Complete Piano Sonatas-1.pdf

Joseph Haydn

COMPLETE PIANO SONATAS In

Two Volumes

Volume

II

(Hoboken Nos. 30-52) ai ry

Digitized by the Internet Archive in

2012

http://archive.org/details/completepianosonOOfran

JOSEPH HAYDN Complete Piano Sonatas IN

TWO VOLUMES

VOLUME

II

(Hoboken Mos. 30-52)

DOVER PUBLICATIONS, NEW YORK

INC.

Copyright © 1984 by Dover Publications, Inc. All rights reserved under Pan American and International Copyright Conventions. Published in

Canada by General Publishing Company,

Ltd., 30 Lesmill

Road,

Don

Mills, Toronto, Ontario.

This Dover edition in two volumes,

published

first

in 1984,

contains

all

the music from

the three volumes comprising Serie 14: Klavierwerke [1918] of the complete-works edition

Joseph Haydns

Werke.

Hartel, Leipzig, 1907 specially

for

Erste kntisch durchgesehene Gesamtausgabe, ff.

The

published by Breitkopf

&

and Publisher's Note have been prepared see the Publisher's Note for further bibliographical

table of contents

the present edition;

information.

Manufactured in the United Dover Publications, Inc., 31 East 2nd

States of

America

Mineola, NY. 11501

Street,

Library of Congress Cataloging-in-Publication Data

Haydn, Joseph, 1732-1809. [Sonatas, piano]

Complete piano sonatas. Reprint: Originally published:

Werke. Erste Karl Pasler). Contents: 1.

kritisch

v.

1.

Hoboken

Sonatas (Piano)

M23.H41P33 1984 ISBN 0-486-24726-0 ISBN 0-486-24727-9

Leipzig

:

Breitkopf

&

durchgesehene Gesamtausgabe, Serie

I.

nos. 1-29

—

v.

2.

Pasler, Karl.

84-759555 (v.

1)

(v.

2)

Hoboken

1918 (Joseph Haydns Klavierwerke / edited by

Hartel, 14:

nos. 30-52.

PUBLISHER'S NOTE

The

musical texl of the 52 sonatas included in this two-volume Dover edition is reprinted, without abridgment or change of

sequence, from the three volumes comprising Serie 14: Klavierwerke, n.d. [actually 1918; edited by Karl Pasler], of the Breitkopl

&

Hartel (Leipzig)

Haydn complete-works

edition

inaugurated in 1907 under the general editorship of Eusebius Mandyczewski. Pasler's edition of the piano sonatas was consistently followed, with regard both to pieces included and to their sequence, by the eminent scholar Anthony van Hoboken in the section ("Gruppe XVI") devoted to the sonatas in his authoritative thematic catalogue ol Haydn's works. 2 Thus, the sonata numbers used here are also the "Hoboken numbers" (XVI: 1, XVI:2, etc.) of the sonatas, numbers that are more useful for reference than the misleading opus numbers sometimes associated with the pieces. The dates of composition of the sonatas supplied in the present table of contents are those given by Hoboken, not 1

those given by Pasler.

Inasmuch

.is

as a convenient

these two Dover volumes are intended primarily

and

reliable playing edition, certain other types

of background information have been intentionally omitted.

The (German-language)

editorial

commentary

in the Pasler

edition does not appear here, chiefly for reasons of space.

attempt has been

made even

to

No

in fact originally

plex publication history of the sonatas, a

means

all

-

von

eighteenth century as the first

attributed to

I

laydn by

consult

Hoboken. For analogous reasons, names

are uniformly referred to here as sonatas, even though

were originally published with such mento.

titles

as partita

and

some

diverti-

Nevertheless, despite the intentionally unpedantic approa< h

present edition, it is only proper to point out that 52 sonatas included here are universally accepted as authentic works by Haydn. To take a highly significant instance of dissent, the catalogue of Haydn's works compiled by Georg Feder for the 1980 New Grove Dictionary of Musk and Musicians considers eleven of the Hoboken/Pasler sonatas as doubtful attributions, and two of them as absolutely spurious; see the Grove article for detailed reasons and suggested reattributions (the dates of composition given in Grove for mam of the sonatas also differ from Hobokens). The 47 sonatas listed in Grove as absolutely authentic include the remaining 39 Hoboken/Pasler sonatas, seven lost works and one fragment included by Hoboken under a different category ("Gruppe XI V," Diverti-

taken not

in the

all

menti mil Klavier).

Following

is

a three-way

concordance of the sonatas making

Hoboken "authentic" numbers, the 47 Grove numbers and the frequently used 62 WU numbers

use of the 52

("Wiener Urtext," ed. by C.

i.e., J.

Haydn: Samtliche Kin, 'in

sonaten, 3 vols.,

Landon, Vienna, 1964-66).

Joseph Haydn. Thematisch-bibliographisches Werkverzeichnis zusammengeslellt

Anthom van Hoboken,

B. Schott's

Sohne, Mainz. 1957

of

original dedicatees are also omitted here. Moreover, the pieces

"authentic" Joseph Haydns Werke Erste kritisch durchgesehene Gesamlausga.be. In the three-volume Serie 14, the first volume contained Sonatas 1-22; the second, 23-38; the third, 39-52. 1

in the

Pasler in 1918; the reader interested in these matters should by

summarize the extremely com-

number of which were

published

work of other composers and were

1

Ediu
l>\

Stanley Sadie: Macmillan Publishers Limited, London.

GROVE

wu

HOBOKEN

1

doubtful

10

14

2

doubtful

11

15

HOBOKEN

GROVE 2

wu

HOBOKEN

GROVE

wu

HOBOKEN

GROVE

wu

16

27

25

42

40

40

54

28

26

43

41

41

55

29

27

44

42

42

56

30

28

45

43

37

35

3

3

14

16

doubtful

4

4

9

17

spurious

— — —

5

doubtful

8

18

17

20

31

29

46

44

18

32

13

19

14

30

32

30

47

45

13

29

36

33

33

38

34

16

31

spurious

6

1

7

doubtful

2

20

8

doubtful

1

21

19

36

34

39

53

46 47

12

57 (&

20

37

35

31

48

48

43

58

38

36

32

49

49

44

59

9

doubtful

3

10

doubtful

6

23

21

11

doubtful

5

24

22

39

37

33

50

50

46

60

12

doubtful

12

25

23

40

38

34

51

51

47

61

13

doubtful

15

26

24

41

39

35

52

52

45

62

GROVE

HOBOKEN

wu

GROVE

HOBOKEN

wu

GROVE

HOBOKEN

wu

GROVE

HOBOKEN

wu

6

13

18

44

32

29

31

46

40

40

54

14

16

19

21

36

30

32

47

41

41

55

42

42

56 58

19)

22

1

2 3

4

5-11

3

4 (lost)

14

20

22

37

31

35

48

9

21

23

38

32

36

49

43

48

22

24

39

33

37

50

44

49

59

21-27

12

47

57 (& 19)

23

25

40

34

38

51

45

52

62

13

45

29

24

26

41

35

39

52

46

50

60

14

19

30

25

27

42

36

20

33

47

51

61

43

37

43

35

15

(fragment)

28

26

28

16

46

31

27

29

44

38

33

34

17

18

20

28

30

45

39

34

53

wu

HOBOKEN

GROVE

wu

HOBOKEN

GROVE

wu

HOBOKEN

GROVE

wu

HOBOKEN

GROVE

8

doubtful

t5

13

doubtful

35

43

37

36

32

2

7

doubtful

16

3

9

doubtful

17

1

14

4

doubtful

doubtful

18

5

11

doubtful

19

— — —

6

10

doubtful

20

18

doubtful

21-27

36

21

19

49 50

37

33

doubtful

37

22

20

51

38

34

doubtful

38

23

21

52

39

35

12(a)

39

24

22

53

34

39

17

40

25

23

54

40

40

5-11

41

26

24

55

41

41

2

7

—

8

5

doubtful

28

(fragment)

15

42

27

25

56

42

42

9

4

4

29

45

13

43

28

26

57

47

12(b)

10

1

doubtful

30

19

14

44

29

27

58

48

43

11

2

doubtful

31

46

16

45

30

28

12

doubtful

32

44

18

46

31

29

59 60

49 50

44

12 13

6

1

33

20

36

47

32

30

61

51

47

14

3

3

34

33

38

48

35

31

62

52

45

2

a-h

(lost)

46

CONTENTS The dates are those of composition,

Hoboken

as given by

in his

thematic

catalogue.

Sonata No. 30 I:

Sonata No. 31 I:

Moderate.

Sonata No. 32 I:

1

B Minor (1774-76?)

in

19

D

in

Major (1777?) Tempo

29

di Menuetto.

E Minor (before 1778)

in

C Major

in

39

Molto vivace.

49

(before 1780)

Allegro con brio. II: Adagio. Ill: Finale. Allegro.

Sonata No. 36 in C-sharp Minor (before 1780) I:

1

Menuetto, con Variazioni.

II: Allegretto. Ill: Finale. Presto.

Presto. II: Adagio. Ill: Finale.

Sonata No. 35 I:

di

E Major (1774-76?)

in

Allegro. II: Adagio. Ill:

Sonata No. 34 I:

page

(1774-76?) Tempo

Allegro moderato. II: Menuet. Ill: Finale. Presto.

Sonata No. 33 I:

A Major

in

Allegro. II: Adagio. Ill:

Moderato.

II:

Scherzando. Allegro con

brio. Ill:

59

Menuetto.

Moderato.

Sonata No. 37 I:

Finale. Presto,

in E-flat

Major (before 1780)

in

G

Major (before 1780)

82

Allegro con brio. II: Adagio. Ill: Prestissimo.

Sonata No. 40

in

G

Major (1784)

94

Allegretto innocente. II: Presto.

Sonata No. 41 in B-flat Major (1784) I:

Moderato.

Sonata No. 44 I:

Moderato.

Sonata No. 45 I:

in

Andante con

Sonata No. 43 I:

101

Allegro. II: Allegro di molto.

Sonata No. 42 I:

75

Allegro moderato. II: Adagio. Ill: Finale. Allegro.

Sonata No. 39

I:

e sostenuto. Ill:

67

troppo.

Sonata No. 38

I:

Major (before 1780)

Allegro con brio. II: Largo

ma non

I:

D

in

Moderato.

D

Major (1784)

109

espressione. II: Vivace assai.

in A-flat II:

in

Major (before 1783)

Menuetto

G

1

& 2.

Ill:

Rondo.

117

Presto.

Minor (1765/67)

129

II: Allegretto.

in E-flat II:

Major (1765/67)

Andante. Ill: Finale. Allegro

137 di molto.

Sonata No. 46 1:

Major (1765/67)

151

Allegro moderate II: Adagio. Ill: Finale. Presto.

Sonata No. 47 I:'

in A-flat

Moderato.

No. 48 ,k*onataAndante

in II:

in

F Major (1765/67?)

C Major

con espressione.

I:

163

Lai ghetto. Ill: Allegro. 171

(1789) II:

Rondo.

Presto.

Sonata No. 49 in E-flat Major (1789/90) I:

Allegro non troppo. II: Adagio cantabile. Ill: Finale: di

in

C Major

(1794/95)

Andante.

in

D Major

(1794)

211

II: Finale. Presto.

Sonata No. 52 in E-flat Major (1794) I:

195

Allegro. II: Adagio. Ill: Allegro rnolto.

Sonata No. 51 I:

Tempo

Minuet.

Sonata No. 50 I:

181

Allegro moderato. II: Adagio. Ill: Finale. Presto.

219

A Major

Sonata No. 30 in

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3 9999 04759 613 3

No longer the property of tht Boston Public Library. th« 9aie of this material benefited

Boston Public Library

BRANCH LIBRARY The Date Due Card in the pocket indicates the date on or before which S

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e d n0t remove cards from po cklt. °

this

a

Joseph Haydn

COMPLETE PIANO SONATAS The towering composer who perfected the early symphonic form and invented the modern string quartet also left his indelible mark on the sonata. During 50 years of inspired creative effort, Haydn experimented constantly with the sonata form, adding a clear thematic structure to the tonal design inherited from earlier composers. This comprehensive

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which echoes of the baroque and harbingers and elegance of 18th-century classicism. Here is a remarkably convenient and reliable presentation of more than 50 of Haydn's efforts in the form, from the early divertimento-like sonatas to the treasury of keyboard compositions in

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later years,

culminating in the sublime Sonata No. 52 in E-flat

Major.

Reprinted in two volumes from an authoritative Breitkopf & Hartel edition, the sonatas are arranged in a chronological sequence based on recent scholarship. Extremely clear and readable, with ample space for notes, this Dover edition is a

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Unabridged Dover (1984) republication of 52 sonatas from a three-volume edition & Hartel, Leipzig, n.d. Publisher's Note prepared specially for this edition. New table of contents. 464pp. 9% x 12'/4. Paperbound. published by Breitkopf

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