Major Fingerings: String In Position, Below Root

Major Fingerings A C Maj          string           

  

in position, below root

Fret III



3

5

7

3

5

4

7

5

7

C

6 in position, below root



3

7

5

3

3

5



2

3

5

1 2

4

4

2

5

4

5

3

4

5

3

5

3

5

3

5

7

3

3 1

5

3 2 1 3 1

5

4

2

5

3



7

5

7

9

7

1 3 4 1 3 4

2

5

1

2 1 4 2 1

4

2

5

2

4

3

4 1 3 4 1 3 1 2

E D Maj                 V

2

5

2

3

4

2

5

1 2

4

3 1

3

6

4 2

1

2 4

5

1

3

7

3 4

5

7

1 3

4

V

7

5

9

7

9

6

7

9

1 2 4 1 2 4 1 2

6

7

7

9

5

9

7

9

4 1 2 4 2 4 1 2 4

V

6

5

V

19     H A Maj   below root                                  3    9

5

3

6

D DMaj         

   

V

5 7

4

5

in position, below root

3

2

3

7

1 3 4 1 3 4 2 3



2 4 1 2

5

3

F A Maj        G A Maj                             3  4

in position, below root

5

2

5

1

         5

4

7

1 4 2 1

in position, below root

         15

4 2 3 1 2 4

3

C Maj             

11       



7

2 4 1 2 4 1 3 4

1 4 3 1

5

5

III

III

3

2

3

6

3

Fingering: 1 2 4 1 2 4 1 2

    

5

B C Maj                 

9

4 2 3 1 3 4 1 3 4

5

7

4

5

7

4

6

7

4

6

7

5

7

4

5

5

7

9

5

7

6

9

7

1 3 4 1 3 4 2 3

I

A Maj          

V

7

2 4 1 2 4 1 3 4 1 3 4 2 4 1 2 4

5

4

2 1

5

2

4

5

2

4

6

2

4 1 3 4 1 3 4 1

2

       





4

2

3

2

5

4

J

in position, below root

24



  

A Maj                      

V

5

5

3 1 2 4 1 3 4

4

2

5

2

4

5

2

4

K A Maj             

7

9

11

1

2

4

1

2

11

4

9

10

   

2

3

L A Maj              

7

9

11

1

3

4

1

9

3

7

9

3

2

4

5

7

4

2



7

9

10

in position, below root

10

1

2

3

    7

9

10

1

4

1

3

4

11

9

7

4

2

1

10

3

9

2

7

1

            in position, below root



7

1

5

          7

32

7

3

6

5

VII

9

4

3 1 2 3 1 2 4 1 2 4 1 3 1 2 3 4 3 2 1

4 3 1

29

7

6

2

1

11

4

9

3

7

1

10

4

9

3

7

1

Dorian Fingerings A C Dor                       

3

5

6

3

5

3

7

5

in position, below root

3

6

5

1 4

3

5

6

4 1 3 1 2 3

3

3

3 1

1

5

3

2 4 1



5

2

3

5



3

5

3

7

5

3

3





3

5

3

6

3

5

5

2 4 1

1

4

3

4 1 2 4

3

2

5

3

5

5

7

2

4 1 2 4

4

7

5

8

7



4

5

3

5

3

5

4

7

6

1 2 4 1 3 4

1

5

2 1

3



1

3

7

2

5

4

4 2 1

3

5

5

9

3 4 1 3 1 2 3 1

5

7

9

5

7

7

9

8

3

6

5

7

5

5

7

4 1 2 4 2 3 1 2 3

5

3

7

5

5



in position, below root

   5

3 4 2 4 1 2 4

1 2 4

7

5

8

7

9

3

2

4 2 1



5

7

I

3

5

9

7

5

7

8

5 7 8

4 1 3 1 3 4 1 3 4

1 3 4 1 3 4 1 3

7

A Dor             2

5

3

5

2

4

5

A Dor                        

2 4 1 2 4

J

3 4 1 3 4

5 7 8

5

1 2 4

24         2

5

      



4

5

1

4 2 1 4 2 1

1 2 3 1 2 4 1 2

7

3

G               A Dor                    3  3

3

5

6

E D Dor             

    

5

4

in position, below root

5

2 3 1 2

2 4

in position, below root

F A Dor 

3 1 4 3 1

3

7

3

5

1 3 4 1 3 4 1 3

20 H A Dor root          below                   



3

3

5

in position, below root

5

1

5

4 1 2 4 1 3 4 2

      15

4

5

3

1 3 2 1

2

5

10 D D Dor             2

6

                   C Dor

C C Dor                

         

6

3

Fingering: 1 2 3 1 2 4 1 2 6

4

7

      

B

in position, below root

5

7

3

5

2 1

2

4

5

4 1 2

2

3 4 1 3 1 2 3 1

4

5

3

5

7

3

5

4 1 3 4

7

5

2 3 1 3 4 1 3 4

3

3 1

2

1

2

K A Dor            29



7

9

10

1

2

3

7

1

9

2

11

4

8

10

1

3

L A Dor            

7

9

10

1

3

4

1

9

3

7

12

8

10

          in position, below root



12 7

32

7

   

8

10

4

1

3

   7

8

10

4

1



2

4

1

2

4

9

7

3

2

1

10

3

8

1

           in position, below root

7

1

10

1

10

9

7

3

4

1

10

8

7

4

2

1

3 Note Intervalic Voicings - (from Jon Damian) I. Triads: Closed Position 33 34 43

    

 

IV. Clusters 22 26

5

 



62

  

37

77

 

  

  

  

      

73

 

 

72

63

    

  

 

  



V. 7th chord, no 3rd 53 32 25



55

  

75

  

57



VI. 7th chord, no 5th 35 52 23



 

  



VII. 7th chord, no 5th, Spread voicing 74 46 67

 

 

 



VIII. Octaves 11

42

    



VI. 7th chord, no 3rd, Spread voicing 76 64 47

   

9

III. Quintal

II. Quartal Spread voicing (Middle note 8va) 56 65 66 24 44

  



IX. Non-diatonic (w/ accidentals) Ex. 56, 65, 66

54

45

 

 

36 27

 

  

56

  

  

  

  

  

B¨ma13

Balt

66

  

65

X. Analysis w/ all 12 tones in bass: Ex. 24 Possible uses:

Cma9 D¨ma7¨9#11 D7sus

   

16

  

  

E¨ma13

  

E-7¨13

  

F6add9

  

F#alt

  

Gsus

  

A¨ma7#11

  

IX. Example of 24 used in II-V-I D-11

  

19



G7alt

all 24

 

C6/9

A-11

  

 





24

42

44

D-11

G7alt

C6/9

  

  

Basic 4 Part 7th Chord Voicings G7

3x142x

A R 735       

   





8 10 9

12 12 12

3

7

10

13

  

R573

C

37R5

xx1324

   

735R

3 3 4 3

3x241x

5fr

 5 37R  

  3 R57  

735R

8 7 9 8

G7

  

5fr

R573

7 6 7 5

Gma7

Gma7

2x134x

3x111x

   

sub

5 379

37R5

12 12 12

12 14 12

3

7

10

10

14

14

5R37

7 4 5 5

3 3 4 4

x2314x

4fr

 5937        

sub

7 4 7 5

Gmaj7 xx2311

Gma9 no root x2314x

7fr

   

sub

735R

8 7 9 9

xx2314

    5 3 4 4

7359

7359

7fr

    7 7 7 5

5fr

   

R573

R357

   10 8 11 9

    10 10 11 9

xx1322

9fr

3795

7 593

Gma7

10fr

R573

Gma9 no root

sub 37R5

   

x1324x

12 11 12 10

Gma7

xx2413

Gmaj7

x4311x

7 7 9 10

Gmaj7 xx1333

Gma9 no root

sub

10 7 9 9

Gma9 no root

sub 735R

Gma7

x3412x

3x141x

  

7 5R3

10 11 9

Gma9 no root

5R37

sub

8 11 9

4fr

  

x2413x

Gma9 no root

12fr

   

37R5

14 12 12 12

3795

15 14 16 14

Gmaj7 xx1113

x1312x

sub

15 12 16 14

   

12fr

Gma9 no root

12fr

7 7 5

Gma7

xx1112

13 12 12 12

3 4 4

x2314x

G7

   

8fr

Gma7

2x143x

   

xx2314

10 8 10 9

Gma9 no root

8fr

7fr

   

5R37   

G7

xx1211

   

x2413x 4fr

6 4 5 5

G7

12fr

15 12 15 14

Gma7

F 27       

x2314x

B

7 5R3

G7

10fr

G7

G7

x2314x

12fr

   

6 7 5

1x342x

E 19       

8fr

3 4 3

12 10 12 10

D

2x111x

37R 5   

  R 735     13

5fr

3 R57

G7

 

3x241x

   

x1314x

7

G7

G7

G7

1x243x

12fr

5R37

Gma9 no root

   

sub

14 12 14 12

xx1314

12fr

5937

14fr

2

G-7

G-7

2x143x

2x333x

G  R 735    

 5 37R   

   

34



5fr

3 R57

8 10 8

11 12 12

3

6

10

13

x1312x

     

Gm7

x2314x

 37R5   

10fr

R573

11 10 12 10

10 8 10 8

sub 9 for 1



   

G-7

    8 7 8 8

Gm7

Gmin9

Gm7

xx1113

xx1322

 7359   

R573    

sub 9 for 1



5 3 3 3

6 6 7 5

G-9

Gm7

8fr

x2314x

3fr

6 3 5 5

xx2314

3795

10 10 10 8

H 5R37   

11fr

xx1111

735R    

G-9

8fr

I

x2314x

3 3 3 3

xx1333

37R5      

45

12fr

15 12 15 13

Gm7

xx1314



 7 5R3   

8fr

6 7 5

40



4x231x

3 3 3

Gm7

G-7

G-7

G-7

3x141x

   

xx2413 11fr

5R37

13 11 12 12

sub 9 for 1



  

5937

13 11 14 12

5fr

7fr

73R5

Diminished Voicings Each note of the diminished voicing can be each chord tone, each voicing repeats in minor thirds (up or down 3 frets) Each voicing is also four dom7 9 forms (without root), each note can be the 9th, 3rd, 5th, 7 of the dom7 9 voicing

b

b

A07 = C07 = E¨07 = F#07 w/out root D7¨9 F7¨9 A¨7¨9 B7¨9 GROUP I Gma7 Gma6 D7¨9

° 4 #˙˙ & 4# ˙ ˙

nœœ œ œ

b

F#07 dim from 3rd (7th of key) D7¨9

œœ œ œ

Gma6 or Gma7

œ

œ bœ

œ

œ

œ

#œ #œ

#˙˙ Ó

sample line using diminished scale from F#

4 4

4 5 4

3 4 4

3 4 2

5

3

3

4 4

5

b

use either note as resolution 2 5

6

7

Ó 4

6

7

¢⁄

4

D7¨9

° #˙˙ &# ˙ ˙

G-7

F#07 D7¨9

G-6

bnnœœœ œ

nœœ œ œ

4 5 4

3 3 3

3 3 2

5

3

3

G-7

#œ nœ bœ

7

6

œ

œ

œ

5

4

bœ

œ bœ

Œ

Ó

4

Π7

Ó 7

6

8

¢⁄

7

A07 F7¨9

° #˙˙ &# ˙ ˙

A07 F7¨9

B¨ma7

B¨ma6

nœœœ bœ

œœ œ œ

#˙ # ˙˙ ˙

B¨-7

B¨-6

œ bbœœ bœ

œœ œ œ

4 5 4

6 7 7

6 7 5

4 5 4

6 6 6

6 6 5

5

6

6

5

6

6

¢⁄

9

A07 A¨7¨9

° #˙˙ &# ˙ ˙

D¨ma7 D¨ma6

bœœ bbœœ nœ œ bœ œ

A07 A¨7¨9

#˙ # ˙˙ ˙

D¨-7

D¨-6

bœ œ bb œœ bœœ bœ œ

A07 B7¨9

#˙ # ˙˙ ˙

Ema6

A07 B7¨9

E-7

E-6

#œœ #œœ œ œ #œ #œ

#˙ # ˙˙ ˙

œœ œ œ

#œœ œ œ

Ema7

4 5 4

2 5 3

2 3 3

4 5 4

2 4 2

2 3 2

4 5 4

4 4 2

2 4 2

4 5 4

3 4 2

2 4 2

5

4

4

5

4

4

5

4

4

5

3

3

¢⁄

2 GROUP II 13

B¨07 = D¨07 = E07 = G07 A¨ma7 A¨ma6 E¨7¨9

° b˙˙ & # ˙˙

¢⁄

bœbœœ nœ

5 3 5 4

4 1 5 3

œœ œœ

A¨-7

F#7¨9

b˙˙˙ #˙

4 1 3 3

A¨-6

E¨7¨9

bœ bbbœœœ

5 3 5 4

4 1 4 2

œœ b œœ

b˙˙˙ #˙

4 1 3 2

5 3 5 4

Ó

∑

Ó

∑

17

° b#w w & w w

6 5 6 5

∑

∑

∑

∑

∑

∑

¢⁄ G7¨9

21

° Œ &

Œ

Œ

Cma

œ ˙ ‰ œj bœ bœ bœ bœ nœ œ œ

Ó

G half whole diminished

∑

∑

∑

¢⁄ 24

° Ó &

Œ

G7¨9 Cma œ bœ œ œ œ #œ œ bœ nœ ˙ ‰ J

Œ

G half whole dim

∑

∑

∑

¢⁄ 27 G7¨9 ° œ bœ # œ œ & bœ

Cma

˙ ∑

3

A¨07 arpegg from 7th

dimished arpegg from b9 of dom7

∑ ¢⁄

∑

‰ œj

3 29

Start w/ 1st finger

° & œ œ bœ œ #œ #œ œ œ

œ œ # œ œ # œ b œ œ œ

œ œ bœ J ‰ Ó j

7 9 8 7

¢⁄

8 8

10

9

9

10

10

8

10

11

10

‰ Ó

11

12

11

11

32

Starts w/ 2nd finger

° & œ œ bœ œ #œ #œ œ œ

#œ œ œ œ œ bœ œ #œ

7 7

9

œ œ ‰ ‰ Ó

8

10

10

Π7

8

10

Ó 7

¢⁄

6 8

10

8

9

11

9

10

A07

start whole step above any chord tone, or half step below any chord tone

A 11 ma7 9 œ œ œ ¨6 b œ bœ œ 11 9 œ bœ 4 Ó &4 œ œ œ œ ¨5 R

Ó

¨3

R

¨¨7

œœ œ b œ œ b œ œ J‰Ó Œ ‰ œ œ œ œ bœ J

same line starting on upbeat

¨3

A07

B 11 9 & œ œ œ œ bœ bœ œ nœ

A07

6

R

10

‰ #œj #œ œ œ œ #œ œ œ #œ œ œ bœ œ œ œ #œ œ œJ ‰

Ó

¨3

A07

A07

j & œ #œ œ #œ œ œ #œ ‰

Œ

œ #œ œ # œ n œ # œ œ ‰ j #œ œ œ #œ œ Œ œ

Œ

Ó

A0 F D

B

G#

F

œ œ œ b œ n œ #œ œ nœ #œ #œ œ nœ #œ #œ #œ nœ &

14

G#

B

D

F

G#

B

œ œ œj ‰ Ó

D

F

17

#œ # œ

nœ #œ

nœ

#œ

nœ œ

&

#œ

#œ

nœ #œ

nœ

#œ

nœ œ

19

&

œF

B

œ

œ bœ

#œ

G#

#œ

œ

nœ

#œ

D

#œ

#œ

nœ

œ

#œ

œ

nœ

Basic II-V-I voicings C7

G-7

  2x333x 3x241x         

3 3 3

1 3 2

3

3

Gm7

      10

   18



4x231x

2x111x

   

2x134

1 2 2

6 7 5

5 5 5

5 5 3

1

6

6

5

   

Fmaj7 10fr

  

10fr

3x111x

3x142x

Fmaj9

 3x141x  

11 12 12

11 12 10

10 10 10

10 12 10

13

12

12

12

Fmaj7 Fmaj7 5fr

 

5fr

  

6 5 7 7

5 5 7 8

10fr



13 10 14 12

    

Gm9

  

33

xx1314

xx1333



10 8 10 8

10 10 10 8

 

3 3 3 3

5 3 3 3

C7

C9

8fr

8fr

 

xx1211

8 8 9 8

  x2413x     x2314x

  

xx1214

10 8 9 8

xx2314  

8fr

4 1 3 2

Fmaj7 Fmaj9

 xx2413   

xx1234

10 10 9 8

11 9 12 10

  

xx2314

3 1 3 2

8fr

8 6 9 7

9fr

6fr

 

xx1322

8 8 9 7

7fr

8 10 8

8 9 8

6 9 7

8 9 7

10

8

8

8

10 9 9 8

 

xx2314  

1 1 2 2

3 1 2 2

11fr

11fr

xx2314  xx2413       13 11 14 12

Gm7(9)

7fr

8 7 8 8

 x2314x  x2314x  x1324x       8 5 8 7

15 12 15 13

C7

Gm7

5fr

5fr

15 14 14 13

C9

xx1112  xx1312      6 5 5 5

C7#11 10fr

C7

13fr

5fr

Fmaj7

10fr

Fmaj7 Fmaj7#11

 

 

xx1233

5 5 5 3

Fmaj9 10fr

5 5 4 3

Fmaj6(9) 10fr

  

xx1224

  

xx1114

xx1314

 

xx1311   

12 11 12 10

12 11 11 10

12 10 10 10

12 10 12 10

10 10 12 10

xx1224

  

15 12 14 13

xx1333

10fr

C9

 x2314x  

12fr

13 12 14 13

6 5 7 5

7fr

8 7 8 7

x2314x  x1234x     x2413x    

10 7 10 8

C7

5fr

10 7 8 8

12fr

7fr

xx1322    

C9

C7

7fr

Gm7 G-7(9)

Fmaj6

6 6 7 5

Gm9

Gm7

x2314x 

 x1234x  x2314x   

Fmaj7(9)

xx2311

Gm7

5 2 5 3

8fr

Fmaj7

13 11 12 12

2x143x

Fmaj7 Fmaj7b5

10 9 10 8

  

  

3x241x

5 2 3 3

x1324x  

   

 x2314x     

8fr

7fr

6fr

1x243x

x2314x

5 3 5 3

10fr

C7b13

C13

   

x1314x

Fma9

Fma7 8fr

8fr

Fmaj7 Fmaj7(9)

3fr

3fr

C9

9fr

C7

8fr

xx1114

x2314x    

11 9 10 10

Gm9

C7

G-7

C7

11 10 12 10

 

xx1111

x2413x

8fr

5 5 5 8

Gm7

Fmaj7

Gm7

  x1312x  x4111x    

10fr

 3x141x   

   

6 3 5 5

Gm7

5fr

5fr

x4311x

8 5 7 7

    

Fmaj7

Fmaj7

 

x2314x

x3412x

26



   

2x143x

1x234x

C7

Gm7

Fma7

C7

5fr

C7

   

11fr

G-7

Fma7

12fr

II-V-I Voice Leading: Chords and Lines

  b7 

D-7

Cma7 7

G7 3





             Dm7

  5



D-7 b7

  



5

G7 3

Dm7

Dm7

    

  

xx1314

D-7 b7

 

 5

6fr

    

G7b9

G7

  

  

xx1324

xx1324

G7#9 #9

G7b9 b9





      

Dm7 xx2314



5fr

  

xx2314



Dm7

G7b9

G7#9 3fr

 

xx1314

  

xx1214

  

xx1324



 

  

xx2413

  



 

 



 5

Dm7

  

  

xx1112

G7 3

G7b9 b9





G7b9

G7

  

D-7 b7

 

  

xx2314

5fr

xx1314

 5

  

xx1324

G7#9 #9

  

xx1324

G7b9 b9



Dm7



G7b9

G7#9 3fr

 

xx1314

  

xx1214

10fr

 

xx1333



Cma6 6

 

 

Cma6/9 5fr

       6fr



Cmaj7 12fr

       

Dm7

Cmaj9 xx1322

D-7 b7

xx2314

Cma7

5

G7

6fr





10fr

x1314x

Dm7

Cmaj7

   

G7 10fr





b7

      

Cma7 3





x2314x

Cma7 5



       6fr

9

 

G7b9 b9





Dm7

xx1113

xx1324



G7 3

5fr

5fr

     



Cmaj7

G7 6fr

xx2314



D-7 b7

  

xx1311

Cma7 6

 



 

C 6/9 5fr

  

xx1324

  

xx1311



2

   

b13

5





Ami

Dm9 10fr

   



G

G7b9#5

Dm9

C 6/9

G7#5b9

9fr 3fr

xx1324    

 

xx1222

9fr

  

         G7b5

Dm7

   

21









 

G7b9b13

G7#9 4fr

3fr

  

xx1222

9  

Dm9 G7b9b13 G7b9b13 Cmaj9 3fr

Cmaj9

Dm9

  

 

x2134x

xx1333

 x2314x    

  

xx1222











Cmaj7

G7b13

10fr

8fr

 xx2314 

 





x2143x

Cma7 3



xx1111

 

xx1322

G7b13 b13

10fr









D-9

Dm7

Cma6/9

        

Cma9 5

       







9



xx2133

G7#9

G7b9b13 b9 b13

    Db9      

9fr

  

G7b9b13



D-7 1

Cmaj9

xx2413

  

D-9 5

3fr



6fr

xx2314

Cmaj9 xx1322

Cma9 9





  

xx1133

G7b5 b5

D-7

  5

         

xx1333

 b7 

9

b9

Abmi

  

xx1114

17

Cma9

G7b9b13

D-9 9

13

  

xx1333















Cmaj6/9 5fr

  

xx2134

  

xx1311

8 Interval Patterns Ascending 3rd, asc scale

  











9

 













Combo: des/asc 3rd, asc scale



















Desc 3, asc scale



Combo: asc/desc 3rd, asc scale

5







Ascending 3rd, desc scale













Desc 3rd, desc scale





Combo: asc/des 3rd, des scale











Combo: des/asc 3rd, desc scale





















Intervalic Voicings I. Triads - 56, 65, 66 13

   

56

  

II. 24, 44, 42

   

16

24

  

44

  

42  

65

  

  

      D-11

  

66

G7alt

all 24

C6/9

G7alt C6/9        D-11

24

42

44

Intro II-V-I

Lines

A D-7 G7 Cma7             root 7

3

C D-7 G7b9 Cma7           

5

7

F 11

  D-9

   

D

Cma7

 

5th



7

        G7b9#9

D-11



3rd

3

G7alt

B D-7 G7 Cma7          Cma7

3rd

G G7b9#9 Cma7 D-7           6th



3rd

3

Cma7 G7b9#9b13 E D-9           

5th

3

H 

      Cma7      G7

D-7

I

                D-

D-ma7

D-7

G7

Cma7

K G7b9b13 Cma9 D-9         

21

25

M

G7alt

            D-9

3

Cma7

5th

    G7b9 D-7     

31

P

Cma9

G7b13b9

3

N 

3           

D-9

        

D-9

3

G7alt

Cma7

7th

Cma7

either note possible 

O 

9th





3rd

L



9th

J D  D-ma7    D-7   G7   Cma7       



3rd

5th

4 3 delayed

7 3

17





Cma6 Db7              D-11

3

6th

Maj 7,9 Arpeggios

 3              

A         string



7 10

9

7

10

3

7 10 8

8

9

 

7 10

7

9

10

B             

   7 10 8

8

9

10

9 12

10

9 12

12

10 8

    C      3                                          3 3 8

8

Fingers: 2 1 4 3 1

5

8 12

Finger: 1 4 2 1 4 2 1 4 4 2 1

4 3 2 1 4 2

3



8 12

10

9

12

9 12

10

10 8

12

8 12

10

9 12 10

9

8 12

10 8

8 12

10

9

12

8 12

9

10

10 8

D 10    E            3 3                                      3 Finger: 1 4 3 2 4 3 2 1 4 3 1



8

5 9

7

7

5 9

7 10 8

8

8

7

7

5 9

7 10 8

5 8 9

5

8

15



3



5

5 8

7 10 8

5

7 10 8

5 8

8

7

7

5 9

F       3   G                                      3 3 Fingers: 4 3 1 4 3 1 1 4 3 4 3

Finger: 3 2 1 4 3 1 4 3 2 4 3

     

7

5 9

7

3

2 5

4

3

5

5

3 7

2 5

3

Fingers: 2 1 4 3 2

3

4

3

5

5

7

3 7

5

4 7

5

1 4214

3 4 1 4

5

3 7

2 3 14

20  H         3 3                                                 3



3

7

5

4

7

3

5

5

7

3 7

5

4

3

5

5

3 7

3

14 3 21

7

5

3

4

5

3

5

7

3 4 1 4

J            3                  3                     25



I

5

4

2

6

5

3 21 4 3

3

7

5

5

1 4 3

4

2

6

5

3

7

5

5

4

2

2 5

4 3 1 1 4

3

2 5

5

2 1 4

4

2

2

5

2

           30



2

3

5

K 3                        3 3 7

5

5

3

6

5

3

1 4 3 4 1

L 3                             3 

3 7

5

3

1 4 2 31

6

5

3

7 3

3 5

3 214 1 2 4 3

7

5

7

5

5

5

3

3           6

5

3

6

5

3

5

4 3 1 4 1 3

34

5

7 3

3

3

3         

7 3

5

7

3

 5

Minor 7b5 Voicings

        

9

xx1312



4 5 4

7 8 8

11 10

2

6

8

11

Cm7b5

   

xx1214

xx2314          

8 7 8 8

xx1333

Cm7b5

4fr

   

    

Cm7b5

Cm7b5

x2x341         

1211xx

CØ11

 x1214x       24

5 4 6 6

3fr

CØ11

6fr

x2x143

    ( ) x4231x

9fr

13 11 13 13

Cm7b5

Cm7b5

8fr

   x2x141       

6 7 5

8 11 8

11 13 11

3

6

9

13

Cm7b5

10fr

  x312x4   

 2413xx    

4fr

x3x141

Cm7b5

Cm7b5

   x12x34  

11fr

9fr

12x34x    

each of these can be inverted on same set of strings

8 8 9 8

CØ11

x2314x

11 8 10 9

5fr

6 3 1 3 2

    

2 4 3

Cm7b5

8fr

3412xx

7 5 8 6

10fr

11 11 11 10

Cm7b5

x2413

4 3 4 3

Cm7b5

11fr

x2314    

    

   

7fr

6 4 5 4

17



4fr

Cm7b5

Cm7b5

8fr

5fr

x1324x

6

1 3 1

Cm7b5



   

   

2 1 3 1

 2314xx      

2x134x    

Cm7b5

Cm7b5

Cm7b5

10fr

2x341x

4x121x

Cm7b5

    

Cm7b5

7fr

4fr

2x141x



Cm7b5

Cm7b5

Cm7b5

11 10 13 11

CØ11

  12224x x12234          

11 11

5 4 6

4 3

10 9

3 2

CØ11

CØ11

2x1311  x1234x        no third 

4fr

    

xx4231

xx1423    

7fr

  xx2314  

 Gb,7#5 equals CØ9(11) , no root or third   voicings with 11 added ------------------------------------------------------------- 11 1 6 3 4 3

6 8 8 9 (8

)

11 10 10 9

4 3 3 3 2

11 10 10 9

1 3 1 2

Minor 7b5 Voicings

        

9

xx1312



4 5 4

7 8 8

11 10

2

6

8

11

Cm7b5

   

xx1214

xx2314          

8 7 8 8

xx1333

Cm7b5

4fr

   

    

Cm7b5

Cm7b5

x2x341         

1211xx

CØ11

 x1214x       24

5 4 6 6

3fr

CØ11

6fr

x2x143

    ( ) x4231x

9fr

13 11 13 13

Cm7b5

Cm7b5

8fr

   x2x141       

6 7 5

8 11 8

11 13 11

3

6

9

13

Cm7b5

10fr

  x312x4   

 2413xx    

4fr

x3x141

Cm7b5

Cm7b5

   x12x34  

11fr

9fr

12x34x    

each of these can be inverted on same set of strings

8 8 9 8

CØ11

x2314x

11 8 10 9

5fr

6 3 1 3 2

    

2 4 3

Cm7b5

8fr

3412xx

7 5 8 6

10fr

11 11 11 10

Cm7b5

x2413

4 3 4 3

Cm7b5

11fr

x2314    

    

   

7fr

6 4 5 4

17



4fr

Cm7b5

Cm7b5

8fr

5fr

x1324x

6

1 3 1

Cm7b5



   

   

2 1 3 1

 2314xx      

2x134x    

Cm7b5

Cm7b5

Cm7b5

10fr

2x341x

4x121x

Cm7b5

    

Cm7b5

7fr

4fr

2x141x



Cm7b5

Cm7b5

Cm7b5

11 10 13 11

CØ11

  12224x x12234          

11 11

5 4 6

4 3

10 9

3 2

CØ11

CØ11

2x1311  x1234x        no third 

4fr

    

xx4231

xx1423    

7fr

  xx2314  

 Gb,7#5 equals CØ9(11) , no root or third   voicings with 11 added ------------------------------------------------------------- 11 1 6 3 4 3

6 8 8 9 (8

)

11 10 10 9

4 3 3 3 2

11 10 10 9

1 3 1 2

Tri tone sub ideas

A¨7 D7

            A-7

5

 11



A¨7 D7

Gma

A-7

        

A-7 E¨-7

D7 A¨7





Gma



A-7



A-7



E-7

upper structure A-7 (Vmi triad)

    

   

    Gma  3      D7= ¨9 3 ¨13



 

Gma6



A¨7 D7

       Gma6       

A-7

Gma

E¨-7

Gma  E¨-7           

17

         

 A¨7 D7

A¨7 D7

A-7

A-7



(E¨-) D7alt

      

  Gma9 

 

¨9 A-7  E¨-7    Gma         

upper structure for A-7 (bVIIma triad = G) upper structure for Eb-7 (bIIIma triad = Gb) upper structure for Gma (VImi triad = Em)