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All of Me C%
1
2
8
8
9
2
1
8
10
1
3
1
1
2
1
2
1
3
9
E7
1
1
1
2
1
3
3
8 10 8
7
9
9
3
9
10
9
8
9
1
1
8
9
3 A7
5
2
2
1
2
2
1/2
9
8
9
9
2
1
4
9
13
5
6
5
D7 1
7
4
3
10
11
3
10 11 10
2
8
3
1
2
1
3
2
4
6
1 2
1
5
4
8
7
6
2
7
12
12
2
1
4
1
6
6
6
1
3
2
3
1
1
2
descending A minor arpeggio
10
1
2
1 2
8 10
8
G7
4
2
1
5
E major arppeggio
3
3
0
1
3
1
1
A-7
1
2
1
E7
9
D-7
1
1
3
10
9
10
3
1
1
1
7
7
4
3
8
Sochelo thinks Dm7 to G7 here
5
7
7
6
56
5
12
10
13
10
10
12
3
10 12 10
9
12
2 E7
17
3
1
2
1
3
1
8
9
10
7
10
25
2
1
2
9
8
F6
9
1
8
10
8
7
1
1
7
9
3
3
N.H. (Natural harmonics)
8
9
12
7
7
8
D-7
1
10
3
11
8
7
3
1
1
3
1
2
1
F-6
2
10 11 10
8
2
1
6
2
6
5
9
A7
8
8
1
2
1
8
1
1
1
8
8
9
D-7
2
1
3
8
9
1
3
1
4
8
10
G7
1
1
3
3
12
3
1
1
4
10 13
10
10
12
3
2
4
10 12 10 10
1
3 12
10
9 12
2
1
4
1
2
12
8
1
(2) 1
8
9
9
7
10
7
8
7
1
6
2
11
5
C%
1
3
3
3 10
1
4
1
2
1
10
C%
1
8
3
1
29
1
10
8
9
3
2
1/2
2
2
1
1
A7
21
C%
2
0
1
2
2
1
0
0
2
2
0
1
2
0 2
3
typical Django C-lick
3
3
3
8 3
0
2
3
3
2
0
0
3
3
0
2
3
0 5
3
E7
33 C%
2
1
2
1
2
1
2
1
2
1
1
3
4
1
Cmaj.7 arpeggio
2
3
2
5
4
1
2
1
4
1
1
2
2
1
3
1
This lick is in the technique course. Stochelo plays all down strokes here but you can change it to the picking of the technique course (lesson 10 exercise 5)
0 5
1
2
4
3
5
5
7
5
7
5
4
7
4
6
3
6
4
3
1
4
1
6
5
7
3
5
D-7
A7
2
37
3
1
2
1
5
6
7
8
7
1
2
1
1
1
3
3
5
6
5
4
3
1
2
3
2
1
3
2
2
1
5
8
5
6
7
5
6
5
6
7
A-7
4
7
1
2
1
3
1
2
4
1
5
8
4
4
2
1/2
7
4
3
1
Easy but very effective lick from A7 to D-. The bend puts some Django flavour into it. Practice in all keys!
E7
41
4
4
7
1
1
1
6
6
6
1 2
N.H. (Natural harmonics). Stochelo plays an extra harmonic by accident (there's no harmonic on that fret) and I left it out of the transcription
4
5
4
6
4
5
4
12
12
7
5
5
7
12
12
2
10 12
6
1
10
1
10
9
4
D7
G7 45
1
4
1
2
2
3
2
1
2
1
2
3
1
1
1
4
1
2
4
1 2
1
2
2
1
2
1
Very nice phrase for 2 bars D7-> 2 bars G7 -> C.
10
13
10
11
1/2
11 12
11
10
10
11
12
11
10
9
10
10
12
9
12
X
8
9 10
9
9
10
9
3 49
E7
C% 2
1
2
2
3
1
3
1
3
3
1
2
3
1
2
1
2
1 1
One of Stochelo's stock phrases for major chords
10
7
8
8
11
A7
53
2 1
1
1
3
2
3
10
12
12
10
10
12
14
12
13
12
15
14
3
1
2
2
3
1
3
3
2
1
2
3
1
2
3
3
2
13 14 13 12
1
3
2
1
3
1
2
1
1
2
1
3
2
This lick is played in Stochelo's favourite dominant chord "position" with the first finger on the root. There are many licks in this and other solos at RA where you can find examples of this.
D-7
1
4
1
2
5
15
12
13
13 14
12
12
13
14
13
1
1
1
3
2
Fast diminished lick. The last quintuplet is not the exact rhythm but it's pretty close.
3 12 13 12 11
13 12
5 3 3 3
10 11 12
11 14
12 15
14
12 9
11
12 9
11
9 12
11
9 12
10
10
10
12
12
5
F-6 57 F6 3
2
2
1
2
1
2
1
1
3
1
A7
C%
4
2
Stochelo thinks C major in these two bars avoiding the note "a" as not to conflict with F- in bar 58
14
15
14
12
13
12
15
13
15 13 12
G7
1
1
9
9
10
8
3
1
15
2
3
6
8
3
1
3
1
1
1
1
65
1
1
3
1
3
2
2
1
thinking Ab-7 which is the II for the tritone sub of G7
D7 here
4
4
5
7
5
7
5
4
7
4
3
6
5
6
7
4
6
4
5
5
3
2
2
1
2
3
2
3
3
2
3
3
2
3
2
0
1
2
3
3
0
3
2
3
E7
C% 2
2
C%
61 D-7
1
7
1
1
0
0
2
2
0
1
2
3
0 2
1
4
1
1
4
1
2
3
1
3
1
3
1
3
2
1
3
1
2
3
Diminished arpeggio
3
3
2
0
0
3
3
0
2
3
0 5
3
5
3
2
5
5
2
3
4
2
5
3
6
4
7
6
4
7
4
6
7
6
D-7
69 A7
1
2
4
1
1
2
1
2
3
2
2
3
(2) 4
4
1
1
3
2
2
3
1
2
1
1
3
2
2
3
Again a dominant chord lick based with the first finger on the root
4
6
5
8
73
2
3
3
5
6
7
6
5
3
E7 1
( ) ( )
3
1
1
3
2
1
3
3
6
2
1
5
6
7
8
11
1
3
10
12
10
9
10 11 10
12
11
3
12
12
12
A-7
1
2
1
2
1
1
2
1
3
(
)
2
1
3
1
1
1
3
1
1
1
3
Cool triplet dimished arpeggio for a E7b9 sound!
3 3 3 9 10 11
9 12
10 13
12
10 13
12 13
12
12 15 14
13 15
13 13
14
12 12
X
14
15
12 12 12
3
12 14 12 11 12
G7
D7
77
1
1
1
2
1
1
1
1
1
1
2
1
2
1
1
1
1
3
1
(2) 1
1
3
1
2
1
2
1
4
1
Easy lick embellishing a D major triad
12
12
12
13 12 11
12
11
11
11
11
10
11
10
9
10
10
10
12 10
8
10
8
9
8 9
7
10
7
7
C%
81
2
1
1
8
89
2
8
2
2
2
3
1
10
10
2
1
3
7
9
8
9
9
F-6
10
11
8
8
8
1
8
1
1
2
9
8
8
8
1
8
9
8
9
11 9
10
11
10
9
9
1
2
3
1
1
2
3
1
8
2
8
7
1
8
C%
9
9
2
6
9
1
2
8
9
1
5
1
1
3
1
D-7
1
1
1
1
1
1
1
8 10 8
2
F6
8
E7
3
3
1/2
9
1
2
2
1
3 3 2 2 3 3
9
8
A7
85
3 1 1 2 2
3
9
10
3
10
A7
1
8
2
9
1
2
1
4
1
2
1
(2) 1
1
8 9
7
10
7
8
7
6
5
3
8
8
93
D-7
3
1
G7
3
1
2
3
2
2
1
1
E-7
1
1
4
1
4
1
1
2
A7
1
1
3
2
1
1
The next four bars are extra bars and serve as a possible ending to almost any jazz standard
8
97
D-7 4
1
2
3
5
8
5
6
1
1
4
1
5
4
3
10
G7
2
3
1
3
10
10
7
10
7
10
7
8
2
6
5
5 6
1
3
1
1
1
2
(3) 2
(1) 2
2
(3) 2
2
1
Db7 arpeggio which is the tritone sub for G7
8
5
6
5
9
12
9
10
11
9
11
9
10
5
7
3 1 1 2 2
C%
1
7
10
10
3
10 11 10 9
10
11
12 13
14
15
10
8
3 3 2 2 3 3
5
1
2
8
8
9
2
1
8
10
1
3
1
1
2
1
2
1
3
9
E7
1
1
1
2
1
3
3
8 10 8
7
9
9
3
9
10
9
8
9
1
1
8
9
3 A7
5
2
2
1
2
2
1/2
9
8
9
9
2
1
4
9
13
5
6
5
D7 1
7
4
3
10
11
3
10 11 10
2
8
3
1
2
1
3
2
4
6
1 2
1
5
4
8
7
6
2
7
12
12
2
1
4
1
6
6
6
1
3
2
3
1
1
2
descending A minor arpeggio
10
1
2
1 2
8 10
8
G7
4
2
1
5
E major arppeggio
3
3
0
1
3
1
1
A-7
1
2
1
E7
9
D-7
1
1
3
10
9
10
3
1
1
1
7
7
4
3
8
Sochelo thinks Dm7 to G7 here
5
7
7
6
56
5
12
10
13
10
10
12
3
10 12 10
9
12
2 E7
17
3
1
2
1
3
1
8
9
10
7
10
25
2
1
2
9
8
F6
9
1
8
10
8
7
1
1
7
9
3
3
N.H. (Natural harmonics)
8
9
12
7
7
8
D-7
1
10
3
11
8
7
3
1
1
3
1
2
1
F-6
2
10 11 10
8
2
1
6
2
6
5
9
A7
8
8
1
2
1
8
1
1
1
8
8
9
D-7
2
1
3
8
9
1
3
1
4
8
10
G7
1
1
3
3
12
3
1
1
4
10 13
10
10
12
3
2
4
10 12 10 10
1
3 12
10
9 12
2
1
4
1
2
12
8
1
(2) 1
8
9
9
7
10
7
8
7
1
6
2
11
5
C%
1
3
3
3 10
1
4
1
2
1
10
C%
1
8
3
1
29
1
10
8
9
3
2
1/2
2
2
1
1
A7
21
C%
2
0
1
2
2
1
0
0
2
2
0
1
2
0 2
3
typical Django C-lick
3
3
3
8 3
0
2
3
3
2
0
0
3
3
0
2
3
0 5
3
E7
33 C%
2
1
2
1
2
1
2
1
2
1
1
3
4
1
Cmaj.7 arpeggio
2
3
2
5
4
1
2
1
4
1
1
2
2
1
3
1
This lick is in the technique course. Stochelo plays all down strokes here but you can change it to the picking of the technique course (lesson 10 exercise 5)
0 5
1
2
4
3
5
5
7
5
7
5
4
7
4
6
3
6
4
3
1
4
1
6
5
7
3
5
D-7
A7
2
37
3
1
2
1
5
6
7
8
7
1
2
1
1
1
3
3
5
6
5
4
3
1
2
3
2
1
3
2
2
1
5
8
5
6
7
5
6
5
6
7
A-7
4
7
1
2
1
3
1
2
4
1
5
8
4
4
2
1/2
7
4
3
1
Easy but very effective lick from A7 to D-. The bend puts some Django flavour into it. Practice in all keys!
E7
41
4
4
7
1
1
1
6
6
6
1 2
N.H. (Natural harmonics). Stochelo plays an extra harmonic by accident (there's no harmonic on that fret) and I left it out of the transcription
4
5
4
6
4
5
4
12
12
7
5
5
7
12
12
2
10 12
6
1
10
1
10
9
4
D7
G7 45
1
4
1
2
2
3
2
1
2
1
2
3
1
1
1
4
1
2
4
1 2
1
2
2
1
2
1
Very nice phrase for 2 bars D7-> 2 bars G7 -> C.
10
13
10
11
1/2
11 12
11
10
10
11
12
11
10
9
10
10
12
9
12
X
8
9 10
9
9
10
9
3 49
E7
C% 2
1
2
2
3
1
3
1
3
3
1
2
3
1
2
1
2
1 1
One of Stochelo's stock phrases for major chords
10
7
8
8
11
A7
53
2 1
1
1
3
2
3
10
12
12
10
10
12
14
12
13
12
15
14
3
1
2
2
3
1
3
3
2
1
2
3
1
2
3
3
2
13 14 13 12
1
3
2
1
3
1
2
1
1
2
1
3
2
This lick is played in Stochelo's favourite dominant chord "position" with the first finger on the root. There are many licks in this and other solos at RA where you can find examples of this.
D-7
1
4
1
2
5
15
12
13
13 14
12
12
13
14
13
1
1
1
3
2
Fast diminished lick. The last quintuplet is not the exact rhythm but it's pretty close.
3 12 13 12 11
13 12
5 3 3 3
10 11 12
11 14
12 15
14
12 9
11
12 9
11
9 12
11
9 12
10
10
10
12
12
5
F-6 57 F6 3
2
2
1
2
1
2
1
1
3
1
A7
C%
4
2
Stochelo thinks C major in these two bars avoiding the note "a" as not to conflict with F- in bar 58
14
15
14
12
13
12
15
13
15 13 12
G7
1
1
9
9
10
8
3
1
15
2
3
6
8
3
1
3
1
1
1
1
65
1
1
3
1
3
2
2
1
thinking Ab-7 which is the II for the tritone sub of G7
D7 here
4
4
5
7
5
7
5
4
7
4
3
6
5
6
7
4
6
4
5
5
3
2
2
1
2
3
2
3
3
2
3
3
2
3
2
0
1
2
3
3
0
3
2
3
E7
C% 2
2
C%
61 D-7
1
7
1
1
0
0
2
2
0
1
2
3
0 2
1
4
1
1
4
1
2
3
1
3
1
3
1
3
2
1
3
1
2
3
Diminished arpeggio
3
3
2
0
0
3
3
0
2
3
0 5
3
5
3
2
5
5
2
3
4
2
5
3
6
4
7
6
4
7
4
6
7
6
D-7
69 A7
1
2
4
1
1
2
1
2
3
2
2
3
(2) 4
4
1
1
3
2
2
3
1
2
1
1
3
2
2
3
Again a dominant chord lick based with the first finger on the root
4
6
5
8
73
2
3
3
5
6
7
6
5
3
E7 1
( ) ( )
3
1
1
3
2
1
3
3
6
2
1
5
6
7
8
11
1
3
10
12
10
9
10 11 10
12
11
3
12
12
12
A-7
1
2
1
2
1
1
2
1
3
(
)
2
1
3
1
1
1
3
1
1
1
3
Cool triplet dimished arpeggio for a E7b9 sound!
3 3 3 9 10 11
9 12
10 13
12
10 13
12 13
12
12 15 14
13 15
13 13
14
12 12
X
14
15
12 12 12
3
12 14 12 11 12
G7
D7
77
1
1
1
2
1
1
1
1
1
1
2
1
2
1
1
1
1
3
1
(2) 1
1
3
1
2
1
2
1
4
1
Easy lick embellishing a D major triad
12
12
12
13 12 11
12
11
11
11
11
10
11
10
9
10
10
10
12 10
8
10
8
9
8 9
7
10
7
7
C%
81
2
1
1
8
89
2
8
2
2
2
3
1
10
10
2
1
3
7
9
8
9
9
F-6
10
11
8
8
8
1
8
1
1
2
9
8
8
8
1
8
9
8
9
11 9
10
11
10
9
9
1
2
3
1
1
2
3
1
8
2
8
7
1
8
C%
9
9
2
6
9
1
2
8
9
1
5
1
1
3
1
D-7
1
1
1
1
1
1
1
8 10 8
2
F6
8
E7
3
3
1/2
9
1
2
2
1
3 3 2 2 3 3
9
8
A7
85
3 1 1 2 2
3
9
10
3
10
A7
1
8
2
9
1
2
1
4
1
2
1
(2) 1
1
8 9
7
10
7
8
7
6
5
3
8
8
93
D-7
3
1
G7
3
1
2
3
2
2
1
1
E-7
1
1
4
1
4
1
1
2
A7
1
1
3
2
1
1
The next four bars are extra bars and serve as a possible ending to almost any jazz standard
8
97
D-7 4
1
2
3
5
8
5
6
1
1
4
1
5
4
3
10
G7
2
3
1
3
10
10
7
10
7
10
7
8
2
6
5
5 6
1
3
1
1
1
2
(3) 2
(1) 2
2
(3) 2
2
1
Db7 arpeggio which is the tritone sub for G7
8
5
6
5
9
12
9
10
11
9
11
9
10
5
7
3 1 1 2 2
C%
1
7
10
10
3
10 11 10 9
10
11
12 13
14
15
10
8
3 3 2 2 3 3
5
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