-si! Howbad-ly mis-tak- en!
g1a.
'
- - - -
I ~
fran cheer
di not
Count (Comes out of the small room in ron.fusion..)
rubino leaped.)
-..
piu be
~
-.i
•
::
.-
,e.:
-
-
-
--
che sba-gliomai Complete-lymis-
------ -· -· - ---..,. - - -~ -- - .. .. ::• p - I
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208
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to
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of-
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per - do
I
beg
vi chie - do, for-give-ness,
no your
per - do
vi will
no you
I'm sure
l - ••
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chie give
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do; it.
I u
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ma.
far
bur
But
such
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si es -
D
a-gliomai
!te--lymis-
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fe - si, fend you,
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mi with
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Ap - pe - na. I scarce- ly
pre - si! tak - en.
~-
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UHi
mi - le ca-pades
e are
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·.. - - - - - - ... cru
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el
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poi quite
cru out
del of
204 t
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1: \
.111111 11
1
1
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•
717
Le Your
'
fa, grace,
,-fa, I
y
t.
. - -·
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---
fol be
li hav -
~
-
le your
''
fool
-
---
VO
--
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-
fool
,
7
non can
mer mer -
tan
pie -
it
no
I
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VO
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ior
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7
- le your
e
...
I y
,
--
1' vo - stre fool - ish
e:
grace,
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...
I ,
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vo - stre fol Ii e non mer - tan pie fool - i;;h be hav - ior can mer - it no Cou~tes,, ~ kand~erc~ie{ ~ her nw1$..k to conceaf h.e1; agi:ati~
place. I
·-...
....
Le Your
... ta .
A
-
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Susanna
~
-
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ish
be
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li hav I
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e
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non can
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mer
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mer
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l
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tan it
pie no
- - - - - ,-- -
non can
--.
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.
mer mer
-
e ior
..
tan it
-
pie no
...
Countess (gradually recovering from her confusion)
menY0tire
Nol di - te! Don't say it!
v'a - mo! love you!
12226
vel giu - ro! I swear it!
I
~
205
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pie no U-)
41
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:::
ti - te! ly - ing,
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4
pie no
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41
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•
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eorifusion)
... V
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menYou're
-----
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l
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41
. -. -
42226
.,.
-
,_
v'in de -
-
•
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-
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I
Quell' i Please help
~
-
..
~
- - - -
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rn'a.-.i her an
Su - san - na, Su - san - na,
ra, me,
-,,
-·
P'
- - - -
.
~,
-
- .:
,...
ta a ger
-
calto
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--
1•""
--
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Susanna
-
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...
- - - - -- - - - . Co - si mar. si con - dan - na chi ~
calm.
-
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41 I
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gan - na. ceive you.
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ra ways
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fi faith
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(forcefu,lly and angrily)
.
r
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. - - - - -- - -- - - - - - - - - r I
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r
co - si si con your jeal - oui:; SUS-
so-spet - tar, Your jeal - ous sus - pi - cion has done all this harm,
. .
I
~
-
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.
208
,4
..
- -.
..
\
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r
Countess (na.ntfvllw)
..
.
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chi pub " so- spet - tar. pi - cion has done all this harm.
dan - na
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ve - va bet - ter
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, spe - rar? re - ward.
Quell' i Oh, help
(~i
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na, na,
UHi
I• •
~=
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m'a - i her an
taa ger
µ SuSu-
ra, me,
1
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-
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si fie - ra meris sure - ly de -
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--...
-
:.
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do of
.
R -
f
I
ce - de sen'. - ing
-a-
'
Count I
-
I
I
A - dun - que la fe - de :My love, al- ways faith - ful,
I r r dun' a - ni-ma a - man - te, so true and un - swerv - ing,
411
I
- -
.
cal - mar. to calm.
P - - 1,........-..iii ~~
JJbJJJ)J:J I
"""f
'(
Co - si _
Your
si
jeal - ous
con sus -
:
90'1
§ dan- na chi pub
so-spet - tar, co - si si con - dan- na. chi puo so-spet.- tar. pi- cionhas done all this harm, your jeal-ous sus - pi-cionhasdone all this harm.
~
(beseechingly)
aer-
CruYou
de -
=
~ S11Su-
Ma ii mi I once
la non so - no! are for - got-ten!
se - roogwas con-
~
con-
as -
vo dored
11troab - ban - do - no, by my lov- er,
che a but
-
ve now
te
I'm
di tor-
Ir
';
208
'.f
-
--
Susanna ~
I
~
~
-.
Con - fu - so, De - ject - ed,
II
I
~
-----
let ~~
77
-
to
~
""T
far and scorned
di
di by
-
7
Count
don't
cru - de - le, You trai-tor,
pu - ni - to, for - give-ness,
pen - ti - to, re - pent-ant,
e
trop - po begs for
trop - po beg your
CruYou
spe - rar. lord.
my
Con - fu - so, De - ject - ed,
-~226
pen re -
ah! ah'
sof I' 11
son don't
trop har
son I
po bo1
frir si nev - er
tror har
pu re -
gran for -
po bot
pure.
209
.,:-;-----. . . '.. \
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t.
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-
-
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pu -
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PL·
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al long
.
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te and
pie - ta. for - give.
v••
..
..
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te and
_.,
-12226
-
-
-
-
--
,1_ -
-
no, __ no, __
ah! ah,
quest' as_
--
.,,...----.
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L .::---
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ab - bia have mer
--
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v-
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te, ab cy, be
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Fu To
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Mail pag-gio rin - chiu-so? But what of the page then?
--.-...
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- -- - -
·-
oe_
~
pie - fa, __ for - give,_
te cy,
pie - ta. for - give.
j~ -,,-
-
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.
.tb
non sa. live. I
ma as
-
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L
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-· - - -
- --
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<
as
I
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"
bia kind
rt.
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bia - te, mer- cy,
sa, __ live,-
non I
rra
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ab pie - fa, for - give, ha,·e
te and
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ab - bia have mer
.-
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quest' al as long
ni - to, sent - ment,
~
,,
::::::;-:--...
-
-
,,
-
to, a.b - bia ment, be kind
,-..~p.
-·.
aon I
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tor - to, l{ive you
You
--
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ni sent -
pen re -
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....
-
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·----· ...
liLJ
-
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-
v~
p
.....
....-
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- -- ,.
:uo Count
per and
Mai tre - mi-ti,i Your fright and em -
pro - var - vi. pro - voke you.
p
j
Countess
pal-pi - ti? Fu bar-rass-ment? Was /
II,
per
sol just
bur - lar - vi. mis- lead you.
to
Ma un fo - glio si
But
what does the
~
------· \
I
- - -
-
Susanna
ni By
41
\
I
- - •
Fi
Fi
-
-
-
~a-~e ga - ro
Countess
- -. Di By
Count
--
~
Fi
Fi
-
~
n
fo writ
l
-
ga- roe ii ga - ro
--
fo
-
-
writ -
-
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r g'r10, ea ten and
-
.
~
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glio, ea ten and
I
r r voi_ per Ba sent_ through Ba -
-
l
'
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--
l
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-
voi_ per Ba sent_ through Ba -
I
bar - ba - ro? let - ter mean? \
/
...
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..__,-
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. .-42226
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m
m-ti,i
Per- do - no non If you_ want for -
md em-
Per- do - no non If you_ want for -
si - lio. si - lio.
Ahl per - fi - di io VO - glio ... What in-fam-y, how dare they ...
m
.
.
.
.
.
.
io VO - glio ... how dare they. . .
.
.
p,
si loes the
-----i \
I
- - - - -41
~ Ba -
~
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.
.
I
- -· - -
. .. I
4
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. .
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mer - ta. chi a - gli al-tri nol da, give-ness, you, too, must for - give,
Ba -
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.
- _ .. --- - . l
~
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. --
,.,_
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-- ta Mia- gli al-tri
"
nol per-do - no non mer if you want for - give-ness,you, too, must for-
1Ba -
-
--•
~ ~
.
per- do - no non mer - ta chi a - gli al-tri nol if you want for - give-nesssou, too, must for-
mer - ra chla - gli al-tri nol da, give - ness, you, to<>,- must for - give, \
•Ba -
-
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...
•
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:.-.
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212
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4
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da. g-ive. 'I
-- . ~
-da. ~
~
V
0
-
Count (tenderly) ,,.,
I
-·· &
Eb - hen all If
give.
....
~
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":"'" --:"' --:"' --:" •__::' '--:" "':"'
41
{. - -
-
-
.,-___., L
-
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se have
I
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-
--
-
-
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-
-
..
vi pia - ce, con-sent-ed,
-
~
---~_:; "':"" "":'
--
- -
.
.
-·
n
com-mu the quar
-
---. ,-__...-- - ~
.
~
l
-
--
con me this time
~
\
ra.
Ah
give.
I
I
{~~
quan feel
l
to, it'
-- . ·•--
co - re! read - Y;
IUH
r
son I
nee rel
la is
- ,_ ~
~
. .
--
r·
II dol weak
.
-
ce en
.. - .
di al-
--....
----=
~
---
l
Su - san - na, Su - san - na,
u-
non to
Countess ~
-:j
I
Di why
don-neal is it
1
1
fu-ro-re that wo- men
chi can
piit nev
ere er
-
debe
213
Susanna
~
gi- ra - te, Yol - ge - te, how-ev - er you treat them,
Co-f!,'li uo - min, si - gno - ra, When men are in ques-tion,
~ la is
~ sa -
fa,
poi
te cheo - gno er de - feat
ve - d.re
gi - ra - te, vol how- ev - er you
scheme,
for -
..
-
I
:;
t.
~ di al-
I
-
-- ge treat_
~
I "
~
V
U'6
-r
l
-- -
te, vol - ge them, you nev
-
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-r -
te, er
gi de
. -..:. - -- - -- -- - -~
-
l
.:.
-
- -r r
r
ve - d.re you nev
ra - te, feat them,
--
..:.
-
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=
.
-
~
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te rhe o er de
-
I ~
I ~
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V
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7
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'7
.
. .
~
- -
-
-
I
Count
~ de-
poi fa. may scheme.
be
~ 42226
..
~
Guar You
I
-
.
(tenderly)
da
par
te - mi! don me?
In I
114
Count
Count (covering ker kand wia
Countess
In - gra - to! I can- not!
Guar - da - te-mi! You par - don me?
Guar - da - te - mi, ho I treat - ed you un -
■·
'Ii
kisses)
. ---
.-
tor just ~
l
h
.,
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,L-·. -
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.....
Count
,,,sotto voce
que mean
-
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-
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pp
--
sto it
-
-
-
:.
-
.
sto it
-· sto it
--
- -
:8:
.-
- - . :. ..
mo - men - to, sin - cere - ly,
-
a
mo - men - to, sin - cere - ly,
,,,---:;;:---._
- -
~
--
#
- - -- - - -- .
- -
quest' al - maa co he hopes from now
mo - men - to, sin - cere - ly,
~
-
12226
-
-
b-dlV
,._._
I
.
que He means
~
-
--
-
:.
to. ry.
-
- - -
que means Countess sotto voce
I
\
-
-
Da
/
-----
,1
1!
Susanna sott,
I
--·
-
pen
sor ~
j
-
.Q.
Da He
'
mi am
,~
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r
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e I
--
I
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- - -
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42226
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(Enter Figaro.)
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pif - fe - ri u fid - dies are
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42226
bal - Ii de' ring - ing, the
vo - stri peo - ple
vas - sal - Ii, are sing- ing,
cor - ria - mo, vo the wed-ding pro -
21.8
{taking Susanna by the arm and abowt
lia - mo ces- sion
le is
noz-ze a
com - pir, to start,
read - y
to leave)
cor - ria - mo, vo the wed- ding pro -
.
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Figaro
Count (detaining him)
pia time, _ _
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Count (Shows hi>ll the letter.)
Andante
fo - glio ev - er
chi see
ver this
Figaro (pntending to e.xami11e it)
Nol Nev -
nol co nev - er
co - no er saw
Susanna
Nol Nev -
co - no er saw
sci? it?
Countess
Nol Nev -
sco! it.
42226
No! No!
coer
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Eh " via che - ta - ti, ha. There's no point in tell- ing
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Nien - te, Noth - ing,
..
Susanna
.
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Figaro
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r
spon - di? an - swer?
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4
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Count
-
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.
da can't
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227
~ ~
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\
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r
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la bur - let- ta ha da fi you have car- ried things too
-
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r
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la bur - let - ta ha da fi you have rar- ried things too
- ..
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nir. far.
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r
r
mr, fa.r,
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nir. far.
Figaro
-
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I"
Per In \
§
- -- -' f, - -
!
- - - - -- -
L -
-
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l
fi the -
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l
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-
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r
nir at -
la ri
-
- -
Je
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cal
r
ta tra
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I
I
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I
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I
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.,
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- - - -
-
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e all' u - ~an - za let us have a
te - a hap - PY
tra - k, end - ing,
un' a with a
~
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sanna by the arm)
mo - nia - le e - bra - tion
~
~
42226
se le fa - re - moo - ra when the fi - nal cur - tain
228
Susanna sotto voce
sta - te, con - so - la nol con - tra word us your per - mis-sion, say the
gnor, give oce
te i miei we long
! lJ)} } ll l l .h I -tJ J con - so te i -
mis- sion, say the
guir.
Deh
nol con - tra - sta - te, con - so us your per - mis- sion, say the
si - gnor, give
fa Us . Won't you
f
~
r
'
sir, hear, \
' -.
...___sir,_ hear,_
- - -
- r
deh
-
r
-
nol con - tra us your per
- -
-·
r
r
- -
r
.,
r
deh won't
Count(asider.!
si
-
..
you r
~
nol con - tra them your per
gnor, give
-.
-
r
r
.....
la word
de to
-
~
tei miei we long
p
-
-
r
sta - te, mis - sion,
- ,-
r
de to
-
•
la lor word_they long
-
-
gnor,_ give_
won't f
si you
r
-
' sta - te, mis - sion,
.....
-
con - so say the
. -
sir, hear, I
\
I 6f < ' /
I \
42229
J
I
-
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Ii
li
na, na,
A
f..::---.
---
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J.
- -
----
rJ
I
-
-
li Ii
-
J
J
-
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::
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J
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-
con - so the say
p
na! na!
' quan - to are you
-- -
con say
-
la - te, hap - PY,
J
I
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l
I
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so the
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p
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r
con - so make us
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]
Mar - eel Mar - eel _f_
-
P.
r
(Mar - eel (Mar - eel
de to
229
~ de to
-
~ de to
~ de to
-
§
e
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•e
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e
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r ra - te i word we
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-
de - ::;ir, to_ hear,
miei long
\
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la - te i !or word they lung
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'
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y
r
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,,,
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miei de long to
-
nol at last
tra be
.,
-
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nol con at last
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::
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na!
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,
-
tra be
- na!
-
-
.
- - -
-
,..
-
' con
~
gnor,_ two __
-
-
-
-
si the
deh let
.
g-nor, two
-
com - pa - rir! Mar-cel-li - na,Mar-cel - Ii get - ting here, Mar-eel-Ii - na, Mar-eel - Ii
•'
r la - te i word we
r si us
-
I
sir, to_ hear,
•
-
deh let
~-
r
tar - dia late m
-r
r
r
r
deh si-gnor, nol con-tra let us two at last be
sir, hear,
I ~ . - - - - - -· -- . - -- -• ~ 11ifp~ r--,, J .J I -·. -- - - - - : - \
~
I
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l
r--7
I
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con say
sta - te, mar - ried, 1
& &
te,
. -
sta mar - ried,
.,.
con say
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--·. -
-
r
so the
so the
y
la word
r
te i miei we long
.
&
-
- - - la- te i lor word_
•
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' de to
'
-
===--
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-.
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l II
"2226
~
---== sir,_ hear,-
-
r
,
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r
r
con- so - la - tei miei de - sir, say the word we long to hear,
---
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I
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deh let
. si us
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f
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sir, hear,
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de to
they long
-
.
quan- to tar-di a com-pa - rir! you are late in get-ting here.
sta - te, mar - ried, ~
-
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.
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•
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r
r
4
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deh let
si the
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,
:
Mar - eel Mar - eel ~
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T·~ T7
:
230
-
IF ~
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4
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gnor,_ two_
nol con at last
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nol at
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tra be
f_
. con make
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sta - te, mar - ried,
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r
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na! na!
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so us
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7
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r so the
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rir, here,
r
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lor long
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U226
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✓l
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con - 80 say the
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-
.
la. - tei word we
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miei long
rniei de lolir tn ~
te i we
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sir. hear.
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sir. hear.
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com - pa get - ting
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sir, hear,
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de to r
tar - di a. in late
r
-
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la word
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de to
r
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de to_
Allegro molto
.,_
. ..
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quan - to you are
l
--·
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l
con - 80 - la - te i word they say the
-
corn - pa get - ting
dia in
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r
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r
.
miei long
-
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r
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mfp -
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sir, hear,
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tar late
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con - so - la - te i word we say the
.,
-
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p
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r
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de to_
r
p
con say
-
lor long
they
I
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te i
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miei long
-
quan - to are you
la - te, hap - PY, J
te i we
word
- - - - --
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.f..
sir, hear,
.
-
.-
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-
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la
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\
la word ro
con - so say the
rJ
u
r
I
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J -
-
p
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.
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r so the
con »ay
sta - te, mar - ried,
Ii Ii
-
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con - tra be last
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p
-
na, Mar - eel na! Mar - eel
::
-
.
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li Ii
--
rir.) here.) I
-
-
-
sir. hear.
Allegro molto
-
:e:
- -
-- ◄
'
-
... .. -- -
231 (E,iter .Antonio, the ga'l'dener, e.ecitedl:v, tt:iflt ci pofo/ trample:{ geran-iums.)
~ de -
(enrage di
Ah! Ah,
to_
gnor! lord!
<,j
my
si my
~ de to_
~
. pa ting
..
.
~
~
~
gnor! lord!
~
Count (ana:iously)
-.
'
.....
Co What
-
'
~
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:;
Susanna
:.
-
4
-
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r
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= I
...
-- •-
.
-1122&
-
- -
- - - -- . - ...
di - ci, cos' hai, co-sa e mat - ter with you, what has
-
- - I
r
r
--
co-sa·e
- --
di . ci, cos' hai, co-sa"e mat - ter with you, what has l
na - to? hap - pened?
.
di · ci, cos' hai, mat - ter with you, what has
Figaro •
l
''
-
~
-
Co - sa What's the
-
na - to? hap- pened?
--
•
.a
--
-
na - to? hap- pened? I
Antonio(as a/Jov,v •
A na - to? hap - pened? I
- - - - - -- ... • ... .. . p - - - - -
.a
I:
• ,. - - - -
di - ci, cos' hai, co- sa"e mat - ter with you, what has·
-
-
- - - - - - - - - -
~
It
I
I
Co - sa What's the
fu? me?
.
- -- - -- - - - - r r
Co• sa What's the
-
:':'
--•- -
- - -- -- -
'
. -
-
::
l
-
Count
--
-
Chein-so - len - za! chi'l fe - ce? chi Who has dared, who has done this to
I
-
Co - sa What's the
4
- ..
.. -- ... -
-
~
-
Countess
\
- .- .-
- - -
~-
::
4111
\
... ...
-
sa'e sta - to? has hap-pened?
,.--:::-,.._
- . - - - --- -
I
.- -
Antonio
-
-
scol won't
-
- . •
I
232
.
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l
- ...
su? say?
-
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I
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I
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l
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3
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di - no, gar - den
42226
-
--- -- -r -
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.
-
a
-
su? say?
-su? say?
•
I
f
!!:
-
I
-J
Antonio
- -- -
...
I
•
l
su? say?
- --
-
•
I
I
-
Figaro
-
~ ~
-
.. ~
◄
- -- -
r
.\
-
A - scol - ta. - te! Via par - la., di I won't have it! What have you to I
-
~
-·
-• -- - - -p
j
-- ..- -- -
l
Via par - Ia, di What have you to
:.
..- ..I
...- --
:.
Antonio
ta - te! Via par - la, di have it! What have you to
.
-
su?
say?
r
BU? say?
- - - '-
~
:.
•
Via par - la, di What have you to
'
Figaro
- ...
-
- - --
-
:.
su? say?
Via par - la, di What have you to
,,
l;i''
-
Yia par - la, di ·what have you to
..- ..- .... - -
Via par - la, di What have you to
...
- - -- -I
-- -- -
-
:.
su? say?
• •
I
-
:.
r
Via par - la, di What have you to 1\
-
I
--
-.
Dal bal - co - ne che guar - da in giar From the win - dow that looks on the ~
---=--
--
mil. le ev- 'ry
11
.-
-
...
--=--
-
--
git- tar co - se o -gni di day theythrowdown man-y
--=--
-
...
- --=--
veg - gio, ob - jects,
-
-
-
e poc' but to -
I
233
~ an - zi, puo dar - si di it is real - ly the day
vi-di un uorn, si- gnor rnio, they have thrown a whole man
peg - gio, lirn - it,
git- tar to the
§
§ Antonio (shou·i11g the pot;
§ giu. ground!
Dal From
~
1
I
giar the
~
f,. ~
-
... ...- -
di - no? Si! gar- den? Yes.
poc'
-
giar to the
~ ~
I e
- ga- ro,
-
- -
Fi Fi
---
'2228
r
--
- ga-ro,all' er -
-
ga-ro,
....
-.
-
-
Co
--- ---
-
-
I
I
- -------------
-
~
-
ha
- -coOur,M
Figaro (a,:::de)
a
-
--
r Co -
sa sen - to? you mean it?
--
-~
;-
cresc.
-
-
Do
-
--
-
ta! us!
help
~
Our (aside)
Count
-
~
-
Co -
-
r
--•.fl.•• ------ -
...--
:.
-
Fi
Antonio
-·
-
ga-ro,all' er - ta! help us! Countess (softly, to Figaro)
tJ
to -
In In
(aside)
-
~
Fi
~
---- ---
- - .- -
-
4,
-
Ve - de- te i ga - ro - fa - ni! Just.lookat the ge - ra-ni-ums.
Susanna (softl.1J,tO Figaro)
~
.
bal - co-ne? the win-dow?
-~
I
-
I ~
,~
Our
I
--
f
--------------- -- -- -
.
~
·.
.
'
234
E?tui plan
will
scon- cer - ta: be ru - ined!
ci will
~ron- cer - ta: be ru-ined!
('j
quel bri - a Is(c this~ drunk
.h
aloud
-
l ~I~
,,,
\
-
V
◄
~
vie out
nea of
far his
". ~
I
4
- ... .
vie out
vie out
-
-
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l
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~-
4
I
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h., -
far his
- -
nea of
far his
~
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=
~~
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V
co, ard
che quite
co, ard
che quite
-
:.
qui? mind?
-
~
-
I
nea of
-
che quite
E f
quel bri - a Is this drunk
scon- cer - ta: be ru - ined!
ci will
co, ard
qui? mind?
Count (to
- -
-·
~
qui? mind?
Dun And
-
Antonio, fiercely)
--
queun this
- -
-
uom ... ma dov' e, man, what be-came
- -
--
p :.
- -
-
--
h-a-
-
- -
-
dov' e of him
- ...- --
--- - --------~
1.-&
___,:
~
Antonio
Rat-to, He went
422211
rat - toil bir - bo - nee fu - gi - to by like a shot from a can - non,
.
~
e
ad un
236
Susanna fsoftly, to Figaro)
~
rhe quite
Sai che il pag - gio ... Che-ru - bi - no ..
~
Figaro (softlg, m8uJJanne9
che quite
So
vi - sta m'u - sci. me be - hind.
~
tut - to, lo
I
it, I
know
c.he quite
.. -
(laughing aloud)
- - -
-
V
r
' Ah! vi- di. saw him, ha,
.
\
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~
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i
b'e of him
. V
r r
. - -·
•ad un
. ◄
\
.
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. •HIii
f
-
ci et
J- - j- ------- __,.-f - - - - - •-- - -
-".
-
:.
Figaro
la! there!
Ah! Ha,
-
ah! ha,
ah! ha,
-- - - - - --p ~
-
r r r r
- - ah! ha,
Antonio
.
,
sa so
J- ,J- - j- --------- - -
-- - ---- ----- ---
i;_ -
Ta Qui
-
Count
Co What's
~
-·
~
j
ah! ha!
E2d
-
ah! ha!
ah! ha,
- - - - - - - --
-- -
m ---
ah! ha,
Count
ah! ha,
.
-
ah! ha,
- - -
ah! ha!
Hold
-
-- .
Ta
-
ci your ~
Co What's
ri - di? fun - ny?
- - -- - - - - u.!:,.
p
- -- -i i
.
!: .,
f
-- -
r
i
-
- - -- - --
sa
so
!:
-
:
236
a. I.' tongue,
ta all
ci of
l .a.' you!
ta hold
ci fa! your tongue!
Fig~!'ETu Are
ri fun
-
di?
co
sa
ri
di?
co
ny,
what's
:,;o
fun -
ny,
what's
cot - to dal sor - ger del tip - sy from morn- ing till
di, night,
tu
are
sei you
sa ~o
sei you
ri - di? fun - ny?
cot - to dal sor - ger del tip - sy from morn - ing till
illf
Count I~
d'1,
night?
42226
Or ri - pe - ti - mi, ri - pe - ti- mi: Now re - peat what you just satd to me!
un uom dal balHe fe II from the
~
llllla -
'
Z37
Antonio
- .. . "'
t sei you
-
-
I
~
-
• ~- ... I
" "
giar the
- -_-
-
rli - no? flow - er,;?
---
-
-
In On
giar the
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3
-------- - --
I
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l
-
-
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I
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I
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In On
-
n
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3
--......___
Susanna V
co - ne. win _ dow.
- - ----.-1- - -
-
V
-
Antonio
-
- - -
-
Dal bal co - ne? win - rlow? From the ..;!...
I~
-
I
-
""
t
Ma But,
. "'
= ~
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l
-
L
Count
de!
rg till
,
m
bl bal-
rom the
Countess Ma But,
-... -
,_
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L
F!garo
di - no. flow- en;.
. "'
l
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f
.
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y
4
-
-
gno lord
-
-
re, ,,-hip.
sein ht•·,,
-
-
-
-
~
Ma But,
...
n
-
-
par can't
-
!ail you
-
T•-
I
si your
-
--
-
-
-
gno lord -6~
i
- -- -- --
-- -
re, ship,
i-rin he',;
-
.(2.
si your
-
gno lord
I
-
Jui drunk,
-
I
lui drunk,
--
par can't
~
sein he\
-
-
..- -- --
re, ,;hip.
la ii you -
par - la il can't you
lui drunk.
r
..-
----
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-
-
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-
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l
vi - no. see it? \ L
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vi - no. see it? Count
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si your
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42226
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-
1
vi - no. Se - gui pu - re, se - gui pu - re: see it? Just con-tin - ue! Tell your ,;to - ry!
\
- - .
-
- -
,
. "1'"
:.
ne in vol - to ii ve You saw what he
. I
tr ~
~
3
-
"
-.p -
~
-
-
I
,~
------1
Z38
-
(softly, to Figaro)
"i
-.., - -
-
-
-
~
~
.::,
Fi Fi
4I
r
-
-
::
-
Look
. V
I
-
-
I
de - sti? No, looked like? No, ✓
::,
'
C
I --:
J
---
-
'
nol I
-- - -- -- --
,"i
I
----.....
-
vi - di. could not.
42228
' Fi Fi
-
ga-ro,a.ga-ro,
-
r
-______ ... _ /I
-
-
~
---
-
&
-
:
Nol
I
-
ft
r
Antonio ~
No? No?
vi - di. did not.
-
Figaro
la, out,
I
3
,~
ga-ro,aga-ro,
-
.:.
I
-
-
- - -
I
-
Count
-
I
Fi Fi
to Figaro)
-
'
-
-
r
ga- ro, a-scol-ta! ga- ro, help us!
')
Antonio
-
- - -
41 {softly,
-
-
--
I
I
0 - la, Look out, "i
-
-
- -
....
-_, ----- -
.,
3
-
(to Antonio)
Via pian - gio - ne, sta zit - tou - na vol - ta! Will you ev - er be fin - ished com- plain - ing !
Per tre Such a
,mi
239 (pointing contempt'UQUslg to tile geraniums)
~
sol fuss
HO,&-
L-ro,
di far tan - to tu - mul - to; o - ver noth- ing what-ev - er.
giaix,he il fat - to non pub sta-re oc If the truth can no long - er be
~
1-IO,&-
l-ro,
IJlltonio
00 liol
I
cul - to, hid - den,
so - noio stes - so sal - ta - to di Ii, I my - self was the man whom you saw,
~
so - no io I my -
Susanna
(aside)
Chete - sta!cheinHowbriHiant! How
~
Countess
(aside)
Chete - sta!cheinHowbriHiant! How
~
Figaro
Count
tre a a
stes - so sal - ta - to di li. self was the man whomyou saw.
42226
Chi! You!
voi And
stes - so? why?
Che What
stu sur-
Z38
~
,~
(softly, to ligaro) ,.,.
-
- -
.
-
~
~
-
,.
I
I
0 - la, Look out, \
Fi Fi
~
-,
~
-
-
I
I
-
V
-
~
I
de - sti? No, looked like? No, :1!
-
\ ~
411
--=
-
-
ga- ro, a-scol-ta!
-
J
-.
--
~
- -
~
Figaro
vi - di. could not.
42226
r
-
Fi Fi
ga-ro,aga-ro,
Antonio
Count
-
-
-
_;
-
3
-
~
~
Nol I -
~
.
I
No? No?
-- _____,
,~
ga-ro,aga-ro,
- -,
I
I
3
-
Fi Fi
,..{softly, to ligaro} ~
vi - di. did not.
nol I
-:. - _,
.....
-
-
-
~
') - Ia, Look out,
Antonio
. -- ..
-
~
l
..
I
~
~
I
-
-
- ga- ro, help us!
-
.
~
-
~
- - - - ,----.... -
-
-
.....
-
J
3
~
n
(to Antonio)
Via pian - gio - ne, sta zit - tou - na vol - ta! Will you ev - er be fin - ished com - plain - ing !
Per tre Such a
239 (pointing contemptU1JUsl11 to tM geraniums)
I II
.....
•---
•
giao-che il fat - to non pub sta.-re oc If the truth can no long - er be
,1
."""7......
.....
..
m I
.
so - noio stes I my - self
so sal - ta - to di Ii, -was the man whom you saw,
§
so - no io I my -
Susanna
(aside)
Che te - sta! che inHowbriHiant! How
§
Countess
(aside)
Chete - sta!cheinHowbril-liant! How
~ ..... ~-
Figaro
stes - so sal - ta - to di Ii. self was the man whomyou saw.
-l2226
Chi! You!
voi And
stes - so? why?
Che What
stu sur-
240
che te - sta! che in - ge - gno! Howbril-liant! How elev- er!
- er!
chete - sta! che in - ge - gno! Howbril-liant! How elev - er!
Antonio
por! prise!
Figaro voi stes - so? A~ w~?
Chi! You!
Che What
che What
stu - por! sur- prise!
stusur-
II I
L>-
l
;: ·1•·
\j
c,unt Gia c,re - der I can - not
por! prise!
1!1
Antonio nol pos - so. be - lieve it!
'l:
:i;·J'il
Co - me mai di - ven- ta - sti si In that case you have grown ver - y ~
;;--;-....
l Count
.. -
,
-
.
~
V
:.
,
pos - so, Gia ere - der nol That sounds un - like - ly,
-..
-
-
l
~
..
4
,
...-
V
~2226
•
-
Do Af
..-
•-
~
-
-
~
.fl.
+
--
-
-
I
I
•
-
I
•
I
-
I
-
•
•
•
I
I
l
,
•
•
-
-
,
'
.P-------:;;:--...
I
-
po il ter
-
I
f
__
-·
-
~
-
pos - so. nol un - like - ly.
-
gras - so! quick - ly.
.'
-
.
-
-
-
:t I'
d
1
1,1
24-1
-...
~
stusur-
-
~
-.
-
A When
-... V
-r - - - -
~
.
!
:;
~
___
.
'
'
~
~
...---......
v-
•
,
- -· -
.---_
~
r
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--
-
k
Figaro
-.
-
k
l
:;
-·..
Chi'l You
-
-
-;
-
-
-
-
-
-
-:::-.--.::- -~
k-
-
.- .-
-
ste quel all this
paz - zo? non - sense?
•
..
-
----
...,,_,
--
l
- - ste quel all this
-
I
I
paz - zo? non - sense?
Count
--
~_Jil - - --•-'---
I
f
(to ..l.ntonio)
.-
che de -
~~~
- -- -- -
-
-
p
-
-
(vi"olently)
.
Che- ru - bin? Che- ru - bin?
-
-
Susanna (aside} 1!_ Ma I
le can't
Countess (asi'de)
A me
par - ve il He looked like
f
~2226
-
- --
I
,,,--
- ,1_ - -
Antonio
~
---......
-· -
-
r
l
-- . --
,
Tu Come,
ci? him!
~
~
di - reb - be! don't say so!
-
-
- r-
Count
~
,
[ I'. . Ed m - s1 Who be-lieves
r
- .
&
-
-
~
~,~~----;.. - -
~
•
~
Ed m - si Who be-lieves
Antonio
si. small.
(
. -. -- ~
I
-
• I
--·
si. small.
Countess (aside)
~
·-y
I
Susanna (asiae)
-
:;
. .
~ Ii
-
sal - ta sue - ce - de co jumps one be-comes ver - y
chi one ~
- - .
V
~
-
'
- -
-
,
I r r r sal - to non fo - sti co jump- ing you looked ver - y I
-
'
I
I
~
~
Figaro
ra - gaz - zo ! a young - ster!
--
p
Ma I
le can't
242
det - to! bear it!
ma I
le - det - to! can't bear it!
Figaro
ma I
le - det - to! can't bear it!
Che
soap- pun - to, ru - bi - no!
Es
es Che
soapru -
i!
iii
1j
f
- - -
pun - to, bi - no,
.
~
:;-
4
,_!
(ironically)
. -
___
,
:,1vi:
..
•
.
-
-r -r
"
-
-
I
Si - vi - glia a ca - val - lo re - turned from Se-ville on
da who
.
- - -
-
I
.
qui
~ ~
I
.....---_
J,1-
-----
~
:.
giun - to, horse-back,
p
{. -
-
I
"
da for
Si it's
-
I
-
:.
~
' a:
,/i
-,t
-
,11
ii !~
~--. -
-
Antonio (with st11pid simplicity)
- -
-
. .
-
-
- - - - -
- .
-
,1
'
vi- glia ov' ei for - se sa - ra. there he was sent by the Count.
'
•
{. . -
~
-
u
~
....
-------
"4
. - val - lo horse-back,
.
Que - sto No, no, -
V
~
-
, io
r
{•. UH&
-
.
-
~,
r I ' vi - di sal - .ta - re ~i jumped out the win - dow on I
I
--
~
,_
,----. u
- "
"
que - sto no, che ii cahe was not on
-
= .-
- r- - -
,1
non he
-
-
-
~
- -
-- -
no, no,
- -
I
.
I\ L
~
,1
~
r
I
--
--
-
fa.
foot! I
--
Count ,._.
-
Che Don't
be
.
pa -
---- L_
- - - - - --- -
--
-
ii'
243
~
~ soapru -
-
Susanna ~
-
I••
■
l1t.
■
(ruid8)
' Co
Heav
-
ine mai, en knows
giu-sto ciel what willcon:e
fi - ni out of
giu-sto ciel what willcom'e
fi - iii out of
Countess (aside)
,-
Co Heav
-
-
me mai, en knows
Fi- nia.m Let's get
zien - za! fool - ish!
que - B1o bal - lo! to the point!
~ Si it's
=
ra..
~
Figaro
this!
l c:a-
Dun
It
que tu? was you?
Sal That
(innocentlg)
tai giu. is
true.
Count
Ma But
perwhat
= Figaro
~ pa be
=
che? for?
UIN
Il I
Figaro (ind~at -
Count
ti - mor. was scared.
Che You
ti - mor? were scared?
La I
rin had
~44 ing the maid's room)
a - spet - tan - do quel ra - ro Yi - set and was wait - ing to st•e my Su - ,-;an -
ehiu - so, comti here
tap heard
fuor
d'u -
from
out - side;
so,
to, na.
voi yo 1 1
tip - pe, when J
gri were
I
d:i. - ste, rag- ing,
lo
I
scrit thought
to
dal tersal - tai gill scared to death, 1 jumped
bi- gliet-to, my let- ter;
of
-.
(Pretends t/i,at his foot hurts Mm.)
--·.
-
-.
I
I
a piacrrrri
- '
- -
~
ro - re con - fu - so, down from the win - dow
.
II
:..
•
• J ◄
.;
.. V
••
-
.:
~
:.
I
-
"1
f
-- - - - - I
U226
-- .
-.
'
...
e
and
stra - vol - to I twist - ed
I
:.
- - p
- -
---
.-
-
I
---
--- --
..-
~
m'ho un ner - vo del my foot when I I
~
., ,
~
.. .
u
~
,.
colla voce
~
-
.. -
..
1 f --I
.. u
~
246
Andante ma non troppo
Antonio
~ pie. _ _ _ __
,- pe, •n I
Vo-stre Then these
fell. _ _ __
Count (Takes them from him)
~ :ri
por-gi-le a me! Give them to me!
0 - lit, 0 - ho!
ne (handing .l!'igaro som"! folded papers)
dun-qu~ ,ea-ran que- ste pa-pers I found in the
Figaro
car - te, che gar - den must
per - de - ste. be yours?
So - no in Now I'm
~
I ter-
,-mped
.
~
- - - - -
'
~
4
r
r
r
Fi - ga-ro,all'
Fi - ga - ro, \
I
-
I
r
- -
, I
r
trap - po- la, so - no in in for it, now I'm
l '
r
r
Fi - ga - ro,
(so/tly,to the Countess and Susanna) ~
'
I
:;
4
...
I
11126
.. .. .. -,,,-;-
ta! us!
- -
Fi - ga-ro,all'
... - . . -
er help
- -
r r r Fi - ga-ro,all'
Fi - ga - ro,
Countess (softty,to Jl'igaro)
-
:;
~
~
Susanna rsofttu, to .l!'igaro)
-.
I
........
r
- ,. fi
'
I
er help
.
-
-r
ta! us!
.
•
-
l
Fi - ga-ro,all' Fi - ga - ro,
-
trap - po - a. in for it.
...
~
-
.
-i--,. ,I
- - - -- - - -· - I
t=
.a.:
-
....: -
-I
248
Count (Opens the paper and immediately folds it again.)
Di - te un po, Do you know
--·
.. -
Figaro ~
..
-·
y
To Yes, ___
be? I
-I
• - ... ~-
I
~
y
,.,-;--
-
-
-
r
e? \
(taking some papers
a
,
-~~1'-
.
~
I
I
01tt
of hispod,:ef)
-
a
~
r
sto, to - sto, know it' I
-- -- -- -- -- - - - -t- ~-:-
I
que - sto fo - glio cos' what this pa- per may
...
a
--
~
,
I
-
-
-
r
n'ho tan - te, know it' I
Ii don't
'2226
de - gli o - sti. on cred - it!
-
dei his
Par - la - te! Speak up now.
a - spet just a
de - bi- ti? No, cred- i-tors! No,
e tu And you
l: !1
'
~
Figaro
Sa - ra for - seil som - ma - rio Well, per - haps it's a list • of
sta buy
IJ(
-
--- --- -- f! ..-: - . ----•= ~-·
Antonio
ta - te! mo- ment!
-
la - scia-lo. let him be.
la I
II,
il
,:!
247
-
-., Wifl.)
~
.
:fio cos' 1H
\
I
-
I I
..
.,
pI
~
I
11 ◄
,.
a - spet ISt
.
.
.
--
-
Countess
-
'
I
.. .
,-e
-~
I
-
.
par - ti. An - to - nio !
- --- - .... .... . --
Fiqaro ~
"
par - ti. e An - to - nio!
La - scia - lo, Off with you,
•
.
--
-
r
Par - to I will
si, ma se tor-no a tro go, but the next time I
-
~
-
1~.
f
-
r~ •
.
- -
I
◄
p
- -- -
I
,.
'
~
4
◄
-.
'
...
◄ I
-
I
- -· -
~
r
I
--
Count _,,._.
.-
I
I
-·
-r
..
Antonio .,
.....
~
-
var see \
I
. '
.. an6
f,
-
Van- ne, Go a
-- . .
.
--
-
.,
la - sci&-lo, Off with you!
- ----
~
...
.
~
van - ne, non te - mo di way, I'm not fright-ened of
--.
I
◄
I
.
~
... ...
te, you! ~
I
- -
I
I
I
. .
.
'
.
I
par- to I will
ti. .. you . . .
-
• p
'J
--
Figaro
- -·
-.
~
.
.. -
-
:;
-.
la - scia-lo, Off with you! .a.•
'
la - scia- lo, Off with you! '
=
I
la - scia- lo, Off with you!
- . -.
- .
-~
.,
la - scia- lo, Off with you!
la I
◄
-·
-·
I
la - scia-lo, Off with you!
.\
.
-
-
V
l"D
--
-- -- - -- -- .: -
V
~
◄
I
a
\
-
I
'.
par - ti. e An - to - nio!
,_
- -- -
Antonio
- - - - - -
OJ
La - scia - mi , Off with you,
V
~
.
La - scia- lo, Off with you,
may
~
Susanna
-~
-
- .....- - ◄
◄
I
◄
___;
..~
I
- -- - - --- - • •
I ~
~
~
•
◄
f
-
~
~
p --
--
I!:
-- ... ·- ~ -
. .
M8
-- . -
I
I V
-
I
-
a
~
~
par
good
rid
~
4
la - scia- Io, off with you, \
I
-
- -
-·
4
~
'
~
-- ...
.... .... -
-
~
I
....
--·
-
-·
\
l
-
I
V
si, go,
.
-- - .. --
..
-
.
' - ne, ' van van a - way, go
I
-
4
. I
I
.. ..-- .-
~
,_
s
t=
-
-I
V
4
~--
----
.--
.-
~
t;
~
.. .I
-
ma se tor-no a iro - var see but the next time I
-
-
-
JJ .J -.-
:
l
:
I'm
-.
.
-
mo ened
di of
..
-
(8:,:i,t ..l.ntonio.)
you ...
ll.
-
-
te non not fright
ti. ..
.-- -- .--
'L-
par rid
e
-ne,
-
-
par rid 411a~ ... •
good
...
- -
- .
~
la - scia - lo, off with you, ~
.......
e good ~
-
-
~
fa - scia - lo, off with you,
.
-.
.a. .a.
---- - ... -.. ..
&
-
creac.
•=
,._
J~. .
-
-
-
t·tl.
dance! \
I
Countess
-
:; 4
~
' -~
-.
.
I ~
'o
fl l.
. ) Count (B~ens dance! tke paper and folds it a.gr,in guicltlyJ (t! 1 ig~
.
-
&C
-
0
-
r
-.
Dun - que?
ti!
Well
dance!
-
.
Good
Figaro
~
:;
I
~.
-
.
now?
.
-
t·tl. you! \
I
-
-- - ...- _ . -
-
-
-......
-
- - .-
..... ~~!.--·---- ----- .. ... --..... . --
I
:;
-T
4I
uue
T
I
=
.-..
"
-
~"·
~ '
•
...
.
I
Susanna
'
- '
"
-
-
'
~
I ~
1•
.
r
.
-
p
~ ~
~
~
- -- - -. I
'
pag-gio! del com - mis - sion!
-
- -
(ironically, to .l!'igaro)
-- -
.
'
~
~
l
'
~
Giu - sti Dei! la pa - ten - te! That is right, his com - mis - sion!
)
(aojtl11, to 8
dun well
-
., p p
ciel! la pa - ten - te Heav-ens, the pa- ge's
di
-
Countess
Count
of
(aoftl1J, to .Pigaro)
- -
-.
Co - rag - gio! Speak free - ly!
que? now?
. . . . - - - - - -- - - - -- -- - -- -- -- -- --.:.
Figaro
~
!:
~
. . --......... •-
&,
,_
(pretending to recollect)
te stu
da!
o ____
p~,
MW_ __
che te - sta! I know it!
~ 0 Good
quest' "e That is
~
=
~1126
la pa. - ten - te, the com - mis - sion
che poc' which the
a.n- zi il boy has
fan-ciul - lo en - trust- ed
mi to
260
Count
Figaro
Per che fa - re? For what rea - son?
die.
me.
(con/used)
Vi D1an - ca .. . It need- ed .. .
l -
"
Susanna (softty, to
-
-
I L
a,
-
-
-
r r r r su- gel- lo.
t
-
-
-
-
ll '
I
'
L
V
Countess
.
a,
-
-
r r
' - ... .
C~ntl _
..
~
~
,
need-ed seal-ing. (softly, to Susanna) -
-
- ..
r r
II su- gel-lo. need-ed seal-ing. -
I
-·
-·
'
I L
,
l
- ..
.. ..
,
,_
:= - - ....... •-
ri - spon - di! I'm wait- ing. . .
-
• b.-. -
- -- ~
-
,_
,_
.
,_-
~
-
-
,_
-
---
~
~
-
..
E
l'u -
Figaro
~
............ - - - - -- - - -- - -- - - -- - -i.--
,.
I 1)-
,_
:=
'
·-·. .
_1, •. ._,. •Ill
- - - .
~
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-
It's the
-- - . - .. = =
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Count
san- za ... cus-tom -
"2226
Sh via, ti con - fan - di? Well,what is the cus - tom?
E l'u - san - za di It's the cus - tom to
261 Ded)
Susanna (aside)
~ L ..
is mi&uing, tears 1tp the paper and angrily thruws it a1lJay.)
por - vi il seal a
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Figaro
4
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-
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sal - vo ev - er \
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Countess
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II
vel era
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12228
I
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tut This
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tut to, af - fair
.......
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Figaro (aside) - -
cerme
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-
(aside)
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lo, zy.
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mi I
to - glie il is driv - ing
mi
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da que- sta tern - pe es - ·cape from this ship
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.
Que - sto bir - ho Oh, that ras - cal
su - gel - lo. com-mis-sion.
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Se mi If I
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nev - er - more
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mi
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no, ne get the
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da es-
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pill non hav - vi nau - fra nev - er - more will I ven -
to - glie il driv - ing
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ri - no, ne sa men di not get the bet- ter of
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ste mys
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2,-1
111
i1r
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(Enter Marr:ellina, Basilio, and Bartolo-)
-
.
Yoi, Lord, I
•
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Bartolc
-
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sie-te, hear-ing,
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do - ve - te or a, - scol-tar. we came to - day. is why
-.
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- -· - -
Count
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p
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-
(aside)
Son ve They have
iii.
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-
/
-
- -
:.
do - ve - te or a, - scol-tar. j,; we came to - day. why
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sto a iii
-
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ci that
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do - ve - teor a - scol-tar. is why we came to- day.
~
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p If ~
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che giu de-mands
.. -- --
I
sie-te, hear-ing, \
ci that
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sto a
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si - gnor, our case
t .. '1!:.
-
r·
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-
che giu de-mands
gnor, our case
I
ci that
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hear-ing,
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ehe giu de-mands
- -·
Voi, Lord,
-
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.
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si - gnor, our ra,;e
Voi, Lord,
Allegro assai
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Basilio
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111
Marcelli nil
Allegro assai I
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li!
266
Susanna
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.,
u
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-
- - -
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a ,·en - di for re - tri
ti
here
Figaro (aside)
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l ti
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\
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me - dio ri - tro lead their plans a \
I
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ti
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ti
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var, stray,
§
I
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I
ri - me - dio, qual must lead,_ we
we
ti a to
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.
,
:
I
-
-
cer us
~
-
-
- -
-d
-
-
-
scon give
--
-
-
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ri - me must lead
-
io mi things be -
I
-
-
qual we
var, stray,
.
di
-
-
qual ri we must
- -
mi, tion,
-
--
-· - -
tar-mi, troub-le,
~
-
.
- -· qual
-----
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-
car bu -
ve - nu have come
- -r
~
r l r.n - me - o ri - tro qua we must lead their plans a ,,~ •
. -.
.,
Son They
-
-
-
-
- -
- --
tar- mi, troub- le,
-
.
V
-
They have come to give us
nu come_
r
-- - - -- -
,,......--._
-
-
- - --
S<Jon r I ve - nu - ti a scon-cer
-
-
Son ve - nu - ti a scon - cer They have come to give us
Countess (aside)
ti
-
-r r- -
-
.,
"
(asideJ
•
-. -
I
dio ri - . tro - var? their plans a - stray.
-- --·
a
a
-
ri - me - dio ri must lead their plans
-
:.
-
tro- var? a - stray.
..
- -
,~ I
sen gin_
Te -
to now
-.
Jaave V
-
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-
qual we
ri must
I
mi, le, ~
tar troub \
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ti
-
-
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12226
.,
-
-
. .
--
--
-
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so my
lar. way.
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l
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me - dio ri lead their plans
,,_
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tro - var? a - stray.
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-
con go
a to
... ~
f
-·. I
12.
-
a ._
-
.at
258
Figaro
Son Bent
tre on
tre paz - zi, ob - struc-tion,
sto - Ii - di, as - i - nine
co - sa mai those three fools
mai ven - go-noa far, fools are here to - day,
co - sa those three
ven - go - no a are here to -
far? day.
iii'_
'I,!_{ m'
Count
.. V
-
-
U
-- -
~
- --
~
- --
~
di- cao first each
Pian, pia - nin, sen - za schia - maz - zi, Let's not_ make a rash de - due- tion, I\
l
I 6
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.
im man
12128
%57
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it
three
.
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- -
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t
pe - gno
gave ~
~
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.
-·-
-
41 ◄
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-
le prom- i,;e a
h~-
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-
nu - zi sol - emn
his
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I
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.
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ha that
- - - -
-co
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con me we would
stui time
in
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-
con be
--------- -
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3
3
§ up- on this
l
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ao -
ach
.
~
~usanna
-
I y
~ J
-
-
-
Co - me! Bar - gain?
1
Countess
I y
.,
4
-
-
I
-
-
-
Co - me! Bar - gain?
•
1
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--
"2226
.,
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co -
me?
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a
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0 No
bar - gain? ,
~- --
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Count .
I
-
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co - me? bar - gain?
Figar,0
y
§
-
. .
-
co - me? bar - gain?
Co - me! Bar - gain?
..
la
:---
- t - tuar. bar-gain be-ing prompt-ly car- ried out!
la! more,
-
~-
Si let
-p
1,_
-
258
.
-
--.
len no -
-·
rJ
zio, si - len bod - y dare
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qui I ~
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:-
-
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giu judge
car. case.
n
--
Bartolo Io With
. da this
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di this
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per who
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81 - len - zio! zio in - ter - rupt me,
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lei scel - toav - vo Ia - dy's wish com
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IZ228
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pre my
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te - se, io cli - ent has
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vi ven-go a a strict - ly
-
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di
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at
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sue her
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le as '
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fe - se, le le - git - ti - me tor - ney, and I war - rant that
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far here
ven- go a am I
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.
Susanna
- .- -. - -
I
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4
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M
r
41
~ ~
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.
Figaro : :.
-
-
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.
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~-
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M-
V
-
T
bir - ban - te! he's a scoun-drel!
Count
- - - - - - '
.. _ -
-
-
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I
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-
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lun hir - ban - te! he's a scoun-drel!
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e un
Eun bir - ban - te, He's a scoun- drel,
sar. case!
- - -
-
:
•
I
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bir - ban - te! he's a scoun-drel!
·' bir - ban - te, Eun He's a sroun- drel, •
-
e un
I
I
-
-
-
-
E un bir - ban - te, scoun- drel, CountessHe's a
son i:o.
-
~
-·
n
3
I
si - len - zio, si - len - zio, si - len Be si - lent! Let's hear Don Ba - si
io it
zio! lio;
son qui is I
.d.
per who -
-
~
--
~
ii
~
Basilio giu - di - car. judge this case.
uomal mon-do man of prime ce
Io com' I, as
-
co-gni-to,ven-go leb-ri-ty,givemy
qui per te - sti word and tes-ti -
~
. I
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r
I
r
mo - nio mon- ial
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.
I
-=---
42226
-r
I'.
'
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del pro - mes - so ma - tri - mo - mo, con pre - stan - za that their plans were mat - ri - mon-ial, with a bo - nus
- - -
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Son tre ma.t-ti, son tre Ev -'ry one of them is
ma.t-ti, son tre ma.t-ti, son tre era- zy, 1::v-'ry one of them is
ma.t - ti! era - zy!
ma.t-ti, son tremat-ti, son tre era - zy, ev- 'ry one of them is
era - zyi
1
t ·11•
c·ountess
~~ Son tre mat-ti, son tre Ev-'ry one of them is
Figaro
p p IF
Son tre They are
ma.t era -
t F ti, zy,
p p 1r son tre they are
r
ma.t- ti! era - zy!
Count
t
.,i 0 Hold
111
l!li
il con - trat - to_ we must first give the
si - len - zio!_ lo ve - dre-mo, Ac - cord - ing to prop - er pro-ceed-ing,
re - mo, read-ing,
UIN
tut-to in we must
or - din _ fol - low the
de - ve a.n le - gal
\
261.
Pih allegro
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-
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§
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,nM arcellina bel a
-
I
di We
-
I
spe - ra - ta sba-lor - di - taare beat-en', bad-ly_ shak-eni
I
I
•
-
~pe - ra - ta, sba - lor - di - ta; are beat - en,bad - ly shak-en!
,
Che What ,
-
f_
• •
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-- - -
- -
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con - fu - so, son stor - di - to, a_ course e - vents have tak- en!
di We
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Piu 2.Uegr~
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II.
'i J
to_ Pft the
•
Son What
-
- ..
r
sa, son stor - di - ta, e-vents have tak-en!
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sa, son stor - di - ta, a_ course e - vents have tak- en!
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col - po! che per - feet case
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col - po! che per - feet case
bel of
ca - so! trap-ping!
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col - po! che per - feet case
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42228
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nu - me qui c1 ha fat pi- tious pow- er brought
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'2226
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411
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4
End of Act II
278
Aetill
(Scene:
A richly decorated /tall prepared for a wedding festivity, with two thrones.)
Reeitative Count, Countess, and Susanna
(wa/,/ting up and down)
Count
Che im- ba-raz - zoemaique - sto! What a hope-less con-fu - sion!
Un fo - glioa - no - ni-mo, An a-nun-y - mous let - ter,
----t:;_---
la ca-me themaid-in -
,-_•
rie - rain ga - bi - net - to wait - ing shut in her mis-tress'
-------
chiu - sa, bou - doir,
la
pa - dro - na ron - fu - sa, her mis - tress em- bar- rassed,
~:=:
neingiar- di - no, one man who jumps out of the win-dow to the gar - den,
un' al-troap--press-so, che some-bod-y else who
~s:::;:
ill
,I,
11: '11
1
I' 1
11 ,
::,
Ii; 1111
di - ce es - ser quel des - so; claims that he has done it;
-
non so co - sa pen- sar. I don't know what to think! ,--..
Po- treb - be It might have
,--..
·----lt
1
ii:
1;1
1:!
4222ft 11
!
111 .)
si-mil a they are the
for - se qual-cun de'miei vas- sal - li ... been e - ven one of the do-mes - tics,
raz - zae com - mu - me l'arkind who would take such a
----
{ ~ :a-me aid-in-
ma la Con - tes - saAs for the Count-ess-
ah, che un dub - bio l'of - fen - de! an - y doubt would be in - sult;
--
{I
el - la ri she has too
~
sa, assed,
ta trop - po re - spect for
~
se her
-
stes - sa, self
e and
l'o - nor for my
mi - o, hon - or.
l'o My
~ .
I
~
' l1 r
ij·,
t
:~
~
1,
.,
I
che
Ji
no - re. hon - or!
d.o - ve, dia - min, l'ha has hu - man What
po - sto n - ma - no er - ro - re! weak - ness done to my hon - or!
Count ess (entering with Susanna, ana keeping in tile /Ja_ckff7Y>1tntl,u
/Jy ths Ct>Un t)
Count
~ - be have
~
Via! fat - ti co - re, Come! don't bedown-cast.
.
42226
..o.:::=:::
di - gli Tell him
cbe ti at - ten - da ingiar-di - no. he may meet you in the gar-den.
~..o.:::=:::.
Sa
-
I'll make
280
se Che-ru- bi- no e- ra giun-to a Si - vi - glia., a ta-le og-get-to ho man-da - to BaI've sent Ba - si - lio ex-press-ly for that that Che-ru- bi - no ar-rived at Se-ville.
pro, sure
-e-.::=:::-
~.o.
Countess
Susanna e
Good
Heav- ens,
lui must
Fi -
Fi --e-
and
non not
Count '\ eJ
l
,
--.,,
,-
nul - la L___1_ bout it'....
,-
I
in - ve - ce tu - a, in-stead of you, -
~-
l
dei know
a
-
- -~
l
vo-glio an - dar- ci io me -des - ma. I'll a - wait him my-self.
...-::--,.-.::a.-:::=::
{~~
do - vreb - be ri - tor- nar. he ought to be back. :,8
tua ma- noil mio my fate is
0
My
Di - o! la - dy,
----
A - van - ti se - ra Be-fore this eve-ning
non o - so! I'm fright- ened!
Pen - sa Re-mem-ber
....-....c.,;:..--..._
now.
Su - san- na? And Su - san - na?
Chi sa, ch'el - la traWho knows, may- be she
-------
read- y
u2i6
se-gre - to be-trayed my
mi - o, se - cret.
----- -
par - la has done so,
gli Fi - ga-ro must
281
m -
Susanna
to Ba-
(Mar-eel - ii - na!) (Mar-eel - Ii - na!)
fo spo - sar la vec - chia. mar- ry Mar-eel - Ii - na.
ly forthat
{
-------
--=--
Si - gnor! My lord!
Co - sa bra.What do you
Count
~ dir r
a
seem
hu - mor.
in
---
----e-
le - te is it
qual - che that you
~ lie- ra ew-e-ning
ti
Ya -
from
a
~
•
Coun!J)
~ - sa
e vi chie - de il and sent me
1-ber
va to
-
set - to get your
~
de - gli o - du - ri . flask of smell- ing salts.
Pren -
.-..
~
la trabe she
Ah it.
No,
no; no,
po - te - te ri - te - ner - lo per don't both-er, you may need it your -
~ Count
~
;li
que- sti non son Peo-ple of my
Dmust
~ •2226
ma kind
--
da don - ne tri - via - Ii. not suf - fer fromhead-aches.
.-..
·.-..
Un' a But
a
!1111!,
282 I, !li i11
il!
il
spo - so sul pun-to d'ot- te-ner - lo. of her wed-ding? bride-groom on the day
---
-g---
~-,---.....
gan - do pay off
Mar - eel - Ii - na col - la do - te Mar - eel - Ii - na with the dow - ry
:111,
ch~ voi mi pro-met that you prom - 1sed to
------
Count
---
Susanna
Ch'io vi pro I made that
me.
mi - si! quan - do? prom - ise? Did I?
•
r
Cre - dea d'a - ver- lo in That's how I un - der -
---:---,..._......-.._
Count
I\ Ill
i
------
--=-
give
l f
te - so. Si, stood you. Yes,
..
-
....
ti
~
Susanna
·~-.flt. ~- -.,,
se vo- lu - to a yes, if you had
--n---{l 92£
ve-ste in - ten - der-mi voi stes - sa. on - ly wished to un-der-stand me.
r
E mio
lt
~
.....--..n
-I I
quel di what your
12226
dois my
- len - za wish - es
e ii is
mio my
VO - le - re. de - sire.
381
No.16. Crud el! perche f inora But why, why make me suffer Duetto
lunnna
~ P& -
Count and Susanna
I'll
Cru - del! But why,
per-che fi - no - ra far why make me suf- fer, long -
mi lan-guir co ing for your re -
~
ro-met ed to
per- che? But why,
00
•-lo in• - der-
aanna
m
si? why?
Si - gnor, la don-nao - gno-ra In time we wo-men grar.tyou
si. tem-pohadi dir di what we at first de - ny.
mio dois my
~
Dun-queingiai:-din Then we shall meet
~ 4.2226
ver- ra- i? this eve-ning?
Se If
pia - re a so you
voi. wi:-h,
ver- ro. my lord.
284 I',
-
-
' I
-...
Count
- -,
E You
-
I
l
' ~---
-
.,
non mi will not
..
.
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non man- che this ver - y
i'
----
&
me?
~~
-L-
I
l
I
~
--
~~--- .-
-
,
- - - - - - ---- I
.
.-
non man-che - ra won't dis - ap - point
Ver - ra You prom - i:se?
.
-
I
no! no!
-
r
I
·? l.
.
-
l
--
I
si! Yes!
word.
I',
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man
non __ vi no, ___ you have
che - ra - i: to be thne?
-
man fail
--
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No, No,
.
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4
r
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1
11:
.fp !~,
no,_ non J __ will
vi_man-che - ro. not fail my_ word. ~
Mi The
t:'\
•azH
281
~ chemy
~
'
sen - to ____ ,;weet prom
pie - no di rais - es my
dal con - ten - to ise you gave me
gio - ia il _ hope so_
l (aside)
~
~ * ., p ~
~ ~ j.,p D ~ ~ P Ir ,26t~PI Scu-sa - te - mi se men - to! voi che in-ten-de-tea - mor, sru- sa - te-mi,
All those who know what Jove
is,
for-give me for this
lie,
all thosewhoknow
;::---....
~
cor,_ high,_
1-che - y
..
mi the
sen sweet
to _ _ __ prom
dal con - ten - to _ _ _ _ __ you gave _ _ me_ ise_
-
~
•
pie - no di gio -ia il rais - es my hope so
[i
ie
'2226
cor. high.
Dun-que ingiar-din ver - ra - i? You'll meet me in the gar-den?
286
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:.
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, r
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s,_eprlK'.e .
• J
- - -
-
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No, non vi man-cheI shall be there to-
a voi, ver - ro. If that\; your wish, I might.
.. - "
.-
.- .- -. .-
-
-
-
-
I
,
.
- -
E non mi man-che - ra - i? You will not dis - ap - point me?
,,
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ll
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r
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ro. night.
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Si!
Yes!
,,
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no! no!
dolce
..
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Ver- ra You prom - ise?
non man-che - ra - l.'? won't dis - ap-point me?
dun-que ver- ra - l.'? I ha\'e your prom - ise?
l ---------si, _ _ __ yes, ____
no? no?
uue
se_ pia - ce a
I_
voi shall be_ there
ver - ro, to - night. dolce
non man-che-ra - i? Won't dis - ap-point me?
JI~
a87
' man-che~ ~I
si! yes!
i
ie
there to -
--►
no, ____ no, ____
si! yes!
dun-que ver- ra - i? non man-che-ra - i? and you will be there? won't dis- ap-point me?
no, non Ti_ I_
iiliall be_
si? yes?
- "
............
-:::=::---.
-
Seu- sa - te - mi _ _ se_ men- to, All thosewho know_ what love is,
man there
E '? I.
Mi The
- ise?
sen- to _ _ dal con - ten sweetprom - ise you gave
pie - no di g10-1a ii rais- es my hope so_
to me
:----..._
- tea - mor, this lie,
§ -
'? I.
d me?
-----
I I
I I
.,
IL
z:,\ju.-
rH• -
nu
?;t,
w.,n-1,v,
ttCU -
:,a. -
1,t, -
........ ,
all those who know
:--... cor,_ high,-
mi the
sen - to sweet prom
-
dal con - ten - to gave _ _ me_ ise_ you
·v.fP
sfp 4:.!226
1,ia:::: -
all those who knowwhat love is,
sJ}I
288
de - tea
voi che in-ten-de - tea they will for- give this
=------
pi~ - no di gio - iail rais - es my hope so
cor, _ _ __ high, ____
pie - no di gio - ia il rais - es my hope su
cor, _ _ __ high, _ __
,,Ii
il i!i
Ii
1i1
voi rhein-ten-de - tea - rnor, this lie, they will for-give :----
voi they
chein will
ten-de - tea-rnor, for-give this lie.
rni tl:t>y
§
pie - no di 6 io - ia il rai s - es my hope so
I
I',
11
cor, high,
no di hope_
gio - iail r.or, so _ _ high,
pie my
',it !1~ ,.w:
ll, l'i 1,i
l\t ::1:
rr
,, 1\
·1~ ;1 1 1}i
'~, t1 ,II
i~
U228
289
~
Recitative Count, Susanna,and Figaro
w
Count
E per-che fo - sti me - co sta - mat - ti - na why in theworldwere you so cross to But
___ ---
p
{
~
Col I
,--...
,
-----
Count
-
y
si au - ste - ra? me this morn - ing?
pag - gio dli - vi c'e - ra. knew the page was lis - t'ning.
Ed a Ba - si - lio, And to Ba - si - lio
----------
rhe per me ti par- lo? who wasspeak-ing for me?
_____n------
Count
Susanna
Ma qual bi - so-gnoab-biamnoi, I do not see ·why we need
cheun Ba a Ba
si - lio .. . si - lio .. .
R ve - ro, Of course, dear,
e how
~
~ ~ e
and
42228
mi pro-met - ti I may have your
po - i. word,
---
se tu man - chi, o cor you will not dis - ap -
290
,II
mi - o ... point me?
at - ten- de-ra. il va-set - to. Eh fu un preshe is wait-ing for her smelling salts. She real-ly
ma la Con-tes - sa But the Count-ess!
----- -----~-.....__..,,
..
Count 'l
l
r
411
te - sto, is - n't,
r
r
-I
r non
r
par - la - to io a - vrei sen - za I had to make some pre - text to
-.no
-
A
~
n
{
Ca.
di qu~ - sto. ad - dress you.
Tl'
Susanna
Count
ris - si - ma! dor - a - ble!
(E
mia senz' a.I - tro.) (She has sur - ren- dered.)
Vien gen - te. They're com - ing!
........ -&...--..
~....-..
{
~
~
• J'--"-"""
-~
For - bi - te - vi la Don't count your
Figaro (Bnten.[aside,to) Busanna]
"
~
4',)
111
~ Susanna(a-
4',J
I
boc - ca, chick-ens
o si- gnorscal - tro. be-fore they'rehatched.
Ehi! Say,
Su-san-na,o - ve va. - i? Su-san - na,what'sup?
Ta - ci.
Plen- ty!
n
I (Jl:eit Busanna)Figaro (l'ollOIIJ• lier.)
Sen-zaav-vo- ca - to With-out a law - yer,
hai gia. vin - ta h cau - sa. you have won the de - ci - sion.
Cos' e na - to? What has hap- pened? !1 :,11
i HU8
I
at
No.17. Hai gia vinta la causa!. .. Vedro mentr'io sospiro You have won the decision? ... Shall I look on desiring Recitative and Aria Count Count
Maestoso
Haigia.vin- ta la cau-sa! "Youhavewon the de- ci-sion?"
Co - sa sen-to! What thedev- il!
In qual lac - cio caAre they try - ing to
-------. de - a? fool me?
Per- fi- di! Hyp-o-crites!
1 11
11111:)!~ io
m .. . ,:1· .. ,
UHi
v0-glio di tal mo - do pu - nir - vi, see that both the trai- tors are pun - ished.
io vo-glio, I'll cure them!
292
la sen-ten - za sa - r<1. on my plea - sure a - lone.
ll!li
--·.
-
- -.
-
-
~
.- - -
~
Ma s'ei pa - g·as-se
!
4)
.
-·.
~
~
~
1,#1
"""
-
r
u
Andante
, __
-
. .
-
-
Tempo 1°
-------
JI
-
la vec-ehiapreten-den-te? in pay-fog Ma1:eel - Ii- nal
If he sue - <' ~ed-ed I\
- - -
""""
p
----
ll
_.ttJ~ .. _ ,_ ~
Pa-gar-la! Howcan he?
.._
.._
1--
-- - --
..__
-
-
-
J:---:J-
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p
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In qual marnie- ra! He has no mon-ey !
! ,.
,
--. ~
r
- r
r
. - - , __ - -
-
r
i~
qs
- -
!
E poi ve An - to - nio Be - sides, An - to - nio
. - -·
"2226
114......._
-
1!-,_
~
-· ::- .-
I
che all'in - co - gni- to Fi - ga- ro ri - cu - sa won't per - mit his be- lov- ed niece Su- san - na
-
~p
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r
- -- --
~~r--_
-
-
- r
di to
---
-
211
,. . . . .j I,,,.~~ ... ~
I''."'~••:"••
da-re u-nit ni- pote in ma-tri - mo-nio. mar-rysucha no-bod-y as Fi-ga-ro.
. .l
11,
.,,
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···•I ""'I
--·. - . '
-
I
.
-- -- - - . --
Col - ti- van - do l'or - go-glio I willflat- ter the e - go ~
~-
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41
I
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.,
.
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I
:'
-
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... ~
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-
di que-sto men-te - cat- to ... of that con-ceit-ed drunkard.
Tl
r•
p
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--
[...g
- - - -- -
,_
I
I
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-
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- - -
V
Tut-to gi0-v.t a unrag-gii'o. . . It willfur-thermypur-pose.
p
il col-poe fat- to.
It can't go bet- terl
42226
a
~
1~11 'i
j
I!
294
Allegro maestoso Ve Shall
-
---·-. - -·
- -·
dro I
men-tr' io look on
r
-
"
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!
J
.-
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fe and
so - spi - ro, de - sir - ing,
I
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-
-
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ceun
ser ser
-
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&
e e
===- ===- --
=
Ii see
-
my
--• . C1VJ.fC.
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VO
vant
- --
-
-1.1.
I
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--
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-
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i
Eun Shall
ben che in-van I see him
de - si - o, ac- quir- ing
nj pos - !'P-der do - vra? fa - vors for which I yearn?
~
42226
295
u - ni- taaunvi-le og-get - to al - low a hate - ful mar - riage,
per me poi non she does not re -
ha, turn,
chi in while
che which
.....--....... per me she does
poi not
non re -
ha. turn?
Ve Shall
dro ___ rnen°tr' io so - spi - ro, __ I____ look on de - sir - ing,_
fe -
and
fp ~
Ii - ceun ser - vo my ser - vant
see
42228
mi - o, hap-py?
ve - dro cheunben ch'io de - si - o,_ ei _ Shall I see him ac - quir - ing- the_
;fP
298
.---
do - vra.? I yearn?
pos - se - der prize for which
Ve - dro
per man not lift
I
Shall
u t,1
d'a- mil - rf' a fin - µ,~r
----·. - -· -- -· --
-
,,
I
ni- taa un vi - le og-get - to, con - quer her af- fee- tirn,
-
l
l, i.
-
-
.
- -·
42226
,,._
_J
- - I
!
◄
-.
-·
-
--
- --
I
- - --
me de--sto Ull af - fet - to, on with- out ob - jer - tion,
.
rhe
dro? won't!
a
a tr--...
....-,;---_
1-----..._1
I
&
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che
- -- - - J-~. -· -iy ~ r IJJJJJ_ J --- ------ - : -
I
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.
ve I
-
I
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per me poi non ha, loof and un - con- cerned,
dro? no!
chi in !0r,k
I
- - -
I
4
-
I
~
-
per loof
Ve
Ah,
me poi non ha, and un - con- cerned?
-
dro? no!
VI'
Ah,
ve
I
-
dro? won't!
Ah Ah,
n7
Allegro assai
@
-
u t,1
§ tu
you
·h
42226
non na - see - sti,au - da - ce, spite me, shall not dare to
n_. a me
me and
tu non na - see - sti,au - da - ce, spite me, you shall not dare to
tor tor -
men-to, ment me;
e you'll
per op-
for - se an-cor per have no chance to
~98
ta.
Gia la spe- ran - za On- ly the thoughtof
side.
so- la ven-geance
del-le ven-det-te
tr
mi- e la-tion;
quest' tri
a - ni- ma con um - phant vin - di -
so- la, ca - tion
p
:,;hall
giu - bi - lar mi sat - is - fy my
tr_
tJ;.--:;.
fa,_ e_ giu- bi - lar, pride, my wounckd pride,
pa - ce give you
e
my
giu - bi- lar mi fa. deep- lywound-ed pride.
non vo' que-sto con - ten-to, so great a sat - is - fac-tion·,
tu you
non shall
Ah,_ Ah,_
che la-sciar-ti in I will nev- er
na - see - sti, au not dare to
iii' :11 ,11
1111
:)ii
i,
42226
2"
da- ce, spite me,
re a me
11er da op-pose
per ri - de-re to laugh at me,
mr and
tor - men-to, e for - sean-cor per tor - mentme, you'll have nochanceto
di mia in - fe - Ii while I _ _ am cast
ci - fa. a - s~de.
tr
Gfa la spe- ran - za
On- ly the thoughtof
so- la ven-geance
tr.,.,,..---_ . --- -
a - ni - ma con um - phant vin - di
.
so - la, ca- tion
tr.,.,,..---_
'2226
tr
.
del- le ven - det - te of-fersme con-so tr=-fr..
giu - bi - lar mi sat -
is - fy
my
mi - e la-tion;
fa, e_ giu - bi pride,my wound-ed
tr~
300
1
i '
giu - bi- lar fill my heart
lar _ _ _ _ _ __ heart _ _ _ _ __
fr
mi
fa,
with joy,
giu - bi - lar fill my heart
e
and
mi with
cresc.
( Prepares to leave, but meets l)on Cu1"zio, •cho enters with Mar -
giu - bi- lar fill my heart
mi with
.
-tr.,,,..--....._
cellina, }!igaro, and Bartolo.)
42226
_______________________ ,
~-------
NI
ii
Recitative
~
Don Curzio, Marcellina, Figaro,Count,and Bartolo
Don Curzio
I\
(stamm11riug)
.,
r-- --r
--,--r
~ 0 ra - gar - la,o spo-sar- la, he must mar- ry her or pay her,
E de - ci - sa la Ii - te. Thee'c.ase hasbeendtle-rid- ed,
---
-=-J2
.0:{• >
& I
~
41
~
lo re - spi - ro. Ed What a wed-ding! What
io a
Marcellina (aside)
'
~
ti - te. v'ver - diet.
I
Figaro·
Marcellina
i£
, o - ra am-mu th that is the
(Al - fin (At last
mo - ro. fun- 'ral!
---
spo- sa io sa I'll be the
,,,_-e-
.
~
Figaro
6.......
Count
r --------,,---- ,,--------,
' {ffiE
.
ro d'un uom ehe a - do - ro.) wife of the man I wor- ,:hip!)
1,~
giu-sta la sen - ten - za. sen-tenee is a just one,
--:::=::::--
Ee - eel - len - za! m'ap - pel - lo. I ap - peal this, your lord- ship.
----e--------
0 pa - gar, o spo - sar, bra - vo, Don Cur- zio. ei- ther mar - ry or pay. Good work,Don Cur- zio!
--••11•
E The
BonYou
302
.. .
Bartolo I,.
b. •
I\
-F
t
r
7
----
-
......
Bartolo
L
-f
_!,._
~.
Bartolo h-
Io non la spo- se - ro. But I will not give in.
Siam tut - ti ven - di - ca - ti. Full jus- tice has been ren-dered.
_,., ---
LI, .-n:=::::
{
"'
Figaro
-
T
In rhe su - per - ba? In what way glo-rious?
Che su - per-ha sen-ten-za! "'hat a glo - r i - ous :,,en- ten re!
fa di suaEc- eel- len - za. f'flat-ter me, your flord-i,,hip.
{~
Figaro
_
.. .-
La spo- se Oh, yes, you
11!1
·1,
.I,,.,-...
111:
1
ra - i. will!
{
0 pa - gar-la,o spo-sar- la, Ei-therm'mar- ry orp'pay her.
----
I
due mil - le
pez- zi
----- -----
Son gen-til-uo - mo, I am a no-ble-man,
{l?ZD::
lei fha pre- sta - ti
Did she not fiend you two thou-sand sil- ver
e and
sen-za l'as-sen- so de' miei no - bi - li pa can-not be mar-riedwith-out my par - ents'con-
J;H5
I
1
ren - ti . .. sent!
{ 42226
Do - ve so - no? chi Ar.d these par - ents,where
so - no? are they?
-~
La - scia - te an - cor ccr I still am on the
IOI
Bartolo
11111111
1
do
In
111111111,i:1
po die - ci an- ni io spe-ro di tro-va.r- Ii. Qual-che ba.ma - bout ten years I am sure I will have found them.So you
-E>--..
,,,,i11,., .. "''"""~ ,,,1111to,
,,11,,.,,,
Figaro
tro - va - to? No, a found-ling? No,
per - du - to, dot - tor, an - zi ru - ha - to. Co - me? a "lost - ling';' it seems that I was kid-napped.Kid- napped? .----... ~
La. pro - va? Then prove it!
11 te- sti - mo - nio? JJo - ro, le gem- me, Where is your ev - i- dence?That I can of - fer!
ei
The
:::=:::~
pan - ni, pre-cious jew- els
------
~
ma - sna - die - ri, I wa::1 wear- ing
42226
che ne' piu te - ne - ri an - ni that my ab - due- tors found near me,
mi :ri - tro - va-ro a the fine embroid-ered
:::=:::-e-::::=::::
so - no gl'in - di - zi ve - ri are the con - fir - ma - tion
---
di mia na - sci-ta ii of my no - ble ex -
304
e so-pra tut - to, que-stoalmio braodoim-pres-so ge-ro- gli - fi- co. Still moreronclu-sin', there is a sym- bol branded on my arm.
A
-
---
Figaro
~
U - na
~
Marcellina
-
~
1
..,
spa - to-la im-p1es-saalbrac-<'in de- stro? ,;pat - 11 · la print-e
Ea voi rh'il How did you
dis - se? know that?
'
1
Oh Di - o! Great Heav-ens,
e it's
Marcellina
E ver, son i - o, Ofcoun;e,it',; I, then.
Ra-fa-el - lo! Ei Ja-dri ti ra-
Em - ma-nu-el! You saythatrob-bers
-
----
,;::::--
Bartolo
Bartolo
Pressoun ca-stel-lo. Ee- co tua ma-dre. your From near a ca,; - tie. Hne is your moth - er'
Ba - li - a? No. l\fy wet- nurse?No;
~
Don Curzio and Count
ma - dre.
moth - er.
42226
~ua ma - dre? His moth - tr?
Figaro
Co - sa You don't
Marcellina
sen - to' mean it!
Ee - co tuo pa - dre. And here's yom fa - thtr!
tua
your
306
No. 18. Riconosci in questo amplesso Now at last I may embrace you Sestetto l\Iarcellina, Figaro, Bartolo, Don Curzio, Count,and Susanna
Andante
Marcellin?. Ri -
~uw
t·o
(embracing Figaro)
-
,,t
no-5riin
last
que rr:ay
I
Figaro
to
fi
-
ing moth -
glio!
Pa
er.
Fa
sto am - plPs - so em - brare you,
u for
na I
(tr; .Brn•tr,fo)
dre mio, ther dear,
fa - te lo why not do
Bartolo (e;nhracing Figaro)
stes - so, like-wbe?
non Do
mi not
fa make
te me
piu ar blu:::h
-
ros - sir. with
shame!
Re - si It's my
',!/:
'2226
-
306
co in
srirn - z.t form you
far of
non the
la- scia al ju:; - tice
tuo_ of_
dr your
I,''
-
Don Curzio
-
~
'
-
~
V
"
41!
_,
-
'
Ei suo He thP
---..
- -
-
-
r
r
~
- - - -----• ! II I . -- .-. ~
.., ,
r
-- - -
Count
. --
'
,
neo match
--se - guir,
non puo is null
- -
~
and
- - -·
- -
.. •
!
-
-
V
.
~
-
glio a your
-
~
I V
U2H
-
I
I
-
-
.I
I
I
-
-
I
~
~
-
ii:
Ii.
. :
.
- -~
-
.
- .
el - la sua and she the
pa - dre,
fa - ther
--
:
I
.. I
~
.
glio a your
~
------= il~.1..1..1..LJ ---.J ,------.J . I
I !,11
ma - to! moth-er!
Fi I'm
-
i,
i
-'
Bartolo n
- - -
--
. .
-
I
void;
- I
-,
~
-
ei suo he the
,,,.----...._
-
me -
i
-
Meglioi· as-sai di qua par - tir. All my hopeshavebeen de - stroyed. ~
r
'
-
-- - .
-.
-
.
Thenthis
I
,
Fi
~
J'i -
~
son stor- di - to, couldnot hap-pen!
- --
Im
--.
ma-dre! moth-n!
--
~
-
-- - ------ - - - .- . - --
- - -- -- -
-
:
:
-- -- -. .
:
Marcellina
~
•
-
el - Ia sua andshe his
~
...,
~
•
-
- -
Son smar-ri - to, \\'orse mis-for-tt,n•·
sir. claim.
!
~
r
pa-dni, fa-ther,
.
-
~
-
.
:iii',
,,:;,
80'7
Marcellina
'-
-
4
.
~
-
4
-
Count• r
.- -
r
r
glio& your
-
m& - dre! moth - er!
-- -
-
r
I
-
.
-- -
~
I
ma - to! fa - ther!
-.
-
-
.
Pa Be ~
-
ren - ti & lov - ed
.,
.
--
4
'
.-
J
~
J
~
,~
-
~
I -
m&- ti! par-ents! ~
.......... -
ma-to! moth-er!
l
r glio a - ma- to! your moth-er!
l'i - me - neo non puo se - guir. then this match is null and void.
ren - ti & lov - ed
(about to go)
_ _I.
~
r r r - IP P,
Pa. Be -
~
- --1-------:J
~ ~ ~ ~ I~ no, yes,
glio &your
(Enter Susanna u,i,th a pu,·se in her hand.)
Pi I'm
me-glio e as-sai di qua par - tir, All my hopes have been de- stroyed,
,~
~- -
-
I\
-
ma.-ti! par-ents,
r
I ,
di qua. they are
par - tir. de - stroyed!
...... •' .,
Pa- ren be -lov
)
glio & - ma.- to! y(?ur fa-ther!
Fi I'm
p r·
-
p IF J
-
tr
.
ma. -
ti! ents!
.. I 1.22.26
. .
--· guir, void,
-
-
..l.J~..l~J~
4
4
seand
,.,
-
---
~
.
.
,~
--_,...
~
r
non puo is null
Fi She's
-
-
~
-
-
-
.
-
-
1garo
:.
.
-
Son smar-ri - to, son stJr - di - to, hap - pen!
m&- to! fa- ther!F.
~
Ii' - me - Ineo Then this match
B t I Worsemis-for-tunecouldnot ar o o
-- - - -
.
- -
Fi He's
Don Curzio
-
-
808
Susanna
(detaining thff Count)
mil-le dop - pie son qui I havebroughta-Iongthe
Al-to, al-to! si-gnorCon-te, Wait a mo-ment,not bO ha,-t-y.
pron-te, mon-ey.
\
:;-
•
--
pa - gar
a
ven-go ran - somfor
Ifs the
Marcellinz.
-
'
:.
-
:.
\
-
--
Don Curzio ,, •
t
..
- - ---
Fi Come,
'
.
glio a - ma - to! em - brace me!
-
-
sap - piam has been
Non There
Count ,,
- - -
-
- --
-
hB!rtolo
-
Fi Come,
-
--
h.-
-
.
h...--..._ r
-
I t ◄ ,
---
glioa - ma - to! em - brace me!
-
ui~6
I
---
rI
- rl--;
I I I I
___ ~
--
I
I I
-
.a• rJ•
L.....I
·q-.
-,.
I_
I
-
--....___--
I ren - f1a
love
-
you
I
glioa em -
ma-ti!
-- - . - -
I~
-
dear-lyl
,~I I
ser a
- -
-
I
~
I
Fi Come,
Figaro
-
---- - - - --- . I
-
I
I
:
~
I.,.
Pa -
V
I
~
.:
.__,-- -
co - sa,com• e la co-sa, os sap - piam com' e la has been a great sen - sa - tion, a great sen - sa-tion,take
Non There
\
-
Ia e co - sa, great sen - sa - tion!
com' a
V
-- -
por - lo in Ii - her I _ can buy him
ed a so that
-
r
I,
ta. free.
per Fi - ga-ro, my Fi - ga-ro,
I
I
~~
I
&. :2.
-
~
I
J~JJJJ -..,! --------
. .
109
~
• -
IIOnqui 111gthe
:.
::-
,,
\
--
-
'i
.
-
fi Let
. -. -
ser a
- -
va - te un ~ook and
-... ::- ------ -
--
-
-
-
-
~
r
ma - to! kiss you!
--
-
OS Take
r
me_
::-
4I
-
-- -glio a - -
po - co you will
un and
la, see,
la, see
- -
h.'
po - co you will
la, see,
I
.
\
I 4..
-
. ---· •
.ll.
.
~
~-
r
\
~
.
V
-- V
--·
la. see! h-
.
-
. . . . - . -- -- - -- -- -
Gia So
r
Giu Lord
sti in
-
.. - - --f
r
-
IP
-
-
-
~· ....
-
,
--
-
-•
-
-
-
-
-
-
-
'i
"2226
:
-
delso
-
ma - ti! dear - ly!
V
I
Dei, chein-fe Heav'n, to be
I
~-·
-
.
~
I
da<X:Or- do col - la spo-sa? he mar-ries Mar-eel - Ii - na!
- -
4I
- -
-
-- .
:.
la. see!
-- -
◄
~
ti a you
cre.,c.
I
Susanna (Turns and sees Figaro embracing Marcellina.}
ma - to! brace me!
I
r
-
-
J
-
-
V
.
- .:
-
to!
glio a em -
-·
~~
: :
ma you! kiss
\
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fi Come,
pa- ren I love
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r
ma - ti! dear- Iy,
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pa - ren - ti a love you I
b..~
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os - ser - va-te un po - co take a look and you will -
. .-
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.
J
os- ser - va-te un po - co take a look and you will
-
ma - to! brace me!
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glio a me
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po - co you will
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(Tears herself away and bo:r:es .Figaro's ears.)
Sen- ti I am
Sen - ti, Li:;; - ten,
.\2226
0
my
ca - ra, dar - ling,
sen - ti, lis - ten,
Ir!: Iii
t'ar - re - sta! mis - tak - en!
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No, You're
t'ara
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Figaro (detaim'ng Susamu~
No, Wait
--
La - scia,i - ni - quo! come near me! Don't
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y-
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La-scia~ - ni - quo! Don't come near me!
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LJ
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del - ta! me! to
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sen - ti! lis - ten!
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Count
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ro fu
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42226
r,
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to liar
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co
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to liar
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me ger
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la my
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di fit
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fu with
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co fu
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fet cu
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Figaro ~is
di fit :_
.:
Fre - mo, sma.-nio d1I fu I'm be-side my-~tlf with r,
Fre - mo, sma. - nio dal I'm be - side my-self
.
fet - to cu - liar
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Marcellina
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t
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fre - mo, sma - nio dal I'm be - side my- self
-
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toa you
tut shows
\
ifT re, fre - mo, sma - nio dal ry, I'm be - side my- self
ro -
-
fu -
---
re e ly
mo tru
sma ra
fre - me e jeal - ous
~
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nia ges1
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bn
tut
to a you
shows
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tut shows
toa me
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mo
l
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mo
tru
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how
to a she
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tut how
to a she
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re, ry!
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you;
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42226
tut
re, you,
WO
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re, me,
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to a men
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mo of
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de - sti - no glie the or - der of -
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quel act
II
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la my
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la a
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to a - men ~
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il me de - sti - no things have not turned out
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na vec - chia ing tricked in such
r
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il are
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mo loves
.
fu - ro am fur
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mo loves
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dal
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fa, loves
ro fu
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fre - mo e sma I am __t.i~l
way.
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quel how
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fre - mo, sma - nio dal tricked and cheat - ed by
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to a men
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la my
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na . we - chia me dis - tast a most
in
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re, how
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mo know
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fa, loves
dal
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g I
mo loves
nia ges,
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fo di~- hon - e,-t
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ro
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mu,.;t
fre - moe sma I am Je~tl
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you
tut Now
fa,
ro - re, ;,;pin - ster in
mo know
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tut Now
V
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toa you
6,.,
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a
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fa, way.
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fre - me e jeal - ou,;
fa, way.
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tut No,,·
fa, way.
fu
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fu with
fa, way,
tut
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ro fu
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to a
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u in
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no der
.
.
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quel act
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glie of
no turned
la the
me out
e
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of
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mo
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of
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6222fl
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ten
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quel act
quel act
c'.he that
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de the
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de have
WU
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che men
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to a men
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la my
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sti not
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il things
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la na vec di~- taste - ful a mo~t
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men
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tut
JY,
.
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WO
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fa,
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che men
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V
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quel
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dal fits
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' - chia me na n•c Ia di:,; - taste - fol a mo:,;t
a
a
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re
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ni
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fre - mo e sma - mo dal my-,-t·lf be - side I'm
way.
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jetl - ous
mo of
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fa, day,
-
to a nwn
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4
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fa,
e- ~.
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fa, way,
-
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fa, way,
tut
-
WO
-
-fre -. me e. sm'I
fa, day,
ra
.
to a men
-
-
.
nia ges,
-
-
jeal -
fa,
' fre - mo e sma - nio dal I'm be - side my- self
OU::,
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way.
,
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fa,
tut
way.
WO
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to a men
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fu with
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de the
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mo - re e of - ten, \
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de have
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quel WO
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che men
fa, of
--
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...
fits
of fu - ry are
ro -
re, ry,
-
mo - ree of - ten,
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quel WO
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tut WO
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to a men
...-----i----
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4
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fa. way.
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la the
fa. day.
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la my
no me turned out
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e
fa,
of
che that
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che men
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ten
che that
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fa.
way.
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quel act
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fa. way. I
rJ
V
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glie of
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de - sti il things have not
:
.
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der
or -
.
-
fu
the
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e quel ten act
-
. - -· - ' de - sti - no dal fu- ro - re, ii .
:
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,
r
r
.
-
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u - na vec-chia me la fa. in a most di:,;.taste-ful way.
u - navec - chia me la fa, a most dis-taste-fol way, in
'
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--
I
-
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-
--
mo - re e of - ten
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that
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-- - - - - -. -· - -... - - -- -- .--~-- -. --. . r-,.
r
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1...,1.,..j
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Marcellina
(Runs to emln·ace Susanna.)
Lo s'.ln, - gno cal - ma - te, mia ca - ra fi No lon1; - er be an - gry, my dear lit - tle
42226
,!It. ,,I
':!'
8t8
sua ma·dre ab- braefor I__ am his
g-liuo - la. Sua ma - dre ab-brae - cia - te,che or vo - stra sa - ra, daugh - ter, from this mo-ment on - ward, I'm moth - er to you, ~
\
,,;:--.
:
.
'
-
Susanna (to Ba1'toto)
.
.
-
- -$ua ma-dre? '
cia - te ,cheor vo - 3tra ..a - n. moth-er and moth - er to you.
.. -:
◄
.
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Don Curzio k
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Marcellina
- - -
w-
r
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sua ma - dre? his moth - er?
- --
.
Count
Sua His
(to Marcellina)
~
Sua His
V
r
"Ir
sua ma - dre? his moth - er?
.\
-
Sua ma- dre! His IT ½h- er!
(to i}on Cun-.i"o)
..
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sua ma-dre? his moth-er?
.
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His moth-er?
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(to the Coui,t)
w-
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Sua His
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ma - dre! moth - er!
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ma - dre! moth- er!
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12226
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Bartolo
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sua His
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ma - dre! moth - er!
ma
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moth -
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ma - dre! moth - er!
--
...
Figaro
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And
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42226
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pa - dre che a fa - ther, he
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ma - dre! moth - er!
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ma - dre! moth - er!
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ma - dre! moth - er!
Susanna
ma - dre! Tua nwth - er! Your
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hC_2unt •
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;;aua his
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sua His
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Don Curzio sua His
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ma - dre, moth - er,
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te says
lo so
di - ra, him-self,
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che a he
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lo so
di him -
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pa - dre? fa - ther?
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M?rcellina
-
--
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Suo His
fa -
,
pa - dre! ther!
-
suo his
pa - dre! fa - ther!
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r
.. ..
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or in
-
~
re - si sud with
na
si last
-
:
r
---,
-- -
-
- -
ster is
-_
~
~
r
t:p
ster is
~.
- -
-
-
ster is
~
re at
-
-
-
--
-
.a
-
--
.
C
-
m- maap them so
re at
-
ster
or de -
re - si at last
--
la~t
- -.
a see_ ~
re with
re at
-'Ii
-
V
-
r
na ture
si last
.a
sa, sight,
41
-
re at
n
sa, sight,
-
ster den
-
L
V
or :n
si sud -
-
-
L
re with
i~
•,~
- - -
V
II\
-
-
ster
,--.__
r
r
◄ 4
-
re - ~i at last
-
r
n~ - maap pt - n
-
-
r
n~ - maap pt - er
-
a hap
quest' a
- pe
-' ' .,. --- - - - - - - - \
. .
. - - -
- - - .- -
hi- ma ap them ~o r
V
quest'
pe liar._-
-
-
~
a see_
,t;.. ,
- -
re - si at last
- .- -- - - - - -. - -. -. -
.p10
a
-
ni- maap them so
na ture
-
~
quest"
-- - r
D! - ma ap
a hap -
quest'
sa, light,
•·
-- -
-
quest .Pa.
sa,
in
~ or
,
SZ5
-I
or in
:
..
iltil
328 I\ ~
'
\
I
--
--
sa., sight,
re
' ~
-
-
V
4
- -~- - - - -
re at
- --
~
a-
sa, quest• light, to_ see -lit>P-
.
sight.
-·
-
ster is
or in
-
-
-
sa, sight,
ster
r
--
leap --
r
ni-maap them so
-
. -
I
re at
\ V
{•-.
~
.
f,
--
YJ
~
I
I
I
si la:ot ,.
.-
.. - - - -
-
'
-
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111
I !
r
....
-
-
or in
ster is ~
-
• •
.
:r1 :1::
ll!i
1,1
-
'11:1
l[!I
sa. sight.
- - Sa.
or in
s~h~ 1t
,
1:
'11
1: 1
i:
~ 1t ~ ~ ~
I
,Ii, ,I' '11! 1rL
-- ... -_.... - ... - •-• ....... -
•
-~ ,
ilri'Il
• ..
ster is
-
.,,_ .,,_
:,1
- - - -
!II
I
~
' -
II
sa. na re - si - ster or py with sud - den de - light.
si last
-
-
'.:
-
-
sa., sight,
i
sa. sight.
r
'
n
-
11
'I 'I,
sa. or pe - na re - si hap - py with sud - den de - light. ' '
- -
re at
i !! 1
(.JJ:ceunt tAe Count and .Don Curzio.)
--
11111111!11
'
or in
--- -
sa, quest' a - ni-maap light, to_ see them so
-· -
ster is
-
si last
,
--
-
-
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~
-
si last
-
sa, sight,
I
- - sa. J
at
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fr
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U7
Recitative Marcellina, Bartolo, Susanna, and Figaro
io.)
Marcellina
Ee - co-vi,o ca - ro a - mi - c.o, There he is, dear - est doc - tor,
§
il dol - ce the bloom-ing
frut- to dell' an - ti - co a- mor flow-er of our one - time ro -
§ ~ Or non par - lia - mo di fat- ti si ri- mo - ti, Let's not warm up such o - ver- aged pro-ceed - ings;
no - stro. mance.
e - glie mio he is my
......... __.,,,..-.....
l fi - glio, off-spring,
mia. con-sor - te voi sie - te, you in-deed are his moth- er,
e le noz - ze fa. - rem qua.n- do vo su our mar-riageshallbewhen-ev - er you .~
.0.
Mcl!'.cellina
le - te. want it.
42226
Og - gi, To - day.
(Gives fl,,e note to .Figaro.)
dop - pie sa - ran- no. e It shall be a doub-le wed-ding.
Pren - di, Take this;
que,sto e il bi it is the
328
gliet - to note
del de - nar che a for the mon - ey
me you
de - vi, owe me.
ed e Take it
tua do - te, Pren- di an as dow - ry. Take this
---
~
Bartolo (Does the same.)Figaro
purse to the ground.) _..
t
_h .. • •
..., -.---, cor que-sta bor - sa. purse in ad- di - tion.
h..
•
E que-staan-ro - ra. Bra - vi! git- ta - te pur, c'hio pi- glio o And al - so this one. Thank you! Justkeepright on, I'm get - ting
---~
{1-J::tl~
=I
Vo-lia.moadin-for-mar d'o-gniav-ven - tu - ra Now let us go and tell all that has hap-pened
Ma - da-ma,e no - stro to theCount-ess and un - cle An -
~
Bartolo
I":'.. zi- o. Chial par di me con-ten-ta. Chial par di me con-ten-ta! to-nio. Who is as glad as I am? Who is as glad as I am!
I - o! I - o! I am! I am!
b~
I - o! I am!
E schiat - ti il si - gnor TheCount is wild with 'P'P ~ 1.. 1o. C1'6ac.
o! bit!
E schiat - ti il si - gnor TheCount is wild with a tempo
bit!
Bartolo Fig_ar
Andante
bJ p
•.i.i:.16
o!
creac.
f ( .All e:z:eunt, embracing.)
329
Illa
~
Recitative Barbarina and Cherubino
Ian flhis
'
(Enter Barbarina and Oherubino.)
Barbarina
~
An - diam, Come on,
~
" • mi fun
~
r
41
an - diam, come on,
bel dear
r
a if
.
r
I
tut - te ri you come a -
;::-p-
r
I'
in ca - sa you will have
---~:::=::
....,--::=:-
~
-
r
pag - gio, page,
J,
tro - ve long to
ra my house.
~
I..
~
~
le piu You will
bel see
le all
ra the
- , a , .- - - -
{~
~
ca - stel - lo, girls of the cas - tie,
-------
di but
tut - te sa - rai tu cer- to il none of them is as beau - ti - ful
piu as
----
~
Cherubino
Ah!_ But,_
se il Con - te mi tro - val mi - se - ro me! if the Count should find me, Heav - en for- bid!
Tu You
----
t
'·I
330
ch., par- ti - to ei mi ere -
l
~p vi turb
0 ve' che ma - ra Since when does that dis -
Yi - glia.
ville.
he be-lieves I haw left
'
glia! you?
p
y
se if
e And
ti he
y
tro - va, found you,
I"
,.
P"
non sa - ra it would not
co - sa be the
{r-ll ~~
I\
l
I
l
J1
t nuo - va. fin;t time.
{
.
.L
.--iT
0 - di ... Lis - ten:
--
an - drem poi pre - sent
'
fi Just
{l~2-
.n l J .b~p p ~
j p,.b VO
You
-
g?ia- mo ve-stir-ti co-me no - i, let us dress you like a girl.
..---
mu~t
• will
p
,
l
~
a a
pre- sen - tar de' nice bou-quet of
p p •p •r
da- ti,o leave it
.
Che - ru - bin, to me, all
~
---
tut-te in Then we
---
,,.-......
(E:ceuntJ
'
p p p Ip di Bar - ba your Bar - ha -
ri ri -
l * na. na.
e
t 11/l~'
,·1·.•.i,i 1·/i
",1 6¥229
1111
;I
fi:11
DI
No.19. E Susanna non vien! ... Dove sono i bei momenti
~
And Susanna is late. • • Are they over, those cherished moments Recitative and Aria
- ra l dis -
Countess (.Enter the Countess,)
Andante
.
Countess
I\
,
- - - -·
,
•
~
...
r
I
JI'
E Su - san - na non Vien! And Su- san - na is late ...
§
'
~
-'t
I
I j\
' •
l
•
•
.
l
-
" I
per out
co- meil how his
--A
.
ac ac
-
- -
~
col - se cept- ed
la the
.
~
,
r
r
r
pro-po- sta. pro - po - salt
I
-
-·
-
l
- Al-quan-to ar-di -
l ~
I
-
~--- - -
UU6
.. -
I
I must ad-mit
I
-
l
di 8& to find
I
,
~
-., - ~
''I
.,
Con - te lord- ship
' -·..
4
..
-
to
,,. ,,
I
. ,
I
,
-
.,
I
..J I
-
-
-
'
.,
::
- - --
l
-
-
r r e ad u - no spo-so and with a bus-band
il pro-get - to mi par, that our proj- ect is bold,
-
- -.
--
,
.
P ..:.~. ,
'
,
u
◄
-
'
So- noan- sio - sa I am anx- ious
.,
-
,
<
we
'
\
the
in-
- -
'
-
,
M~ - -
-
r
-
'
~
,,- ,.si Tiso im-
332
Ma che mal c'e? Bntwhafsthe harm?
va-ce e ge-lo - so! pul-sive and so jeal-ous!
Allegretto
can-g-ian-do imiei ve1 on-ly wantto
[Andante]
-=--~
Su - san - na, e i suoi co' mie - i dress of Su - san ·. na's while shewearsmine ,-
l
..
- -~
II!
~
..
- - -
- -- - ~
--
I
.,
~ ~
-
l
•
~--.
- ...
-r:~
- -·
42226
lo..
I.
~
I
r
qual u - mil sta what ,;hameful ,;tate _
,
~-
-fp--l;)i]-_.
I
J
'
"'
to fa-ta- le of ex- is- tence
.. .
~
~
r
~
I
- -- --
r
daun con- sor - te cru - de!! through the fault of my hus-band,
-·
- - -l
,
Che do-po a who, af - ter
-- -· --· -t-.,. .
'.:'.
f .. ._. ._ ..
- -
.
- -- - r ~
- v-
...
- -- r,
r
io son ri - dot - ta have I de-scend - ed Ji
a To
};·
-
~
I
,Ji
l
- - -
~
--
~
~
r
cie - lo! oh Ah, Heav - en!
..
-
II!
...
,
,...-----
,,...--
~
l
~
r
not - te-. dark- ness.
l
- -
l
-·
- -· -~
~
,_ ~
-
~
I
DI
I
ver-mi con un mi- sto in- au- di - to treat-ing mewithscorn un- ex- am- pled
sde - gno! trayed me,
d'in - fe- del - ta, and with dis - dain,
di ge - lo - si - a. withjeal-ous ra - ges
in-di of - fe - sa. then of - fend- ect',
Pri - ma. a, - ma. - ta., first be - lov - ed,
e al - fin at last
di
~-
trade -
p
fa.m-mior cer-car da u forced me to plead now __
namia. ser·- va. a- i - ta! for my maid's as - s.is-tance!
Andantino
ve they
4:.!~26
so o
-
no ver,
i bei those cher -
mo i:shed
men - ti, mo - ments,
di hours
dol to -
SM
cer, __ shared?
do Are
ve an they
_ ro ken,
'I i
giu fer -
ra vent
men - ti pied - ges,
men lips
Per-che If a
U~2U
mai, se in bit- ter_
lab - bro_ men cdt - ful _ lips
di
his
pian- tie in fate in -
zo - gner! de - dared?
pe - ne dined- me
--
per me such un -
-
~ per me tut - to si such un - hap- pi - ness
la me~ - mo - ria di quel hen why do mem- o-ries re - call
bei cher
42228
can - gio, to know,
non tra those joys of long
mo ished
men - ti mo - ments,
la . . why do
pas - so? a - go?
di hours
dol to -
336
'II
1
1 1,
ra vent
giu fer
men - ti pied - ges
di hi»
la mia co - stan-za my heart's de - vo - iion
nel Jan - gui - re a - man - do o could a - chi eve but one_ re -
p
mi
and
tii28
por - tas - se u - na spe re - vive the dead e -
ran - za mo - tion
di of
can - giar l'in - gra - to_ false and heart - less my
IS7
cor, lord,
di
can -
of
my
l'in - gra and heart
to cor. less lord.
seal - men la_ mia co - stan- za, if at last my heart'sde - vo-tion,
Ah! Ah!
Ah! Ah!
nel Ian - gui could a - chieve
42226
re a but_
seal - men la_ mia co if at last my heart's de -
man do o - gnor,_ mi por one _______ re - ward ,- and re -
338
-- -
--- - - - -
1'1.
--.._
-
-
ta.s - seu - na spe vive the dead e
'
-
I
-
l
-..._..,.. -
-
~
-- - -
-
I
'
-
..
-
~
- :;..
- '
I
::
◄
-
-
u - na spe - ran-za the dead e - mo-tion
.-, I
-- --
-
.- .-
I
~
-
~
..
can - giar my false
-- -
~
~
i.,.,,
-
,,-=--I
I
p
ss :e
t
-
I
- - -
r
-
::
~
..
-
I
I
,.,--.. - - - -
b.-
di of
I
::
~
_.........._
--- - - -
-
-e-----
----
.
I
'
l'in and I\ --ir-_
- - ' r --. - -
l
-
mi porand a -
I
tas - se wak-en \
- - - -
----
I
- - - .
cor, lord,
~r ...
~
I
I
I!.
'
can - giar l'in - gra - to_ false and heart-less my
wr f~f
#
'I,
◄
di of
'
. -.
-
ran - za mo - tion
-
\
t.
I
-- - - - -
L. ~
~
- - r- - -
v. -
--
gra - to heart - less
-
I
..-11
-
-
r
~
~
I\
\
•
~
~
,,........_,
di of
- - -- - -
r
r'
- =-
cor, lord,
"' =
u
-
I
giar false
~2226
-
,,~
'
I
-
can - giar false my
-~ - -- .. "
I
,. Im and_
339
~ por-
gra
to
a-
heart
less
... -
\
•
--·
-
. r
-
cor,
'
• ••• • ••
.
--
- --- - --
-
~
II I
-
gra heart
I .~
-
'
j
~
~
-J
l
~
,.
-
--'--
I
..
- - -I
I
my
....
:
-
l'in
-
~
-
;-- - -
--
t:rellC.
- - - -
I I I
1"'
---
eor, lord,
.
-
I
I
•
I
•
.::.
"'· -
.
.I
I
.. ~-. -·-
---
•
•
• .I
..
t:;:
. ---- ~-..:. - -
-•
-•
-=·
•
.
• I
.I
r
.
.I
.l
..1
-
-
-
-
.,,,,....... ___ ..
_..._
41 It.
.,
~
-...... -
'
-
I
I
-
~
1
uaN
l
I
(lzil.)
cor. lord.
-1
I
fP..
-
r~
to_ less
-
.
.
~
.,
-I
-
gra heart
===•• J'P ---
---
to less
.a
--
--
-
I
l
.
t.
,,,
1
.,.HI
.... . . . . . ff ~
-
l'in my
less lord,
\
l'
and
.-
u
gra heart
l'in -
I
to
-
-
can - giar my false
di of
oor, lord,
_.,-;::----....
-
-
--
---
L ~
I
I
l
I
-
I
a
I
I
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-----
~
- -
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-
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-
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◄
.:~
~
:;
34-0
Recitative Antonio, Count, Countess, and Susanna (.i.'nte'I' the Count, and .Antonio, w1:th a hat iu Ids hand.)
Antonio
~
-.-
.....-nr
,,.
--
-
~
~'
,.,
vi di - co, si- gnor, rhe Che - ru There's no doubt, my lord, that Cht-> - ru
bi - no
Io
{i:-IF....-
----
...
~e
and
,·e - dt-
-
J ¢~~~ ~ ~ pr,·-w ii
fr
I brought
p..:r his
~
-
42228
' -- --
p
Count
'
Ma But
;.Q,
co - me
sea
how
can
vti - a? ville.
I~
suo cap - pel - lo. hat with me to prove it.
-e---
{~~
--
e an- c-o - ra nel ca. is :,till here in the
----.o. --:--,:
.0:---.
stel - lo, cas - tie,
bi - no
. aa a€
quest.' that
Seu - sa - te, To - day, sir.,
o be?
ra
es - ser giun - to a By this time he
og - gi Si - vi - glia if you'll ex - cuse me,
--
Si - vi-glia e - gli is due at
ea
ca - sa. mi - a. Se -ville is my house.
---..
do Se -
141
La There
'
{
ve - stis - si they dressed
da don - na, him in girls' clothes,
e
la
and
there
la he
............
;--
scia - ti al - so
his new
ve - dre be glad
te to
VO
show
-
(Enter the Countea and Susanna.)
(s.1;eu1.t.)
li I'll
An- diam, Please come,
suoi. Per - fi - di! u - ni - form. Rep - ro - bates!
i. you.
~
\
Susanna
sa mi nar - ri? n't that mar-vel-ous?
e che ne dis-se il Con - te? What was theCount'sre - ac - tion?
Gli Oh,
si leg-ge-vain he was so
--:--e-
Countess
fron - te fu - rious
{ 41111 I
I
il di - spet - to, e la that he hard - ly could
rah - bia. Pia - no, bear it. Was he!
-
che me - glio So much the
842
~
•
I ~
Dov'
or lo por- re- moin gab - bia! bet - ter for our in - ten- tioni,.
And
bn---.
:::::..-
{i
r
r
e
r
r
--,
r
che which
I'ap - pun - ta - men - to where is the ap-point-rnent ...--...IIC"a~
' giar - a.1 - no. the gar - den.
po to give
Fis- siam-gli un Be more spe -
-
----
~· ,_,[\~ \t,r
'~,;;,\!\_
o "~
Susanna
Seri Write
-
vi.
to
him.
,, '-,,_S\~\iz
\'l\ h~
\0'
i\
Countess
'
~
~
gno - ra .. dar - ing?
Eh Do
-t}
L, ~-
(diafating)
-, stes - sa., -,,--
~:::=:::
I,.
.___, 12226
"""-
,I
y p Can- zo Write a
shoul-ders.
e tut-to io pren - do let all the blame fall
di - co, tell you,
seri - vi, as I
~ r
'r
l:)i\,\,\(\
■
·,
,.,
UD~ y
(Susanna sits down and writes.)
I
~D p I * F
si
too
qf
~ t ' '\') \
ma. not
scri - va, is that
Ch'io But
SU
on
me my
u\ \_,JJ_ "C
1,\ \ J \
\
J
-
net - ta sull' mes - sage "to
::=::-A
-,
" - ria. Ro - meo?'
~
-
'~
Ml
No. 20. Sull' aria "To Romeo" Duettino
~
Susanna and Countess
die ~ch
Allegretto
Susanna (writiug,
Sull a ria "To ltn-meo;'
(t<
k"'·.)"2,, 8 c;,c.c 1 ..::
Countess
(d10taU11gJ
Che so - a - Ye ze - fi - ret - to, "When the breeze is gent-I~, blow-ing,
~\F '.\
. ze - fi . gent- l y -
Que And_
sta the
que - sta se - ra spi - re - ra., and the eve-ning shad-ows fall,
.ii
I
-, '(_) t, '"'f\r-
Sot - to i In _ _ the
122:.!6
344-
r
\ (enqufringl.¥)
.. ,::-,
\
\
sot-to i pi - ni? pine:,; are grow-ing?
>
,-\ (\ 1J ·-·
del _ __ bo- schet- topines _ _ are grow-ing,
sot-to i the
In
Sot-to i In the
pi - ni grove where ...
bodel pine:,; are
tu. ing,. "
•
I
1'J.. !.\
Cer-to, -~
U2H
Yes,the
'
\
i_, ~J)l,v'"\'\vr ). __
l[
kc
;_;}
cer-to il ca - pi - ri., re::;t he will re - call.
ii. •. ~
.I
1"
. (They read the letter togetl.er.
- -
to, cer the rest
re rest
toil_ he _
sto_ he_
ca will
pi re
ca -
pi re
will
IU 1
ra. -
call.
ra.
Can-zo-net - ta sull' Let us read it to •
call.
ze - fi - ret gent• ly blow •
to, ing,
sta que "and _____ the
se - ra spi • re eve• n ing ~had• ows
Cer- to, cer- toil ca - pi • and the rest he will re -
Bi giail re - sto ca • pi - ra, and the rest he will re. call,
1222ft
il he
au
ra' all,
il he
ca. will
ca. pi will ___ re
cer - to, cer yes,_ the rebt
ei
ra, call,
pi re
ra, call,
gfa il the
re rest
______
,
-
toil_
he_
sto_
he __
.IL'
ca. will
pi re
ra, call,
cer - to, yes, the
cer
to il he
ca will
pi n·
ra, ii ca- picall, he will re -
ca will
pi re
ra, ca 11,
il ca. - pi - ra' il ca - pi - ra' ii ca - pi he will re-call, he will re- call, he will re -
il ca. - pi - ra, ii ca. - pi - ra, he will re-call, he will re-call,
U226
il ca-pi-ra, il ca.-pihe will re - call, he will re -
~
•-
'
1
\ \
\
ru.,,.• ,..,.,,
-- ·- - - - - -
'
\ P-1e-ga,to e. 1·1
I
ra. call.
~
\
..
4
r
.
r
fo - glio, The note is read - y,
-
...
.,,~~11r./
.or
...
- .
. F
'
-
~
-
r
'
co - me si si - gil - la? how shall we seal it?
and
-
-
Ee - co, This way!
~a
-
{--' --
r
-
-
-
---=-
F
(.Draw• a
:.
ra. call. \
:.
,-
C---111-
'Ii'"
-
rJ
rJ
-
pin and gives it to her.)
Countess ser - vi - ra we will use
pren - di u - na spil - la, Let's take a pin,
di that
--
---
si - gil - lo. to seal it.
---
~·
ri - ,·er the back
te il the
si - gil - lo!' E piu bi pin, please?' That's an i -
so of
zar - ro de - a!
del the
fo - glio; let - ter;
Countess
--tl.!228
sen - to bear
...-..
"Ri-man "Re
quel del - la makes it sound
~
io I
At And
gen- te. com-ing.
pa my-s -
.
348
No. 21. Ricevete, o padroncina Mistress dear, accept these flowers Chorus Country girls (Enter Cherubino, d1·essed a.~ a country girl; and Ba1·harina, with, seve1•at other count-ry gi-rls, dressed in the same way, cal'rying nosegays.)
Grazioso :----..
---
. --------
Ri- ce - ve-te,o pa-dronMis-tress dear, ac-cept tht;,;e
.---.....
in
morn - ing
Sia- mo Though we're
/7-
42226
"'"
i' ilili ,!;u
JU
• • cor, true,
"2226
ve lo from our
"ii
,·.r
'I
350
Recitative Barbarina, Countess, Susanna, Antonio, Count, and Cherubino
Barbarin a
Que - ste so - no,Ma-da- ma, my la - dy, There they are,
-----·------
------
~
• r
41
ch'han you
·--I
r
di - re. :,;ump-tion.
{
r --
r
0 How
Susanna
,..
r-- r bra - ve! love - ly !
--,-
vi rin - gra - zio. I am grate - ful.
a:=:::
Co- me so - no They're so pret - ty
vez and
.:::=::::.a
e, is,
nar-ra - te- mi, I ask you, ,--..
42226
- r
~
Countess
r
•
e vi chie - don per- don del lo - roar and they hope you'll for-give them their pre -
I ~-:=::_ { •1:-8
•
,--..
r
'
vi ven - go-no ad of- fri - re, the best they have to of - fer,
I\
del lo - co cheil po - co the vii - lage who bring to
le ra - gaz - ze all the girls of
quell' a - ma - bil fan-ciul - la ch'ha that de-light-ful young girl there? She
NI
Barbarina
so
Ell' e u - na mia That one? She is
si mo - de - sta? shy and mod - est!
cu - gi - na my cous - in,
e per le she came last
.....--..._.....-.....
...-...
Countess
jer se - ra. for the wed - ding.
0 - no - ria - mo la bel - la fo - re hon - or our guest on her ar Let us
---
---
(Takes CAt1ru/Jino's flowtJrs and
da may
c~me ar-ros - sl! Look at her blush!
Su Su -
te - mi i vo - stri I ac - cept your
pa - re .. no - tice
,--.
gli ad blance
~2228
al to
cu - no? some one?
---
Al
Yes,
na - tu it is
ra - le. strik - ing.
--.,
che so a re -
352
. (Antonio enters stealthily, pulls off Cherubino's bonnet, and puts his officer's cap Antomo Countess on him.) Susanna
e que- sti fof- fi - zia - le! If that's not Che-ru - bi - no!
Eh co-spet- tac - cio! What do you know!
-
...
Count ~
-. J~ ('
Countess l -----v - -
dri - no!) dev - il!
- -·
(Ma- lanWhat a
------ -----
-----
~
Oh stel - le! Good Heav- ens!
Eb-hen, Ma- da - ma! What now, my la - dy !
-r-Io This
I
I,.
--,
I
so-no, o time,
,,-------y ir - ri -
T
si - gnor
my
dear
mi - o, hus- band,
I'm an -
.....-.....,.---==::---
h~::::=:::
71'
T
Countess
Count L _
~
T
li ta- tae noyed and
. ----
..--..-
7 sor-pre - sa as - ton- ished
-,,--------,.,
--, al par di as much as
YO -
i.
you are.
per l'o- dier - na we were get- ting read-y for
4'
UH6
Sta This
L - ------
~
so, dressed him
Ma sta- ma - ne? But this morn- ing?
t;X -
act -
as you
des - so. see him.
mo - do
eel- e - bra-tion
---
and
E per- che non And why have you
we
par not
IU •'• cap I
Gheru bino(tearing
/,im.)
sanna
1 l,is cap off . kis head)
~ 1- Ian-
ti - sti? left?
lt a
Si - gnor .. . My lord .. .
---
Sa-pro pu - ni - re I'll have you pun - ished
la for
tua dis - ub - bi in - sub - or - di
·-----
~
Ee- eel dear-est
Dear-est mas - ter,
...
'l
•
•
~
~
~
....,
me,
---
...
I"
y-y
~
spes - so qual vol-ta m'ab-brac-cia - te, kissed me, do you re-mem-ber,
bnet-~
voi mi di - te si ev - 'ry time when you
len - za! mas- ter,
~----r---·,..
e mi ba - cia - te: you al-ways told me:
--- ---~-----
bra - mi:' won't grant you!"
---
"B ar- ba- n. - na se~ p "Bar- ba- ri - na', if you
lo dis - si que - sto? Vo - i, So, did I say that? Sure - ly!
,---...
or da-te-mi, pa-dro-ne,in spo-so Che-ru - bi - no, Now, dear-est mas-ter, let me mar-ry Che-ru - bi - no,
-----
-~
4.2226
---
-----~-----
' ' e va-mero, and in re- turn
com' I'll
354
Antonio
Countess (to the Count)
a- mo ii mio gat - ti - no. love you like my kit - ten. ~
Eb - be - ne, lord,
My
or too-ca a yo - i. it's up to you now.
Bra - va, fi Well said, my
,--....,
{
\ \i,
hai buon ma- e - stro, che ti fa la sco - la. One can see you had an ex-pert teach-er.
de - mo- ne, qual Di - o, nem-e-sis, what de - mon
(Non so,qual uom, (I'd like to know
ri - vol - ga tut - to quan - to con - verts each sit - u - a - tion
--
qual what
a tor- to mi - o.) to my un - do- ing?)
Figaro (Enters.)
Si- gnor, My lord,
tut - te que - i:;te ra - gaz - ze, se trat-te - ne - te if you de-tain these girls here ver -y much long-tir,
--...--
-
____
ad-dio good-bye
Count
fe - ste, par - ty,
ad- dio dan - za. E che? vor - re - sti bal - lar col pie stra good-bye danc-ing! What's that? You're plan- ning to dance withyourtwist-ed
-----
:;-
42226
-----
la
Figaro (Pretend8 to straighten his leg, then frus to dance.) (Calls all the girls,start•
~ r. -
vol - to? foot?
ny
~
Eh non mi duol It does not hurt
mol - to. all now;
piu
at
An - dia.rn, bel - le fa.n come on, girls, let's be
{ to ifO; the Count calls him back.)
~
Countess (to Susanna)
ciul - le. (Co - me si ca - ve - ra dall' im- ba - raz - zo?J La-si;ia - te fa-re a, go - ing.(Now how will he get out of this pre - die- a-ment?) Oh,don't be con-cerneda -
---
---u---
§ Count L _ ~..
I\
r
tJ
a
-
..
...
- .......
-
Figaro
r
lu - i. bout him!
--.o.-----
fal - lo. luck - y.
Per buo - na sor - te It's ver - y luck - y
va - si e - ran di ere - ta. flow - er - bed was a soft one.
i
the
-
--t:J..
An-dia-mo dun- que,
No more de - lay - ing,
an let's
di& -
go
l'lO.
now.
Sen-za Ver-y
B in - tan - to a ca - val - lo And mean-while, on horse-back,
~
{I
pag-gio. di ga-lop-poa Si-vi - gliaan-da--va.il Che-ru- bi - no was gal-lop-ing to Se - ville. ~
,
~2HI
Di ga - lop - po, May- be gal-lop-ing;
0 di may-be
356
.......
(as a/Jove) ~
pas - so, trot - ting,
~
v~
buon vi - ag - gio. what's the dif-f'renre?
ni - te,o girls, we
You
,.
bel - le must be
::=::-4£
.~
~
gio - va - ni. off now.
-----~----
Count (Oouducts
Ea But -I
l!i-
Mm back to the center of the stage.)
te la sua pa- ten-tee-rain ta - sea ri - ma - sta. you had his com-mis - sion still in your pork- et!
:::::..o.
Cer-ta-men- tc, \Vhy, uf cour::;e,sir!
che (He
------
Antonio
di do - man - de . me with his ques - tions!)
(to Su.v11111a, wl,'.J is making signs to Figaro)
Via non gli far pill Don't make him an - y
mo - !i, sig - nals,
ei non t'in he can-not
---.
------
(Leads Che1·uMno forwa1·d and p1·esents him to Figaro.)
- de. them.
g1ar- do ii neph - ew
.--...
uue
chi who
Ed ec - co Here's some - one
mio is
si- gnor ni - po - te. a
cham-pion
Ii
-
~~
ar.
pre main -
ten - de che sia un tains that my bril
---·----
Che - ru - bi - no! Che - ru - bi - no!
bu liant
Or ci That's the
., unt
Figaro
rducts
Count
(to the Count)
~ :a
sei. one.
at
-~----
Non can-ta, no, He told the truth.
Che dia-min can- ta? What is his sto - ry?
;=::o.
-..Q----
~
ma di - ce, ch'e - gli sal-tb s!a He said that he was the one who
Figaro
~ ma- ne in jumped on
=
sui the
Ei Io Did he
ga - ro - fa - ni. ge - ra - ni - urns.
---) j ~
~
ii•
~
seho sal - ta just
I
1
r,
~
-
to be- cause
;
_t)=
:::=:R~
" i I
~
~
-
$•i ~ g ~ ab - bia why
fat to he could not
.......~
.•.. ::::~.... -~
lo One
I "
si puo there's no
o, jumped,
r,
"
da - re ch'anch' es - so pos - si - ble rea - son
;=:~ I
Figaro
Count
"
lo do
stes - so. like - wise.
Anch' - es - so? He al - so?
a
Per- che And why
a-=--
~
•
-.::,;~
no? not?
~
~
ji;1-~
Sa - ra. Could be.
di - ce! say so?
non im - pu - gno sheep will blind - ly
i
mai quel fol - low
H
,
~
the
che non oth - ers
~
~ II
(The Spanish march is heard in the distanceJ 42226
358
},inale of Act III
No. 22. Ecco la marcia There's the procession Figaro, Susanna, Countess, Count, and Chorus
Marcia
so. lead.
Figaro
Ee - co la mar- cia, There's the pro-ces-sion,
po- sti, o bel ~ le, ai vo-stri po - sti! plac-es, dear la-dies,takeyour plac- es!
Ull e11:eune e11:cepf the ount
Count and CO'Untess.)
Countess
an - dia - mo! let's join it!
Ai vo - stri Go to your
Su-san-na,dam-mi ii brac-cio! Su-san-na, be my part-ner!
(Tke March
Cooot
Con-
My
4.2226
..
is heard more and more clearly.)
Countess
--· -- -
~
·--
tes -sa! la- dy! 1
-·
~
.
!
I
-
-
r
r
non par- lia- mo. Let\; not di,; - cuss it.
- ---·,_. -. .. -
.J I
-
~
Or
- - -
~
- -- .
~
- -
I
' Ee - co qui le due noz-ze, Both the coup-les are com-ing,
-
~
. --·.
•
-
- -
I
-
'I
ri - l:e - wr - le d,:,,ll,we mu,:t re-cei\·e th~m
..-·. ·-- --
~
■
-
. . .
I
I
I
-··-. --
stri
--
-
--
I
-
::
~
---
JOUr
-
~
- - - -- - -- - - - -
4I
biam, well,
-
\
n u
!
4I
al - fin si at least in
-·
~ ~
-
-· -
trat - ta one bride
•
~
I
-··-. -
..-· ----
...
-I
I
-
~
-
-
~
~
.. - - - vo - stra pro - tet - ta. .
d'u- na you have shown spe-cial
..-
-
-
~
Seg Be
in - t'rest.
,, r
~
-· -·. -
- - - I
~
Count
gia - mo! seat - ed!
Seg - gia - mo! With plea- sure!
(e me - di-tiam (and plan a fit -
ven ting
(The Count and Countess seat themselves on tl,,e th1·011es. E,tter Ffgaro,S11san11a,
4.:.!:.!i6
360 Marcellina, Barbarina, Bartolo, Antonio, ltllrders 1cith g,,ns, court attendant.s,and country people. Two girls brir1g th,e little h'ridal hat u;it/1, 111tite pl,u,11:s, t-ico otlte1·s a white veil, and two others still gloves and a noseMay. :J'ltey a1•e follo1l;ed by Figaro 1tn'.tlt Marcelliwe. Two other girls carry a siniilar hat for Susanna, etc., followed by Bartolo witlt Susanna. Bartolo leads sanna to tlte Count, and she kneels to receive from him the hat, etc. Figaro leads i/Earcetlina to the Countess for tlte same purpose.)
s,,_
42226
Mt
1,,1
42226
362
ti co - stan faith- ful lov
can - ta and grate
te, lo fu l - ly
ti of
da
join_
co - stan his for
ti ers,
te us
ti
bears
se -
in
si in
gua hap
sag
d'o-
PY
ac -
gio
si our
of
se - gua he kind
tJ:__
~:.!:.!:.!6
ci
d'o-
ig-
... si ab-
42226
884
ei and
ren spot
ca - ste vi leaves chaste and
vo - stri a - ma one you a -
less
------
~
I
- -r
41
I
tor, dored, fl
-
t)
~
--
I
--·
4~~)!6
1-.
--
.. -
-
-
drit prar
a un a
,
-- -
-
:.
-
-
.
" -- -- -I
l
-
,
to tice
ce he
- --
-- - -
r
--
~
-
dtn end
-
-
--- -r'-
. -· -
-
-
do, che ol - trag ed which shamed -0_-------,,_
-
I
.
-
r
gia, an-l -0-
che of of-
-
- - --- .
~
,
~
-- - -
~
-
-
-
-
-
vo one
stria you
vo
stri a of
-
maa -
ma-
our
H5
~
~
.
~
- 41
Soorano
~
Bass ::
~
.
~
-~ !:- --== -==
-
41
f
'
I:
.
-· J
••• •
-
- .. I\
~
gnor, lord,
I 41
~
can - tia and may
-
\
.-
~ ~
t
.
.
j,' mo, lo Heav- en's
mo, lo Heav-en's
... -
-
-
~
~tt
!:
mo, lo Heav-en's
!:
= =- - =
-
-......- -- --
-
Sl
we
- -
r
-
;
I
sag· sing
'
mo ful
si we
-
-
mo ful
si we
sag sing
~~~
~
~
-
sag sing
•
-
-
si our
g10
to
.-· -
gio to
si our
!:~ ......
- --- -
-
-
- --- -
--
-
I
dia bless
- -I I
-
-
mo ing
si his
-
I
sag wis
- - -
-
-
mo ing
si his
sag wis
-
-
-
- -
dia bless -
mo ing
si his
sag wis
!: ~ ~~
~
~
= - - -
-
~
- ---
-
-
-
~
-· -
~
I gio dom
si re -
-.
r. gIO
,.,
-
-
dom
si re.
1
dia bless
-
-
,.,
= =- - = - ......
I
-
si our
-r.
-
.
~
gio to
-
-
~
can - tia and may
-== - - - -
-
-
r-:
-
~
-, -
b-
.. .. . • I, . . - - -- - - - --
,12226
-
~
-
mo ful
- - --
---
I
gnor, lord,
~
~
-
-
-
-
-== - - - I,.
-
-·-· -
-
J
mo, lo - dia ev - er grate
:: ~ ==
I can - tia and may
I
41
'
~
-
I
I
dia grate
mo, lo - dia ev - er grate
--
b-
.
~
-
-
I
- V
,
I gnor, lord,
.
.
-- -
-
.
•
--
r
-
-
\
\
-
r'
-- - - - -- ---
.
~
1
Can - tia With hearts
t I
...-
r
mo, lo ev - er
-
.
Can - tia With hearts
'
f
--
,
t.
...
I
Can - tia With hearts
Tenor
\
- -
-
~
--
a
Alto
-
-
tor. lord.
a ~
-
-.
I
41
ma -
-
-
-
-· -
-
~
g·io dom
--
== ~--
si re •
-
...
--
- - - - -
..
366
I
,,I , 'I
•
..
r'-1
..
~
-
'1
..
- -
I
J
I sag wis
si his
gnor, ward,
..
-
-
-. ,.
~
r
p
gio dom
I
~
~
~
-
sag wis
his
-
- -·· r ff
-~
-si
-
si - gnor, re - ward,
~
..
~
..
si his
gnor, ward,
--·.
-
..
wis
-
-
!: .,
..
I 'J
-. -
~
~
-
., .,
-=
..
sag
-
wi:;
-
-·
g-io dom
-
--
- - -
~I
-. -,;
-
-
sag wis
-~
-
r
si his
!:
- ~·
-- -..
-
sag wis
~
e:!i '
gio dom
-
-
,;
;
-'--- r
~
-
-· si re -
--
--
~
C
.
.. ....
,...-:---_
-
.:
si re -
gio dom
-
-
'
-
si - gnor, re - ward,
-- - - --
si his
si - gnor, re - ward,
~- -- ..- -- -
◄
•
gio dom ,J
si his
gnor, ward,
I ,_.:
-
r
I\
-.
sag
si re -
gio dom
I
4
,
-.
•-
--
.....
-
(A dance is IJegunJ I
,I \
--
-
4J
,
gnor, ward, I\
-
,,
•
gnor, ward,
--·. I\
..
~
• '
. 42226
--
---
• ..
' si his
sag wis
--
-
si his
sag wis
, ~
-
.
I
-
~-
-
-
-r
I gio dom
si re
.,
~
-
-
-
-~
..
----::--
-
.,
.....
I
:e:ee :e:
--
--- -- ..- -- --
--
gio
Ri
re
si re
gio dom
-
~
~
~
'
7
-
-
~
gnor. ward.
-
-
-
~
-
~
-
~
sag wis
~
gnor. ward.
- .
si his
~
-
,., ,_
'
gnor, ward,
Andante
-
.
-
.
~
.
'
gnor. ward.
Andante .. -&-&-&
- ---
--- --
- C
--. -.
~
-&
-
. -
fr,,,,,.--....
~
p -~
-
~
◄
- --I
-
867 (Susamia, kneeling during the duet,plucks the Count's sleeve, shows him the note, then reaches ta"8r head in a manner visible to the audience, and while the Count pretends to aqj'ust her bonnet, she
.
~
.
fr
-
tr_
tr------..
si -
re -
~ si re -
~
gives liim the note. The Co1ud quickly hides it, and Susanna rises and curtseys. Figaro comes to receive her, and tltey dance the Fandango. Marcellina rises a little later. Bartolo receives her · (Figaro fr.,.-_ dances)~• ·
Bi re -
..
from the Countess.)
4l!226
368 (Takes out the note and pricks his finger with the pin as he
Count
-------Eh,-gia so - li - ta u - san- za, le don-ne fio-can won-dn why these care-less fe-males must fas-ten all they 'fr--.=,,
opens it . .He shakes his finger, squeezes it, sucks it, and throws the pin to the ground.}
gli a - ghi han - dle
- ..
,1
I
in with
Figaro
--
l
-··
-....
;:
-
l
4~~
ca - pi - sco iI I get the
ah!
ha!
to Susanna)
Sa!JS
;:
:';
~
~
;:
i~ I
~ ~
;:
~
-
..
.. -·
~J
-
--
- - r
-
-
- -
·~
-
-I
-
-
-......__
I
-
I
I
r
-
- )J
-
-
I
- -
to
-
d'u seal
to
na_ the_
~ I
-
-I
I
J')
- -
l
e - ra si - gil - la must have used a pin
- - - - -
- -
-
-
ed Slw
- - • ~.J ... -
~
:
J
Ian - te, pass - ing. ~
r
- --
-..
,
I
r
--
- - --
h
(/fre-~ ii fl/I anri
ah! Ha,
L'n bi - p;liet - to a - mo - ro - so che gli die nel pas- sar qual- che ga of af - fee-ti on which some la - dy has giv- en him in Just a note
~4-
...
lo - co, need-les!
- - .- - - - - - - -- ;-:13
~
gio - ro! point now!
~
o -
I
-
I
I
- ---,
-
I
-
~
....__....
--
~
•
l
I.
369 • he
(The Count reads the note.
~
ond' ________ see, ________
spil - la, Jet - ter,
>-can I they
ei and now
pun- se il stuck his
si he
di - to, fin - ger;
§ I
il Nar-cis- soorla cer- ca, now he's try-ing to find it.
I
Count
Recit
- ...--
-
-
-
oh Oh,
-
r
.--.
.
che stor - di - to! is he stu-pid !
~ ~
-
-
r
r
An - da - te,a - mi - ci! Dear friends and sub-jects,
.
.
l
Maestoso
-
I
. I
•
42226
~:.
- -·
r
------·#n:: - -·. --· -~ - -. 1
-
-
9
~ ~
- ·--• ---- tt• --
-
•
U,
II.
ff•
.
-·
.
..
e I'll
~ ~ ~
r
r
r
-
~
-
• •
,
sia per que- sta se - ra see you all this eve-ning,
-
:,, ~
- - - --
-di to -
3'70
-
.. - - - - -. - .. - . .. .. - .. --
~
\
- -
' --· -
- ...
~
~
I
◄
--
~-
--
.
◄ ◄
-· trat love j\
-
-
to and
-
I: l -•= - -· - -
-
r
~
r--:
. - • •• •
- - -.,
~
co - lor good - will
-
~
I
- -
e fuo - chi, and fire-works
- .- - .-
-
,
chea I
me feel
•
I
.son I
:.
-
-
-
.-
42226
.. .
~
~
com' io how much
.
-
I-
~
..
-
ca - ri. owe you.
-
-
·~
~
{ -.
e gran and a
eo - gnu-noim - pa - ri, so I may show you
' J
. -·
~
e gran bal - lo: al - so danc- ing:
~ I-&
-·
I -
- .- .- -
~
ce - na, ban - quet,
e can - ti, with mu - sic
~
,-
-~ -
.
,~
.
r
....
-
si - a ma-gni-fi- ca la fe - sta, be a mag-nif - i - cent oc - ca - sion,
~
col- la piil io vo' che ric - ca pom- pa! with the great - est of splen- dor. For this must
-
l
.- --
r
spos - to l'ap- pa - ra - to nu-zia - le night we'll eel- e-brate the doub-le wed-ding
-
.-, -
-
-
~
-
,
-
~
-
171
~
Allegretto I
'che :must
.
~
.
&
-"'
I
-
I
-
.. ~
-
'
-
-
~
4
p
<
.. ~
'2226
,
-
-
-
--
----
-
rti r co faith- ful
-
I stan lov
-
p ti en,,
-
p
I
se in
gua hap
-
-
-
-
ti co - stan lov faith- ful
-
ti ers,
- -. -. -
ti ers,
--
_.,_
-
-
F' d'oac -
PY
r
'ci
d'o ac -
PY
.~·
-
'
-
se - gua hap in
ci
PY f!:-.__
d'o ac -
-
- - - -- .
-~
-. -.
---
--
r
ci
l
'
'
--
N
-·
l
'
I
-
-
se - gua in hap
l
- - - -- -. -- - -- - - - - r -
-
.. -
co - stan ti faith- ful lov
- .-
n
.J
- -. -
-
A - man Oh, come,
\ Allegretto
I
I,.
r
- man Oh, come, Bass sotto voce I
\
.
-
.
'A
4
\
- -
IVVl,V
sotto voce p I A - man Oh, come, Tenor sotto voce
Alto
\
.
OU' .... V
- -
4
~
WW'f'I a11v
\
-
-
-- - -
-
nor, cord,
can and
te, lo ful - ly
join_
te us
si in
sag praise
gio of
si our
nor, cord,
can - ta te, lo and grate - ful • ly
da join_
te us
si in
sag praise
gio of
si our
nor, cord,
can - ta and grate
te us
si in
sag praise
gio of
our
da
te, lo - da ful - ly join
Bi -
8'72
gnor. lord.
Aun A
drit prac
to tice
oe he
den end
do, (h.ol - trag ed, which shamed
gia, cnof and of -
Aun
drit prac
to
ce he
den end
do, cJiol - trag
tice
ed, which shamed
gia, en of and of -
drit prac
to tice
ce - den he end
do, ch·o1 - trag ed, which shamed
gia, cNof and of -
de, ei ed, and
ca leaves
ste vi chaste and
ren spot
de less
ai the
de, ei ed, and
ca leaves
ste vi chaste and
ren
de less
ai
VO
spot
the
one
ste vi chaste and
ren spot
de less
ai
VO
the
one
A
Aun
gnor. lord.
A
----
-fen fend
fen
-
fend -
fen
-
fend -
de, ei ed, and
ca leaves
VO
-
one
-
-
stria
ma-
you
a -
stria
you
maa-
stria
ma.-
you
a-
U228
.I'
';:I
\I\ :ii
371
ei ca - ste vi ren Come, all,_ lift your voic -
I
II
de es
ai VO - stria of in praise
ma- tor. our lord.
ei ca Come, all,
de es
ai vo - stri a of in praise
ma- tor. our lord.
ste vi ren lift your voic
mo si ful we
hearts
tia hearts
mo, lo - dia mo si ev - er grate - ful we
42228
, Ir ,.
ca - ste vi ren Come, all,_ lift your voic -
jt Ir' I I mo, lo - dia ev - er grate -
-
ma - tor. our lord.
2 1r
tia - mo, lo - dia hearts ev - er grate
IIV tiaI
VO - stri a ai of in praise
¥
t
tor, dared.
It]
de es
sag sing
gio si- gnor, to our lord,
V II mo si ful we
p·
can - tia and may
CanWith
f
~
CanWith
- mo, lo Heav-en's
sag - gio si- gnor, to our lord, sing
can - tia - mo, lo Heav-en's and may
gio si - gnor, to our lord,
can - tia - mo, lo Heav-en's and may
sag sing
374
dia bless -
mo si ing his
si his
sag . gio si - gnor, wis - dom re - ward,
sag - gio wis - dom
si his
si- gnor, re-ward,
si his
sag - gio wis - dom
dia - mo si bless - ing his
si his
sag - gio si - gnor, wis - dom re - ward,
si his
sag wis
-
0 Jt si his
sag wis
-
sag - gio wis - dom
gio dom
si his
si- gnor, re-ward,
,~
si - gnor. re - ward!
I J.
l
gio dom
si - gnor. re - ward!
t
I
I :Ir
! ,,
si his
-i:.!:.!:.!6
sag wis
.
I,
gio dom
si - gnor. re • ward!
End of Act ID
..
A.ct IV (Scene: A stnall room)
~
No. 23. L'ho perduta, me meschina!
si
I have lost it, Heaven help me!
his
Cavatlna
~
Barbarina
Bi his
~
~ •i
tlis
'
,,,.,-;:-
Barbarina
fEnte1· Bo1·1Jori110.)
(looking for somethi'!!:$ on tAe floor)
L'ho per - du - ta, me meI have lost it, Heav-en
sa lost
do - ve sa - ra, the lit - tle pin.
ah chi How on
do - ve could that
sa have
non la tro - vo, !'ho perI cant find it, this is
12226
376
la! ful!
Non T
la keep
ah chi Oh, what
ah non la but can - not
tro - vo, look- ing,
ta! nel la! l'ho per - du dread - ful! I am des - p'rate,
i;a,_ do - ve_ sa. - ra.? troub-le I _ am in!
tro - vo! me - schi find it, this is
ah chi sa_ do - ve_ sa - ra! this is my_ un - luck - y day!
E mia cuCous-in Su-
a _piacere
gi - na, san- na,
l 42226
e il pa - dron, co - sa di - ra? and the Count- what will they say?
co - sa di - ra? What will they say?
n,
Recitative
~
Figaro, Barbarina, and Marcellina
Figaro (entering with
= ~ :hi -
is
~
.Ynrcellina)
Bar- ba - ri - na, cos' ha - i? Bar- ba - ri - na, what is it?
I
"'Ma__rcellina
■
I -.J
I
I
I
{
Co - sa? Lost it?
I
Figaro
Barbarina
I haw,
lost
ta, cu - gi - no. it, dearcous- in. Lost it?
Barbarin a
La spil- la, The pin
che a me that his
die- ,te ii pa- dro - ne lord - ship !!ave me
per re - car a to take back to
r"'! - - - -
I
san - na.
To
la a
Su - san - na, Su - san - na,
____ ----
•
l
spil - la? pin?
*
,
(angrily)
~ ~ E I
p
co - si, te - ne am aw - fol - ly
=--
,
....
( recollecting himself)
L
rel - la, hap- PY
il me- stie . ro gia that you show so much
sa - i tal - ent-
i,,.
di far tut . to si ben quel che tu in per- form-ing as-sign-ments you are
,.-.._
{I ,,:'.itif-
,-r..
- ~··- -- --=a:--~~~
Barbarina
· •., · -
P P 1, l ~r , , ~ , 1p l J ,, ~
p>=
fa - i? giv - en.
~
fl?•:;= 42226
Cos' e? What's wrong?
vai me-co in Why do you
col - le - ra? growl at me?
:=::.o.
t;
qm gr
~ PI
E non ve - di Can't you see I
ch'io am
I I
378 (Searcttes the floor for a moment, then draws a pin from Marcellina's dress or lJonnet, a,ut
scher-zo? jok- ing?
e
que-sta this is
os - ser-va: Now lis - ten:
la spil- la the pin
che ii Con - te da re - ca - re ti the Count has giv - en you to re -
-----
..--.._
gives it to BarlJarina.)
la to
Su Su
san - na, san - na;
e it
ser - via di had served as
si - gil- lo a.un bi - gliet a seal up - on a
{
ti - no; let - ter.
ve - di See, I
-
I,.,
...
...
s'io so - no in - strut - to. know all a - bout it.
E If
per-che il chie - di a you know more than
,....-...._
~;::::::
---..-ft,-
{liJ:J
Figaro
quan- do why do
sai tut - to? you ask me?
---
A - vea I just
gu - sto want - ed
--
d'u - dir co -me il to hear how my
Barbarin a
ti had
,2226
com - mis - sio - ne. his in - struc-tions.
I.' I.
pa dear
f,a,;
379
, atul
~
m, tan- cm! - Ia, re - ca que - sta ,Bar-ha- ri - na, take this lit-tie
e ti
o re -
!-pil- la pin here,
a
bring
,,,,-_ca...:::;:::::
Figaro
~
rliet a
to
Barbarin a
pi - nil" Ah! ah! de' pi - ni. pine-grove:'Ah, ha, the pine-grove!
E
It's
§
"guar- da che al - cun non ve - da." "don't let a soul ob- serve you:•
sog - giun - se; he add - ed-
- - ----
------
ta - ce - ra - i. real - ly count.
Ma But
--.o ----
A te gia. nien - te It's none of your
Si - cu - ra - men - te. Why, of course not.
---.o.
nien - te, deed not,
~2226
it
nien - te. is - n't !
It's
dio, mio bel cu high time that I
-
380 {.Dances offJ
Su - san - na, see Su - san - na, ,...-...._ ,,_
Figaro (as
if
cruske~)
Marcellina
Figaro
Ma - dre! Moth- er!
Fi - glio! Yes, dear!
Son This
#n
{I,= :
ru - bi - no. ru - bi - no.
e
er,
and
mor - to. kills me!
Cal - ma - ti, fi - glio Don't get ex- cit - ed,
mi - o! son.
1" 1C
mor - to, di - co. Flem - ma, is out - ra - geous. Not so
ci it
I
e poi think it
,...-...._.o.;:::::
con - vien. some thought.
o - ver.
is
a
Ma guar-da un po - co, che an-cor non You must make sure that you re not the
{ Figaro
chi si pren-da gio - co. Ah quel - la of some new de-cep- tion. But, dear-est
..--
12226
spil - la, moth-er,
::::=:::-e-
0
I
ma- dre, tell you,
e
quel-la. that is the
ISi
ver,
stes - sa che poc' an - zi ei rac-col - se. pin for which the Count was look-ing.
----"""-
----
sta-re in guar- dia to act with cau -tion
ma que-sto al piu ti por-ge un that makes it all the more im -
;;o, ,,.-...
e and
vi - ve - re in fos - teryour least sus - pi - cion. ,,.-...
-------
{
dun- que! will.
in
yo11
--
do not know yet.
----n------=~-------
~
know
spot
Marcellina
gres-so act-ly
e
so dov' sta-bi - li - to. they have set for their meet-ing.
----.
Do-ve vai, fi-glio mi - o? My dear son,whereare you go - ing?
A ven-di To take re-
------·----
(Goes off furi=ly.)
car venge
42226
tut - t'i ma - ri - ti, for cheat - ed hus - bands,
ad so
di - o. help me!
38~
Marcellina
~
r
iJ
P~r
~~...,
Pre-sto av-ver-tiam Su - san - na. Quick - ly, I'll warn Su - san - na,
{~
-,,--
Io I
la ere - do in - no - cen - te. be - lieve she is guilt-less,
-
----•
.0.--
~
•
-~~
-,
-Ji'
,.,.r
quell' a - ria di mo and sure - ly true to
Que! - Ia she looks
I,~~
~
...
l
fac - cia! hon- est
,.,--=,.,-
Pr
r
r
r
de - stia. . . e ca-so an-co - ra ch'el - la non Fi - ga - ro. . . and if by chance I should be mis -
-
~
~
--,
'
fos - se .. . tak - en .. .
{~
{F?
cor am
~
•
-12126
ciur - ma moth- er
per - so - na - le in - te and no long - er her
~
•
....,.-------, res - se, ri - val,
o - gni don - nae as a wo-man I
.g:::::-
-, -, ---r--7" por - ta - ta a la di fe - sa am bound to be-come a de-fend- er
• -,. del suo of the
~
ve - ro fe-male sex;
{
non her
H#
~
'
ah, quan- do ii now that I
---·---
mi-niin-gra - ti are un-grate - ful
----
___,
a tor - to op-pres- so. and should be pun-ished.
18a
No. 24. 11 capro e la capretta The birds and beasts Aria Marcellina
-la looks
l Marcellina II ca - pro e la ca The birds and beastsare
0 pret - ta a - ble
"2226
son to
sem - pre in a - mi - sta, __ I ive in lov - ing pairs._
l'a - gnel - lo The hors- es
all' a - gnel in ev- 'ry
,11
1lr
384
guer nev -
ra mai non fa. _ _ er fight their marf-s. _
Le
piu
A
goose
fe - ro - ci will find her
Ia, - scian le lor com nev- er will he phi-
- pa - gne -pan - ion,
,,-.
1\111
I
1,
la - scian le lor com will he phi -
'\ lJ.
• J
,,,---_ .
-- -
,
lJ.
•
{ -. U226
~. -· -
.
-
~
-------~
-
-
- - }r
-
- - -
.____
-
I
pa, - gne Ian - der ~
---- _----..._ .- - - - -- -in or
.: ';.
_: ';.
I
':. I
- -
,
-
Ii - ber - ta, ver - y far,
pa - cee wan - der
-....._--- -- - - --=
-
__.
..
......
tt...
'--..!!.--'
. -
. • ~
---
385
in li ber wan-der ver - y
ca - pro e la ca - pret - ta roost - er !oye,, earh feath - er
son of
sem - pre in a - mi his be-lov-ed
I Ia are
I
1 42226
Le
piu
The
mo;;t
fe - ro - ci for - O - ~;n,w
I I
388
---
bel - ve crea - tures
per have
sel some
ve e per cam - pa - gne re - deem-ing fea - tures -
la - scian le lor com - pa - gne But whenitcomesto man-kind
in pa - cee Ii - ber - ta, in Ii - berthat's some - thing else a - gain,somethingelse a -
-h·
l \ .u
•
..
--
-
r
,.
r
I
ta. gain.
Sol We
noi mem
-
-
~
-
-
r
- - - I
po - ve-re fem-mi- ne, hers of the fe-male sex
che are
I
tan - to a - miam quest' the vie - tims of
- ---- - -- - - - --p pI':'.. - - - .... ,. - - -- - - - - - - .-· -- -- - :. :. - - - - - - ~
l
- --
-- - - --
-
r.,...
~
- .. ·-
I •
Allegro
I':'..
-- - -
-
I
rJ
I
I
-
I
. trat - ta For all
l 4222ft
te siam his faults
dai per-fi - di and shameless ways
o - gnor con cru - del the wo-man al-ways
387
~
sol We
........._
~
r.he we
I'-
tan-toa - miam quest' uo-mi-ni, of-fer them fi - del- i- ty,
che we
tr_~ .
~
tan love
to a - miam with lav
\ a~ I
' -
t
,. a
~
'
- - - --- .-
-
- - - -- I
.-
.........
12226
I
I
I
,
.-
- -- -- - --
quest' uo- mi-ni, ish gen-er - os - i - ty.
-
-
I
I
I
..
--- I
creac. I
I
I
-
-
r
f
.fl-
. - . r
'
~
r
. - -.
-- -
::
trat- ta - te siam dai per - fi - di __ o They pay us back with mis-er- Y,-- and
..
-.I\
- - - - -· - -· ... -- -:t p ~~ • 1_
I
I
~
I
~
I
-
-
I
.
-
-
388
del -
ta,_
der
hearts,
trat - ta - te siam dai per - fi - di __ o they pay us back with mis- er- Y,-- and
-----cru - del - ta, con cru - del - ta. break our hearts, they break our hearts.
l U228
m
-
Recitative Barbarina, Figaro, Basilio,and Bartolo
0
and (Scene: A thickly grown ga'rden with two parallel pavilions)
. "i
--
4
Barbarina ('llone. lwlding some fntit tend eo'Jl.:frs) . . - - -~· -~ -- -. - -- - .- -- ~
~
~
r
Kd
pa- di-glio-ne a man- ca, He sai:l the left pa-vil- ion,
~
I
ei co - si it must be
. ~ { --•-----
-
-
~
~
e
dis - se, here.
I
r
-
-
~
,
r
r
e
que - sto, see it'
yes,
-R-
"i
-.,-------,
p
r
r
E I
que - sto. this one.
r
poi se on - ly
r 'Ii' non ve - nis - se? get here. hope he'll r
•
~
I
gen - te! peo- ple!
r=
p
,.
Ii' Oh, ve: che bra - va Good lord, what stin - gy
-e;=::-
{l,1:bft
"i
-
~
~
~
~
~
,. r l" sten - to dar- mi un a - ran - cio, The most I could make them give me
A
y--y
u - na pe - ra, was an ap - ple
e u - na ciamand a to -
,1'«=
gel - la?" vi - sions?"
{ 12226
"Oh, per qual-cun si "Just for a cer - tain
390
g·no - ri ." per - son."
"Gia
lo what
"That's
piam,'' thought."
sap I
eh -
be - ne! mi - ;;ers!
The
-----------
.o..----c----..
dia; him,
ne, dear - ly.
I,
pe
-
A
------
,----..
co - stom-mi un what it is ,-._
- cio,
bi
cost
e co - sa im - por - ta, it does not mat - ter,
me.
for - se
I'll get
qual it
:.=:::~
,....__
(Enter .Figaro in a cloak, (.Frigh.tened, site eutet·s the prwilion on tlte left.)
me'l
ren ver
soon.
Son Good
mor - ta.! gra - cious!
Figaro E It's
Bar - ba. Bar - ba -
----and carrying a lantern. Th.en .Basilio, .Bartolo, a grotep of workmen, etc.l_ _ ,
ri ri
uue
-
na! nat
Chi va Who is
la? there?
---
Basilio
Son quel - Ii che in - vi - ta - sti a Re - mem-ber, you have asked us
ve to
DI
Bartolo
~ nir. come.
---
{
sem - bri un co- spi - ra - tor? read - y to cut our throats.
Che brut-to cef - fol You look so sav - age,
---
---
Che dia-mm What is the
·-----
so - no que-gli in - fau - sti ap - pa point of these in - fer - nal prep - a -
ra - ti? ra - tions?
Lo ve - dre - te tra po - co. Ver - y soon you shall know it.
~ -
In que- sto stes-so lo - co ce - le - bre - rem la fe - sta You are a-bout to wit-ness the un- an-nounced re - vi -val ~
{
ne - sta cus - tom
{
del - la mia spo-sa o of an old Span-ish
e del by the Count
feu - dal and
si my
gnor. bride.
buo - no, charm - ing!
--·---
12228
(Oh,
buo - no, charm-ing,
----..
.::::-~
~, ,
(Ah
:.---...
,. J, I ~P ca I
,
pi - sco see the ~
p
~
j, e,
co - me e - gli light of day.
-N-:::=::.
,. ,.
p
~
ac - cor They ar -
892
1 son sen- za di me.) this af-fair with-out my help.)
{
Yoi da que - sti con-tor - ni non vi sco Stand where no one ran see you-and watchwhat
------ ------
in - tan-to io va- do a dar cer - ti or - di - ni, I'll give a few last • min- ute or - ders,
----
-----
_____:o.
·..-...
{
e tor- no in po- chi i but I' II re - turn here
stan - ti, a un fi - schio mi - o short - ly, and when I whis - tie,
cor rush
Basilio
re - te tut - ti quan - ti. for -ward and sur- prise them.
Bartolo cor - po! mad- man.
Basilio
co - sa quan - ti? you ex - plain it?
la; ly:
~:::::::
{
Ii
"
111,
Su - sa.n - na pia-ce al Con - te; el - la the Count loves Su - san - na; she
{ UIH
----·----
-----.o:::=:::.
d'ac - cor - do is pleased to
gli die un ap - pun - ta ac- cord him an ap -
Ill
We 11,
pa - ce? calm - ly?
'1
Quel che sof - fro - no Why should he be ex
treb - be? suf - fered?
r
~
7i:"..--....._
~
- co,
!es - son.
Nel mon-do,a One learns one's
l
,.
r
mi
far? gain?
-e:
Ii.
41
r
pe - ri - co - lo o one must be re - al -
l'ac - coz - zar - la con gran - di, In this life, dear-est doc - tor,
-e-
fu
9-
gno- ra, is - tic.
---
42226
po have
r
che gua - da - gno puo what on earth could he
e poi sen - ti - te And then, I ask you,
~
{~
ei sof - frir non from what so man - y
tan - ti, empt-ed
I
41
u~
che? dun - que do -vria sof- frir - lo in and? Is he sup-posed to take it
dan no - van - ta You can't eat
---
cen-toe cake
han vin-to an - co - ra. and al - so have it.
894
No. 25. In quegli anni Youth is headstrong Aria Basilio
:11111111111
!111111
Andante
l Basilio In que - gli an-ni,in cui val Youth is head-strong, o - ver
gion, rule.
'2228
eb- bi anch' io I my - self
lo was
po - co bear-ing,
stes - so young and
la mal pra - ti - ca. too im- pul - sive, as
fo
dar -
co, ing,
ra. a
fui quel I was
395
non
son,
a
fool,
fui quel I wa,-
zo, ch'or non as big a
son. fool.
Ma col But the
i caand ex-
e
pric -
ci ience
ed i pun - ti - gli at last has taught m.. ;:::---.....
dal- la not to
"2226
te swim
dal- la not to
sta mi a-gainst
te swim
the
sta mi a- gainst
ca the
396
se - co lei mi tras-se un I met Fa-thn Time in
ma - ro. don - key.
!
Pren - di, "Son," he
dis - se,o said, "take
fi - glio this and
~
ca - ro, wear it,
397
~
~
Poi di- spar-ve,e mi la Then he dis - ap-peared in
0 fi - glio ca - ro! you won't re - gret it!"
1-seun re in
l /":',
~
poi di - spar-ve,e mi la - scio. left me speech-less stand-ing there.
Ilg'.;
l '
\
I
-
~
:;
,.
Tempo di Minuetto r
Men-tre an - cor While I was ~
- ' '
I
~
l
-
~
V
-
-
ci - to in a I
-----.::____..--
~.
~
p
,,
..
ta. lost I
) ~
~
- - - • r,
I
-- .
.
-
guar - do maze-ment
~
I
~
-
quel and
- ...-
I
guar - do quel do maze-ment and won -
no, der,
-
-
I
.. ..
".
~-
- . - - --
-·
-
I
do - no; won- der,
- .. -- -~
~
-
~~ -
- -
.rr
~.- .J
~
il ciel s'an a dread-fut
I ~~
42226
398
bail was
rim - born Thun - der
a-rose.
tuo - no, crash-ing,
mi-sta al-la and like a
va. ing.
i'
i1
ter,
che mi lay there
-
co - prir coat ur
do - no, near-by.
mi um
col man - to
gio - va - brel - la.
col man I slipped
On - ly
to it
d'a - si - no, o-verme,
the
...
§
I-Ia
che it
a
~
.
~
I L
4I
A
l
I L
4
.
r
-
fie hor
. ~--
-
I
-
--
I
-411.J~
&-
'
-
I
ra or - ri - bi- le rid an - i-mal
p
--.I
L
---
Fi - ni-sce il tur - bi- ne, io fo The sun came out a-gain and I
. - - ,. - -
I
I
~
do - no. me dry.
- -. Che
.
mi kept
~
..
---1
-
I
- --
-~ f -----
-
. -- - ·-
-
I ~
y
me_ of_
-- -
i,,.
I
-
--
-41 v• l,j •
~
p
- --
-
.
~
dian - zi a came out_ .
due pas - si. pro - ceed-ed.
....
- --~
-
fas - si; no - where; I
- .
- ·-
-
~~ ~ - - ,1_ ' - .
-
gia, mi toe - ca, mouth wide o - pen,
~
l'in - gor - da a - bout to ~
boc-ca, eat me.
"2226
gia. di_ di • fen-der-mi I stood there,pet- ri-fied.
spe - me non What could I
ho, do?
I
400
ho, doomed,
spe - nw that murh
non I
ho. ___ Mail knew._ All
fiu - to i of a
! gno - bi - le sud - dPn the
ve - sti - to, del mio bt>a,;t turned and bolt - ed;
tol - se al - la smell-ing the
r - zan - do-mi, che di-sprez - zan- do-mi, hor - ri-ble, it lost its ap - pe-tite,
si
rin
and ran
42226
sel - vo, a - way,
si
rin - sel -
and
ran
a-
-
401
§ j
-
mi fe la. and learn thi,-
Co - si co - no - see - re Take this ad - vice, my friend,
I
-=-----
ver - go - gna, in - jus-tice,
col will
cuo -jo nev- er
d'a - si - no fug - gir pen - e-trate a don
si key's
puo, hide.
e mor-te, dis-hon- or,
ch'on-ta, Mal-ice
pe and
11•w· ~rW~r~flB OOIU~rr-rld t ~ ~IF t ~ F:JI
ver - go-gna, in - jus-tice,
, \2226
e mor-te, dis-hon - or,
col will
cuo-jo nev-er
da - si- no fugpen - e-trate a
402
gir si don - key~
~
•
I
I
:;
' -..
l
I
I
,-
-
I
v-
I
I
-
-
-
. -.... -
•
-
I
I
puo, hide,
fug a
-
I
,,_
~
I
I
-
I
,,
-
-
I
I
gir don
I
I
--- -= = -
.-1
-
I
I
I
I
- --
-
-
I
I
...
I
I
. --
I
-
(B;i:eunt Basilio Bartolo.)
a11 d
-
rJ
si key's
-
I
I
,.,
-
,n
I
-
I
'J
I
si key's
-
-
.
I
I
-
p
\
'
I
I
-
,,
si - no fug - gir e -trate a don
V
•
-
I
d'a pen -
puo, col cuo - jo hide,will nev- er
d'a - si - no fug - gir si pen - e-trate a don - key's
I
\
l
- - -
-·
I
~
puo, col cuo - jo hide,will nev-er
-
V
- -
I
\
:;
-.
U218
a
-
I
I
.
Ill
Ill
gir don
si key's
puo. hide.
.- - - . - ··-·-· . . - - - - - -- -
I.
----
- - - -
-
fug
puo, hide,
- - -
ere.Ye.
-
I
I
-
I
-
...
-
I
.
I
- ..
I
-
:.
f
I
-
-
- -
a.:.
.
-.
~ ~
- -·. :
•••
~
No. 26. Tutto e disposto ... Aprite un po' quegli occhi
~ i,
It won't be long now ... 0 fellow man, be smarter! Recitative and Aria
~
Figaro
l'o - ra do-vreb-bees-ser vi - ci - na; tht-y ,;houldar- rive at an - y mo-ment.
Tut-toe di- spo - sto; It won't be long now,
403
io sen-to Someone is
--------e
des- sa! Su - san-na?
gen:te ...
e
none al- cun; No, it's not,
bu-ja la not - te, the dark-nesli ~ei,·ed me.
!
_h _ ~ ~
-
ed io co-min-cioo-ma-i On the night of my wed- ding
&
fa-re il
I
am
-
- ....... 1, ..
111
sci - mu - ni - to me-stie-re di ma.~ al- read- y play-ing the role of jeal-ous
'\
{C~
-...v• ___..,
ff u____,
-
-
~
~
'.::
-
ri - to. hus - band.
. ... • I
·--
·--
. .
In Im
A~
-
-,, -
-
gra. - ta! ag - ine!
- ~
Nel mo- men - to At the mo - ment
~
-
I I
.
del - la. of the
,I\
~·
I!
·--
12226
. 14' I
--
(Jre.,c.
- - -
•'
~~ ."PD---
--
I
404
-...
- -- -- -,..- -
.
~
~
mia ce - ri - mo - nia wed-ding pro-ces-sion, Ii
..,.
l
-·
--· --· -
~
.
~
.
de va laugh-ing at
~
r
.- -
!I
l
.
l
-- --
r
. .r
J
.- -
--
....
. , ·>1
r
nel ve - der - lo, I wa:,; laugh-ing!
l"
io
ri -
I was
-
v- -
,-
I -
r
--· ----
.
-
.,
~
•1
-
-
-
.
-·
--·-
--... -
.
- -·. -· - -
-
- .-
0 Oh,
-
>-
-
-
-
Su Su -
Su - san - na! Su - san - na!
♦
1-- ~-~- •-
san- na! quan-ta pe - na mi co - sti! san- na, what de-spair you hare cau:,;ed me!
-
I
~
di me sen-za sa - per - lo. my-self, and did not know it!
j \
1-1,;i
~~,~,~-
t' I
~
--· . ------::
~
-
r
,_
p
I
I"'
~
ei go - de - va leg- - g1•n - do; when the Cmmt read her nw::: - :,;age,
~~
~.
.. _
~
-
::
Ill >-
=
-
ron quell' in - ge - nua fac - <'ia, \\,'ho would have the,ught you faith-less!
t
p
L_
L_
-
~~
con que-g-li oc-chi in-no - cen - ti, You were al- ways so hon - est,
l· ~
42226
--:..
.
-~
chi ere - du - to l'a - vri - a? so na- ive and so win - ning !
.
:...~
I,,. ~ •· I!!:
L-
f
~
p;.:
105
~
t
Ah!che ilfi-dar-si a don- na, Ah,toputfaithin wo-man,
ri -
I was
a don- na, in wo-man,
eo - gnor fol- Ii - a. fool- ish be-gin-ning!
[Andante] A - pri - te un po' quegl' oc - chi, 0 fel - low man, be smart-er!
uo - mi-ni in-cau-ti e Don't be a blind- ed
shioc-chi. mar-tyr.
Guar- da - te que - ste fem-mi- ne, Wake up and look at wo-men-folk
guar- da - te co - sa and see them as they
son, are,
guar- da
\
~
42226
and
see
te co them as
-
sa son, guar- da - te, guar- da - te they are, and see them
co - sa
as they real- Iy
406
Que - ste chia-ma - te De - e, Though you may call them an- gels,
son! are.
da
gli in-gan - na - ti like a slave
~
sen - si, dore them ,
a
your
cui love
tn - bu ta in - cen - si will mere - ly bore them,
,1e-;-----,.
l de you
de you
bo - le will bear
bo will
ra - gion,
fr~ scar,
le bear
la de-bo-le ra-gion, but you will bear the :,;car,
ra - gion. the scar.
la but
Son stre - ghe che in Like witch - es with
fr
l 42226
...., ~ can sor
l
...t--._
ta- no cer - y,
per far they charm
ci and
pe de
-
nar, coy.
si - re Like si
ne
che
~
can treach
ta - no er - y,
-
per they
far sing
ci af - fo and de
gar, stroy.
ci - vet - te They flat - ter
che al their
1:r
. -•·
--I
-:
-
.
.
let - ta - no van - i - ty
I
l
-
I
\
I ~
-
per and
trar - ci ca - ter
...---=-:----.-
....-:---.. . .. ...---...
..
-
~
•
~,
-: - . -- --· :-
..:;
-
,_
bril - la - no hap - pi- ness
I 12226
..
-
le to
---~.. .
-
-
-- - . - piu - me, fai,;h - ion,
co - me they cause
. ,_
per to glier - ci il - lu - me, and i,;how no com - pas - i,;ion.
•-
te Ui:i
...----;:;..
l.lC•
---=
. .-.
~
~
M
che un -
-
::
ro
se es
spi with
408
·---
.-. son
pi vez - zo - se, Ii - ars, spo - ken
se ing
be de
7
ni - gne, light-ful,
be ma - Ii - gne, ma - e - stre d'in-gan - ni, a - mi - che d'af vi - cious and o.pite-ful, their deal-ings are doub-le., they get us in
fan - ni, che fin - go - no, men-to - no, a-mo-re non troub-le de-ceit-ful and jeal-ous, to love they are
42226
sen ral -
ton, non sen lous, their heart
ton pie is of
409
~ ~
co, you,
-
gia.o - gnu-no,J!iao-gnu-no lo sa. all th;it j,, ,-uf-fi-rient-ly known.
--------
l
7
~
l'af -
uo - rni-mm-cau- tie Don't be a blind - ed
A- prit-e un po' quegl' oc - chi, \Vhy don·t you men get :;mart - er!
in
~ ~
,ie of
scioc - chi. mar - tyr.
Guar - da - te que - ste Wake up and look at
fem wo -
mi - ne, guar - da - te co - sa men-folk and ,,-ee them as they
~ ol
I
~ 42226
410
di tt' 11
di
te 11
- eo,
you?
- co,
yo11?
si - re Like ,;i
-
ne che rens they're
can - ta - no, ii re ta,mt - ing m;, what more
il re ci - vet - te che al - let - ta - no, They cau,-e u,, un hap - pi - ness, what more
sto need
nol
sto need
nol
I
I
I I1111'
il1 :;
di - co, tell you?
di - co, tell you?
12226
co - me They flat
ro ros
te ter
che their
se es
bril van -
la - no, i - ty,
spi - no - se, with bri - ars,
il re what more
son
sto nol need I
pi vez spo - ken
-Ill
-··
~
V
I \
•
l
r V
son or ap - pear -
-
V
.
---·-
co - lorn yet vi
--
.ja
- -
- .-
,
- --
r
- ti
r
~
p
-
-
r
r
r--:r--,
- - -
~
~
..:.
~
I
,'I ---,
-
be ma cious and
~
-
3 -
~
-- ... - - - - -- - - -
--i- ♦ -
r
-
tr,,---..
sf.~ - - - -- - -
~
V
be - ni - gne, de - light-ful,
..:
.-
~
p
3
-•·Ir•
-- --
--.
:------..
-
~
se ing
tr,,,,..--._ ~
sf •---:;:--..___
-...
-
•
zo - se, Ii - ars,
nol
:------..
- - - -
~
~
7
3
- .-
·~
I
Ii - gne, ma - e - stre d'in- gan - ni, a - mi - che d'af - fan - ni, che fin - go - no, spite-ful, their deal-ings are doub- le, they get us in troub-le, de - ceit- ful and ~
-
l
.
r L V
0
,
3
3
~
~
-
..,, ~
-
.
- I
.
___
I
V
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I
◄
r
-
- ...
r
- ,'I -----,
-
~
r
3
- r
~
•
l
- ...
r L
L
-
.
ta, stone,
42226
-.
--
3
ton, non lous, their
I
I
-i--
-i.-
I
creac.
• I
....
ton is
pie - ta, of stone,
-
sen heart
I
I
I
-~
-
.
~
ton is
pie of
-
- - - - - I
I
I
I
•
•
no, made
~
I
I
-
no, yes,
◄
.
r
I
-
I
•
-
-
-
-
sen cal
- --
-
-
◄
~
non sen their heart
-
--
men - to - no, a - mo - re non jeal - ous, to love they are ~
-
3 ~
no, of
no. Il stone! The
412
no lo cient-ly
ii the
----re - sto, il re-sto nol di - co, rest I needhard-ly to tell_ you,
l
gia o - gnu- no,gfao-gnu-no lo sa, all that is suf-fi-cient-ly known,
-------giao-gnu - no lo sa, is all too well known,
im, 'II
;11:
gia o-gnu - no lo sa, is all too well known,
giao. is
r: I~
iIi !~I
'i!
rnl!f
42226
413
~ 1,
Recitative Su.::.anna, Marcellina, Countess,and Figaro
ii the
(Enter the Countess and Susanna, disguised, a1td ,l!a1·cellina.)
Susanna
el la mi di::i - se che Fi-ga-ro ver-ra.v-vi. An-zie ve I heard from l\1a1~cel- li - na that Fi- ga- ro will be here. He's here al -
---:-e-
{
§ Ii ~
Susanna
l
T
---,
nu - to, read - y,
,-
T
-
r
---,,~
po
ab - bas - sa un h, so bet - ter speak more
vo - ce. Dun-que un ci a-scol - ta, ,-uft - ly. One man in am- bush,
e
the
---:::::--
{~h~
Marcellina (Enters tlte
dee ve - nir er should be here
cer - car - mi, an - y mo-ment.
a
in - co-min-ciam ! The fun be-gin::i!
Io vo-glio qui ce I will leave you a -
.---
{
pavilion where Barbarina is; Figaro in tl,e 6aclcground.)
Susanna
voi you
are
ma - te, trem-bling.
---
il---
{ "2226
a -vre-ste fred - do? Are you cold?
Par The
4:14:
Figaro (asideJ
mi go
---
(Ee (We
ri - ti - ro. in - side now.
co - ci de la are ar - riv - ing
----
,.-__,
,-----_
Susanna
cri - si al gran-de i - stan - te.) at the cru - cial mo - ment.)
sot - to stay a
Io I'll
(se ma if my
que - ste pian - te, lit - tle long - er,
---- ----
,-....
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{ 1
1111 1 \
mezz' o - ra. re - fresh-ing.
fre-sco! il Re-fresh-ing! Re -
----
{ Countess (Hides Aersel/;)
Susanna sotto voce
Re - sta-ciinbuon' o - ra. (Il bir-boe in sen-ti - nel - la, di-ver-tiam-cian-che Youhavemyper-mis-sion. (I knowtherogueis spy-ing, itwillgive me much
{ \
'
no - i plea-su're
{[rp
12226
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D
,~
dia - mo-gli la mer to re - im-burse him in
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ce de' full for
•
p
l
dub - bi suo - i.) his sus - pi - cions.)
e
:e.:
--. 4:16
No. 27. Giunse alfin i1 momento ... Deh vieni, non tardar This at last is the moment ... Beloved, don't delay Recitative and Aria
§ a
Susanna
ig
Allegro vivace assa},.
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Susanna
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' il rno-.men-to, ' in Giun-se al- fin che go - dro sen-za af-fan- no This at last is the rno-rnent, so di-vine and so cher-ished, I
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brac-cio all' i - dol mi - o. long - ing - ly a - wait- ed.
l mi - de cu - re! he will come here,
l 42226
u with
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418
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not - te i fur - ti Aid - ing the lov- ers, night casts her
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42226
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Na-ture's friend-ly
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miei veil
se - con - da! a - round us!
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la ter - ra e ii ciel ri - spon-da, the pine-trees, the sky sur-round us. ~
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' - to! a tur - bar non ve - ni-te il mio di - let sci - te dal mio lov-ing_arms em-brace me, and no wor - ry or fear shall mar our rap-tu re!
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Deh vie - ni, non Be - lov - ed, don't
tar - dar, de - lay,
0
gio - ja
the
night is
bel - la. fall - ing.
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per go - der t'ap - pel - la. light is sweet - ly call - ing.
l l....
Fin - che Un - til
non splen-de in the stars grow
,H8
ta• ce. reign-ing-.
Qui The
ehe
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and
ii
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ra, ing.
col dol - ce su . sur-ro il eor ri the tim-or-ous heart with hope is
J IJH:J rH Ii 1 i
qui The
ri - do - no i fio flow-en; all_ with
62226
f Ii "' ii
ret - ti e l'er - ba fS shin-ing dew_ are
- sea. -ing.
!
mor . mo - ra ii ru · brook-let rus - ties
fro . sea, gleam-ing,
Vie Come,_
419
.~
mi - o, lov - ed,
-
les
tra the
que - ste star - ry
pian - te a - sco sky_ a - bove
se, you.
vie Come, ___
nar ________ ht'art, _______
fron - te in - co - ro - nar, lov - ed, with all my heart, _ _ _ _ _ _ __ ,,--:;:;:.
42226
in - co - ro with all my
420
Recitative Figaro, Cherubino, and Countess
non so s'io ve-glio o lt'l:i like a dread-fol
Per - fi - d<1,! e inquel-la for- ma me - co men- ti - a; Shame on her! Be-hind my bark :;he plans to de- ceive me! ,,,.---.._
{I~= e
rs::·
: Cherubino (Enters
su,ging.)
dor - mo. La, la, la, la, night-mare! La, la, ,.a, la,
la, la, la, la,
I Cherubino
Countess II
la. la.
Jt't;
pie - ciol pag- gio. Io sen - to Che - ru - bi - no. Here are the pa -
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gen - te, vil - ions.
bf
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~ p . . . en - tn-a-mo o-ve en-tro Bar- ha - n - na. Bar- ba - ri - na mm,t be in the left one.
#f --
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.-e - do qui u - mt rec - og- n ized my
1
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I can't a-void him!
I
Oh I
no,
----:.e-
-----
II
om - bra vegg' io, par-mi Su - san-na.. dress I can tell it is Su - san-na.
{
vien, sor-te ti-ran-na! If my hus-band comes now, Heav-en pr0-tect me!
r.-.
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11'1
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ii
421
Finale of Act IV
No. 28. Pian, pianin le andro piu presso On my tiptoes I'll go nearer Cherubino, Countess, Count, Susanna, Figa.ro, Barbarina, Marcellina, Basilio, Bartolo, Antonio, and Don Curzio
~ 0
Pian, pian - in_ le an-dro On my tip - toes I'll
id
piu go
---
~
p-------
~ :0
,a -
~
so to
non have
'la - ra. e:ome fun.
fl
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Ir
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JJ,
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Countess
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sfp -
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Ah! se il Con - te ar - ri - va a Oh, good Lord, it's Che - ru
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qual-ehe im now the
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de - ra.! be - gun!
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f
glio ac - c1. le has
so, no,
~
-
4:22
non ri - spon - de? Won't you an - ,;wt-r?
net - ta! o:an - na!
me,
or
la
bur - lo,
but
I' 11
show her
Col - la ma She pre-tend,;
or la bur - Jo in ve - ri that I know her lit - tie
CountessrT1·ys to ta, game,
or la bur-lo in ve - ri - ta. pos-ing as a no -ble dame.
fne lwnelf; dis-
Ar - di - tel · lo! Shame-less med-dler,
guis1:ng l1e1· tJoi<:e.)
sfac - cia don't come
Cherubino di from
~226
no il vol- to a ~he does not
qua!
here!
Smor Su -
4.a
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-to a ,; nut
zio pre - tend
gii. know
io I
sa, ing,
ma - Ii -
stop
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ri tie
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per why
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to
-4.2216
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qua here'.
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cia - tel mo-lest
sa,
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lo! you
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srnor You
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i Go
me!
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di from
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be
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sei are
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che you
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Ar Who
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robino
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mor Su -
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424
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sfac - cia - tel Shame - less med
qua!
here!
gia
sto a
once
so
via way
per he::n
Jo! dler!
per - die sei qua, _your cav - a - lier,
di from
qua! here!
_,
che soon
ar Who
di - tel al-lowed
•
i
so hope
-
sei be
i Go
te at
io and
gia
lo! sfac you to
you
eia mo -
p
z
qua, here!
io That's
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g1a the
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~2228
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so rea
per son
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sei qua, you're here,
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che why
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pre - sto via di qua! once a - way from here,
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i - te at Go
tel - lo! lest me!
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pre - sto via once a - way
di from
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so per - che rea - son you
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qua! here!
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qua? here!
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qui_ are,_
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Su Su -
la_ mia my_ sweet
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Susanna( in
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Ee - co Here you
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Count (in the d?°stance) ~
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te at
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tlie distance)
co qui l'uc- eel - la - to - re! rov - ing Don - Gio - van - ni!
OUT
F1garo(in the distance)
l'ia mo -
~ g1a the
~
a.
ei
-
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4
' Non
.
om
re
jJ.
Cherubino
-
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----me
---
far co Don't act prud - ish
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ti - ran - na! af - feet - ed!
Count
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Ul28
.
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ex -
nel sen this shock '
Figaro /Ah!
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nel sen this shock
I
mi bat - te ii cl._ne un - ex -
-
mi bat c\\:ne un -
1, _ • ~
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Ah! Ah!
~
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ca.me un
-
Ah!
>i
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nel sen this shock
Ah! Ah!
. -- -. -- - .. mi bat - te ii ~ ~
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426
.
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co
re! cd!
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pert
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altr' Un There's a
Countess
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42226
n
.
--
ha kiss -
-
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cio, you,
-
oh non don't be
--
- .~ .-
fai
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VO - Ce sure it\,
que- gli il Che - ru .,
.
,
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An . che un I should
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Al - la am I
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nien - te; ,,;i] - ly.
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sta; way.
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si his
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am
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in
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Al - la
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si my
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con val
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Dam-mi un Let me
lei in
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con val
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uom fl
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sta; way.
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altr' Un There's «
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altr' Un There's a
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co pect
.,
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re! cd!
w-
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-
.
pect
-•·
Cherubino (keeping
--
.
4
-
gen - tel chia - mo te,o must call as - :oi:o - tanre!
41
, si his
' lei in
-
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--· -·
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-
par - ti or I
con val
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fa
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VO - CC
~ure
e
it's
rJ
que - gli il Cht> - ru -
- - - ~
am
vo - ce e sure it's
-
--
"
que - gli ii Clw - ru -
--
.
427
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ba kiss
ciol che you, what
te - me-ra - rio! How of-fen - sive ! ~
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co- rag - gio! pre-:,;ump-tion!
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41
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te - me-ra - rio!
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pag - gio, bi - no.
41
--
pag - gio, bi - no
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e per - che_ far io non pos - so, Why am I _ not once per-~i!- tfd
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pag - gio, bi - no.
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41
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te - me-ra - rio! How of-fen- sive! l!!!!!!o...
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te - me What ef-
te - me - ra - rio! How in -suit - ing!
·- - -guu1
H• - --·
does ev - 'ry day?
te - me-ra - rio! How in-suit- ing!
12226
te - me-ra - rio! How of-fen- sive!
oh! ve' chesmor-fie! Is it nottime now
oh! ve' ehesmor-fiel to stoppre-tend-ing?
428
.. - • ra fron - .. • -.. . ' --·. -- ,.. .I.I
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rio! t'ry!
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te - rt'e - ra What pre-sump -
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ra - rio! ra-geous!
3
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above
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ri - bal - do an-cor sta this ras - cal keeps in -
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i) this ras - cal keeps in -
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(af above)
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smor- fie! Sai c~io fui die-tro ii so mem-ber when I hid be-hind tht> 'chair?
--·. -- -
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me out -
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me - ra - rin! be - hav - ior
C1Y'.\·C.
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che re
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smor morn -
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do, ing,
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sal sist
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da gua our plans
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ste a
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.
-
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fac - cen will lead
da our
gua plans
ra. stray.
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ste a
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ra.. stray.
-
(trying to kiss the Countess)
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la he
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fac -
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will
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da our
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ste a
II
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ra. stray.
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' - ra. (Tlie Oownt com,es /Jetween - stray. the Countess mul Ckertt, /Ji,w.and receives the .tiss.l
ste
da gua our plans
.
. -
gua plans
_,
"
cen lead
-
L
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la
-
Pren - di in To be
f&c - cen will lead
-
. -
-
. - -
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9!'
;:
out -
.
~
' il
.- - - -, ;r_
me -
.
fac - cen will lead
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t
la he
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in -
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Cherub·
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=
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Con - \e!
0 cie - lo! ii Good Lot-d, my
-
bus - band!
.-
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Fiaaro
-
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I •
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4.2226
~
.:.
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tel ter!
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fan - sa. what's go - ing
eo
---
r
'.lion])
the
-
r
lo! ii Con my mas -
(tlrawinl{ M01' to the Co1mt)
Vo' 1 il
-
~
0 eie Good Lord,
tan - to! gin -with ...
[in
(.TofrUJ BarlJ
r
.
.
r
r
- -
430
Count (I11tendi11g to rfve a boa: on the ear to Cliend1ino, he gives it to .l'igar<J.)
Per - che to
Just
ri - pe voi non cool your youth - ful
ri - ce - ve - te take this lit - tie
ar
que - sto gift from
la. on.
I' ·1 I:
-----
.\
I
------
I
Susanna (laughing)
~
;;
-
--
:.
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r
4
Ah!
ci ha is
He \
•
~ _,.
Countess (laughing)
.
-
---------
r
~
ci ha is
Ah! That
fat
-
ju,-t
~
Figaro
-
-
-
- - - Ah! ci ho fat - to un This is pret - ty
~
, I
a _,.
,,
I
I
<
t
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.
- .. 42226
•
------,,
)) ---.
, ,
bel prop
un
~
gua er
-
-
- - -
-
-
Ah! ci ha fat - to un bel gua That is just the prop - er
qua. me.
--·-. -- -
-
to
(taug~ing} _
-
-
-•· -I
-
- - the
Count
-
-
r
- -
:-
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.J ~.J) - ~
-
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r
bel gua - da mea- ger pay
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gno, ment
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J.
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431 \
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JJ,
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.
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gno, ment
col for
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::
l
l
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-
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ci ha is
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er
rio he
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si has
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r
mia cu - rio - si - ta, have shown, in - t'rest I I
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- - - -
-
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ah! this
ci ho
.J.
:1
.f
------
I
-
p
ci ha fat - to un bel gua - da - gno, treat-ment re-ceived the prop -er cresc.
ciha fat - to un bel gua re - ceived the prop- er
is
- - -
o/ ~
----cresc.
...-- . -
sua te - me - ri bold- ness he has
~
da - gno, ah! treat-ment, he
gua -
-
cu ness
,
.
~
-
col - la for the
- -
r
4
sua bold
gua er
r
-
.J
la the
gno, ment
col - la for the
.I
-
-
bel prop
-- - - - - --· -
r
--. .. JJ,
un the
.
'
da treat ,.
to ting
-
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da treat
\
r6)
JJ,
fat get
:----....
-
--'
I
-I
-
-
---------
I
col-la sua for the en -
l!!liS
rio - si he has
da
col - Ia sua cu - rio - si for the bold - ness he has
gua - da the 111
gno, col - la mia cu - rio - si have t'rest, for the in - t'rest I
pa er
cresc.
fat - to un bel gua - da - gno, bel pret - ty mea- ger pay- ment for
-------
l "2226
432
•
_,.
r~
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::
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r
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ta,
ah! Ah!
:,;huwn.
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t.
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-
,
ah! Ah! -
'J
.
l
il
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'I!
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r
<'i ha. ha:-
fat - to un made
me
-
bel gua ~im - ply
-
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r
.
ah! Ah!
ah! All
I':\
.
--
I
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ah! Ah!
:::--
ci ha he
·~
-
r
ta, shown. ~
.
~
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p
ft:\
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ci ha him_
-.
:.
"
-··-. --
-
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p
u
ta,
.
ah! He
.Pt:\
shown.
ah! St'TVt'S
p
ah! Ah!
shown.
,,.-_
p
f!r.\
~ il
ri ho I_
fat got
::
to un for
-
~
.
- .... •
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i~.-h -
-
,11
-
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I
I
-
-
gua ing
-
,,,,.
-
p~
ft:\
bel be
Iii
I
I
,1
1
11!1
for
~
r
me
~j
da - gno, un cu - riuus,
sim -
j_ bel be
i: 'I, I
gua - da ply fu
I
,~~
gua - da ing Cll
gno, col - la rious, with his
-
-
~
P~.
I
gno, rious
col with
la hi,;
g~
p
sua high
cu - r'o - si and i,. :I;ht - y
sua high
te and
me - ri might - y
~
gno, col - la mia rious, IS a bruised
--------
42226
ii11,
si his
Ii'
~
j
-
-
11
da - gno,un bel gua - da fu rious, sim - ply fu
made
sua_ cu - rio col - la al-ways spy - inl{ _ on
I'
cresc.
!.
bt' - ing
da - gno, cu - rious,
cu and
rio si ach - ing
-
•,1i 11
l 1111
433
~
~
-- ·
".16 4
ta, own!
.\
-
-
-.
~
ah! ci ha May - be
-
-
~
- -
4
.~,
,.
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ah! ci ha may - be
ta, tone,
-
-
-
I
-
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I - ...
--
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J -
,
'
l.l
.
ah! ah,
--- -- ~-- P::L
I
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.
ci ho the
next
I
-
~
~
~
.~
I
-
I
~
·~
-
.
~
~
....
gua know
-
-
fat - to un bel gua next time he'll know ~ ~
to time
FIi!
-- I
di
~
·r
~
'
-- --
·~
-
--
I
-
col - la Jeav- ing
col - la sua and leave well
Bi · a -
col - la sua te - me - ri and leave well e - nough a -
da bet -
un I
cu - rio e - nough
bel shall
gua know
da bet
gno, ter
-
.-
bel he'll
-
fat - to un bel gua next time he'll know
HU6
cu - rio - si e - nuugh a
~
fat
-
-·
to un time
ah! ci ha may - be ~
bone,
sua well
-
-,
"
fat next
-
' ta,
~
.
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.
ta, tone,
-
-
.-
u
fat- to un bel gua - da - gno col - la next time he'll know bd - ter ,' Jeav - ing
.I.I
-
-
-
col - la and leave
-
4:34 ~ .II
- - - - - .- -. ta,
-
-
r
41 I
r,
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ta,
.....
-
ta,
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,
rnia
well
\ .u 41
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cu e
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l
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J I
T
r
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.,
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- rio - si noug-h, !£,ave
ta, cu
-
well
e
-
-
te - me e- nough
ri - tit! a- lone!
~J
--
-
-
p-
-
-
-
-
.;
-
I
J
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l
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Con un poco piii di moto
I
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ta! ]om•! ~
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-- ,._ -- ___,-:-.....,i
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_h
-
-
;
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rio - si a noug-h
(Figrtro 1·eti1•es.)
-
- - - - - ----- -- - - -- - -- - -Ii=! I
J.I
si - ta! ,1 - Jon,•!
.-.. -· .
-
-
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J
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ri - tit, leave well
-
-
--
-
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-A
te - nw he will
lone,
--
.,
la sua cu----- - rio leave well e - nuug-h
-
col and
lone,
-- -·..
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r
t.
l
.,
.,
lo
--
col-la sua cu-rio- si - ta! ta, col-la sua cu-rio-si Ione, and leavewell e-nough a-lone ,and leave well e-nOL?gh a- Ione!
- -..
,...._.,...
- - ,- --
~
I
,_
Count
~ ~
- .- '
(to tlu Courttes.~)
e
Par - ti - to al - fin At lal--t no on1--
l'au di~ -
.,,---
da t'lrbs
42226
cP.
mi'.
a,c -
Cume
~ta - ti,
<"'J P
-
n•r
ben
ht:·re, my
435
~
Countess
Giac- che co Your word is
mi - ol dear - est!
~
co-mi I_
si vi pi& - ce, ec my com - mand-ment, here ____
qui, si am, my_
fr,,-...
J
~ ~
-" ~ '
gnor! lord!
--· - - -
~
-
:
~
I
I
'
F~ro
-.
r
r
r r Che com - pia - cen - te How will - ing and 0 r
-
-
..--.. -
-- -
- - - -
"'!'
"'!'
"'!'
"'!'
-.
-. -.
-.
-
-
..--..
-
,
r
fem - mi - na! be - di - ent!
...
----· -
42228
m&
my
-
dar
-
r di in
..
-
-
.--.. . -
-
ni
- •
r
Che spo - sa She's al - ways
"'!'
Count
gi- mi la me your hand,
,-
na. ling.
-
• buon ac -
.. .. .. -
-.
-.
-136
~
\
Countess
- - --
4'
ve is
lo Here
- -
~
"
~
la my
--··~
...J
do. hand.
Count
-
-
,
~
~--
--
Ca - ri na! love _ _ you! I ~
~
I -
-=-
--- .
,.
+=~:j::: -
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r--
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.
;..
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Che What
Figaro -----
.- -
-.
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Count ~
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. if~
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-
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~
• J
.
I
,.,.-
. rli :,oft
-
-
ta te and love
-
ne ly
-
-
..
Ca - ri - na? He loves _ _ her? ~
' ~
Jl.
-.
..
4 ◄
--.. -- - -
it~
_,,.-:
-
rel - le! fin - gers!
..
...
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l
~
~
-
-
-
-
-
-
I
.-
- - - - - -- -__
-----
-
-
-
Che de - Ii - ca - ta Their ten - der touch still
~
12228
--r-
--y----
~ r ~ ~
-
~
~
pel - le! tin- gers,
- . --
mi it
-
-
piz - zi - ca, _ moves my heart
mi to
'I
~
417 Susanna
- '
-
'I . ..
-
11,
i
--
,
~
Cou~tess
.
-
~
4
La Such
4'r .. ..
-- - -
~
~
-
-
m'em rap
.
,,,,,-.
-
-
-
◄
,..--
--- -
-r -
i
--
~
I
# , .. ~
-
pie ture
d'un and
-
- .. " a
-
-
-• I
stuz-zi- ca, ec-sta- sy,
~
'
La Such
11,
,
-
;
~
-
nuo joy
-
- - - - ---- ..___....,
-
a
--
~
~
,ii::_.
.
--
-
--
.
I
La Such
-,,---_
.
Fi_garo
~.....
~
vo ar - dor! com-bined!
~
..
l
-
--
,;;;:--._
cie wild
~.
-
--
-
-,,,-
ca in
-
-- - I
ne tion
U226
ven u
zio - ne a - tion
:a
I
de is
de
Che What
pre fat
---
----
cie - ca, pre - ven - zio - ne wild in - fat - u - a - tion
'
-
di - ta te - ne - rel soft and love - ly fin
lei gersl
de is
de hal
lu
438
-
ra - gio lu - de la mere hai - lu - ci - na
ne, tion.
-
la ra - gio - ne, lu - de mere hal - lu - ci - na - tion.
de - Ii - ca - ta ten - der touch still
Che Their
pel lin
-
. la lu
ra ci
-
-
in It
-
le! gers,
na i the
in It
gio - ne, na - tion.
-
in It
....--,
! .
\
J.L
..
--=--
~
-
- - -·
-
r
' .
.
.
gan blinds __ ~ ~
'
-
nai sen the hu
nai the
-
sen hu
- -..
-
::
mi it
-
-
sen hu
◄
•
J.L
..
sio man
-
-
-
,JI,.
'
,
-12226
.-----
-- - -
r
'
-
~-~
--...
- -- - - ~
r
~
r
r
in - gan-na i it blinds the
•
;;---..,_
~
~
•
•
-
r
--
-
r
r
~
piz - zi - ca, _ mi stuz- zi - ca, moves my heart_ to ec- sta- sy,
-
CrtJIIC.
-
-
-
..
I\
r
in - gan-na i it blinds the
- si o - gnor, man mind, - - r
,.,
I
I
l
- -·
gan blinds
- - .-
~
si o - gnor, man mind,
-
.
-.
.
-
-- -- -
I
gnor, mind,
in - gan-na i it blinds the
--
--
f
p
-~
/
- -
-- -
i --
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r
.fl-
-
r
-....
----
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-
-
-
---
:
439
~ in It
-
~
.u
4 ~
.u
- ---- - .
- - ~-- - . - - - - - . -·
~
-
. -- . a
,
sen fee
sen hu
si, i ble
gnor, mind,
si o man
in It
-
~
§
~
-
sen fee
.. -- -
.
pie
-
ture
--
-
--·- -
I
-
sen fee
\ .u
-
-
-
sen hu
H.-~
-
b..-
-,
-
si o man
---.......__
-
r
mi
it
•
i the
sen fre
~
~
~
•
- -
- ..
-·
-· .
.
si o hie I
gnor, mind,
&
-
:.
.
~
r
I
'
-
vo ar - dor, com - bined,
-
--
sen fee
i the
I
d'un nuo and joy
si,i ble
~~
p;nor, mind,
-- -
I
m'em rap
l
-
si o man
-
~..-~ -·
•
-
f .......
sen hu
si,i ble
-
-
si o hie
-
- --
a
r
'
-
sen ft'e
i the
I
~.
-
-
-
si o ble
-
- =--------
Ill
&.•· -
-
- --
..
\ .u
~
-
- --
- --
-
- - - - -- - - - - - - - - -- - - - - -- -I
-
::
cre:w.
--
- - - r
r
r
\ .u
in - gan-na i it blinds the
-
-
&
r
Ill
gnor, mind,
.
-
-
-
-
.
r
r
... ..-·
-
:.
gnor, mind,
•~ .u
-
l
t.
--· -
42226
-
- f ,,..,-p
- -'
-
-
-
- ------ -
-
-
-
sen fee
..
-
sen hu
H~ ..
-
pie ture
-
in - gan-na i it blinds the
sen fee
~
q~
-
~
--
I
-
si o man
-
--
--·
-
-
-
-,
si, i hie
sen hu
H....~
/
- --
vo ar com -
-
-
-
-----~
- -
~
-
~
-
b♦
- --
-
-
I
-
si o man
r
r
-
si o man
-
d'un nuo and joy
- - - -
~
-- - - - -
~
I
m'em rap
~
si, i ble
--
-
--
~
- - -
,
r
~
-
sen hu
- -
piz - zi - ca,_ mi stuz-zi - ca, mo,·es my heart_ to ec-sta - sy,
--·. -- -
,
r
I
si, i ble
-
r
in - gan-na i it blinds the
;;;,;----... ~ ~
-
sen fee
- r
&
r
r
4
gnor, mind,
-
~
----------
.
•
440
-
\
.LI
..
• \
.LI
-
-
=
gnor. mind.
=
'
gnor. mind.
-- -
..
--
I
-
. 01 Dar .
.-. - -
gnor. mind.
'
l
-
-
--
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ft~ ,.7
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Crf"ltc.
-
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--
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,
,_
- -
- - ----- --
Countess -
II
.. .. .LI
l
•
i-r... -
UZN
,:;.
--
... .. .... -- ,. F
man
.
to
-
-
- -- --
in_ pe . gno del of_ my un- dy
te ken
-I
cresc.
I
- - -
-
-
Tut Glad -
( Gives the Countess a ring.)
-
-
-
....
.JI.
te, o your
- -
-·
r
I
to ly
r
.
Su - san Su - san
..
-
na na
-
~
suoa - mor. ing love.
----.., ----- - - - - - - -- ~- - -- --
-
..
---
- - --
-
~ .LI
~
. la do be-sides
-
I
.
tre ling,
-
I
-,
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dor. bined.
.. .LI
... -·.. .. .
Count
I
~
I
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s
.
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J.L
'
Va Our
~
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.
a
.
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-
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-r
suo hen
dal her
pi - glia. wet - comes
. -. -
te, o your
--
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r
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Figaro
- -·
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a
as
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ma fast
. •
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ma fast
--
--
&
mail the
--
-
glio is
man yet
I. -
me best
-
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r
ma fast
-
1,:----,..._
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ra - vi - glia, pro - ceed - ing,
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uue
f
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-
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ca. a.n to
..
...
glio is
man yet
...
.
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mail the
me best
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me
-
glio man is yet
-
best
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ca an to
-
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.
ca. an to
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io non de - sio d'en in there, Su - san - na
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I fur-bi so- no in_ trap - po - la, Our plan is work-ingsplen-did-ly,
co - min - cia ben l 'af now comes the best of
va-no il se - gui- ta, e will - ing- ly, there is no
La_ per - fi - da, lo She fol- lows ver - y
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445
Countess
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E Fi - ga-ro! It's Fi - ga- ro!
gen- te. peo-ple.
da- tel head then!
(Goes into tlze 1·ight pavilionpount
men
rn!
I'll
hidt>!
An - da-te,anYou go a -
io poi ver - ro. I'll meet you soon.
Larghetto Tut Now
pla. calm
12226
ci - do, a-gain.
en - tro The lov
toe tran-quil-lo e all is still and
la. bel - la ers meet in
446
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A Your
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Oh que Ah, that
po qui giun - ge - te, ing here is time - ly.
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448
Figaro ven - di- car - mi I have had re -
vo: ma venµ:e, ti 11
(Su (Su -
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vengt> !
Susanna
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Si! Yes!
Ven- di - car - si? You want venge- anre?
san- na!) san- na!)
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Figaro
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poi but
pren - de - re, fool- ing me,
sor he's
vo' thinks
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La The
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la _ _ The_
vo,' long.
a
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pren - der-mi, fool - ing me,
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pe vuol sor - pren en thinks she's fool
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vuo - le! Su via, Iir- ious. (What's this,
man-co pa - ro - lei can he be se - riotis?)
! Susanna
ma! dyl
Su via, In - deed,
Figaro(as alHJvd man-co pa. - ro - le. he must be se - rious.
Ee - co-mi a' I'm on my
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42228
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(Che
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sma blood
42228
nia! che fu - ror ! ) be - gins to boil!)
( Che (Her
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452
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Susann~
nia, che _____ fu - ror, ____ che sma ly can _ _ __ e - strain ~
che_ She_
lor! boil!
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Susanna (disgufsing her vo-ice slightly)
E senz' Sup - pose
al - cun you are
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uaae
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fu he has gone too
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srna-nia, tern-per,
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453
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sea - vi il be un
pli would
ri - spet - to! ex - pect - ed!
Non
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can't
diam Jo,;e
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po in
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va - no: __________ bat - ing, _ _ _ _ _ _ _ __
Da - te - mi un grant me some
po' sign
la of
(Resumes lzer noturol voice,
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Che schiaf - fo! Take this Ont-'!
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thi,,,
and
one,
schiaf - fo! slapped me!
e an-co - ra
que - sto,
and still an - oth -
e poi q1wi-;t' al - tro, and still an - oth - t'r,
e que-sto and this one,
er,
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Non bat-ter co - ~i Don't hit ,,,o hard, I
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quest' al-tro anan - oth- er
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456
Ii - ce a - mor, lov - ed hand!
0
fi, _ schiaf cious, wel
schiaf pre
--
0 h, _
fi_ gra come, wel
zio come
p fa - re il se - dut - tor, a false and wick - ed man, you
a You
p
sis - si- mi! pun- ish-ment!
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mor,_ man,_
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fa- re il se - dut false and wick - ed
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fe - Ii - ce a a hap - py
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mor. man!
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mio am
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mio fe - Ii - ce a - mor, o am a hap - py man, I
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fa - re il se - dut false and wick - ed
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And
Figaro (Kneels.)
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Pa My
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nob - bi voice it
lilt
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so - ro! Io owe you. From
-
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was
dol - ce te dar - ling, I
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pa - ce, mio pol - 0 - gy,
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co your
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vo - ce che a - do - ro, e che im - pres - sa o-gnor ser - bo nel know you, from your sweet lit - tit> voice I to a -
ea,; - y
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Susanna (surprised ond laughing)
La mia From my
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~ 12226
vo - ce? voice?_
La How
vo could__
ce ch;, a I mis -
468 \
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Pa - ce, Dar - ling,
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Pa - ce, Dar - ling, I
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mio te - ne - ro a us quar - rel no
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mio te - ne - ro a us quar - rel no
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pa - ce, mio te - ne - ro a love, let us
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ro! pa - ce, you, dear - est
pa - ce, mio te - ne - ro a love, let us quar-rel no
ce, est
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ce, est
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mor! pa more, dear
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ce, est
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mor! pa more, dear
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te - so - ro! pa - ce, a - dore you, dear - est
r
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4
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41
.
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m10 dol - ce }lit - ce, dar - ling, I love and
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pa - ce, mio do} - re dar - ling, I love and
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mor! more!
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C~unt (.E1Jf_ers.) ,
morl more! I
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Non Where
la she ~
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459
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Susanna ''\
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bo - sco! Que- sti e il rov - n! That's the
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Con-te,&l - la vo - ,·e ii co voice of the frus - tra - ted
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=- .
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('/'urns to1canl tlie pavilion in which the Cou1'fess has and ope_,ns it.)
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wr
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bel - la! non l'ha co - no - sciu - ta. splen-did, he still does not know her!
.- ... :;-
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:: Figaro
-.
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r
r
Count hidden,
- .
co
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Con-te,al - la VO - ce il \·oice of the frus - tra - ted
. : .,------• ~____./..
f~ f :
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Figaro -
tro - voe gi - rai tut- toil is I can- nut dis -
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Que - sti il That',, the
Ma My
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Chi? Who? 'I
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41
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42226
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42226
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lia-mo ii biz - zar - ro a - ma - tor, con so e - ven the score with the Count, we __ must \
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com - me - dia,i - dol mio, ter - mi to bring the bur-lesque to an
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bring the
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com to
La Now
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- - - - -- -' - me - dia,i - dol mio, ter - mi
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da - ma? Count- ess? \
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Ma - da - ma! La The Count - ess! Now
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461
Count
~
tor. Count.
~
(Fr,/ls at 810,a
La
,.,,,1 "s ft t:f.)
tr----.. Ri Ah ,
tor. Count.
ma
mv-
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mia
It',; the
hen
da - ma._ Ia -
,-o
~tr
. qm ah! senz' ar Ah, and I
mi
mad
-
me ha\·t:
o! ly!
son i - o! r.u weap-on,;!
L'n Won't
ri - sto fa
yi,u
ro al
mio
\"Or
my
Susanna
Io son qui, fac-cio quel che vo - le - te. I am read-y and at your di,; - pO - ,;.;I!
cor lov
UIH
con - ce - de-tf>? ing pro - po-sal?
Count
Ah,
ri
Ah,
be -
462
Susanna
lJal tray
II
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ers,
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le us
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le us
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pe - ne bur - y
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com- pen - si ii pia our troub- les in
I
1
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r
f
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com - pen - si pia our trouh-le,; in
- - -
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(S11sn11ua e11fers ~
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41
cer, joy,
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joy, ~
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r
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e ___ let _ _
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✓
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pia in
F
pe - ne bur - y
le us
com- pen - si ii our troub-les
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cer. joy.
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com- pen - si ii pia - cer. our troub-les lil joy.
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r· -.
the pai,i/im;,
on t/11' left.)
l
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l
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r
pe - ne bur - y
le us
--
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pe - ne bur - y
LI:-'
- - -' il
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cer, e ___ JOY' let _ _
,
-
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r
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be - ne, e hap - py, let
com-pen-si il pia - cer, e _ _ _ our troub-les in joy, let _ _
1~
r;
~
ri - bal - di' Ali, r1Jr - ria-mo, cor-ria-mo, rnio bt> - tray-ns! Lt't u,-; hur- ry a-way and be
r
r
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- r-
pe - ne bur - y ~
le
com-pen- si il pia our troub- les in
r
~
he - ne, e hap - py, let
- - -
-
pe - ne bur - y
cor - ria-rno, cor-ria-rno, mio hur- ry a- way and be
-.
-
. -- .- -- -
-
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I
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I
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lJ,
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483
Allegro assai Count
~
Figaro(p1 etemNng grer,t fi·m-)
le u,;
II That's
Gen - te, gen-te! all' ar-mi, all' ar - mi! Hur - ry, hur - ry, come with weap-on,;!
~ le
pa my
us
•
_./
Count
~
(.Enter .Ba1•tolo, Basilio, bon Cu.rzio, Antonio, and servants with torches.)
.
dro - ne! Gen - te! gen - te! a - ju - to! a - ju - to! mas - ter ! Guards and ser - vants,come and he Ip me!
pia m
.
Figaro ,., Son
per out -
I'm
~
pia in
..
n,i//,,n
\
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Cos' What
--·. --
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cos' av - ven - ne? has hap - pened, what
- - - - -- - - • • - JJ.
- ---·
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I
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Count Ii..
•
av - ven - ne? has hap-pened?
- -
~
av - ven - ne? has hap-pened?
Antonio and Bartolo I
~
-
I
av - ven - ne? cos' has hap- pened, what
Cos' du - to! num-bered! What
f
.
- - -
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~
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Basilio and Don Curzio
- - •
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.
scel - le 11 This wretch- ed
Ill-
12.
'-
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p
a.
--;---,...._
.
' 4:64
ra - to m'ha tra - di - to, m'h::t in-fa - ma - to, e con chi sta-te a ve - der! scoun-drel ha,; be-trayed me, act - ed base - ly, and with whom you soon shall see!
--
~
~
l -
.
~
. Basilio and Don Curzio -
r
,-
,tt,+
~
sotto voce
-
-
stor - di - to, I am speech-less Antonio and Bartolo sotto voce Son
-·. --
n
Son
I
-
r;
sba and
- -
-
-
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Son They ..- ~ ~
l
------
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If I'--
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pt~~.-ff-
-
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r,
I
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p
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stor art'
--
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che that
sba and
-
~
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:.
-
-
-
-
-·
-
cio
sia 1,;
ver! true?
sia is
verl true?
~
,
mi it
-
-
:..
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--
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~
-
this
mi it
lur di - t.LI be - wil - dered!
-
- - -
-
Non Can
r
I
I
-
Non Can
, I
,...---.,.
- -
--
-
,;peech-1 e ss
I
- - -
-·
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lor - di - to! be - wil - de red!
- di - ti,
~
-
-
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lor - di - to! be - wil - dered! -(9--
n
stor - di - to, sba am speech-less and Figaro sotto voce -
--·. .- - -
-
-
:.
.
-
che that
cio thi:,:
Count In - van
There's
l 42226
no
re use
si re -
465
~
ste - te, sist - ing,
~
u - sci in - sist
te,
ma - da on hid -
ing
l ( Tl,e Count reach.es into tl,e left pa-
~ mi
Il Che-ru-
it
~ mi it
~
vilion and pulls out a resisti'ng Cheruln:no, tlten .llarlHn·ina, Mru·cellina, and Busanna.)
.
Antonio
Figaro Mia
My
~ Basilio and Don Curzio
~
Ma -
AntonioMy
~
Ma
~
BartoloMy
Iii re -
Ma My
l 42226
-
da -
ma!
la -
dy!
da -
ma!
la -
dy!
ma!
dyl
e
Seo - per - ta Your plot is
la dis
488
tra - ma, cov - ered,
la most
per faith
qua,
fi - dae
less
of
la so
wives,
e
per false
fi - da to her
1
:1
111
Susanna (Kneels before the Oou.nt, 1,oldiug lter ha1,dkerchief before /,er face.)
\ .LL
-
~
4
Per - do For - give
--·. . -
- --
-
-
no, pfr - do me, for - give
-
- ..
-
-
no! me!
. . - =
I
4
-
,
-
--
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,
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........ -
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~ - -------~ - -~ --------------- -~
-·- - - rar - lo! nev - er!
F~garo (~neets.)
- -
-
-
~
~
Per - do For - give ll.LL I
I
-
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'
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42118
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nev
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speer,
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.
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.
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fr--,
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No, There's
no, no
:.
.
-
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non vo' chance what -
- -
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no, per - do her, for - give
,_
u
-
no! her!
~-
p
-
non
No,
~
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p
'
No,
-
1J,
-.
--
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I 'f qua. lord!
I\
Count
~--------- ------
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---
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~
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r
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r~
-
417
Susanna
~
Per - do no! For - give _ _ me!
me!
Cher.,Barb. and Marc. (,m kneel)
CIV!SC.
Per - do no! For - give ___ lwr!
per - do no! fur - give __ her!
Basilio and Don Cur. (All kneel.) Per - do For - give
no! hn!
per - do for give
dar - lo! ev - er!
no! her!
no! no!
Fig .1Bart. and Ant. (Au kneel)
~
•-
Per - do For -
er,
no! her!
per - do for
~~--?
Count~
no! no!
-
*
f◄er - do or - give
no! her!
Al I
Count (more forcefully) ~
I
II 1 *
per - do for - give
No, No,
no, no,
no, no,
no, no,
no, no,
no! no!
no! her!
p
"2226
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v-
h:111p-r•p,
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veg ceive
::
veg ceive
-
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il
. 1,_ - -· - -
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che con -
-
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scarce
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ro! ly
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scarce
h.-
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va be
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va be J..~
ro! Iy
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che con -
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gio! it,
t
"2226
-
Io! not
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gio! it,
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- - - - - -- Ii ro! de
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gio! it'
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cie can
starr:.
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Io! not
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lo! r:r>t Antonio and Bartolo sr,tto vo('e
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u -
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L.-
cie can
0 I
.-
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cie ran sotto voce
I
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0
u
ro! least!
at
,_
Basilio and Don Curzio '
0
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steg - giar. of day.
F 1r
fe break
steg - giar. of day.
fe
steg - giar. of day.
break
-
ti a fe - steg tut till _ _ __ the break of
riam and
tut dance
.\2226
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Cor- riam Let's make
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tut - ti, mer - ry,
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tut - ti, cor - riam joy-ous strains of
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tut - ti, mu - sic,
t.ut - ti, mu - sic,
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cor - riam tut sing and dance
tut - t_i_, mu - stc,
ti a
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ti a
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ti a
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ti II
till
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cor - riam tut sing and dance
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cor - riam tut sing and dance
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ti a till
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tut - t_i, cor - riam tut mu - SIC' sing and dance
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tut - ti, cor - riam tut mu- sic, sing !tnd dance
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tut - ti, cor - riam joy- OU:,\ strains of
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cor- riam tut - ti, cor - riam and to joy-ous strains of
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cor - riam let's make
tut - ti, cor - riam joy-ou:,; strain:; of
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cor - riam tut - ti, let's make mer - ry, Crt>.,c. -
--
cor - riam and to
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cor - riam tut - ti, let's make mer - ry, <~-'tC, -
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cor- riam tut - ti, cor - riam and to joy-ous strains of
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cor - riam to
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cor - riam let's make
tut - ti, mer - ry,
tut - ti, mer- ry,
tut - ti, mer- ry,
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Cor- riam Let's make
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•2228
TI
tut - ti, mer - ry, I
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tut - ti, mer - ry,
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cor - riam tut - ti, cor - riam tut - ti, cor- riam let's make mer - ry, and to joy - om; strains of ---sc. ~
-
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cre.,c.
cor - riam let's make
-
qJY!SC.
cor- riam let's make
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-
cor- riam and to .p_
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- - .: tut - ti, cor - riam
-- --
joy- ous strains of
-
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cor- riam tut - ti, cor - riam and to joy- ous strains of
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fl'-
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cor- riam tut - ti, cor - riam and to joy- ous strains of
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f.-
...
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cor- riam tut - ti, cor- riam and to joy- ous strains of
·~···- - cresc.
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I
tut - ti, mer- ry,
-
-
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-- -
--
........... -
tut - ti, mer - ry,
tut - ti, mer- ry,
cor - riam tut - ti, let's make mer - ry, cresc. cor - riam let's make
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JJit - ti, mer- ry,
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=
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tut - ti, mer- ry,
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Cor - riam Let's make
p I
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steg - giar! of day.
•••• I
=
Cor - riam Let's make
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=
steg - giar! day. of
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tut - ti, mer- ry,
p
.
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Cor - riam Let's make
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fe break
c'~r - riam Let's make
-
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fe break
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steg - giar! day . of
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steg - giar! day. of
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Cor - riam Let's make
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-
steg - giar! of day.
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cor - riam tut sing and dance
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42226
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a till
t
steg - giar, of day,
fe break
steg - giar, of day,
re break
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break
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steg - giar, of day,
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steg - giar, of day,
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a till
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ti 11
a ti 11
E 1f
break
steg - giar, of day,
till
ti 11
fe break
steg - giar, of day,
a ti 11
a till
fe
break
steg - giar, of day,
a till -
a
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fe
E I~ steg - gia.r, of day,
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steg - giar, of day,
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fe
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break
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steg - giar, of day,
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fe break
ti a ti II
steg - giar, of day,
E=
ti a ti 11
a till
steg - giar, of day,
break
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fe
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steg - giar, of day,
•
cor - riam tut sing and dance
tut - ti, mu - sic,
ti a ti 11
-
'
-
-
break
-
cor - nam tut sing and dance
tut - ti, mu - sic,
...
-
'
fe
--
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steg - giar, of day,
-
~.
ti a till
-
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fe break
-
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.
.ti a till
-
tut - ti, cor- riam tut mu - ode, sing and dance
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-
.
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tut - ti, mu - sic,
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.,
cor - riam tut sing and dance
tut - ti, mu - sic,
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-19-•
-- -
a
I
481
steg - giar. of day.
steg - giar. of day.
steg- giar. of day.
steg - giar. of day.
fe
break
42226
steg - giar. of day.
End of the Oper