My Fair Lady - Vocal Score.pdf

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VOCAL SCORE

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HERMAN LEVIN' S PRODUCTION

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JULIE

HARRISON ANDREWS

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Adapted from Bernard Shaws Pygmalion

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HOLLOWAY ROBERT COOTE ZENA DARE

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FREDERICK LOEWE Book and Lyrics by ALAN JAY LERNER Production Steered by MOSS HART .

CHOREOGRAPHY AND MUSICA NUMBER ? STAGED 9 Y

HANYA HOLM

MUSICAL DiRECTOR

CYRIL ORNADEL

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PRESENT

HERMAN LEVIN’ S PRODUCTION

REX HARRISON

JULIE ANDREWS

ADAPTED FROM BERNARD SHAW’ S “ PYGMALION ” Produced on the screen by Gabriel Pascal WITH

STANLEY HOLLOWAY ZENA DARE

ROBERT COOTE MUSIC BY

FREDERICK LOEWE | aa

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BOOK AND LYRICS BY

ALAN

JAY LERNER

PRODUCTION STAGED BY

MOSS HART Choreography and Musical Numbers Staged by HANYA HOLM

Production Designed by OLIVER SMITH Costumes Designed by CECIL BEATON Musical Director CYRIL ORNADEL Musical Arrangements by ROBERT RUSSELL BENNETT AND PHIL LANG Lighting by

JOE DAVIS

Dance Music Arranged by TRUDE RITTMAN

VOCAL SCORE

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FRANZ ALLERS

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© 1956 Warner Chappell Music Ltd . Internationa ] Music Publications Limited Southend Road , Woodford Green Essex IG8 8HN , England

Offentlicne Bibliothek der Stadt Aachen 972502 *+ 3

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Reproducing this music in any form is illegal and forbidden by the Copyright, Designs and Patents Act 1988

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First performance at the Mark Hellinger Theatre , New York , March 15, 1956 First Performance in London at the Theatre Royal , Drury Lane , April 30, 1958

MY FAIR LADY THE CAST (in order of appearance )

BUSKERS JOAN ELVIN , TERRY WILLIAMS, WILLHELM MAURER MRS. EYNSFORD - HILL LINDA GRAY ELIZA DOOLITTLE . . JULIE ANDREWS LEONARD WEIR FREDDY EYNSFORD- HILL ROBERT COOTE COLONEL PICKERING A BYSTANDER MAX OLDAKER HENRY HIGGINS REX HARRISON SELSEY MAN ALAN DUDLEY HOXTON MAN REG TEMPLAR ANOTHER BYSTANDER BOB CHISHOLM FIRST COCKNEY ROBERT CRANE SECOND COCKNEY . . JOHN MOORE THIRD COCKNEY HOWARD DAVIES FOURTH COCKNEY . . ROBIN DUNBELL BARTENDER MOSTYN EVANS HARRY ALAN DUDLEY

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JAMIE

BOB CHISHOLM STANLEY HOLLOWAY BETTY WOOLFE ELAINE GARREAU JOHN MOORE SERVANTS HOWARD DAVIES, ELAINE LOVEGROVE , MARY BURGESS, FREDA SESSIONS , BRENDA GAYLE MRS. HIGGINS ZENA DARE CHAUFFEUR ALAN BURTON FOOTMEN PETER NEWTON , LEE KENTON LORD BOXINGTON . . ALAN DUDLEY LADY BOXINGTON . . ELAINE GARREAU CONSTABLE . . ALAN BURTON FLOWER GIRL CHARMIAN BURN ZOLTAN KARPATHY MAX OLDAXER FLUNKEYS WALLACE STEPHENSON , LEE KENTON MOSTYN EVANS MAJOR DOMO QUEEN OF TRANSYLVANIA MARGARET HALSTAN AMBASSADOR BOB CHISHOLM BARTENDER ROBERT CRANE MRS. HIGGINS’ MAID WILLOW STOCKDALE

ALFRED P . DOOLITTLE MRS. PEARCE MRS. HOPKINS BUTLER

SINGING ENSEMBLE , DANCING ENSEMBLE

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The place is London. The time, 1912

ACT I

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Scene 1 . Scene 2. Scene 3. Scene 4 . Scene 5. Scene 6. Scene 7 . Scene 8. Scene 9. Scene 10. Scene 11 .

Scene Scene Scene Scene Scene Scene Scene

1. 2. 3. 4. 5. 6. 7.

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Outside the Opera House, Covent Garden A cold March night A Tenement Section, Tottenham Court Road Immediately following Higgins’ Study The following morning A Tenement Section , Tottenham Court Road Three days later Higgins’ Study Later that day Near the Race Meeting, Ascot A July afternoon Inside a Club Tent , Ascot Immediately following Outside Higgins’ House, Wimpole Street Later that afternoon Higgins’ Study Six weeks later The Promenade of the Embassy Later that night The Ballroom of the Embassy Immediately following

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ACT II

Higgins’ Study 3 o’ clock the following morning Outside Higgins’ House , Wimpole Street Immediately following Flower Market of Covent Garden 5 o’ clock that morning Upstairs Hall of Higgins’ house 11 o’clock that morning The Conservatory of Mrs. Higgins’ house Later that day Outside Higgins ’ House, Wimpole Street Immediately following Higgins’ Study Immediately following

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ACT I

OVERTURE AND OPENING SCENE SONG ( Higgins , imrA others ) . . “ Why Can’ t the English ? ” SONG ( Eliza and Male Chorus ) “ Wouldn ’ t It Be Loverly ? ” TRIO ( Doolittle , Jamie and Harry ) . “ With a Little Bit Of Luck ” CHANGE OF SCENE 5 SONG ( Higgins ) “ I ’ m an Ordinary Man ” 5a CHANCE OF SCENE 6 REPRISE ( Doolittle and Chorus ) “ With a Little Bit of Luck ” 6a CHANGE OF SCENE 7 SONG ( Eliza ) “ Just You Wait ’’ 8 CHORUS ( with Higgtru and Eliza ) . “ Poor Professor Higgins ” 9 TRIO ( Eliza , Higgins and Pickering ) “ The Rain in Spain ” 10 SONG ( Eliza with Ur and 2nd Maids and Mrs. Pearce ) “ I Could Have Danced all Night ” 10a CHANGE OF SCENE “ Ascot Gavotte ’’ 11 CHORUS 12 END OF SCENE ( Ensemble ) 13 SONG ( Freddy , with Mrs . Pearce ) . . “ On the Street Where You Live " 14 ELIZA S ENTRANCE 15 INTRODUCTION TO PROMENADE 16 PROMENADE EMBASSY WALTZ 17 1 2 3 4 4a

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ENTR ACTE “ You Did It ” DUET ( Higgins , Pickering and Chorus ) REPRISE ( Eliza ) “ Just You Wait ” M On the Street Where You Live ” REPRISE ( Freddy ) Show Me ” SONG ( Eliza with Freddy ) . . “ The Flower Market ’ * . . MALE CHORUS ( with solo , Eliza ) . . “ Get Me to the Church on Time ” SONG ( Doolittle and Chorus ) CHANGE OF SCENE “ A Hymn to Him ” SONG ( Higgins , with Pickering ) CHANGE OF SCENE “ Without You ” .. SONG ( Eliza with Higgins ) I ’ ve Grown Accustomed to Her Face SONG ( Higgins ) MUSIC FOR CURTAIN CALLS EXIT MUSIC 14

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FREDERICK LOEWE

ALAN JAY LERNER Cut :

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HIGGINS : A woman who utters such depressing' and disgusting sounds has no right to be anywhere no right to live . Remember that you are a human being with a soul and the divine gift of articulate speech : that your native language is the language of Shakespeare and Milton and the Bible , and don’ t sit there crooning tike a bilious pigeon .

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(ELIZA) Aoooooooooow !

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Eliza)

YOU WAIT ”

HIGGINS: Eliza , I promise you you will pronounce the letter “ a” correctly before this day is out , or there’ ll be no lunch , no dinner, and no chocolates!

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52

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CHORUS- ( with Higgins and Eliza )

N? 8 -

Cue : E L I Z A :

‘ POOR PROFESSOR HIGGINS >1

-

-

H a h a h a h a . . .. H I G G I N S : G o o n! G o o n!

B

The stage darkens. Six servants are seen at one side of the stage

a

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HIGGINS : Oh , it won t go to waste . I know someone who’s immensely fond of strawberry tarts . ELIZA: Aaaoooowww ! The servants appear m n c c n legato Durr. Piii mosso * *• Piu

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Higgins! '

«Ji. 4 XP~3

legato

53

Dialogue

He plays Xyloph one

HIGGINS : ( Spoken )

Pro - fes -sor Higgins!

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Professor Higgins !

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CHO

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Two A . M .,

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One A . M . ,

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Six marbles

Five ,

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Dialogue continues

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Two A . M . , Three .

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HIGGINS: .. . W h a t s t h e m a t t e r? W h y d i d y o u s t o p ? ELIZA: I Swallowed one. H I G G I N S : O h , d o n’ t w o r r y . I h a v e p l e n t y m o r e . O p e n y o u r m o u t h ... O n e , t w o , t h r e e, f o u r ... . ( Again the servants are seen )

£

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Pro - fes - sor Higgins !

Quit ,

Pro - fes -sor Higgins !

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4

Hearourplea , oi

V

|

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Pro - fes -sor Higgins !

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Pro - fes -sor Higgins!

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Dont say “ Rine” say “ Rain’.’

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Dialogue continues

plain

the

|

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Now; t r y i t again . The rain i n Spain stays mainly i n the plain . ELIZA HIGGINS : Wh S-t waS that ? ELIZA : Tte r a i n i n Spain stays mainly i n the plain. HIGGINS : Again .

HIGGiNS ;

ELIZA :

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SONG — ( Eliza , ) (with 1st & 2 nd Maids and Mrs. Pearce )

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I COULD HAVE DANCED ALL NIGHT

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M r s . P E A R C E : Y o u’ v e a l l b e e n w o r k i n g m u c h t o o h a r d . I t h i n k t h e s t r a i n i s b e g i n n i n g t o s h o w E l i z a , I d o n’ t c a r e w h a t M r. H i g g i n s s a y s , y o u m u s t p u t d o w n y o u r b o o k s a n d g o t o b e d .

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ten . ten . ten .

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I could have

1st Maid

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It’s af - ter three, now. Don' t you a - gree , now,

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2 nd Maid 3

Both

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ELIZ

night !

all

danced

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I could have danced

2 nd Maid

maio st Maid 11 ST

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Now say good - night ,

ff

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begged

please .

Turnout the light ,

please.

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maio nd Maid 2zno

Your eyes are red .

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ELIZ

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Your face is drawn .

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ELIZ

all

1i st s i Maid mam

You must be dead .

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sand

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miss ,

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er

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Now set - tie down

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with

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Put down your book .

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me .

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night !

Mrs . Pearce

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It’s all been gTand , dear .

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un der stand , dear .

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But now it 's time

sleep .

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ELIZA : Have I said anything I oughtn' t ? Mrs . HIGGINS : Not at all , my dear. ELIZA : Well , that ’ s a mercy , anyhow . What I always say is . . . PICKERI NG . I don’ t suppose there’s enough time before the next race to place abet ? ‘

Come , my dear. Mrs . HIGGINS : l ’ m afraid not , Colonel Pickering .

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F R E D D Y : O f f i c e r , I k n o w t h i s i s W i r a p o l e S t r e e t , b u t c o u l d y o u t e l l m e w h e r e 2 7- A i s ? P O L I C E M A N : R i g h t t h e r e, s i r F R E D D Y: T h a n k y o u . . . . A r e t h o s e f o r s a l e ? F L O W E R G I R L: Y e s , s i r . A s h i l l i n g

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Mrs. HIGGINS; Henry, do you think it wise to stay HIGGINS: Stay ? Why not ? FOOTMAN : Miss Eliza Doolittle. KARPATHY: Ah , Professor you must introduce me . .

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SONG - ( Doolittle ) and Chorus (with Solo , Harry)

N 9 22

Cue : FREDDY :

“ GET ME TO THE CHURCH ON TIME ”

you all finished here ? ELIZA : Yes , Freddy. I’m all finished here. Good luck , Dad JAMIE .' Come along- , Alfie . Are

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(. Dialogue

continues )

P 3

Bsn ., Hn

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Chappe 11

144

SONG : ( Eliza ) ( with Higgins )

N ? 25.

“ WITHOUT

YOU ”

ELIZA : Wring- away ! What do I care ? I knew you’d strike me one day. Aha , that’s done you, ’enry 'iggins , it ’as . Now I don’t care that for your bullying and your big talk .

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No . 26

SONG u

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149

( Higgins )

l’ VE GROWN ACCUSTOMED TO HER FACE ”

Cue : HIGGINS : She’s

an owl sickened by a few days of my sunshine ! Very well ! Let her go ! I can do without her ! lean do without anybody ! 1 have my own soul ! My own spark of divine fire ! Eliza ! ( Curtain ) Mrs . HIGGINS : Bravo

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I

§

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W HIGGINS’ VOICE :

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f

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HIGGINS: (stretching back on his stool and pulling his hat down over his eyes)

Molto maestoso

Eliza? Where the devil are my slippers ?

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