Aerials: Words And Music By Daron Malakian And Serj Tankian
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Aerials Words and Music by Daron Malakian and Serj Tankian
Drop D tuning, down 1 step: (low to high) C-G-C-F
Intro Free time
G
(Strings)
9 sec.
8
8
5 : G 5
8
D5
-
5 5 5 5 5 5
5
5 5
8
8
8
8
B
8
8
8
D5
0
5 5 5 5
10 0
0
0
0
5 5
1., 2. Life
is
a
B
5
5 5
8
8
8
5 5
in the riv - er and one from the riv - er, then we
we’re one we drink
B
?
5 5 5 5
5
f
5 5 5 5
G5
/
5
= 5
ter - fall,
5 5 5
B
5 5 5 5 5 -
Half-time feel
Bb5
9 sec.
¤
G
C Verse
Moderately fast q = 162
F5
B
turn
0
5 5 5 5
8 0
0
0
0
5 5 5 5
5
a - gain a - round and
af - ter the put up our
0
0
0
fall. walls.
5
5 5 5 5
8
8
8
E5
B
8
D5
8
8
0
5 5 5 5
7 0
8
5 5
8
D5
wa -
B 5
0
0
Copyright © 2001 Sony/ATV Music Publishing LLC and Ddevil Music All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
0
0
1
G
Bb5
5
5
5
5 5
Swim - ming through the void
we
hear
B
5
5 5
8
8
8
G
find
it
the
word,
5 5 5
8
: 5 5 5
5
5 5 5 5 5 5 = 5
5 5
8
5
8
we
5
5 5
lose
5
5 5
our - selves
but we
5 5 5 5
B
5
5 5
8
8
8
8
D5
8
8
8
G5
B
D5
F5
0
?
all.
5 5 5
5 5 5 5
5 5 5 5
B
B
5 5 5 5
10 8
G
8
8
D5
8
8
8
E5
0
8
0
0
0
D5
?
8
0
4
0
=
5
’Cause
B
5 5 5 5
5 5 5 5
7 0
G
0
0
0
0
0
0
-
al - ways wan - na
go
but you
5 5 5 5
B
5
5 5
8
8
8
8
8
8
8
0
Bb5
5 5
we
0
0
5 5
are
the
5
5
ones
that
wan -
B
5
5
5
8
8
8
8
5
0
5 5 5 5 5
5 5 5
2
B
5 5 5 5 5 5 4 na
8
play,
8
8
8
5 5
8
5 5 5 5 5 5 5 5 nev - er wan - na
5 5 5 8
8
stay.
5 5 5 5 8
8
8
8
D5
G5
G B
D5
?
B
5 5 5 5
F5
0
B
5 5 5 5
10 0
0
0
E5
0
0
0
0
D5
?
5 5 5 5
5 5 5 5
7
0
0
0
0
= 5
4
And
B
8
0
B 5
0
0
To Coda
0
0
0
;
Bb5
555 5 5 54
5 5 5 5 5 5 5 5 55 5 555 5
we are the ones that wan
-
al - ways wan - na play but you nev - er wan - na lose.
5 5 5 5 5 5 G
D5
B
5 5 5
8
8
8
na choose,
555
8
8
8
5 555 B
5 5 5 5 55
555 5
8
8
8
8
8 8
8
8
8
8
8
8
8
8
Interlude
D5/F
D5/E
D5
G ' 5:
5
2
0
D5/F
D5/G
D5/A
3
5
7
5:
4
5 5 5
3
D5/G
5 5
5
5 5:
?
D5/Bb
8
D5/E
0
5:
0
5 5:
D5/F
5
0
0
D5/A D5/G
0
5:
5 5
5
5
3
2
5:
5
5
D5/F
D5/E
D5
7
5
3
2
0
5 5
5
5 5: 2
5 5: 0
5:
5
2
2
5: 0
5 0
3
Chorus
D5/F
D5/E
D5
5 5 5 5
B:
5 5
5
5 5:
3
2
0
D5/F
D5/G
G 5: 5: Aer
G 5: 5:
When
3
-
i
-
5 5
als
0
5 5
D5/A
D5/Bb
5
you
lose
5 5
5
5
7
4
in
the
sky.
5:
5 5
5
5
3
2
D5/F
5
5
5
5:
7
5
3
5 5
D5/E
5
mind, you
8
D5/E
B:
5
free
5 '
2
8
5:
5
2
2
D.S. al Coda
D5
your
life.
5 5
5
2
0
4
B: 5 5:
5:
0
5
0
0
'
'
lose.
5 5 5 _
4
5 5:
5 5 5 5 5
A5
5 5 5 5 5 5 G
8
5 5
0
D5/A D5/G
5 5:
nev - er wan - na
5
0
small
; Coda
8
5:
5:
D5/F
D5/G
Oh!
5 5 5 5 5
5
5
5
5
5 5
5
5
5
5
5
8
7
7
7
7
7
7
7
7
7
7
8
8
8
7
7
Interlude
G
4
F5
E5
D5
5
B:
5
5
5
5
5:
5 5
5
7
7
7
7
3
2
0
5
4
G5
?
F5
0 '
E5
0 5:
5 5
5
5
3
2
F5
G5
'
5:
5 5
2
3
5
5: : : G ::
Aer Aer
: :
7
i i
-
-
5 5
5
3
2
0
5: G
A5
When When
you you
lose free
5:
5 5
5
3
5
7
G :: 5:
D5/F
Aer Aer
:: 5 : : :
3
D5/E
-
i i
-
5
5:
5 5
7
5
3
2
A5
5 5
small your
5 5: 8
mind, eyes,
als als
5 5
5
2
0
G5
you e -
F5
5 5
E5
in so
the up
sky. high.
5 5
5
3
2
0
5 5 5 5 5
free ter
-
5 5
5
7
5
3
2
0
5:
5: 0
5 0
B:
life. prize.
5:
5 5
D5/E
5
in so
the up
sky. high.
5:
5 5
5
5
3
2
4
'
your nal
5
4
5 5:
5
D5/F
'
B:
D5
5
B:
5
5
E5
D5/G
D5
0
5:
F5
5
E5
G5
5:
D5
-
5
4
F5
5
5 5
5 5 5 5
-
G5
'
Bb5
5
5 5
A5
als als
-
-
G5
8
B:
D5
5 5 5 5
5:
F5
E5
Bb5
5
Chorus
F5
5 5:
A5
::
4
::
'
: :
B:
4
5 5: 2
5:
5
2
2
5
D5/F
D5/G
D5/A
5 5
G 5:
When When
5
you you
5:
lose free
5
5 5
3
5
5 5
D5/Bb
small your
5 5:
7
8
5 5
D5/A D5/G
D5/F
5
5
mind, you eyes, e -
5
5
7
5
D5/E
free ter
5:
D5
B:
-
5 5:
3
your nal
life. prize.
5 5
5
2
0
Outro
G :: 5:
D5/E
D5/F
5
5: ::
D5
5
Ah,
: :
5
3
5
2
5
B:
5
5
0
5:
0
0
D5/F
G B: 5 2
1.
D5/F
G 5: 5: 3
6
4
5:
4 5:
5:
5 ::
0
0
D5/F
D5/E
5
5
5
5:
5
5
5
5
3
ah.
5 0
D5/G
5:
0
D5/G
D5/A
5
5
5
5
5
5
5
5
D5/Bb
2
D5/A
5:
D5/G
5
5
5:
5
5
8
7
5
Ah.
5:
5:
5
2
2
2
D5/E
5: 3
5
7
2.
D5
D5/F
5 5
5
B:
5 5
5
5 5:
2
0
:: 5:
4
0
5:
5 :: 5 :
0
0
: :
::
4
5 5 5 5 5
3
D5/E
D5
5 5
5
5
5 5
5
'
2
0
4
?
: :
Duality Words and Music by M. Shawn Crahan, Paul Gray, Nathan Jordison, Corey Taylor, James Root and Sid Wilson Drop D tuning, down 1 1/2 steps: (low to high) B-F#-B-E
Chorus
Pre-Chorus Moderately fast q = 146
2: 2 2 2 2
Bass tacet
µ
G 2 2 2 Whispered: I push my
G 5 -
fin - gers
Ab5
ly
thing
that
Ab5
my
B
5 5 5
slow - ly
stops
5 5 B:
the
5
0
to
4
5
= 5 5 5
but it’s made
D5
have
F5
ache,
Eb5
the things I
= 5 5 5
B
It’s the on -
G 5 5 5 5 = 5 5 5 5 5 5 5 5 B: of all
F5
eyes.
F5 Eb5 D5
= 5 5 5
5 5 5
5 5:
2
in - to
Eb5
D5
5
F5
4
5
5 5 5 5
take.
0
Je - sus, it nev -
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 f
¤
5
5
5
5
5
5
5
5
5
5
5
3 6
Ab5
G 5 -
5
55 5
Eb5
F5 Eb5 D5
= 5 5 5
5 5 5
it works it’s
way in
er ends,
F5
5 5 B: -
3
5
side.
5
4
= 5 5 5 If
the
pain
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
555 5 5 5k 5 5 5 5 5 555 55555 5
3 3 3 3
0 0 0
0 3 5 3 3 3
6
6
1 1 1 1 3
1
0
3
5 5 5
© 2004 EMI APRIL MUSIC INC. and MUSIC THAT MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
5 0
8
0 0 0 0 0 3 0
1
Ab5
G 5
2
2
2:
=
::
^
5 5 5 5
Interlude
Eb5
D5
2
4
?
0
5= 5 5 5 5 5 5 5 5 5 5 5 5 5 5k :: = 3 $ = = = = = $ 3 3 $ = = 5 5 5 5 5 5 5 5 k11 = :: 8 8 8 8 8 8 8 11 11 6 6 6 6 6 0 0 0 0 0 0 0 0 goes on,
=
ah.
Eb5 D5 F5 C5
D5
5 E5
5 5 5 5
3 3 $= = = = = $3 3 $= = 5 5 5 5 5 5 5 5
:: = 5 5 5 5 5 Eb5 D5 Ab5 Eb5
=
1/2
3 0
1
0
Ab5/D
3
0
C5
G5
0
G
A5
0
0
0
F5 G5 Eb5 D5
?
4
?
0
0
Verse
2 2
Spoken: 1. I
= 4 5
0
A5/D
2
0
un
0
A5 C5
2
have screamed
0
2 2
-
5 5 5 5
til
2
my
veins
F5
0
G5
Eb5
D5
G 2 2 2 2 2 2 2 2 2 2 wait - ed as
5:
2 2 2 2 2 2:
A5
my time’s e - lapsed. Now all
C5
I
5 3
2
5
1
0 0
G5
do is live with
5 5 5 5 5 5 5 5 5: 5 5 5 5
0
0
2
0
A5
2
0
6
=
1
A5
2 2 2
2
col - lapsed.
I’ve
5 5 5 5 5 5 5 5 5 5 3
0
G5
1
: :
3
3
7
5
F5 G5
2
4
Eb5
so much fate.
5
4
5
D5
5
5
=
7
2
I’ve
55555
5: 5 5 5 5 5 5 5 5 5 5
5 5 5 5 7
3
3 0
7
0 7
5
1
0 0 0 0 0 0
A5
G 2
wished for
C5
2 2 2
5:
2
this,
2 2 2
I’ve bitched at
5
5
5
G5
2 5
A5
F5
I’ve
left
2
that,
G5
2
Eb5
2 2 2 be - hind
D5
2
2 2
this
lit - tle
5 5 5 5 5
5:
5 5 5
5
3
5
1
G5
Eb5
2 2
2
fact:
5
You
5 5 5 5 5 5
3 7
0
7
G 2 2: A5
kill
what
you did
5
5
2
can - not
2
2 2:
C5
5:
5
5
5
5
G5
7
A5
2
2
not
5
F5
cre
2
-
4
0
0
D5
4
0
0
0
=
0
2
ate.
I’ve
5 5 5 5 5
5:
5 5 5
5
3
5
1
G5/A
Ebsus2
5
5 5 5 5 5 5
3 7
0
A5
G 2 2
2 2 2
got - ta
say
5 5 5 7
C5/F
2
what I’ve
5
G/B
5
5
7
Am/C
2 2
2 2
got - ta
say,
2
and
2 2:
F5/G
then I
2
swear,
0
0
Dsus2
2
2 2
I’ll
go a
0
0
0
2 2 -
way.
5
5
0
2 2 But I
5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 9
7
7
9
9
10 10 10
7
9
9
9
9
10 10 10
5
5
5
7
7
7 6
G 2 2: A5
C5/F
2
can’t
2
prom - ise
2
G/B
you’ll
Am/C
2
2
en
- joy
9
9
2 2
2:
F5/G
G5/A
6
Ebsus2
=
6
5
Dsus2
4
5
5
=
5
5
2
the noise.
I
5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 9 7
7
7
9
9
10 10 10 9
9
10 10 10
5
5
5
7
7
7 6
6
6
5
5
5
5
5
5
5
3
A5
G 2
2
C5/F
2
2
G/B
2
Am/C
2 2 2
F5/G
2
G5/A
2 2
Ebsus2
2
2 2
5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 guess
I’ll
save
9 7
7
9
the
9
best
for last,
my
fu -ture
seems
like
2 2
2
one
past.
You’re
5 5 5 5 5 5 5 5 5 5 5 5
9
9
9
9
10 10 10
5
5
5
7
7
7 6
G 2
big
10 10 10
7
A5
Dsus2
2 2 2
C5/F
2 2 2
2
2
G/B
Am/C
2
2
2:
F5/G
2
G5/A
2
6
6
5
5
5
5
5
2:
Ebsus2
Dsus2
5
5
=
5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 left
with me
9 7
7
’cause
9
9
you
leave
me
no
choice.
10 10 10
7
9
9
9
9 10 10 10
5
5
5
7
7
7 6
Pre-Chorus
F5
5: 5 5 5 5
= 5 5 5
G ?
I push my
fin - gers
55 55 55 55 55 55 55 55 55 55 55 55 10 8
10 8
10 10 8 8
10 10 8 8
10 8
10 10 8 8
10 8
10 8
10 8
E5
Eb5
in - to
my
9 7
=
^
G
F5
5
5 5 5
It’s the on
5
5 5 5 0
0
4
3
5 5 5 5 5
5
5 0
5 -
ly
8 6
5 5
5
that
5 5 5 5 5 5 5 5
3
3
3
3
3
3
3
6
0
3
5
5
5
5 5 5
5
0
0
Eb5
5
0
0
F5 Eb5 D5
5
slow - ly
5 5 5
5 5
stops
ache.
the
5= 5 5 5 5 5 5 5
3 6
5
5 555
8 6
= 5
thing
5
eyes.
Ab5
5 5 5
5
'
0
5
5
D5
2
10 9 8 7
6
Chorus
55 55 55 !5 5 5 5 5 5 5 5 10 10 8 8
6
6
=
1
1
1
1
3
1
0
G
F5
'
?
5 5 5 5
=
55
5 555
555
555 5
5 0 3 5 0 0
0 3 5 0 0 0
Interlude
D5
C5
0
0
0
2
G
Spoken: 2. Put
I’m
not
0
6
G5 A5 F5 G5 Eb5
0
2 2 2 2:
C5
2
2
me
back
to - geth
5:
5 5 5
7
0
-
G5
3
3 3
3
D5
A5
C5
A5
=
3 3 3
0
G5
F5
2
er,
6
A5
G5
2 2
or
5
Eb5
F5 Eb5 D5
2 2 2 2 2:
gon - na make it.
5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5
5 5 5
0
Verse
A5
goes on.
5 3
0
= ? 5 5 5 5 5 0
5
2:
2 =
5 5 5
If the pain
Ab5
6
=
1
3
G5
Eb5
D5
3
5
1
0
1
0
4 5 : 5 5 5 5 5 :
2
sep - a - rate
1 1
F5
Eb5
2 2
1
the
2
D5
2
2
skin from
bone.
5 5 5 5 5
5:
5 5 5 5 5 5 5 5 5 5
5
3
5
3
A5
G 2
2
2 2
Leave me
7
C5
all the
5:
5 5
7
0
G5
2 2 piec
5
2
-
5
5
5
5
A5
4
es,
7
F5
2 2
then you
G5
2 2 can
1
Eb5
2
0
2 2
leave me
5 5 5 5 5
5:
5 5 5
5
3
5
5
a
D5
-
0
0
0
0
0
2 2 lone.
5 5 5 5 5 5
3 7
5
5
5
7
1
0
0
0
0
0
0
5
A5
G 2
Tell
C5/F
2
2
me
the
G/B
2
re
Am/C
2 2 -
al - i
-
2 2
2
ty
is
2 2:
F5/G
G5/A
bet - ter
2
Ebsus2
Dsus2
2 2
than
2
9 7
9
G 2
9
2
2
found
out
5 5 5 7
9
9
9
10 10 10
5
5
5
7
7
7
C5/F
2 2 2
G/B
the hard
Am/C
2
F5/G
=
G5/A
2
2
Shouted: Noth - ing
way:
2
6
9
9
10 10
9
F5
9
9
9
10 10 10
5
5
5
5: 5 5 5 5
= 5 5 5
G ?
I push my
fin - gers
5 5 55 55 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 10 10 8 8
10 10 8 8
10 8
10 10 8 8
10 8
F5
5
=
^
G
5 5 5
It’s the on
5
5 5 5 0
0
6
3
2
what
it
7
7
5
5
5
5
5
2:
seems!
7
10 8
Eb5
in - to
my
10 10 8 8
10 9 8 7
9 7
8 6
5
5
5 5 5 5 5
0
5
5 5 5 -
ly
thing
3
3
3
3
3
3
3
5
0
3
5
5
5
5
0
5 5
that
slow - ly
6
5
5 555 5 5 5 5 5 0
Eb5
0
0
F5 Eb5 D5
5 5 5
5 5
stops
ache,
the
5= 5 5 5 5 5 5 5
3 6
5
eyes.
Ab5
5 5 5 5 5 5 5 5
5
'
8 6
= 5
5
D5
5 5 5 !5 5 5 5 5 5 5 5 5 5 5
10 8
6
Chorus
2
E5
6
0
5
5
Dsus2
2
is
5
10
7
Pre-Chorus
10 8
6
Ebsus2
6
10 8
5 5 5 5 5 5 5 5
5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 9
7
But I
9 10 10 10
7
6
A5
2 2
the dream.
5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7
=
6
=
1
1
1
1
3
1
0
'
5
4
^
G
F5
5
=
5 5
but
5
0
0
5
5 5 5
5
0
3
5 5 5 of
5
3
3
3
3
3
0
0
0
5
5 5 5
5
0
Eb5
5
5 5 5
the
things
I
have
3
5
6
F5
=
5
nev
5 5 5 5 5 5 5 5 5
0
3
6
5 5 B:
to
5
take.
1
1
1
3
1
5 5 5 -
5
5
5 5
5 5 5 5 5 5 5 5
1
5 5
F5 Eb5 D5
5= 5 5 5 5 5 5 5
6
Je - sus, it
3
5
5 0
5
5 5 5 5
G ?
5
Ab5
5 5 5 5 5 5 5 5 3
5
5
= 5
all
5
made
^
G
5
it’s
er
0
3
5 0
Ab5
5
Eb5
5
5 5 5
it
works
its
way
= 5
ends,
0
0
5 5 5 5 5 5 5 5
0
0
F5 Eb5 D5
in
5 5
-
side.
5 5 5 5 5 5 5 5
3 5
0
3
5
5
3 6
'
3
3
0
0
0
0
k5 5 k5 k8
8
k 10
3
3
3
4
=
6
5 5 5
²²²²²²²² 5 5 5 5 5 If
10
6
F5
5
5 5 5 5 5 0
3
^
G
3
12
12
14
²²²²²²²²
the
1
1
1
3
1
0
Ab5
5
5 5 5
pain
5 5
1
= 5
goes on,
I’m
5 5 5 5 5 5 5 5
12
0
3
3
3
3
3
3
3
6
7
G
5: not
2: 2 2
2 2 2
Eb5
gon
F5
- na make
=
1
1
1
D5
0
0
it.
5 5 5 5 5 5 6
Interlude
Eb5 D5
1
3
1
Eb5 D5 F5 C5
3 $= = = = = $3 3 $= = 5 5 5 5 5 5 5 5
=
5 5 0
0
0
0
0
0
0
D5
0
0
Eb5 D5 Ab5 Eb5
5:E5 !5 3 3 $ = = = = = $ 3 3 $ = = = = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 1/2
3 0
1
0
3
3
0
0
0
0
0
0
0
0
0
1
0
6
=
1
Bridge Half-time feel
G ?
D5
=
2
Spoken: All
=
3
5 0
$ = 5
5
0
0
Eb5 D5 F5
G 2 2 2 2 2 I’ve got
=
is
C5
2
in - sane.
5 5 5 5
5
=
I’ve
got,
5
5
0
0
=
D5
2 = E5
2
5
4
2
4
= 2 All
4
=
2
all
=
=
2
I’ve
3 3 $= = = 5 5 5
$ 3 3 $ = 5 5
5
0
0
2
0
4
4
=
= 2
got,
all
= = $3 3 $= = 5 5 5 5
1/2
3 0
8
1
0
3
0
0
0
0
0
0
0
0
G 2
2
G 2
D5
Ab5
got
is
in
2
I’ve
=
Eb5
2
F5
2
Ab5
2
-
sane.
5 5
5 5 5 5 5 5 5
0
0
1
4
3
6
4
6
= 2
got,
3
3
6
=
is
=
3
$ = 5
5
1
1
1
F5 Eb5 F5
I’ve got
4
2
2
Shouted: All
C5
2 2 2 2 2
all
= = $ 3 3 $ = = 5 5 5 5
3
=
5 5
3
6
Eb5
2
2
in - sane.
5
5 5 5 5
Eb5
2 = 5 1
4
=
I’ve
=
1
= 2 All
5
5
2
I’ve
3 3 $= = = 5 5 5
3 1
G 2
1
4
1
4
1
= 2
got,
1
1
G 2
1
4
1
4
got,
I’ve got
=
1
is
in
3
1
F5 Eb5 F5
I’ve got
=
is
in
5 5 5 5
2 = 4
- sane.
=
5
2
- sane.
5
1
Eb5
2 = 5
1
1
= 2 All
2
I’ve
3 $= = = 5 5 5 5
0
C5
1
Eb5
2
6
2 2 2 2 2
all
D5
5 5 5 5 1
= = $ 3 3 $ = = 5 5 5 5
3
2 2 2 2 2
1
= 2
1
F5 Eb5 Ab5
all
5 = = 5$ 3 3 5$ = 5 =
3
5
1
4
1
1
= 2
2
All
I’ve
3 3 $= = = 5 5 5
1
3 1
1
1
1
1
3
1
3
1
1
1
1
9
G 2
4
4
=
got,
5
2
2
=
=
all
=
=
1
$ 3 3 $ = 5 5
5
1
1
1
F5
Eb5
Ab5
I’ve
got
is
in
5
5
5
1
3
1
2
2
2
Pre-Chorus
F5
5
6
0
Eb5
5 5
5
5 5
5
5
5
5 5
5 5
5 5
5
3
3
3
3
3
3
3
3
3
3
3
2
1
F5
3
Eb5
=
3
G5
2
3
2:
F5
A5
D5
push
my
fin
2
2
D5
5
gers
5 5 5 0
2
G/B
2
in - to
=
5 5 5 5
It’s the on
555 55
5 0 3 5
55
5
0 3 5 0 0 0
0
G5
A5 µ
2
2
1
2
2
2
4
5=
my
0 0 3 3 3
?
0
5 5 5
-
55 ly thing
5
Ab5
6
10
Eb5
5 = 5
5
that slow - ly
5 55
55
stops
ache.
the
5 5 5 5 5 = 5 5 5 5 5 5 5
3
3 3 3
3 3 3
6
6
=
=
F5 Eb5 D5
5 5555
5 3 0
2
5 5 5 5 5
F5
5
eyes.
0 0
-
^
' 5 555
2 2
C5
1 1 1 5 5 5 3 3
Chorus
55
A5
3
5555 55555555555
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 0
10
5
5 5
0 0 0 3 3 3
sane.
E5
I
-
5
G ?
G
2
5
D5
D5
2
1 1 1
1 3
1
0
F5
5
4
5 5 5 5
=
^
G
'
But it’s made
Ab5
F5 Eb5 D5 55 5 55
Eb5
5 5 = 5
55 5 of all
the things
I
have
to
take.
5 555 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 555 3 5 0
0
5 0
B:
0
0 3 5
5
3
0
6
3
3
3
F5
5
?
^
G
0 3 5
3
3
5 5 5 5 5
55 5
Je - sus, it nev
er ends,
-
3
3
6
6
1
Ab5
1
1
Eb5
1
3
1
0
F5 Eb5 D5
5 5 = 5
55
5 55
it works its
way
in
-
side.
5 555 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 3 5 0 3 5
5
5
0 0
'
0
0 3 5
3
0
6
3
3 3 3
5
4
=
5 5 5 5
5 5 5 5 5 0
0
0
0
0
5 ²²²²²² 5 5 5 5 5 5 5 k k k8
8
k10
10
6
12 12
²²²²²²
6
1 1 1
Ab5
Eb5
5 2 =
5 5 5
If the pain
3 3 3
F5
^
G
0
goes on,
I’m
D5
1
0
3 2 2 2 2 2
3
not
gon - na make it.
5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5
14 12
0
3
3
3
3
3
3
3
6
6
Interlude
=
1 3
= = $3 3 $= = $3 3 $= = = 5 5 5 55 55 5 5 5
=
1
1
1
Eb5 D5 F5
1
3
6
=
C5
5: E5
5 5 5 5
1/2
3 0
!5
0
0
0
0
0
0
0
0
0
D5
3 3 $= = = = = $3 3 $= = 5 5 5 55 55 5 5 5
0
1
0
3
Eb5 D5 Ab5
F5
3 = 5 5 5 555 5 5 5 3
3 0
0
0
0 0
0 0
0
0
0
0
1
3
6
6
6
3
3
3
11
G
Outro Half-time feel
Eb5
5:
1
1
12
Eb5 D5 F5
I’ve got
is
-
5 5 5 5 5
2
2
I’ve
4
5 5:
0
0
0
0
D5
2
²²²²²²²²²²²²² 5 5
4
²²²²²²²²²²²²²
0
= 2
sane.
All
=
2
all
5 5
0
4
got,
5:
2
in
2
5 5 5:
C5
G 2 2 2 2 2
=
All
5
5 5 5
1
D5
?
0
2
5 5 5 5:
0
0
2
I’ve
5
0
4
0
4
= 2
got,
all
5 5 5: 5:
5 5
5 5: 5 5 5 5: 5
0
0
0
3
0
0
1
0
3
0
0
0
0
0
0
0
End half-time feel
Eb5 D5 Ab5
F5
G 2 2 2 2 2 I’ve got
is
D5
2
in
-
2 =
sane.
4
= 2
2
Shouted: All
2
I’ve
4
4
= 2
got,
all
3 = = $3 3 $= = = $3 3 $= = = 5 5 5 5 5 5 5 5 5 5 5 5 5 55 55 5 5 5 3
0
0
1
0
6
6
6
Eb5 D5 F5 C5
=
3
3
0
D5
G 2 2 2 2 2 2 I’ve got
3
is in - sane.
2 = 4
0
= 2 All
2
I’ve
0
2
0
4
0
0
0
0
0
0
Eb5 D5 Ab5 Eb5
4
= 2 22 2 2 2 2
got,
all
I’ve got is
in - sane.
= = $33 $= = = 5:E5 !5 3 3 $ = = = 5 5 5 5 5 5 5 55 55 5 5 5 5 5 5 5 5 1/2
3 0
12
1
0
3
3 0
0
0
0 0
0 0
0
0
0
0
1
0
6
1
Here to Stay Words and Music by Jonathan Davis, James Shaffer, Brian Welch, Reginald Arvizu and David Silveria
5-string bass, tune down 1 step: (low to high) A-D-G-C-F
Intro Moderately q = 102
EE
µ
(Guitar)
:: ::
¤
:: ::
Play 8 times
5 !5
5 5 E5 !5 5 5 E5
0
0
f
1
3
2
1
0
1
2
:: ::
5 !5
5 5 5 E5 !5 5 5
5
5
7 6
8
7
6
5
6
Verse
E GE EE
E5 5 5 :: :: = 5
0
5
1. This time I’m tak - ing 2. See additional lyrics
it
:: :: 5 5 ! 5 E 5 ! 5 5 5 5 5 5 6 5
6
5 8
7 6 5 6
E G E = 5 5 = 5 with me
EE
5
µ
5
!5
5
6
5
get - ting
:: ::
!5
a - way,
5 5 E5 !5 5 5 !5
6
5
5
in
the
way,
5 8
E5 5 =
7 6 5 6
5
7
6 5 6
I’ve
5
!5
5
6
5
got
a
5
my vi - ’lent
prob - lem
6
side.
So, I
5 !5
5 5 E5 !5 5 5 5
5
5 8
5 8
5
!5
5
6
take
7 6 5 6
5
5
my
face
7 6 5
6
5 and
5 5 E5 !5 5 5 !5
6 6
5
5 5 E5 !5 5 5 5
E5 !5 = 5 =
5
7 5 8
5 = 5 = 5
7 5
5
5 5 E5 !5 5 5 !5
5
7 5
8
7 6 5 6
Copyright © 2002 by Stratosphericyoness Music, Musik Munk Publishing, Gintoe Music, Fieldysnuttz Music and Evileria Music All Rights in the U.S. Administered by Universal Music - Z Songs International Copyright Secured All Rights Reserved
1
E G E 5 = 5 3 5 5 EE
bash
it
5
!5
5
6
5
in - to
5
a
5
= 5 5 = 5
mir - ror,
5 5 E5 !5 5 5
I won’t
5
have
5
5
to
see
the
5 5 E5 !5 5 5
5
!5
5
6
5 8
C Pre-Chorus
E GE =
µ
5
5
This pain
EE 5
5
5
5
5
is
el
vat - ing
as
the
5 -
e
5 -
5
5 5 5 5 5 5 5
5 5
2
0
0
5
5
3
E GE =
5
5
a - wait - ing
for
me.
5 !5
5 5 E5 !5 5 5
5
5 8
5 6
7 6 5 6
5
6
5
5
hurt turns
5 5
in
-
7 6 5 6
5
5
5
to
hat - ing,
5 5 5 5 5 5 5
5 5
0
0
3
5
2
3
2
5
an - tic - i
EE 5
5
7
7 6 5 6
5
pain
!5
6 5 8
5 = 5 5
5
-
pat
-
0
2
2
5
5
5
ing
all
the
2
5 fucked
5
5 5 5 5 5 5 5
5 5
2
0
0
3
5
5
= -
2
3
2
0
5
=
up
feel
2
5 -
5
ings
2
5
a - gain.
5
5 5 5 5 5 5 5
2
0
3 2
3
2
0
2
2
2
3
2
0
2
Chorus
E 5 5 5 5 5 GE = 5 5 B5
D5
The hurt in - side
EE
B
B
0
3
is
E5 5 C5 5 5 5 = 5 5
G5
fad - ing,
D5
= 5 5 5 5 5 5 5
B5
this shit’s gone way too far.
5
D5
All this time I’ve been wait - ing.
5
5
!5
B
B
3
5
1
0
3
3
2
E 5 5 5 5 5 5 5 5 GE G5
D5
Oh,
I
E5
= 5 5 5 5 5 5 5
C5
B5
can - not grieve an - y - more.
EE 5
5
5
3
5
For once in - side
!5
B
1
0
= 5 5 = 5 5 5 E5
D5
G5
a - wak - ing,
D5
E5
I’m done,
5
B
3
C5
I’m not
5
5
3
5
a whore!
!5
3 3
To Coda
1
;
Interlude
5 5 5 5 5 5 !5 5 : : : :
E E5 5 5 5 5 5 GE = 5 B5
D5
G5
You’ve tak - en ev -’ry - thing and,
EE
E5
C5
oh, I can - not give an - y- more.
5
B
B
D5
5
5
!5
:: ::
3 0
3
3
5
:: ::
1
B5
0
mf
::
5 5 5 !5
B
B
::
Play 4 times
0
::
3 0
3
3
5
1
Bridge
E GE ?
= 5 5 5 I’m here
EE
E GE
2 2
3
stay,
2 22
2222 222
P
P
P
P P
P P P
X
X
X
X X
X X X X
EB
222
P
5 = 5 E5
stay,
EE
EB
to
bring it
down.
P
B
B
5 = 5 E5
µ
bring it
= 5 5 5
down.
I’m here
3 $= 3 2 2 2 2222 222 2 22
P P
P
P
P
P P
P P
P P P
P
P
X X X
X
X
X
X X X X
X X X
X
X X
= 5 5 5 EB I’m here to
stay,
P
to
2222 P
P P
P
X X X X
5 = 5 E5 bring it
down.
3 $= 2 2 2 2222 2222222222222222 2222222222222222
P P P
P
P
P
P P P P
P P P P P P P P P P P P P P P P
P P P P P P P P P P P P P P P P
X X X
X
X
X
X X X X
X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X
3
EE B G EE
=
5
5
5
I’m
here
to
5
stay.
Bring it
2 2 2 2 2 2 2 2 2 2 2
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
5
B
5 5
^
=
5 5
5
f
P
P
0
0
P
3
5
down.
5 5
P
P
P
P
P
P
P
0
0
0
0
0
0
0
5
0
1
2
3
5 5
^
=
5
Bring it
P
0
0
5
3
P
P
P
P
P
5 !5 E5 5
0
0
0
0
0
0
55 5
Gon - na break
P
P
0
0
P
5 5 5 5 !5 E5 P
P
P
0
0
0
0
B
0
1
5
5
5
0
0
P
5 5 5
it down,
3
1
2
55
gon - na break
5
P
P
5
=
P
P
5 555
P
P
P
P
0
0
0 0
0
0
0
5 5 5 5
it down,
5 !5 E5 5
5
3
55 5
gon - na break
5 5
P
P
0
0
7
4
down.
2
4
5 5 5 P
P
P
5 !5 E5
0
0
0
0
7
EE = 5 5 5 G
5 5
5
down.
5 5 5 5
5
P
5
=
P
7
EE
5 5
^
5
P
4
7
EE B G
5
5
P
7
5
down.
Bring it
5 5 5 5 5 !5 E5 5
5
=
^
5
Bring it
EE
5 5 5 5
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
EE B G EE
5 E5 :
5 P
5 5 5
it down,
5 P
=
1
55
gon - na break
it down,
555 P
P
5 !5 E5
0
0 0
0
P
7 1
2 3
0
2
1
2
E 5 5 5 5 GE
5 5 5
gon - na break
EE
5
5 5
P
P
0
0
P
5 5 5
it down,
3
5 5
gon - na break
it down,
P
5 5 5 5
P
P
P
P
5 !5 E5 5
0
0
0
0
0
0
5
5 5 5 5 gon - na break
5
5 5
P
P
0
0
P
7
EE
5 5 5 it down,
5
=
P
5 5 2
2
gon - na break
it!
5 5 5 P
P
P
5 !5 E5
0
0
0
0
7 1
2
3
0
1
2
D.S. al Coda
5
!5
5
6
5 5 E5 !5 5 5 5
5
!5
5
6
5 5 E5 !5 5 5 5
7 5
8
7
6
5
6
6
5
8
7
6
5
6
; Coda
Outro
E G E ::
µ
EE :: ::
EE :: ::
5 5
P
P
0
0
5 P
!5
0
1
5
3
5 5 E5 !5 5 5 E5
5
!5
0
0
1
5 5 5 5M
3
4
5
Give
an
?
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Play 4 times
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2
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:: ::
4
7
Additional Lyrics 2. My mind’s done with this. Okay, I’ve got a question. Can I throw it all away? Take back what’s mine. So I take my time, guiding the blade down the line. Each cut closer to the vein. Bleed! Bleed!
5
I Stand Alone Words and Music by Sully Erna
Drop D tuning, down 1 step: (low to high) C-G-C-F
Intro Moderately slow q = 84
:: : :
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1. I’ve told 2. See additional lyrics
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5
B:
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fore,
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3
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Copyright © 2002 UNIVERSAL MUSIC CORP. and MEEENGYA MUSIC All Rights Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission
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8
2. You’re always hiding behind your so-called goddess. So what? You don’t think that we can see your face? Resurrected back before the final falling. And I’ll never rest until I can make my own way. I’m not afraid of fading.
55 0
8
D5
5
in
555
0
Additional Lyrics
8
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side.
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55 8
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8
Judith Words and Music by Maynard James Keenan and Billy Howerdel
Tune down 1 1/2 steps: (low to high) C#-F#-B-E
Intro Moderately fast Rock q. = 55
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Verse
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© 2000 EMI APRIL MUSIC INC., HARRY MERKIN MUSIC and TRANSFIXED MUSIC All Rights for HARRY MERKIN MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
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Additional Lyrics Chorus Not like you killed someone. It’s not like you drove a spiteful spear into his side. Talk to Jesus Christ as if he knows the reasons why. He did it all for you, oh. Did it all for you, oh.
9
Nice to Know You Words and Music by Brandon Boyd, Michael Einziger, Alex Katunich, Jose Pasillas II and Chris Kilmore
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© 2001 EMI APRIL MUSIC INC. and HUNGLIKEYORA MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
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Additional Lyrics
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2. Deeper than the deepest Cousteau would ever go. And higher than the heights of what we often think we know. Blessed she who clearly sees the wood for the trees. To obtain a “bird’s eye” is to turn a blizzard to a breeze.
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Nookie Words and Music by Fred Durst, Wesley Borland, Sam Rivers, John Otto and Leor Dimant Tune down 1 1/2 steps: (low to high) C#-F#-B-E
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5
5 3
5
X X X X
Verse
G :: 2 2 2 2 2 2 2 2 2 µ
came in - to this world as 2., 3. See additional lyrics
:: 3 : :
5 5
5
4
a
2 2 2 2
re - ject.
? 2
2
Look in - to these eyes,
5 5 5 5M
3
2 2 2 4 2 2 2 2 2 2 2 =
then you’ll see the size
5 5
5
4
Size of the... of the flames.
5 5 5 5M
mf 14
14 13
14 13
12
12
14 13
12
13 12
12
Copyright © 1999 by Universal Music - Z Tunes LLC, Big Bizkit Music and Lethal Dose Music All Rights for Big Bizkit Music in the U.S. Administered by Universal Music - Z Tunes LLC All Rights for Lethal Dose Music in the U.S. Administered by Universal Music - Z Songs International Copyright Secured All Rights Reserved
12
1
= 4 2 3 2 2 2 2 2 2
= 4 G 2 2 2 2 2
Past. Dwell - in’ on the past,
3
5 5
5
4
3
5 5
2 =: Days.
12
12
5 5 5M
4 = 2 2
2
2 my
Pay. girl - ie ran a - way with my pay
5 5
3
5 5
5
4
12
3
2 4 ? 3 2 2 2 2 2 2 2 2 2 2 2
Ooh. and I’m just a suck - er with a lump in my
12
5 5
5
5
4
13
13 12
12
12
5 5 5M 14
14 13
13
12
12
To Coda 1 ;
= 2
14
14
13
13
5 5 5M
when fel - las came to
14
14
? 2 2 2 2 2 2 2
5
12
5 5 5 5M
5 4
12
Now she’s stuck with my hom ies that she fucked,
play.
13 12
2 = ? 4 2 2 2 2 2 2 2 2 3 2 2 2 2 2
13
13
Play.
14 12
14
14
4
13
I think a - bout the day
5
5 5 5M
5
14
4 4 3 2 2 2 2 2 2 5 4
5
12
12
Hey. Hey,
2 G =
5 5
13
2 2
2 2 2 = 2 2 2
2 2 2 2 2 2
Has to learn from the pain. Ev - ’ry - one that burns has to learn from the pain.
14 12
3
Hot.
5 5 5M
5
13
3
= 4 2 2 2 2 2
it’s burn - in’ up my brain.
14
G =
2 =
12
12
1. Bass tacet
G =2
throat
2
5: = =
Hey,
= 2 2 2 like
a chump,
5: = =
2 2
hey, like
a
= 2 chump,
5: = = hey,
= 2 2 2 like
a chump,
5: = =
2 2
hey, like
a
5: = =
G =2
5: = =
= 2 2 2
hey,
chump,
like
hey, like
a chump,
5: = =
= 2
2 2 a
5: : = 3 2 2 2 :
= 2 2 2
hey,
chump,
like
hey.
a chump.
2. Should I
be
2.
C C Chorus
G :: 3 2 2 2 2
2 2 2 2:
2 2
:: 5
for the nook - ie,
come on,
µ
: :
I did it all
3 5 5 5 5
5
f
2 2:
2
the nook - ie,
2 2
2 2 2 2 2 2 2
2
come on.
So you can take that cook - ie
and
5 2 2 2 2
5
5 3 5 5 5 5
5
3
5
3 3
5
5
5
2 2 2 2
5
X
3 5
3
X
X
X
X
5
5
3
X
X
X
2nd time, D.S. al Coda 1 4th time, To Coda 2 ;
G 2 2 2 2
2
2 2 2 2
stick it up your... Yeah.
2 2 2 2
Stick it up your... Yeah.
3 5555
5
5
2
5
2
2 2 2 2 4
Stick it up your... Yeah.
2 2 2 2 5
Stick it up your...
3 5555
5
3 3
5
5
::
6th time, To Coda 3 ;
5
2 2 2 2 ::
5
X X X X
3 5 3
5
X
X X X
3
5
5
5 3
: :
; Coda 1
Bass tacet
= G 4
5:
=
Hey,
= 2 2 2 like
= G 2 chump,
5: = hey,
=
a chump,
5: =
= 2
2 2
hey,
a chump,
= 2 2 2 like
5: = =
like
=
2 2
hey, like
a
a
5: = = hey,
chump,
= 2 chump,
= 2 2 2 like
5: = hey.
=
5: = = hey,
a chump,
? 2 2 2 like
2 2 like
a
D.S.S. al Coda 2 (take repeat)
=
4
a chump.
3
; Coda 2
Bridge
µ(A5)
G ?
5: 5:
5 mf 5
5
5
I’m
on
5 5 : 5:
-
5
5
5
5:
ly
hu
-
man.
B B
5
7 0
5
It’s so
eas
-
y
for your
5
5: 5:
B B
C5
friends
B B
B:
7 0
=:
G5
5 5 5 5 5 5 5 5
G 4
5
=
$ 5 5
5
5 5
to give
you
their ad
4
G 5
5
5
5
They’ll
tell
4
5: 5:
5
3
3
3
5
3
3
3
3
8
8
B B
5
4 5: 5:
5: 5:
5
4 B B
=
5
G5
It’s
eas
=
5: you,
7 0
G 5
vice.
8
8
6
6
6
5
5
5
5
“Just
let
it
go.”
7 0
5 5 5 -
8
B B
C5
5
i - er
5
5
said
than
Bb5
5 done.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 0 3
4
-
7 0
µ(A5)
5
5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
5
Bb5
3
3
3
3
3
3
3
8
8
8
8
8
6
6
6
µ(A5)
4
G 5 5
4
5:
5
5
I
ap
5 -
5
pre
-
5
5
G 5 5 5
5
5
I
do,
5: 5:
5:
5
4
B B
=
5
C5
Bb5
5
5
5 5
just
leave
me
a - lone.
7 0
µ(A5)
5
3
?
G B 5:
3
3
3
3
5: 5:
5
B
5
8
8
8
8
6
6
5
5
5
Leave
me
a
6
5 -
lone.
7 0
C5
4
B B
8
B B
G5
B: 5: 5:
3
=
0
G 5 5:
3
?
5
5
it.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3
5
B
7 0
but
B B
5
5: 5:
0
G5
5
ci - ate
5
B
5
5
5
5
Just
leave
me
Bb5
5 5 a - lone.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 0 3
3
3
3
3
3
3
3
8
8
8
8
8
6
6
6
5
A5
5
4
G 5
5
5
Noth - ing
C5
5 5
5
gon - na change.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5
5
5
5 5
You
can
go
a - way.
4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
f 7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7 3
D5
G
5
5
5
I’m
just
4
3
3
Bb5
5 5
5
3
5
gon - na stay
3
3
5
5
here
and
3
3
3
3
A5
3
3
5
5
al - ways
3
3
3
5
5 5
be
the same.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G
5
5
5
5
5
5
=:
5
5
5
5
5
5 5
5
5
5
5
5
5
Ain’t noth - ing
5
1
7
7
7
7
7
7
7
7
7
7
1
5 5
G
=:
5
5 5
5
and I’m
just
1
1
1
=:
5
gon - na change,
7
7
7
7
5 5
5
1
0
0
0
0
0
0
0
0
5 5
5
5
5 5
’cause you
can
go
a - way
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 3
D5
1
C5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7
1
3
3
Bb5
5
gon - na stay
3
3
3
5
5
here
and
3
3
3
A5
3
3
5
5
al - ways
3
3
3
3
5
5 5
be
the same.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
6
5
5
5
5
5
5
5
5
5
5
5
5
5
1
1
1
1
1
1
1
1
0
0
0
0
0
0
0
0
G
=:
5
5 5
5
5
Ain’t noth - ing
5
gon - na change,
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7
7
7
7
7
7
7
7
7
7
=:
C5
5 5
7
7
7
7
7
G
=:
5
5 5
5
and I’m
just
gon - na stay
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5 5
’cause you
can
go
a - way
7
5 5
5
5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
D5
5 5
5
3
3
3
E5
5
3
3
3
5
5
here
and
3
3
3
3
3
3
3
7
7
7
7
7
7
G5
5
5
al - ways
7
3
D.S.S. al Coda 3 (take repeat)
5
5 5
be
the
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7
3
same.
10 10 10 10 10 10 10
; Coda 3 Outro
µ
5 5 4 3
5 5 4
?
5 5 4
5
?
3
5 5 4
:: 5 5 4
?
: :
5
4
5 M 3 5
5 5 4
5 5
7
5
7
5
5 5 4
?
7
5
4
5
7
7
5 M 3 5 :: 5 5 4 5
7
7
: :
5
?
7
:: : : ::
Repeat and fade
?
: :
Additional Lyrics 2. Should I be feelin’ bad? (No.) Should I be feelin’ good? (No.) 3. Why did it take so long? It’s kinda sad, I’m the laughin’ stock of the neighborhood. Why did I wait so long, huh, to figure it out? And you would think that I’d be movin’ on, (Movin’.) But I didn’t and I’m the only one underneath the sun who didn’t get it. But I’m a sucker like I said, fucked up in the head. (Not.) I can’t believe that I could be deceived (But you were.) And maybe she just made a mistake and I should give her a break. By my so-called girl, but in reality had a hidden agenda. My heart’ll ache either way. She put my tender heart in a blender, and still I surrendered. Hey, what the hell. What you want me to say? (Hey,) like a chump, (hey,) like a chump, I won’t lie, that I can’t deny. (Hey,) like a chump, (hey,) like a chump, (Hey,) like a chump, (hey,) like a chump, (Hey,) like a chump.
7
One Step Closer Words and Music by Rob Bourdon, Brad Delson, Joe Hahn, Mike Shinoda and Charles Bennington Drop D tuning, down 1/2 step: (low to high) Db-Ab-Db-Gb
Intro Moderate Rock q = 95
µ(Dm)
:: : :
¤
D5
Bb5
5
3 5:
5
f
A5
5
5
8
7
F5
3
5:
7 0
0
::
Play 4 times
3
: :
Verse
G :: 4
D5
:: : :
5 5 5
A5
5
5
E5
this
an
1. I can - not take 2. See additional lyrics
5
5
0
0
4
D5
G 4
5
5
8
7
Bb5
A5
5 5 5 5 5 Say - ing
Bb5
5
5
0
0
4
ev - ’ry - thing
D5
E5
I’ve
said
5
8
7
-
y
-
4
5
5
8
7
Bb5
A5
5
5
8
7
more.
5 5 be
A5
E'
4
5
5
5
Bb5
-
5
5
0
0
4
D5
'
4
fore.
5
5
0
0
4
Copyright © 2000 by Universal Music - Z Songs, Rob Bourdon Music, Nondisclosure Agreement Music, Big Bad Mr. Hahn Music, Kenji Kobayashi Music and Universal Music - Z Tunes LLC All Rights for Rob Bourdon Music, Nondisclosure Agreement Music, Big Bad Mr. Hahn Music and Kenji Kobayashi Music in the U.S. Administered by Universal Music - Z Songs International Copyright Secured All Rights Reserved
4
1
D5
Bb5
G 5
All
5
5
5
these words,
5
5
0
0
A5
5
no
5
5
8
7
D5
=
5 E5
they make
3 5:
F5
5 5 5
sense;
3
Bb5
I
find
5:
5
5
3
0
0
5
5
bliss
in
ig - no
3 5:
less
I
F5
5 5 5 5
=
hear, the less you say;
3 5: 5 5
D5
Bb5 A5
5 5 5
5 5 5 5
you’ll find that
out
5 5 3 5:
3 5: 5 5
8
0
7 0
5
5
8
7
-
3 2
rance.
3
The
5:
7
Bb5 A5
G 5 5 5
F5
5 5 5
5
7
D5
A5
F5
3
G5
5
5
an - y - way.
5 5: 5
5 5:
Just
be
like
5 5 3 5:
-
0
7
0
7
3
0
8
7
3
Chorus
D5
G 5:
=
A5
Ev-’ry - thing you say
0
Bbsus2
3 5:
5 5
5 0
to
me... ...takes me
A5
Ebsus2
one step clos - er to the edge
5 5 3 5: 3
G5
4 B: 2 2 2 2 2 2 2 3 2 2 2 2 2
= 5 5 5 5 5 5 5 5: 2 2 4 = ?
fore...
C5
and I’m a - bout to
5 5 3 5 :
5 5
8
7
3 5:
3
0
7
8
5
7
1
1.
D5
C5
=: G 2
I need a
break.
5 5
3 5: 5
0
2
A5
$ 5 5 5 5 5 5 5 5 5: 2 2 = 4 4
0
lit - tle room
to
breathe... ...’cause I’m
5 5 3 5: 3
Bbsus2
G5
B: 2 2 one
A5
2 2 2 2 2
step clos - er
5 5 3 5 :
Ebsus2
=
to the edge.
4 2 2 2 2 ::
I’m a - bout to...
5 5 3 5 :
3 7
8
8
5
7
7
1
:: : :
2.
Bbsus2
G5
^B: G 2 2 one
A5
Ebsus2
2 2 2 2 2
step
5
5
8
8
clos - er
4 2 2 2 2
=
to the edge.
3 5 :
I’m
5
5
7
7
a - bout to
3 5:
D5
C5
4 2
break.
5
5
0
0
5 5 5 5 5 4 4
5
5 5: 2 2 =
Ev - ’ry - thing you say
to
me... ...takes me
3 5: 5
5
Bbsus2
G5
B: G 2 2
A5
1
Ebsus2
4 3 2 2 2 2 2
2 2 2 2 2
step clos - er
to the edge
5 5 3 5:
and I’m a - bout to
3 5 :
5 5
D5
8
5
Bbsus2
G5
B: G 2 2 one
7
step
5
5
8
8
7
=: 2
break.
A5
2 2 2 2 2 clos - er
3 5 : 5
to
0
3
3
3 5:
A5
$ 5 5 5 5 5 5 5 5 5: 2 2 4 = 4 lit - tle room
3 5:
5 5
1
5
C5
to
breathe... ...’cause I’m
5 5 3 5:
5 8
5
7
I need a one
A5
3
3
0
7
Ebsus2
4 3 2 2 2 2 2
the edge
and I’m
5
5
7
7
3
0
a - bout to
5:
5
5
5
5
5
5
5
5
1
1
1
1
1
1
1
1
1
2
2 2 2 2 2 2 2
Interlude Bass tacet
µ(Dm)
G 2
break.
4
?
=
2 Shut
up when I’m talk - in’ to
=
you.
3
Bridge
G ::
2 2:D5
Eb5
:: 5
5
1
0
F5 Eb5 D5 Ab5
4
2 2:D5
D5 F5
Eb5
?
Shut up.
: :
G
4
D5
5 5 5 5 5
5 5 5
5
0
0
0
3
1
0
F5 Eb5 D5 Ab5
4
6
3
1
D5 F5
Eb5
?
5
1
0
4
4
?
4
5 5 5 5 5
5 5
0
0
Shut
up
5 5 5
5
0
0
0
3
1
0
6
3
1
2
D5
Shut
2
2
F5 Eb5 D5
=
up.
5
5
1
0
Bbsus2
2 2 2 2 I’m
4
G5
B: G 2 2
0
6
3
::
=
:: 3 5 5 5 5 5 5 5
when I’m talk - in’ to
4
0
a - bout to
D5
3
you.
1
0
2=
C5
0
0
0
5
5 4
5
5 5: 2 2 =
Ev - ’ry - thing
you
say
to
me...
break.
5 5 5 5 5 5 5 5
5
5
0
0
0
3
1
A5
2 2 2 2 2
0
0
0
0
0
Ebsus2
4 3 2 2 2 2 2
step clos - er
5 5 3 5 :
to the edge
and I’m a - bout to
5 5
3 5:
3 5:
D5
8
5
7
7
1
5
5
3
3
C5
=: 2
3 5:
A5
$ 5 5 5 5 5 5 5 5 5: 2 2 4 = 4
break.
5 5 0
...takes me
7
3 5: 5
8
A5
5 5 5 4
I need a one
4
1
2 2 2 F5 2 Eb5 2 D5 2 2
5
3
Outro-Chorus
Eb5
2
5 5 5 5 5
2.
G
2
D5
=
Shut up.
5
D5 F5
Shut up.
1.
2 2:
Eb5
F5 Eb5 D5 Ab5
0
lit - tle room
to
breathe... ...’cause I’m
5 5 3 5: 3
3 7
: :
Bbsus2
G5
B: G 2 2 one
step
5
5
8
8
A5
Ebsus2
2 2 2 2 2 clos - er
3
D5
4 2 2 2 2
=
to the edge.
I’m
5:
5
5
5
7
7
3
= 2
a - bout to
C5
5 5 5 4
5
5 4
5
5 5: 2 2 =
Ev - ’ry - thing
you
say
to
me...
break.
5:
5
5
1
0
0
...takes me
3 5: 5
Bbsus2
G5
B: G 2 2
A5
2 2 2 2 2
Ebsus2
D5
step clos - er
to the edge
5 5 3 5:
and I’m a - bout to
8
Bbsus2
5
G5
7
A5
7
3 5:
5 5
1
0
8
8
5
7
3
7
3 5: 1
3 7
µ
0
2
and I’m a - bout to
5 5
breathe... ...’cause I’m
4
?
^
5 5 3 5 :
to
0
4 B: G 2 2 2 2 2 2 2 3 2 2 2 2 2
A5
5 5 3 5:
Ebsus2
one step clos-er to the edge
3
lit - tle room
5 8
3
3 5:
$ 5 5 5 5 5 5 5 5 5: 2 2 4 = 4
break.
3 5:
5 5
5
7
I need a one
5
C5
=2:
4 3 2 2 2 2 2
A5
break.
5 5 5 5 5 5 5 5 1
1
1
1
1
1
1
0
1
Additional Lyrics 2. I find the answers aren’t so clear. Wish I could find a way to disappear. All these thoughts, they make no sense; I find bliss in ignorance. Nothing seems to go away; over and over again. Just like before...
5
Drop D tuning, down 1 step: (low to high) C-G-C-F
Intro Free time
G
(Strings)
9 sec.
8
8
5 : G 5
8
D5
-
5 5 5 5 5 5
5
5 5
8
8
8
8
B
8
8
8
D5
0
5 5 5 5
10 0
0
0
0
5 5
1., 2. Life
is
a
B
5
5 5
8
8
8
5 5
in the riv - er and one from the riv - er, then we
we’re one we drink
B
?
5 5 5 5
5
f
5 5 5 5
G5
/
5
= 5
ter - fall,
5 5 5
B
5 5 5 5 5 -
Half-time feel
Bb5
9 sec.
¤
G
C Verse
Moderately fast q = 162
F5
B
turn
0
5 5 5 5
8 0
0
0
0
5 5 5 5
5
a - gain a - round and
af - ter the put up our
0
0
0
fall. walls.
5
5 5 5 5
8
8
8
E5
B
8
D5
8
8
0
5 5 5 5
7 0
8
5 5
8
D5
wa -
B 5
0
0
Copyright © 2001 Sony/ATV Music Publishing LLC and Ddevil Music All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
0
0
1
G
Bb5
5
5
5
5 5
Swim - ming through the void
we
hear
B
5
5 5
8
8
8
G
find
it
the
word,
5 5 5
8
: 5 5 5
5
5 5 5 5 5 5 = 5
5 5
8
5
8
we
5
5 5
lose
5
5 5
our - selves
but we
5 5 5 5
B
5
5 5
8
8
8
8
D5
8
8
8
G5
B
D5
F5
0
?
all.
5 5 5
5 5 5 5
5 5 5 5
B
B
5 5 5 5
10 8
G
8
8
D5
8
8
8
E5
0
8
0
0
0
D5
?
8
0
4
0
=
5
’Cause
B
5 5 5 5
5 5 5 5
7 0
G
0
0
0
0
0
0
-
al - ways wan - na
go
but you
5 5 5 5
B
5
5 5
8
8
8
8
8
8
8
0
Bb5
5 5
we
0
0
5 5
are
the
5
5
ones
that
wan -
B
5
5
5
8
8
8
8
5
0
5 5 5 5 5
5 5 5
2
B
5 5 5 5 5 5 4 na
8
play,
8
8
8
5 5
8
5 5 5 5 5 5 5 5 nev - er wan - na
5 5 5 8
8
stay.
5 5 5 5 8
8
8
8
D5
G5
G B
D5
?
B
5 5 5 5
F5
0
B
5 5 5 5
10 0
0
0
E5
0
0
0
0
D5
?
5 5 5 5
5 5 5 5
7
0
0
0
0
= 5
4
And
B
8
0
B 5
0
0
To Coda
0
0
0
;
Bb5
555 5 5 54
5 5 5 5 5 5 5 5 55 5 555 5
we are the ones that wan
-
al - ways wan - na play but you nev - er wan - na lose.
5 5 5 5 5 5 G
D5
B
5 5 5
8
8
8
na choose,
555
8
8
8
5 555 B
5 5 5 5 55
555 5
8
8
8
8
8 8
8
8
8
8
8
8
8
8
Interlude
D5/F
D5/E
D5
G ' 5:
5
2
0
D5/F
D5/G
D5/A
3
5
7
5:
4
5 5 5
3
D5/G
5 5
5
5 5:
?
D5/Bb
8
D5/E
0
5:
0
5 5:
D5/F
5
0
0
D5/A D5/G
0
5:
5 5
5
5
3
2
5:
5
5
D5/F
D5/E
D5
7
5
3
2
0
5 5
5
5 5: 2
5 5: 0
5:
5
2
2
5: 0
5 0
3
Chorus
D5/F
D5/E
D5
5 5 5 5
B:
5 5
5
5 5:
3
2
0
D5/F
D5/G
G 5: 5: Aer
G 5: 5:
When
3
-
i
-
5 5
als
0
5 5
D5/A
D5/Bb
5
you
lose
5 5
5
5
7
4
in
the
sky.
5:
5 5
5
5
3
2
D5/F
5
5
5
5:
7
5
3
5 5
D5/E
5
mind, you
8
D5/E
B:
5
free
5 '
2
8
5:
5
2
2
D.S. al Coda
D5
your
life.
5 5
5
2
0
4
B: 5 5:
5:
0
5
0
0
'
'
lose.
5 5 5 _
4
5 5:
5 5 5 5 5
A5
5 5 5 5 5 5 G
8
5 5
0
D5/A D5/G
5 5:
nev - er wan - na
5
0
small
; Coda
8
5:
5:
D5/F
D5/G
Oh!
5 5 5 5 5
5
5
5
5
5 5
5
5
5
5
5
8
7
7
7
7
7
7
7
7
7
7
8
8
8
7
7
Interlude
G
4
F5
E5
D5
5
B:
5
5
5
5
5:
5 5
5
7
7
7
7
3
2
0
5
4
G5
?
F5
0 '
E5
0 5:
5 5
5
5
3
2
F5
G5
'
5:
5 5
2
3
5
5: : : G ::
Aer Aer
: :
7
i i
-
-
5 5
5
3
2
0
5: G
A5
When When
you you
lose free
5:
5 5
5
3
5
7
G :: 5:
D5/F
Aer Aer
:: 5 : : :
3
D5/E
-
i i
-
5
5:
5 5
7
5
3
2
A5
5 5
small your
5 5: 8
mind, eyes,
als als
5 5
5
2
0
G5
you e -
F5
5 5
E5
in so
the up
sky. high.
5 5
5
3
2
0
5 5 5 5 5
free ter
-
5 5
5
7
5
3
2
0
5:
5: 0
5 0
B:
life. prize.
5:
5 5
D5/E
5
in so
the up
sky. high.
5:
5 5
5
5
3
2
4
'
your nal
5
4
5 5:
5
D5/F
'
B:
D5
5
B:
5
5
E5
D5/G
D5
0
5:
F5
5
E5
G5
5:
D5
-
5
4
F5
5
5 5
5 5 5 5
-
G5
'
Bb5
5
5 5
A5
als als
-
-
G5
8
B:
D5
5 5 5 5
5:
F5
E5
Bb5
5
Chorus
F5
5 5:
A5
::
4
::
'
: :
B:
4
5 5: 2
5:
5
2
2
5
D5/F
D5/G
D5/A
5 5
G 5:
When When
5
you you
5:
lose free
5
5 5
3
5
5 5
D5/Bb
small your
5 5:
7
8
5 5
D5/A D5/G
D5/F
5
5
mind, you eyes, e -
5
5
7
5
D5/E
free ter
5:
D5
B:
-
5 5:
3
your nal
life. prize.
5 5
5
2
0
Outro
G :: 5:
D5/E
D5/F
5
5: ::
D5
5
Ah,
: :
5
3
5
2
5
B:
5
5
0
5:
0
0
D5/F
G B: 5 2
1.
D5/F
G 5: 5: 3
6
4
5:
4 5:
5:
5 ::
0
0
D5/F
D5/E
5
5
5
5:
5
5
5
5
3
ah.
5 0
D5/G
5:
0
D5/G
D5/A
5
5
5
5
5
5
5
5
D5/Bb
2
D5/A
5:
D5/G
5
5
5:
5
5
8
7
5
Ah.
5:
5:
5
2
2
2
D5/E
5: 3
5
7
2.
D5
D5/F
5 5
5
B:
5 5
5
5 5:
2
0
:: 5:
4
0
5:
5 :: 5 :
0
0
: :
::
4
5 5 5 5 5
3
D5/E
D5
5 5
5
5
5 5
5
'
2
0
4
?
: :
Duality Words and Music by M. Shawn Crahan, Paul Gray, Nathan Jordison, Corey Taylor, James Root and Sid Wilson Drop D tuning, down 1 1/2 steps: (low to high) B-F#-B-E
Chorus
Pre-Chorus Moderately fast q = 146
2: 2 2 2 2
Bass tacet
µ
G 2 2 2 Whispered: I push my
G 5 -
fin - gers
Ab5
ly
thing
that
Ab5
my
B
5 5 5
slow - ly
stops
5 5 B:
the
5
0
to
4
5
= 5 5 5
but it’s made
D5
have
F5
ache,
Eb5
the things I
= 5 5 5
B
It’s the on -
G 5 5 5 5 = 5 5 5 5 5 5 5 5 B: of all
F5
eyes.
F5 Eb5 D5
= 5 5 5
5 5 5
5 5:
2
in - to
Eb5
D5
5
F5
4
5
5 5 5 5
take.
0
Je - sus, it nev -
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 f
¤
5
5
5
5
5
5
5
5
5
5
5
3 6
Ab5
G 5 -
5
55 5
Eb5
F5 Eb5 D5
= 5 5 5
5 5 5
it works it’s
way in
er ends,
F5
5 5 B: -
3
5
side.
5
4
= 5 5 5 If
the
pain
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
555 5 5 5k 5 5 5 5 5 555 55555 5
3 3 3 3
0 0 0
0 3 5 3 3 3
6
6
1 1 1 1 3
1
0
3
5 5 5
© 2004 EMI APRIL MUSIC INC. and MUSIC THAT MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
5 0
8
0 0 0 0 0 3 0
1
Ab5
G 5
2
2
2:
=
::
^
5 5 5 5
Interlude
Eb5
D5
2
4
?
0
5= 5 5 5 5 5 5 5 5 5 5 5 5 5 5k :: = 3 $ = = = = = $ 3 3 $ = = 5 5 5 5 5 5 5 5 k11 = :: 8 8 8 8 8 8 8 11 11 6 6 6 6 6 0 0 0 0 0 0 0 0 goes on,
=
ah.
Eb5 D5 F5 C5
D5
5 E5
5 5 5 5
3 3 $= = = = = $3 3 $= = 5 5 5 5 5 5 5 5
:: = 5 5 5 5 5 Eb5 D5 Ab5 Eb5
=
1/2
3 0
1
0
Ab5/D
3
0
C5
G5
0
G
A5
0
0
0
F5 G5 Eb5 D5
?
4
?
0
0
Verse
2 2
Spoken: 1. I
= 4 5
0
A5/D
2
0
un
0
A5 C5
2
have screamed
0
2 2
-
5 5 5 5
til
2
my
veins
F5
0
G5
Eb5
D5
G 2 2 2 2 2 2 2 2 2 2 wait - ed as
5:
2 2 2 2 2 2:
A5
my time’s e - lapsed. Now all
C5
I
5 3
2
5
1
0 0
G5
do is live with
5 5 5 5 5 5 5 5 5: 5 5 5 5
0
0
2
0
A5
2
0
6
=
1
A5
2 2 2
2
col - lapsed.
I’ve
5 5 5 5 5 5 5 5 5 5 3
0
G5
1
: :
3
3
7
5
F5 G5
2
4
Eb5
so much fate.
5
4
5
D5
5
5
=
7
2
I’ve
55555
5: 5 5 5 5 5 5 5 5 5 5
5 5 5 5 7
3
3 0
7
0 7
5
1
0 0 0 0 0 0
A5
G 2
wished for
C5
2 2 2
5:
2
this,
2 2 2
I’ve bitched at
5
5
5
G5
2 5
A5
F5
I’ve
left
2
that,
G5
2
Eb5
2 2 2 be - hind
D5
2
2 2
this
lit - tle
5 5 5 5 5
5:
5 5 5
5
3
5
1
G5
Eb5
2 2
2
fact:
5
You
5 5 5 5 5 5
3 7
0
7
G 2 2: A5
kill
what
you did
5
5
2
can - not
2
2 2:
C5
5:
5
5
5
5
G5
7
A5
2
2
not
5
F5
cre
2
-
4
0
0
D5
4
0
0
0
=
0
2
ate.
I’ve
5 5 5 5 5
5:
5 5 5
5
3
5
1
G5/A
Ebsus2
5
5 5 5 5 5 5
3 7
0
A5
G 2 2
2 2 2
got - ta
say
5 5 5 7
C5/F
2
what I’ve
5
G/B
5
5
7
Am/C
2 2
2 2
got - ta
say,
2
and
2 2:
F5/G
then I
2
swear,
0
0
Dsus2
2
2 2
I’ll
go a
0
0
0
2 2 -
way.
5
5
0
2 2 But I
5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 9
7
7
9
9
10 10 10
7
9
9
9
9
10 10 10
5
5
5
7
7
7 6
G 2 2: A5
C5/F
2
can’t
2
prom - ise
2
G/B
you’ll
Am/C
2
2
en
- joy
9
9
2 2
2:
F5/G
G5/A
6
Ebsus2
=
6
5
Dsus2
4
5
5
=
5
5
2
the noise.
I
5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 9 7
7
7
9
9
10 10 10 9
9
10 10 10
5
5
5
7
7
7 6
6
6
5
5
5
5
5
5
5
3
A5
G 2
2
C5/F
2
2
G/B
2
Am/C
2 2 2
F5/G
2
G5/A
2 2
Ebsus2
2
2 2
5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 guess
I’ll
save
9 7
7
9
the
9
best
for last,
my
fu -ture
seems
like
2 2
2
one
past.
You’re
5 5 5 5 5 5 5 5 5 5 5 5
9
9
9
9
10 10 10
5
5
5
7
7
7 6
G 2
big
10 10 10
7
A5
Dsus2
2 2 2
C5/F
2 2 2
2
2
G/B
Am/C
2
2
2:
F5/G
2
G5/A
2
6
6
5
5
5
5
5
2:
Ebsus2
Dsus2
5
5
=
5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 left
with me
9 7
7
’cause
9
9
you
leave
me
no
choice.
10 10 10
7
9
9
9
9 10 10 10
5
5
5
7
7
7 6
Pre-Chorus
F5
5: 5 5 5 5
= 5 5 5
G ?
I push my
fin - gers
55 55 55 55 55 55 55 55 55 55 55 55 10 8
10 8
10 10 8 8
10 10 8 8
10 8
10 10 8 8
10 8
10 8
10 8
E5
Eb5
in - to
my
9 7
=
^
G
F5
5
5 5 5
It’s the on
5
5 5 5 0
0
4
3
5 5 5 5 5
5
5 0
5 -
ly
8 6
5 5
5
that
5 5 5 5 5 5 5 5
3
3
3
3
3
3
3
6
0
3
5
5
5
5 5 5
5
0
0
Eb5
5
0
0
F5 Eb5 D5
5
slow - ly
5 5 5
5 5
stops
ache.
the
5= 5 5 5 5 5 5 5
3 6
5
5 555
8 6
= 5
thing
5
eyes.
Ab5
5 5 5
5
'
0
5
5
D5
2
10 9 8 7
6
Chorus
55 55 55 !5 5 5 5 5 5 5 5 10 10 8 8
6
6
=
1
1
1
1
3
1
0
G
F5
'
?
5 5 5 5
=
55
5 555
555
555 5
5 0 3 5 0 0
0 3 5 0 0 0
Interlude
D5
C5
0
0
0
2
G
Spoken: 2. Put
I’m
not
0
6
G5 A5 F5 G5 Eb5
0
2 2 2 2:
C5
2
2
me
back
to - geth
5:
5 5 5
7
0
-
G5
3
3 3
3
D5
A5
C5
A5
=
3 3 3
0
G5
F5
2
er,
6
A5
G5
2 2
or
5
Eb5
F5 Eb5 D5
2 2 2 2 2:
gon - na make it.
5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5
5 5 5
0
Verse
A5
goes on.
5 3
0
= ? 5 5 5 5 5 0
5
2:
2 =
5 5 5
If the pain
Ab5
6
=
1
3
G5
Eb5
D5
3
5
1
0
1
0
4 5 : 5 5 5 5 5 :
2
sep - a - rate
1 1
F5
Eb5
2 2
1
the
2
D5
2
2
skin from
bone.
5 5 5 5 5
5:
5 5 5 5 5 5 5 5 5 5
5
3
5
3
A5
G 2
2
2 2
Leave me
7
C5
all the
5:
5 5
7
0
G5
2 2 piec
5
2
-
5
5
5
5
A5
4
es,
7
F5
2 2
then you
G5
2 2 can
1
Eb5
2
0
2 2
leave me
5 5 5 5 5
5:
5 5 5
5
3
5
5
a
D5
-
0
0
0
0
0
2 2 lone.
5 5 5 5 5 5
3 7
5
5
5
7
1
0
0
0
0
0
0
5
A5
G 2
Tell
C5/F
2
2
me
the
G/B
2
re
Am/C
2 2 -
al - i
-
2 2
2
ty
is
2 2:
F5/G
G5/A
bet - ter
2
Ebsus2
Dsus2
2 2
than
2
9 7
9
G 2
9
2
2
found
out
5 5 5 7
9
9
9
10 10 10
5
5
5
7
7
7
C5/F
2 2 2
G/B
the hard
Am/C
2
F5/G
=
G5/A
2
2
Shouted: Noth - ing
way:
2
6
9
9
10 10
9
F5
9
9
9
10 10 10
5
5
5
5: 5 5 5 5
= 5 5 5
G ?
I push my
fin - gers
5 5 55 55 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 10 10 8 8
10 10 8 8
10 8
10 10 8 8
10 8
F5
5
=
^
G
5 5 5
It’s the on
5
5 5 5 0
0
6
3
2
what
it
7
7
5
5
5
5
5
2:
seems!
7
10 8
Eb5
in - to
my
10 10 8 8
10 9 8 7
9 7
8 6
5
5
5 5 5 5 5
0
5
5 5 5 -
ly
thing
3
3
3
3
3
3
3
5
0
3
5
5
5
5
0
5 5
that
slow - ly
6
5
5 555 5 5 5 5 5 0
Eb5
0
0
F5 Eb5 D5
5 5 5
5 5
stops
ache,
the
5= 5 5 5 5 5 5 5
3 6
5
eyes.
Ab5
5 5 5 5 5 5 5 5
5
'
8 6
= 5
5
D5
5 5 5 !5 5 5 5 5 5 5 5 5 5 5
10 8
6
Chorus
2
E5
6
0
5
5
Dsus2
2
is
5
10
7
Pre-Chorus
10 8
6
Ebsus2
6
10 8
5 5 5 5 5 5 5 5
5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 9
7
But I
9 10 10 10
7
6
A5
2 2
the dream.
5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7
=
6
=
1
1
1
1
3
1
0
'
5
4
^
G
F5
5
=
5 5
but
5
0
0
5
5 5 5
5
0
3
5 5 5 of
5
3
3
3
3
3
0
0
0
5
5 5 5
5
0
Eb5
5
5 5 5
the
things
I
have
3
5
6
F5
=
5
nev
5 5 5 5 5 5 5 5 5
0
3
6
5 5 B:
to
5
take.
1
1
1
3
1
5 5 5 -
5
5
5 5
5 5 5 5 5 5 5 5
1
5 5
F5 Eb5 D5
5= 5 5 5 5 5 5 5
6
Je - sus, it
3
5
5 0
5
5 5 5 5
G ?
5
Ab5
5 5 5 5 5 5 5 5 3
5
5
= 5
all
5
made
^
G
5
it’s
er
0
3
5 0
Ab5
5
Eb5
5
5 5 5
it
works
its
way
= 5
ends,
0
0
5 5 5 5 5 5 5 5
0
0
F5 Eb5 D5
in
5 5
-
side.
5 5 5 5 5 5 5 5
3 5
0
3
5
5
3 6
'
3
3
0
0
0
0
k5 5 k5 k8
8
k 10
3
3
3
4
=
6
5 5 5
²²²²²²²² 5 5 5 5 5 If
10
6
F5
5
5 5 5 5 5 0
3
^
G
3
12
12
14
²²²²²²²²
the
1
1
1
3
1
0
Ab5
5
5 5 5
pain
5 5
1
= 5
goes on,
I’m
5 5 5 5 5 5 5 5
12
0
3
3
3
3
3
3
3
6
7
G
5: not
2: 2 2
2 2 2
Eb5
gon
F5
- na make
=
1
1
1
D5
0
0
it.
5 5 5 5 5 5 6
Interlude
Eb5 D5
1
3
1
Eb5 D5 F5 C5
3 $= = = = = $3 3 $= = 5 5 5 5 5 5 5 5
=
5 5 0
0
0
0
0
0
0
D5
0
0
Eb5 D5 Ab5 Eb5
5:E5 !5 3 3 $ = = = = = $ 3 3 $ = = = = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 1/2
3 0
1
0
3
3
0
0
0
0
0
0
0
0
0
1
0
6
=
1
Bridge Half-time feel
G ?
D5
=
2
Spoken: All
=
3
5 0
$ = 5
5
0
0
Eb5 D5 F5
G 2 2 2 2 2 I’ve got
=
is
C5
2
in - sane.
5 5 5 5
5
=
I’ve
got,
5
5
0
0
=
D5
2 = E5
2
5
4
2
4
= 2 All
4
=
2
all
=
=
2
I’ve
3 3 $= = = 5 5 5
$ 3 3 $ = 5 5
5
0
0
2
0
4
4
=
= 2
got,
all
= = $3 3 $= = 5 5 5 5
1/2
3 0
8
1
0
3
0
0
0
0
0
0
0
0
G 2
2
G 2
D5
Ab5
got
is
in
2
I’ve
=
Eb5
2
F5
2
Ab5
2
-
sane.
5 5
5 5 5 5 5 5 5
0
0
1
4
3
6
4
6
= 2
got,
3
3
6
=
is
=
3
$ = 5
5
1
1
1
F5 Eb5 F5
I’ve got
4
2
2
Shouted: All
C5
2 2 2 2 2
all
= = $ 3 3 $ = = 5 5 5 5
3
=
5 5
3
6
Eb5
2
2
in - sane.
5
5 5 5 5
Eb5
2 = 5 1
4
=
I’ve
=
1
= 2 All
5
5
2
I’ve
3 3 $= = = 5 5 5
3 1
G 2
1
4
1
4
1
= 2
got,
1
1
G 2
1
4
1
4
got,
I’ve got
=
1
is
in
3
1
F5 Eb5 F5
I’ve got
=
is
in
5 5 5 5
2 = 4
- sane.
=
5
2
- sane.
5
1
Eb5
2 = 5
1
1
= 2 All
2
I’ve
3 $= = = 5 5 5 5
0
C5
1
Eb5
2
6
2 2 2 2 2
all
D5
5 5 5 5 1
= = $ 3 3 $ = = 5 5 5 5
3
2 2 2 2 2
1
= 2
1
F5 Eb5 Ab5
all
5 = = 5$ 3 3 5$ = 5 =
3
5
1
4
1
1
= 2
2
All
I’ve
3 3 $= = = 5 5 5
1
3 1
1
1
1
1
3
1
3
1
1
1
1
9
G 2
4
4
=
got,
5
2
2
=
=
all
=
=
1
$ 3 3 $ = 5 5
5
1
1
1
F5
Eb5
Ab5
I’ve
got
is
in
5
5
5
1
3
1
2
2
2
Pre-Chorus
F5
5
6
0
Eb5
5 5
5
5 5
5
5
5
5 5
5 5
5 5
5
3
3
3
3
3
3
3
3
3
3
3
2
1
F5
3
Eb5
=
3
G5
2
3
2:
F5
A5
D5
push
my
fin
2
2
D5
5
gers
5 5 5 0
2
G/B
2
in - to
=
5 5 5 5
It’s the on
555 55
5 0 3 5
55
5
0 3 5 0 0 0
0
G5
A5 µ
2
2
1
2
2
2
4
5=
my
0 0 3 3 3
?
0
5 5 5
-
55 ly thing
5
Ab5
6
10
Eb5
5 = 5
5
that slow - ly
5 55
55
stops
ache.
the
5 5 5 5 5 = 5 5 5 5 5 5 5
3
3 3 3
3 3 3
6
6
=
=
F5 Eb5 D5
5 5555
5 3 0
2
5 5 5 5 5
F5
5
eyes.
0 0
-
^
' 5 555
2 2
C5
1 1 1 5 5 5 3 3
Chorus
55
A5
3
5555 55555555555
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 0
10
5
5 5
0 0 0 3 3 3
sane.
E5
I
-
5
G ?
G
2
5
D5
D5
2
1 1 1
1 3
1
0
F5
5
4
5 5 5 5
=
^
G
'
But it’s made
Ab5
F5 Eb5 D5 55 5 55
Eb5
5 5 = 5
55 5 of all
the things
I
have
to
take.
5 555 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 555 3 5 0
0
5 0
B:
0
0 3 5
5
3
0
6
3
3
3
F5
5
?
^
G
0 3 5
3
3
5 5 5 5 5
55 5
Je - sus, it nev
er ends,
-
3
3
6
6
1
Ab5
1
1
Eb5
1
3
1
0
F5 Eb5 D5
5 5 = 5
55
5 55
it works its
way
in
-
side.
5 555 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 3 5 0 3 5
5
5
0 0
'
0
0 3 5
3
0
6
3
3 3 3
5
4
=
5 5 5 5
5 5 5 5 5 0
0
0
0
0
5 ²²²²²² 5 5 5 5 5 5 5 k k k8
8
k10
10
6
12 12
²²²²²²
6
1 1 1
Ab5
Eb5
5 2 =
5 5 5
If the pain
3 3 3
F5
^
G
0
goes on,
I’m
D5
1
0
3 2 2 2 2 2
3
not
gon - na make it.
5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5
14 12
0
3
3
3
3
3
3
3
6
6
Interlude
=
1 3
= = $3 3 $= = $3 3 $= = = 5 5 5 55 55 5 5 5
=
1
1
1
Eb5 D5 F5
1
3
6
=
C5
5: E5
5 5 5 5
1/2
3 0
!5
0
0
0
0
0
0
0
0
0
D5
3 3 $= = = = = $3 3 $= = 5 5 5 55 55 5 5 5
0
1
0
3
Eb5 D5 Ab5
F5
3 = 5 5 5 555 5 5 5 3
3 0
0
0
0 0
0 0
0
0
0
0
1
3
6
6
6
3
3
3
11
G
Outro Half-time feel
Eb5
5:
1
1
12
Eb5 D5 F5
I’ve got
is
-
5 5 5 5 5
2
2
I’ve
4
5 5:
0
0
0
0
D5
2
²²²²²²²²²²²²² 5 5
4
²²²²²²²²²²²²²
0
= 2
sane.
All
=
2
all
5 5
0
4
got,
5:
2
in
2
5 5 5:
C5
G 2 2 2 2 2
=
All
5
5 5 5
1
D5
?
0
2
5 5 5 5:
0
0
2
I’ve
5
0
4
0
4
= 2
got,
all
5 5 5: 5:
5 5
5 5: 5 5 5 5: 5
0
0
0
3
0
0
1
0
3
0
0
0
0
0
0
0
End half-time feel
Eb5 D5 Ab5
F5
G 2 2 2 2 2 I’ve got
is
D5
2
in
-
2 =
sane.
4
= 2
2
Shouted: All
2
I’ve
4
4
= 2
got,
all
3 = = $3 3 $= = = $3 3 $= = = 5 5 5 5 5 5 5 5 5 5 5 5 5 55 55 5 5 5 3
0
0
1
0
6
6
6
Eb5 D5 F5 C5
=
3
3
0
D5
G 2 2 2 2 2 2 I’ve got
3
is in - sane.
2 = 4
0
= 2 All
2
I’ve
0
2
0
4
0
0
0
0
0
0
Eb5 D5 Ab5 Eb5
4
= 2 22 2 2 2 2
got,
all
I’ve got is
in - sane.
= = $33 $= = = 5:E5 !5 3 3 $ = = = 5 5 5 5 5 5 5 55 55 5 5 5 5 5 5 5 5 1/2
3 0
12
1
0
3
3 0
0
0
0 0
0 0
0
0
0
0
1
0
6
1
Here to Stay Words and Music by Jonathan Davis, James Shaffer, Brian Welch, Reginald Arvizu and David Silveria
5-string bass, tune down 1 step: (low to high) A-D-G-C-F
Intro Moderately q = 102
EE
µ
(Guitar)
:: ::
¤
:: ::
Play 8 times
5 !5
5 5 E5 !5 5 5 E5
0
0
f
1
3
2
1
0
1
2
:: ::
5 !5
5 5 5 E5 !5 5 5
5
5
7 6
8
7
6
5
6
Verse
E GE EE
E5 5 5 :: :: = 5
0
5
1. This time I’m tak - ing 2. See additional lyrics
it
:: :: 5 5 ! 5 E 5 ! 5 5 5 5 5 5 6 5
6
5 8
7 6 5 6
E G E = 5 5 = 5 with me
EE
5
µ
5
!5
5
6
5
get - ting
:: ::
!5
a - way,
5 5 E5 !5 5 5 !5
6
5
5
in
the
way,
5 8
E5 5 =
7 6 5 6
5
7
6 5 6
I’ve
5
!5
5
6
5
got
a
5
my vi - ’lent
prob - lem
6
side.
So, I
5 !5
5 5 E5 !5 5 5 5
5
5 8
5 8
5
!5
5
6
take
7 6 5 6
5
5
my
face
7 6 5
6
5 and
5 5 E5 !5 5 5 !5
6 6
5
5 5 E5 !5 5 5 5
E5 !5 = 5 =
5
7 5 8
5 = 5 = 5
7 5
5
5 5 E5 !5 5 5 !5
5
7 5
8
7 6 5 6
Copyright © 2002 by Stratosphericyoness Music, Musik Munk Publishing, Gintoe Music, Fieldysnuttz Music and Evileria Music All Rights in the U.S. Administered by Universal Music - Z Songs International Copyright Secured All Rights Reserved
1
E G E 5 = 5 3 5 5 EE
bash
it
5
!5
5
6
5
in - to
5
a
5
= 5 5 = 5
mir - ror,
5 5 E5 !5 5 5
I won’t
5
have
5
5
to
see
the
5 5 E5 !5 5 5
5
!5
5
6
5 8
C Pre-Chorus
E GE =
µ
5
5
This pain
EE 5
5
5
5
5
is
el
vat - ing
as
the
5 -
e
5 -
5
5 5 5 5 5 5 5
5 5
2
0
0
5
5
3
E GE =
5
5
a - wait - ing
for
me.
5 !5
5 5 E5 !5 5 5
5
5 8
5 6
7 6 5 6
5
6
5
5
hurt turns
5 5
in
-
7 6 5 6
5
5
5
to
hat - ing,
5 5 5 5 5 5 5
5 5
0
0
3
5
2
3
2
5
an - tic - i
EE 5
5
7
7 6 5 6
5
pain
!5
6 5 8
5 = 5 5
5
-
pat
-
0
2
2
5
5
5
ing
all
the
2
5 fucked
5
5 5 5 5 5 5 5
5 5
2
0
0
3
5
5
= -
2
3
2
0
5
=
up
feel
2
5 -
5
ings
2
5
a - gain.
5
5 5 5 5 5 5 5
2
0
3 2
3
2
0
2
2
2
3
2
0
2
Chorus
E 5 5 5 5 5 GE = 5 5 B5
D5
The hurt in - side
EE
B
B
0
3
is
E5 5 C5 5 5 5 = 5 5
G5
fad - ing,
D5
= 5 5 5 5 5 5 5
B5
this shit’s gone way too far.
5
D5
All this time I’ve been wait - ing.
5
5
!5
B
B
3
5
1
0
3
3
2
E 5 5 5 5 5 5 5 5 GE G5
D5
Oh,
I
E5
= 5 5 5 5 5 5 5
C5
B5
can - not grieve an - y - more.
EE 5
5
5
3
5
For once in - side
!5
B
1
0
= 5 5 = 5 5 5 E5
D5
G5
a - wak - ing,
D5
E5
I’m done,
5
B
3
C5
I’m not
5
5
3
5
a whore!
!5
3 3
To Coda
1
;
Interlude
5 5 5 5 5 5 !5 5 : : : :
E E5 5 5 5 5 5 GE = 5 B5
D5
G5
You’ve tak - en ev -’ry - thing and,
EE
E5
C5
oh, I can - not give an - y- more.
5
B
B
D5
5
5
!5
:: ::
3 0
3
3
5
:: ::
1
B5
0
mf
::
5 5 5 !5
B
B
::
Play 4 times
0
::
3 0
3
3
5
1
Bridge
E GE ?
= 5 5 5 I’m here
EE
E GE
2 2
3
stay,
2 22
2222 222
P
P
P
P P
P P P
X
X
X
X X
X X X X
EB
222
P
5 = 5 E5
stay,
EE
EB
to
bring it
down.
P
B
B
5 = 5 E5
µ
bring it
= 5 5 5
down.
I’m here
3 $= 3 2 2 2 2222 222 2 22
P P
P
P
P
P P
P P
P P P
P
P
X X X
X
X
X
X X X X
X X X
X
X X
= 5 5 5 EB I’m here to
stay,
P
to
2222 P
P P
P
X X X X
5 = 5 E5 bring it
down.
3 $= 2 2 2 2222 2222222222222222 2222222222222222
P P P
P
P
P
P P P P
P P P P P P P P P P P P P P P P
P P P P P P P P P P P P P P P P
X X X
X
X
X
X X X X
X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X
3
EE B G EE
=
5
5
5
I’m
here
to
5
stay.
Bring it
2 2 2 2 2 2 2 2 2 2 2
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
5
B
5 5
^
=
5 5
5
f
P
P
0
0
P
3
5
down.
5 5
P
P
P
P
P
P
P
0
0
0
0
0
0
0
5
0
1
2
3
5 5
^
=
5
Bring it
P
0
0
5
3
P
P
P
P
P
5 !5 E5 5
0
0
0
0
0
0
55 5
Gon - na break
P
P
0
0
P
5 5 5 5 !5 E5 P
P
P
0
0
0
0
B
0
1
5
5
5
0
0
P
5 5 5
it down,
3
1
2
55
gon - na break
5
P
P
5
=
P
P
5 555
P
P
P
P
0
0
0 0
0
0
0
5 5 5 5
it down,
5 !5 E5 5
5
3
55 5
gon - na break
5 5
P
P
0
0
7
4
down.
2
4
5 5 5 P
P
P
5 !5 E5
0
0
0
0
7
EE = 5 5 5 G
5 5
5
down.
5 5 5 5
5
P
5
=
P
7
EE
5 5
^
5
P
4
7
EE B G
5
5
P
7
5
down.
Bring it
5 5 5 5 5 !5 E5 5
5
=
^
5
Bring it
EE
5 5 5 5
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
EE B G EE
5 E5 :
5 P
5 5 5
it down,
5 P
=
1
55
gon - na break
it down,
555 P
P
5 !5 E5
0
0 0
0
P
7 1
2 3
0
2
1
2
E 5 5 5 5 GE
5 5 5
gon - na break
EE
5
5 5
P
P
0
0
P
5 5 5
it down,
3
5 5
gon - na break
it down,
P
5 5 5 5
P
P
P
P
5 !5 E5 5
0
0
0
0
0
0
5
5 5 5 5 gon - na break
5
5 5
P
P
0
0
P
7
EE
5 5 5 it down,
5
=
P
5 5 2
2
gon - na break
it!
5 5 5 P
P
P
5 !5 E5
0
0
0
0
7 1
2
3
0
1
2
D.S. al Coda
5
!5
5
6
5 5 E5 !5 5 5 5
5
!5
5
6
5 5 E5 !5 5 5 5
7 5
8
7
6
5
6
6
5
8
7
6
5
6
; Coda
Outro
E G E ::
µ
EE :: ::
EE :: ::
5 5
P
P
0
0
5 P
!5
0
1
5
3
5 5 E5 !5 5 5 E5
5
!5
0
0
1
5 5 5 5M
3
4
5
Give
an
?
0
5
5
2
1
0
1
1., 2., 3.
5 5
P
P
P
P
P
P
P
0
0
0
0
0
0
0
7
5 P
5
2
=
P
5 5 5M P
P
P
0
0
0
0
7
4
5 -
5
y
-
more.
5 5 E5 !5 5 5 E5 0
:: ::
3
2
1
4.
5 5
P
P
0
0
5 P
5
=
::
Play 4 times
0
1
2
P
5 5 5M P
P
P
0
0
0
0
:: ::
4
7
Additional Lyrics 2. My mind’s done with this. Okay, I’ve got a question. Can I throw it all away? Take back what’s mine. So I take my time, guiding the blade down the line. Each cut closer to the vein. Bleed! Bleed!
5
I Stand Alone Words and Music by Sully Erna
Drop D tuning, down 1 step: (low to high) C-G-C-F
Intro Moderately slow q = 84
:: : :
µ
0
G =
0
=
0
0
5
0
5
5:
5
0
0
G =
3
5
5
If
you
5:
5
0
0
3
0
5 5 0
3
0
5
0
Ab5
=
this
5 5 5 5 0
0
5
you
5
5
5
try
to
0
: :
0
0
D5
5
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Play 3 times
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5
B:
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C Verse
fore,
3
0
5 5
con
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0
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5
me
down
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5
0
0
3
0
3
0
5
5 5 0
Copyright © 2002 UNIVERSAL MUSIC CORP. and MEEENGYA MUSIC All Rights Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission
0
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10
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;
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Bridge
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555 0
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5 5 8
8
2. You’re always hiding behind your so-called goddess. So what? You don’t think that we can see your face? Resurrected back before the final falling. And I’ll never rest until I can make my own way. I’m not afraid of fading.
55 0
8
D5
5
in
555
0
Additional Lyrics
8
0
4
5 5 5
side.
5 5
in
5 5
5
= 4
0
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a - lone
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20
5 5 5
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19
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55 8
8
0
0
0 0
8
8
Judith Words and Music by Maynard James Keenan and Billy Howerdel
Tune down 1 1/2 steps: (low to high) C#-F#-B-E
Intro Moderately fast Rock q. = 55
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Verse
D5 E5
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such
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7
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© 2000 EMI APRIL MUSIC INC., HARRY MERKIN MUSIC and TRANSFIXED MUSIC All Rights for HARRY MERKIN MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
5
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D5 E5
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Additional Lyrics Chorus Not like you killed someone. It’s not like you drove a spiteful spear into his side. Talk to Jesus Christ as if he knows the reasons why. He did it all for you, oh. Did it all for you, oh.
9
Nice to Know You Words and Music by Brandon Boyd, Michael Einziger, Alex Katunich, Jose Pasillas II and Chris Kilmore
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1. Bet - ter than watch - ing Gel - ler 2. See additional lyrics
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© 2001 EMI APRIL MUSIC INC. and HUNGLIKEYORA MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1
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Additional Lyrics
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2. Deeper than the deepest Cousteau would ever go. And higher than the heights of what we often think we know. Blessed she who clearly sees the wood for the trees. To obtain a “bird’s eye” is to turn a blizzard to a breeze.
0 0
5
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Nookie Words and Music by Fred Durst, Wesley Borland, Sam Rivers, John Otto and Leor Dimant Tune down 1 1/2 steps: (low to high) C#-F#-B-E
Intro Moderate Rock q = 98
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Verse
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came in - to this world as 2., 3. See additional lyrics
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14 13
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Copyright © 1999 by Universal Music - Z Tunes LLC, Big Bizkit Music and Lethal Dose Music All Rights for Big Bizkit Music in the U.S. Administered by Universal Music - Z Tunes LLC All Rights for Lethal Dose Music in the U.S. Administered by Universal Music - Z Songs International Copyright Secured All Rights Reserved
12
1
= 4 2 3 2 2 2 2 2 2
= 4 G 2 2 2 2 2
Past. Dwell - in’ on the past,
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14
? 2 2 2 2 2 2 2
5
12
5 5 5 5M
5 4
12
Now she’s stuck with my hom ies that she fucked,
play.
13 12
2 = ? 4 2 2 2 2 2 2 2 2 3 2 2 2 2 2
13
13
Play.
14 12
14
14
4
13
I think a - bout the day
5
5 5 5M
5
14
4 4 3 2 2 2 2 2 2 5 4
5
12
12
Hey. Hey,
2 G =
5 5
13
2 2
2 2 2 = 2 2 2
2 2 2 2 2 2
Has to learn from the pain. Ev - ’ry - one that burns has to learn from the pain.
14 12
3
Hot.
5 5 5M
5
13
3
= 4 2 2 2 2 2
it’s burn - in’ up my brain.
14
G =
2 =
12
12
1. Bass tacet
G =2
throat
2
5: = =
Hey,
= 2 2 2 like
a chump,
5: = =
2 2
hey, like
a
= 2 chump,
5: = = hey,
= 2 2 2 like
a chump,
5: = =
2 2
hey, like
a
5: = =
G =2
5: = =
= 2 2 2
hey,
chump,
like
hey, like
a chump,
5: = =
= 2
2 2 a
5: : = 3 2 2 2 :
= 2 2 2
hey,
chump,
like
hey.
a chump.
2. Should I
be
2.
C C Chorus
G :: 3 2 2 2 2
2 2 2 2:
2 2
:: 5
for the nook - ie,
come on,
µ
: :
I did it all
3 5 5 5 5
5
f
2 2:
2
the nook - ie,
2 2
2 2 2 2 2 2 2
2
come on.
So you can take that cook - ie
and
5 2 2 2 2
5
5 3 5 5 5 5
5
3
5
3 3
5
5
5
2 2 2 2
5
X
3 5
3
X
X
X
X
5
5
3
X
X
X
2nd time, D.S. al Coda 1 4th time, To Coda 2 ;
G 2 2 2 2
2
2 2 2 2
stick it up your... Yeah.
2 2 2 2
Stick it up your... Yeah.
3 5555
5
5
2
5
2
2 2 2 2 4
Stick it up your... Yeah.
2 2 2 2 5
Stick it up your...
3 5555
5
3 3
5
5
::
6th time, To Coda 3 ;
5
2 2 2 2 ::
5
X X X X
3 5 3
5
X
X X X
3
5
5
5 3
: :
; Coda 1
Bass tacet
= G 4
5:
=
Hey,
= 2 2 2 like
= G 2 chump,
5: = hey,
=
a chump,
5: =
= 2
2 2
hey,
a chump,
= 2 2 2 like
5: = =
like
=
2 2
hey, like
a
a
5: = = hey,
chump,
= 2 chump,
= 2 2 2 like
5: = hey.
=
5: = = hey,
a chump,
? 2 2 2 like
2 2 like
a
D.S.S. al Coda 2 (take repeat)
=
4
a chump.
3
; Coda 2
Bridge
µ(A5)
G ?
5: 5:
5 mf 5
5
5
I’m
on
5 5 : 5:
-
5
5
5
5:
ly
hu
-
man.
B B
5
7 0
5
It’s so
eas
-
y
for your
5
5: 5:
B B
C5
friends
B B
B:
7 0
=:
G5
5 5 5 5 5 5 5 5
G 4
5
=
$ 5 5
5
5 5
to give
you
their ad
4
G 5
5
5
5
They’ll
tell
4
5: 5:
5
3
3
3
5
3
3
3
3
8
8
B B
5
4 5: 5:
5: 5:
5
4 B B
=
5
G5
It’s
eas
=
5: you,
7 0
G 5
vice.
8
8
6
6
6
5
5
5
5
“Just
let
it
go.”
7 0
5 5 5 -
8
B B
C5
5
i - er
5
5
said
than
Bb5
5 done.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 0 3
4
-
7 0
µ(A5)
5
5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
5
Bb5
3
3
3
3
3
3
3
8
8
8
8
8
6
6
6
µ(A5)
4
G 5 5
4
5:
5
5
I
ap
5 -
5
pre
-
5
5
G 5 5 5
5
5
I
do,
5: 5:
5:
5
4
B B
=
5
C5
Bb5
5
5
5 5
just
leave
me
a - lone.
7 0
µ(A5)
5
3
?
G B 5:
3
3
3
3
5: 5:
5
B
5
8
8
8
8
6
6
5
5
5
Leave
me
a
6
5 -
lone.
7 0
C5
4
B B
8
B B
G5
B: 5: 5:
3
=
0
G 5 5:
3
?
5
5
it.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3
5
B
7 0
but
B B
5
5: 5:
0
G5
5
ci - ate
5
B
5
5
5
5
Just
leave
me
Bb5
5 5 a - lone.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 0 3
3
3
3
3
3
3
3
8
8
8
8
8
6
6
6
5
A5
5
4
G 5
5
5
Noth - ing
C5
5 5
5
gon - na change.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5
5
5
5 5
You
can
go
a - way.
4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
f 7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7 3
D5
G
5
5
5
I’m
just
4
3
3
Bb5
5 5
5
3
5
gon - na stay
3
3
5
5
here
and
3
3
3
3
A5
3
3
5
5
al - ways
3
3
3
5
5 5
be
the same.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G
5
5
5
5
5
5
=:
5
5
5
5
5
5 5
5
5
5
5
5
5
Ain’t noth - ing
5
1
7
7
7
7
7
7
7
7
7
7
1
5 5
G
=:
5
5 5
5
and I’m
just
1
1
1
=:
5
gon - na change,
7
7
7
7
5 5
5
1
0
0
0
0
0
0
0
0
5 5
5
5
5 5
’cause you
can
go
a - way
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 3
D5
1
C5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7
1
3
3
Bb5
5
gon - na stay
3
3
3
5
5
here
and
3
3
3
A5
3
3
5
5
al - ways
3
3
3
3
5
5 5
be
the same.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
6
5
5
5
5
5
5
5
5
5
5
5
5
5
1
1
1
1
1
1
1
1
0
0
0
0
0
0
0
0
G
=:
5
5 5
5
5
Ain’t noth - ing
5
gon - na change,
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7
7
7
7
7
7
7
7
7
7
=:
C5
5 5
7
7
7
7
7
G
=:
5
5 5
5
and I’m
just
gon - na stay
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5 5
’cause you
can
go
a - way
7
5 5
5
5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
D5
5 5
5
3
3
3
E5
5
3
3
3
5
5
here
and
3
3
3
3
3
3
3
7
7
7
7
7
7
G5
5
5
al - ways
7
3
D.S.S. al Coda 3 (take repeat)
5
5 5
be
the
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7
3
same.
10 10 10 10 10 10 10
; Coda 3 Outro
µ
5 5 4 3
5 5 4
?
5 5 4
5
?
3
5 5 4
:: 5 5 4
?
: :
5
4
5 M 3 5
5 5 4
5 5
7
5
7
5
5 5 4
?
7
5
4
5
7
7
5 M 3 5 :: 5 5 4 5
7
7
: :
5
?
7
:: : : ::
Repeat and fade
?
: :
Additional Lyrics 2. Should I be feelin’ bad? (No.) Should I be feelin’ good? (No.) 3. Why did it take so long? It’s kinda sad, I’m the laughin’ stock of the neighborhood. Why did I wait so long, huh, to figure it out? And you would think that I’d be movin’ on, (Movin’.) But I didn’t and I’m the only one underneath the sun who didn’t get it. But I’m a sucker like I said, fucked up in the head. (Not.) I can’t believe that I could be deceived (But you were.) And maybe she just made a mistake and I should give her a break. By my so-called girl, but in reality had a hidden agenda. My heart’ll ache either way. She put my tender heart in a blender, and still I surrendered. Hey, what the hell. What you want me to say? (Hey,) like a chump, (hey,) like a chump, I won’t lie, that I can’t deny. (Hey,) like a chump, (hey,) like a chump, (Hey,) like a chump, (hey,) like a chump, (Hey,) like a chump.
7
One Step Closer Words and Music by Rob Bourdon, Brad Delson, Joe Hahn, Mike Shinoda and Charles Bennington Drop D tuning, down 1/2 step: (low to high) Db-Ab-Db-Gb
Intro Moderate Rock q = 95
µ(Dm)
:: : :
¤
D5
Bb5
5
3 5:
5
f
A5
5
5
8
7
F5
3
5:
7 0
0
::
Play 4 times
3
: :
Verse
G :: 4
D5
:: : :
5 5 5
A5
5
5
E5
this
an
1. I can - not take 2. See additional lyrics
5
5
0
0
4
D5
G 4
5
5
8
7
Bb5
A5
5 5 5 5 5 Say - ing
Bb5
5
5
0
0
4
ev - ’ry - thing
D5
E5
I’ve
said
5
8
7
-
y
-
4
5
5
8
7
Bb5
A5
5
5
8
7
more.
5 5 be
A5
E'
4
5
5
5
Bb5
-
5
5
0
0
4
D5
'
4
fore.
5
5
0
0
4
Copyright © 2000 by Universal Music - Z Songs, Rob Bourdon Music, Nondisclosure Agreement Music, Big Bad Mr. Hahn Music, Kenji Kobayashi Music and Universal Music - Z Tunes LLC All Rights for Rob Bourdon Music, Nondisclosure Agreement Music, Big Bad Mr. Hahn Music and Kenji Kobayashi Music in the U.S. Administered by Universal Music - Z Songs International Copyright Secured All Rights Reserved
4
1
D5
Bb5
G 5
All
5
5
5
these words,
5
5
0
0
A5
5
no
5
5
8
7
D5
=
5 E5
they make
3 5:
F5
5 5 5
sense;
3
Bb5
I
find
5:
5
5
3
0
0
5
5
bliss
in
ig - no
3 5:
less
I
F5
5 5 5 5
=
hear, the less you say;
3 5: 5 5
D5
Bb5 A5
5 5 5
5 5 5 5
you’ll find that
out
5 5 3 5:
3 5: 5 5
8
0
7 0
5
5
8
7
-
3 2
rance.
3
The
5:
7
Bb5 A5
G 5 5 5
F5
5 5 5
5
7
D5
A5
F5
3
G5
5
5
an - y - way.
5 5: 5
5 5:
Just
be
like
5 5 3 5:
-
0
7
0
7
3
0
8
7
3
Chorus
D5
G 5:
=
A5
Ev-’ry - thing you say
0
Bbsus2
3 5:
5 5
5 0
to
me... ...takes me
A5
Ebsus2
one step clos - er to the edge
5 5 3 5: 3
G5
4 B: 2 2 2 2 2 2 2 3 2 2 2 2 2
= 5 5 5 5 5 5 5 5: 2 2 4 = ?
fore...
C5
and I’m a - bout to
5 5 3 5 :
5 5
8
7
3 5:
3
0
7
8
5
7
1
1.
D5
C5
=: G 2
I need a
break.
5 5
3 5: 5
0
2
A5
$ 5 5 5 5 5 5 5 5 5: 2 2 = 4 4
0
lit - tle room
to
breathe... ...’cause I’m
5 5 3 5: 3
Bbsus2
G5
B: 2 2 one
A5
2 2 2 2 2
step clos - er
5 5 3 5 :
Ebsus2
=
to the edge.
4 2 2 2 2 ::
I’m a - bout to...
5 5 3 5 :
3 7
8
8
5
7
7
1
:: : :
2.
Bbsus2
G5
^B: G 2 2 one
A5
Ebsus2
2 2 2 2 2
step
5
5
8
8
clos - er
4 2 2 2 2
=
to the edge.
3 5 :
I’m
5
5
7
7
a - bout to
3 5:
D5
C5
4 2
break.
5
5
0
0
5 5 5 5 5 4 4
5
5 5: 2 2 =
Ev - ’ry - thing you say
to
me... ...takes me
3 5: 5
5
Bbsus2
G5
B: G 2 2
A5
1
Ebsus2
4 3 2 2 2 2 2
2 2 2 2 2
step clos - er
to the edge
5 5 3 5:
and I’m a - bout to
3 5 :
5 5
D5
8
5
Bbsus2
G5
B: G 2 2 one
7
step
5
5
8
8
7
=: 2
break.
A5
2 2 2 2 2 clos - er
3 5 : 5
to
0
3
3
3 5:
A5
$ 5 5 5 5 5 5 5 5 5: 2 2 4 = 4 lit - tle room
3 5:
5 5
1
5
C5
to
breathe... ...’cause I’m
5 5 3 5:
5 8
5
7
I need a one
A5
3
3
0
7
Ebsus2
4 3 2 2 2 2 2
the edge
and I’m
5
5
7
7
3
0
a - bout to
5:
5
5
5
5
5
5
5
5
1
1
1
1
1
1
1
1
1
2
2 2 2 2 2 2 2
Interlude Bass tacet
µ(Dm)
G 2
break.
4
?
=
2 Shut
up when I’m talk - in’ to
=
you.
3
Bridge
G ::
2 2:D5
Eb5
:: 5
5
1
0
F5 Eb5 D5 Ab5
4
2 2:D5
D5 F5
Eb5
?
Shut up.
: :
G
4
D5
5 5 5 5 5
5 5 5
5
0
0
0
3
1
0
F5 Eb5 D5 Ab5
4
6
3
1
D5 F5
Eb5
?
5
1
0
4
4
?
4
5 5 5 5 5
5 5
0
0
Shut
up
5 5 5
5
0
0
0
3
1
0
6
3
1
2
D5
Shut
2
2
F5 Eb5 D5
=
up.
5
5
1
0
Bbsus2
2 2 2 2 I’m
4
G5
B: G 2 2
0
6
3
::
=
:: 3 5 5 5 5 5 5 5
when I’m talk - in’ to
4
0
a - bout to
D5
3
you.
1
0
2=
C5
0
0
0
5
5 4
5
5 5: 2 2 =
Ev - ’ry - thing
you
say
to
me...
break.
5 5 5 5 5 5 5 5
5
5
0
0
0
3
1
A5
2 2 2 2 2
0
0
0
0
0
Ebsus2
4 3 2 2 2 2 2
step clos - er
5 5 3 5 :
to the edge
and I’m a - bout to
5 5
3 5:
3 5:
D5
8
5
7
7
1
5
5
3
3
C5
=: 2
3 5:
A5
$ 5 5 5 5 5 5 5 5 5: 2 2 4 = 4
break.
5 5 0
...takes me
7
3 5: 5
8
A5
5 5 5 4
I need a one
4
1
2 2 2 F5 2 Eb5 2 D5 2 2
5
3
Outro-Chorus
Eb5
2
5 5 5 5 5
2.
G
2
D5
=
Shut up.
5
D5 F5
Shut up.
1.
2 2:
Eb5
F5 Eb5 D5 Ab5
0
lit - tle room
to
breathe... ...’cause I’m
5 5 3 5: 3
3 7
: :
Bbsus2
G5
B: G 2 2 one
step
5
5
8
8
A5
Ebsus2
2 2 2 2 2 clos - er
3
D5
4 2 2 2 2
=
to the edge.
I’m
5:
5
5
5
7
7
3
= 2
a - bout to
C5
5 5 5 4
5
5 4
5
5 5: 2 2 =
Ev - ’ry - thing
you
say
to
me...
break.
5:
5
5
1
0
0
...takes me
3 5: 5
Bbsus2
G5
B: G 2 2
A5
2 2 2 2 2
Ebsus2
D5
step clos - er
to the edge
5 5 3 5:
and I’m a - bout to
8
Bbsus2
5
G5
7
A5
7
3 5:
5 5
1
0
8
8
5
7
3
7
3 5: 1
3 7
µ
0
2
and I’m a - bout to
5 5
breathe... ...’cause I’m
4
?
^
5 5 3 5 :
to
0
4 B: G 2 2 2 2 2 2 2 3 2 2 2 2 2
A5
5 5 3 5:
Ebsus2
one step clos-er to the edge
3
lit - tle room
5 8
3
3 5:
$ 5 5 5 5 5 5 5 5 5: 2 2 4 = 4
break.
3 5:
5 5
5
7
I need a one
5
C5
=2:
4 3 2 2 2 2 2
A5
break.
5 5 5 5 5 5 5 5 1
1
1
1
1
1
1
0
1
Additional Lyrics 2. I find the answers aren’t so clear. Wish I could find a way to disappear. All these thoughts, they make no sense; I find bliss in ignorance. Nothing seems to go away; over and over again. Just like before...
5
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