Trey Anastasio- Trey Anatasio

'1, , .J

AliveAgain Writtenby Trey Anaatealo,To|n llalshall and Scotl Herman

Bbj

for

LQui'er

Bb7

t@-

lo

Rb7

bc

Sm-nEi

SUD-ffis

lik

a

r

m.ing

ed

Id

I'k

r

r

com.ing

.id

Id

- vi*.

Srh - @'s

-vi.w.-

Sm-ffit

Sm-nd\

cm- irg

rnd

I'd

cm - ing

.nd

@n - ins &d

Id

I'd

SUF ncCs con-ing

bop€ ihe l&d-

6

ahd Id

a - rcuhd-

you

yi.lds

a

cop

lite

all

lhe

oth - er

fields,-

aid

ina

might-

nal€

Bb7

Bb1

fdt _

Sun-rcCs

Sun - nd s

.on , ing

od

I'd

like

4t abv, Tocoda+

lr

@m - in8

ard

I'd

Sum- m.ls

rcn

ins

ed

Id

3.Qni - .t

-

Qui - er -

you

ly

ly-

BD7

Scoa"

_=_1_=

=

you

ey-

-4,-_.:.

\

1.

Time

lim€

na

h6

_=_e_=....,,_5

cone-

cone-

for

you-

for

you_

4 - gaf, _

'.-..^,'.-------..:

CaymanReview Written by Trey Anastasio,Tom Marshalland Tony Markellis

Moderatelv; =100

Gtr. I ( s l i g h dr i s rI.

N.C.

Gtr. 2 (slighrdist.)

*Chord symbolsreflect overall harmony.

Copyright O 2002by Who ls She?Music(BMl) All RightsReserved

11

think I'm fall-ing for

.\'a

Ft, t

End Va. Fig. t

eas Y, (Might

Might

this y . )-

is

my

*Upstem vfials only

Verse Gr. 2: w/ Rhy. Fig. I

E7

don'tknow

how-

vou

did-

the rcst

of the

six-teen

men-

on a dead

chest.-

'';

13

But Lou - ise,-

can't seem to

^ 1---^

get e - nough-

j-\

Bkgd.Voc.: w/ VG. Fig. I

B7

this is mv

Cav - man Re - view.Il-J --r

of

you.-

tum-ble

to the

ground.-

I spent all

my mon-ey

just

a'

chas - ing you a - round.-

End Rhy. Fig.2

l e tr a n g- -- - - - - - - - - - - - - - - l

Guitar Solo Ctr. 2 tacet

E7

^l ,Jt1

Bkgd. Vc.:

s/ Vc.

Fig. I

B7

Gtr. 2: w/ Ithy. Fig. 2

Gtr. I tact

A7

I know

E7

that-

vou've

'Cause

when you

get-

and

you

to

shak

know

what

it's

for.-

and then you shake a

lit - tle

more,_

Guitar Solo G

w

B

Voc.Fl& 2

shake me up,-

shake me down.-

shak- in' that thing all

o - ver

town. (Shake me up,nltltttt

---\

^ftwl

shake me down,-

B k g d .\ ' G . : u ' \ r x F r i I I t r m e . r End Vm. Fig.2

shak- in'

that

thins

,-iil -^

all

i L + +

shake

me

down.-

G r I r R h r F r r l

on

And

Lou -

ise, -

I (Lou

-

think I'm

my

skin - and in _

fall-ing

for

my

you._

ise.)_

Bkgd.Va.: w/ Voc. Fig. I 2nd time, Gtr. 2: w/ Rhy. Fig. I (last 4 meas.)

8

7

Might

G

go down eas - y,

this is my

Cay-man Re - view._

w/ Lead & Bkgd. V@. ad Lib. (till end)

E7

Might

go

down

eas - y, (Might

go

down

Free time

this eas - y.)

is my

Cay - man Re -

view. _

Pushon 'Til the Day Written by Trey Anastasio,Tony Markellisand Russ Lawton Intro Moderately, = 125 ulr.t(ctean)

E

A

Rhy. Fig. I

-

>

xChord symbolsreflect overall harmonv

Verse Em7

boat-

to

John - ny

Jor - daan - plern-

the

choc

'late

sea.End Rhr. Fi& :

x

*

x

-

-

_

Ga- l: s/ Rhr- hg- I r-1ulEr

ETsusl

:

Fair

Dance

Two

deck - er

is

pin

is

fair-

all

Two

big

black

and

-

a

stripe

bag

the

and

the

red

glit - ter

in

the

night

son

-

chick - en

door

by

loon-

Interlude A Cr. I Rhy.Fl&3

and

on

the

lit - tle

song,_

bal -

-

time,

I-

wheel,-

back

te - quil-a

can.

-

Wat

fer - ris

is

with

tank

boy

tall

the

bit

the

light

of

can

-

black

of

Mar

al - ways

a

-

-

el

push- ing

yel - low

comes

man. _

The

see.-

top

y

fin

all-

moon.-

night

up

steel.-

long._

much

E9ho3rd)

F EDdnhy.Fi8,3

Rhy.Flg.4

21

Bb

Play 7 times

Em

Verse ctr. l: w/ Rhy. Fig. 2 (2 times)

E7sus4

Em7

2.Hot

cof - fee

Trans -

fu-sion

Pete

threw

Glass

a

bomb

ta - ble

and

bled

tur - key

and

and

eggs,-

he

five

rang

-

the

ham,-

the

star

back

two

pole,_

of

bush

the

-

so-ba

and

the

Interlude G t r . l : u / R h ) . F i g .l A

E9(no3rd)

wonn-

and

wack - ers

and

yay -

ln

al - ways

comes

a

the

an

an

wood-en

-

gy

T o - k y - o

up

much

les.-

ram. _

h o l e . -

Pu.h on

Push on

pushon

till-

the day.-

till-

push on

n . . t f f i I

t^A^

'---

17.Q-

2

pushon

theday.-

till-

^,tt'ln/lttt

-

the day._

Aattttt

,--

w^

Push on

push on

-,\

Plat I times =End

Rhy. Fig.5

till _

Gtr. l: w/ Rhy. Fig. 4

Gtr.,l: w/ Rhy.Fig.5

F

F7f9

End Rhy. Flg.6

Gtr. I ta@t

N.C.

F7f,e

F7

Guitar Solo F7a--?

e

2

l

f

2

vYvltnvYYt ^ 2 e

Bb7

*tttt^A'*r

F7 vttyw

ittttt^Anlt

/-\

^*

F'7

{t->

'/--.^-^

,li

hold bend

lvyyy\'r

I

Bb:.

13

,'>r"-'t.

(tL)

| 2-)

b+^t,,(Y\,.(}

,b.(Y^Y\

,1E-> b

hold bend

b*^-.^*t

U

BD'7

b*^t)

+t -++- +il

BD7

Bb:,

lt4 ffi-^_/

e=

=

=

(a>

<et E

<e, E

<et E

<e, =

(e, =

<2t \E

(t)

E

(!)

^

,/,v,[i

t

F

,---$ffi r\ ,( I\-b-22\r!

Itn!

)( tvffi e'2 -T:E

2 TE

illlwwvrn

*Played behind the beat.

F

(\b

3

>

?

a

F 2

7

=

a

2

C===

2

a

2

t

=c9F

l

n

2

l

2==e2=-2

Bb itttr

^

^rollrirr*$tii

Dt nttttttnt

^^-

NightSpeaksto a Woman Writt€n by Trey Anastasio and Tom Itarshall

Intro Moderetely,J= 102 'E5 Rty. n& I

GL. | (dist.)

+Chord symbols rcflal b6ic h.mony

Verse E5

l.I

know

a

one

foot

-----..,

d

Rny. rig. 2

tt

Copynghl@2002by who ls She?Music(BMl) AllRiohtsRese e
in

two steps from

edge.-

she rides

whis - pers (hal

three sheets to

E n dR h r .f i 8 . 2

Ctr. l:w/Rhy. Fi8.2(l l2 times)

E5

walk' ingon-

I knowa girl-

a

bal-anced

in -

the

air

con - di - tioned

RIITA

that blows

the

wind-

chimes tells-

me that

I

know a

wom - an

spire.-

End Rlfi A

31

Law - lcss -

ness-

just

bounds,-

lis - ten

to-

lhe

:1

. Gtr.l:w/Rhy.Fi8.l E]

spcsks -

I-

oncc

knew.lrlttttr

hE==__--

,d

A5

(oo,

"F.@L

spealG.)

b-lgo.d

r€al

$ng

(ft

dare

lorcr

thd

*T(en.

( ; ir i { Rh\ !r!:,1|m!,\l (nr I $/ RrfiArl trne\i

2.1 know a

queen_

who loved me for-

ir weel.

Said more from one-

thru

fbur.-

c5

sev - en

she would hard - ly

sp€ak,-

but through words in

sne nev-er

let_

me

see,_

G5

on

read - ing rhe words.-

my

nev - er

shelf-

sec - tion that

I

I^

--

made-

me

doubt-

self-

un - til

$ -ny

piece-

of

spr€adout

me-

kw-les!

q'J..--

u

- tress- s - bound!,-

iust

on-

thc

lis - tcn

to-

pag - es

I-

the sound!-

once

Int€rlude

speaxs_

to

a

wom- an

I-

once

knew._1 on-

Thc night c,i..,

sFak

to

a

b*t'

Likc

onon-

lhe thc

wa

-

ter on-

the

the

br€€z!.)-

night

the

Cr. l: w/ Rhy. Fig. I

E5

A5

Cbonrs Gt l: r/ Rh\ Fr! I

L) voc Fig. r )

A5 f,trd Vm. FiB. I

c

Night speaks, (Like wa-ter on-the

the night speaksto a

breeze. _

wom Like wa-t€r

on-lhe

breeze.)_

night sp€aks.

6

Cu. r rv/ Rhy.Fi8.I clr. 4: v RitrB trad & Bkgd.Vc.:*/v@. Fig. I (adLib.)

E5 Yc. Fig. 2

End vo.. Flg. 2

Outro Guitrr Solo r:ad & B*gd. vc.: */v@. Figs. t & 2 (5 dn.9 Gtr. l: w/ Rhy. Fig. I (5 rin.t Gtr.4:w/ Rifi B (5 tines)

-\!tt!t$$$

Altltnt

Gn.2

rdbk.

Glr. I :=

P

F.-V \,

Flock of Words Wdtlen by T1€yAnastasio and Tom Marshall

P

. Chod symbols r.flccl ovcrall halrMy.

..

@ is sund.d by L.H. whil. shiftitrg positiotrs. /

\Vers€ Dadd4

lA

changc in

your voice-

CopydOhl @2002by Who ls Sho?Music(BMl) All Rights R€s€rv€d

was all

that I

beard. -

39

\J, A shad -ow

that sud - den - ly

cov-ercd

my-

eyes,-

a

F

to

in

-

take

go-

back

of

brcath-

and

pave

o

ver

the

punc - turcd

my

soul.-

rip - ple -

in wa- ter,

F

'-----=\

I

need

to

know,

End RhJ.Fig. I

Verse Dadd4

2.A mo-ment of si - lence,

it

now

seems-

ab - surd-

that I leamed so much

In - sidc your flock of

words,-

fr.* 'vGr r: v Rnr.Pi8.l 2ndtio€, Gtr. | : e/ Rhy.Fig. I ( | sl 7 m.t!.)

F

don't

think

tlram-

la

d

to.

\ras

dnt

pass

-

ex

mc

pccr

onc-

aDd

h

lic. -

D

80. -

could - n'!

-'-./-'...2

bm

Lsusz

a D,S. al Codt

Loveand Change Moneyn Wrltten by Tley Ana3taslo and Tom Marshall

Itrtm Modcrately J = 102 " Bbm? ct'.I (disr.)

rrchod

4

syhbols Ffl..r

ov.mu h3rlnony.

Copyright€ 2002 by Wt'o ls She? Music (BMl) All Rirhts R€served

Vcrrc Ctr. 2: e/ Rifr A (2 tnnas)

l.I'vc 8ot r min-utc 2. You gath-cr mo-ments ..Fan

picc - cs ofand six - ty ti - ny grve and thcm to a fticnd,

lc b.ctgrdj!}d voc.l llIU otr. ocr.v.low

time is mo! - ey, cv -'ry min - uie

tlrcsc

tto win

monay that you

six - ty min- utqs? What will it cort mc?

yourand-

sil - vcr dol - lar, try lo chrmSc--j

n.

Don't6ct your watch backI fe€l & - sir€

And

I Time

could is

nev - cr mon - cy,

Who ar€ wemcas-urld by

countthe molr -ey

to rc-ar - ratrgcthc clock a - bovc.-

change.love.-

45

ffcrto-. ebs \ - / ' ' \ - l

hid - den from -

Some live their days-

them - selves,-

a - fraid of mon - ey.

love -

and chang€.-

ctr. 2

Erd Rtft B

RIII B

ro codaS

Gt..2: w/ RifI B 2 n d1 i h e ,c r . r : w / R h y . F i l l I

tr

:--v-

Some live their

hid - den

days-

from-

a - fraid of mon-ey,

them

ftaid

Rhy. Fill I Gtr. I

46

of

mon'ey,

love-

and

change.-

love-

and

change.-

S.

Well, it's

fun-ny,

don't

you koow

don t you know-

Won - der - ing Won - der - ing

count on, -

had had

more more

mon-ey. mon-ey.

I would bu) I would bu)

wherc does il wherc does it

time.time.

that that

change change

is is

the one -thing the one -thing

you can you can

Scoa"

Gtr. 2: e/ Rifr A ( | s1m!6.)

sbmz

fraid of mon - ey,

love(love-

aDd change.and change.)

Yeah,

yeah,

yerh,

love

and change.-

mon - ey, (l,ove

and change. -

Irve

and change.-

'fraid l,ove

and

change.-

lrve

and change.)-

Ja ;=.

.:;itF.

_

rii:;

itttitittttt

b-

/-:-,--r7

Drifting Written by Trey Anaslasio, Tony Markellisand Russ Lawton C t $ . 2& 3 :O F n G r u n i n s : (lowro hi8h)D-C-D-C-BD Intro Moderately , = 105

G/F

Crr.I

* Chord symboh rcflcd ov€allhmo.y.

Verse G

Gr. l:w/Rhy.Fi8.I

G

But now you've

long-

CopyrightO2002by Who ls She?Music(8Ml) All RiohtsReserved

51

And the

fog -

is

lift - ing,

we got the

moon-

ard the

stars-

Venge Gn 1:w/ Rhy.Fig.r (2tim6) G

Or. | : e/ B!y. Fig. I G F 5

2. Sincc you

camc-

a - long, love,

Gts.2&3(sus.) Ed X[t. n& 2

Ily.IIi.2

I'm

beck

where I-

be

Since

you

r€s

F5

lift - ing.

We got the

moon _

and the

sta$ -

a

- bove. -

/>. ,--\ . t { w/ slightdist.

Gtr. l: w/ Rhy. Fig- I Gt6.2 & 3; */ Rhy. Fig. 2

F5

3. And

in

the

-E/.-.--\_

53

V€rse Cr. l: w/ Rhy. Fi8. I (4 timet

G

mom - lng

its

plain-

RITIA

ry

R|lIB Clr. 7

Gr.6

E n dR f E

)

End Rlr C

R|IT C

ryp

G1r.7r

RiffB (l lim€t

Smell cof - fee in-

the

air,

you're here-

with me,EDdRlr A

54

Gd. 6: $/ Riflc (4 ri|B)

G

F5

l'm walk-in'

the

Am

sun b€ams love.)

street, _

(t ve,

down,-

b t n n e- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - l

Srass is cool -

b€ - neth-

my fc.l,

my head is spin-nin8

'round-

and 'round and Love,

'round.love

plrf

'Caus€ thc storm-

has lift - cd.

We'vc got thc

moon-

and the

sta6-

a

- bove,-

love.)

Gi!. l: w/ Rhy.Fit. I Gtrs.2 & 3: s/ Riy. Fit. 2

G

F5

55

0utro Clr. l: w/Rhy. Fi8. I (2 3/.l rimes)

G

C r s . 2 & l : w / R h y .F i g . I ( t i l l f a d e )

G

/-:-_-_-__-_

Gtr.4: w/ Ritf D (2 times)

G

F

5

=+--

\tars-

a - bove,-

slars love.)

,1

the

stars_ )1

56

a - Dove,_

-l kgbtrJ. G

Fd. ot t

At the Gazebo Writtenby TreyAnastasio (rowrohish)c-A-c-F c F

E

F/A

Bb F/A Gm

@ clE

F

c/E

C o p y . g h l O 2 0 0 2 b ' r W h o s S l r e ? l , 4 u s r ci B M l l

|]._________-_-l Bb

Dm

c/E

] : =

-

E : -

Dm

ClE

Mr.Completely W ttcn by Tlgy Ana.teslo

l.

He3fis will(Heafis will

bil - low when the bil - low whcn the

Rby. ng. r

..--fp

,,f

..<.tt

fdbh---

- - ----

- - {

. Kcy siSmtut! d.nor.! B Miroltdiu.

t Chotd symbols Eflccl ol€llll

h.rney.

... MicrplDoic fdbl., norcrq!.d by 3triry vibnrioll.

comcs comes.)

end it

comes

to -

mc, Erd Rir. F!. r

Gtl. l: e/ Rly. Fg I

He5tu (Hcar6

just just

takc off takc ofr

on my sEeam,_ on my strelm.)

sutatn,

aDd it

docs comc

'Xtra"too" 2nd tftF. Gt, 3 r4l

Grr3. | &2 (dis!.)

60

E rurA

CopyrigttlO 2002 by Who ls Sho? Music (BMl) All RiJhrs R€served

to-

mc.-

t9

z?I

srl9 r lll

aN

a

YJlt! /a:z ? I sr9

sruoqJ

CtItBa4s ursels 'ur8aqs -'ulRels

fur r(rll

uo uo

JJo .IBl JJo $fgl

Nnf Nn[

su".H) slIBcH

#'*c""

{IIIu 'aur -ol

seuoc

ll PUE

cscruof, sdlloc -IltEarP

ur?orp rqt ueq^\,trol-lrq -'urEarP 3qr u.q^r,rol-lrq-

lllr sueoH) r^1 su"eH €"2

(s.uD z) I 8ic ,qt /a : I nc esJoA

I ltq /r :a t I r.o9 {o

a

pua

Guitsr Solo c'r. I rdN.r /:"

+*

89

'-

-..;--j D)o] t

el

"/

+.

_, __ _ _,i8

pu,q ptoq

a. ^''./

I I

v \-/

1

:

--

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+

-.(,--{_--v

J -
rr -dz-{,--t

-rc{;7=

F -')NPJ

7 -

a t . -_-

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J

e

+

-.:

^-,$> ,:ii. '

D.S. al Coda

$coaa

Gls. I & 2: w/ RiffA

Comes in

com -

plete

(Comes

-

ly

in,

in com-plete

comes in

-

ly,

com -

plete comes

-

ly in. ln com-plele

Comes ly.

in

com

- plete Comes

Outro

Grr. l: w/ Rhy. Fig I (2 times) Gr.2: w/ RiffB (2 t'fret

B5

in

ly

ln, com - plete

comes

ln

com - plete,., com - plete...)_

w/ nnc. fdbt . samples.

64

Ray DawnBalloon Writtenby Trey Anastasio

(l{J$ lo hrlh) D-C-D-C-B-D

E

Moderately slow J = E4 " Csus2

tW *t rtneet\

*Chord \)mbols rcflect impliedharmony.

G

CnajllA,

Copyright@2002by Who ls She?Music(BMl) All FlightsReserved

65

D/Ffi

Fadd2CmajT/E

Eb

E sbuaas

D

CmajT

:

82

EEE

g

1-:.1::

::-:

e

? t

"-.

t

:

-

-

La L:L =

o

1-,u.J ==E=:

:

:-. =

=

Enl A :

--..-

f,--

tDt

{

{ W

68

Last Tube

Uibt

ty Trrt AnGtas,o, Tony uarkellb and Russ Lawton

htro Moderat ly f.st. = lf,a N.c. Gr.r (slithdn[)

8,a- ----

(BN, drms & Frc.J

-----

--r

..-<4p w/ @ho €g€ncBrion ---

w/ .cho eSen€ririm- -

--l

' Key signdurc d.no@s E Mirolydi.D

fry

Chorus lll E9(no3rd)

cin-der

sky_

is

e

ther

tum

--.-._.o--c

ltv

DigiT*h Whmy prdd st ody 6lisr

llwhMny

Fdal *t in Oci Uy' Od Dn" posirid.

tirchord

Copyright@2002by Who ts She?Music(BMt) All Rights Roserv€d

synbots Efl.cr ovc6l hmony.

59

through.-

Hiss-ing

in -

a

back

-

wards

t€n - der

ol-ive

em

-

ber

rum

-

o - vel

bles

^o-*-o--

roll - ing, boil - ing, bit-ter

mat -

ter

Cin-der

sky

is

e

-

lher

tum - bling

Chorus E9Go3rd)

Blue,-

ther tum-bling

.

Hiss-ing

back - wards ten - der

4

em - ber

rum - bles

o-

ver

EE:

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