Sosiologi Musik

The Sociology of Music: A Supplement Source: International Review of the Aesthetics and Sociology of Music, Vol. 9, No. 1 (Jun., 1978), pp. 131-146 Published by: Croatian Musicological Society Stable URL: http://www.jstor.org/stable/836533 Accessed: 25-12-2015 17:13 UTC

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BIBLIOGRAPHY SOCIOLOGY OF MUSIC -

A SUPPLEMENT

1. GENERAL PROBLEMS GOTSHALD, D. W., Art and the Social Order, University of Chicago Press, Chicago 1947. JAY, Martin, ,)The Institut fiir Sozialforschung and the Origin of Critical Sociology,( The Human Factor, 8/2, pp. 6-18. NEWTON, E., >>Artas Communication,a London 1961, 1/2, pp. 71-85.

The British Journal of Aesthetics,

2. SOCIOLOGY OF ART BARTOS, Milan, Hudba a mald spole6enskd skupiny in Sbornik dokumentd ze semindre o vyzkumu osobnosti vysokogkolskdho studenta. dil 2, Pedagogick'a fakulta University Palackeho, Olomouc 1967. BAXANDALL, Michael, Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style, Clarendon Press, 1972, pp. VIII+165. CORVISIER, Andre, Arts et societes dans l'Europe du XVIIIe siecle, P. U. F., Paris 1978, pp. 248. DEINHARD, Hanna, Meaning and Expression. Toward a Sociology of Art, Beacon Press, Boston 1970, pp. 120. GRANA, Cesar, Fact and Symbol: Essays in the Sociology of Art and Literature, Oxford University Press, New York 1971, pp. XII+212. MARTIN, Frank, >)Le rl6e de l'art dans la Socid6t d'aujourd'hui<, Schweizerische Musikzeitung, 1976, 5, pp. 329-344. MARTIN, F. David, ?The Sociological Imperative of Stylistic Development,< The Bucknell Review, Lewisburg (Penn.) 1963, XI/4, pp. 54-80. OSBORNE, Harold, >,Primitive Art and Society,(( The British Aesthetics, 1974, 14/4, pp. 290-306. PAREYSON, Luigi, oPersonalita e socialiti Torino 1959, IV/2, pp. 197-218.

Journal of

dell'arte,? Rivista di Estetica,

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3. APPROACHES TO THE SOCIOLOGY OF MUSIC. FUNDAMENTAL WORKS ADORNO, Theodor W., Introduction to the Sociology of Music, Seabury Press, New York 1976. ,Sociologie de la musique<<,Musique en jeu, Seuil, 1971, 2, pp. 5-14. ETZKORN, K. Peter, ,>Glazba, dru?tvena struktura i sociologija,? Zvuk, Sarajevo 1974, 2, pp. 41-47. -

)On Music, Social Structure and Sociology(, International Review of the Aesthetics and Sociology of Music, 1974, V/1, pp. 43-51. MARKOVAC, Pavao, >>Muzikai dru?tvo,<" Zvuk, 1967, 72, pp. 1-6. PORENA, Boris, Musica/Societa, Einaudi, Torino 1975, pp. 223. REICH, Willi, )Musik und Gesellschaft heute,x Melos, 1971, XXXVIII/11, pp. 476-478. RUMMENHOLLER P., Einfiihrung in die Musiksoziologie, Heinrichshofen, Wilhelmshaven 1978, pp. 280. SUPICIC, Ivo, >>Pristup,<( Zvuk, 1974, 2, pp. 9-19. 4. SUBJECT, PROBLEMS AND METHODS DAHLHAUS, Carl, ))MuziCko umjetni6ko djelo kao predmet sociologije,a Zvuk, 1974, 2, pp. 19-30. FUKAC, Jiri, K predmetu hudebni sociologie jako muzikologicke discipliny. in Otdzky hudebni sociologie, Osv6tov uistav, rozmn., Prague 1967, pp. 16-29. Methodologische Verhiltnisse musiksoziologischer Forschung zur Musikgeschichte, in Sbornik praci filosoficke fakulty brnenske university roe. 15, fada hudebnmv6dnd H 1, Bno (Universita J. E. PurkynB-filo sofick, fakulta), 1966, pp. 135-142. KARBUSICKY, Vladimir, Empirie v hudebni sociologii, in Otdzky hudebni sociologie, Osv6tovy uistav, rozmn., 1967, pp. 57-101. Metodika empiricko-sociologickych vyzkumit v oblasti umnfi, in Otdzky hudebni sociologie, Osv.tov9 ustav, rozmn., Prague 1967, pp. 161-229. Teoretickd pfedpoklady empiricko-sociologickeho vyzkumu hudbyc, Hudebni vgda, 1965, 2, pp. 372-418. LASKE, Otto E., )>Verification and Sociological Interpretation,(< International Review of the Aesthetics and Sociology of Music, 1977, VIII/2, pp. 211-237. 5. THEORETICAL BASES BLAUKOPF, Kurt, PPostscript: Towards a New Type of Research,a New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 231-235. KARBUSICK?, Vladimir, Empirische Musiksoziologie: Erscheinungsformen, Theorie und Philosophie des Bezugs ,,Musik-Gesellschaftc, Breitkopf und Hartel, Wiesbaden 1975, pp. 490. MARKOVAC, Pavao, )Muzika i dru9tvo,, Zvuk, 1967, 72, pp. 1-6.

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BIBLIOGRAPHY

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MOKRY, Ladislav, Koncepcia hudobnej sociologie, in Otdzky hudebni sociologie, OsvtovVy ustav, rozmn., Prague 1967, pp. 1-16. * * *, Otdzky hudebni sociologie. Sbornik pfispgvkt z hudebne sociologickeho semindre Svazu ceskoslovenskych skladatelu, 6.-8. dubna 1966, Osv6tovy ustav, rozmn., Prague 1967, pp. 310. 6. SOCIOLOGY OF MUSIC AND RELATED DISCIPLINES CERNY, Miroslav K., O vztazich mezi hudebni historiografii a hudebni sociologii, in Otdzky hudebni sociologie, Osvetovy ustav, rozmn., Prague 1967, pp. 37-48. NATTIEZ, Jean-Jacques, ,O odnosima sociologije i semiologije muzike,, Zvuk, 1974, 2, pp. 54-65. - Sur les relations entre sociologie et s6miologie musicalesa, International Review of the Aesthetics and Sociology of Music, 1974, V/l, pp. 61-77. PORENA, Boris, >Musica/societa: una questione semiologica?,, Proceedings of the 1st International Congress on Semiotics of Music, Beograd 17-27 Oct. 1973, Centro di iniziativa culturale, Pesaro 1975, pp. 173-183. SUPICIC, Ivo, >Muzikologija i estetika,< Zvuk, 1969, 95, pp. 197-206. ZENKL, Ludek, Hudebni sociologie a hudebne pedagogickd praxe, in Otdzky hudebni sociologie, Osvvtovy ustav, rozmn., Prague 1967, pp. 112-121. 7. HISTORIOGRAPHY OF THE SOCIOLOGY OF MUSIC FUKAC, Jiri: Soziologische Gesichtspunkte der musikwissenschaftlichen Methode Vladimir Helferts, in Sbornik praci filosoficke fakulty brnenskd university, roc. 18, rada hudebn6v6dna H 4, Universita J. E. Purkyn6, Brno 1969, pp. 67-76. HARDING, J. W., Jean-Marie Guyau (1854-1888). Aesthetician and Sociologist, Librairie Droz, Geneva 1973, pp. 135. HASELAUER, Elisabeth, Musiksoziologische Studie nach Emile Durkheim, Fragmente als Beitraige zur Musiksoziologie, Doblinger, Vienna 1977, pp. 56. MARK, Desmond, ,John H. Mueller und sein Beitrag zur Musiksoziologie,? International Review of the Aesthetics and Sociology of Music, 1976, VII/2, pp. 185-203. REININGHAUS, F. Cristoph, J. H. TRABER, MMusikals Ware - Musik als Wahre. Zum politischen Hintergrund des musiksoziologischen Ansatzes von T. W. Adorno,? Zeitschrift fir Musiktheorie, 1973, IV/i, pp. 7-14. SERAVEZZA, Antonio, Musica, filosofia e societa in Th. W. Adorno, Dedalo, Bari 1976, pp. 255. SILBERMANN, Alphons, >Max Webers musikalischer Exkurs,< Kolner Zeitschrift fiir Soziologie und Sozialpsychologie, 1963, No 7, pp. 448-469. VYSLOUZIL, Jiri, K tradicim naseho hudebne sociologickeho bdddni, in Otdzky hudbeni sociologie, OsvEtovy uistav, rozmn., Prague 1967, pp. 101-112.

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WARD, Benjamin F., ,,The Muted Strain: Adorno's Approach to a Sociology of Music,? Journal of the Indian Musicological Society, March 1977, 8/1, pp. 22-45. 8. SOCIALHISTORY OF MUSIC CHAILLEY,Jacques, 40000 Years of Music: Man in Search of Music, Da Capo Press, Reprint of the 1964 edition, New York 1975, pp. XIV-229. CVETKO, Dragotin, ,>SocioloSki i nacionalni uvjeti promjena u poloiaju glazbe Juznih Slavena u XIX stoljecu,< Zvuk, 1974, 2, pp. 102-110. FINSCHER, Ludwig, Studien zur Geschichte des Streichquartetts, Birenreiter Verlag, Kassel 1974,pp. 301. GOL?A, Antoine, La Musique, de la nuit des temps aux aurores nouvelles, Leduc, Paris 1977,2 sv., pp. 954. GULKE, Peter, M6nche, Burger, Minnesanger: Musik in der Gesellschaft des europdischen Mittelalters, Bohlau, Vienna 1975, pp. 283. JUNGHEINRICH, Hans-Klaus, Luca LOMBARDI,eds., Musik im Obergang. Von der biirgerlichen zur sozialistischen Musikkultur, Damnitz Verlag, Munich 1977,pp. 182. KNEPLER, Georg, Musikgeschichte des XIX Jahrhunderts, Band II: Osterreich-Deutschland,Henschelverlag, Berlin 1961. LEIBOWITZ,Rene, L'Histoire de l'opera, Buchet-Chastel, Paris 1957, pp. 445. LESURE, Francois, Musique et musiciens francais du XVIc siecle, Minkoff Reprint, Geneva 1976,pp. 283. LISSA, Zofia, ,Povijesna glazbena svijest i njena uloga u savremenoj muzickoj kulturi,, Zvuk, 1973,4, pp. 375-388. MACKERNESS,Eric David, A Social History of English Music, Greenwood Press, Westport (Conn.) 1976,c1964; Reprint, London: Routledge and K. Paul, Issued in series Studies in social history. POUGIN, Arthur, L'Opdra-Comiquependant la Revolution de 1788 a 1801, Minkoff Reprint, Geneva 1973,pp. 337. RAYNOR,Henry, Music and Society since 1815, Schocken Books, New York 1976,pp. VIII+213. 9. SOCIALPSYCHOLOGYOF MUSIC FARNSWORTH,Paul R., Sozialpsychologie der Musik, Enke, Stuttgart 1976, pp. 217. * * *,Musikopleven og musiformidling: studier i musikkens psykology, sociologi og paedagogik, Akademisk forlag, Copenhagen 1975,pp. 236. 10. MUSICALINSTITUTIONS BASSO,Alberto, II teatro della citta dal 1788 al 1936, ,>Storiadel Teatro Regio di Torino<, vol. II, Cassa di Risparmio, Torino 1976, pp. 856. This content downloaded from 202.43.95.117 on Fri, 25 Dec 2015 17:13:18 UTC All use subject to JSTOR Terms and Conditions

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BOUQUET, Marie-Therese, II teatro di corte dalle origini al 1788, >Storia del Teatro Regio di Torino<, vol. I, Cassa di Risparmio, Torino 1976, pp. 561. PIERRE, Constant, Histoire du concert spirituel, 1725-1790, Publications de la Societe francaise de musicologie, ser. 3, Heugel et Cie., Paris 1975, pp. 372. SELTZER, George, comp., The Professional Symphony Orchestra in the United States, Scarecrow Press, Metuchen (N. J.) 1975, pp. 486. SHANET, Howard, Philharmonic: A History of New York's Orchestra, Doubleday and Co., Garden City (N. Y.) 1975, pp. 788. 11. MUSIC AND ECONOMICS HIRSCH, P. Morris, The Structure of the Popular Music Industry: The Filtering Process by which Records are Preselected for Public Consumption, Institute for Social Research, The University of Michigan, Ann Arbor 1969, 1973, pp. 72. KAVOLIS, V., ?Economic Correlates of Artistic Creativity,<< American Journal of Sociology, Chicago 1964, 70, N? 3, pp. 332-341. RINGER, Alexander L., vMuzicki ukus i industrijski sindrom<, Zvuk, 1974, 2, pp. 110-123. REININGHAUS, F. Christoph, J. H. TRABER, >Musik als Ware - Musik als Wahre. Zum politischen Hintergrund des musiksoziologischen Ansatzes von T. W. Adorno,< Zeitschrift fir Musiktheorie, 1973, IV/1, pp. 7-14. ROTH, Ernst, Musik als Kunst und Ware. Betrachtungen eines Musikverlegers, Atlantis, Zurich 1966.

und Begegnungen

12. MUSIC AND TECHNIQUE BRt}N, Herbert, >Technology and the Composer,<< in Music and Technology, Stockholm Meeting June 8-12, 1970, organized by UNESCO, La Revue musicale, Paris 1971, pp. 181-192. CIAMAGA, Gustav, >The Training of the Computer in the Use of New Technological Means,c in Music and Technology, Stockholm Meeting June 8-12, 1970, organized by UNESCO, La Revue musicale, Paris 1971, pp. 143-150. HIRSCH, P. Morris, The Structure of the Popular Music Industry: The Filtering Process by which Records are Preselected for Public Consumption, Institute for Social Research, The University of Michigan, Ann Arbor 1969, 1973, pp. 72. KAEGI, Werner, >Music and Technology in the Europe of 1970,< in Music and Technology, Stockholm Meeting June 8-12, 1970, organized by UNESCO, La Revue musicale, Paris 1971, pp. 11-31. KOENIG, Gottfried, >The Use of Computer Programmes in Creating Music,< Music and Technology, Stockholm Meeting June 8-12, 1970, organized by UNESCO, La Revue musicale, Paris 1971, pp. 93-115. RINGER, Alexander L., )>Muzicki ukus i industrijski sindrom,, Zvuk, 1974, 2, pp. 110-123.

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SCHAEFFER, Pierre, >Music and Computers,<( Music and Technology, Stockholm Meeting June 8-12, 1970, organized by UNESCO, La Revue musicale, Paris 1971, pp. 57-92. SHIBATA, Minao, )>Music and Technology in Japan,(( in Music and Technology, Stockholm Meeting June 8-12, 1970, organized by UNESCO, La Revue musicale, Paris 1971, pp. 173-179. SZLIFIRSKI, Krzysztof, >New Technology and the Training of Composers in Experimental Music<, in Music and Technology, Stockholm Meeting June 8-12, 1970, organized by UNESCO, La Revue musicale, Paris 1971, pp. 151-156. 13. MUSIC AND THE MASS MEDIA BLAUKOPF, Kurt, Massenmedium Schallplatte, Breitkopf & Hartel, Wiesbaden 1977, pp. 92. BACHMANN, Claus-Henning, ))Rundfunk, neue Musik, Publikum; Fragen und Versiumnisse,< Schweizerische Musikzeitung, 1977, 5, pp. 253-260. BAIRD, Jo Ann, Using Media in the Music Program, Center for Applied Research in Education, New York 1975. NIEMANN, Konrad, >Mass Media - New Ways of Approach to Music and New Patterns of Musical Behaviour,, New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 44-54. SUPICIC, Ivo, >Glazba i masovni mediji - neki osnovni problemi,v Zvuk, 1977, 3, pp. 10-16. * * *,Technik, Wirtschaft und Asthetik der Schallplatte (Symposion auf der )>hifi '68 Diisseldorf<), G. Braun, Karlsruhe 1970, pp. 61. TEINER, Manfred, >The Influence of the Mass Media on Children between the Age of Six and Eight,< New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 192-201. WANGERMEE, Robert, >>LaRadio, la musique et les moralistes de la culture,< in Publics et techniques de la diffusion collective, Editions de l'Institut de Sociologie, Universite Libre de Bruxelles, Bruxelles 1971, pp. 435-464. Rundfunkmusik gegen die Kulturmoralisten verteidigt: Versuch zur kiinstlerischen Kommunikation, G. Braun, Karlsruhe c1975, pp. 40. 14. MUSICAL PRINTING AND PUBLISHING SCHAEFER, Hartmut, Die Notendrucker und Musikverleger in Frankfurt am UnterMain von 1630 bis 1720: eine bibliographisch-drucktechnische suchung, Birenreiter, Kassel-Basel-Tours-London 1975, pp. 711. WEINMANN, Alexander, Der Alt-Wiener Musikverlag im Spiegel der >>Wiener Zeitung<<,Hans Schneider, Tutzing 1976, pp. 71. 15. MUSIC AND POLITICS BLOK, Aleksandar, >Umetnost i revolucija,<< Zvuk, 1958, 15-16, pp. 211-215. BRINKMANN, Reinhold, >>Asthetische und politische Kriterien der Kompositionskritik,, 26. internationale Ferienkurse fiir Neue Musik, Schott, Mainz 1973, pp. 28-41.

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CAMUS,Raoul F., Military Music of the American Revolution, University of North Carolina Press, Chapel Hill (N. C.) 1976, pp. 218. DONAKOWSKI,Conrad L., A Muse for the Masses. Ritual and Music in an Age of Democratic Revolution, 1770-1870, The University of Chicago Press, Chicago and London c1972, 1977,pp. 435. HENZE, Hans Werner, Musik und Politik: Schriften und Gespriche 1955-1975, Deutscher Taschenbuch Verlag, Munich 1976, pp. 273. JUNGHEINRICH, Hans-Klaus, Luca LOMBARDI,eds., Musik im Ubergang. Von der biirgerlichen zur sozialistischen Musikkultur, Damnitz Verlag, Munich 1977,pp. 182. LAWRENCE,Vera Brodsky, Music for Patriots, Politicians and Presidents: Harmonies and Discords of the First Hundred Years, Macmillan, New York 1975,pp. 480. KNEIF, Tibor, Politische Musik?, Doblinger, Vienna 1977, pp. 60. LISSA, Zofia, oMuzika i revolucija,? Zvuk, 1974, 2, pp. 94-102. LOMBARDI,Luca, >Reflexions sur le theme 'Musique et politique'<, Schweizerische Musikzeitung, 1978, 118/1, pp. 15-20. MALMROS,Anna-Lise,,>OrganisationalSet-up and Politico-cultural Aspects of Beat in Copenhagen,, New Patterns of Musical Behaviour, Universal Edition, Vienna 1974,pp. 114-119. ' * *, )Musique et politique,? Musique en jeu, Seuil, 1971, 3, pp. 85-117. 16. MUSIC AND IDEOLOGIES BECK, Hermann, ,Das Konzil von Trient und die Probleme der Kirchenmusik,? Kirchenmusikalische Jahrbuch, 1964,48. IMAI, Michio, >Shina-tetsugaku ni okeru kayoto ongaku (Folk music, folk songs, and music in general, as conceived in Chinese philosophy),a Nippon T6oy Ongaku Ronk6, Ongaku-no-tomosha,Tokyo 1969,pp. 497-516. LETELIER, Alfonso, ))La musica y el cristianismo," Rivista musical chilena, Santiago de Chile 1961,XV/77, pp. 15-23. LOVEJOY,Arthur O., On the Discrimination of Romanticism, in Essays in the History of Ideas, The John Hopkins Press, Baltimore 1948. NOWAK, Adolf, >Wagners Parsifal und die Idee der Kunstreligion,< in Richard Wagner - Werk und Wirkung, Bosse, Regensburg 1971, pp. 161-174. ORDZONIKIDZE,Givi, >Zur Dialektik der Idee des Kampfes in Beethovens Musik,, Beethoven-Kongref31970, Berlin 1971, pp. 365-371. 17. MUSIC AND SCIENCE LICHT, Sidney, Music in Medicine, New England Conservatory of Music, Boston 1946. NAZAJKINSKIJ, Evgenij, comp., >Muzikalnoe iskustvo i nauka,? Muzyka, Moscow 1973,pp. 215.

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18. MUSIC AND ARTS BELZ, Carl, >Relationships between the Popular and Fine Arts. Recent Developments,>Zvuki rijec,? Zvuk, 1972, 124-125, pp. 104-109. FISCHER, Pieter, Music in Paintings of the Low Countries in the 16th and 17th Centuries, Sweets and Zeitlinger, Amsterdam 1975, pp. 108. MARTI, Kurt, K. LUTHI, K. von FISCHER, Moderne Literatur, Malerei und Musik, Flamberg, Zurich-Stuttgart 1963. 19. MUSIC AND EDUCATION CAMPEANU, Pavel, )>The Implications of Light Music for a Group of Apprentices in Bucarest,< New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 103-108. CIPRA, Milo, ,Analiza u muzickoj nastavi - neobavezne primjedbe,? Zvuk, 1974, 2, pp. 70-77. HOFFER, Charles R., ,>Youth, Music Education and the New Sound Environment,(( New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 167-178. * * *,Music Education for Tomorrow's Society; Selected topics, A. Motycka, ed., GAMT Music Press, Jamestown (R. I.) 1976, pp. 83. ** *,Musikopleven og musiformidling: studier i musikkens psykologi, sociologi og paedagogik, Akademisk forlag, Copenhagen 1975, pp. 236. PAYNTER, John, )>Music Education and the Emotional Needs of Young People. Towards a New Type of Research in Great Britain,a New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 159-167. ROMAN, Zoltan, >Higher Music Education in Canada(, New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 178-183. SOKHOR, Arnold N., >Young People's Leisure Time and its Use for MusicalAesthetic Education,( New Patterns of Musical Behaviour, Universal Edition, Vicnna 1974, pp. 219-226. 20. SOCIAL STATUS AND ROLE OF MUSICIANS * * *,L'artiste dans la societe' contemporaine, Conference internationale des artistes, Venise 22-28 septembre 1952, UNESCO, Paris 1954. BETZ, Albrecht, Hanns Eisler. Musik einer Zeit, die sich eben bildet, Munich 1976, pp. 252. BLUM, Stephen, >Ives's Position in Social and Musical History<(, The Musical Quarterly, 1977, LXIII/4, pp. 459-482. BRESGEN, Cesar, Der Kiinstler, stellvertretend fir die Gesellschaft, Doblinger, Vienna 1977, pp. 56. GIZYCKI, Renate von, Haku Mele - Der Poet in Polynesien; ein sozial-anthropologischer Beitrag zur Rolle des Kiinstlers, Arbeiten a. d. Institut f. Volkerkunde der Universitit zu Gbttingen, Munich 1971, vol. 6. This content downloaded from 202.43.95.117 on Fri, 25 Dec 2015 17:13:18 UTC All use subject to JSTOR Terms and Conditions

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LESURE, Francois, Musique et musiciens franoais du XVIe siecle, Minkoff Reprint, Geneva 1976,pp. 283. MASSIP, Catherine, La Vie des musiciens de Paris au temps de Mazarin, 1643-1661: essai d'etude sociale, Picard, Paris 1976, pp. 186. NEUNZIG, Hans Adolf, Brahms: der Komponist des deutschen Biirgertums: eine Biographie, Analthea, Vienna-Munich 1976, pp. 253. TICK, Judith, >Musician and Mecene: Some Observations on Patronage in Late 18th-CenturyFrance,( International Review of the Aesthetics and Sociology of Music, 1973, IV/2, pp. 245-257. WETZEL,Richard D., Frontier Musicians on the Connoquenessing, Wabash and Ohio: A History of the Music and Musicians of George Rapp's Harmony Society (1805-1906), Ohio University Press, Athens (Ohio) 1976,pp. 294. 21. MUSIC, SOCIALLIFE AND CULTURE CVETKO,Dragotin, >>Socioloskii nacionalni uvjeti promjena u polofaju glazbe Juznih Slavena u XIX stoljecu,<LaMusique a la cour de Maximilien I (1459-1519),c Schweizerische Musikzeitung, 1978, 118/1, pp. 1-10. DAVID, Haus T., >)TheCultural Functions of Musica, Journal of the History of Ideas, Lancaster-New York 1951,Vol. 12, NO3, pp. 423-439. DONAKOWSKI,Conrad L., A Muse for the Masses. Ritual and Music in an Age of Democratic Revolution, 1770-1870, The University of Chicago Press, Chicago and London 1972, 1977,pp. 435. DUSE, Ugo, Musica e cultura, Marsilis Edition, Padova 1967,pp. 157. FALTIN, Peter, )>Die Bedeutung von Musik als Ergebnis sozio-kultureller Prozesse<, Die Musikforschung, 1973, XXVI/4, pp. 435-445. FINELL, Judith Greengerg, comp., The Contemporary Music Performance Directory: A Listing of American Performing Ensembles, Sponsoring Organizations, Performing Facilities, Concert Series, and Festivals of europdischen Mittelalters, Koehler und Amelang, Leipzig 1975, pp. 283. GROSSODESTRERI, Luigi del, Europdisches Hit-Panorama,G. Braun, Karlsruhe 1972,pp. 51. GULKE,Peter, Monche, Burger, Minnesiinger: Musik in der Gesellschaft des europiiischen Mittelalters, Koehler und Amelang, Leipzig 1975, pp. 283. HAMM,Charles E., Bruno NETTL, Ronald BYRNSIDE, Contemporary Music and Music Cultures, Prentice-Hall,Englewood Cliffs (N. J.) 1975,pp. 270. LEWIS, George H., JTaste Cultures and Culture Classes in Mass Society,c International Review of the Aesthetics and Sociology of Music, 1977, VIII/1, pp. 39-49. LISSA, Zofia, )>Povijesnaglazbena svijest i njena uloga u savremenoj muzickoj kulturi,>OrganisationalSet-up and Politico-Cultural Aspects of Beat in Copenhagen,, New Patterns of Musical Behaviour, Universal Edition, Vienna 1974,pp. 114-119. This content downloaded from 202.43.95.117 on Fri, 25 Dec 2015 17:13:18 UTC All use subject to JSTOR Terms and Conditions

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* * *,Singing Soldiers: A History of the Civil War in Song, Paul Glass and

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putah issledovania muzykalnih vkusov,,

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1, pp. 59-69. PAVLOV,Evgeni, ))Musical Interests of 5th to 8th-Graders in Pleven,. New Patterns of Musical Behaviour, Universal Edition, Vienna 1974, pp. 135 140. SIMEK, Milan, ))Musical Interests of the Czech Youth in the Light of Research Findings,, New Patterns of Musical Behaviour, Universal Edition, Vienna 1974,pp. 140-142. This content downloaded from 202.43.95.117 on Fri, 25 Dec 2015 17:13:18 UTC All use subject to JSTOR Terms and Conditions

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public,< Musique

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31. TRADITION AND INNOVATION LUTOLF, Max, ?Zur Rolle der Antike in der musikalischen Tradition der franzosischen Epoque classique,< Fischer Festschrift, Katzbichler, Munich 1973, pp. 145-164. 32. ACCULTURATION IN MUSIC BEZIC, Jerko, ?Akulturacija kao mogucnost bea, Zvuk, 1974, 2, pp. 149-155.

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35. FOLK MUSIC IMAI, Michio, ,Shina-tetsugaku ni okeru kayoto ongaku (Folk Music, Folk Songs, and Music in General, as Conceived in Chinese Philosophy),q Nippon T6y6 Ongaku Ronk6, Ongaku-no-tomosha,Tokyo 1969, pp. 497 516. KRADER,Barbara, >Filozofija narodne i tradicionalne muzike u SAD,? Zvuk, 1968,87-88, pp. 468-476. NETTL,Bruno, Folk and Traditional Music of the Western Continents, Prentice-Hall, Englewood Cliffs (N. J.) 1973,pp. 258. - Folk Music in the United States: An Introduction, Wayne State University Press, Detroit 1976,pp. 187. 36. JAZZMUSIC GOFFIN,Robert, Jazz, from the Congo to the Metropolitan, Da Capo Press, New York 1975,pp. 254. 38. MISCELLANEA BONTINCK,Irmgard, Kritik der etablierten Kultur, Universal-Edition,Vienna 1977,pp. 47. BORRIS, Siegfried, Grundlagen einer musikalischen Umweltkunde, Verlag Moseler, Wolfenbuttel 1975,pp. 95. metode stilske analize u muzici,< Zvuk, 1973, CVETKO,Dragotin, >>Savremene 2, pp. 121-125. DELIfGE, Celestin, ?Tehnike retrospektivizma,Hans Sachs und die 'insgeheim gesellschaftliche' Phantasin Richard Wagner magorie. Zur Kritik einer Idee von Th. W. Adorno,<< -

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