Queen Of The Dolomites: (jacob De Haan)

Queen of the dolomites (Jacob de Haan) The Italian Cortina d’Ampezzo—the ‘Queen of the Dolomites’—is one the most popular holiday destinations in the world. The fabulous alpine scene is set by peaks such those of the Tofane and Cristello soaring above the town. The meadows and woods of the Ampezzo basin attract countless sports enthusiasts and other visitors who simply want to relax in this chocolate-box scenery. The introductory theme of this composition echoes the majestic size of the so-called crown of mountains visible from Cortina. Then a lyrical theme sounds, reflecting the calm of the surrounding mountain panorama, and we also hear the houses of Cortina nestling in the valley below. Back in the village we hear the sounds of the lively Italian brass band entertaining the skiers who have returned from the ski lifts. Then the lyrical theme returns once more, but this time in tribute to the majestic ‘throne’ on which the village sits as Queen of the Dolomites. The piece ends with the regal sounds of the first theme, which affords us another spectacular view of the wonderful crown of mountains.

QUEEN OF THE DOLOMITES

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

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©Gino Gonçals

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QUEEN OF THE DOLOMITES

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QUEEN OF THE DOLOMITES

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QUEEN OF THE DOLOMITES

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Allegro Molto 

accel.                                                   

   

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                           

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 51                                51                    

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QUEEN OF THE DOLOMITES

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                   



                                                                                                  







    

           



  

          56

 

         

      

      



 





 

         





   

                                    

  

 

                   





6

     

               



  



54



               





                                                                              

          

  

            



     

          

 

 

    

 

   



  

rit....

 

               

       

  



   

            

 

QUEEN OF THE DOLOMITES 61







      

62

Meno mosso e maestoso 



   

      61             66

    

66

  

       

 

 

































   

 

 

 

 

 

 

 

 

 

 

 

     

   





















 







   



           

      

 

 

  































 

 



 





































 

  



















   

 











      



  







  

 

      















 

      















  





 



7













 

 

 

  













  



QUEEN OF THE DOLOMITES

       

71

 

     

 

                             

 







  

      

72

71



     

                  

     

76

      

    

   

76

  

   



 

     

  











   



       





   





 

 

      

     

 

       





 

78













     

     





  





     



  

 

              

   

8

   

   

  

   

   



             

     

       

  

    

 

   



  



   

   

   

    

     





 

     

 

 



   

   





 





  























    

 

 

 

 





























 













QUEEN OF THE DOLOMITES 81

    

81

 

   

  

  











   

         

86

             

86







       



 

 





     













  

           

  











      







     









  





 

       







   



   

  



 





  



















 

 









 

  

 

   



         



     

  



  

 

 



   

 



 

 

       

 

   

                    

   

 





   

   

   

  

 

  



 

   



             



 

        

9

   

 

 

 

  

   



        

QUEEN OF THE DOLOMITES

  

  

91

   

91

  

 



  

 

   

   

     



          



     



   



rit....

 

  





   

 

    



 

      



 

 

      

                                                                                  96                              96



        

                                                                                                             

94

Allegro Molto 

        





















 



                                                                                                                                

10

 101                            101                    



 

        106           













      

 











                 



                       

  

Andante  11

105

 

       

  



 

  

         

  

  

   



  

     





        

 













  

















   

            

 

         

   

          

A tempo

  



  



110

  



  



 



  



rit....



 



                                                                                                  

 



 rit....             

        

      

106

 

 

QUEEN OF THE DOLOMITES



   



                   







 



QUEEN OF THE DOLOMITES

                                            

111

     

111





  

  

 

  

  

 

  

      



 

            

116

 

 

     

 

       

 

 







           















 

              



                                                        

118





              





     







     

  





    

    



  





     







     

  







 



        



116

 

  

12





 

 

 

 

 

 

    

        











QUEEN OF THE DOLOMITES

  



121



  



   

      

121



   















 









 







 



                           

126



  











  

 

 

 

 

3

 

   



     





 



  



           



  

          









 

 

 



    



    

   















    

   

   

  





























3

  

  

    

 

 

    3

3

 

  

   

      

     

      



 A tempo

       







  

126



125

       

  



         

     





     

rit....

               

 

 

 

 

       









 

13

 





QUEEN OF THE DOLOMITES









  









131

           

131

 

 







                   







 





 





 



 

 

 



rit.

   

  

14

 

























 





 

                   

 



 



 



 



 



 



   





 



QUEEN OF THE DOLOMITES

Clarinete Mi 

(Cover of Clarinets, Aragón, S.XXI)

   

Andante 



 



  







    



24









18



A Tpo



 28

 



      







       





       



32



 













                                      

              











8





15 A Tpo rit.





   

       









  



rit....





                      

                

72



    

©Gino Gonçals



rit....

           

78

86



                   

      

                          





                       

62 Meno mosso e maestoso 





40

Allegro Molto 

54



               



              48



Jacob de Haan Arr. by Gino Gonçals



 



rit....

               

                       

QUEEN OF THE DOLOMITES

2

                                      rit....                                                   Andante   105                            

94

Allegro Molto 

rit....



  





110

rit....

         125 A Tpo

  



 

  

 

  

A Tpo

   







     

 



      



               

         

rit.

  

        



rit....

118

    



 

 

     

    

    

    

QUEEN OF THE DOLOMITES

Clarinete 1ºB 

(Cover of Clarinets, Aragón, S.XXI)

   

Andante 









    

   

   





18

  

24 A Tpo



 28

 

          54

















                    



              

               

          









8



15 A Tpo rit.



       









    



               

rit....





   

                    



 

               

     

©Gino Gonçals

 rit....

72





rit....

              

         

86

 



                       

          78        



 

40



32

62 Meno mosso e maestoso 







               

 

             

Allegro Molto  48



 

       









Jacob de Haan Arr. by Gino Gonçals

             

         

  

       

 

QUEEN OF THE DOLOMITES

        

Allegro Molto 

        rit....                                                   Andante          105                           rit....            





 





110

rit....

 

         

125 A Tpo

 



   

 

   



A Tpo



               

  



         

     

 



94

 

118

       

         rit.





 

             rit....

    

    

    

2

QUEEN OF THE DOLOMITES

Clarinet 2ºB 

(Cover of Clarinets, Aragón, S.XXI)

Arr. by Gino Gonçals

   

Andante 





 

 







 



          

           

     



   

 



          

 

rit....

              62





8







 

15 A Tpo

  

   

rit....

32

Allegro Molto 

54

  

        



                                       48



   



       

   



               

  

18

           

  

 

24 A Tpo

rit....







           

  

   



 

    

     

Jacob de Haan



 

        



                 rit.... 

    

 





                                                       

Meno mosso e maestoso 



40





28

      

©Gino Gonçals

 

  

   

 

QUEEN OF THE DOLOMITES





 

72

            



 





rit....

      rit....

110

rit....

 





  

 



94









A Tpo

  













                

   

 

     



   





  



    

   

     





 

118

    

       



       

       rit.



                    

                

  

   

Allegro Molto 

   

       



 

  

105 Andante 

         125 A Tpo



    

                        

             

 78           

      

86

     

 

       

2

  

    



 

               rit....

         

    

QUEEN OF THE DOLOMITES

Clarinet 3ºB 

(Cover of Clarinets, Aragón, S.XXI)

Arr. by Gino Gonçals

Andante 

   





        



























  

 

 



   

         

 



rit.

 

  

Allegro Molto 





 

       

24 A tempo



  



  

 

 

    

        

    

                       

48

Jacob de Haan

 32



 40







    

 

 









 









 



 rit.





     

                            

©Gino Gonçals



2

QUEEN OF THE DOLOMITES





     

     

    



           

 

                               

54

    



        

78

       

       

        

      



         

     

    

        

       



rit.

         72

62 Meno mosso e maestoso 

      

     



          

       

86

       rit.           

94





         

 

  Molto   Allegro                   

100

     

3

QUEEN OF THE DOLOMITES Molto rall....

                       

       

105

110 A tempo

Andante        

           



        



A tempo

          

125

 

rit.





   











118





            rit.

          

   

        

                          

 

 







    

 



QUEEN OF THE DOLOMITES

Clarinet 4ºB 

(Cover of Clarinets, Aragón, S.XXI)

   

Andante 





           















 

 

  

   

 



















 



          





             

 

  



24 A tempo

 



rit.

 

 









32





  

       

        

   



Jacob de Haan

Arr. by Gino Gonçals

 





40





    

             ©Gino Gonçals

 





 

    



  rit.

      

       



48 Allegro Molto 

     

QUEEN OF THE DOLOMITES

2

                                        



54

    



   





                 

72



 





         

  

78

    



       



       

Allegro Molto 



      

           

                      

94



62 Meno mosso e maestoso 

                  

      

 

    rit.

86

   

       

     

  

                

   





                

rit.

                    





3

QUEEN OF THE DOLOMITES

 100                                  

    

105

     





 

   



    

        

          



Andante 

 

Molto rall....

               

   

110 A tempo

    

           



           118





        

                 rit.  125

 

 



      

A tempo



    

 



rit.



 



 

QUEEN OF THE DOLOMITES

Clarinet 5ºB 

(Cover of Clarinets, Aragón, S.XXI)



Andante 

     











      





 



15 A tempo









32





  





40

 

    

       



   







 



rit....



 









 28



 

48



        

Allegro Molto 

    

      

   

     

                                

       

72



   



rit....





54

Meno mosso e maestoso 



 

A tempo

  



  

  

      

                 62

18



8

rit....



      



 

24

   

  

   













Jacob de Haan Arr. by Gino Gonçals

       

 

    



    rit.... 

    





                    ©Gino Gonçals

        







QUEEN OF THE DOLOMITES



 





 

 



86





 



   

rit....

             

   105



 

78

94

                         

 

   

             



    



 

 

        







   



  



rit.

 



118



            









rit....



       

          



rit....

          

     

                rit....

  



  

 

    

      

           



125 A tempo

 

 

              



                    

110 A tempo

    

     

       

  

 

       

Allegro Molto 

Andante 





2





        

   

   

Clarinet 6ºB 

QUEEN OF THE DOLOMITES (Cover of Clarinets, Aragón, S.XXI)

    

Andante 





 









15









 

 







   









 

 24





       



    









                 

54

 

40

  48



      

 















rit....





     







Allegro Molto 



                       





    



     rit....

62 Meno mosso e maestoso 





     



rit....







8

28

  





A tempo





















  

 



18

rit....









A tempo



32

 

Jacob de Haan Arr. by Gino Gonçals





    



                                      

72

        

   

   

©Gino Gonçals

   

   

QUEEN OF THE DOLOMITES

  

  

2

78

                                 86

       

          







  



  rit.... 

105

94



 



   



    





  

 

 





  





 



125 A tempo

     



 



 





 





 



     rit.







   



rit....

  

 









   

             

110 A tempo



   



Allegro Molto 



    

Andante 

     

   

118









  













rit....



rit....











     



  

Clarinet 7º B 

QUEEN OF THE DOLOMITES (Cover of Clarinets, Aragón, S.XXI)

    

Jacob de Haan Arr. by Gino Gonçals

Andante 

8



 















15 A tempo

















 

 





















  

















rit....











18









A tempo

24







rit....













 28



















32







 











       













  



 

rit....





48





 

 

        

Allegro Molto 

54

                                 





62



 40







 

 rit....

Meno mosso e maestoso 

   



   

   

    72

   

   

   

   

©Gino Gonçals

    

   

       

QUEEN OF THE DOLOMITES

  

  

   

78

   

   

          

   

   

   

    

   

   

   

   

        

       







     105

       

                   

         

rit....



Andante 

   

86

   

94 Allegro Molto 



   

   

2

           

rit....

    rit....

110 A tempo





  



rit....















118



  













  

125 A tempo





 



 

rit.

 

 



 



 

   

 







       

     

  



   





 

QUEEN OF THE DOLOMITES

Clarinet Bass

(Cover of Clarinets, Aragón, S.XXI)

Jacob de Haan Arr. by Gino Gonçals

3 3 3 3 3 3 3                                                              

Andante 

8

























3

       

15 A tempo





3







3

3

  





18

3

                                       24 A tempo







   

   

rit.

   

           





   

         

40

   

             



rit.







 

48





   

         







rit.

28

     

32





   

       

    

Allegro Molto 

   

      

54                                                        







         

         

62





            ©Gino Gonçals



rit.



Meno mosso e maestoso 

   

   

            

QUEEN OF THE DOLOMITES



         

78

        

72







        

86

    

     

           

   

   

   

   

     

    

105 Andante 





     



    

rit.

 

Allegro Molto 

     

                 

110 A tempo

125



 



       rit.

118





            

                            rit.

       

 

   

94

        rit. 



   

        

                        





   

2



A tempo





3













3

  

  

3

3

                                 





rit.

   





    