Jtc_ultarpintmasterclass_adv.pdf

MASTERCLASS BOOKLET

JamTrackCentral

ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS:

Advanced INTRODUCTION Welcome to this JTC masterclass! There are three parts: Beginner, Intermediate and Advanced. You can choose your level, but consider working through the whole masterclass. Even if you can play the licks or exercises from the Intermediate or Advanced parts, you could still learn something new from the easier parts. The format is similar for all three parts. We’ll start by looking at some theoretical concepts, with exercises to develop your technique or fretboard knowledge. Next we’ll see how these concepts can be used in a real musical situation, using a series of short licks. In the Beginner and Intermediate sections, we’ll throw everything together into a cool solo. You can learn it, steal your favourite licks, or just use it as inspiration for jamming over the backing track. And in the Advanced section, we have something new… the Vocabulary Builder. This is like a database of ideas and strategies for taking your playing to the next level! Are you ready?

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ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED JAMTRACKCENTRAL

BUILDING YOUR OWN EXERCISES As you’ll see from some of the exercises in this part of the masterclass, we want you to start designing your own exercises. This is an important part of all music study. With a topic like this, a lot of the work is methodical, taking patterns and applying them to different chord types, different keys, different strings, different fretboard positions, etc. There’s no space to cover all of that here, so we’ll provide you with the starting points and allow you to follow up on the permutations yourself (this is often much more valuable than reading through reams of tablature!)

VOICINGS AND INVERSIONS There are two major changes you can make to an arpeggio (or chord): voicings and inversions. We touched on inversions in the Intermediate section. In regular root position, the lowest note in a chord or arpeggio is the root. It doesn’t matter how the notes are arranged above the root; if the root is at the bottom, this is root position. If we move the chord around so different notes are at the bottom, we create inversions. With triads, there are only three possibilities... C major 1

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Those two inversions would be notated as C/E and C/G, with the bass note shown after the slash. The more notes you have in a chord, the more potential bass notes you have. A minor 7th chord has four notes, so the possibilities look like this... Am7 1

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Inversions are an important part of chord arrangements, especially when the lowest note can be changed by the bassist. With our use of arpeggios as a melodic tool, they’re perhaps not quite so crucial; our ultimate aim is to be able to find all the notes of any arpeggio, all over the fretboard, rather than in small blocks. However, it’s good to understand inversions and to be able to form them on the guitar, even if it only adds to your Mental Map of the fretboard. It’s all about increasing your awareness of the component notes of an arpeggio, instead of just grabbing a root note first.

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ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED JAMTRACKCENTRAL

Now, remember how we said “it doesn’t matter how the notes are arranged above the root” a few paragraphs ago? This is what we mean by VOICINGS. Every chord has a specific set of notes, such as the C E G B in a Cmaj7 chord. However, it’s up to you which C, E, G or B note on the fretboard you use. There are at least four of each on your guitar, more on a piano, and vibrational waves are an infinite concept. Feel free to practise your Cmaj7 arpeggios in ultra-violet light or microwave radiation! What this means is that all of the following arpeggios are perfectly valid examples of Cmaj7. We’re not even covering inversions here; they’re all in root position. C 1

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And that’s not all. In those four Cmaj7 voicings above, we only used each note once. You can have two or more examples of any note, and this will obviously affect the sound and contour of the arpeggio. So there’s another thing to work on in your own time... don’t just practise arpeggios in root position, in close voicing (root 3rd 5th, in order); find as many ways to play them, all over the guitar. You may also think about which notes may be permissible to omit: there are no rules.

ADVANCED EXERCISES We’re diving right into the exercises in all three parts of this masterclass, because that’s where you’ll find the important concepts. What’s most important is that you really THINK about what’s happening in each exercise – don’t just use them to warm up your motor skills with a metronome! EX1 – With any new technical or theoretical concept, the most difficult part is making it fit seamlessly into your playing, changing it from practice to MUSIC. It’s mostly a matter of hard work, trying different ideas and discovering what works for you. With arpeggios, you’re probably not going to be dropping two-octave shapes into every solo; it’s more about using the arpeggio as a framework, and building melodic ideas around the chord tones. In this example, we’re approaching each root note (C) with a little descending chromatic run. EX2 – Here’s a more complex version of what we did. You could view this as a C major triad (C E G) with an initial phrase bracketing the root note (Bb-B below, D-C# above), or as a 3rd inversion Cmaj7 arpeggio (B C E G) with approach notes preceding the 7th and the root. EX3 – In the Intermediate section, we showed you how the sequence of diatonic chords (the chords built from each note of a scale) can be extended from triads to 7ths and 9ths. Most of our common chords are constructed by simply adding notes in 3rd intervals; any 9th chord is just a stack of 3rd intervals (Cmaj9 is C E G B D). In this exercise we’ve contined adding 3rds to cover WWW.JAMTRACKCENTRAL.COM Page 1/1

ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED JAMTRACKCENTRAL

all six strings in each fretboard position, creating a series of diatonic 13th arpeggios. Each shape contains all notes of the C major scale. EX4 – This is the same principle as Intermediate Exercise 10. We’re using a fixed starting note and playing all four major 7th arpeggios that contain that note. Our starting note here is E, so that means we have Emaj7 (root), Cmaj7 (3rd), Amaj7 (5th) and Fmaj7 (7th). The aim here, once again, is to play arpeggios instantly from any note without having to locate the root note first. EX5 – In all the exercises so far, we’ve been dealing with “close position” voicings, where the notes of the arpeggio are in order, moving from each note to its closest neighbour (C major = C E G). We also have the option of inversions (EGC, GCE) but by using “open position” voicings we have LOTS more flexibility. Here are the diatonic triads in C major, but the 3rd is raised an octave (root-5th-3rd). EX6 – Following the theme of Exercise 5, here are the diatonic 7th arpeggios in C major, in open position and in 2nd inversion (5th at the bottom). This is a great exercise for working with your own variations. Take any voicing of an arpeggio and cycle the pattern through the major scale (see the “Voicing” section above). EX7 – With the next three exercises, we’re just giving you ideas to start with. It’s then up to you to really work on this concept. It’s all about learning to move smoothly between arpeggios as you follow chord changes under a solo. We did a little bit of work on this back in the Beginner and Intermediate sections, where we alternated between ascending and descending arpeggios. The last note of the ascending arpeggio was next to the first note of the descending arpeggio, making a smooth melodic line. We’re now going to take this MUCH further! Here’s how the game works... 1. Choose three arpeggios. We’re using the same type (maj7) here, but you can mix them up if you want. 2. Play through all three arpeggios in a single ascending line. Don’t change direction! When you reach the end of one arpeggio, move to the closest note on the next. EX8 - This is a variation on Exercise 7. We’re now descending, and using minor 7 chords. EX9 - Now we’re mixing up the chord types, also using a more linear melodic shape, with changes of direction. The purpose of these three exercises is to really test your knowledge of melodic/harmonic material and the layout of the fretboard. By using strict rules and restrictions, you’re forced to solve problems on the fly (especially if you’re playing to a metronome).

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ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED JAMTRACKCENTRAL

EX10 - Finally, here’s an extensive étude based purely on a Dm7 arpeggio spanning the whole fretboard. You may recall that we used a couple of similar études in the Beginner section, and this is a more demanding version of the same thing. Again, you’ll get the most benefit if you improvise your own... pick a root note and a chord type (maj7, dominant 7, whatever) and just play. Start off with simple “box” shapes and gradually start to spread out around the fretboard. As you gain confidence, you’ll start to see the available routes, and you’ll be more inclined to take risks and jump around more.

VOCABULARY BUILDER As you may have gathered, this section of the masterclass is all about self-sufficiency. We could give you another set of licks and solos, but it would be just one backing track, one chord progression, one key. At this stage, it’s more important that you develop the skills to incorporate arpeggios into your playing in any musical situation. So, in this Vocabulary Builder, we’re going to take 12 of the most common chord types and give you some ideas for how arpeggios could be used to solo over them. There are 60 licks here, and each chord type has its own extended backing track (with just that static chord) so you can work on your own arpeggio ideas. You’ll notice that many of the licks can easily be altered to form different ones (i.e. try moving the third of the major 7th tapping lick 8, for example) so we’ve tried to avoid including too much conceptual repetition of this kind. Also, many of the arpeggios work equally well if you change the root note. You could try using a major 7th arpeggio from the 3rd degree of a minor 7 to give a minor 9 tonality, or from the 7th degree to go dorian. You might also notice that there’s some useful cross pollination between augmented, min/maj7, 7#11 and superlocrian arpeggios. The point is to experiment with them in different contexts. Major 7th - The maj7 chord is closely associated with the major and Lydian scales, and you’ll see varying amounts of scale notes between the chord tones. One exception is Lick 3, which has a full Dmaj13#11 arpeggio, created by stacking all the 3rds in D Lydian. There are also some chromatic passing notes in Licks 5 and 6. Minor 7th - The m7 chord is most frequently associated with the Dorian and Aeolian (natural minor) scales, but these licks can be used in either context. They avoid the major/minor 6th (B/ Bb) which makes the difference. Lick 7 sounds quite exotic; it’s created by interpolating the chromatic neighbour note below each note of the triad (C#-D, E-F, G#-A). With all of these licks, if you find a pattern or concept that you like, try applying it to the other chord types! Dominant 7th - The 7 chord is perhaps the most flexible of all the chord families. We’ll be dealing with altered dominant chords separately, but even the straight version allows for quite a bit of variation. There are chromatic passing notes in Lick 3 (including the bluesy minor-major 3rd shift) and Lick 4. Half-diminished - The m7b5 chord is associated with the Locrian mode (see Lick 4) and you’ll also find it in the minor ii-V-i progression. The even spacing of its notes lends it to sequenced patterns, as in Licks 1 and 2. Here’s a little bonus... if you know Dm7b5 (for example), you can use the same notes for Bb9 (with the root missing) and Fm6!|

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ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED JAMTRACKCENTRAL

Altered dominant - This is an umbrella term for several chord types... 7b9, 7#9, 7b5, 7#5 and combinations of these altered notes. The three licks here demonstrate a D7#5#9 arpeggio in the context of the Superlocrian scale (D Eb F Gb Ab Bb C). This scale contains the four altered notes, so it’s perfect for weaving around all types of altered dominant arpeggios. Augmented Dominant - Focusing specifically on one altered dominant chord, the 7#5, there are three approaches here. Lick 1 uses D and E augmented triads in the context of the wholetone scale (D E F# G# A# C). Lick 2 has the D7#5 arpeggio itself, and Lick 3 expands the D augmented triad (D F# A#) over a wider range. Diminished Dominant - We’re using this term to refer to dominant chords with a b9, such as 7b9 or (in the backing here) 13b9. Again, this comes under the overall “altered dominant” umbrella above, but you don’t always want to use these sounds in a Superlocrian context. In fact, that wouldn’t work so well with the 13b9 here; the half/whole diminished scale (D Eb F Gb Ab A B C) is more appropriate for melodic material. In some of these licks, note how the D13b9 sound can be seen as combined D7 and B7 chords. Dominant #11 - The combination of minor 7th and augmented 11th in a 7#11 chord is the perfect base for some Lydian Dominant fun (D E F# G# A B C). In these licks, you’ll also see how the 7#11 sound is compatible with the whole-tone scale (as long as you avoid the A#). You’ll see the basic D7#11 (D F# A C G#) but also with added 9th (E) and 13th (B). Dominant Sus4 - By raising (suspending) the major 3rd in a dominant chord up to the 4th, we create an ambiguous chord that’s neither major or minor. In the key of D, you could have a basic D7sus4 chord (D G A C) but here we’re using D9sus4 (D G A C E). Melodically, this arpeggio can be used in the context of Dorian, Mixolydian, major and minor pentatonic lines. The chord is a vital part of sophisticated jazz/blues, soul and fusion. Phrygian Dominant - There’s some overlap here with the “Diminished dominant” licks, because these licks are also based around a 7b9 sound, but the crucial difference is the minor 6th in the Phrygian Dominant (D Eb F# G A Bb C). As you’ll see in Lick 2, we can also get some cool symmetrical licks from the diminished 7th arpeggio (C Eb F# A) that’s embedded in the Phrygian Dominant, taking us conveniently to... Diminished 7th - We covered the differences between the diminished triad, the half-diminished (m7b5) chord and the dim7 chord in the Intermediate section. The dim7 is a stack of minor 3rd intervals (in D, this gives us D F Ab B) lending itself to symmetrical patterns. Minor/Maj7 - This is quite a specialised chord type, built by adding the major 7th to a minor triad (in D, this is D F A C#). It works in the context of both harmonic minor (D E F G A Bb C#) and melodic minor (D E F G A B C#). Lick 4 here is specifically melodic minor, but in Licks 1-3 we’ve avoided the Bb and B notes (minor and major 6th) that distinguish the two scales. Those three licks will work in both contexts. You can also play m/maj7 arpeggios as an altered flavour in regular minor or Dorian contexts. Try it!

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ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED JAMTRACKCENTRAL

We hope you enjoyed working through this masterclass. As ever, take your time and don’t get discouraged if you can’t understand a concept or play an exercise. Go back a couple of steps, revise what you already know and use it to jam over the backing track. It’s better to work slowly, experimenting with each concept in REAL MUSIC before rushing ahead. Have fun, and we’ll see you soon. Jake Willson and JTC

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ADVANCED EXERCISE 1 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

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ADVANCED EXERCISE 2 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

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ADVANCED EXERCISE 3 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

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ADVANCED EXERCISE 3 - jamtrackcentral.com 8va 1

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ADVANCED EXERCISE 4 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

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ADVANCED EXERCISE 5 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

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ADVANCED EXERCISE 6 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

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ADVANCED EXERCISE 7 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

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ADVANCED EXERCISE 8 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

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ADVANCED EXERCISE 9 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

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ADVANCED EXERCISE 10 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

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ADVANCED EXERCISE 10 - jamtrackcentral.com

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V V V V V V V V

19

15

17

15

17

V V V V V V V V 7

8

10 8

5

8

8

5

20

17

20

V V V V V V V V 17

17

15

V V V V V V V V 8

5

1

5

3

5

5

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

3

17

13

U 5

17

15

17

13

VOCABULARY BUILDER - MAJOR 7 EX1 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

Dmaj7

8va

gg 4 V V V V V V V V V V V V 1 V I 4 V V V T A B

3

g Ig T A B

10 14 H

12

11 14 11 12 14 16

14

14 17 14 15 17 19

V

V

17

(17)

V V V V V V V V V V V V V V V V 17 21 17

P

19

17

19 15 14 15 14

sl.

P

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

P

14

14

14

16

17 16

VOCABULARY BUILDER - MAJOR 7 EX2 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

Dmaj7

V V V V V V g V V 1 V V V I g 44 V V V V V T A B

3

gg I T A B

2

5 H 8va

V

14

4

5

4

H

6

7 H

7 H

V

V

15

14

P

7 10

9 10 9

H

H

V 14

10

P

11

8va

V V V V V V V V V V V V V V V V

12

11 7 P

sl.

V 16

9

V

V

17

9 12 10 9 10 H P H

V

16 P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

11 12 H

11 14 H

14 15

14 17

H

P

V (16) sl.

VOCABULARY BUILDER - MAJOR 7 EX3 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100 V gV V

Dmaj7

1

g I g 44

5

T A B

7

4

5

3 3 V V V V V V V V V V V V V V V V V V 5

V

5

4 6

7

5

6

5 7

4

6

7

4

5

7

4 P

5

4 P

5 H

7 H

5 P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

j

VOCABULARY BUILDER - MAJOR 7 EX4 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

Dmaj7

g 1 I g 44

j

k

T A B

P V V V V V gg z V V V V V V V 2 V V I T A B

4

g Ig T A B

12 14 12 10

sl.

V 11

9

10

11

10 12

9

11

12

sl.

9

7

9

10

11

12

V

V

V

V

H

V V V V V V V V V V V V V V V V

9

10

sl.

V

V

V

W

12

11

9

11

9 P

7 P

9 H

10 H

9

7

11 12 sl.

9

11

10 14 10 14 10

H

P

P

V (11) sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

VOCABULARY BUILDER - MAJOR 7 EX5 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

g 1 I g 44

j

k

V

V

V

Dmaj7

3

T A B

10

12

14

V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V gg 2 I H

T A B

14

10

14 12 10 12 14

14 12 10 12 14

14

10

14 12 10 12 14

14 12 10 12 14

14

H

14 12 10 12 14

10

14

V V V V V V V V V V V V V gV V V V V V V V V V g V V V f V gV f V V V V V V V 3 Ig 5 5 P

P

H

H

P

P

H

H

P

P

H

H

P

P

H

H

P

P

H

H

P

5

T A B

P

4

g Ig T A B

10 12 14 12 10 9 10 12 10 9

12 10 12 14

H

H

H

V

V

V

12

11

9

P

P

H

P

V 12

P

sl. H

V 9

H

V

P

12

9 P

12 9 10 12 10 9

P

P

V

V gV

12

9

11 H

V

12 H

H

V

11 P

H

9 P

P

11

9

11 9 10 11 10 9

P

V 12

P

V 9

H

V

H

10 P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

P

V

V

12

P

10 P

9

12 9 11 P

V

12 H

12

H

j

H

VOCABULARY BUILDER - MAJOR 7 EX6 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

3 3 3 3 V V V V V eV V V V V V V g V V V V V V V VVV V 1 I g 44 V V V V V V V V V VVVV 3 3 3 3 3 3 Dmaj7

T A B

5 9 H

7

6 9

7

3

3

6 9

6 9

H

7

H

7

6 9 H

7

5 9

7

5 9

H

7

5 9 12

H sl.

11 10 9

P

10

11

P P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

12 11 7 sl. P

9

10 9 10 P H

VOCABULARY BUILDER - MAJOR 7 EX7 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

3 3 V V V V V g V V V V V V V V V V V V 1 V V V V V I g 44 V V V V V V V 3 Dmaj7

T A B

5 7 9 H H

7

6 9 6 7 9 H P H H

7

5 9 5 7

P

7

7 6 7

10 7

7

9 7

9 6

7

W

9 7 5

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

4 sl.

VOCABULARY BUILDER - MAJOR 7 EX8 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

Dmaj7

8va

1

g I g 44 T A B

V V V V V V V V V V V V V V V V V V V V V V V 3 3

9 11 9

10 H

14 H

17 T

12 H

16 H

10

14

17

14

10

9

19 T

19 H

H

T P

P

P

T P

16

12 P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

11 P

12 H

16 H

19 T P

16

VOCABULARY BUILDER - MAJOR 7 EX9 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

gg 4 1 I 4 T A B

P = 100

V V V V V V V V V V V V V V V V

Dmaj7

6 5

7 H

7

5

5

10

9

5

5

7

6

0 P

H

P

P

7

7

4

W

V

5

(5)

H

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

j

sl.

VOCABULARY BUILDER - MINOR 7 EX1 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

V V V V V V V V V 1 Ie 44 V V V V V V V Dm7

T A B

5

7 H

8

7

5

7

9

7

9 10

10

V V V V V V V V V V V V V V V V

8 10 12 10 8

H

10

P

10 9

10

P

12 10 8 12 12 10 12 13 P P H H

10 14 12 14

8va

3

Ie T A B

V V V V V V V V V V V V V V V V

15

14

13

17

13

15

17

18

15

17

18

17

15

17

19

15

W

V

17

(17)

P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

j

sl.

VOCABULARY BUILDER - MINOR 7 EX2 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

Dm7 1 Ie 44

T A B

3

3

V

V

V 5

V

V

V

V

V

V

3

V

V

V

V

3

V

3

7 H

V

V

8 H

7

5

7 H

9 H

6

5

8

H

12

sl.

8

P

10

V

c k V

V

3

10

9 P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

10

12

10 P

8 P

VOCABULARY BUILDER - MINOR 7 EX3 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

V V V V V V V V V V V V V V V V u k V V V 3 3 V V V

Dm7

1

Ie 44 T A B

10

7

12 H

13 H

12

10

12 H

15 H

14 sl.

12 P

10 P

12 sl.

14 H

15 H

14

13

15

H

18

H

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

17

sl.

15

P

13

P

15

H

VOCABULARY BUILDER - MINOR 7 EX4 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

V V V V V V V V V V V V V V V V

Dm7

1

Ie 44 T A B

5

7

9

10 sl.

8

8

13

12

8

P

8

10

9 P

10

12

10

8 P

V 10

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

j

VOCABULARY BUILDER - MINOR 7 EX5 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

Dm7 8va 1 Ie 44

T A B

V V V V V V V V V V V V V V V V

W

17

20

13

15

17

14

15

17

15

17

15

14

17

19

18

17

20

V M

j

Full

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

(20)

sl.

VOCABULARY BUILDER - MINOR 7 EX6 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

V v

Dm7

1

Ie 44

j

k

17

T A B

V V V V V V V V V V V 2 e V I V V V V

P 8va

V V V V V V V V k V V V V V u M

1/4

T A B

13

15 13

P

14 10 P

12 10 P

12

8 P

10

8 P

10 H

8

12 H

10 12 H

10 14

13 15

13 17 20 19 18 17

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

20

17

18

W E N

E! S EA L RE

M A J O R S C A L E S O L O I N G

JTCMASTERCLASS BOXSET

AL SOAVAI L ABL EI NDI VI DUAL L Y I NCL UDES Maj orSc al eSol oi ng:BEGI NNER Maj orSc al eSol oi ng:I NTERMEDI ATE Maj orSc al eSol oi ng:ADVANCED

AVAI L ABL ENOW 

J AMTRACKCENTRAL. COM

VOCABULARY BUILDER - MINOR 7 EX7 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

Dm7

V V V V 4 V V g V 1 e I 4 V gV V V V V V gV V T A B

3

5

4

Ie

V

T A B

12

5

3

2

3

7

6

7

7

6

7

V

V

V

8

7

8

6

5

6

5

gV V V gV V V V V V V V V gV V V gV 4

5 10 9 10

V

c V

10

(10)

10 9 10

k

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

10 9 10

j

12 11 12

12 11

VOCABULARY BUILDER - MINOR 7 EX8 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

Dm7 8va

V V V V V V V V V V V V V V V V

V V V V V V 4 V 1 e V V V V V V I 4 V V V T A B

15 12

13

12 10 12

P

3

Ie T A B

V 7

sl.

10 13 12 8

H

sl.

V

V

V

7

5

3

sl.

12

P

V

V

5

3

10

P

10 9 P

V 3

7

8

9 H

sl.

V

V

5

(5)

7 10 8

sl.

5

P

6

7

5 P

V 3 P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

7

6

5

8

6

7

7

5

VOCABULARY BUILDER - MINOR 7 EX9 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

Dm7 8va 1 Ie 44

V V V V V V V V V V V V V V V V V V V 3 V V V 3 3 3 3 3

T A B

13

15

H

13

17

13

15

13

15

13

17

13

15

13

14

3

10

12

H

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

10

12

8

10

8

10

VOCABULARY BUILDER - MINOR 7 EX10 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

Dm7 1

Ie 44

j

k

V v

8va

13

T A B

H 8va

2

Ie T A B

V V V c k V V V V V V V V V V V V V V V V V V V

17

T P

13

10

P

13

H

18

T P

13

10

P

12

19

H

T P

12

10 P

12

19

H

T P

12

10 P

12 H

20 12 10 12 T P P H

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

17 T

VOCABULARY BUILDER - DOMINANT 7 EX1 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

fV V V V V V V V fV V V V V V V fV

D7

gg 4 1 I 4 T A B

3

g Ig T A B

2

5

3

5

V

fV

12

10

4

7

5

7

7 10

8 10 14 10

13 10

V

gV

fV

V

12

11

10

9

V fV V V V V V V V V V fV V V V V 10

V

13 10

11

V

13 10

11

V

10 12

11

12 10

11

12 10

V

12 10

(10) sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

12

VOCABULARY BUILDER - DOMINANT 7 EX2 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

D7

V V V gg 4 f V g V V V 1 I 4 V V f V gV V V V V

V V fV V V V V fV V V V V V fV V M

1/2

T A B

3

g Ig T A B

5

7

8

9

7

9

7

7

7

9

10 11

V

V

12

(12)

10 12 10

P

10

10

13 10

12 10

10

P

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

13 10

P

11

10

11

12 10

12

VOCABULARY BUILDER - DOMINANT 7 EX3 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

1

P = 100

g I g 44

j

D7

fV v

k

T A B

6

V f V V V e V V V V f V gV V V g V g V fV V 2 I T A B

4

g Ig T A B

7

5

8

5

P

7

6

5

8

5

6

7

P

V

5

(5)

V eV V fV V V V V gV f V V V f V gV V f V

5 7

6

5 P

V

H

7

9

8

7 P

5

7

5

7

sl.

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

7

6 P

5

4 sl.

7

3

4

5

3

VOCABULARY BUILDER - DOMINANT 7 EX4 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100 V eV V fV V eV V V V V V fV g V 4 V g V f V 1 I 4 D7

3

3

3

M

Full

T A B

12 11 10

g 3 Ig

13 10

11

11 (11) 12 11 10

O

10

12 10

V V V V V fV V V V f V gV V V V V V 11

10

11

12 11 10 9

12 10 8

9

12

9

7 sl.

T A B

W

V

5

(5)

sl.

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

10

7 sl.

VOCABULARY BUILDER - DOMINANT 7 EX5 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

D7 8va

1

gg 4 I 4 T A B

V V V V f V V V V V V V f V V V V V 9

12

10

9

11

10

8

12 17 14

15

14

16

17 15 17

V V V V V V V fV V V f V V V M

O 19 (19) (19) 17

M

1/2

16

14 17 19

19

17 19

P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

1/2

18

VOCABULARY BUILDER - DOMINANT 7 EX6 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100 fV V V V V V V V V V V V V V V V V V V g V V fV 4 V g 1 V I 4 3 3 3 3 D7

3

3

3

T A B

2

g Ig

13

V

10

P

13

H

14

10

13

10

P

fV

12

10 P

10

13

P

V

V

3

T A B

13

10

10

12

P

V

12

11 P

V

V

V

3

12

10

12

10 P

9 sl.

12

12 H

14 H

12 P

11

12

P

V

V

10

(10)

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

3 11

12

j

sl.

10 P

12

VOCABULARY BUILDER - DOMINANT 7 EX7 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

g 1 I g 44 T A B

P = 100

V V V V V V V f V V f V V g V V V V V 3 f V gV V V 3 1/2 1/2 M M O 5 7 (7) (7) 5 D7

3

4 H

5 H

4

2

4 H

5 H

4 P

2 P

5 sl.

6 H

7

6

H

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

6

P

VOCABULARY BUILDER - DOMINANT 7 EX8 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

gg 4 V V fV V V V V V V I 4 V V V V V V V D7

1

V V V V V V V V V fV V V V V M

M

1/2

T A B

3

g Ig T A B

7 5

7

3 7

sl.

4 sl.

7 4

7 sl.

10 7

10

V

c V

10

(10)

12 10 12

sl.

O 12 (12) 10

sl.

k

12

1/2

12

10

12 11

P

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

12

12

10 12

12 10 9 sl.

VOCABULARY BUILDER - DOMINANT 7 EX9 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

1

P = 100

g I g 44

j

D7

k

d fV

T A B

8 sl. 8va

V V V V V f V gV f V V V V V V V g V V V V V V V V 2 V V V V I g V V V V fV 5

3

T A B sl.

3

g Ig

10 12 14 H H 8va

12

10 14 12 10 H

V

V

P

V

gV

14

14 12 14 15 P H H

P

3

3

12 16 12 14 16 P

fV

V

12 15 12 13 14 13 12

13

H

V

H

V

V

3

M

3

P

H

17

P

V

V

V

15

16

17

17

18

sl.

17

15

17

18

17

18

19

19

17

19

19

17 sl.

15 P

19

15

16

P

sl.

sl.

3 V fV V V V g V 4 V fV V V f V V V V gV V Ig 1/2 1/4 M M 17

15 13 15

H

V

V

M

19

sl.

1/2

sl. 8va

T A B

12

H

Full

T A B

15

17

17

15

16 sl.

19

V

j

(19) sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

P

VOCABULARY BUILDER - DOMINANT 7 EX10 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

D7

g 1 I g 44 T A B

V

V

V 5

7 H

9 H

V fV 7

5

V

V

V

9

7

5 P

V

V

V

7

9

11

V fV 10

8

V

V

V

V u k

12

10

8

10

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

P

j

VOCABULARY BUILDER - HALF DIMINISHED EX1 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P `= 100

V v

Dm7 5 1 Ie 44

j

k

8

T A B

2

P

eV V V V V V V V V V eV V V V V Ie V T A B

4

V V V V e V V V V V eV V V V V V V

Ie T A B

4

6

4 7

eV

6

7

5 P

6

7

5 P

7

6

j

5 P

6

8

5

8 H

6

5 8

6

7

5 P

4

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

6

5

7 H

6

4

8

6

4

8

VOCABULARY BUILDER - HALF DIMINISHED EX2 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P `= 100

Dm7 5 8va

3 V V V e V V V V 4 V V V V 1 e e V V I 4 V 3 3

T A B 3

Ie T A B

16

13

15

V

13 17

13

10

13

10 13

10

8

9

V eV V V V V V V V eV V V V 3

8 10

7

4

6

7

j

3

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

5

6

7

5 P

6

5

6

5

VOCABULARY BUILDER - HALF DIMINISHED EX3 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

1

P `= 100

Ie 44

j

Dm7 5

T A B

2

Ie T A B

V

eV

V

10

11

13

V 12

V

V

eV

10

12

13

Ie T A B

4

10

13

13

V

V

10

12

d V 10

V 13

V

V

V

13

12

10

V V V V V V V V V e V V V V V V V eV V V V V V V V 3 3 H

H

3

3

V

V

V

k

12

10

11

eV

Ie

16

T A B

13

10

13 H

P

sl.

3

11

10

V

12 H

10

12 H

V

15

13

13

sl.

10

13

13

V

V

13

15

13

12

10 P

sl.

V 15

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

12 H

13 sl.

V

13

10

13

sl.

VOCABULARY BUILDER - HALF DIMINISHED EX4 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P `= 100

Dm7 5

eV V V V V V V V V V V V V V V V V V V V V e V V V 3 3 3 3

1 Ie 44

3

3

3

T A B

5

5

6

8

6

7

H

4

8

H

4

H

6

P

4

H

4

6

6

5

P

6

P

H

3

2

Ie

3

Ie T A B

6

H

5

P

5

7

7

5

P

7

P

3

3

H

H

3

3 3 V V V eV V V V V V V V V V V V V V V V V V V V V 3

T A B

8

3

9

3

7 P

5 P

6

5

6

5 P

V

6 H

5

j

P

8

5

8

5 P

7 H

8 H

6

5

9 H

7 P

7

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

5 P

8

6 P

5 P

8 P

VOCABULARY BUILDER - ALTERED DOMINANT EX 1 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

1

bP b= 100

g I g 44

j

D7 9 5

k

c V

T A B

10 H

f V V gV eV V g e V g V V V V V V V 2 I g e V gV f V 8va

T A B

11

11

10

12

13 sl.

10

11

11

10

13

20

18

16

18

19

17

gV V V e V f V gV V V 18

19

18

16

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

17

18

j

16 (16) sl.

VOCABULARY BUILDER - ALTERED DOMINANT EX2 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

gg 4 1 I 4 T A B

bP b= 100

fV eV V V 3 g V g V V e V V V V V V eV fV V V V V V V fV 3 3 3 3

D7 9 5

3

3

5 H

3

4

3

5 H

7 H

6

4

8

H

6

P

4

P

7

6

P

4

P

3

sl.

4

H

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

3

P

5

3 P

4

5

3 P

VOCABULARY BUILDER - ALTERED DOMINANT EX3 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

bP b= 100

D7 9 5

g 1 I g 44 T A B

j

e V gV V V V 7

7

6

13

V k v 10

e V gV R V V eV a P V V V 11

10

12

10

13

12

9 sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

10 sl.

j

VOCABULARY BUILDER - 7#5 EX1 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

1

Pb = 100

D7 5

gg 4 I 4

j

k

V

T A B

2

g P V Ig z

V V V eV V 3

T A B

5

7

sl.

5

3

3

4

k

fV V g V V 7

6

5

5

P gV z

3

3

4

5

V

eV

V

V V V fV gV 3

7

9

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

7

5

5

6

j

VOCABULARY BUILDER - 7#5 EX2 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

1

Pb = 100

g I g 44

j

D7 5

k

d fV

T A B

2

gg I T A B

3

V 5

V 4

eV 3

V

fV 5

7 sl.

V 7

eV

fV

V

6

8

6

V 7

P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

H

V

gV

fV

7

6

5

VOCABULARY BUILDER - 7#5 EX3 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

1

Pb = 100

g I g 44

j

D7 5

k

d V

T A B

5

gg 2 I

V

T A B

9 sl.

eV 8

V 7

V 11

eV 11

V 10

V

V

14

10

P

sl.

V 11

V

V

11

7 P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

V 8

V

V

9

5 sl.

VOCABULARY BUILDER - DOMINANT FLAT 9 EX1 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P ` = 100 V V V V f V V f V V e V V gV k g l 4 fV 1 Ig4 u D13 9

T A B

3

g Ig T A B

10 12

H

gW 9

10 11 10 P

10 13 12 13 sl.

10 13

V V V V V e V V f V V V V V f V V V gV

10 10 13 H

12

10 13

11

10 13

11

9

13 H

V

j

(9)

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

11

9

12

11

10

VOCABULARY BUILDER - DOMINANT FLAT 9 EX2 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P ` = 100 V eV V V fV fV eV V fV V g v V f V g V 1 I g 44 k D13 9

T A B

g 3 Ig T A B

14 11

P

V

12

12

11 10 11 sl.

H

10

10 13 12 11 10

V

13

P

V eV V V f V f V V V gV e V f V V V gV f V V 10 11

12

11 10

13 10 12

P

(12) sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

13

13 10 12 13

11 10 P

13

VOCABULARY BUILDER - DOMINANT FLAT 9 EX3 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P ` = 100 V V

D13 9

gg 4 1 I 4 T A B

14

10

V V l f V gV e V fV V V V V l V 10

11

13

9

8

10

11

7

7

9

10

gV e V f V j 6

6

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

8

VOCABULARY BUILDER - DOMINANT FLAT 9 EX4 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P ` = 100

V f V gV e V V f V V V gV V g f V g V V eV 4 k g 1 I 4 D13 9

T A B

10 11

10

H

gg 3 I T A B

10 13 14 11

12

11

P

sl.

eV

V 12

13

13 10 12

fV

gV

10

11

V 10

13

13

V 10

f V V e V V f V V V V gV V f V V eV V V V 10 12 13

fV 13

11 10

V

P

12

14 12 11

V u

10

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

k

14 13 11 10 11

j

11

10

VOCABULARY BUILDER - DOMINANT #11 EX1 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

bP = 100

fV v

D7 11

g 1 I g 44

j

k

8

T A B

2

gg V V V V gV V f V V V V V I gV V V V V T A B

5 7

7

5

gW

gg 4 I

4

sl.

5

5

4

7

5

P

5

6

7

5

7

6

V fV V eV V V g V V V f V gV V V V V V P

5

6

7

5 P

6

5

7 H

4

T A B

5

4

7

H

V

5

7

8

sl.

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

6

5

sl.

(4)

sl.

7

VOCABULARY BUILDER - DOMINANT #11 EX2 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

1

bP = 100

g I g 44

j

D7 11

k

V v

T A B

12

V gV V g V g V 2 Ig T A B

4

g Ig T A B

14

12

13

12

V

V V fV V V l

16

14

10

13

P

sl.

fV 10

gV

V

11

9

13

11

sl.

V V V V f V V V V V V V gV V 12

10

11

12

10

11

P

V

V

10

(10) sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

12

10

12

10

11

12

VOCABULARY BUILDER - DOMINANT #11 EX3 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

bP = 100

V gV V V V V V f V V V V g V V g V 1 I g 44 V f V 3 3 D7 11

3

T A B

g 3 Ig T A B

12 15 H

V f V gV V V V V V V V V V V V V fV

3

14

V 12

13 16 13 14 16 H

P

H

H

13

12 16 12 14 12

H

V

P

H

15 13

P

P

14

13

13 14 sl.

12 13

14

H

(12) sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

12

14 13 11 P

12

11

12 10

11

VOCABULARY BUILDER - DOMINANT #11 EX4 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

Pb = 100

V V V V g V g V V V 1 I g 44 V gV V V V 3 3 D7 11

3

T A B

7

11 H

V V fV

gV V V V V f V V V V V gV V V

3

9

7

11 H

7 P

9 H

11 H

9

7

12

H

7

P

10

H

(10) 9

P

8

P

4

7

4

5

5

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

5

4 P

7

5

P

5

6

7

5 P

NE W

RE LE AS E!

S T R I N G B E N D I N G S T R I N G B E N D I N G JTCMASTERCLASS JTCMASTERCLASS BOXSET

VOL1FUNDAMENT ALS

GETTHI S ASPARTOF: J TCMASTERCLASS STRI NGBENDI NG BOXSET! AL SOAVAI L ABL EI NDI VI DUAL L Y I NCL UDES I NCL UDES . 1-Fundament al s Vol . 2-Ex pandedFr et boar d J TCMASTERCLASS: Vol . 3-Ex pr es s i v eEx ec ut i on Vol STRI NGBENDI NG

AVAI L ABL ENOW 

J AMTRACKCENTRAL. COM

VOCABULARY BUILDER - DOMINANT #11 EX5 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

1

g I g 44

Pb = 100

j

D7 11

k

3

T A B

V

V

V 5

7

9

V V gV V V V V V V V V V V gg V V gV V V V V V V V 2 9:8 I gV V V V V V V 9:8 Full MO 10 12 14 16 14 12 10 12 14 16 14 (14) 12 H

H

9:8

T A B

3

g Ig T A B

7 11 9 7 5 7 9 T P P P H H

V u

11 T

k

9 H

11 13 11 H

T P

9 P

7 P

9 H

11 13 H

T

H

H

T P

j

10

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

P

P

H

H

T P

P

P

VOCABULARY BUILDER - DOMINANT SUS4 EX1 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100 V V V V V V V V V v V g V fV V k 4 g 1 I 4 D9sus4

T A B

15 10

sl.

P

15

10

15 10

P

12

15 10

P

12

14 10 P

12

V fV V V V V V V V V V j 14 10 P

12

14 10

12

P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

15 10 P

12 10 P

VOCABULARY BUILDER - DOMINANT SUS4 EX2 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

1

P = 100

g I g 44

j

D9sus4

k

T A B

d fV 8

V fV V V V V V V g V V V V 2 I g V V V fV T A B

10 sl.

10

12 H

10

12 H

12

12

10

12

12

10

13

H

10

13

10

12

sl.

V 12

P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

j

VOCABULARY BUILDER - DOMINANT SUS4 EX3 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

D9sus4 8va

1

V V V V V V gg 4 V V V V V V V V I 4 V V T A B

15 14

15

15 17 16 sl.

17

17 15 14 sl.

15

15 10 9 sl.

10

fV

10

V V V V j V V V V V V

8 7 sl.

8

8

10 9 sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

10

10

8

P

10

8

VOCABULARY BUILDER - DOMINANT SUS4 EX4 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

fV V V V V V P V V V k fV V z v

D9sus4

g 1 I g 44 T A B

10

12 H

9

8

8

12

10

8

10

8

10

sl.

V V V V k u (10)

8

8

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

VOCABULARY BUILDER - PHRYGIAN DOMINANT EX1 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

1

P` = 100

g I g 44

j

D7 9

k

T A B

V eV V V eV f V V V gg V e V V f V 2 I eV V V 3

T A B

6

9

7

5

7

8

7

5

8

14 11 10

sl.

sl.

13 11 10

d V 5

eV V V V V V V V V fV eV V V eV V eV V 11 10 11 10

H

12 11

10

11

P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

12 10 13 12 10

13

9

11 10

VOCABULARY BUILDER - PHRYGIAN DOMINANT EX2 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P` = 100

D7 9

1

g I g 44

j

8va

V

V

eV

k

3

T A B

17

19

20

V eV V fV V V V V V V V V g V V V eV V V V V V V V g f V 2 I 8va

3

3

T A B

3

g Ig T A B

20

3

17

14

16

17 sl.

eV

V

6

5

P

3 14

17

14

11 14

V 8

sl.

3

3

3

3

P

11

13

14

11

8 11

V

eV

7

4

10

8

P

sl.

V

11

8

8 sl.

V

3

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

5

P

j

7

5

VOCABULARY BUILDER - DIM7 EX1 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

Ddim7 8va 1

Ie 44

V

V V V V V V V V V V V V V V eV V V V V V V V V V eV V V V 3

T A B

19 19

18

3 19 16 16 sl.

15

3 16 19 19 sl.

18

3 19 16 16 sl.

15

3 16 13 13 sl.

12

3 13 16 16 sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

15

3 16 13 13 sl.

12

13 10

sl.

VOCABULARY BUILDER - DIM7 EX2 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

Ddim7

1

Ie 44

j

eV v

8va

k

16

T A B 8va

V V V V V V V V V gV V 2 e V V e V V I V T A B

13 16

15

13 10 13 sl.

12

10 13 H

12

10 13 15 12 15 H

sl.

14

V V V eV V V V V V c eV V V V k 12 10

sl.

12

13 10

12

P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

10 14

12

11 14

13

VOCABULARY BUILDER - MINOR/MAJ7 EX1 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

gV V V V V V V V V gV V V V V V V

Dm/maj7

1

Ie 44 T A B

5

7 H

8 H

7

6

9

6

7 sl.

9 H

10 H

10

9

12

9

P

10

10

V V gV V V V V V 10

9

11

P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

12

10

8

10

j

VOCABULARY BUILDER - MINOR/MAJ7 EX2 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

gV V V V V V V V V V V 1 Ie 44 V V V V gV Dm/maj7

T A B

5

7

8

7

6

9

6

7

9

10

10

9

12

9

10

10

V V V V V gV V V V V V 10

9

12 10

P

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

10

11

12 10

12 14 (14) sl.

sl.

VOCABULARY BUILDER - MINOR/MAJ7 EX3 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

1

Ie 44 T A B

2

P = 100

Ie T A B

j

Dm/maj7

gV V V V V V V V V V V V V gV 13

12

11

14

15

14

14

12

13

12

14

14

12

10

d V

k

12

V gV V V V gV V (10)

11

12

10

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

8

9

j

VOCABULARY BUILDER - MINOR/MAJ7 EX4 As recorded by jamtrackcentral.com (From the 2017 Album JTC ULTIMATE ARPEGGIO INTEGRATION MASTERCLASS: ADVANCED)

P = 100

Dm/maj7

1

Ie 44 T A B

j

V V V V V gV V V V k v 13

10 12 P

12

10

9 10 sl.

10

9

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