Modern Jazz Guitar Part 1 1. Beginnings
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Modern Jazz Guitar part 1 1. beginnings
Charlie Christian 1) single note phrase from "Swing to Bop"
4
2
13
9
10
7
8
10
9
6
8
7
6
7
7
6
6
8
6
8
7
8
7
6
7
6
8
1
5
8
F7
4
3
3
5
3
2
5
4
6
7
6
3
3
9
6
5
8
6
E¨-7
6 7 8
5 6 7
6 7 8
5 6 7
6 7 8
0
5
4
5
4
6
8
5
5 6 7
6 7 8
6 7 8
6 6
8
7
6
7
6
6
8
5
6
6
5
1
2
3
6
8
5
6
8
6 7 8
5 6 7
8
6
8
6
8
B7
6 7 8
6 7 8
7 8 9
8 9 10
9 10 11
Straight 8ths.............................................................................................................................................
5 6 5 6 5 6
5 6 6 5 6 6 6 5 6 6 6 6
6 56 6 56 56 6 56 56 56
7 6 7 6
6 5 6 5
6 5 6 5
4
6
5 6 7
9
9 10 11
D¨6 B¨7 E¨-7 6 6 6
3
Charlie Christian 2) chord phrase from "Stardust"
5 6 7
6
3
3
7
B¨-6
1 3 2 1
3
4 1 4
3
8
E¨7 3 2 1
1 2 3 2 D¨6 A¨7 2 3 1 4 2 1 2
B¨7
Tom Lippincott
15 13 13 13 13 13 13 13 13 13 12 12 12 12
9 8 9
8 7 8
7 6 7
6 5 6
5 4 5
4 3 4
4 3 4
2
Wes Montgomery 1) Single note phrase "Satin Doll" A section
Tom Lippincott
D-73
G7 3
E-7 2
1 4 3
3
3
0 1 2
7
8
5 5
5
7
5
5
7
8
8
7
5
5 5
5
0
2
3
3
4
5
3
2 2
3
2
3
4
A7 3
3 5
5
2
4
2 2
2
2
3
4
D¨7 EØ A¨-7 A-7 D7 C^ F7 A7 3
5
5
3
4
7
7
7
8
3
9
10
9
7
8
6
9
9
7
8
2
3
4
5
0
1
5
6
3
3
5 5
6
5
Wes Montgomery 2) chord phrases A. I IV III VI turnaround
Cmaj9
F13
8fr
8 7 9 7
8 7 7 6
7fr
8 7 8 7
G-7 6 6 7 5
5fr
8 7 8 7
D7b9 5 4 5 4
4fr
A7b9#11
7fr
8 7 7 6
B. Harmonized melody ("Satin Doll" bridge)
D7b9
EØ
6fr
8 7 8 7
5fr
8 8 8
8 8 8
5
5
G-7
F^
3 3 3 3
5 4 5 4
6 6 7 5
8 7 8 7
6 6 7 5
5 4 5 4
3 3 3 3
5 4 5 4
6 6 7 5
5 2 3 3
Tom Lippincott
Gb^7
3fr
5 2 3 3
6 6 3 4 4
8 8 9 7
5fr
7 7 6 5
7 7 4 5 5
A-7
Bb13
Grant Green 1) single note phrase "I'm an Old Cowhand" VI
8
6 7 6
8
6
6
5 5 2 3 3
9fr
5 5 2 3 3
10 9 10 9
G13
5fr
8 8 9 7
10 9 10 9
8 8 9 7
8 8 7 6
7 6 7 6
5 5 5 5
7 7 6 5
6 6 5 4
5 5 4 3
5 5 4 3
A¨7sus
7 6 7 6
8 8 9 7
5 5 4 3
9
D¨6‚9/A¨
4 4 11 3
9 6
3
6fr
3
9
6 6 3 4 4
7 6 7 6
8 8 7 6
8 8 5 6 6
6 6 5 4
5 5 5 5
A13
4fr
7 6 7 6
5 5 4 3
6fr
Ab13
E7b9
E7b9
5fr
8 8 5 6 6
7fr
4fr
7 7 4 5 5
Ab^
A-7
G^7
9
8
7
3
5
6
5
7
9
3
3
3
5 6 9 5 6 9 5 6 9 5 6 9
4
Tom Lippincott
D6‚9/A¨
D¨6‚9/A¨
X F-9 3
3
6 7
10
10
6 7
B¨-9
12
3
3
10 6 7 10 6 7 10 6 7 11
7
13
B¨7
13
11
11
E¨-7
1 3 3 3
6
Grant Green 2) chord phrase "If I Should Lose You" intro
7
9
6
C-11
6 8 8 8
9
6fr
6
7
8 11
9
6
7
13
9 8 7 8
6
12
A¨71
7
9
8 11
8
11
13
11
11
8
6
8
8
10
9
8
6
4
4
4
4
4
4
4
4
4
4
4
5
9 8 7 8
8 10
3 3 3 3
Bbm9
6 8 8
12
D¨6‚9
4 8
11
10
2
F7#9
3
B¨-9 F-9 VI VIII
11
10
B¨-9
3
F-9
13
3
6 8 8 8
9 8 7 8
13 13 11 13
11fr
(piano & bass line.................) 13 13 11 13
13 13 11 13
7
8
6
7
8
7
Bbm11
6 8 8
9 8 7 8
8
6 8 8
9 8 7 8
8
6 8 8
9 8 7 8
8
Tom Lippincott 5 4fr
8 11 11 6
8 11 11 6
8 11 11 6
Jim Hall 1) single note phrase "My Funny Valentine"
C-
G-7
4
F-7
3
4
5
DØ
C-%
3
F13#11
4
4
4
5
3
4
4
4
4
G7b9
3
3
5
6
5
6
6
A¨^
7
4
4
4
3
4
4
C-^
5
6
6
4
5
5
5
F7
C-^
4
4
3
3
3
3
G7
4
5
5
4
5
5
5
FØ
8
6
8
4
5
A¨^
5
B¨13b9
5
8
5
2
3
8
10
3
3
1
3
4
5
3
4
5
3
G7
A¨7
3
5
5
4
5
8
8
8
10
3
5
9 8
8
4
G-7
3
5
4
6
E¨^/B¨ B¨9sus4 E¨^/B¨ 11
5
8
10
11 8
8
8
6
Tom Lippincott
CØ
6
Jim Hall 2) chord & single note phrase "'Round Midnight" outro
2
8
10
8
6
5
3
4
6
8
6
4
3
4 3
3 2 1
1
1
11
12
11
13
9
9
10
E13sus4
12 7 7 7 7
12 7 7 7 7
3
10 7 7 7
9 7 7 7
7 7 7 7
2
4
2
2
2
4 3
3
B13
7fr
9
6
9 8 7
9 8 7
7
7
9
9
7
7 7 6 6 5
8
9
6 6 5
Bb7b5
6
6
3
3
9
7
8
11
10
9
5
7
6
7
5fr
3 2 1
5
7
7
7
2
7fr
9 8 7
4
3
E13
7fr
2
4 2
7 9 9 7
1 2
2
11
2
9
2
4 3
F#-11
2
1
2
3
1 1
2
4 3
F#Ø
3
6
F13
3 5
CØ
F7b9
6
7
5fr
0 5 7 6
8
6
6
Tom Lippincott 7
Eb7#9(b13)
E-11
11fr
13 11
11 12 11 11 10
10 11 10 10 9
9 10 9 9 8
8 9 8 8 7
7 8 7 7 6
6 7 6 6 5
Eb-11
5fr
Ab13
4fr
Harm.
5 7 7 5 7
4 6 6 4 6
1 1 3 4
3
4
4
4
1 1 3 4 4
Jim Hall 3) single note phrase "The Way You Look Tonight" intro
9 7 5 7 7 5 3 6 5 5 5 5 3 3 3 1 3
3
5
7
5
3
Pat Metheny 1) single note phrase on "Nothing Personal" X
13
1
3
5
3
G-7
13
10
13 11
1
6
8
10
11 13
10
10
8
6
5
7
9
10 11 10
3
1
5
3
1
6
8
10
8
6
5
7
9
7
5
5 7
5
10
12 10
3
3
3
VII
1
12
10
12
8
7
8 10
7
8
9 10 9
8
Tom Lippincott
G7
VI
1 4 1
C-7
8
7
9
10
8
7
9
8 7
9
5
3
5
6
9
6
5
7
4
6
5
3
2
4
3
5
G-7
V
3
5
3
5 3 5 5 3
III
1 2 1 2 1 2
3
8
1 2 1 2 1 2 1
2
5
5
5
8
5
8
6
7
6
5
6
4
3
5
5
3
5
3
5
5
5
6
7
8
VI
V V D7 IV E¨7 3 1 3 1 3 4 1 2 2 1 2 1 2 1 2 3 1 1
6
8
10
6
6
8
6
8
6
8
6
7
5
7
8
5
6
6
5
6
G-7
3
5
3
5
5
3
6
3
3
6
8
6
6
8
6
8
8
1 2 1 2
4 2 1 4
2 1 3
6
8
6
6
8
10
4
5
7
5
4
D7
8
10 13
15
5
6
7
13
13
6
5
6
4
5
Tom Lippincott 9
Note: For the next example, Pat's guitar on the original recording is tuned down a half step. The notation, tablature, and chord symbols reflect what Pat is playing, but everything on the recording sounds a half step lower (in Eb minor). Pat Metheny 2) chord phrase "Lonely Woman" melody statement
Half time ballad feel
7
7 6 5 5 5
7 5 4
4fr
C^9
B7#9(b13)
5fr
7fr
3
F#Ø
7 5 7 5
4
7
3 3 7 0 0 4
11 13
10 9 12 11
8 10
7 9
6 8
8
7
6
7
B7b13
7fr
3fr
5 6
5 6
3 4
5 7
7
7
5
7
3 3 4
1 3 3
0 2 2
4
3
2
3
3
3
2 0
10 7
8 8 7
10
7 8
A9#11
5fr
7 8 8 7
8 5 6
5
5
5
6
B7#9
3
8 8 7
3
3 Lay back..........................
1 2 2
Bb9#11
2
G-11 F#-11
10
8
F#Ø
4fr
0 0 4
C#Ø
0
Ab9#11
D-13
7 3 6 5
0
3fr
E-('9)
E-13
3 2 1 2
5 5 6 6
B7#9(b13)
E-%
8 9 10 5
7fr
B7b13
3
3 0
2
2 0
2 0
10 7
8
8 8 7 7
10 8 10 7
8 8 7 7
10
7fr
4fr
Tom Lippincott
E-9
10
7
7 7 5 7
E-9
7
C%^
7fr
7
7 7 5 7
3
5 5
7fr
7 7 7 7 7 8
3
8
7
8
8
7
6
7
10
3
2 3 0 2
11 13
10 9 12 11
B7#9
8 7 10 9
1 2 2
6 8
5 6
5 6
7
7
3 4 0
5 7
7 8
7 8
6
5
8 5 5 5 6
7
5
3
3
3
2 0
2
D-11
0
2
2 0
G13#11
8fr
3
8
8
5
5
5
6
10 7 8 5
7 5
9
5
5
2 3 3
2
8
8 7
8 7
7
7
2
3
3
4
14 10 12 14
0 5 5
B7äÆ
7
7
3
3
9
5
5
2
2
5
3
B7b13
3
4
10
3
10 7
E3
2 3 3
10fr
C^
3 0
8
3 3 4
8 9 10 5
6
B7b13
3 2 1 2
5 5 6
6
E-%
3
12 8 10 12
10
A¨9#11 GØ
Lay back..........................
1 2 2
10 7
8 8 7
B7 B¨9#11 A9#11 3
3 3
E-11
8 8 7
F#Ø
5fr
2 3 0 2
F#Ø
7 7 9 9
5 5
B7#9(b13)
7fr
2
C#Ø
3fr
D-13
5fr
8 8 7 7
10 8 10 7
8 8 7 7
10
7fr
7
0 0
0 0
Tom Lippincott
D-13
C#Ø
7fr
3 let ring
7
7 10
E-6
8
10
7
7
9
3
8
8 9 9
B7äÆ
7
8
9
F#Ø
7
3
7 6 5
6 5
11 13
8
7
6
7
10
10 9 12 11
8 10
7 9
3
8 8 7
10 7 5
8 8 7
B¨9#11
5 5 6 6
3 4
5 7
7 8
7 8
7 7
5
7
9
9
A¨9#11 GØ F#Ø
3 3 4 4
2 3 3
1 2 2
3
2
11
10
8
B7#9
E-%
3
3
3
2
5
5
4
0
3 2 1 2
EØ
2
0
A7
0
8 7 6 1
3
2 0
A9#11
3 Lay back..........................
1 2 2
6 8
B7
2
John Scofield 1) single note phrase on "Stella by Starlight"
A.H.
F#Ø
5fr
11 7fr
A.H. 9
1
C^
7fr
2
2 0
3
0
5 5 6
4 4 5
6
5
3 3
2 0
C-7
0
F7
11
8
10
8
9
5
6
6
7
5
7
8
7
5
8
6
7
5
5
3
5
Tom Lippincott
F-7
12
E¨^
7
8
EØ 15
5
6
8
6
9
7
7
A7
8
6
9
D-7
13
15
12
13
AØ
13
10
9
8
E¨7
14
A¨7
B¨^
9
B¨7
6
8
10 8
8 10
8
8
6
7
F^
8
10
6
EØ
8
10
A7
12
10 11
D7
6
12
12
11
10
9
8
5
8
G7
7
6
5
6
6
5
C-7
8
7
5
7
5
9
9
7
6
8
7
7
5
6
7
8
A¨7
5
4
4
8
7 5
8 5
4 4 3 0
8 5 6 8
G7
8
6 8
9
8
6
7
5
B¨^
DØ
6
4 4 3
0
4 4 3 0
4 4 3
6
5
3
3
8
8
8
7
EØ
3
5
6
7
A7 7
5 8
7
6 6
CØ F7 B¨^ 11
8 11 8
8
7
11 10 8
10
11
13 10
11 13
10
8
13
11 10
12
5
Tom Lippincott 13
John Scofield 2) chord phrase melody statement on bridge and last A of "Secret Love"
Dا9
G13b9
8
F9[no7]
10
10
8fr
8
Bb^
8 8
8 8
7
7
5
6
Ab^
6 6
6 6
5
5
8
8
G7#9(b13)
C7#9
6fr
3
4
6
Bb%
8fr
Eb9[no7]
9 6
11 8
9 9 9 8
Bbm
10fr
5 5 6 5
C-
8fr
8
Ab-7
6fr
8 8 6
10 10 10 8
6 6 5 5
6 5 8 5
Eb6
6fr
7 7 8 6
6 6
1 3
11
11 9
12
12
6 5 8 5
8fr
D¨7 E¨^
7 7 8 6
4
Bb'9
5fr
8 8 10
8 8 10
11
11
6
8
8
7fr
F-7 B¨7 E¨^ (intro vamp)
6 6 8 9
9
8
8
F-7 B¨7
4
3 4
1 3
5
8 8 7
3 4
8 8 7
7 7
E¨^
8 10
8 9
9 8
9 8
6
4 0
6
6
3
4 0
8
4 6
3
6 6
1
F-7
6 8
B¨7 4
3 4
1 3
4
3 4
4
4
4
5
5
6
14
C^ B¨7 E¨^ A¨7 D¨^ G7 C^ 4 B¨7
6
5
A-7
4
3
5
3
4
1
9
8
7
5
5
5
6
7
8
9
8
6
8
6
6
D¨^
3
1
2
B^
4
5 4 2
1
4
4
G7
5
8
5
4
6
3
5
C^
5
5
4
4
7
5
5
5
4
7
B^
3
6
4
3
3
6
6
6
1
3
4
4
G7
4
3 6
5
4
E-7
0 5
1
2 2 2 0
D¨^ B¨7
2 2
A¨7
7
6
A¨7b9
3
6
4
D¨^
2 2
4 1
D¨^
4
1
2
G7
C^
5
6
3
4
3
4 5
3
4
5
3
5
4
6
6
3
A7b9
3
D-7 E-7 F^ G7 C^ G7
6
4
2 2 1
7
5
3
8
5 5 7
3
A¨7
3
5
A-7 F#-7 B7
6
1
4 2
A¨7 D¨^
3
G+7
3
9
7
3
5
A¨7
8
5
7
E-7
4 3
4
7
E¨^
C^
5
4 3
3 4
8
B¨7
5
1
3
4
1
B7
8
4
1
8
9
8
C^
6
F#-7
8
G7
6
5
7 7 6
D^
3
3
B¨7 D^
3
Tom Lippincott
Bill Frisell 1) single note phrase on "Very Early"
8
6
5
8
7
6
5
7
5
4
7
6
5
4
4
3
4
2
2
5
3
3
4
5
2
2
Bill Frisell 2) Chord phrase on "The Days of Wine and Roses"
C7
let ring
1
1
0
3
2
0
3
3
2
5
1
3
1
let ring
2
3
3
0
9
8
5
0
0
8
11
9
8
9
8
E¨7
11
9 8
2
8
5 3 5
4fr
let ring let ring 5
8
10
8
7
1
8
4 0
4
11
D-11
5
B¨-
8
3 3 7
5
3
7
5
5
6 6
5
1
3
7
5 6 8
5 8 6
G-7 C7
2 3
10
8
5 5
5
6
C7b9
F^
let ring let ring let ring
5 10
let ring
6
G-('9)
5fr
8 10 6 10 11 8
3
A
5 7
8 10
8
6
8 5
6
8
6
5
8
5
5
7 7
6 5
5
8 6 5
3
7
7
3 3
5
2 2
3 3
1
2
1
5
0
2
G-('9)
3 0
7
D7b9
8fr
10
3
5
let ring
3
let ring
5
5
5
F^
Tom Lippincott 15
10
9 8
B. Economy
5
7
3 5 7
4 5
3
5
7
5
4
7
5
7
4
5
7
5
4 5 7
7
3
etc.
Example 1a: slurs (hammer-ons/pull-offs).
5
7
7 8
7
8
7
5
8
5
8
5
7
8
7
5
8
7
5
7 5
7
5 4
7 5
4
7 5 3
7
5
4
7
5
4
7
5
7
5
3
3
7
5
3
Example 2: 2 notes per string, A minor/C major pentatonic scale
etc. or etc.
3
Example 1: 3 notes per string, G major scale
A. Alternate
Tom Lippincott
2. Technique
16
5
5
8
5
7
5
7
5
7
5
8
8
5
8
5
7
5
7
5
7
5
8
5
Example 2a: 2 notes per string, C major scale
etc. or etc.
8
10
7
8
5
7
4
5
3
5
1
3
1
5
3
5
4
7
5
8
7
10
8
Tom Lippincott
Example 3: 1 note per string, G major arpeggio
A. Alternate
etc.
B. Fingerstyle p p i m a c a m c. Economy/ "sweep"
5
7
5
3
4
3
3
i p
i
4
5
5
etc. p
7
A. Alternate C. Economy/ "sweep" B. Fingerstyle
17
Example 4: 1 note per string, G major arpeggio
3
p i m a c
7
5
8
4 7
5
a m i p i
7
8
7 4
5
5
7
3
3 2 1 4 3 2 1 4 4 3 2 2 3 4 1 2 3 1 1 1 0 0 1
Example 5: 1 string, C major scale, 1234 fingering
0
1
3
5
7
4
1
2
3
8
10
12
13
15
17
19
20
22
20
19
17
15
13
12
10
8
7
5
3
1
0
Example 6: C major scale by position: position IX (Ionian shape) Rule for scales by position: two notes on either 2nd or 3rd string, three notes per string on all others
8fr
4 1 2 4 1 2 4 1 2 4 2 4 1 2 4 2 1 4 2 4 2 1 4 2 1 2 1 1
4
2
8 10 12
8 10 12
9 10
12
9 10 12
10 12
8 10
Example 7: Three octave G major scale, two position shifts
12 10
12 10 9
12 10 9
12 10 8
1
12 10
8
shift 12fr
7fr
shift
3 5
12 10 8
4 2
2 3 5
2
4 5
7 9 10
7 9
7 8 10
7 8 10
12
14 15 14 12
10 8 7
10 8
7
9 7
10 9 7 5
4 2
5 3
2
5 3
Tom Lippincott
18
Example 8: pick and fingers for one note per string arpeggios (G melodic minor diatonic seventh chords)
m a c m a c etc.
5
3
3
2 7
5
5
3 8
7
7
5 10
9
8
6 12
11
10
8 14
12
11
10 16
14
13
12 17
15
15
14
14
The examples used in Modern Jazz Guitar Part 1 were taken from the following recordings. The student should make an effort to find and listen to these recordings which are listed under the guitarists' names unless otherwise indicated: Charlie Christian Ex. 1: "Swing to Bop" from The Immortal Charlie Christian (this track has been released on several different compliations) Ex. 2: "Stardust" from The Genius of the Electric Guitar Wes Montgomery Ex. 1, 2, and 2A: "Satin Doll" from A New Dynamic Sound by The Wes Montgomery Trio Grant Green Ex. 1: "I'm an Old Cowhand" from Talkin' About Ex. 2: "If I Should Lose You" from Born to Be Blue Jim Hall Ex. 1: "My Funny Valentine" from Undercurrent by Bill Evans and Jim Hall Ex. 2: "'Round Midnight" from Jim Hall Live! Ex. 3: "The Way You Look Tonight" from Jim Hall Live! Pat Metheny Ex. 1: "Nothing Personal" from Michael Brecker by Michael Brecker Ex. 2: "Lonely Woman" from Rejoicing John Scofield Ex. 1: "Stella by Starlight" from an unreleased private recording Ex. 2: "Secret Love" from Flat Out Bill Frisell Ex. 1. "Very Early" from Bill Evans by Paul Motian Ex. 2. "The Days of Wine and Roses" taken from The Guitar Show as seen on youtube.com
Charlie Christian 1) single note phrase from "Swing to Bop"
4
2
13
9
10
7
8
10
9
6
8
7
6
7
7
6
6
8
6
8
7
8
7
6
7
6
8
1
5
8
F7
4
3
3
5
3
2
5
4
6
7
6
3
3
9
6
5
8
6
E¨-7
6 7 8
5 6 7
6 7 8
5 6 7
6 7 8
0
5
4
5
4
6
8
5
5 6 7
6 7 8
6 7 8
6 6
8
7
6
7
6
6
8
5
6
6
5
1
2
3
6
8
5
6
8
6 7 8
5 6 7
8
6
8
6
8
B7
6 7 8
6 7 8
7 8 9
8 9 10
9 10 11
Straight 8ths.............................................................................................................................................
5 6 5 6 5 6
5 6 6 5 6 6 6 5 6 6 6 6
6 56 6 56 56 6 56 56 56
7 6 7 6
6 5 6 5
6 5 6 5
4
6
5 6 7
9
9 10 11
D¨6 B¨7 E¨-7 6 6 6
3
Charlie Christian 2) chord phrase from "Stardust"
5 6 7
6
3
3
7
B¨-6
1 3 2 1
3
4 1 4
3
8
E¨7 3 2 1
1 2 3 2 D¨6 A¨7 2 3 1 4 2 1 2
B¨7
Tom Lippincott
15 13 13 13 13 13 13 13 13 13 12 12 12 12
9 8 9
8 7 8
7 6 7
6 5 6
5 4 5
4 3 4
4 3 4
2
Wes Montgomery 1) Single note phrase "Satin Doll" A section
Tom Lippincott
D-73
G7 3
E-7 2
1 4 3
3
3
0 1 2
7
8
5 5
5
7
5
5
7
8
8
7
5
5 5
5
0
2
3
3
4
5
3
2 2
3
2
3
4
A7 3
3 5
5
2
4
2 2
2
2
3
4
D¨7 EØ A¨-7 A-7 D7 C^ F7 A7 3
5
5
3
4
7
7
7
8
3
9
10
9
7
8
6
9
9
7
8
2
3
4
5
0
1
5
6
3
3
5 5
6
5
Wes Montgomery 2) chord phrases A. I IV III VI turnaround
Cmaj9
F13
8fr
8 7 9 7
8 7 7 6
7fr
8 7 8 7
G-7 6 6 7 5
5fr
8 7 8 7
D7b9 5 4 5 4
4fr
A7b9#11
7fr
8 7 7 6
B. Harmonized melody ("Satin Doll" bridge)
D7b9
EØ
6fr
8 7 8 7
5fr
8 8 8
8 8 8
5
5
G-7
F^
3 3 3 3
5 4 5 4
6 6 7 5
8 7 8 7
6 6 7 5
5 4 5 4
3 3 3 3
5 4 5 4
6 6 7 5
5 2 3 3
Tom Lippincott
Gb^7
3fr
5 2 3 3
6 6 3 4 4
8 8 9 7
5fr
7 7 6 5
7 7 4 5 5
A-7
Bb13
Grant Green 1) single note phrase "I'm an Old Cowhand" VI
8
6 7 6
8
6
6
5 5 2 3 3
9fr
5 5 2 3 3
10 9 10 9
G13
5fr
8 8 9 7
10 9 10 9
8 8 9 7
8 8 7 6
7 6 7 6
5 5 5 5
7 7 6 5
6 6 5 4
5 5 4 3
5 5 4 3
A¨7sus
7 6 7 6
8 8 9 7
5 5 4 3
9
D¨6‚9/A¨
4 4 11 3
9 6
3
6fr
3
9
6 6 3 4 4
7 6 7 6
8 8 7 6
8 8 5 6 6
6 6 5 4
5 5 5 5
A13
4fr
7 6 7 6
5 5 4 3
6fr
Ab13
E7b9
E7b9
5fr
8 8 5 6 6
7fr
4fr
7 7 4 5 5
Ab^
A-7
G^7
9
8
7
3
5
6
5
7
9
3
3
3
5 6 9 5 6 9 5 6 9 5 6 9
4
Tom Lippincott
D6‚9/A¨
D¨6‚9/A¨
X F-9 3
3
6 7
10
10
6 7
B¨-9
12
3
3
10 6 7 10 6 7 10 6 7 11
7
13
B¨7
13
11
11
E¨-7
1 3 3 3
6
Grant Green 2) chord phrase "If I Should Lose You" intro
7
9
6
C-11
6 8 8 8
9
6fr
6
7
8 11
9
6
7
13
9 8 7 8
6
12
A¨71
7
9
8 11
8
11
13
11
11
8
6
8
8
10
9
8
6
4
4
4
4
4
4
4
4
4
4
4
5
9 8 7 8
8 10
3 3 3 3
Bbm9
6 8 8
12
D¨6‚9
4 8
11
10
2
F7#9
3
B¨-9 F-9 VI VIII
11
10
B¨-9
3
F-9
13
3
6 8 8 8
9 8 7 8
13 13 11 13
11fr
(piano & bass line.................) 13 13 11 13
13 13 11 13
7
8
6
7
8
7
Bbm11
6 8 8
9 8 7 8
8
6 8 8
9 8 7 8
8
6 8 8
9 8 7 8
8
Tom Lippincott 5 4fr
8 11 11 6
8 11 11 6
8 11 11 6
Jim Hall 1) single note phrase "My Funny Valentine"
C-
G-7
4
F-7
3
4
5
DØ
C-%
3
F13#11
4
4
4
5
3
4
4
4
4
G7b9
3
3
5
6
5
6
6
A¨^
7
4
4
4
3
4
4
C-^
5
6
6
4
5
5
5
F7
C-^
4
4
3
3
3
3
G7
4
5
5
4
5
5
5
FØ
8
6
8
4
5
A¨^
5
B¨13b9
5
8
5
2
3
8
10
3
3
1
3
4
5
3
4
5
3
G7
A¨7
3
5
5
4
5
8
8
8
10
3
5
9 8
8
4
G-7
3
5
4
6
E¨^/B¨ B¨9sus4 E¨^/B¨ 11
5
8
10
11 8
8
8
6
Tom Lippincott
CØ
6
Jim Hall 2) chord & single note phrase "'Round Midnight" outro
2
8
10
8
6
5
3
4
6
8
6
4
3
4 3
3 2 1
1
1
11
12
11
13
9
9
10
E13sus4
12 7 7 7 7
12 7 7 7 7
3
10 7 7 7
9 7 7 7
7 7 7 7
2
4
2
2
2
4 3
3
B13
7fr
9
6
9 8 7
9 8 7
7
7
9
9
7
7 7 6 6 5
8
9
6 6 5
Bb7b5
6
6
3
3
9
7
8
11
10
9
5
7
6
7
5fr
3 2 1
5
7
7
7
2
7fr
9 8 7
4
3
E13
7fr
2
4 2
7 9 9 7
1 2
2
11
2
9
2
4 3
F#-11
2
1
2
3
1 1
2
4 3
F#Ø
3
6
F13
3 5
CØ
F7b9
6
7
5fr
0 5 7 6
8
6
6
Tom Lippincott 7
Eb7#9(b13)
E-11
11fr
13 11
11 12 11 11 10
10 11 10 10 9
9 10 9 9 8
8 9 8 8 7
7 8 7 7 6
6 7 6 6 5
Eb-11
5fr
Ab13
4fr
Harm.
5 7 7 5 7
4 6 6 4 6
1 1 3 4
3
4
4
4
1 1 3 4 4
Jim Hall 3) single note phrase "The Way You Look Tonight" intro
9 7 5 7 7 5 3 6 5 5 5 5 3 3 3 1 3
3
5
7
5
3
Pat Metheny 1) single note phrase on "Nothing Personal" X
13
1
3
5
3
G-7
13
10
13 11
1
6
8
10
11 13
10
10
8
6
5
7
9
10 11 10
3
1
5
3
1
6
8
10
8
6
5
7
9
7
5
5 7
5
10
12 10
3
3
3
VII
1
12
10
12
8
7
8 10
7
8
9 10 9
8
Tom Lippincott
G7
VI
1 4 1
C-7
8
7
9
10
8
7
9
8 7
9
5
3
5
6
9
6
5
7
4
6
5
3
2
4
3
5
G-7
V
3
5
3
5 3 5 5 3
III
1 2 1 2 1 2
3
8
1 2 1 2 1 2 1
2
5
5
5
8
5
8
6
7
6
5
6
4
3
5
5
3
5
3
5
5
5
6
7
8
VI
V V D7 IV E¨7 3 1 3 1 3 4 1 2 2 1 2 1 2 1 2 3 1 1
6
8
10
6
6
8
6
8
6
8
6
7
5
7
8
5
6
6
5
6
G-7
3
5
3
5
5
3
6
3
3
6
8
6
6
8
6
8
8
1 2 1 2
4 2 1 4
2 1 3
6
8
6
6
8
10
4
5
7
5
4
D7
8
10 13
15
5
6
7
13
13
6
5
6
4
5
Tom Lippincott 9
Note: For the next example, Pat's guitar on the original recording is tuned down a half step. The notation, tablature, and chord symbols reflect what Pat is playing, but everything on the recording sounds a half step lower (in Eb minor). Pat Metheny 2) chord phrase "Lonely Woman" melody statement
Half time ballad feel
7
7 6 5 5 5
7 5 4
4fr
C^9
B7#9(b13)
5fr
7fr
3
F#Ø
7 5 7 5
4
7
3 3 7 0 0 4
11 13
10 9 12 11
8 10
7 9
6 8
8
7
6
7
B7b13
7fr
3fr
5 6
5 6
3 4
5 7
7
7
5
7
3 3 4
1 3 3
0 2 2
4
3
2
3
3
3
2 0
10 7
8 8 7
10
7 8
A9#11
5fr
7 8 8 7
8 5 6
5
5
5
6
B7#9
3
8 8 7
3
3 Lay back..........................
1 2 2
Bb9#11
2
G-11 F#-11
10
8
F#Ø
4fr
0 0 4
C#Ø
0
Ab9#11
D-13
7 3 6 5
0
3fr
E-('9)
E-13
3 2 1 2
5 5 6 6
B7#9(b13)
E-%
8 9 10 5
7fr
B7b13
3
3 0
2
2 0
2 0
10 7
8
8 8 7 7
10 8 10 7
8 8 7 7
10
7fr
4fr
Tom Lippincott
E-9
10
7
7 7 5 7
E-9
7
C%^
7fr
7
7 7 5 7
3
5 5
7fr
7 7 7 7 7 8
3
8
7
8
8
7
6
7
10
3
2 3 0 2
11 13
10 9 12 11
B7#9
8 7 10 9
1 2 2
6 8
5 6
5 6
7
7
3 4 0
5 7
7 8
7 8
6
5
8 5 5 5 6
7
5
3
3
3
2 0
2
D-11
0
2
2 0
G13#11
8fr
3
8
8
5
5
5
6
10 7 8 5
7 5
9
5
5
2 3 3
2
8
8 7
8 7
7
7
2
3
3
4
14 10 12 14
0 5 5
B7äÆ
7
7
3
3
9
5
5
2
2
5
3
B7b13
3
4
10
3
10 7
E3
2 3 3
10fr
C^
3 0
8
3 3 4
8 9 10 5
6
B7b13
3 2 1 2
5 5 6
6
E-%
3
12 8 10 12
10
A¨9#11 GØ
Lay back..........................
1 2 2
10 7
8 8 7
B7 B¨9#11 A9#11 3
3 3
E-11
8 8 7
F#Ø
5fr
2 3 0 2
F#Ø
7 7 9 9
5 5
B7#9(b13)
7fr
2
C#Ø
3fr
D-13
5fr
8 8 7 7
10 8 10 7
8 8 7 7
10
7fr
7
0 0
0 0
Tom Lippincott
D-13
C#Ø
7fr
3 let ring
7
7 10
E-6
8
10
7
7
9
3
8
8 9 9
B7äÆ
7
8
9
F#Ø
7
3
7 6 5
6 5
11 13
8
7
6
7
10
10 9 12 11
8 10
7 9
3
8 8 7
10 7 5
8 8 7
B¨9#11
5 5 6 6
3 4
5 7
7 8
7 8
7 7
5
7
9
9
A¨9#11 GØ F#Ø
3 3 4 4
2 3 3
1 2 2
3
2
11
10
8
B7#9
E-%
3
3
3
2
5
5
4
0
3 2 1 2
EØ
2
0
A7
0
8 7 6 1
3
2 0
A9#11
3 Lay back..........................
1 2 2
6 8
B7
2
John Scofield 1) single note phrase on "Stella by Starlight"
A.H.
F#Ø
5fr
11 7fr
A.H. 9
1
C^
7fr
2
2 0
3
0
5 5 6
4 4 5
6
5
3 3
2 0
C-7
0
F7
11
8
10
8
9
5
6
6
7
5
7
8
7
5
8
6
7
5
5
3
5
Tom Lippincott
F-7
12
E¨^
7
8
EØ 15
5
6
8
6
9
7
7
A7
8
6
9
D-7
13
15
12
13
AØ
13
10
9
8
E¨7
14
A¨7
B¨^
9
B¨7
6
8
10 8
8 10
8
8
6
7
F^
8
10
6
EØ
8
10
A7
12
10 11
D7
6
12
12
11
10
9
8
5
8
G7
7
6
5
6
6
5
C-7
8
7
5
7
5
9
9
7
6
8
7
7
5
6
7
8
A¨7
5
4
4
8
7 5
8 5
4 4 3 0
8 5 6 8
G7
8
6 8
9
8
6
7
5
B¨^
DØ
6
4 4 3
0
4 4 3 0
4 4 3
6
5
3
3
8
8
8
7
EØ
3
5
6
7
A7 7
5 8
7
6 6
CØ F7 B¨^ 11
8 11 8
8
7
11 10 8
10
11
13 10
11 13
10
8
13
11 10
12
5
Tom Lippincott 13
John Scofield 2) chord phrase melody statement on bridge and last A of "Secret Love"
Dا9
G13b9
8
F9[no7]
10
10
8fr
8
Bb^
8 8
8 8
7
7
5
6
Ab^
6 6
6 6
5
5
8
8
G7#9(b13)
C7#9
6fr
3
4
6
Bb%
8fr
Eb9[no7]
9 6
11 8
9 9 9 8
Bbm
10fr
5 5 6 5
C-
8fr
8
Ab-7
6fr
8 8 6
10 10 10 8
6 6 5 5
6 5 8 5
Eb6
6fr
7 7 8 6
6 6
1 3
11
11 9
12
12
6 5 8 5
8fr
D¨7 E¨^
7 7 8 6
4
Bb'9
5fr
8 8 10
8 8 10
11
11
6
8
8
7fr
F-7 B¨7 E¨^ (intro vamp)
6 6 8 9
9
8
8
F-7 B¨7
4
3 4
1 3
5
8 8 7
3 4
8 8 7
7 7
E¨^
8 10
8 9
9 8
9 8
6
4 0
6
6
3
4 0
8
4 6
3
6 6
1
F-7
6 8
B¨7 4
3 4
1 3
4
3 4
4
4
4
5
5
6
14
C^ B¨7 E¨^ A¨7 D¨^ G7 C^ 4 B¨7
6
5
A-7
4
3
5
3
4
1
9
8
7
5
5
5
6
7
8
9
8
6
8
6
6
D¨^
3
1
2
B^
4
5 4 2
1
4
4
G7
5
8
5
4
6
3
5
C^
5
5
4
4
7
5
5
5
4
7
B^
3
6
4
3
3
6
6
6
1
3
4
4
G7
4
3 6
5
4
E-7
0 5
1
2 2 2 0
D¨^ B¨7
2 2
A¨7
7
6
A¨7b9
3
6
4
D¨^
2 2
4 1
D¨^
4
1
2
G7
C^
5
6
3
4
3
4 5
3
4
5
3
5
4
6
6
3
A7b9
3
D-7 E-7 F^ G7 C^ G7
6
4
2 2 1
7
5
3
8
5 5 7
3
A¨7
3
5
A-7 F#-7 B7
6
1
4 2
A¨7 D¨^
3
G+7
3
9
7
3
5
A¨7
8
5
7
E-7
4 3
4
7
E¨^
C^
5
4 3
3 4
8
B¨7
5
1
3
4
1
B7
8
4
1
8
9
8
C^
6
F#-7
8
G7
6
5
7 7 6
D^
3
3
B¨7 D^
3
Tom Lippincott
Bill Frisell 1) single note phrase on "Very Early"
8
6
5
8
7
6
5
7
5
4
7
6
5
4
4
3
4
2
2
5
3
3
4
5
2
2
Bill Frisell 2) Chord phrase on "The Days of Wine and Roses"
C7
let ring
1
1
0
3
2
0
3
3
2
5
1
3
1
let ring
2
3
3
0
9
8
5
0
0
8
11
9
8
9
8
E¨7
11
9 8
2
8
5 3 5
4fr
let ring let ring 5
8
10
8
7
1
8
4 0
4
11
D-11
5
B¨-
8
3 3 7
5
3
7
5
5
6 6
5
1
3
7
5 6 8
5 8 6
G-7 C7
2 3
10
8
5 5
5
6
C7b9
F^
let ring let ring let ring
5 10
let ring
6
G-('9)
5fr
8 10 6 10 11 8
3
A
5 7
8 10
8
6
8 5
6
8
6
5
8
5
5
7 7
6 5
5
8 6 5
3
7
7
3 3
5
2 2
3 3
1
2
1
5
0
2
G-('9)
3 0
7
D7b9
8fr
10
3
5
let ring
3
let ring
5
5
5
F^
Tom Lippincott 15
10
9 8
B. Economy
5
7
3 5 7
4 5
3
5
7
5
4
7
5
7
4
5
7
5
4 5 7
7
3
etc.
Example 1a: slurs (hammer-ons/pull-offs).
5
7
7 8
7
8
7
5
8
5
8
5
7
8
7
5
8
7
5
7 5
7
5 4
7 5
4
7 5 3
7
5
4
7
5
4
7
5
7
5
3
3
7
5
3
Example 2: 2 notes per string, A minor/C major pentatonic scale
etc. or etc.
3
Example 1: 3 notes per string, G major scale
A. Alternate
Tom Lippincott
2. Technique
16
5
5
8
5
7
5
7
5
7
5
8
8
5
8
5
7
5
7
5
7
5
8
5
Example 2a: 2 notes per string, C major scale
etc. or etc.
8
10
7
8
5
7
4
5
3
5
1
3
1
5
3
5
4
7
5
8
7
10
8
Tom Lippincott
Example 3: 1 note per string, G major arpeggio
A. Alternate
etc.
B. Fingerstyle p p i m a c a m c. Economy/ "sweep"
5
7
5
3
4
3
3
i p
i
4
5
5
etc. p
7
A. Alternate C. Economy/ "sweep" B. Fingerstyle
17
Example 4: 1 note per string, G major arpeggio
3
p i m a c
7
5
8
4 7
5
a m i p i
7
8
7 4
5
5
7
3
3 2 1 4 3 2 1 4 4 3 2 2 3 4 1 2 3 1 1 1 0 0 1
Example 5: 1 string, C major scale, 1234 fingering
0
1
3
5
7
4
1
2
3
8
10
12
13
15
17
19
20
22
20
19
17
15
13
12
10
8
7
5
3
1
0
Example 6: C major scale by position: position IX (Ionian shape) Rule for scales by position: two notes on either 2nd or 3rd string, three notes per string on all others
8fr
4 1 2 4 1 2 4 1 2 4 2 4 1 2 4 2 1 4 2 4 2 1 4 2 1 2 1 1
4
2
8 10 12
8 10 12
9 10
12
9 10 12
10 12
8 10
Example 7: Three octave G major scale, two position shifts
12 10
12 10 9
12 10 9
12 10 8
1
12 10
8
shift 12fr
7fr
shift
3 5
12 10 8
4 2
2 3 5
2
4 5
7 9 10
7 9
7 8 10
7 8 10
12
14 15 14 12
10 8 7
10 8
7
9 7
10 9 7 5
4 2
5 3
2
5 3
Tom Lippincott
18
Example 8: pick and fingers for one note per string arpeggios (G melodic minor diatonic seventh chords)
m a c m a c etc.
5
3
3
2 7
5
5
3 8
7
7
5 10
9
8
6 12
11
10
8 14
12
11
10 16
14
13
12 17
15
15
14
14
The examples used in Modern Jazz Guitar Part 1 were taken from the following recordings. The student should make an effort to find and listen to these recordings which are listed under the guitarists' names unless otherwise indicated: Charlie Christian Ex. 1: "Swing to Bop" from The Immortal Charlie Christian (this track has been released on several different compliations) Ex. 2: "Stardust" from The Genius of the Electric Guitar Wes Montgomery Ex. 1, 2, and 2A: "Satin Doll" from A New Dynamic Sound by The Wes Montgomery Trio Grant Green Ex. 1: "I'm an Old Cowhand" from Talkin' About Ex. 2: "If I Should Lose You" from Born to Be Blue Jim Hall Ex. 1: "My Funny Valentine" from Undercurrent by Bill Evans and Jim Hall Ex. 2: "'Round Midnight" from Jim Hall Live! Ex. 3: "The Way You Look Tonight" from Jim Hall Live! Pat Metheny Ex. 1: "Nothing Personal" from Michael Brecker by Michael Brecker Ex. 2: "Lonely Woman" from Rejoicing John Scofield Ex. 1: "Stella by Starlight" from an unreleased private recording Ex. 2: "Secret Love" from Flat Out Bill Frisell Ex. 1. "Very Early" from Bill Evans by Paul Motian Ex. 2. "The Days of Wine and Roses" taken from The Guitar Show as seen on youtube.com
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