Jazz - Marc-andre Seguin - Walking Bass Lines.pdf
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Walking Bass Lines For Jazz Guitarists (Video)
Marc-Andre Seguin
- JazzGuitarLessons.net Improve Your Jazz Guitar Playing with a Real Teacher
Chord Shapes
Chord Progression
B¨6
6 7 5
10 10 9 10
G9
C‹7
F7
B¨6
8 8 8
8 8 7 8
6 7 5
6 7 5
6
6
6
G9
C‹7
8
10 10 9 10
F9
10 10 9 10
8 8 8
8 8 8
8
8
8 8 7 8
8 8 7 8
You can use different chord extensions / alterations. Keeping it simple... because we're focusing on bass lines, right?! (-:
Ex1 - Just Bass Notes
B¨
G
C
F
B¨
G
C
10 10 6
6
8 8
8
F
6
G
C
F
10 10
8
B¨
8
6
8
8
8
10 10 6
8
6
8
etc.
8
8
Ex2 - Bass and Chord Simultaneous
B¨6
6 7 5 6
6
G9
C‹7
F9
B¨6
10 10 9 10
8 8 8
8 8 7 8
6 7 5
10 8
8
8 6
6
G9
C‹7
F9
10 10 9 10
8 8 8
8 8 7 8
10 8
8
JazzGuitarLessons.net - Improve Your Jazz Guitar Playing with a Real Teacher
8
etc.
Ex3 - Bass and Chords Separated (w/ "swing" feel)
2
B¨6
G9
C‹7
F9
B¨6
G9
C‹7
F9
3 3 3 3 3 etc. 3 3
3
3
3
6 7 5
10 10 9 10
6
3
3
8 8 8
3
8 8 7
10 8
3
6 7 5
8
6
3
10 10 9
8 6
3
8 8 8
10
8
8
8
8 8 7
10
6
8
8
Ex4 - Approaches from below "Walking Bass"
B¨6
G9
C‹7
F9
B¨6
G9
C‹7
F9
3 3 3 3 3 3 3
3
3
3
6 7 5
3
10 10 9 9
5
3
8 8 8
10 7
3
8 8 7 7
6
3
6 7 5
8 5
3
10 10 9 9
8
3
8 8 8
10 7
8
8
8 8 7 7
6
etc.
5
Ex5 - Approaches from above "Walking Bass"
B¨6
C‹7
F9
B¨6
G9
C‹7
F9
3 3 3 3 etc. 3
3
6 7 5 7
6
3
10 10 9 11
3
3
3
3
G9
3
8 8 8
10 8
3
8 8 7 9
9
3
6 7 5
8 6
3
10 10 9 11
7
3
8 8 8
10 8
8 8 7 9
9
8 7
Ex6 - Approaches from below-above-below-above etc.
B¨6
C‹7
F9
B¨6
G9
C‹7
F9
3 3 etc. 3 3 3 3
3
3
3
G9
3
6 7 5
3
10 10 9 11
5
3
8 8 8 9 7
3
8 8 7
10
6
3
6 7 5
8 5
3
10 10 9 11
8
3
8 8 8 9 7
etc.
8 8 7
10
6
8
8
3
5
Ex7 - Approaches from above-below-above-below etc.
B¨6
G9
C‹7
F9
B¨6
G9
C‹7
F9
3 3 3 3 3 etc. 3 3
3
3
3
6 7 5
3
10 10 9 9
7
3
8 8 8
10 9
3
8 8 7 7
6
3
6 7 5
8 7
3
10 10 9 9
8
3
8 8 8
10 9
8 8 7 7
6
8
8
7
Please note: Other "approach notes" are possible. Diatonic note from above is very frequent. Also, if the chords last more than 2 beats each, it's possible to have "scale movement" in between each chord... See the blues (below) for examples of this.
Ex8 - Mixed Approaches
B¨6
G9
C‹7
F9
B¨6
G9
C‹7
F9
3 etc. 3 3 3 3 3 3 3
3
3
6 7 5 6
3
10 10 9 9
7
3
8 8 8
10 8
3
8 8 7 7
9
3
6 7 5
8 6
3
10 10 9 11
5
3
8 8 8
10
8 8 7 9
7
8
8
etc.
4
Bb Blues Comping - w/ walking bass
3 3
B¨13
E¨9
B¨13
F‹9
B¨7(b9)
B¨13
E¨9
B¨13
F‹9
B¨7(b9)
3
3
8 7 6
3
6 6 5 5
8
7
4
5
6
7
8
B¨/D
3
8 6
B¨13
3
6 6 5
6 5 4
6
B¨/D
3
8 7 6 4
3
5
3
7
G7(#9)
3
11 10 8 8
3
6
G7(#9)
3
3
6 4 6 7
B¨13
3
6
E¨7
3
3
8 8 6 5
3
3
3
8 7 6
6
6
E¨7
3
3 3
11 10 9 11
6
10
10
10
7
9
3 3 3 3 3 3 3 C‹7
F9
B¨7
G7(#9)
C‹7
F9
B¨13
C‹7
F9
B¨7
G7(#9)
C‹7
F9
B¨13
3
3
8 8 8 10
11
8
3
10 9 10
8 8 7 7
8
3
7 9
10
11 10 9
8 11
10
3
3
11 11 12 9
3
8 8 7
10 9
8 7 6
8 5
6
8 7 6
Marc-Andre Seguin
- JazzGuitarLessons.net Improve Your Jazz Guitar Playing with a Real Teacher
Chord Shapes
Chord Progression
B¨6
6 7 5
10 10 9 10
G9
C‹7
F7
B¨6
8 8 8
8 8 7 8
6 7 5
6 7 5
6
6
6
G9
C‹7
8
10 10 9 10
F9
10 10 9 10
8 8 8
8 8 8
8
8
8 8 7 8
8 8 7 8
You can use different chord extensions / alterations. Keeping it simple... because we're focusing on bass lines, right?! (-:
Ex1 - Just Bass Notes
B¨
G
C
F
B¨
G
C
10 10 6
6
8 8
8
F
6
G
C
F
10 10
8
B¨
8
6
8
8
8
10 10 6
8
6
8
etc.
8
8
Ex2 - Bass and Chord Simultaneous
B¨6
6 7 5 6
6
G9
C‹7
F9
B¨6
10 10 9 10
8 8 8
8 8 7 8
6 7 5
10 8
8
8 6
6
G9
C‹7
F9
10 10 9 10
8 8 8
8 8 7 8
10 8
8
JazzGuitarLessons.net - Improve Your Jazz Guitar Playing with a Real Teacher
8
etc.
Ex3 - Bass and Chords Separated (w/ "swing" feel)
2
B¨6
G9
C‹7
F9
B¨6
G9
C‹7
F9
3 3 3 3 3 etc. 3 3
3
3
3
6 7 5
10 10 9 10
6
3
3
8 8 8
3
8 8 7
10 8
3
6 7 5
8
6
3
10 10 9
8 6
3
8 8 8
10
8
8
8
8 8 7
10
6
8
8
Ex4 - Approaches from below "Walking Bass"
B¨6
G9
C‹7
F9
B¨6
G9
C‹7
F9
3 3 3 3 3 3 3
3
3
3
6 7 5
3
10 10 9 9
5
3
8 8 8
10 7
3
8 8 7 7
6
3
6 7 5
8 5
3
10 10 9 9
8
3
8 8 8
10 7
8
8
8 8 7 7
6
etc.
5
Ex5 - Approaches from above "Walking Bass"
B¨6
C‹7
F9
B¨6
G9
C‹7
F9
3 3 3 3 etc. 3
3
6 7 5 7
6
3
10 10 9 11
3
3
3
3
G9
3
8 8 8
10 8
3
8 8 7 9
9
3
6 7 5
8 6
3
10 10 9 11
7
3
8 8 8
10 8
8 8 7 9
9
8 7
Ex6 - Approaches from below-above-below-above etc.
B¨6
C‹7
F9
B¨6
G9
C‹7
F9
3 3 etc. 3 3 3 3
3
3
3
G9
3
6 7 5
3
10 10 9 11
5
3
8 8 8 9 7
3
8 8 7
10
6
3
6 7 5
8 5
3
10 10 9 11
8
3
8 8 8 9 7
etc.
8 8 7
10
6
8
8
3
5
Ex7 - Approaches from above-below-above-below etc.
B¨6
G9
C‹7
F9
B¨6
G9
C‹7
F9
3 3 3 3 3 etc. 3 3
3
3
3
6 7 5
3
10 10 9 9
7
3
8 8 8
10 9
3
8 8 7 7
6
3
6 7 5
8 7
3
10 10 9 9
8
3
8 8 8
10 9
8 8 7 7
6
8
8
7
Please note: Other "approach notes" are possible. Diatonic note from above is very frequent. Also, if the chords last more than 2 beats each, it's possible to have "scale movement" in between each chord... See the blues (below) for examples of this.
Ex8 - Mixed Approaches
B¨6
G9
C‹7
F9
B¨6
G9
C‹7
F9
3 etc. 3 3 3 3 3 3 3
3
3
6 7 5 6
3
10 10 9 9
7
3
8 8 8
10 8
3
8 8 7 7
9
3
6 7 5
8 6
3
10 10 9 11
5
3
8 8 8
10
8 8 7 9
7
8
8
etc.
4
Bb Blues Comping - w/ walking bass
3 3
B¨13
E¨9
B¨13
F‹9
B¨7(b9)
B¨13
E¨9
B¨13
F‹9
B¨7(b9)
3
3
8 7 6
3
6 6 5 5
8
7
4
5
6
7
8
B¨/D
3
8 6
B¨13
3
6 6 5
6 5 4
6
B¨/D
3
8 7 6 4
3
5
3
7
G7(#9)
3
11 10 8 8
3
6
G7(#9)
3
3
6 4 6 7
B¨13
3
6
E¨7
3
3
8 8 6 5
3
3
3
8 7 6
6
6
E¨7
3
3 3
11 10 9 11
6
10
10
10
7
9
3 3 3 3 3 3 3 C‹7
F9
B¨7
G7(#9)
C‹7
F9
B¨13
C‹7
F9
B¨7
G7(#9)
C‹7
F9
B¨13
3
3
8 8 8 10
11
8
3
10 9 10
8 8 7 7
8
3
7 9
10
11 10 9
8 11
10
3
3
11 11 12 9
3
8 8 7
10 9
8 7 6
8 5
6
8 7 6
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