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PRACTICAL CARD EFFECTS
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BY CHAS. C. EASTMAN
PRICE $1.00
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WILL ALMA
M.I.M.C. ( L O N D O N )
INDEX A
Mo s t
Th e
Subtle
Tr i p l e
Ca l l
Card
Fo rc e
My s t e r y
.
■ 'jr.'-
.
•'" v
It
Wh a t
You
L ik e
.
Ge n u in e
B ill
and
C ig arette
My s t e r y
How To
Be
A
Ma g i c i a n
Ro u t i ne
It
Ta k e
Ag a i n
Poker
It
.
.
Pr e s t id ig it a t io n
Mis e r ’s
Dr e a m
Ma g i c i a n ’ s
Th e r e
' • '
You
w it h
Ha n d y
Ar e !
C opy righted
.
1935
Patter
Ac c e s s o r y
.
The State Library cf Victoria “A L M A C O N JU R IN G C O L L E C T IO N ”
A MOST SUBTLE CARD FORCE Le w is
Fo r AND AS
a
ONE
OUTLINED
It
1
,
one
b l u e
.
Also
pack
IS
that
BY
Mr ,
of
one
a b s o l u t e l y
HIGHLY
u se
of
w h ic h
is
pack
Red
w it h
I
no
RECOMMEND
s k il l
T HIS
ONE
DUFF.
the
s i d e
Du f f .
r e q u ir e s
SURE-FIRE
r e q u ir e s
c a r d
a
f o r c e
THAT
C.
r ed
Blue
of
B ic y c l e
a
d o u b le
w h il e
b a c k e d
the
b acked
o ther
b ic y c l e
is
c a r d s
and
.
b a c k s
2 P r e p a r a t i o n ;-
4
take
any
T HIRD
5
THIS ARE
7
CARD IN
THE
COURSE
USE
A
BLUE
THE
BACK.
CARD
THE
in
THE
TOP
THE
THE
RED
WITH
DECK. CARD
CARD.
FORCE
THE
YOU
CARD
CARD
YOU
RED
THE
UNDER
THAT
THIS
PACK
deck
p o s i t io n
BLUE
PLACE
FORCE
THE
b ic y c l e
r e v e r s e d
OF
UNDER
On ON
b acked
a
PO SIT IO N
AS
CARD,
BACKED
it
BOTTOM
ORDINARY
HAS
COMPLETES
THE
Red
a
p l a c e
TO
ORDINARY
DOUBLE
From
and
FROM
GOING
ANY
9
card
OF
PLACE
HAVE
BACK
UP.
THE THIS
SET-UP.
11 Wh e n
12 13
SPECIA L
EFFECT, RIFFLE
THE
THREE
YOU
PLACE THE
IT
SEVERAL
THE
OUT CUTS
ORDINARY
FORCE
CARD SIGHT
DOWN
STATING
Now REVERSED PACK
AT
WITH
ALL
THE
THE
YOU
s u b t l e
IT
AMONG
FACES
THE
YOU
TO
DO
THE
PACK
OVER OR
FACE BACK
THE THE
OF
A
P O SIT IO N
FACES
THIS
IS USE
WHICH
DESIGNATED
method
RlF F L E
THE
BLUE
CENTER
IT
ENGAGE
THE
UP
OF
some
PACK
SO IN
UP
A
YOU
OF
THE
AND
GIVE
CARDS
TENDS
TO
THE
PACK
DO WN GET
IN THE
AND
TO
CARD,
W ILL
CARD
TO
T H IS
PACK
THE
SQUARE
CUTTING,
TO
At
THE
KEEPS
THE OF
HAVE
BACKED SPOT
IN
fo r
GIVING
NOT
OTHERS,
STOP.
TURNING
DOUBLE
THAT
THE
card
PACK
CAREFUL
TURNING
GO
SIGHT.
MANNER
OF
RED
Th i s
THAT
your
BLUE
CALLS
CARD
By
SOMEWHERE
LOSE
THE BEING
W ILL
OF
f o r c e
AMONG
DOUBLE BACK
NOTE
CARD
UP
CARDS
PO SIT IO N ,
ALSO
DOUBLE
PIC K
to
SPECTATOR
THE
REVERSED W ILL
ANY
RED
r e a d y
SHUFFLE
BOTTOM
UNTIL
THA T
I 9
are
GENUINE
PACK
17
you
BY
allo w s
-1 -
TO
FAN
THE
YOU THE
you
THE
CARD JUST
PACK
BENEATH PLACED
FACE THE
IN
THE
th rou gh
the
SPECTATOR.
to
run
PACK
AND
BACKED WAS
SHOW
FAIR
YOU
SIMPLE
IN
HAVE
IN
WHICH
THOSE
NOW
CONTAINS
PROVING
BEEN
OPERATION
START
T RICK
IT
THUS
NOTHING
BEYOND
A
BUT
DOUBT
BLUE
THAT
ALL
(?)
IF
JU ST
THAT
CARDS,
WHO
TO
LOOKING
AND
ONE
FOR
THAT
USE
THE
ABOVE
REQUIRES
THE
USE
HAVE
TROUBLE
IN
A
FORCE
YOU
CAN
ROUTINE
OF
A
FORCING
THAT
D E P E N D ; ON
IN
YOUR
FORCED
THIS
IS
NEXT
CARD.'
IS
FOR
H IGH LY
REC-
OMMEDED.
THE TRIPLE MYSTERY Ha r r y
Th i s A
e x c e p t io n a l
THOROUGH
AND
WORKOUT
EACH
TIME
SIM PLIC IT Y EFFECT THIS
IS
FLE.
THE
A
VERSED
PAGE
.
DESIRED
g iv e n
GATHERINGS
BOTH,
IN
THE
CLIM AX.
IN
AN
t h is
AND THE
c a se
AND
THE
EFFECT
OF
MADE
BY
Th e
NUMBER
THE
THREE BY
WORD
THE
THE
GIVEN
BE
USED the
s u p p o s e
SPECTATOR
THE AND
)
FROM READ
THIS N A ME
THE
PERFORMER.
-2-
WORD
THE
IT
CARD TO
AS
THE
t h ir d
THE
CARD
OUT
LOUD
READ
THE
AS
CARD
ANOPHELES.
THE
WAS
upon
OF
THE
In
w h ich
No w
BOTTOM
TO
LOOK
OF
word
IS THE
WORD.
ANOPHELES.
W ILL OF
THIS ASKED
TO
FROM
TO
SPECTATOR)
to
CARD
IS
RE
IS
GIVEN
DOWN
DENOTE
down
PERFORMER.
HEARTS
BY
TO
A
SUPPOSE
SUPPOSING
WOULD
w il l
REVERSED A
W ILL
IN
THIS
IS
COUNTS
SHUF
PERFORMER
PACK.
SPECTATOR
CARD
counts
( we
WE
IT.
THE
THE
NINETEEN, OF
CASE
out
A
CARD
NUMBER
PERFORMER
(NUMBER
THIRD
HAVING
A
THE
THIS
THE
p a s s e d
GIVEN
is
CARDS
SIGHT.
SHOWS
USE
THE
PLACES OF
IN
HEARTS,
is
THE
AND
DICTED
OF
OF
is
CARDS
of
BOTTOM
THIS
Spectator
REMOVING
TION
been
FIN AL
d ic t io n a r y
THEN
THE
NINETEEN
CASE
t h r e e
ONE
THE
In
CARD
DICTIONARY
DECK,
ON
a pack
AND
ALWAYS
FIFT Y .
THREE
a
OF
NINETEEN;
THE
in
FACE
CARD
NINETEENTH
THIS
F irst
NOTATION
THE TO
ON
WORTH,
THE
BE
has
MAGICAL
I T *S
AND
COULD
THEN
PO SIT IO N
NUMBER
a
:-
e f f e c t
On
ONE
PROVED
METHOD
THAT
t est
SEVERAL
TYPE.
WRITES
BE
HAS
EXAM INATION.
KEEP
d ic t io n a r y
BEFORE
THE
ALL
Th e FOR
IT
OF
Va l c a r t e .
THE
NOTA
FOLLOWS; WHICH Al l
WAS PRE
P r e p a r a t i o n :DECK
AND
ADD
OTHER
PIP
THESE
VERY
AND
WITH
OFF
THE
THE
DICTIONARY
THE
LEFT
1;
HAND
AND
YOU THE
SO
OF
,
LETTING
ON
TOP
OF
THE
SEE
ON
THE
CARD.
THE
DECK,
NOW ONE
19.
Co u n t
THE
LAST
TO
ONE
OF
DOWN
VALUE
t h is
PORTION Ho l d TO
HELD
the
IN
OF
THE
OR
YOU
HAVE
CARD
YOU
SOME
WE
of
IS
as
THE ON 3
THE
T HA T
CARD.
HEARTS.
-3-
CALL
to
THE
OUT
(n
OF THE
SIM
A
BOTTOM
NUMBER NUMBER
t a b l e
e x c e p t
COVERING IS
THE W RIT
o r d in a r y
ARE
THIS
WHILE
THAT
THE
PREDICTION any
THE
NOTATIONS
ON
the
YOU
l e a v
LETTING
IS
HAND
w ould
THE
WITHOUT
ANYTHING,
SUPPOSE
THE
A
COUPLE
MOTIONS
UP
you
ADD
REMARK
THE
FACE
FACT
OF
AND
PLACE
THE
A
IT
CARD
THAT
CARD
WIT HOUT
on
BY
o t h e r w is e
MAKING
WHERE
ju s t
AND
WERE
c a r d s
CARD
FACT
TOP
WRITTEN
W ILL
t h is
EACH
DECK
YOU
SHOWN,
CORNER
THE
or
SPECTATOR
WHICH
OUT
IF
,
THROUGH
CARD
ABAFT.
DECK.
FACE
Go
TEN
On
.
EVERY
THIS
of
T HE
FOUND
CARD,
CARD
THE
THE
THE
AS
ANYTHING IS
SEE
IS,
THE
THE
f iv e
On WORD
WORD
FIR ST
OVER
JUST
c ard
THE
CONCEAL
s h u f f l e
the
s p a d e s
T HAT
AND
FROM
T URN
WHICH
BRING
UP
HELP
Fa lse
number
(19 ),
of
PRECEDING FIR ST . Now T O
ON
HAVE
AND
UNMARKED
THAT
FIFTY
5S , n in e
CARD
is
DIAMONDS.
ABLE,
PREDICTION.
THIS
YOU TO
CONCEAL
CARD
A
card
OF
THE
SPECTATORS
W RITING
OF
OF
TO
IS.
SOMETHING
SPECTATORS ULATE
# 1,
DISCARDED
AS
WRITE
f ir s t
the
THE
THESE
BEEN
THE
W RITING
TRYING
(ABBRE
PAGE
THE
THIS
CORNER
CARD
NUMBER
TO
TABLE
HAND
ON
THE
SHUFFLE THE
ANOTHER,
FIR ST
WORD
AT
TEN
AND
OF
EXCEPT
DECK
W ILL
LOWER
ON
a
ELEVEN
DECK.
UP
RIGHT
THE
THE
from
CARDS
DEAL
BOOK
the
THE
NAME
PRESENTATION:-
TEN,
THE
10D
NUMBER,
HAVE
THE
FROM
OF
FOUND
s a y
#2,
BOTTOM.
OTHERS
YOU
BACKS
LOWER
AND
cards
PIP
SIM ILA R
THEN
THE
WRITTEN
DICTIONARY)
CARD
THE
Suppose
c a r d
MARKED
COURT
ing
UP
D .)
COLUMN
IS
WRITE
THE
TO
A
THEM
NAME
OF
SECOND
a nother
GIVES
IS
THE
4
IS
THE
DIAMONDS
De a l
(IN
IN
WHICH
Ex a m ple: -
CARD
FROM
FACE
co u rt
FORTY
CARD,
SPADES OF
CARD
T H IS
tw e lve
1_AY
MARKED
NUMBER
LIK E
F IR S T
(M IXED)
ONE IS
the
REM AINING
THOROUGHLY.
CARD
VIATED
Take
THE
CARDS
DEAL
SECOND
TO
NOT
c ard
TRYING
INSTANCE RIGHT
THE HAND
EXHIBIT S THE
THIS
CARD
REMAINDER
BOTTOM DECK
OF
THE
Th e NOW
THE
WHILE
CAUSE
BE
OF
DECK
THE
IS
NOW
ON
THE
CARDS
REVERSED
BACK
FACE
UP
UP
ON
THE
TOP
OF
THE
ON
BUT
REVERSES
CARD
NOT
KN O WN
BE
UP.
CARD
THE
HAND T U R N S O V E R O R
BEING
BACK
19
NUMBER
LEFT DECK I
OTHER
CARD
LAID
THE THE
WHICH
TABLE,
IS
FACE
3
THE
OF
DOWN,
HEARTS
BUT
LET
MA Y
NO
ONE
PLACE ALL CARDS TOGETHER EXCEPT SELECTED ONE (#19 t h e 3 o f h e a r t s ) . S p e c t a t o r l o o k s u p t h e w o r d HANDLE
ON
IT.
PAGE
NINETEEN
T HIS
WORD
FROM
THE
UP
THEY
ON
BY
IT
MADE
GIVES
FIFTY
AND
USING
Th e
N ic k le
POCKET
THE
A
A
D im e
AFFA IRS
SHOULD
Th e
ONES, BE
TOTAL
ENTAILS
DECKS
OF
THAT is
IS
BUT
COST
A
OF
FACE
CARD
h e re
IN
W ILL
AND
A
OUT
ONE OF
a s p e r s io n
THE
the
set
AS
THERE
DECK,
PACK
PROCURABLE
NOT
BE
card
DIFFERENT
WORD
THE
FROM
as
A
d ic t io n a r y
IS
SO
CARD
COURSE
CARD
WRITTEN
A SID E.
g iv e n
Of
Th e
AND
MERELY
IN
OFF
s e l e c t e d
LA ID
TAKEN
an
CARD
COMES
the
DICTIONARY
LOOK
not
USED
THE
is
NUMBER
LOOKING
Th i s
IS
COMBINATIONS
Em p o r i u m .
DECENT
up
HAVE
THE
PARTICULAR
P ick
READER,
CENT
IT
DOWN,
THEM
O RIG IN AL
WHICH
EXAMPLE
ONE
H AND
AS
THE
e xa m ple
THE
TWENTY
SMALLER
WHICH
THIS
DIFFERENT
ABOVE
FORMANCE,
WHAT
On
one
BY
AND
IS
DECK
DIFFERENT
and
AND
THE
- Only
BE
ARE
SIZE
IN
THIRD
THEN
DECK
IT
PERFORMER.
PLACE
NUMBER
THAT
AND
#19-3H-AN0PHELES,
;
MUST
THE
THE
is
LOUD
OF
PRESUME
NOTE: UP
WHICH
OUT
BOTTOM
THE
w r it t e n
AND
READ
is
OF
o f
UP THE
good
THOSE
SMALL
IN
PER
PLACE to
MADE FROM
A
t h o se
WRITERS
who
u se
O P IN IO N
OF
PERFORMANCE.
THE
PRICE
ABOVE
OF
EFFECT
ONE
IS
DICTIONARY
VERY
LOW,
AND
TWO
CARDS.
CALL IT WHAT YOU L IK E , Edw in
Th i s
is
my
m ethod
p a t h ic
Se l e c t io n ,
v o r it e
term
two
c a r d s
fo r
a re
it
o f
Bu rch ell
.
s e l e c t e d
Th e ,
Co i n c i d e n c e ,
w o r k in g
Ey e -Po p p e r
the i s
L,
or
e f f e c t
one
-4-
from
w hatever is
a
as red
Te l e
you r
f a
u su a l
w here
BACKED
DECK,
AND
THE
TURNED
OTHER
UP
-Two
Me t h o d : Ta k e
the
ran g e
r e s p e c t iv e
e it h e r
Spades
s t i l l
THE
DECK
YOUR
THE
THINK
INTO
THREE HIM
OR
TO
LOCATE WHICH YOUR
AND
PLACE
W HILE THE
DISARRANGED CARD
IN
In
any
ON
TOP
HE
THE
IS
WITH
IS
KNOW THE
DECK
THE
T H IS.
IN
THE Fan
IS .
HE IS
Or
KNOW
IT
card
on
ONE
WHICH
HIM
IT
DECK
AND
ASK HIM
H IS
CARD
HANDS.
T URN
DECK
LINE-UP IF
IS
YOU
HAVE
OF
OF
THAT THE
THROUGH THE
DRAWS
a nother
SO
AND
YOUR
RUN
FROM
IT
YOU
FROM
.
CUT
TABLE,
NOW
M ISSIN G
SPADES
TO
deck
WITH
in
IT
DUPLICATE
CARDS
WHICH
HIM
the
H IS
IT
CARD
.
d o
PLACE
If
it
of
a p p r o x i
m o m e n t
SURE
A
Te LL
THE
DOING
SPADES
a
REPLACE
THE
you r
To
fo r
you
le a v e
in
a r
c h o ic e
as
g iv e
HIM
,
top
f r e e
to
r e p l a c e
DRAWS
FROM
a
SELECT IO N.
HIM
TAKE
on
SHUFFLED
QUITE
SPADES,
each
Spades
TELL
h im
HE
DECK
FROM
YOU
IS
ARE
have
TIM ES. H IS
Th e n
t a ble
FREE
If
UP
OF
A
YOU
to
OF
.
-b a c k e d ,
d e c k
c a r e f u l
the
the
HAVE
SUIT
PICKED
on
b l u e
each
e x a c t ly
THOUROUGHLY )
SPADE
THE
t o p
DECK.
DECK.
A
FOUR
BACK
ONE
THE
NOT
be
le a v e
HIM
AND
s u r e
PICK
HE
IS
ALLOW
be
OF IS
GOES
IT
CENTER
SECTION
IF
AND
on
one
sp e c t a t o r do
FINALLY
DUPLICATES.
from p l a c e
to
but
YOUR
d is a r r a n g e d
Spades
the
,
and
of
COURSE
a l l
DECK
FROM
s h u f f l e
CENTER
(of
Spades
the
WHE N
BE
and
and
h im
u n d is t u r b e d
hand
m a t ely
G ive
d e c k
TO
s p a d e s
o rd e r
.
your
red
of
t e l l
DECK.
PROVE
one
s u it
and
BACKED
BOTH
,
d e c k s
d e c k
deck
s h u f f l e
over
BLUE
c o n s e c u t iv e
R if f le
an
A
THEY
c o m plet e
in
each of
FROM
TOGETHER
SOME THE
AND
OR
IS
OTHER
SELECTED
CARD .
ANNOUNCES HIS OF
TOP
HE CARD
COURSE,
c a s e
IS
,
p l a c e
READY,
FACE
THEY
UP.
that
TURN
AROUND
You
DO
SO
AND AT
t o p
ASK
THE
.
Spectator
HIM
SAME
TO
T URN
TIME
AND
MATCH.
GENUINE B I L L AND CIGARETTE MYSTERY. To m m y
In f e c t
,
t h is
THE
method
ORIG IN A L
of
BILL
Tu c k e r ,
p e r f o r m in g
APPEARS
IN
the
THE
w ell
known
BORROWED
e f
C IG A
RETTE .
A p p a r a t u s :-
A
v a n is h e r
-5-
fo r
two
c ig a r e t t e s
;
a
POCKET ONE OF
HANDKERCHIEF
CORNER PAPER
PLACED
IN SIDE.
SAME
LENGTH
PIECE
IS
IS
AS
A
BEST
END
PERMIT
METHOD
CIGARETTE ARE
A
IS
OTHER
USE
CIGARETTE
THE
FAKE
is
TO
END AND
BUT, IS
IS
THE
SMALL OF
THE
HOLLOW.
SOMETHING
STIFFENED
COLLAPSE
A BE
the
MAKE THE
ONE
PAPER,
NOT
THESE
OPEN
CIGARETTE
W ILL
OF
THEN
AT
TO
THAT
THIS
END
IS
B ILL
ONE
AND
INTO
PACKAGE
LATTER
PAPER
AROUND
IT
THE
SEWED
SMALL
THE
MAKE
GLUED
UNTIL
HOLLOW
PAPER
ROLLED
OF
TO
IS
A
TO
PIECE
THEN
THAT
OF
ROLLED.
CIGARETTE.
TO
LEAVES
NOT AS
FAKE
EDGES
T his
PIECE
B ILL
SMALL
P U S H E D . DOWN
STRONGER, THE
A
BEST
A
THE
CIGARETTE. It
THE
A
A
HOLLOW
C u t
CIGARETTE.
LIKE
AND
PARTLY
FOLLOWS.
WITH
FEEL
MATCHES
CIGARETTE
AS
TO
AND
SPELLIN G
D IS
ASTER,
To OF
P r e p a r e :-
THE
THE
GIMMICK
HANGS
ON
IN
To
LEFT
TAKE
O UT
TIME
GRASP
LEFT THE
.
THE
OF
TIRELY
CAN
BE
THE
LEFT
THE
c h i e f
Th e n
THE
NATURALLY. AND
OVER
som eone
NOW
THE
AT
THE
THE
AS
TO INTO
GO
EN
PRACTICE
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TO
THOROUGHLY.
CARD,
H IS
PERFORMER
IS-OFFERED
OF
c a r d s
FANNED
NOTED
THE
DECK
CARDS
of
AND
Wa t t s
P ILE c a r d s
NARROW
CARD
IS
SOON
AS
OF
ST ILL THE
THE
RETAINED
CARDS
NARROW
CARD
ARE
ON
A
TA I L
SHUFFLE
KEEP
THE .
s h u f f l e
THE
then
GOOD
THEN
POINT,
WHO
the
deck
INSTEAD IN
there
CARD THE
OF
TAKES
NARROW
IT
AS
IS
IN
BEG INNING.
IF
THE
AT
of
TOP
card
JUST
CUT TO
WONDER
OF
HE
DOWN
AT
THE THE
TO
and
T H U MB
CARDS
HALF
CARD
SURE
PERFORMER
H IS
THE
to
DoVE-
DOVETAIL
Th e
HE
SAME
YOU
narrow
RUNNING
AND ,
THE
THE
back
BEING
WH E N
the
it
FOLLOWS.
LOWER
CARD.
LOOKING
As
BALANCE
PLACING
g iv e s
NEXT
SEPARATES
SEEM
TOP
V ICTIM
and
SEPARATED. BY
PACK.
THE
THUS
HALF
fe a r
CARD
DECK,
OFFERS
THE
no
THE
CARD,
OF
TOP
BECOMING
THE
AND
is
IT,
SHUFFLE
SIDE
MAKING
THE
ON
CARD
LOCATES
HAZARDLY,
cuts
DOVETAIL
OF
RETURNED,
SELECTED
FROM
Th e n
SIDE
DOWN
THE
BOTTOM
IS
SELECTED
SELECTED
THE
OF
THE
CARD
SLAPPED
TOP
Spectator PERFORMER,
ON
SPECTATORS
THAT
DECK
HAP
SPECTATOR,
WONDERS,
FREELY
THE
SELECTED
POKER P R E S T ID IG IT A T IO N To m m y
Ef f e c t : DECK
IS
CARDS
T h e
Th e
THEN ARE
A BILIT Y
HALVES
OF
TERLACE CARDS,
THE
ON
TOP
W ILL W ILL THE
the
OF
OF
REFER
YOU
PLACE
TO
LOWER
I
JEAN
PROCESS AT
a re
THAT
ALREADY
HIGHER -
W ILL
12
-
W ILL
IN
WITH
NEW
DECK.
p l a c e d
on
t o p
WHICH
IS
,
you
PLACED
THE
DECK
I NTO
ENDS.
As
THIS
EX PLAINED
IN
GO
THE
INTO
BOOKS
CENTER IT
TWC
DIVIDE
THOROUGHLY.
AS
anc
THE
AT
BEEN
NOT
Hu G A R D ’ S
NEW
DECK
c a r d s
ENDS
A
NeXT
THE
good
SHUFFLE
THE
the
ETC,
m anner.
WITH
and
and
CUTS,
DIFFICU LT
TOGETHER
INTERLACED OR
s u rp ris in g
THE
W ILL
deck
NOT
shown
ACES.
HAS
GLANCE IS
a
SO
OF
THE M
MAGIC
THE
SHUFFLE, CARD
are
on
SHUFFLING,
OTHERWISE
IS
QUARTER
CARDS
ON
OR
IM POSSIBLE
THE
pl a c e d
r e q u ir e m e n t s
THIS
"WEAVE”
BOOKS
in
TOGETHER
a ces
A
COVERING AND
EXPLAIN
EVERY
DECK
ABOUT
"W EAVING” ERAL
only
"WEAVE”
NEARLY
Af t e r UNDERCUT
are
THOROUGHLY
lo c a te d
PERFECTLY. BUT,
HALVES
Th e TO
a ces
A
then
Me t h o d : THE
four
GIVEN
Tu c k e r
WHICH
BEFORE OF
SH OULD MAKE
DETAILS
NO
DECK BE.
I
SEV BUT,
BELIEVE
COMPLETING, AND A
SEE
CARD
DIFFERENCE.
IF, OUT If
CARDS
ARE
THEM
AND
STEP. FEW
N OT
"WEAVE”
YOU
W ILL
F in is h
Now LUCKY
your
THEM
ONCE
IT
CENTER
TO
TO
T H IS
MORE.
EASY
OF
SUIT IS
CHECK
ITY
YOU
ARE
RUN
BY
p o i n t
,
YOU,
THE
THIS
BREAK
IMPORTANT
STEP
AFTER
A
Place
are
THENAS
Th e
De a l ACES
c a rd s
two
W ILL
in
THE
CHANGE THE
top
OR
OTHERWISE
TY
AND
YOU
ELIM INATE
from
ON
IN
of
,
DECK the
the
ace
on
CARD,
top
four
c a r d s
HAND
HEAP
the
AND
ace
LEAVING
THE
ON
the
each
THEN
PER
THIS
.
t a ble
PLACE
PACKET LEFT
IN
HAND.
w it h
from
the
an
pack
INDIFFERENT
pa ck et
and
ON
ACES
THE
THEM
AT
u p
pack
THE
DECK
THE
REAL
CASUALLY
DOWN
AND
IN
the
BENEATH
of
ACE.
PACK
ACES
f a c e s
FACE
TO
PACK
top
HAND
YOUR
LOCATING
THE
to
EACH
Fo r c e
ON
and
UNDER
BUT,
AFTER
THIS
RIGHT
at
LEFT
AND
by
r u b
CAUSES
APPEARING
HEAP.
ace
can
PREPARED, CAN
THE
beyon d
now
IN
THE
bottom
WHOLE
o t h e r
OF
FORCED
T h e
run
FIN D
ABLE
CARD,
SEPARATE
p i l e s
CARD
LUCKY
BE
CARDS
ACES.
IS
hands
W ILL
NOT
THE
BETWEEN
BE
the
LUCKY
b in g
T HIS
IS
in
THE
AND
are
CARD
WOULD
THROUGH
YOU
FOR
TURN
a ces
INDIFFERENT
THAT
ACE
WHICH
AND
c a r d s
LAST
ATTENTION
HALF
four
FOR
NEXTc a r d
the
h o l d in g
BRIDGE’ SHUFFLES.
YOU
RUN
LOOKING
Ca rd s
HAND
WHICH
YOU
THE
by
FANCY
SPECTATORS
LOOKING
YOU
LEFT
TO
FEAT,
PRETENSE
BOTTOM
IN
WIT HOUT
THIS
AND
s h u f f l e
AS
STATING
CARD
FORM
IN
THEM
FIN D
AT
T RIA LS.
" r i f f l i n g ''
and
INTERLACED
be
a
IF
THE
THUS
SIMPLY
"LUCKY
CARD” .
key
card,
DECK
CUT
marked,
IS
THE M
YOUR AFTER
s lic k e d ,
OWN
PROPER
SHUFFLE
AND
M I S E R ’S DREAM D,
J ames
I n
use
a
used at ing
.my
sm a ll by
the
p re s e n ta tio n , unprepared
c h ild re n ten
co in s ,
cent h a lf
in
the
sto re . d o lla r
Ta y l o r
o f
the
bucket, sand I
p ile s
a ls o s iz e .
- 13-
fo llo w in g
T his
use S e t
bucket and
can
about the
r o u tin e ,
I
is
the
be
procured
f if t e e n bucket
type
p alm on
the
TABLE
TO
.
p a i l
YOUR
Place
LEFT
a
AND
r e a l
PLACE
h alf
THE
d o lla r
COINS
in
the
BACK
r ig h t
OF
THE
t r o u s e r s
POCKET.
In THE
STARTING,
AUDIENCE.
INTRODUCE PROCEED
REQUEST
As
HE
YOURSELF,
WITH
THE
THE
COMES AND
ASSISTANCE
TO
THE
SHAKE
FOLLOWING
B -"N o ."
d id
(Or
you
ever
'Y e s ’ ,
it
HANDS
A
ASK
BOY
FROM
H IS
WITH
NAME,
HIM.
THEN
PATTER.
(P-PERFORMER.
P - "Johnny,
OF
STAGE
do
a
B-BOY.)
m a g ic
’t
d o e s n
t r ic k
m a t t e r
,
? ”
c o n t in u e
patter
G IV E N ,)
as
P - "D lD
YOU
EVER
HELP
A
M AGICIAN
DO
A
MAGIC
TRICK?
B -"N o . ” P-"WELL, ABLE PIE C E
T ALK
IN
p a t t e r
IT
BEFORE
TO
If THE
GOTTEN
IT
SAY
LET
IT
TEST
he
YOU
.
AND
W lLL of
M AGICIAN ,
DlD
SAYS,
"Ye s . ” , then He
REFUSE,
OUT.
A
BOY
AUDIENCE.
HIM
BE
AUDIENCE.
(If
s a y s
OR
(Regard less y o u
CAN
THE
SCHOOL?”
.
FOR
YOU
TO
W ILL
THEN THEN
YOU
"N o ," ASK
AS
I
A
WITH
IF
HE
CAN
SAY
SAY
HE
HAS
FOR
If
HE
W ISHES
TO
ORDER
TO
"WELL
IN
SAY
WHAT
DO
AND
.)
"Y ou
w il l
out
your
c h e s t
c o n t in u e
BE
SPEAK
CONTINUE
PROBABLY
CONTINUE.
MUST
EVER
HIM
CO N T IN U E.)
DO
answ er
YOU
YOU
t r y
I
S A Y .”
,
w o n
’t
?"
B-"Yes, ” P - "S tand
up
THIS
PLACE
ONE
HAND
ON
"T hat
i s n
CH EST .)
your
’t
,
am
c h e s t
(As
,
you may
THE AND
He r e
NOW,
MIDDLE FORCE
ts
sa y
t h is to
pound
H IS
the
you
AND
(Po in t
'L A D IES
your boy
(As BACK
STOMACH.)
. 1’
ME, on
. ”
H IS
c h e s t
AFTER
prom pt
OF
OUT
your
REPEAT
have
"La d ie s
about
B-(Repeats P - " IN
IN
SHOULDER
your
You
Th r o w
HAND
hand to
at
AND w ith
get
him
HERE
AND
SAYS
IT,
, )
B-(Re p e a t s) P-"l
H IS
’ . ”
f i s t
s t a r t e d
ONE
"Al l r e a d y
g e n t l e m e n
.
s t r a ig h t
SAY
THE
i t
to
Ge n t le m e n , ” m y s e l f
. ”
)
HANDS
B-(Repeats
and
p l a c e
it
)
i t
)
OF-”
P -" a -” B-(Repeats
P-"PRE S T ID I GATOR. "
(THE
GET
REPEAT
A
GOOD
LAUGH.
BOY
W ILL
IT - 14-
FOR
HAVE HIM
TROUBLE UNTIL
HE
or
t r ie s
t o .)
B-(Repeat s
c o n tin u e ,
T h e n
are
" W e
g o in g
to-"
)
it
P - " s im u l t a n e o u s l y -" w ill
( B o y
stu m b le
P-"perform
in
B
i
- ( R
e
p
e
a
t
s
the
here.
art
GOOD - " T
fo r
a
la u g h .)
w il l
have
t r o u b le
here
and
get
th a t
you
are
a
LAUGH,) h
a
t
very
i s
M AGICIAN , KNO W TO
good
)
t
P - " l e g e r d e m a in . " (B oy
P
Its
-”
o f
I
IS
SURE
WHERE
SHOW ' Y OU
WORKING
good
AM
YOUR THE
FOR
Johnny, THE
SALARY
BEST
IT.
YOU
COMING
OF
THIS
now
THING
IS
WAY
WI L L
and
FIRST
WOULD
FROM.
GETTING
PA IL
I
LIKE AM
MONEY
FULL
BE
a TO
GOING
WITHOUT
ENOUGH
TO
START?
Th e
BOY
YOU
AND
THE
P A IL,
THE
e n o u g h
IN
AT . ”
and
REAL
HALF
DOLLAR.
GET
HANDS,
THE
THE
SO
COIN
THE
HIM
THE
IS
YOU
hand
as
THE
YOUR
OF
THE BE
IN
HELD
NA-
FULL
BE
BE
your
HURRY
THIS
you
LEFT
GET
in
get
H AND
POCKET.
the
AND
If
AT
YOU
SAFE
IN
DO H IS
IT.
PALMED.
W ILL
NOT
D o
WOULD
INVERTING
HAND
PA IL
your
boy- w ith
T HU MB
B y
T HIS
TO
COINS
BE
ILL
IN SID E
the
SHOULD
p a il,
FROM
THE
put
WITH
PA IL
GET
BETWEEN
HIM
your
r ig h t
PLACE
THE
PA IL
ABLE
AND
TO
hand, PA IL
IN
PLACING
SET
THE
IT
COINS
DROPPING,
"All GATHER
you
ALL
SQUEEZE
COIN
IT
IS
to
is
OF
YOUR
FINGER
REALLY
HAVE
A L L R IG H T ,”
TELL
" D r o p
THAT
do
PARTICLES
TOGETH ER.”
TO
YOU
have
THE
THEM
SEE
CRETLY
DO
DO
p a i l from
DOLLAR
W
m e ch an ic al
THE
SHOW
the
OVER
SA Y ."
MECHANICAL
LEFTHAND.
DOWN
IF
GET
MERELY
HALF
a
TABLE,
THE
T a k e
REAL
THE use
YOU
LEFT,
BEHIND
COIN S
p a i l
TIME
FEEL
THE
A s
FROM
NOT
WITH
YOUR
SECRETLY
the
you
SAME
HAND
HAND,
AT
REACH
h im
AND
THE
RIGHT
YOU
SIDE.
If
PA IL
STANDING AS
THE
POCKET
CAN
THE
BE AND
Han d
MOVE.
THE
TABLE
L E F T . THE
TURALY
FOR
SH OULD
THE
HIM
it
AGAIN
TO
in FOR
YOU
T IPS.
THE
It
IT.
b u c k e t.”
YOU.
reach
SILVER
All
YOU
- 15 -
in t o
HOLD
IN
IT
THE
SO
TO
THE
W ILL
BE
A
HAVE
A IR
and
AND
BRING
AUDIENCE THAT.
BOY
GOOD
drops
i t . )
TO
IS
DO
a ir
AB OU T
THE
"EXAMINE
COIN
( B o y
the
FLOATING
REACH
SOM ETH IN G.)
( H A N D
BITE
the
( A s
to
AND
SEE SE
LAUGH.)
" I
TO
w ill REACH
IN
THE
A IR
CLOSED IT
AND
TIGHT.
W lLL
(Su it
i t
,
a c t io n
DROP
ONE
FROM
Prompt
c l o s e d it
,
in
Dr o p
of
the
b o y s
the
e n t ir e
a
p a s s
REAL
COIN
COIN
TO
a
IN
COIN
DROP
A
THE
BOY’ S
c o u n t e r f e it
"Wh a t
g o es
up
(As
you
sa y
LET
ONE
COIN
THREW TO
MAKE
(H o ld
the
PUSH
MEDIATELY
"Wh y ! . ”
MUST
BE
AND
THE
A
THE
that
COINS
IN
INTO
TO
TRY
your
hand d r o p s
.
h a n d
s u r p r is e d the
best
h a n d
,)
Th e look
lau ghs
.
d o w n
hold
PASS
IN
it out
p a i l
ONE
h i s
H IS
EAR
left
ear
RIGHT
EAR,
the
l ik e
,)
a i r h e a d
."
head
and
THE
ONE
YOU
” 1 AM THE
as
LET
ONE H IS
h i s
OUT
and
FROM
THEN
your
N O SE .) AND
ONE
OR AP
PIC K
in to
,over
REAL
lo o k s
fo r
THE
YOU
KNEE,
CATCHING H IS
THE
DROP
went
r ig h t
t h r o u g h
c o in
from
(APPARENTLY H IS
ONE
THE
a
POCKET.
OUT
AND
HANDS.) -
16 -
,
h i s
DROP LEAVE
DROP
IT
Your t i e
IT THE IN
drop
EXPOSE,
WH E N
"Th i s
t o ss
FROM
IN
,
s a y
r e
make
c o in
FOLLOWS:-
Look
the
ONE
AND
TROUSER
and
p a i l
YOU
YOU
REALLY
AS
the
a
LEAVE
BE
through
THUMB-PALM
MOVES
P A IL,
one
let
TIME
the
Asy o u
.
,
s a y
into
the
the l a s t
W ILL
COINS
p a s s into
p a i l
And
them
O T H ER.”
you
ONE
GOING
a p p a r
FALL
IM
BUCKET,)
IN
BRING
a
w il l
the
BLOUSE,
come
p ro d u ce
REACH
BOY
left
of
c o in s
MIGHT
THE
under
L EA K IN G .”
THEN
I
NEXT
CASE
last
COIN
(Then
APPARENTLY
THE
THE
PIC K
b ucket
Th e n DROP
a p p a r e n t l y
(C ount
SA ME
DROP,APPARENTLY
ONE
.
a b o v e
k e e p
r ig h t
? ”
THIS
In
last
THEN
IN
o f
THE
(Ap p a r e n t l y
must
T HIS
e n t ly
At
RIGHT.
,''
it
one
bottom
COLLAR,
the
AWAY.
e m p t y
HAND
REALLY
THE
,
the
one
d o ll a r u n t il
the
he
b r in g
count the
PRODUCE
Look, at
TELL
from
the
’ t
t h is
COIN
the
h o l d
As
,"
w il l
in to
and
AS
in
NOW
b r in g
d o e s n
W ITH,
HAND,
.
,
THE
LEFT
s l e e v e
HAND
YOUR
.
HAND.
WORK
PARENTLY
,
the
LEFT
THE
FROM
YOUR
OPEN
BUCKET.
"Grab
d ro p
w il l
h a lf
toward
THE
,
d r o p p in g
you
r e a l
FROM
THE
KEEP
YOU
,
THE
b u c k e t
c o in
c o in s
t w o
IN
H AN D .)
the
t h r e e
(Wh e n
the
PALM,
MUST IF
p a t t e r
s a y i n g
and
the
"On e , . ”
the
r o u t in e
m akes
.)
in
f a c e
(Dump
t a in
YOU
MONEY,
COIN
LEFT
by
c o in
the
p a i l
THE
it
to
b o t t o m
to
another
of
"That
HOLD,
MAGIC
THE
along
let
sound
IS
DISA PPEA R."
APPARENTLY PIN G
GRAB
It
head
.) IN
THE
REAL THE
must
"Your
be
n ose
BUCKET
COIN
PA IL.
BUT DuMP
have
" W e
BACK
INTO
THAT GET
A A
RIGHT
HAND.
APPEAR, COINS
"Do
SELF,
SEE
"Wo u l d HE
FEEL
MONEY,
LOOKS
LOOKS ANY
OF
RATHER BOY
H IM .)
GET
CAN THE
YOU
THE
AP DROP
HARDER
FUNNIER
IT
THE B A L A N C E
CAN
(WHEN
H IS
GOOD
W ILL
OF
BOY
THE
IT
T H IS
IN
LAST
F IN IS H
THE
KEEP
"SHAKE
IT A t
ANY
YOUR
SHAKES
H IM SE L F .)
p o c k e t s
?"
THE
(Wh i l e
AUDIENCE,
THINK
ON
VERY
TRY
STAGE.
D ID N 'T
FIN DS
LOOK
"DROP
TO
TO
YOU
YOU
THE
N O ,)
HE
DON’ T
THE THE
SEAT.
LAUGH
YOU
your
SAY
THANK HOME
OFF
SAY
(AFTER
I
TO
GET
H IM
through
BOY.
IM AGINE
WANT YOU
W ILL
POCKETS,
HONEST
TAKES A
WE
CO IN S
SQUEEZE.
"JOHNNY,
RA T TLES,"
H IS
I
USHER
( H e
SA RCA ST ICA LLY.)
THEN
W ILL
SEE
WITH
AS
THE
THE
LET
WHEN
TO
l o o k in g
M O N EY.”
YOU
EACH
NOSE
AND,
LET
NOSE,
NOW
AND
YOU?”
ANY
AN
FOR
H IS
d r ib b le C AN
BELIEVE
BOy’s
NOSE,
SQUEEZE ,
ME
STOP
THROUGH
MY
POCKET,
UNDERNEATH
(START
m in d
LIK E
PA IL
BETTER?
DID
IF
you
"I
OF
ONE
THE
c o in s
AUDIENCE
SHOW ER.)
HELPING
FOOTLIGHTS THE
THE
PRO D UCED.)
BOY’ S
LAST
A
Y O U RSE LF.”
THE OF
YOU
FOR
FOR
IN
the
( L e t
SO
HOLD
SQUEEZE
THE
A t
DROP
MUCH
THE THE
HAND,
APPARENTLY
THIS
BEEN
HOLD
LEFT
Do
(TAKE
SQUEEZE
THE
YOU
HAVE
M O R E .”
PARENTLY
e n o u g h .”
P A IL .)
NUMBER FEW
FROM
alm o st
THE
HE
THE
WOULD CO IN
H IS FACE. THE
IN
H IS
THEN
B U CK ET .”
PIE C E
” H e
KEEP
OF
SAY ( T h e
BUSINESS
EFFECT .)
M A G IC IA N 'S "HANDY” ACCESORY J o h n
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OF
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OF
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OF
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and
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TO
HELP.
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TO
r
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CARDS,
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who
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THE
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t h rea d ed
HANDKERCHIEF
- 17-
IN
in
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m a n n e r
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METHOD
" M A G I C I A N ’ S HANDY ACCESORY" . Th e BE
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-
18
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- 19 -
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1 -2-3-4-5-6-7-8-9-10-11-12, F - 0 - U - R - O - F - H - E - A - R -T -S. Finis. Ch
a s
,
C. E a s t m a n P, 0 Box 2 4 5 Ha
v e r h i l l
,
Ma
s s
,
E L L IS S T A N Y O N & Co. jila t f ir n . l S p ^ v c A l h f a ,
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