Rhythm Changes

RHYTHM CHANGES(OLEO) LINEAS DE TONOS GUIA

Bbmaj7 G7b9 C-7F7 Bbmaj7G7b9 C-7 F7

       9

D7 A-7

      17

 



 

D7

  

  

F-7 Bb7 EbMAJ7 Eb-7 Bbmaj7G7b9 C-7F7

      

G7 D-7

 

G7

Bbmaj7 G7b9 C-7 F7 Bbmaj7 G7b9 C-7 F7

      

 

  

   

  

C7 G-7

 

 C7

  

   

     

F7 C-7

 

F7



F-7 Bb7 EbMAJ7Eb-7 Bbmaj7G7b9 C-7 F7

     

  

  

 

ARPEGIADO BASE

25

G7b9(Abº)      

Bbmaj7

    

F-7    Bb7 

C-7

  

  F7 

EbMAJ7

Eb-7

C-7   F7               G7b9(Abº)

Bbmaj7

Bbmaj7

G7b9

1.

F7 

C-7

2.

BbMAJ7                                  D7 G7 C7 F7 34 D7 G7   G-7 C7   C-7 F7    D-7    A-7                                     29

G7b9(Abº) C-7 F7 Bbmaj7   F7  C-7                                 42

G7b9(Abº)

Bbmaj7

                                 46

F-7

Bb7

EbMAJ7

Eb-7

Bbmaj7

G7b9

BbMAJ7

ARPEGIADO CON ESTRUCTURAS SUPERIORES

Bbmaj7(D-7)

G7b9(Db7) C-7(G-7)

F7(A-7b5) Bbmaj7(G-7) G7b9(Eb7)

C-7(D-7) F7(G7)

                                      50

2

1.

F-7(AbMAJ7) Bb7(Ab7) EbMAJ7(G-7)Eb-7(B7b9) Bbmaj7(G-7)G7b9(Bb7) C-7(G-7) F7

                           D7 G7 59 Ab7#11 D-611     Eb-9                  C7 F7 63 F#7#11 EbMAJ7       A-7            54

BbMAJ7(G-7)

            Db7#11 

 



  



     



Eb-7

F7(A-7b5) Bbmaj7(G-7) G7b9(Eb7)

G7b9(Db7) C-7(G-7)

Bbmaj7(D-7)

2.

C-7(D-7) F7(G7)

                                 67

F-7(AbMAJ7) Bb7(Ab7)

EbMAJ7(G-7) Eb-7(B7b9) Bbmaj7(G-7) G7b9(Bb7) BbMAJ7(G-7)

                                  71

ESCALAS

A

G7b9(Abº)

F7

menor armonica o alterada

mikolidia

 C-7 F7                                     75

Bbmaj7

jonico o

lidio

G7b9(Abº)

F7 mikolidia

menor armonica o alterada

Bb7 mikolidia

  C-7 F7   F-7 Bb7                                        77

Bbmaj7

jonico o lidio

G7b9(Abº)

ESCALAS

menor armonica oalterada

                                                  80

EbMAJ7 LIDIO

F7 mikolidia 1. C-7 F7

Eb-7

 DORICO

Bbmaj7

jonico o lidio

  BbMAJ7                              82

BbMAJ7

2.

D7 MIXOLIDIO O DISMINUIDA

B

86                      

G7 MIXOLIDIO O DISMINUIDA

                                    

                          88

C7 MIXOLIDIO O DISMINUIDA

                    90

F7 MIXOLIDIO O

DISMINUIDA

                          92

G7b9(Abº)

                              

menor armonica o alterada

F7

mikolidia

F7

mikolidia

   

A Bbmaj7    C-7 F7 lidio jonico o                                      94

G7b9(Abº)

menor armonica o alterada

  C-7 F7                                     96

Bbmaj7

jonico o

lidio

Bb7 mikolidia F-7

98

Bb7

             

EbMAJ7

Eb-7

                  LIDIO

DORICO

G7b9(Abº)

ESCALAS

menor armonica oalterada

BbMAJ7    BbMAJ7                                       100

Bbmaj7

jonico o

lidio

3

4

pentatonicas pentatonica Bb mayor        

 103

Bbmaj7

Pentatonica Bb mayor

G7b9

C-7

F7

Bbmaj7

G7b9

C-7

F7

                                 pentatonica Bb menor(escala blues)

            

 107

F-7

Bb7

Pentatonica Bb menor Pentatonica Bb mayor Pentatonica Bb menor EbMAJ7 Eb-7 Bbmaj7 G7b9 C-7 F7

                  111

Bbmaj7

115

F-7

G7b9

C-7

F7

Bbmaj7

G7b9

      C-7

  

F7

                                             Bb7

EbMAJ7

Eb-7

Bbmaj7

G7b9

Bbmaj7

                             





B

 119





escala blues de D con cromatismos o blues de g

           

D7

escala blues de g con cromatismos o blues de c



G7

           

                     

       

5

 123







escala blues de c con cromatismos oblues de f

            

C7        127

Bbmaj7

G7b9

131

F-7

Bb7

escala blues de f con cromatismos o de Bb blues

             

 F7           C-7

F7

Bbmaj7



3     3 F7 3   3

G7b9

C-7

F7

                                             

EbMAJ7

Eb-7

Bbmaj7

G7b9

Bbmaj7

                            



