Jazz Scale Patterns Exercises Etc.pdf
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Jazz scale patterns, ii- V7 I, Dom Cycles, Finger Patterns
12
21
28
Compiled by P. Corn
Scale Exercises- All written in the key of C major, to be transposed through all keys
C^
1.- "Modes", to be played through all keys and spanning the entire range of your horn
38 33
43
48
53
56
2.- MAjor sclaes broken into groups of 3, ascending and descending diatonically 3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 3 3 3 3
60
2 64
3.- MAjor sclaes broken into groups of 4, ascending and descending diatonically
69
74
80
4.- Scale fragments starting on the 3rd of the key, moving down in diatonic thirds
85
5.- Diatonic triads ascending and descending 3 3 3 3
90
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 3 3 3 3
94
3
98
6.- Diatonic 7th chords ascending and descending
3
3
103
108
3 7.- Scale exercise combining 7th chords and scale fragments Ascending- 7th chord going up, scale coming down 111 descending- 7th chord coming down, scale going up
116
121
127
132
138
143
148
8.- Diatonic triads ascending and descending with a leading tone preceding the route of each chord.
153
you may also practice the exercise with the leading tone preceding the 3rd, 5th, & 7th of each chord such as:
159
9.- Thirds with a lower neighbor (1/2 step) inserted
4 164
169
174
ii-7, V7 and ii-7, V7, I^7 176
1.
A-7
D7
G-7
C7
2. A-7
etc...
D7
G-7
C7
etc...
through cyle of 4ths and down in whole steps down in whole steps (remember to start in 2 fifferent places when going down in whole steps in order to practice all 12 keys. i.e.- C-, F7 & C#-, F#7
3.
A-7
D7
G^7
182
4. A-7
through cyle of 4ths and down in whole steps
188
5.
F-7
B¨7
D7
C7
(¨9)
B¨-7
E¨7
(¨9) A¨^7
etc...
through cyle of 4ths and down in whole steps
G-7
C7
etc...
7.
through all cycles- 4ths, whole steps, 1/2 steps, min 3rds, maj 3ds
198
8.
G-7
203 A-7
10.
C7
D7
etc...
through cyle of 4ths and down in whole steps
(¨9) F^7 6. 193
G-7
etc...
etc...
9.
A-7
down in whole steps
D7(¨9)
G-7
C7(¨9)
etc...
down in whole steps
G^7
(¨9) through cyle of 4ths and down in whole steps
D-7
D7
A-7
G7
(¨9)
C^7
etc...
5
208
11.
C-7
F7
B¨-7
E¨7
B¨7
E¨^7
218 B¨-7
222
B¨-7
227 A-7
16.
230
17.
E¨7
E¨7
B¨^7
C-7
F7
(¨9)
B¨^7
through cyle of 4ths and down in whole steps
etc...
14.
C-7
F7
(¨9)
down in whole steps
(¨9) etc...
D7 G^7
A-7
15.
etc...
through cyle of 4ths and down in whole steps
D7
(¨5)
G^7
etc...
through cyle of 4ths and down in whole steps
D-7
G7
C^7
through all cycles- 4ths, whole steps, 1/2 steps, min 3rds, maj 3ds
G-7
18. 235
13.
A¨^7
(¨9)
F7
through cyle of 4ths and down in whole steps
etc...
C-7
12.
through cyle of 4ths and down in whole steps
213 F-7
etc...
C7
through all cycles- 4ths, whole steps, 1/2 steps, min 3rds, maj 3ds
F^7
C^7
etc...
etc...
6 239
D-7
G7
C^7
19.
etc...
through all cycles- 4ths, whole steps, 1/2 steps, min 3rds, maj 3ds
20.
D7
A-7
G^7
243
etc...
through all cycles- 4ths, whole steps, 1/2 steps, min 3rds, maj 3ds
MAjor Patterns- to be practiced through all cycles- 4ths, whole steps, 1/2 steps, min 3rds, maj 3ds 247
1.
C^7
2.
254 D^7
3.
4.
3
G^7
F^7
Dominant Cycle Patterns through the cycle of 4ths *Remember to start 1/2 step away from original chord to hit all combinations* 260 G7 C7 F7 F7 B¨7 E¨7 etc... 2. etc... 1.
*Combining the first two patterns* 266 B¨7
3.
E¨7
A¨7
D¨7
G¨7
G7
E7
C7 F7 B¨7 etc... 4. 271
B7
A7
Cont. up to top of range then descend etc...
7
Finger Patterns/ Scale Fragments
E¨^ A¨^7 1. 274 F^
B¨^
2.
etc...
F-7
-tetratonics- work for major and dominant because there is no "7" -through all cycles- 4ths, whole steps, 1/2 steps, min 3rds, maj 3ds
278 E¨-7
A¨-7
283 F-7
4.
through all cycles
etc...
3.
Minor Tetratonics- through all cycles
E^ or E7
F^ or F7
etc...
through all cycles
E-7
etc...
5.
G^
F#^
F#^
F#-7
F^
F#-7
F#^
start at top of range and play 2x's each through the bottom of your range, going up and down in 1/2 steps
6.
F-7
G-7
F#-7
start at top of range and play 2x's each through the bottom of your range, going up and down in 1/2 steps
292 F-7
F^
E^ F^ etc...
288
B¨-7
F-7 etc...
E-7
12
21
28
Compiled by P. Corn
Scale Exercises- All written in the key of C major, to be transposed through all keys
C^
1.- "Modes", to be played through all keys and spanning the entire range of your horn
38 33
43
48
53
56
2.- MAjor sclaes broken into groups of 3, ascending and descending diatonically 3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 3 3 3 3
60
2 64
3.- MAjor sclaes broken into groups of 4, ascending and descending diatonically
69
74
80
4.- Scale fragments starting on the 3rd of the key, moving down in diatonic thirds
85
5.- Diatonic triads ascending and descending 3 3 3 3
90
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 3 3 3 3
94
3
98
6.- Diatonic 7th chords ascending and descending
3
3
103
108
3 7.- Scale exercise combining 7th chords and scale fragments Ascending- 7th chord going up, scale coming down 111 descending- 7th chord coming down, scale going up
116
121
127
132
138
143
148
8.- Diatonic triads ascending and descending with a leading tone preceding the route of each chord.
153
you may also practice the exercise with the leading tone preceding the 3rd, 5th, & 7th of each chord such as:
159
9.- Thirds with a lower neighbor (1/2 step) inserted
4 164
169
174
ii-7, V7 and ii-7, V7, I^7 176
1.
A-7
D7
G-7
C7
2. A-7
etc...
D7
G-7
C7
etc...
through cyle of 4ths and down in whole steps down in whole steps (remember to start in 2 fifferent places when going down in whole steps in order to practice all 12 keys. i.e.- C-, F7 & C#-, F#7
3.
A-7
D7
G^7
182
4. A-7
through cyle of 4ths and down in whole steps
188
5.
F-7
B¨7
D7
C7
(¨9)
B¨-7
E¨7
(¨9) A¨^7
etc...
through cyle of 4ths and down in whole steps
G-7
C7
etc...
7.
through all cycles- 4ths, whole steps, 1/2 steps, min 3rds, maj 3ds
198
8.
G-7
203 A-7
10.
C7
D7
etc...
through cyle of 4ths and down in whole steps
(¨9) F^7 6. 193
G-7
etc...
etc...
9.
A-7
down in whole steps
D7(¨9)
G-7
C7(¨9)
etc...
down in whole steps
G^7
(¨9) through cyle of 4ths and down in whole steps
D-7
D7
A-7
G7
(¨9)
C^7
etc...
5
208
11.
C-7
F7
B¨-7
E¨7
B¨7
E¨^7
218 B¨-7
222
B¨-7
227 A-7
16.
230
17.
E¨7
E¨7
B¨^7
C-7
F7
(¨9)
B¨^7
through cyle of 4ths and down in whole steps
etc...
14.
C-7
F7
(¨9)
down in whole steps
(¨9) etc...
D7 G^7
A-7
15.
etc...
through cyle of 4ths and down in whole steps
D7
(¨5)
G^7
etc...
through cyle of 4ths and down in whole steps
D-7
G7
C^7
through all cycles- 4ths, whole steps, 1/2 steps, min 3rds, maj 3ds
G-7
18. 235
13.
A¨^7
(¨9)
F7
through cyle of 4ths and down in whole steps
etc...
C-7
12.
through cyle of 4ths and down in whole steps
213 F-7
etc...
C7
through all cycles- 4ths, whole steps, 1/2 steps, min 3rds, maj 3ds
F^7
C^7
etc...
etc...
6 239
D-7
G7
C^7
19.
etc...
through all cycles- 4ths, whole steps, 1/2 steps, min 3rds, maj 3ds
20.
D7
A-7
G^7
243
etc...
through all cycles- 4ths, whole steps, 1/2 steps, min 3rds, maj 3ds
MAjor Patterns- to be practiced through all cycles- 4ths, whole steps, 1/2 steps, min 3rds, maj 3ds 247
1.
C^7
2.
254 D^7
3.
4.
3
G^7
F^7
Dominant Cycle Patterns through the cycle of 4ths *Remember to start 1/2 step away from original chord to hit all combinations* 260 G7 C7 F7 F7 B¨7 E¨7 etc... 2. etc... 1.
*Combining the first two patterns* 266 B¨7
3.
E¨7
A¨7
D¨7
G¨7
G7
E7
C7 F7 B¨7 etc... 4. 271
B7
A7
Cont. up to top of range then descend etc...
7
Finger Patterns/ Scale Fragments
E¨^ A¨^7 1. 274 F^
B¨^
2.
etc...
F-7
-tetratonics- work for major and dominant because there is no "7" -through all cycles- 4ths, whole steps, 1/2 steps, min 3rds, maj 3ds
278 E¨-7
A¨-7
283 F-7
4.
through all cycles
etc...
3.
Minor Tetratonics- through all cycles
E^ or E7
F^ or F7
etc...
through all cycles
E-7
etc...
5.
G^
F#^
F#^
F#-7
F^
F#-7
F#^
start at top of range and play 2x's each through the bottom of your range, going up and down in 1/2 steps
6.
F-7
G-7
F#-7
start at top of range and play 2x's each through the bottom of your range, going up and down in 1/2 steps
292 F-7
F^
E^ F^ etc...
288
B¨-7
F-7 etc...
E-7
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