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In Concert in Paris | 1000 Recordings to Hear Before You Die
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In Concert in Paris
1,000 Recordings, by
Nusrat Fateh Ali Khan
ABOUT TOM
THE BOOK
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Artist 1,000 Recordings, by ABOUT 1,000 RECORDINGS
Title Featured Recordings
Celebrate the joy, the revelation, the mystery, the fun, the sheer shivers-
BROWSE BY GENRE
up-the-spine pleasure of great music.
Blues Essential operas. Milestone rock
Classical
albums. An education in the blues. The world of world. Classical from
Country
Bach to Bartók to Beethoven to
Electronica
Brahms. And dozens of unexpected
Folk Gospel Hip-Hop
gems, surprising discoveries, and
Utterly Magical Vocal Spontaneity Like many of the rock stars who borrowed from him, Nusrat
long-lost masterpieces. This is an online version of the list
Fateh Ali Khan (1948–1997) was in search of ecstasy when he
(published alphabetically in the
sang. He'd make single phrases sound like heroic journeys,
book). The entries in the book break
Musicals
stringing together long melismatic lines that would climb
down genre bias and broaden every
Opera
methodically toward heaven. Then he'd follow these with
listener’s horizons—think Miles Davis
Pop
shuddering dips and pitch-swerving curls that would plunge
Jazz
R&B
his listeners into unexpected terrain.
Rock
But unlike most rock stars, Khan—the most visible figure to
Vocals
emerge from the Pakistani devotional singing style known as
World Algeria , Andes, Angola, Argentina , Armenia , Brazil, Bulgaria, Cameroon, Cape Verde,
to Claude Debussy to the melodic story-songs of The Decemberists. And the writing is passionate, informed, opinionated. MORE ABOUT THE BOOK
qawwali—was never in a particular hurry to reach the ecstatic state. His performances, including these recorded in Paris in the 1980s, were marathons. It could take more than fifteen minutes for a poem (many written by the ancient Sufi mystic Rumi) to unfold.
Celtic, China,
The first disc of this mountainous, careerbest five-disc set
Columbia , Congo,
amounts to an overdose of Khan's shape-shifting vocal
Cuba, Dominican
contortions, ad-libs that feel charged with paranormal
Republic, Egypt,
inspiration. "Naat" begins restlessly, with furtive scattered
Ethiopia, Germany,
phrases. Khan gathers the members of his "Party" into a
Greece, Guinea, Haiti ,
processional, and after seven minutes or so, his
Hawaii, Hebrew,
improvisations evoke a fast-moving, thundering river. Then,
Hungary, India,
suddenly, he begins singing like a worried old lady tottering
Indonesia, Iran,
along on her heels. Then like a sea creature wriggling on the
Jamaica, Japan,
shore. With each characterization, it's clear that Khan is
Klezmer, Latin, Latin
hardly thinking about the notes, or the lengths of his phrases,
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America, Madagascar,
or even how he'll respond to the somber chants of his
Mali , Mauritania ,
accompanying singers. He's focusing on something more
Mexico, Middle East,
sweeping—an enduring, lasting bliss, rare and elusive, a state
Morocco, Nigeria,
that must be actively sought. And when the nimble
Pakistan, Portugal,
Khan—whose name translates roughly as "the king of the
Puerto Rico, Romania,
opening to success"—gets close to it, he savors and tries to
Russia, Senegal, South
sustain this state. He treats it as a seeker's reward, the
Africa, Spain,
pleasure that comes after the long stair-stepping quest, the
Tanzania , Trinidad,
gateway to previously hidden realms of consciousness.
Turkey, Venezuela, Zimbabwe
Genre: World, Pakistan Released: 1988, Ocora Key Tracks: "Naat," "Manaqib Ali," "Kafi" F.Y.I.: Ocora also released the concerts documented here on individual discs, as Live in Paris, Vols. 1–5. Catalog Choice: Mustt mustt (with Michael Brook) Next Stop: The Sabri Brothers: Ya habib After That: Jeff Buckley: Grace Book Pages: 422–423 BUY THIS RECORDING
RELATED POSTS ON THE BLOG Found on the Web: Nusrat Fateh Ali Khan - September 14, 2009 at 8:51 am If You Like the Music of Slumdog Millionaire… - February 23, 2009 at 11:34 am Found On the Web! Oum Kalthoum - October 31, 2008 at 10:26 am
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