Origami Usa Convention 2016
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Origami Collection 2016 Copyright 2016 by OrigamiUSA, a volunteer-based, notfor-profit educational arts organization committed to the elucidation and dissemination of paperfolding as an art and a craft. All rights reserved, including the right to reproduce this book or portions thereof in any form without prior written consent. OrigamiUSA 15 West 77th Street New York, NY 10024-5192 (212) 769-5635 origamiusa.org
Cover Illustration by Nathan Zeichner Cover based on Rabbit, courtesy of Tomoko Fuse and Carrot, courtesy of Jun Maekawa, diagrams available in the 18th Origami Tanteidan Convention collection book Origami Basics section by Marc Kirschenbaum Publication Team Isabella Gandler Marcio Noguchi Omer Shalev Nathan Zeichner
Managing Editors Marc Kirschenbaum JC Nolan Daniel Scher
Submissions to the Origami Collection and other OrigamiUSA publications can be sent to [email protected]. A submission form and copyright guidelines can be found at origamiusa.org/submissions.
i
Table of Contents
About the Collection Picture Index The 2016 Origami Collection Origami Basics
v vi 1 228
iii
About the Origami Collection The Origami Collection was born in 1980 from ideals fostered by the founding members of OrigamiUSA. Michael Shall (1949-1995) launched this yearly anthology to share origami models from around the world. His mentor, Lillian Oppenheimer (1898-1992), provided the springboard for this effort, as many of the models were drawn from her collection and connections she cultivated. Alice Gray (1914-1994) also provided inspiration by streamlining the communication of origami ideas. All of the novice-level works in this collection are dedicated to Alice and her love of simple, elegant pieces. Throughout the years as our presentation has grown more polished, the goal of showcasing great origami has not diminished. The editors of the Origami Collection spend many hours curating, testing and editing origami designs to produce a book that will appeal to origami aficionados of all levels and interests. Variety is a key criterion; you will find works here by established origami artists as well as many hidden gems from up-and-coming stars. Most of the pieces are making their debut in these pages. We hope you are as excited about discovering these diagrams as we are in presenting them.
v
Picture Index Picture Index Artigas, Jesús Good Grief Page 1
d’Anger, Max Dragon Page 24
Berty, Viviane
vi
Condori, Julio Eduardo Winged Wolf Page 18
Berty, Viviane Mimi the Mouse Page 5
Puppy Page 11
Dementiev, Ivan Space Telescope Page 32
Bettens, Christiane
Diard, Lydia
Eight-Pointed Star Page 13
Fleur de Noyer Page 38
Chen, Sy
Flores, Edwin Claudio
Cupid’s Arrow Page 15
Armadillo Page 44
Artigas, Jesús
Condori, Julio Eduardo
Good Grief Page 1
Winged Wolf Page 18
Berty, Viviane
d’Anger, Max
Mimi the Mouse Page 5
Dragon Page 24
Berty, Viviane
Dementiev, Ivan
Puppy Page 11
Space Telescope Page 32
Bettens, Christiane
Diard, Lydia
Eight-Pointed Star Page 13
Fleur de Noyer Page 38
Chen, Sy
Flores, Edwin Claudio
Cupid’s Arrow Page 15
Armadillo Page 44
Picture Index
Fung, Michelle
Gueros, Mathieu
TIM the Beaver (Face) Page 48
Fox Page 76
Gajardo, Nicolas
Hudson, Andrew
Mushroom Monster Page 52
Polychrome Tato Page 84
Galindo, Richard
Inayoshi, Hidehisa
Camel Page 55
Chopstick Envelope (Straberry) Page 87
Gardin, Yannick
Jaramillo, Jorge
Seahorse Page 62
Wheel Bowl Page 88
Gu, Lee Jae
Kato, Shuki
Basset Hound Page 65
Anime Forest Spirits Page 90
Picture Index
vii
viii
Kirschenbaum, Marc
Lukasheva, Ekaterina
Elephant Page 103
Lathyrus Page 127
Kobayashi, Hiroaki
Marchetti, Peter
Little Whale Page 105
Axolotl Page 130
Liu, Tong
Martinez, Leonardo Pulido
Phonograph Page 111
Scorpion Page 135
Liu, Tong
Meij, Bas
White Rhino Page 116
Slug Page 139
Liu, Tong
Morollón, Ángel
Yellow Henchmen Page 121
Swallow Page 142
Picture Index
Nguyen, Lisa
Pham, Hoang Tuan
Winged Heart Page 147
Rabbit Page 170
Nguyen, Lisa
Queiroz, Paulo
Yale-Type Cylinder Lock Key Page 149
Orchid Page 174
Nikulshin, Pavel
Quyet, Hoàng Tien
Uintatherium Page 151
Dove Page 179
Nino, Jaime
Randolph, James
Hen Page 162
Bird with Stand Page 181
Okabe, Nobuko
Robinson, Nick
8-Pointed Starburst Flower Page 165
Cecil the Lion Page 183
Picture Index
ix
x
Ševerová, Dáša
Stern, Joel
Star Anise Page 185
Flapping Pheasant Bookmark Page 203
Sigalovsky, Mark
Tahir, Hadi
Nocturnal Car Page 189
Peace Sign Page 205
Snyder, Rob
Tai, Hsi-Min
Angel Page 194
Dolphin Page 206
Snyder, Rob
Tan, Benjamin
Secret Heart Owl Page 195
Butterfly and Heart Page 208
Stamm, Tom
Tu, Tuan Nguyen
Sea Serpent Dragon Page 197
Rabbit Page 210
Picture Index
Yagi, Yara Dachshund Page 211
Yagi, Yara Hen and Chicks Page 218
Yamaguchi, Makoto Penguin Box Page 221
Zodl, Evan Sarah’s Star Page 225
Picture Index
xi
Good Grief!
Jesús Artigas
Low Intermediate
©2014 - Spain
5
2
B A
1
3
4
B A
Good Grief!/Jesús Artigas
1
6
A
8 B
5 A B
9 7
10
11
2
Good Grief!/Jesús Artigas
12
17
10-17
18
16 15
13 14
Good Grief!/Jesús Artigas
3
20B
21B
20A
22B
19
23B
23A 21A
22A
[email protected] [email protected] g g g g 4
Good Grief!/Jesús Artigas
Mimi the Mouse
Viviane Berty
Low Intermediate
©2013 - France
Mimi la Souris © Viviane Berty 2013 Pour un premier essai, prendre un carré de 21 cm X 21 cm. For a first try, use a 21 cm X 21 cm square.
1 2
Couleur des yeux dessus Color of the eyes up.
3
4
Mimi the Mouse/Viviane Berty
5
5
6
7
8
Marquer fortemement les plis sur toutes les couches Crease firmly through all the layers. 9 10
6
Mimi the Mouse/Viviane Berty
11
12
13 Pli écrasé pour les yeux Squash-fold to form the eyes.
14
15
16
Mimi the Mouse/Viviane Berty
7
17
18
19
20 Dégager les couches du dessous pour préparer le changement de couleur du nez. Pull out the underneath layers to prepare a color change for the nose
21 22
8
Mimi the Mouse/Viviane Berty
23
25
24
26
Mimi the Mouse/Viviane Berty
9
27 28
Plier en vallée pour affiner la queue et pincer à la base du dos en soulevant les petits volets pour former le derrière. Form the backside by pinching at the bottom and inflating the inner pockets.
10
Mimi the Mouse/Viviane Berty
Puppy
Viviane Berty
Low Intermediate
©2015 - France
Petit chien /Puppy ©V Viviane Berty 2015 Papier kami bicolore 15 cm X 15 cm
Bicolor kami paper 15 cm X 15 cm
3
2
1
4
6
5
Base du renard de Quyet Hoang.
Quyet Hoang’s Fox base. 7
8
9 11
10 Ouvrir le modèle par dessous pour plier les bissectrices.
Open the model underneath to fold the bissector angles.
Puppy/Viviane Berty
11
Pli inversé intérieur pour former la queue.
12
12 bis
Inside reverse fold to form the tail.
Vue intermédiaire. Bien comprimer les couches à l’endroit indiqué avant de refermer le modèle.
Intermediate view. Press the layers where indicated before closing the model.
Modèle terminé. Pliage simple.
Modèle terminé. Pliage humide.
Complete model. Dry folding.
Complete model. Wet folding.
Variations 7 bis 12 bis
Pour changer l’attitude du chien, modifier l’angle du pli vallée à l’étape 7.
To modify the dog’s posture, change the valley fold angle on step 7.
12
Ajuster les couches de papier décalées.
Adjust the shifted layers.
Puppy/Viviane Berty
Eight-Pointed Star
Christiane Bettens
Intermediate
©2016 - France 3
2
1
4
5
6
7
octagonal twist
Eight-Pointed Star/Christiane Bettens
13
9
8
7-9
(unfold ap from step 7 before repeating)
10
11
45°
back side completed
12
rotate the twist 45° counter-clockwise, creating valley-folds on the layer behind
13
octagonal twist
Done ! Mélisande* 2016 www.origami-art.org
14
Eight-Pointed Star/Christiane Bettens
Cupid’s Arrow
Sy Chen
Intermediate
©2015 - Maryland
) * *+,
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Cupid’s Arrow/Sy Chen
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16
Cupid’s Arrow/Sy Chen
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Cupid’s Arrow/Sy Chen
17
Winged Wolf
Julio Eduardo Condori
Complex
©2010 - Bolivia
1
2
3
5
4
9
6
7
10
8
Sacar la capa que esta por dentro
Sacar la capa que esta por dentro
18
Winged Wolf/Julio Eduardo Condori
12
11
Abrimos lo de adentro
14
13
Hundimos
16
15
Hacer una marca interna
17 Girar
18
22
Repetimos el mismo paso 17 por atrás
23
19
20
24
25
21
Abrir y Girar
Winged Wolf/Julio Eduardo Condori
19
26
27
28
En esta parte podemos observar de cómo el centro se estira para luego ser colapsada
Una vez marcado se va colapsando al mismo tiempo estirando el sector del medio
29
31
30
32
33
Abrimos una capa
34
35
36
Abrimos una capa
38
20
39
40
Winged Wolf/Julio Eduardo Condori
37
41
42
44
43
Volteamos la sección marcada
46
45
Volteamos la sección marcada
47
48
Pliegue escalonado en la cola
49
50
Subir una capa que esta por detras Voltear para el cambio de color en la cola
Winged Wolf/Julio Eduardo Condori
21
52
51
54
53
Hacer un pliegue oreja de conejo
55
56
59
58
61
60
Hacer un pliegue oreja de conejo en las patas traseras
22
Hacer un pliegue oreja de conejo en las patas delanteras
Winged Wolf/Julio Eduardo Condori
57
63
62
Dar forma de alas al lobo de forma escalonado , no solo las alas si no también la cola como se muestra la figura final
Fin del Modelo
Winged Wolf/Julio Eduardo Condori
23
24
Dragon
Max d’Anger
Complex
©2015 - United Kingdom
Dragon/Max d’Anger
Dragon/Max d’Anger
25
26
Dragon/Max d’Anger
Dragon/Max d’Anger
27
28
Dragon/Max d’Anger
Dragon/Max d’Anger
29
30
Dragon/Max d’Anger
Dragon/Max d’Anger
31
Space Telescope
Ivan Dementiev
Complex
©2015 - Russia
01. Recommended paper: thin, 16 x 48 cm. Begin the white side up. Divide the sheet by any available method into 4 and into 12 parts accordingly. Detailed view.
02. Divide each part into 2 parts.
3
03. Repeat step 2.
1 32
Space Telescope/Ivan Dementiev
04. The basic grid 16
48 is ready.
05. Mark the creases as shown, using the grid lines.
06. Mark the creases as shown
Space Telescope/Ivan Dementiev
33
07. Mark the creases as shown.
09. Repeat steps 5-9 with the bottom half.
08. Mark the creases as shown.
34
Space Telescope/Ivan Dementiev
10. Done. Turn over
11. Fold on mentioned lines
Space Telescope/Ivan Dementiev
35
36
12. The view from the front side.
13. The view from the back side.
14. Lift the edge of central portion at an angle of 90 degrees.
15. Fold the central part as shown.
Space Telescope/Ivan Dementiev
19. Finish.
17. Bend the edges.
7
5
9 18. Twisting in a spiral. The free end of the spiral place a inside the model.
Space Telescope/Ivan Dementiev
37
38
Fleur de Noyer
Lydia Diard
Complex
©2015 - France
Fleur de Noyer/Lydia Diard
Fleur de Noyer/Lydia Diard
39
#
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40
Fleur de Noyer/Lydia Diard
(
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Fleur de Noyer/Lydia Diard
41
!
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42
Fleur de Noyer/Lydia Diard
"
!
Fleur de Noyer/Lydia Diard
43
Armadillo
Edwin Claudio Flores
Intermediate
©2009 - Bolivia
1
4
7
44
2
3 ("&+$*'+ '+ $*(%
5
8
Armadillo/Edwin Claudio Flores
6
9
10
11
14
15
12
13
16
17
45◙
19
18
20
23
22
21
24
25
%"(- )%"( )* " &)%
Armadillo/Edwin Claudio Flores
26
45
27
28
30 (+$" + )"%$%
29
31
33
%", (" ( " &)%
32
34 35 -%)
46
39
Armadillo/Edwin Claudio Flores
38
37
36
40
41
42
43
44
45
(+$+$&" + %( ! %$ ! $"%"- $") %( !)-( %(#" '+ ('+ $ %
$ "% "%
Armadillo/Edwin Claudio Flores
47
TIM the Beaver (Face)
Michelle Fung
High Intermediate
©2010 - California
TIM the Beaver (Face)
Model & Diagrams by Michelle Fung Designed: 10/2010 Diagrammed: 11/2011 www.michellefung.net 1
2 3
Start white side up. Fold and unfold.
Rabbit ear.
Valley fold.
5
6
4
Pull out the layer underneath. Squash fold.
48
TIM the Beaver (Face)/Michelle Fung
Reverse fold along lines.
14 16
15 Pull inner layer out.
13
Petal fold.
Squash fold.
12
11
Valley fold.
10
Pull inner layer out.
7
8
Valley fold.
2-7
9
Rabbit ear.
Mountain fold.
Repeat steps 2-7 on the other side.
TIM the Beaver (Face)/Michelle Fung
Fold and unfold. The valley fold will form an approximately square area.
49
18
17
19 20
Valley fold.
Crease lightly.
Petal fold. Unfold step 16.
21 22
23
Valley fold. Flip out corner flap.
29
Pleat.
30
Pleat.
28 24
Valley folds.
Back
Front
Unfold steps 26-29 while keeping the spread sinks in place.
Spread sinks on the right and left edges.
Front
25
Underside
27
26
Mountain folds. Mountain and swivel folds. Mountain fold.
50
TIM the Beaver (Face)/Michelle Fung
47
46
45
48
49
Mountain folds. Mountain folds. Mountain fold to round edges. Open sink above teeth.
Mountain folds.
42
43
44
Done!
41 Tuck excess flaps underneath top layer.
Squash fold. Mountain folds with swivel folds at the base.
Reverse fold tips of ears. Mountain fold to round edges.
40
38
39
37 Squash fold.
Reverse fold.
Petal fold.
Pull out paper to reveal white side.
36 35 34
Mountain and valley folds. No new creases are made in this step. The circled corners correspond to the points circled in step 37.
Unfold to step 32, then spread front open along middle. Valley fold.
33 32
31
Turn over.
Closed sinks and petal folds on right and left sides. The paper should lie flat.
TIM the Beaver (Face)/Michelle Fung
Rabbit ear.
51
Mushroom Monster
Nicolas Gajardo
Intermediate
©2014 - Colombia
1 2
4 3
5 6
7
Hundido abierto por la mitad de las solapas
52
Mushroom Monster/Nicolas Gajardo
Marcar
8
10 9
11
12 13 Estirar
15 16 14
Liberar capa
18 19 Repetir los últimos pasos en la otra solapa
17
20
Mushroom Monster/Nicolas Gajardo
53
21 23 22
25
24
26 Estirar las capas del interior
27 28
29 30
Modelar
54
Mushroom Monster/Nicolas Gajardo
Camel
Richard Galindo Halle (diagrams) ©2014 - Bolivia
CAMELLO
Complex
by Richard Galindo
1 6
30 x 30 Permite muchos tipos os de papel Desplegar todo
3 2 5
4
7
8
9 Camel/Richard Galindo
55
17
18
21 21
16
1199
20
1155
10 56
14
11 Camel/Richard Galindo
13
12
2 23 22 24 45º 45º
2 26
25
27
288
Crimp, con un pliegue invertido interior. Ver siguiente paso
En proceso
31
30 29 Al hacer el pliegue, se empuja una capa interna
Camel/Richard Galindo
57
42
41 41
40 40 39 33 32
30-
34
3388
37 35
58
Pliegue invertido exterior
Pasar una capa delante
Camel/Richard Galindo
36
444 Desplegar hasta el paso 39
43
Pliegue compuesto de un doble crimp y pliegue invertido exterior
4455
46 47
51 51
48 Pliegue petalo 50
49 Camel/Richard Galindo
59
63
64 Desdoblar. Abrir y mirar por dentro
65 62
55-61
Pliegue invertido exterior
61 59
5533
60 Squash fold
Pasar la capa al interior
58
54
56
55 55
60
57 Camel/Richard Galindo
Formar la cabeza
71
66
67
Hundido abierto
68
Modelar la oreja
70
Modelar el morro
69
Creador: Richard Galindo Flores Simbolos: Pere Olivella Diagramas by Halle 2015
72
Redondear el abdomen
73
Bajar una capa
Camel/Richard Galindo
74
61
62
Seahorse
Yannick Gardin
Intermediate
©2014 - France
Seahorse/Yannick Gardin
Seahorse/Yannick Gardin
63
64
Seahorse/Yannick Gardin
Basset Hound
Lee Jae Gu
Complex
©2015 - Korea
1
3
2
4 4/1
Basset Hound/Lee Jae Gu
65
5
7
9
6
8
10 3/1
66
Basset Hound/Lee Jae Gu
11
12
13
15
14
16
17
Basset Hound/Lee Jae Gu
67
18 19
20 4/1
21
22 4/1
23
68
Basset Hound/Lee Jae Gu
24
25
26
27
28
29 27~28
Basset Hound/Lee Jae Gu
69
30
31 1
32
1
33
35
34
36
37
평행하게 70
Basset Hound/Lee Jae Gu
38
39
40
41
42
43 반대쪽도 똑같이
Basset Hound/Lee Jae Gu
90도
71
44
45
46
47
48 49
72
Basset Hound/Lee Jae Gu
50
52
54
51
49~50
53
55
Basset Hound/Lee Jae Gu
73
57
56
58
60
74
59
61
Basset Hound/Lee Jae Gu
62
63
64
65
Basset Hound/Lee Jae Gu
75
Fox
Mathieu Gueros
Intermediate
©2015 - France
76
Fox/Mathieu Gueros
Fox/Mathieu Gueros
77
78
Fox/Mathieu Gueros
Fox/Mathieu Gueros
79
80
Fox/Mathieu Gueros
Fox/Mathieu Gueros
81
82
Fox/Mathieu Gueros
!" "# $ !" % # "
Fox/Mathieu Gueros
83
Polychrome Tato
Andrew Hudson
Complex
©2009 - California
, - #- ),.# */$# ( #** " 0 &
84
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Polychrome Tato/Andrew Hudson
85
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86
Polychrome Tato/Andrew Hudson
Chopstick Envelope (Strawberry)
Hidehisa Inayoshi
Intermediate
©2013 - Japan
Ṝ
ṛ
ṝ
Ṟ
ộ
ࣹ͢ὀὯᾍὣᢧ࿙ἼἨἷẩ ἨἱἢὛἪἩὣἵἢ ͢רὀɥὣᢧ࿙ἼἨἷẩὛἪἩὣἵἢ
ṽẟẜẐẋẍẏṤ ẜẏẎ ṬẋẍẕṤ ẑẜẏẏẘ
Ớ
ṣ
Ṣ
ớ ἹὒἷὛἪἩὣἵἢ ếញॄὣᦉὠἻἕὙἼỀ
ᫌἕἷἵἪὙἼ
ṛṚ
ṛṛ
ͳὠὛὛ
ṛṝ
ṛṜ
ἤἿὙἼἻ ế͜ᦼᥟỀ ɧὣூ࿙ἼἨἷẩࣸኆổỔἸἵἕἰὛ ἪἩἿ࢘ᠼὣҸὝಃἙἷὛἰἰὑ
ɥӈἿΦ࿙ὣᥨᆷᏱἸ ͢ἿἿὐὛἪἩὣἵἢ
ṛộ
ṛỘ ἼἨҸὝ
ᠼὛ
ฌἿۈὀɥӈὣକݸ
ỖỔ
ổờ
ṛṢ
ṛớ
ṛỚ
࢘Ὓ
Ỗṛ ࢘Ὓ
࢘Ὓ
ᎩἜἠใὛ
ἸἓἝὛ ǥࣸኆổỘǗổờὀẩ ἥᔬᄉἼὦᾰᾷὼἨἷἠἱἦἕ
Chopstick Envelope (Strawberry)/Hidehisa Inayoshi
87
Wheel Bowl
Jorge Jaramillo
Complex
©2015 - Colombia
Use a stiff, rather thick square of paper of at least 15 cm on the side.
©
1
3
2
4 5
6
x7
7
88
x7
8
Wheel Bowl/Jorge Jaramillo
9
22.5°
x7 [9]
10. If this step is being difficult, perform it with every pair of sides and then fold all together.
11
x7
13. The diamond shape should be concave. 12. The black dot should be concave, the mountain While doing this move, press from behind to creases as well as the short valleys, should already be help the area take shape, and on the front there. The long valley crease should form in the process. reinforce the mountain crease. Bring the top corner down to the reference. The area around the dot should become 3D and keep its shape by itself.
14
Wheel Bowl/Jorge Jaramillo
89
90
Anime Forest Spirits
Shuki Kato
Complex
©2016 - Montana
Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato
91
92
Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato
93
94
Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato
95
96
Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato
97
98
Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato
99
100
Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato
101
102
Anime Forest Spirits/Shuki Kato
Little Whale
Hiroaki Kobayashi
High Intermediate
©2015 - Japan
Little Whale/Hiroaki Kobayashi
105
106
Little Whale/Hiroaki Kobayashi
Little Whale/Hiroaki Kobayashi
107
108
Little Whale/Hiroaki Kobayashi
Little Whale/Hiroaki Kobayashi
109
110
Little Whale/Hiroaki Kobayashi
Phonograph
Tong Liu
Intermediate
©2014 - China
[email protected]
© 2014 Tong Liu Origami
Phonograph/Tong Liu
111
112
Phonograph/Tong Liu
Phonograph/Tong Liu
113
114
Phonograph/Tong Liu
Phonograph/Tong Liu
115
White Rhino
Tong Liu
Intermediate
©2015 - China
Use paper that is the same color on both sides.
116
ҋ୍࠵ז 8KVKGZYZKV
White Rhino/Tong Liu
White Rino/Tong Liu
117
ҋ୍࠵ז 8KVKGZYZKV
90°
118
White Rhino/Tong Liu
ਅவबգ 8KVKGZHKNOTJ
ਅவबգ 8KVKGZHKNOTJ
ਅவ୍࠵ז 8KVKGZYZKV HKNOTJ
White Rino/Tong Liu
119
ਅவबգ 8KVKGZHKNOTJ
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White Rhino/Tong Liu
Yellow Henchmen
Tong Liu
Complex
©2015 - China
www.flickr.com/photos/gt-liu e-mail: [email protected]
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Yellow Henchmen/Tong Liu
Lathyrus
Ekaterina Lukasheva
Complex
©2013 - California
Lathyrus/Ekaterina Lukasheva
127
128
Lathyrus/Ekaterina Lukasheva
Lathyrus/Ekaterina Lukasheva
129
Axolotl
Peter Marchetti
High Intermediate
©2015 - Pennsylvania
Axolotl
Diculty: High-Intermediate Folding Time: 20-40 mins Recommended Paper: 25x25 cm Designed by Peter Marchetti Diagrams ©2015 Peter Marchetti
2
1
3 Slide the top layer over.
45
Start with white side up. Fold in half and unfold, then fold the upper half in half and unfold.
Fold into quarters, alternating mountain and valley.
4 5 6
Fold the corner up. Fold a rabbit ear. Fold both small aps over and unfold.
7 8
The marked distances should be about equal.
130
Repeat steps 3-7 on the other side.
Axolotl/Peter Marchetti
9
Fold and unfold through all layers.
19
20
Crease the angle bisectors.
18
Repeat steps 17-20 behind.
Crease the diagonals of the 'outer' square.
17 Fold the large ap over.
14
15
Sink darkened part in and out.
Repeat steps 11-14 behind.
16
13
Fold both aps to the other side.
Fold into quarters and unfold.
10 Inside reverse fold, forming a pleat.
12 11
Open sink.
Fold and unfold.
Axolotl/Peter Marchetti
131
24 Fold nearest ap to the left.
23 22
Crimp using the fold made in steps 19-20.
Fold the left half of the ap over, while pulling the circled point down.
21 Squash fold.
25 Fold it back, pulling the circled point down.
28
26
Repeat for the two smaller aps.
Open out the aps.
27 Focusing on the area around the aps, thin out the largest one, by reverse folding along the angle bisectors as shown.
29
32 Fold the three shorter aps over.
Repeat steps 22 to 23 behind.
30 Fold and unfold. Note that these are not angle bisectors.
132
31 Open sink to thin legs and gills.
Axolotl/Peter Marchetti
41 40
Thin the tail.
Repeat for the front legs.
39 Pull hind legs down as far as you can. Be gentle- don't tear the paper.
37 Fold the model closed again, with the legs inside. Incorporate a reverse fold to adjust the head's position. The gills may not lie at.
38 Result.
36 Open up the model.
33 Crease through all layers. Note the reference point.
35 Fold the gills back to the right.
34 Outside reverse fold.
Axolotl/Peter Marchetti
133
43 Spread the gills to the left, while valley folding the top gill upwards.
42 Focus on the head.
45 Unwrap the paper around the upper two gills and fold it behind. Be gentle- it's easy to rip the paper here.
44
Unwrap the paper around the lowest gill and fold it behind.
46 Fold the gills out to the side.
Finished.
47 Repeat steps 43-47 behind.
49 Press down on the head, to widen it slightly.
48 Shape the head, legs, and tail.
134
Axolotl/Peter Marchetti
Scorpion
Leonardo Pulido Martinez
Complex
©2004 - Colombia
Use bicolor paper White side up
http://www.flickr.com/photos/origamileo/
1. Form a Water Bomb Base
2. Squash fold 3. Petal fold
2-5
4. Fold down the tip
5. Valley fold in half
6. Repeat steps 2 - 5
= =
7. Open sink in half (precrease first)
8. Sink and fold up (precrease first)
Scorpion/Leonardo Pulido Martinez
9. Pleat
135
180º
= = = = 10. Open view in this tip
11. Fold and unfold at 1/4
12. Valley fold (90º)
12-14
13. Valley fold
17. Moutain fold behind
14. Unfold
15. Repeat steps 12 - 14
18. Squash
19. Sink
16. Open and squash from the creases
20. Squash
180º 21. Valley fold
10-22 22. Close
24. Turn over
136
23. Repeat steps 10 - 22
=
= = = = = = 25. Divide in eight parts
Scorpion/Leonardo Pulido Martinez
=
26. Pleat
27. Sink
28. Sink
29. Repeat sink
30. Sink at 1/4 in each side ( View CP`s structure))
31. Sink at 1/4 in each side (View CP`s structure)
Scorpion/Leonardo Pulido Martinez
137
34. Open and form the tweezers 32. Pleat
35. Sink in the 8 paws
33. Pleat
Paw`s detail
37. Form the sting and de paws
36. Squash the legs and form the tail
38. Finished model
138
Scorpion/Leonardo Pulido Martinez
Slug
Bas van der Meij
Intermediate
©2015 - Netherlands
1. Fold and unfold the diagonals.
2. Fold and unfold the angle bisectors.
4. pull the bottom flaps down.
5. The result is a fish base.
7. Valley fold the edges to the middle and unfold.
3. Fold the bottom point behind.
8. Use the valley folds made in step 7 and form two flaps.
Slug/Bas van der Meij
6. Valley fold the edges to the middle.
9. Valley fold and unfold the edges to the middle.
139
10.Valley fold and unfold along the angle bisectors.
11. Unfold back to step 5, the fish base. Turn the model over.
12. Valley fold the tip down, only the top flap is used in this step.
1/3
2/3
13. Valley fold the tip up at about 1/3 of the flap.
16.Valleyfold along the existing creases.
140
14. Valley fold along the indicated lines. Use the mountainfolds to thin the flap.
17. Open sink throug all layers using the existing lines.
Slug/Bas van der Meij
15. This step shows the result of step 14. Turn the model over.
18. This step shows the result of step 17. Turn the model over.
19. Rabbit ear the two long flaps up. Fold the model in half using a mountain fold. The next step will show the model from the side.
21. Valley fold the tail.
20. Rabbit ear the two short flaps. Round the flap on the back of the slug. Inside reverse fold the tail.
22a.
22. Valley fold the tail inside. This locks the tail.
25. Result of step 24. Pull layers from the inside.
23. Result of step 22. The next step will focus on the long flaps.
26. Fold the bottom edge up. Round the body to give the slug a natural shape.
Slug/Bas van der Meij
22b.
22c.
24a. Unfold the top. 24b. Fold the white side to the outside. 24c. Round the tip to form an eye.
27. The fini she dm ode l.
141
Swallow
Ángel Morollón Halle (diagrams) ©2015 - Spain
Intermediate
Golondrina by Ángel Morollón ón
1
25 x 25 Papel morera Doble seda Kraft fino = =
2
3
Pinch P inch 1/2
=
=
4
6
142
5
7
Swallow/Ángel Morollón
8 4-8
9
11
10
13
11-1 2
Abrir
=
12
Desplegar todo
=
ado contrario 14 Colocar las dos puntas interiores al lado 15 derecha al que vamos a trabajar, en este caso a la derecha, puntas a la izquierda
Swallow/Ángel Morollón
143
16
Referencia marcada por los pliegues del interior
17
Deshacer
14
-19
19 Plegar y sacar las puntas
18
21
Abrir
90 º
20
interiores hacia la derecha
22
144
23
Swallow/Ángel Morollón
Voltear y repetir en la otra punta de la cola
24 Valle casi paralelo al eje central, e ligeramente ligeramen g te por p arriba se abre
26
25
27
28.A
28 Hundido cerrado como se muestra en 28.a y 28.b
-29
24
28.B 29
Swallow/Ángel Morollón
145
Hundido cerrado en los ojos, como se ve en los pasos 32 y 33
30
31
32
34
33 3 3
35 Humedecer
ligeramente y sujetar
36 146
Dejar secar y retirar la cinta o sujeción
Swallow/Ángel Morollón
Winged Heart
Lisa Nguyen
Intermediate
©2014 - France
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Yale-Type Cylinder Lock Key
Lisa Nguyen
Low Intermediate
©2015 - France
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Uintatherium
Pavel Nikulshin
Complex
©2015 - Russia
2. 1.
4. NPV
3.
Uintatherium/Pavel Nikulshin
151
5.
6.
7.
9.
152
Uintatherium/Pavel Nikulshin
8.
10.
Unfold from step 9.
11.
12.
13.
14.
A
15.
Uintatherium/Pavel Nikulshin
16.
153
Rotate model on 90 degrees.
Repeat steps 12-16 from other side. 1/4 12-16
17. 18.
Point A from step 16.
To pull from point, unsink layer of paper. A
19. 20.
21. 22.
154
Uintatherium/Pavel Nikulshin
23.
24. To pull from point, un sink corner.
25. 26. To pull from point B (see step 27). B
27.
28. Uintatherium/Pavel Nikulshin
155
29.
30. Create line between to points.
31. 32. Unsink.
33. 34.
156
Uintatherium/Pavel Nikulshin
Model not absolutely flat.
35.
36.
37. 38.
39.
41.
Uintatherium/Pavel Nikulshin
Open.
40.
42.
157
Open.
43.
44.
45.
46.
View from behind.
To up corner.
47.
48. 158
Uintatherium/Pavel Nikulshin
44-49. Repeat steps 44-49
50.
49. 1. To up corners. 2. Fold model in two.
Model not absolutely flat.
2. 1.
1.
52.
2.
51. Unsink. To up one layer.
52-54.
53.
Repeat steps 52-54 from behind.
54. Inside revers-fold.
55. Uintatherium/Pavel Nikulshin
56.
159
59.
58.
57. Unfold from step 59.
Sink between second and third layer.
60. The part of two top layer not show.
61. 62. The part of two top layer not show.
63. 65.
64.
66. To press from two sides.
Repeat steps 58-67 behind.
67.
68.
69. 160
58-67
Uintatherium/Pavel Nikulshin
Make tho small pleat-fold. To give form of horns
Repeat steps 69-7 behind. 69-71
70.
71.
72.
Steps 74-78 to do simultaneously from both sides.
73. 75
74.
76. 77. To give model the finished form.
78. Finished.
79.
80. Uintatherium/Pavel Nikulshin
161
8-Pointed Starbust Flower
Nobuko Okabe
Intermediate
©2015 - New Jersey
8-Pointed Starbust Flower/Nobuko Okabe
165
166
8-Pointed Starbust Flower/Nobuko Okabe
8-Pointed Starbust Flower/Nobuko Okabe
167
168
8-Pointed Starbust Flower/Nobuko Okabe
8-Pointed Starbust Flower/Nobuko Okabe
169
Rabbit
Hoang Tuan Pham
High Intermediate
©2015 - Vietnam
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Orchid
Paulo Queiroz Mario Noguchi (dgrms.) ©2015 - Brazil
High Intermediate
1
2
Fold in half. Unfold.
Fold one diagonal. Unfold. Turn over.
3 4
5
Fold and unfold the angle bisectors.
6
Fold one corner to the center. Fold in half.
8 9
Open and squash.
7
Open the layers. See next step for progress. Model will not lie flat. Fold the corners to the line and fold symmetrically. See next step for expected result.
Petal fold.
174
Orchid/Paulo Queiroz
21
20
19
Fold the corner up, using the creases created in the previous steps.
Open sink on the creases created.
Fold edge to the center. Crease well. Unfold.
15
18
14 Open the layer to see inside. The model will not lie flat.
Close back to step 15.
16
17
Turn over.
13 Fold the edges to the center. Unfold.
Fold the edges to the center. Unfold.
10
Open the model and carefully untrap the top layer.
Fold the flap down.
11
12
Collapse symmetrically using existing creases.
Orchid/Paulo Queiroz
Collapse symmetrically using existing creases.
175
22
23
24 25
Open the layer. The model will not lie flat.
Elias strech. Create new creases as indicated. See next step in proress.
30
31
Elias strech in progress. Close and flatten.
22 - 24
Repeat steps 22 to 24 on the other side.
29
26
Fold corner to corner.
Reverse fold as indicated. Swivel the paper attached to flatten.
Turn over.
28
27
Reverse fold the corner under the layer right underneath it. Reverse fold between the second and third layer.
32 33
Fold corner to corner.
34 28 -33
Reverse fold the hidden corner. Reverse fold the hidden corner.
176
Orchid/Paulo Queiroz
Repeat steps 28 to 33 on the other side.
46
45
47
Rabbit ear fold.
Rabbit ear fold.
Fold about a quarter of the corner.
44
40
41
Fold between the points.
Turn over. Fold and unfold.
42
39
43 Reverse fold.
Reverse fold.
Fold the flap up.
35
36
37
38 35 -37
Fold the corner to the center and swivel the paper under.
Keeping the swivel in place, open and stretch the flap.
Closed sink the area indicated and flatten.
Orchid/Paulo Queiroz
Repeat steps 35 to 37 on the other side.
177
49
48
50
51 Fold the corners.
Fold the corner.
Fold the corner.
Turn over.
54
52
55 Fold the corner underneath. Fold the corners.
56
53
Fold the flap down.
Carefully release some paper and push to create a concave shape, forming the lip.
Rabbit ear to form the column.
57 58 Fold the corners, round and shape the petals. Finished Orchid.
178
Orchid/Paulo Queiroz
Dove
Hoàng Tien Quyet
Intermediate
©2015 - Vietnam
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Bird with Stand
James Randolph
Intermediate
©2015 - New Jersey
Bird with Stand/James Randolph
181
182
Bird with Stand/James Randolph
Cecil the Lion
Nick Robinson
Simple
©2015 - England
1) Crease a diagonal, then fold the lower sides to the centre. Turn over.
4) Fold edges to the nearest crease where shown, then unfold.
7) Refold behind. Turn over.
2) Crease then unfold. Turn over.
3) Fold so circles meet then unfold fully.
5) Refold the sides inwards.
6) Fold the flaps behind (check next drawing).
8) Fold in half to the right. Rotate the paper.
Cecil the Lion/Nick Robinson
9) Fold to the right, press and flatten the coloured flap.
183
10) Fold the top corner to the centre. Fold the tail to the left.
13) Fold the top edge down (let the flap flip out). Fold the tail to the right.
11) leave a gap then fold the tail back. Turn over.
14) Leave a gap then fold the tail back. Turn over.
12) Fold the corner over. Fold the angled edges to the vertical centre.
15) Fold the top flap down (let the flap flip out).
Walter Palmer, the US dentist who killed Cecil the Lion in Zimbabwe, paid about £32,000 for the “pleasure”. He claims that he thought the hunt was legal and was unaware Cecil was protected. Leaving aside the nature of the man who enjoys this type of murder, the fact is the kill could easily have been perfectly legal. How, in this day and age, can any country allow the massacre of such a magnificent and endangered species?
184
Cecil the Lion/Nick Robinson
Star Anise
Dáša Ševerová
Complex
©2016 - Switzerland
Paper recommendation: thicker paper around 100 gsm should work well. For the first try, use bicolor paper. Size: 15 cm square will produce a star with diameter around 10 cm.
1
Colored side up.
2
Bisect all angles as shown.
3
5
Fold as indicated, crease only in the middle. Repeat 7 more times. Turn over.
6
4
Cut off all corners.
Fold as indicated, don't crease in the middle. Repeat 7 more times.
Colored side up, crease only in the middle. Repeat 7 more times.
7
Star Anise/ Dáša Ševerová
Fold in half using existing crease.
185
8
Be careful, folds on the left and on the right side are similar, but not the same. Turn over after.
9
10 11
Crease only where it is needed. Repeat 7 more times.
12 Form a structure similar to table cloth using shown lines.
186
13
Same as step 8. Folds are different on the left and on the right side.
Unfold to step 7, repeat steps 7 - 9 three more times.
Something like this. Continue collapsing as shown. Repeat 7 more times.
Star Anise/Dáša Ševerová
2 1
15 16 First fold part 1, then part 2. Carefully squash the middle part (next step shows the result).
14
17 Repeat steps 15, 16 all around. 18
Bring all marked points together to create star like shape.
20 Turn over. 19
Fold as indicated to lock the central part. Repeat all around.
Star Anise/ Dáša Ševerová
187
Model is almost flat from the top side now. Place both your thumbs on marked circles with other fingers supporting the model from downside (as shown in schematic side view) and push carefully down to open the model a bit. Repeat the procedure from three more directions (I, II, III) until you gain the final shape. In the end the model should stand still on the flat surface. If it does not, continue with opening.
I.
II.
III.
Schematic side view in the beginning: III.
II.
I.
Schematic side view of the final shape:
Finished model:
You can shape the model to give it more rounded look:
188
Star Anise/Dáša Ševerová
Nocturnal Car
Mark Sigalovsky
Complex
©2003 - Kazakhstan
Nocturnal Car/Mark Sigalovsky
189
190
Nocturnal Car/Mark Sigalovsky
Nocturnal Car/Mark Sigalovsky
191
192
Nocturnal Car/Mark Sigalovsky
Nocturnal Car/Mark Sigalovsky
193
194
Angel
Rob Snyder
Simple
©2015 - Ohio
Angel/Rob Snyder
Secret Heart Owl
Rob Snyder
Low Intermediate
©2015 - Ohio
Square, white side up
Squash fold eyes.
Secret Heart Owl/Rob Snyder
195
Pull slightly to form horns
Fold up beak.
Unfold squashed squares to form and shape eyes.
196
Secret Heart Owl/Rob Snyder
Complete. Hold up to the light to reveal the heart.
Sea Serpent Dragon Intermediate
Sea Serpent Dragon/Tom Stamm
Tom Stamm JC Nolan (diagrams) ©1992 - California
197
8-14 A
A A
A
Super Accurate here... but also soft in the creases when near the point, don't over stress the paper. Also, keep all layers flat and intact.
198
Sea Serpent Dragon/Tom Stamm
head
wing
wing
tail
Sea Serpent Dragon/Tom Stamm
199
200
Sea Serpent Dragon/Tom Stamm
Sea Serpent Dragon/Tom Stamm
201
202
Sea Serpent Dragon/Tom Stamm
Flapping Pheasant Bookmark
Joel Stern
Low Intermediate
©2013 - California
2. Fold top edge to bottom. Repeat behind.
3. Fold and unfold top left corner to bottom edge; repeat behind.
1. Color side up. Fold bottom to top.
4. Inside reverse top left corner; repeat behind.
7. Fold and unfold single flap on the left.
10. Fold in half top to bottom.
13. Squash-fold.
5. Fold and unfold left corner inward; repeat behind.
8. Bring top and bottom edges to center and pinch, then unfold.
11. Pleat the front flap, tucking the shaded portion inside as you bring the vertical crease made in step 7 to the crease made in step 9; repeat behind. When complete, the shaded portion will be completely hidden. This is also known as a crimp fold.
14. Fold and unfold edges to center.
Flapping Pheasant Bookmark/Joel Stern
6. Unfold.
9. Fold and unfold corners to the pinchmarks.
12. Fold the left flap over; repeat behind.
15. Petal-fold.
203
16. Fold diamond in half. Tilt the model slightly.
17. Reverse-fold head. Fold up at the diagonal; repeat behind.
The Flapping Peacock Bookmark
To flap the wings, pull and push the flaps.
204
Flapping Pheasant Bookmark/Joel Stern
Peace Sign
Hadi Tahir
Intermediate
©2014 - Indonesia
Peace Sign/Hadi Tahir
205
206
Dolphin
Hsi-Min Tai
Intermediate
©2015 - Taiwan
Dolphin/Hsi-Min Tai
Dolphin/Hsi-Min Tai
207
208
Butterfly and Heart
Benjamin Tan
Intermediate
©2010 - Singapore
Butterfly and Heart/Benjamin Tan
Butterfly and Heart/Benjamin Tan
209
Rabbit
Tuan Nguyen Tu
Intermediate
©2009 - Vietnam
1
2
Fold and unfold.
4
Valley fold to the center.
Crimp fold and pull back the ears.
Crimp fold the ear. Reverse fold the mouth, jaw and back Mountain fold the leg. Repeat behind.
Repeat behind.
11
10
Crimp fold to create the eyes & hind leg. Sink to creat the tail. Shaping the back, front legs & thigh.
Open sink.
9
8
7
Reverse fold.
6
5
Mountain fold at the axis, crimp fold.
210
3
Rabbit
Rabbit/Tuan Nguyen Tu
Crimp fold the thigh. Repeat behind.
Dachshund
Yara Yagi Marc Sky (diagrams) ©2015 - Brazil
Intermediate
1
2
3
4
5
6
7
8
9
NOSE COLOR SIDE
Dachshund/Yara Yagi
211
10
11
12
13 HEAD TAIL 1/3
1/4
2/3
14
15
Fold, then open.
Angle bisect up to crease line.
16
17
Reverse the creases to match the other side. Blunt the nose.
212
Dachshund/Yara Yagi
Pleat/push in to collapse...
18
...in progress...
21
Push in...
24
19
20
...in progress...
22
...in progress...
25
23
...squash flatten.
26
Fold under.
Pinch the crease...
...push to the right...
Dachshund/Yara Yagi
...flatten. Repeat steps 21-25 behind.
213
27
28
Squash.
Petal fold.
29
30
31
32 33
214
Dachshund/Yara Yagi
34
35
Diagonal creases.
36
TOP VIEW
Spread open the top and sink the points...
38
37
...in progress, push center down...
39
...in progress. Repeat with other three points. ...in progress...
40
41
Inside reverse fold bottom points.
Dachshund/Yara Yagi
215
42
43
Fold along crease lines, then pull down.
44
45
46
...in progress...
...in progress...
Fold in half, then curve up.
47
Pinch front leg point and third point and stretch, then mountain fold and collapse underneath (similar to stretched bird base technique). Repeat to collapse other two points.
216
Dachshund/Yara Yagi
Sink top points.
VARIATION
Leyla Torres created a step-by-step video of the folding sequence. You can watch it at www.origamispirit.com/2015/08/origami-dog-dachshund. Dachshund/Yara Yagi
217
Hen and Chicks
Yara Yagi Halle (diagrams) ©2012 - Brazil
Low Intermediate
bbyy Yara Yarrra a Yagi YYaggi gi
Wet folding ng
Gallina: 15 x 15 Pollitos: 8 x 8 Papel de 80 ggramos
218
En proceso
Hen and Chicks/Yara Yagi
Presionar la parte posterior del cuello del modelo con el dedo índice, mientras se levanta la cola con el pulgar
Hen and Chicks/Yara Yagi
219
Puede plegarse el cuello hacia la derecha o hacia la izquierda
Red Redo Redondear
Proceso y diseño: Yara Yagi Diagramas by Halle 2012
220
Hen and Chicks/Yara Yagi
Penguin Box
Makoto Yamaguchi Origami House (diagrams) ©2016 - Japan
Intermediate
Penguin Box/Makoto Yamaguchi
221
222
Penguin Box/Makoto Yamaguchi
Penguin Box/Makoto Yamaguchi
223
224
Penguin Box/Makoto Yamaguchi
Sarah’s Star
Evan Zodl
Low Intermediate
©2016 - New Jersey
Sarah’s Star Designed and Diagrammed by Evan Zodl
1. Fold and unfold.
2. Fold two opposite corners to the center. Turn the model over.
3. Fold and unfold.
5. Bisect the marked angle and crease half way.
6. Repeat step 5 three more times.
1/8
4. Fold and unfold. Rotate the model 1/8 turn.
a b c
7. Create two new creases using existing creases as references. Turn the model over.
8. Create two new creases as in step 7. Turn the model over.
Sarah’s Star/Evan Zodl
9. Collapse along existing creases.
225
11. Rabbit-ear along existing creases. 10. Scale change. Fold over the top group of layers along an existing crease.
12. Fold over the top group of layers along an existing crease.
13. Create two angle bisectors.
14. Fold over the top group of layers along an existing crease.
15. Fold up the top flap using the indicated references.
16. Fold over the top group of layers along an existing crease.
17. The result. Turn the model over.
18. Completed unit. Now you must fold 7 more.
1/16
19. Begin the assembly with two units. Turn over both units.
226
20. Fold over the top group of layers along existing creases. Rotate each unit 1/16 turn.
Sarah’s Star/Evan Zodl
1/16
21. Fold over the top group of layers on the first unit.
22. Fold over the top group of layers on the second unit.
23. Mountain-fold behind to align with the long axis of the second unit.
24. Mountain-fold behind to lock both units together.
25. Pull out the trapped layers from inside.
26. Reinforce existing mountain folds to flatten the untrapped layers.
27. Mountain-fold the flaps behind to hide the untrapped layers.
28. The result. Turn the model over.
29. Repeat steps 19-28 on the remaining six units to complete the assembly.
30. Completed Sarah’s Star.
Sarah’s Star/Evan Zodl
227
Origami Basics Line Styles
Valley Fold
Mountain Fold or
Crease
Hidden/X-Ray
228
Origami Basics
Arrows
Fold Forward
Fold Behind
Fold and Unfold or
Sink/Reverse/ Push In/ or Closed Sink
Turn Over
Rotate 90°, 1/2 Turn, Etc. 1/2
1/2
Repeat
Origami Basics
229
Maneuvers
Reverse Fold
Crimp
Rabbit Ear
Squash
Petal Fold
Sink
Closed Sink
230
Origami Basics
Sink Triangularly
Pleat
Swivel
Common Bases
Kite Base/ Ice Cream Cone Base
Fish Base
Waterbomb Base
Preliminary Base
Origami Basics
231
Bird Base
Frog Base/Lily Base
Windmill Base
Stretched Bird Base
Blintzed Bird Base
232
Origami Basics
Index by Model
Cupid’s Arrow
Angel
Dove
Dachshund
Dolphin
194
90
44
130
65
181
208
Inayoshi, Hidehisa
13
Elephant
103
Flapping Pheasant Bookmark
203
Fleur de Noyer
38
Diard, Lydia
55
Fox
76
Gueros, Mathieu
183
Robinson, Nick
Chopstick Envelope (Strawberry)
Eight-Pointed Star
Stern, Joel
Galindo, Richard
Cecil the Lion
165
Kirschenbaum, Marc
Tan, Benjamin
Camel
8-Pointed Starburst Flower
Bettens, Christiane
Randolph, James
Butterfly and Heart
24
Okabe, Nobuko
Gu, Lee Jae
Bird with Stand
Dragon d’Anger, Max
Marchetti, Peter
Basset Hound
179
Quyet, Hoàng Tien
Flores, Edwin Claudio
Axolotl
206
Tai, Hsi-Min
Kato, Shuki
Armadillo
211
Yagi, Yara
Snyder, Rob
Anime Forest Spirits
15
Chen, Sy
Good Grief
1
Artigas, Jesús
87
Hen
162
Nino, Jaime
Index of Models
233
Hen and Chicks
218
Yagi, Yara
Lathyrus
127
105
5
52
189
174
205
221
111
84
Pham, Hoang Tuan
234
195
Slug
139
Space Telescope
32
Star Anise
185
Swallow
142
TIM the Beaver (Face)
48
Fung, Michelle
11
Berty, Viviane
Rabbit
Secret Heart Owl
Morollón, Ángel
Hudson, Andrew
Puppy
62
Ševerová, Dáša
Liu, Tong
Polychrome Tato
Seahorse
Dementiev, Ivan Puppy
Yamaguchi, Makoto
Phonograph
197
Meij, Bas
Tahir, Hadi
Penguin Box
Sea Serpent Dragon
Snyder, Rob
Queiroz, Paulo
Peace Sign
135
Gardin, Yannick
Sigalovsky, Mark
Orchid
Scorpion
Stamm, Tom
Gajardo, Nicolas
Nocturnal Car
225
Martinez, Leonardo Pulido
Berty, Viviane
Mushroom Monster
Sarah’s Star Zodl, Evan
Kobayashi, Hiroaki
Mimi the Mouse
210
Tu, Tuan Nguyen
Lukasheva, Ekaterina
Little Whale
Rabbit
Uintatherium
151
Nikulshin, Pavel
169
Wheel Bowl Jaramillo, Jorge
Index of Models
88
White Rhino
116
Liu, Tong
Winged Heart
147
Nguyen, Lisa
Winged Wolf
18
Condori, Julio Eduardo
Yale-Type Cylinder Lock Key
149
Nguyen, Lisa
Yellow Henchmen
121
Liu, Tong
Index of Models
235
Cover Illustration by Nathan Zeichner Cover based on Rabbit, courtesy of Tomoko Fuse and Carrot, courtesy of Jun Maekawa, diagrams available in the 18th Origami Tanteidan Convention collection book Origami Basics section by Marc Kirschenbaum Publication Team Isabella Gandler Marcio Noguchi Omer Shalev Nathan Zeichner
Managing Editors Marc Kirschenbaum JC Nolan Daniel Scher
Submissions to the Origami Collection and other OrigamiUSA publications can be sent to [email protected]. A submission form and copyright guidelines can be found at origamiusa.org/submissions.
i
Table of Contents
About the Collection Picture Index The 2016 Origami Collection Origami Basics
v vi 1 228
iii
About the Origami Collection The Origami Collection was born in 1980 from ideals fostered by the founding members of OrigamiUSA. Michael Shall (1949-1995) launched this yearly anthology to share origami models from around the world. His mentor, Lillian Oppenheimer (1898-1992), provided the springboard for this effort, as many of the models were drawn from her collection and connections she cultivated. Alice Gray (1914-1994) also provided inspiration by streamlining the communication of origami ideas. All of the novice-level works in this collection are dedicated to Alice and her love of simple, elegant pieces. Throughout the years as our presentation has grown more polished, the goal of showcasing great origami has not diminished. The editors of the Origami Collection spend many hours curating, testing and editing origami designs to produce a book that will appeal to origami aficionados of all levels and interests. Variety is a key criterion; you will find works here by established origami artists as well as many hidden gems from up-and-coming stars. Most of the pieces are making their debut in these pages. We hope you are as excited about discovering these diagrams as we are in presenting them.
v
Picture Index Picture Index Artigas, Jesús Good Grief Page 1
d’Anger, Max Dragon Page 24
Berty, Viviane
vi
Condori, Julio Eduardo Winged Wolf Page 18
Berty, Viviane Mimi the Mouse Page 5
Puppy Page 11
Dementiev, Ivan Space Telescope Page 32
Bettens, Christiane
Diard, Lydia
Eight-Pointed Star Page 13
Fleur de Noyer Page 38
Chen, Sy
Flores, Edwin Claudio
Cupid’s Arrow Page 15
Armadillo Page 44
Artigas, Jesús
Condori, Julio Eduardo
Good Grief Page 1
Winged Wolf Page 18
Berty, Viviane
d’Anger, Max
Mimi the Mouse Page 5
Dragon Page 24
Berty, Viviane
Dementiev, Ivan
Puppy Page 11
Space Telescope Page 32
Bettens, Christiane
Diard, Lydia
Eight-Pointed Star Page 13
Fleur de Noyer Page 38
Chen, Sy
Flores, Edwin Claudio
Cupid’s Arrow Page 15
Armadillo Page 44
Picture Index
Fung, Michelle
Gueros, Mathieu
TIM the Beaver (Face) Page 48
Fox Page 76
Gajardo, Nicolas
Hudson, Andrew
Mushroom Monster Page 52
Polychrome Tato Page 84
Galindo, Richard
Inayoshi, Hidehisa
Camel Page 55
Chopstick Envelope (Straberry) Page 87
Gardin, Yannick
Jaramillo, Jorge
Seahorse Page 62
Wheel Bowl Page 88
Gu, Lee Jae
Kato, Shuki
Basset Hound Page 65
Anime Forest Spirits Page 90
Picture Index
vii
viii
Kirschenbaum, Marc
Lukasheva, Ekaterina
Elephant Page 103
Lathyrus Page 127
Kobayashi, Hiroaki
Marchetti, Peter
Little Whale Page 105
Axolotl Page 130
Liu, Tong
Martinez, Leonardo Pulido
Phonograph Page 111
Scorpion Page 135
Liu, Tong
Meij, Bas
White Rhino Page 116
Slug Page 139
Liu, Tong
Morollón, Ángel
Yellow Henchmen Page 121
Swallow Page 142
Picture Index
Nguyen, Lisa
Pham, Hoang Tuan
Winged Heart Page 147
Rabbit Page 170
Nguyen, Lisa
Queiroz, Paulo
Yale-Type Cylinder Lock Key Page 149
Orchid Page 174
Nikulshin, Pavel
Quyet, Hoàng Tien
Uintatherium Page 151
Dove Page 179
Nino, Jaime
Randolph, James
Hen Page 162
Bird with Stand Page 181
Okabe, Nobuko
Robinson, Nick
8-Pointed Starburst Flower Page 165
Cecil the Lion Page 183
Picture Index
ix
x
Ševerová, Dáša
Stern, Joel
Star Anise Page 185
Flapping Pheasant Bookmark Page 203
Sigalovsky, Mark
Tahir, Hadi
Nocturnal Car Page 189
Peace Sign Page 205
Snyder, Rob
Tai, Hsi-Min
Angel Page 194
Dolphin Page 206
Snyder, Rob
Tan, Benjamin
Secret Heart Owl Page 195
Butterfly and Heart Page 208
Stamm, Tom
Tu, Tuan Nguyen
Sea Serpent Dragon Page 197
Rabbit Page 210
Picture Index
Yagi, Yara Dachshund Page 211
Yagi, Yara Hen and Chicks Page 218
Yamaguchi, Makoto Penguin Box Page 221
Zodl, Evan Sarah’s Star Page 225
Picture Index
xi
Good Grief!
Jesús Artigas
Low Intermediate
©2014 - Spain
5
2
B A
1
3
4
B A
Good Grief!/Jesús Artigas
1
6
A
8 B
5 A B
9 7
10
11
2
Good Grief!/Jesús Artigas
12
17
10-17
18
16 15
13 14
Good Grief!/Jesús Artigas
3
20B
21B
20A
22B
19
23B
23A 21A
22A
[email protected] [email protected] g g g g 4
Good Grief!/Jesús Artigas
Mimi the Mouse
Viviane Berty
Low Intermediate
©2013 - France
Mimi la Souris © Viviane Berty 2013 Pour un premier essai, prendre un carré de 21 cm X 21 cm. For a first try, use a 21 cm X 21 cm square.
1 2
Couleur des yeux dessus Color of the eyes up.
3
4
Mimi the Mouse/Viviane Berty
5
5
6
7
8
Marquer fortemement les plis sur toutes les couches Crease firmly through all the layers. 9 10
6
Mimi the Mouse/Viviane Berty
11
12
13 Pli écrasé pour les yeux Squash-fold to form the eyes.
14
15
16
Mimi the Mouse/Viviane Berty
7
17
18
19
20 Dégager les couches du dessous pour préparer le changement de couleur du nez. Pull out the underneath layers to prepare a color change for the nose
21 22
8
Mimi the Mouse/Viviane Berty
23
25
24
26
Mimi the Mouse/Viviane Berty
9
27 28
Plier en vallée pour affiner la queue et pincer à la base du dos en soulevant les petits volets pour former le derrière. Form the backside by pinching at the bottom and inflating the inner pockets.
10
Mimi the Mouse/Viviane Berty
Puppy
Viviane Berty
Low Intermediate
©2015 - France
Petit chien /Puppy ©V Viviane Berty 2015 Papier kami bicolore 15 cm X 15 cm
Bicolor kami paper 15 cm X 15 cm
3
2
1
4
6
5
Base du renard de Quyet Hoang.
Quyet Hoang’s Fox base. 7
8
9 11
10 Ouvrir le modèle par dessous pour plier les bissectrices.
Open the model underneath to fold the bissector angles.
Puppy/Viviane Berty
11
Pli inversé intérieur pour former la queue.
12
12 bis
Inside reverse fold to form the tail.
Vue intermédiaire. Bien comprimer les couches à l’endroit indiqué avant de refermer le modèle.
Intermediate view. Press the layers where indicated before closing the model.
Modèle terminé. Pliage simple.
Modèle terminé. Pliage humide.
Complete model. Dry folding.
Complete model. Wet folding.
Variations 7 bis 12 bis
Pour changer l’attitude du chien, modifier l’angle du pli vallée à l’étape 7.
To modify the dog’s posture, change the valley fold angle on step 7.
12
Ajuster les couches de papier décalées.
Adjust the shifted layers.
Puppy/Viviane Berty
Eight-Pointed Star
Christiane Bettens
Intermediate
©2016 - France 3
2
1
4
5
6
7
octagonal twist
Eight-Pointed Star/Christiane Bettens
13
9
8
7-9
(unfold ap from step 7 before repeating)
10
11
45°
back side completed
12
rotate the twist 45° counter-clockwise, creating valley-folds on the layer behind
13
octagonal twist
Done ! Mélisande* 2016 www.origami-art.org
14
Eight-Pointed Star/Christiane Bettens
Cupid’s Arrow
Sy Chen
Intermediate
©2015 - Maryland
) * *+,
*#*+ #**+ - "./ $ 0 ' 1 /2"" 1 $ ". . .% ./
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Cupid’s Arrow/Sy Chen
#$ % " %
15
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6 ,7 . .
" "/. "
-8" 5
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16
Cupid’s Arrow/Sy Chen
$" % $ % " % $ "%" .% "
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- 5
( ,
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Cupid’s Arrow/Sy Chen
17
Winged Wolf
Julio Eduardo Condori
Complex
©2010 - Bolivia
1
2
3
5
4
9
6
7
10
8
Sacar la capa que esta por dentro
Sacar la capa que esta por dentro
18
Winged Wolf/Julio Eduardo Condori
12
11
Abrimos lo de adentro
14
13
Hundimos
16
15
Hacer una marca interna
17 Girar
18
22
Repetimos el mismo paso 17 por atrás
23
19
20
24
25
21
Abrir y Girar
Winged Wolf/Julio Eduardo Condori
19
26
27
28
En esta parte podemos observar de cómo el centro se estira para luego ser colapsada
Una vez marcado se va colapsando al mismo tiempo estirando el sector del medio
29
31
30
32
33
Abrimos una capa
34
35
36
Abrimos una capa
38
20
39
40
Winged Wolf/Julio Eduardo Condori
37
41
42
44
43
Volteamos la sección marcada
46
45
Volteamos la sección marcada
47
48
Pliegue escalonado en la cola
49
50
Subir una capa que esta por detras Voltear para el cambio de color en la cola
Winged Wolf/Julio Eduardo Condori
21
52
51
54
53
Hacer un pliegue oreja de conejo
55
56
59
58
61
60
Hacer un pliegue oreja de conejo en las patas traseras
22
Hacer un pliegue oreja de conejo en las patas delanteras
Winged Wolf/Julio Eduardo Condori
57
63
62
Dar forma de alas al lobo de forma escalonado , no solo las alas si no también la cola como se muestra la figura final
Fin del Modelo
Winged Wolf/Julio Eduardo Condori
23
24
Dragon
Max d’Anger
Complex
©2015 - United Kingdom
Dragon/Max d’Anger
Dragon/Max d’Anger
25
26
Dragon/Max d’Anger
Dragon/Max d’Anger
27
28
Dragon/Max d’Anger
Dragon/Max d’Anger
29
30
Dragon/Max d’Anger
Dragon/Max d’Anger
31
Space Telescope
Ivan Dementiev
Complex
©2015 - Russia
01. Recommended paper: thin, 16 x 48 cm. Begin the white side up. Divide the sheet by any available method into 4 and into 12 parts accordingly. Detailed view.
02. Divide each part into 2 parts.
3
03. Repeat step 2.
1 32
Space Telescope/Ivan Dementiev
04. The basic grid 16
48 is ready.
05. Mark the creases as shown, using the grid lines.
06. Mark the creases as shown
Space Telescope/Ivan Dementiev
33
07. Mark the creases as shown.
09. Repeat steps 5-9 with the bottom half.
08. Mark the creases as shown.
34
Space Telescope/Ivan Dementiev
10. Done. Turn over
11. Fold on mentioned lines
Space Telescope/Ivan Dementiev
35
36
12. The view from the front side.
13. The view from the back side.
14. Lift the edge of central portion at an angle of 90 degrees.
15. Fold the central part as shown.
Space Telescope/Ivan Dementiev
19. Finish.
17. Bend the edges.
7
5
9 18. Twisting in a spiral. The free end of the spiral place a inside the model.
Space Telescope/Ivan Dementiev
37
38
Fleur de Noyer
Lydia Diard
Complex
©2015 - France
Fleur de Noyer/Lydia Diard
Fleur de Noyer/Lydia Diard
39
#
!
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40
Fleur de Noyer/Lydia Diard
(
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Fleur de Noyer/Lydia Diard
41
!
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42
Fleur de Noyer/Lydia Diard
"
!
Fleur de Noyer/Lydia Diard
43
Armadillo
Edwin Claudio Flores
Intermediate
©2009 - Bolivia
1
4
7
44
2
3 ("&+$*'+ '+ $*(%
5
8
Armadillo/Edwin Claudio Flores
6
9
10
11
14
15
12
13
16
17
45◙
19
18
20
23
22
21
24
25
%"(- )%"( )* " &)%
Armadillo/Edwin Claudio Flores
26
45
27
28
30 (+$" + )"%$%
29
31
33
%", (" ( " &)%
32
34 35 -%)
46
39
Armadillo/Edwin Claudio Flores
38
37
36
40
41
42
43
44
45
(+$+$&" + %( ! %$ ! $"%"- $") %( !)-( %(#" '+ ('+ $ %
$ "% "%
Armadillo/Edwin Claudio Flores
47
TIM the Beaver (Face)
Michelle Fung
High Intermediate
©2010 - California
TIM the Beaver (Face)
Model & Diagrams by Michelle Fung Designed: 10/2010 Diagrammed: 11/2011 www.michellefung.net 1
2 3
Start white side up. Fold and unfold.
Rabbit ear.
Valley fold.
5
6
4
Pull out the layer underneath. Squash fold.
48
TIM the Beaver (Face)/Michelle Fung
Reverse fold along lines.
14 16
15 Pull inner layer out.
13
Petal fold.
Squash fold.
12
11
Valley fold.
10
Pull inner layer out.
7
8
Valley fold.
2-7
9
Rabbit ear.
Mountain fold.
Repeat steps 2-7 on the other side.
TIM the Beaver (Face)/Michelle Fung
Fold and unfold. The valley fold will form an approximately square area.
49
18
17
19 20
Valley fold.
Crease lightly.
Petal fold. Unfold step 16.
21 22
23
Valley fold. Flip out corner flap.
29
Pleat.
30
Pleat.
28 24
Valley folds.
Back
Front
Unfold steps 26-29 while keeping the spread sinks in place.
Spread sinks on the right and left edges.
Front
25
Underside
27
26
Mountain folds. Mountain and swivel folds. Mountain fold.
50
TIM the Beaver (Face)/Michelle Fung
47
46
45
48
49
Mountain folds. Mountain folds. Mountain fold to round edges. Open sink above teeth.
Mountain folds.
42
43
44
Done!
41 Tuck excess flaps underneath top layer.
Squash fold. Mountain folds with swivel folds at the base.
Reverse fold tips of ears. Mountain fold to round edges.
40
38
39
37 Squash fold.
Reverse fold.
Petal fold.
Pull out paper to reveal white side.
36 35 34
Mountain and valley folds. No new creases are made in this step. The circled corners correspond to the points circled in step 37.
Unfold to step 32, then spread front open along middle. Valley fold.
33 32
31
Turn over.
Closed sinks and petal folds on right and left sides. The paper should lie flat.
TIM the Beaver (Face)/Michelle Fung
Rabbit ear.
51
Mushroom Monster
Nicolas Gajardo
Intermediate
©2014 - Colombia
1 2
4 3
5 6
7
Hundido abierto por la mitad de las solapas
52
Mushroom Monster/Nicolas Gajardo
Marcar
8
10 9
11
12 13 Estirar
15 16 14
Liberar capa
18 19 Repetir los últimos pasos en la otra solapa
17
20
Mushroom Monster/Nicolas Gajardo
53
21 23 22
25
24
26 Estirar las capas del interior
27 28
29 30
Modelar
54
Mushroom Monster/Nicolas Gajardo
Camel
Richard Galindo Halle (diagrams) ©2014 - Bolivia
CAMELLO
Complex
by Richard Galindo
1 6
30 x 30 Permite muchos tipos os de papel Desplegar todo
3 2 5
4
7
8
9 Camel/Richard Galindo
55
17
18
21 21
16
1199
20
1155
10 56
14
11 Camel/Richard Galindo
13
12
2 23 22 24 45º 45º
2 26
25
27
288
Crimp, con un pliegue invertido interior. Ver siguiente paso
En proceso
31
30 29 Al hacer el pliegue, se empuja una capa interna
Camel/Richard Galindo
57
42
41 41
40 40 39 33 32
30-
34
3388
37 35
58
Pliegue invertido exterior
Pasar una capa delante
Camel/Richard Galindo
36
444 Desplegar hasta el paso 39
43
Pliegue compuesto de un doble crimp y pliegue invertido exterior
4455
46 47
51 51
48 Pliegue petalo 50
49 Camel/Richard Galindo
59
63
64 Desdoblar. Abrir y mirar por dentro
65 62
55-61
Pliegue invertido exterior
61 59
5533
60 Squash fold
Pasar la capa al interior
58
54
56
55 55
60
57 Camel/Richard Galindo
Formar la cabeza
71
66
67
Hundido abierto
68
Modelar la oreja
70
Modelar el morro
69
Creador: Richard Galindo Flores Simbolos: Pere Olivella Diagramas by Halle 2015
72
Redondear el abdomen
73
Bajar una capa
Camel/Richard Galindo
74
61
62
Seahorse
Yannick Gardin
Intermediate
©2014 - France
Seahorse/Yannick Gardin
Seahorse/Yannick Gardin
63
64
Seahorse/Yannick Gardin
Basset Hound
Lee Jae Gu
Complex
©2015 - Korea
1
3
2
4 4/1
Basset Hound/Lee Jae Gu
65
5
7
9
6
8
10 3/1
66
Basset Hound/Lee Jae Gu
11
12
13
15
14
16
17
Basset Hound/Lee Jae Gu
67
18 19
20 4/1
21
22 4/1
23
68
Basset Hound/Lee Jae Gu
24
25
26
27
28
29 27~28
Basset Hound/Lee Jae Gu
69
30
31 1
32
1
33
35
34
36
37
평행하게 70
Basset Hound/Lee Jae Gu
38
39
40
41
42
43 반대쪽도 똑같이
Basset Hound/Lee Jae Gu
90도
71
44
45
46
47
48 49
72
Basset Hound/Lee Jae Gu
50
52
54
51
49~50
53
55
Basset Hound/Lee Jae Gu
73
57
56
58
60
74
59
61
Basset Hound/Lee Jae Gu
62
63
64
65
Basset Hound/Lee Jae Gu
75
Fox
Mathieu Gueros
Intermediate
©2015 - France
76
Fox/Mathieu Gueros
Fox/Mathieu Gueros
77
78
Fox/Mathieu Gueros
Fox/Mathieu Gueros
79
80
Fox/Mathieu Gueros
Fox/Mathieu Gueros
81
82
Fox/Mathieu Gueros
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Fox/Mathieu Gueros
83
Polychrome Tato
Andrew Hudson
Complex
©2009 - California
, - #- ),.# */$# ( #** " 0 &
84
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85
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86
Polychrome Tato/Andrew Hudson
Chopstick Envelope (Strawberry)
Hidehisa Inayoshi
Intermediate
©2013 - Japan
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Chopstick Envelope (Strawberry)/Hidehisa Inayoshi
87
Wheel Bowl
Jorge Jaramillo
Complex
©2015 - Colombia
Use a stiff, rather thick square of paper of at least 15 cm on the side.
©
1
3
2
4 5
6
x7
7
88
x7
8
Wheel Bowl/Jorge Jaramillo
9
22.5°
x7 [9]
10. If this step is being difficult, perform it with every pair of sides and then fold all together.
11
x7
13. The diamond shape should be concave. 12. The black dot should be concave, the mountain While doing this move, press from behind to creases as well as the short valleys, should already be help the area take shape, and on the front there. The long valley crease should form in the process. reinforce the mountain crease. Bring the top corner down to the reference. The area around the dot should become 3D and keep its shape by itself.
14
Wheel Bowl/Jorge Jaramillo
89
90
Anime Forest Spirits
Shuki Kato
Complex
©2016 - Montana
Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato
91
92
Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato
93
94
Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato
95
96
Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato
97
98
Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato
99
100
Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato
101
102
Anime Forest Spirits/Shuki Kato
Little Whale
Hiroaki Kobayashi
High Intermediate
©2015 - Japan
Little Whale/Hiroaki Kobayashi
105
106
Little Whale/Hiroaki Kobayashi
Little Whale/Hiroaki Kobayashi
107
108
Little Whale/Hiroaki Kobayashi
Little Whale/Hiroaki Kobayashi
109
110
Little Whale/Hiroaki Kobayashi
Phonograph
Tong Liu
Intermediate
©2014 - China
[email protected]
© 2014 Tong Liu Origami
Phonograph/Tong Liu
111
112
Phonograph/Tong Liu
Phonograph/Tong Liu
113
114
Phonograph/Tong Liu
Phonograph/Tong Liu
115
White Rhino
Tong Liu
Intermediate
©2015 - China
Use paper that is the same color on both sides.
116
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White Rhino/Tong Liu
White Rino/Tong Liu
117
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90°
118
White Rhino/Tong Liu
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White Rino/Tong Liu
119
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120
White Rhino/Tong Liu
Yellow Henchmen
Tong Liu
Complex
©2015 - China
www.flickr.com/photos/gt-liu e-mail: [email protected]
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121
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123
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125
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126
Yellow Henchmen/Tong Liu
Lathyrus
Ekaterina Lukasheva
Complex
©2013 - California
Lathyrus/Ekaterina Lukasheva
127
128
Lathyrus/Ekaterina Lukasheva
Lathyrus/Ekaterina Lukasheva
129
Axolotl
Peter Marchetti
High Intermediate
©2015 - Pennsylvania
Axolotl
Diculty: High-Intermediate Folding Time: 20-40 mins Recommended Paper: 25x25 cm Designed by Peter Marchetti Diagrams ©2015 Peter Marchetti
2
1
3 Slide the top layer over.
45
Start with white side up. Fold in half and unfold, then fold the upper half in half and unfold.
Fold into quarters, alternating mountain and valley.
4 5 6
Fold the corner up. Fold a rabbit ear. Fold both small aps over and unfold.
7 8
The marked distances should be about equal.
130
Repeat steps 3-7 on the other side.
Axolotl/Peter Marchetti
9
Fold and unfold through all layers.
19
20
Crease the angle bisectors.
18
Repeat steps 17-20 behind.
Crease the diagonals of the 'outer' square.
17 Fold the large ap over.
14
15
Sink darkened part in and out.
Repeat steps 11-14 behind.
16
13
Fold both aps to the other side.
Fold into quarters and unfold.
10 Inside reverse fold, forming a pleat.
12 11
Open sink.
Fold and unfold.
Axolotl/Peter Marchetti
131
24 Fold nearest ap to the left.
23 22
Crimp using the fold made in steps 19-20.
Fold the left half of the ap over, while pulling the circled point down.
21 Squash fold.
25 Fold it back, pulling the circled point down.
28
26
Repeat for the two smaller aps.
Open out the aps.
27 Focusing on the area around the aps, thin out the largest one, by reverse folding along the angle bisectors as shown.
29
32 Fold the three shorter aps over.
Repeat steps 22 to 23 behind.
30 Fold and unfold. Note that these are not angle bisectors.
132
31 Open sink to thin legs and gills.
Axolotl/Peter Marchetti
41 40
Thin the tail.
Repeat for the front legs.
39 Pull hind legs down as far as you can. Be gentle- don't tear the paper.
37 Fold the model closed again, with the legs inside. Incorporate a reverse fold to adjust the head's position. The gills may not lie at.
38 Result.
36 Open up the model.
33 Crease through all layers. Note the reference point.
35 Fold the gills back to the right.
34 Outside reverse fold.
Axolotl/Peter Marchetti
133
43 Spread the gills to the left, while valley folding the top gill upwards.
42 Focus on the head.
45 Unwrap the paper around the upper two gills and fold it behind. Be gentle- it's easy to rip the paper here.
44
Unwrap the paper around the lowest gill and fold it behind.
46 Fold the gills out to the side.
Finished.
47 Repeat steps 43-47 behind.
49 Press down on the head, to widen it slightly.
48 Shape the head, legs, and tail.
134
Axolotl/Peter Marchetti
Scorpion
Leonardo Pulido Martinez
Complex
©2004 - Colombia
Use bicolor paper White side up
http://www.flickr.com/photos/origamileo/
1. Form a Water Bomb Base
2. Squash fold 3. Petal fold
2-5
4. Fold down the tip
5. Valley fold in half
6. Repeat steps 2 - 5
= =
7. Open sink in half (precrease first)
8. Sink and fold up (precrease first)
Scorpion/Leonardo Pulido Martinez
9. Pleat
135
180º
= = = = 10. Open view in this tip
11. Fold and unfold at 1/4
12. Valley fold (90º)
12-14
13. Valley fold
17. Moutain fold behind
14. Unfold
15. Repeat steps 12 - 14
18. Squash
19. Sink
16. Open and squash from the creases
20. Squash
180º 21. Valley fold
10-22 22. Close
24. Turn over
136
23. Repeat steps 10 - 22
=
= = = = = = 25. Divide in eight parts
Scorpion/Leonardo Pulido Martinez
=
26. Pleat
27. Sink
28. Sink
29. Repeat sink
30. Sink at 1/4 in each side ( View CP`s structure))
31. Sink at 1/4 in each side (View CP`s structure)
Scorpion/Leonardo Pulido Martinez
137
34. Open and form the tweezers 32. Pleat
35. Sink in the 8 paws
33. Pleat
Paw`s detail
37. Form the sting and de paws
36. Squash the legs and form the tail
38. Finished model
138
Scorpion/Leonardo Pulido Martinez
Slug
Bas van der Meij
Intermediate
©2015 - Netherlands
1. Fold and unfold the diagonals.
2. Fold and unfold the angle bisectors.
4. pull the bottom flaps down.
5. The result is a fish base.
7. Valley fold the edges to the middle and unfold.
3. Fold the bottom point behind.
8. Use the valley folds made in step 7 and form two flaps.
Slug/Bas van der Meij
6. Valley fold the edges to the middle.
9. Valley fold and unfold the edges to the middle.
139
10.Valley fold and unfold along the angle bisectors.
11. Unfold back to step 5, the fish base. Turn the model over.
12. Valley fold the tip down, only the top flap is used in this step.
1/3
2/3
13. Valley fold the tip up at about 1/3 of the flap.
16.Valleyfold along the existing creases.
140
14. Valley fold along the indicated lines. Use the mountainfolds to thin the flap.
17. Open sink throug all layers using the existing lines.
Slug/Bas van der Meij
15. This step shows the result of step 14. Turn the model over.
18. This step shows the result of step 17. Turn the model over.
19. Rabbit ear the two long flaps up. Fold the model in half using a mountain fold. The next step will show the model from the side.
21. Valley fold the tail.
20. Rabbit ear the two short flaps. Round the flap on the back of the slug. Inside reverse fold the tail.
22a.
22. Valley fold the tail inside. This locks the tail.
25. Result of step 24. Pull layers from the inside.
23. Result of step 22. The next step will focus on the long flaps.
26. Fold the bottom edge up. Round the body to give the slug a natural shape.
Slug/Bas van der Meij
22b.
22c.
24a. Unfold the top. 24b. Fold the white side to the outside. 24c. Round the tip to form an eye.
27. The fini she dm ode l.
141
Swallow
Ángel Morollón Halle (diagrams) ©2015 - Spain
Intermediate
Golondrina by Ángel Morollón ón
1
25 x 25 Papel morera Doble seda Kraft fino = =
2
3
Pinch P inch 1/2
=
=
4
6
142
5
7
Swallow/Ángel Morollón
8 4-8
9
11
10
13
11-1 2
Abrir
=
12
Desplegar todo
=
ado contrario 14 Colocar las dos puntas interiores al lado 15 derecha al que vamos a trabajar, en este caso a la derecha, puntas a la izquierda
Swallow/Ángel Morollón
143
16
Referencia marcada por los pliegues del interior
17
Deshacer
14
-19
19 Plegar y sacar las puntas
18
21
Abrir
90 º
20
interiores hacia la derecha
22
144
23
Swallow/Ángel Morollón
Voltear y repetir en la otra punta de la cola
24 Valle casi paralelo al eje central, e ligeramente ligeramen g te por p arriba se abre
26
25
27
28.A
28 Hundido cerrado como se muestra en 28.a y 28.b
-29
24
28.B 29
Swallow/Ángel Morollón
145
Hundido cerrado en los ojos, como se ve en los pasos 32 y 33
30
31
32
34
33 3 3
35 Humedecer
ligeramente y sujetar
36 146
Dejar secar y retirar la cinta o sujeción
Swallow/Ángel Morollón
Winged Heart
Lisa Nguyen
Intermediate
©2014 - France
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147
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Yale-Type Cylinder Lock Key
Lisa Nguyen
Low Intermediate
©2015 - France
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Uintatherium
Pavel Nikulshin
Complex
©2015 - Russia
2. 1.
4. NPV
3.
Uintatherium/Pavel Nikulshin
151
5.
6.
7.
9.
152
Uintatherium/Pavel Nikulshin
8.
10.
Unfold from step 9.
11.
12.
13.
14.
A
15.
Uintatherium/Pavel Nikulshin
16.
153
Rotate model on 90 degrees.
Repeat steps 12-16 from other side. 1/4 12-16
17. 18.
Point A from step 16.
To pull from point, unsink layer of paper. A
19. 20.
21. 22.
154
Uintatherium/Pavel Nikulshin
23.
24. To pull from point, un sink corner.
25. 26. To pull from point B (see step 27). B
27.
28. Uintatherium/Pavel Nikulshin
155
29.
30. Create line between to points.
31. 32. Unsink.
33. 34.
156
Uintatherium/Pavel Nikulshin
Model not absolutely flat.
35.
36.
37. 38.
39.
41.
Uintatherium/Pavel Nikulshin
Open.
40.
42.
157
Open.
43.
44.
45.
46.
View from behind.
To up corner.
47.
48. 158
Uintatherium/Pavel Nikulshin
44-49. Repeat steps 44-49
50.
49. 1. To up corners. 2. Fold model in two.
Model not absolutely flat.
2. 1.
1.
52.
2.
51. Unsink. To up one layer.
52-54.
53.
Repeat steps 52-54 from behind.
54. Inside revers-fold.
55. Uintatherium/Pavel Nikulshin
56.
159
59.
58.
57. Unfold from step 59.
Sink between second and third layer.
60. The part of two top layer not show.
61. 62. The part of two top layer not show.
63. 65.
64.
66. To press from two sides.
Repeat steps 58-67 behind.
67.
68.
69. 160
58-67
Uintatherium/Pavel Nikulshin
Make tho small pleat-fold. To give form of horns
Repeat steps 69-7 behind. 69-71
70.
71.
72.
Steps 74-78 to do simultaneously from both sides.
73. 75
74.
76. 77. To give model the finished form.
78. Finished.
79.
80. Uintatherium/Pavel Nikulshin
161
8-Pointed Starbust Flower
Nobuko Okabe
Intermediate
©2015 - New Jersey
8-Pointed Starbust Flower/Nobuko Okabe
165
166
8-Pointed Starbust Flower/Nobuko Okabe
8-Pointed Starbust Flower/Nobuko Okabe
167
168
8-Pointed Starbust Flower/Nobuko Okabe
8-Pointed Starbust Flower/Nobuko Okabe
169
Rabbit
Hoang Tuan Pham
High Intermediate
©2015 - Vietnam
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173
Orchid
Paulo Queiroz Mario Noguchi (dgrms.) ©2015 - Brazil
High Intermediate
1
2
Fold in half. Unfold.
Fold one diagonal. Unfold. Turn over.
3 4
5
Fold and unfold the angle bisectors.
6
Fold one corner to the center. Fold in half.
8 9
Open and squash.
7
Open the layers. See next step for progress. Model will not lie flat. Fold the corners to the line and fold symmetrically. See next step for expected result.
Petal fold.
174
Orchid/Paulo Queiroz
21
20
19
Fold the corner up, using the creases created in the previous steps.
Open sink on the creases created.
Fold edge to the center. Crease well. Unfold.
15
18
14 Open the layer to see inside. The model will not lie flat.
Close back to step 15.
16
17
Turn over.
13 Fold the edges to the center. Unfold.
Fold the edges to the center. Unfold.
10
Open the model and carefully untrap the top layer.
Fold the flap down.
11
12
Collapse symmetrically using existing creases.
Orchid/Paulo Queiroz
Collapse symmetrically using existing creases.
175
22
23
24 25
Open the layer. The model will not lie flat.
Elias strech. Create new creases as indicated. See next step in proress.
30
31
Elias strech in progress. Close and flatten.
22 - 24
Repeat steps 22 to 24 on the other side.
29
26
Fold corner to corner.
Reverse fold as indicated. Swivel the paper attached to flatten.
Turn over.
28
27
Reverse fold the corner under the layer right underneath it. Reverse fold between the second and third layer.
32 33
Fold corner to corner.
34 28 -33
Reverse fold the hidden corner. Reverse fold the hidden corner.
176
Orchid/Paulo Queiroz
Repeat steps 28 to 33 on the other side.
46
45
47
Rabbit ear fold.
Rabbit ear fold.
Fold about a quarter of the corner.
44
40
41
Fold between the points.
Turn over. Fold and unfold.
42
39
43 Reverse fold.
Reverse fold.
Fold the flap up.
35
36
37
38 35 -37
Fold the corner to the center and swivel the paper under.
Keeping the swivel in place, open and stretch the flap.
Closed sink the area indicated and flatten.
Orchid/Paulo Queiroz
Repeat steps 35 to 37 on the other side.
177
49
48
50
51 Fold the corners.
Fold the corner.
Fold the corner.
Turn over.
54
52
55 Fold the corner underneath. Fold the corners.
56
53
Fold the flap down.
Carefully release some paper and push to create a concave shape, forming the lip.
Rabbit ear to form the column.
57 58 Fold the corners, round and shape the petals. Finished Orchid.
178
Orchid/Paulo Queiroz
Dove
Hoàng Tien Quyet
Intermediate
©2015 - Vietnam
&
'
+
" #
%
*
!
$
( )
,
( )
Dove/Hoàng Tien Quyet
!
" #
-
179
. #/
$
01
& '
- " #
21
. )
+
01
" #
180
*
,
01
-
" #
3
3
Dove/Hoàng Tien Quyet
21
$
1
Bird with Stand
James Randolph
Intermediate
©2015 - New Jersey
Bird with Stand/James Randolph
181
182
Bird with Stand/James Randolph
Cecil the Lion
Nick Robinson
Simple
©2015 - England
1) Crease a diagonal, then fold the lower sides to the centre. Turn over.
4) Fold edges to the nearest crease where shown, then unfold.
7) Refold behind. Turn over.
2) Crease then unfold. Turn over.
3) Fold so circles meet then unfold fully.
5) Refold the sides inwards.
6) Fold the flaps behind (check next drawing).
8) Fold in half to the right. Rotate the paper.
Cecil the Lion/Nick Robinson
9) Fold to the right, press and flatten the coloured flap.
183
10) Fold the top corner to the centre. Fold the tail to the left.
13) Fold the top edge down (let the flap flip out). Fold the tail to the right.
11) leave a gap then fold the tail back. Turn over.
14) Leave a gap then fold the tail back. Turn over.
12) Fold the corner over. Fold the angled edges to the vertical centre.
15) Fold the top flap down (let the flap flip out).
Walter Palmer, the US dentist who killed Cecil the Lion in Zimbabwe, paid about £32,000 for the “pleasure”. He claims that he thought the hunt was legal and was unaware Cecil was protected. Leaving aside the nature of the man who enjoys this type of murder, the fact is the kill could easily have been perfectly legal. How, in this day and age, can any country allow the massacre of such a magnificent and endangered species?
184
Cecil the Lion/Nick Robinson
Star Anise
Dáša Ševerová
Complex
©2016 - Switzerland
Paper recommendation: thicker paper around 100 gsm should work well. For the first try, use bicolor paper. Size: 15 cm square will produce a star with diameter around 10 cm.
1
Colored side up.
2
Bisect all angles as shown.
3
5
Fold as indicated, crease only in the middle. Repeat 7 more times. Turn over.
6
4
Cut off all corners.
Fold as indicated, don't crease in the middle. Repeat 7 more times.
Colored side up, crease only in the middle. Repeat 7 more times.
7
Star Anise/ Dáša Ševerová
Fold in half using existing crease.
185
8
Be careful, folds on the left and on the right side are similar, but not the same. Turn over after.
9
10 11
Crease only where it is needed. Repeat 7 more times.
12 Form a structure similar to table cloth using shown lines.
186
13
Same as step 8. Folds are different on the left and on the right side.
Unfold to step 7, repeat steps 7 - 9 three more times.
Something like this. Continue collapsing as shown. Repeat 7 more times.
Star Anise/Dáša Ševerová
2 1
15 16 First fold part 1, then part 2. Carefully squash the middle part (next step shows the result).
14
17 Repeat steps 15, 16 all around. 18
Bring all marked points together to create star like shape.
20 Turn over. 19
Fold as indicated to lock the central part. Repeat all around.
Star Anise/ Dáša Ševerová
187
Model is almost flat from the top side now. Place both your thumbs on marked circles with other fingers supporting the model from downside (as shown in schematic side view) and push carefully down to open the model a bit. Repeat the procedure from three more directions (I, II, III) until you gain the final shape. In the end the model should stand still on the flat surface. If it does not, continue with opening.
I.
II.
III.
Schematic side view in the beginning: III.
II.
I.
Schematic side view of the final shape:
Finished model:
You can shape the model to give it more rounded look:
188
Star Anise/Dáša Ševerová
Nocturnal Car
Mark Sigalovsky
Complex
©2003 - Kazakhstan
Nocturnal Car/Mark Sigalovsky
189
190
Nocturnal Car/Mark Sigalovsky
Nocturnal Car/Mark Sigalovsky
191
192
Nocturnal Car/Mark Sigalovsky
Nocturnal Car/Mark Sigalovsky
193
194
Angel
Rob Snyder
Simple
©2015 - Ohio
Angel/Rob Snyder
Secret Heart Owl
Rob Snyder
Low Intermediate
©2015 - Ohio
Square, white side up
Squash fold eyes.
Secret Heart Owl/Rob Snyder
195
Pull slightly to form horns
Fold up beak.
Unfold squashed squares to form and shape eyes.
196
Secret Heart Owl/Rob Snyder
Complete. Hold up to the light to reveal the heart.
Sea Serpent Dragon Intermediate
Sea Serpent Dragon/Tom Stamm
Tom Stamm JC Nolan (diagrams) ©1992 - California
197
8-14 A
A A
A
Super Accurate here... but also soft in the creases when near the point, don't over stress the paper. Also, keep all layers flat and intact.
198
Sea Serpent Dragon/Tom Stamm
head
wing
wing
tail
Sea Serpent Dragon/Tom Stamm
199
200
Sea Serpent Dragon/Tom Stamm
Sea Serpent Dragon/Tom Stamm
201
202
Sea Serpent Dragon/Tom Stamm
Flapping Pheasant Bookmark
Joel Stern
Low Intermediate
©2013 - California
2. Fold top edge to bottom. Repeat behind.
3. Fold and unfold top left corner to bottom edge; repeat behind.
1. Color side up. Fold bottom to top.
4. Inside reverse top left corner; repeat behind.
7. Fold and unfold single flap on the left.
10. Fold in half top to bottom.
13. Squash-fold.
5. Fold and unfold left corner inward; repeat behind.
8. Bring top and bottom edges to center and pinch, then unfold.
11. Pleat the front flap, tucking the shaded portion inside as you bring the vertical crease made in step 7 to the crease made in step 9; repeat behind. When complete, the shaded portion will be completely hidden. This is also known as a crimp fold.
14. Fold and unfold edges to center.
Flapping Pheasant Bookmark/Joel Stern
6. Unfold.
9. Fold and unfold corners to the pinchmarks.
12. Fold the left flap over; repeat behind.
15. Petal-fold.
203
16. Fold diamond in half. Tilt the model slightly.
17. Reverse-fold head. Fold up at the diagonal; repeat behind.
The Flapping Peacock Bookmark
To flap the wings, pull and push the flaps.
204
Flapping Pheasant Bookmark/Joel Stern
Peace Sign
Hadi Tahir
Intermediate
©2014 - Indonesia
Peace Sign/Hadi Tahir
205
206
Dolphin
Hsi-Min Tai
Intermediate
©2015 - Taiwan
Dolphin/Hsi-Min Tai
Dolphin/Hsi-Min Tai
207
208
Butterfly and Heart
Benjamin Tan
Intermediate
©2010 - Singapore
Butterfly and Heart/Benjamin Tan
Butterfly and Heart/Benjamin Tan
209
Rabbit
Tuan Nguyen Tu
Intermediate
©2009 - Vietnam
1
2
Fold and unfold.
4
Valley fold to the center.
Crimp fold and pull back the ears.
Crimp fold the ear. Reverse fold the mouth, jaw and back Mountain fold the leg. Repeat behind.
Repeat behind.
11
10
Crimp fold to create the eyes & hind leg. Sink to creat the tail. Shaping the back, front legs & thigh.
Open sink.
9
8
7
Reverse fold.
6
5
Mountain fold at the axis, crimp fold.
210
3
Rabbit
Rabbit/Tuan Nguyen Tu
Crimp fold the thigh. Repeat behind.
Dachshund
Yara Yagi Marc Sky (diagrams) ©2015 - Brazil
Intermediate
1
2
3
4
5
6
7
8
9
NOSE COLOR SIDE
Dachshund/Yara Yagi
211
10
11
12
13 HEAD TAIL 1/3
1/4
2/3
14
15
Fold, then open.
Angle bisect up to crease line.
16
17
Reverse the creases to match the other side. Blunt the nose.
212
Dachshund/Yara Yagi
Pleat/push in to collapse...
18
...in progress...
21
Push in...
24
19
20
...in progress...
22
...in progress...
25
23
...squash flatten.
26
Fold under.
Pinch the crease...
...push to the right...
Dachshund/Yara Yagi
...flatten. Repeat steps 21-25 behind.
213
27
28
Squash.
Petal fold.
29
30
31
32 33
214
Dachshund/Yara Yagi
34
35
Diagonal creases.
36
TOP VIEW
Spread open the top and sink the points...
38
37
...in progress, push center down...
39
...in progress. Repeat with other three points. ...in progress...
40
41
Inside reverse fold bottom points.
Dachshund/Yara Yagi
215
42
43
Fold along crease lines, then pull down.
44
45
46
...in progress...
...in progress...
Fold in half, then curve up.
47
Pinch front leg point and third point and stretch, then mountain fold and collapse underneath (similar to stretched bird base technique). Repeat to collapse other two points.
216
Dachshund/Yara Yagi
Sink top points.
VARIATION
Leyla Torres created a step-by-step video of the folding sequence. You can watch it at www.origamispirit.com/2015/08/origami-dog-dachshund. Dachshund/Yara Yagi
217
Hen and Chicks
Yara Yagi Halle (diagrams) ©2012 - Brazil
Low Intermediate
bbyy Yara Yarrra a Yagi YYaggi gi
Wet folding ng
Gallina: 15 x 15 Pollitos: 8 x 8 Papel de 80 ggramos
218
En proceso
Hen and Chicks/Yara Yagi
Presionar la parte posterior del cuello del modelo con el dedo índice, mientras se levanta la cola con el pulgar
Hen and Chicks/Yara Yagi
219
Puede plegarse el cuello hacia la derecha o hacia la izquierda
Red Redo Redondear
Proceso y diseño: Yara Yagi Diagramas by Halle 2012
220
Hen and Chicks/Yara Yagi
Penguin Box
Makoto Yamaguchi Origami House (diagrams) ©2016 - Japan
Intermediate
Penguin Box/Makoto Yamaguchi
221
222
Penguin Box/Makoto Yamaguchi
Penguin Box/Makoto Yamaguchi
223
224
Penguin Box/Makoto Yamaguchi
Sarah’s Star
Evan Zodl
Low Intermediate
©2016 - New Jersey
Sarah’s Star Designed and Diagrammed by Evan Zodl
1. Fold and unfold.
2. Fold two opposite corners to the center. Turn the model over.
3. Fold and unfold.
5. Bisect the marked angle and crease half way.
6. Repeat step 5 three more times.
1/8
4. Fold and unfold. Rotate the model 1/8 turn.
a b c
7. Create two new creases using existing creases as references. Turn the model over.
8. Create two new creases as in step 7. Turn the model over.
Sarah’s Star/Evan Zodl
9. Collapse along existing creases.
225
11. Rabbit-ear along existing creases. 10. Scale change. Fold over the top group of layers along an existing crease.
12. Fold over the top group of layers along an existing crease.
13. Create two angle bisectors.
14. Fold over the top group of layers along an existing crease.
15. Fold up the top flap using the indicated references.
16. Fold over the top group of layers along an existing crease.
17. The result. Turn the model over.
18. Completed unit. Now you must fold 7 more.
1/16
19. Begin the assembly with two units. Turn over both units.
226
20. Fold over the top group of layers along existing creases. Rotate each unit 1/16 turn.
Sarah’s Star/Evan Zodl
1/16
21. Fold over the top group of layers on the first unit.
22. Fold over the top group of layers on the second unit.
23. Mountain-fold behind to align with the long axis of the second unit.
24. Mountain-fold behind to lock both units together.
25. Pull out the trapped layers from inside.
26. Reinforce existing mountain folds to flatten the untrapped layers.
27. Mountain-fold the flaps behind to hide the untrapped layers.
28. The result. Turn the model over.
29. Repeat steps 19-28 on the remaining six units to complete the assembly.
30. Completed Sarah’s Star.
Sarah’s Star/Evan Zodl
227
Origami Basics Line Styles
Valley Fold
Mountain Fold or
Crease
Hidden/X-Ray
228
Origami Basics
Arrows
Fold Forward
Fold Behind
Fold and Unfold or
Sink/Reverse/ Push In/ or Closed Sink
Turn Over
Rotate 90°, 1/2 Turn, Etc. 1/2
1/2
Repeat
Origami Basics
229
Maneuvers
Reverse Fold
Crimp
Rabbit Ear
Squash
Petal Fold
Sink
Closed Sink
230
Origami Basics
Sink Triangularly
Pleat
Swivel
Common Bases
Kite Base/ Ice Cream Cone Base
Fish Base
Waterbomb Base
Preliminary Base
Origami Basics
231
Bird Base
Frog Base/Lily Base
Windmill Base
Stretched Bird Base
Blintzed Bird Base
232
Origami Basics
Index by Model
Cupid’s Arrow
Angel
Dove
Dachshund
Dolphin
194
90
44
130
65
181
208
Inayoshi, Hidehisa
13
Elephant
103
Flapping Pheasant Bookmark
203
Fleur de Noyer
38
Diard, Lydia
55
Fox
76
Gueros, Mathieu
183
Robinson, Nick
Chopstick Envelope (Strawberry)
Eight-Pointed Star
Stern, Joel
Galindo, Richard
Cecil the Lion
165
Kirschenbaum, Marc
Tan, Benjamin
Camel
8-Pointed Starburst Flower
Bettens, Christiane
Randolph, James
Butterfly and Heart
24
Okabe, Nobuko
Gu, Lee Jae
Bird with Stand
Dragon d’Anger, Max
Marchetti, Peter
Basset Hound
179
Quyet, Hoàng Tien
Flores, Edwin Claudio
Axolotl
206
Tai, Hsi-Min
Kato, Shuki
Armadillo
211
Yagi, Yara
Snyder, Rob
Anime Forest Spirits
15
Chen, Sy
Good Grief
1
Artigas, Jesús
87
Hen
162
Nino, Jaime
Index of Models
233
Hen and Chicks
218
Yagi, Yara
Lathyrus
127
105
5
52
189
174
205
221
111
84
Pham, Hoang Tuan
234
195
Slug
139
Space Telescope
32
Star Anise
185
Swallow
142
TIM the Beaver (Face)
48
Fung, Michelle
11
Berty, Viviane
Rabbit
Secret Heart Owl
Morollón, Ángel
Hudson, Andrew
Puppy
62
Ševerová, Dáša
Liu, Tong
Polychrome Tato
Seahorse
Dementiev, Ivan Puppy
Yamaguchi, Makoto
Phonograph
197
Meij, Bas
Tahir, Hadi
Penguin Box
Sea Serpent Dragon
Snyder, Rob
Queiroz, Paulo
Peace Sign
135
Gardin, Yannick
Sigalovsky, Mark
Orchid
Scorpion
Stamm, Tom
Gajardo, Nicolas
Nocturnal Car
225
Martinez, Leonardo Pulido
Berty, Viviane
Mushroom Monster
Sarah’s Star Zodl, Evan
Kobayashi, Hiroaki
Mimi the Mouse
210
Tu, Tuan Nguyen
Lukasheva, Ekaterina
Little Whale
Rabbit
Uintatherium
151
Nikulshin, Pavel
169
Wheel Bowl Jaramillo, Jorge
Index of Models
88
White Rhino
116
Liu, Tong
Winged Heart
147
Nguyen, Lisa
Winged Wolf
18
Condori, Julio Eduardo
Yale-Type Cylinder Lock Key
149
Nguyen, Lisa
Yellow Henchmen
121
Liu, Tong
Index of Models
235
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