Aaa Vivaldi Spring Classicalguitarshed
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Spring from the Four Seasons Antonio Vivaldi (1678-1741)
Allegro
## 4 œ & 4„
V 3 2
2
0
f
œ ‚œ œœ œœ œœ œ œ ˙˙ ™™ œ ·œ œœ œœ œœ œ œ ˙˙ ™™ ˙ ˙ œ œ ˙ ˙ ˙ œ œ ˙ 0
6 — CIII 6
## œœ œ œ œœ œœ & ˙ ˙ 4
1
1 3
1
4
3 2
0
5
1 2
2
1 3
HB II
1 2
0
0
1
œœ œ œ œ „ ˙ ˙ mp
3 2
2
2
1
0
0
0
2
1 3
0
4
1
1
1 2
0
## œœ œ œ œ œ & ‚˙ ˙ V
1 3
4
3
3 4
1
4
0
## œœ & œ
17
3 4
1 3
0
˙˙ œ
0
·œ
4
˙
4
1 3
1 2
1 3 0
4
3
4
œœ ˙˙ œ œ œ ˙ 1 3
0
## œœ œ œ œ œ & ‚˙ ˙ 1
3 4 0
0 2
0
1 3
V
20
1
HB II
1
13
1 3
œœ œ
0
2
œ œ
œœ ˙˙ œ œ œ ˙ 1 3
1 3
3
3
0
3
œœ œ œ œ œ ˙ ˙ 4
3
1
4
m ˙ ˙
0-1-0
œ 0
1 3 0
4
0
œ ·œ œœ œ œ œœ œœ ## œœ œœ œœ œ œ ˙˙ ™™ & ˙ ˙ œ œ ˙ ˙ ˙ 2
1
œ ‚œ œœ œœ œœ œ œ ˙˙ ™™ ˙ ˙ œ œ ˙ 6 — CIII 6
0
4
0
9
3 2
1 3
2
0
V
0 2
0
1 2 3
3
4
3 4 0
˙ ˙˙ Â
œœ œ œ œ œ ˙ ˙ 4
0
1
œœ œ œ œ „ ˙ ˙ f
0
© 2019 Allen Mathews LLC https://www.classicalguitarshed.com/
1
0
œœ ˙˙ œ œ œ ˙ 1 3
0
3 4
2
2
3
Œ ˙
2
œ „
mp
œœ ˙˙ œ œ œ ˙ 1 3
3
2
## œœ & œ
24
3 4 0
rit. 1 3
˙˙ œ
˙
·œ
4
1 3 0
œœ œ
f
0
2
œ œ
3
m ˙ ˙
0-1-0
œ 0
© 2019 Allen Mathews LLC https://www.classicalguitarshed.com/
1 2 3
˙™ ˙˙™™ Â
Spring from the Four Seasons Allegro
° ## 4 œ & 4„
V 3 2
2
0
f
¢⁄
D
0
7 7
3 2
4
1 3
1 2
5
3 5
5
0
0
8
0
œœ œ œ œ „ ˙ ˙ mp 2
2
0 2
0
1
2
0
3
3 2 0
2 0
7 7
0
7 7 0
7
0
7 7
0
4
1
¢⁄ ° ## &
7
5 7
6 — CIII 6
4
1 3
1 2
0
5 0
3
2 3
0
3
5
3 5
D
0 2 0
2 3
1 3
œœ œ œ œ œ ‚ ˙ ˙
0
4
5 7 0
8
1
4
3
7
8 0
5
3 4 0
œœ ˙˙ œ œ œ ˙ 1 3
3
7 8
5 7
0
0
7 0
0
œœ œ œ œ œ ˙ ˙ 4
5 7 0
8
1
4
3
7
8
2
2
1
0
2
0
D 1 3
8
0
œœ œ œ œ „ ˙ ˙ f 0 2
0
D
V
0
A
HB II
0
5 7
4
5
0
3
13
¢⁄
0
7 7 0
3
0
1
7
1
7 7
0
1 3
2
G6
1
1 2
0
7 7 0
0
0
7 7 0
D
1 3
2
5
0
9
0
5 7
œ ‚œ œœ œœ œœ œ œ ˙˙ ™™ ˙ ˙ œ œ ˙
D
3 2
1
D
7 7 0
7
4
0
œ ·œ œœ œ œ œœ œœ ° ## œœ œœ œœ œ œ ˙˙ ™™ & ˙ ˙ œ œ ˙ ˙ ˙ D
1 3
2
D
0
2 3
0
7 7 0
0
V
0 2
1
3
5 7
A
HB II
0
¢⁄
4
D
0
7
5 ° ## œœ œ œ œœ œœ & ˙ ˙ 2 3
1
0
7 7 0
6 — CIII 6
1
1 3
2
G6
D
1 2
D
0
7 7 0
7
Antonio Vivaldi (1678-1741)
œ ‚œ œœ œœ œœ œ œ ˙˙ ™™ œ ·œ œœ œœ œœ œ œ ˙˙ ™™ ˙ ˙ œ œ ˙ ˙ ˙ œ œ ˙
D
2
7
0
D 3 4 0
5
0
© 2019 Allen Mathews LLC https://www.classicalguitarshed.com/
œœ ˙˙ œ œ œ ˙ 1 3
3
7 8
5 7
0
0
7 0
2
17 ° ## œœ & œ D
3 4
1 3
0
¢⁄ ° ## &
˙˙ œ
7 8
5 7
0
0
4
˙
1 3 0
3
œœ œ
0
2
2 3
0
m œ œ ˙ ˙ œ
G6
A
3
D
1 3
0
0
3
0
¢⁄
4
5 7
8
7
0
24 ° ## œœ & œ 0
0
5
8 0
D
3 4
3 4
1
4
3
rit. 1 3
˙˙ œ
7 8
5 7
0
0
˙
·œ
4
1 3
3
5 7
0
0
1 3 0
f
2 3
4 5
œœ œ œ œ œ ˙ ˙ 4
2
œ œ 0
0 3
1
4
3
8
7
8
3 4
0
3
0
5
5 7
0
0
2 3
0
0
© 2019 Allen Mathews LLC https://www.classicalguitarshed.com/
3
7 8
1
2
7
1 3
D
m ˙ ˙ 0
mp
œœ ˙˙ œ œ œ ˙
0-1-0
œ
œ „
D
A
3
2
0
0
G6 0
0
Œ ˙
3
0
D
œœ œ
0
5 7
0
1 3
2
˙ ˙˙ Â
D
7
0
3 0
œœ ˙˙ œ œ œ ˙ 7 8
2 3
0
D
œœ œ œ œ œ ‚ ˙ ˙
1
0
0
V
D
0-1-0
3
20
¢⁄
·œ
D
˙™ ˙˙™™ Â 3 4 5
7 0
Practice Tip Sheet The Big 5: 1. 2. 3. 4. 5.
Reduce work with posture and high dynamic energy Troubleshoot - Everything should be easy Breathe Trust yourself to play accurately and musically inspired (instead of judging) Always play as a gift to yourself and others
The Main Practice Areas: 1. 2. 3. 4. 5.
Technique - Abilities, Movements, Chords, Scales, Patterns, Exercises, etc. New Notes - One new piece of music at a time Tricky Spots - Detailing small sections of pieces Repertoire Maintenance - Pieces you already know Sight-Reading practice - note recognition/playing; clapping/counting rhythms
The 7 Steps to Learn Any Piece: 1. 2. 3. 4. 5. 6. 7.
Make small sections Know all the notes and musical markings Clap and count the rhythm aloud Play the right hand alone, counting aloud Play the left hand alone, counting aloud Play hands together, taking corrective pauses (no mistakes!) Play hands together in rhythm, with slow metronome
Musical Starting Points: 1. 2. 3. 4. 5.
Know which notes are melody (probably stems up), and play the others quieter Connect all melody notes smoothly (no gaps) When a musical line or melody goes up in pitch, get quieter When a musical line or melody goes down in pitch, get louder Don’t let the high notes stand out (any note higher than those before and after)
Practice Tips: 1. 2. 3. 4. 5.
Before slowing down or speeding up (rubato) master it at a steady pace. For tricky spots, state out loud exactly what the problem is, in every detail. Memorize every piece (even if you don’t, you’ll learn it faster if you try) Have a purpose behind each repetition (blind repetitions are lazy practice). Video yourself for performance practice and to hear what is and is not working. Get 15% off your Next Course at ClassicalGuitarShed.com! Use this coupon code at checkout for 15% off:
15% Coupon Code: BX63CM Good for all skills and repertoire courses, or first month’s membership. ©2018 Allen W. Mathews LLC
https://classicalguitarshed.com
Allegro
## 4 œ & 4„
V 3 2
2
0
f
œ ‚œ œœ œœ œœ œ œ ˙˙ ™™ œ ·œ œœ œœ œœ œ œ ˙˙ ™™ ˙ ˙ œ œ ˙ ˙ ˙ œ œ ˙ 0
6 — CIII 6
## œœ œ œ œœ œœ & ˙ ˙ 4
1
1 3
1
4
3 2
0
5
1 2
2
1 3
HB II
1 2
0
0
1
œœ œ œ œ „ ˙ ˙ mp
3 2
2
2
1
0
0
0
2
1 3
0
4
1
1
1 2
0
## œœ œ œ œ œ & ‚˙ ˙ V
1 3
4
3
3 4
1
4
0
## œœ & œ
17
3 4
1 3
0
˙˙ œ
0
·œ
4
˙
4
1 3
1 2
1 3 0
4
3
4
œœ ˙˙ œ œ œ ˙ 1 3
0
## œœ œ œ œ œ & ‚˙ ˙ 1
3 4 0
0 2
0
1 3
V
20
1
HB II
1
13
1 3
œœ œ
0
2
œ œ
œœ ˙˙ œ œ œ ˙ 1 3
1 3
3
3
0
3
œœ œ œ œ œ ˙ ˙ 4
3
1
4
m ˙ ˙
0-1-0
œ 0
1 3 0
4
0
œ ·œ œœ œ œ œœ œœ ## œœ œœ œœ œ œ ˙˙ ™™ & ˙ ˙ œ œ ˙ ˙ ˙ 2
1
œ ‚œ œœ œœ œœ œ œ ˙˙ ™™ ˙ ˙ œ œ ˙ 6 — CIII 6
0
4
0
9
3 2
1 3
2
0
V
0 2
0
1 2 3
3
4
3 4 0
˙ ˙˙ Â
œœ œ œ œ œ ˙ ˙ 4
0
1
œœ œ œ œ „ ˙ ˙ f
0
© 2019 Allen Mathews LLC https://www.classicalguitarshed.com/
1
0
œœ ˙˙ œ œ œ ˙ 1 3
0
3 4
2
2
3
Œ ˙
2
œ „
mp
œœ ˙˙ œ œ œ ˙ 1 3
3
2
## œœ & œ
24
3 4 0
rit. 1 3
˙˙ œ
˙
·œ
4
1 3 0
œœ œ
f
0
2
œ œ
3
m ˙ ˙
0-1-0
œ 0
© 2019 Allen Mathews LLC https://www.classicalguitarshed.com/
1 2 3
˙™ ˙˙™™ Â
Spring from the Four Seasons Allegro
° ## 4 œ & 4„
V 3 2
2
0
f
¢⁄
D
0
7 7
3 2
4
1 3
1 2
5
3 5
5
0
0
8
0
œœ œ œ œ „ ˙ ˙ mp 2
2
0 2
0
1
2
0
3
3 2 0
2 0
7 7
0
7 7 0
7
0
7 7
0
4
1
¢⁄ ° ## &
7
5 7
6 — CIII 6
4
1 3
1 2
0
5 0
3
2 3
0
3
5
3 5
D
0 2 0
2 3
1 3
œœ œ œ œ œ ‚ ˙ ˙
0
4
5 7 0
8
1
4
3
7
8 0
5
3 4 0
œœ ˙˙ œ œ œ ˙ 1 3
3
7 8
5 7
0
0
7 0
0
œœ œ œ œ œ ˙ ˙ 4
5 7 0
8
1
4
3
7
8
2
2
1
0
2
0
D 1 3
8
0
œœ œ œ œ „ ˙ ˙ f 0 2
0
D
V
0
A
HB II
0
5 7
4
5
0
3
13
¢⁄
0
7 7 0
3
0
1
7
1
7 7
0
1 3
2
G6
1
1 2
0
7 7 0
0
0
7 7 0
D
1 3
2
5
0
9
0
5 7
œ ‚œ œœ œœ œœ œ œ ˙˙ ™™ ˙ ˙ œ œ ˙
D
3 2
1
D
7 7 0
7
4
0
œ ·œ œœ œ œ œœ œœ ° ## œœ œœ œœ œ œ ˙˙ ™™ & ˙ ˙ œ œ ˙ ˙ ˙ D
1 3
2
D
0
2 3
0
7 7 0
0
V
0 2
1
3
5 7
A
HB II
0
¢⁄
4
D
0
7
5 ° ## œœ œ œ œœ œœ & ˙ ˙ 2 3
1
0
7 7 0
6 — CIII 6
1
1 3
2
G6
D
1 2
D
0
7 7 0
7
Antonio Vivaldi (1678-1741)
œ ‚œ œœ œœ œœ œ œ ˙˙ ™™ œ ·œ œœ œœ œœ œ œ ˙˙ ™™ ˙ ˙ œ œ ˙ ˙ ˙ œ œ ˙
D
2
7
0
D 3 4 0
5
0
© 2019 Allen Mathews LLC https://www.classicalguitarshed.com/
œœ ˙˙ œ œ œ ˙ 1 3
3
7 8
5 7
0
0
7 0
2
17 ° ## œœ & œ D
3 4
1 3
0
¢⁄ ° ## &
˙˙ œ
7 8
5 7
0
0
4
˙
1 3 0
3
œœ œ
0
2
2 3
0
m œ œ ˙ ˙ œ
G6
A
3
D
1 3
0
0
3
0
¢⁄
4
5 7
8
7
0
24 ° ## œœ & œ 0
0
5
8 0
D
3 4
3 4
1
4
3
rit. 1 3
˙˙ œ
7 8
5 7
0
0
˙
·œ
4
1 3
3
5 7
0
0
1 3 0
f
2 3
4 5
œœ œ œ œ œ ˙ ˙ 4
2
œ œ 0
0 3
1
4
3
8
7
8
3 4
0
3
0
5
5 7
0
0
2 3
0
0
© 2019 Allen Mathews LLC https://www.classicalguitarshed.com/
3
7 8
1
2
7
1 3
D
m ˙ ˙ 0
mp
œœ ˙˙ œ œ œ ˙
0-1-0
œ
œ „
D
A
3
2
0
0
G6 0
0
Œ ˙
3
0
D
œœ œ
0
5 7
0
1 3
2
˙ ˙˙ Â
D
7
0
3 0
œœ ˙˙ œ œ œ ˙ 7 8
2 3
0
D
œœ œ œ œ œ ‚ ˙ ˙
1
0
0
V
D
0-1-0
3
20
¢⁄
·œ
D
˙™ ˙˙™™ Â 3 4 5
7 0
Practice Tip Sheet The Big 5: 1. 2. 3. 4. 5.
Reduce work with posture and high dynamic energy Troubleshoot - Everything should be easy Breathe Trust yourself to play accurately and musically inspired (instead of judging) Always play as a gift to yourself and others
The Main Practice Areas: 1. 2. 3. 4. 5.
Technique - Abilities, Movements, Chords, Scales, Patterns, Exercises, etc. New Notes - One new piece of music at a time Tricky Spots - Detailing small sections of pieces Repertoire Maintenance - Pieces you already know Sight-Reading practice - note recognition/playing; clapping/counting rhythms
The 7 Steps to Learn Any Piece: 1. 2. 3. 4. 5. 6. 7.
Make small sections Know all the notes and musical markings Clap and count the rhythm aloud Play the right hand alone, counting aloud Play the left hand alone, counting aloud Play hands together, taking corrective pauses (no mistakes!) Play hands together in rhythm, with slow metronome
Musical Starting Points: 1. 2. 3. 4. 5.
Know which notes are melody (probably stems up), and play the others quieter Connect all melody notes smoothly (no gaps) When a musical line or melody goes up in pitch, get quieter When a musical line or melody goes down in pitch, get louder Don’t let the high notes stand out (any note higher than those before and after)
Practice Tips: 1. 2. 3. 4. 5.
Before slowing down or speeding up (rubato) master it at a steady pace. For tricky spots, state out loud exactly what the problem is, in every detail. Memorize every piece (even if you don’t, you’ll learn it faster if you try) Have a purpose behind each repetition (blind repetitions are lazy practice). Video yourself for performance practice and to hear what is and is not working. Get 15% off your Next Course at ClassicalGuitarShed.com! Use this coupon code at checkout for 15% off:
15% Coupon Code: BX63CM Good for all skills and repertoire courses, or first month’s membership. ©2018 Allen W. Mathews LLC
https://classicalguitarshed.com
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