Interiors

INTERIORS 24-25 February 2015

New York

It’s easy to buy at Christie’s Read this simple guide to buying at auction. If you still have questions, our terms and Conditions of Sale and Limited Warranty, as well as much more information can be found in the All You Need To Know section at the back of this catalogue. We strongly encourage you to read these sections as they set out the terms on which property is bid for and bought at our sales. BROWSING

CHRISTIE’S LIVE

PAYING & TAKING IT HOME

Browsing our catalogues is a great way to discover more about what’s coming up in future sales; alternatively check the website at www.christies.com where it’s possible to see all lots free of charge. Of course, once the sale is on view, visit our salerooms, open seven days a week except Bank Holidays.

is our online bidding service that allows you to see and hear the auction in progress and gives you a real time link into the saleroom direct from your PC. All you have to do is click to bid wherever you are. Visit christies.com to find out more.

Once you have paid for your lot you can take it home or arrange for it to be delivered. Please note that many lots will be held at Redstone, our new Long Island City facility. If you don’t pick up your property within 35 days of the sale, bear in mind that handling and administration charges will apply. For collection information, please refer to the “Lot Collection Notice”, available from our Bids Registration Staff, at Purchaser Payments or at the Packing Desk. We do advise that you contact Purchaser Payments to confirm your property’s location on +1 212 636 2495 or +1 212 974 4500.

DESCRIPTIONS

cover basic catalogue information such as size, date or age, medium, type, attribution, quantity and so on. ESTIMATES

are given for all lots and can be based on prices recently paid at auction for comparable property. They can take into account rarity, condition, quality and provenance. THE RESERVE is the price below which a lot will not sell. Since it is confidential it is not published in the catalogue. The reserve will never exceed the low estimate. TALK TO OUR SPECIALISTS

who will always be happy to discuss the lot in greater detail; their contact details are listed opposite. Our Specialists are available at viewings or by appointment. CONDITION REPORTS

are available on our website accompanying the lot descriptions. These supplement the catalogue description and provide guidance on a lot’s condition. VIEW THE LOT PERSONALLY

We always recommend coming to the saleroom and looking at a lot for yourself, especially in the case of more valuable items. Our viewing rooms are open to the public and are free of charge. SYMBOLS

next to the lot number can indicate a variety of things, such as whether the lot is being sold without a reserve or if the lot has special export requirements. There is a key to symbols in the All You Need To Know section at the back of this catalogue. BIDDING

There are four ways to buy, offering you convenience and flexibility whether you are able to attend the auction in person or not. All of the following services are free: IN THE SALEROOM

you will experience the buzz, drama and fun of bidding in a live auction. To bid in person just arrive in time to register. For your convenience, we recommend that you arrive in good time in advance of the auction. If you haven’t bid with us before you’ll need to bring some form of identification such as a driver’s licence or passport and a bank reference.

TELEPHONE BIDDING

allows you to talk directly to a Christie’s member of staff in the auction itself who will relay progress back to you and, upon your instruction, bid on your behalf. To arrange a telephone bid please contact the Bids Office at least 24 hours in advance of the sale either on your visit to the saleroom or by telephoning us on +1 212 636 2437. Please make arrangements for bids in languages other than English well in advance of the sale date. Telephone bids may be recorded and by bidding on the telephone, prospective purchasers consent to the recording of their conversation. WRITTEN BIDS

are great if you cannot attend the auction or are not available to participate either online or on the telephone. A written bid (also referred to as an Absentee Bid) is simply your direction to the auctioneer to attempt to bid at the lowest possible price, taking into account the reserve price. The auctioneer will bid progressively up to your maximum bid. To find out more about written bids and how to place them refer to the written bid form at the back of this catalogue or just call our Bids Office on +1212 636 2437. BIDDER REGISTRATION

If you have not previously bid or consigned with Christie’s, you should bring: • Individuals: government-issued photo identification (such as a driving licence, national identity card, or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or bank statement. • Corporate clients: a certificate of incorporation. • For other business structures such as trusts, offshore companies or partnerships, please contact Christie’s Credit Department at +1 212 636 2492 for advice on the information you should supply. • A financial reference in the form of a recent bank statement, a reference from your bank, and/or your banker’s contact information. Christie’s can supply a form of wording for the bank reference if necessary. • If you have registered to bid on behalf of someone who has not previously bid or consigned with Christie’s, you should bring identification documents not only for yourself but also for the party on whose behalf you are bidding, together with a signed letter of authorization from that party. To allow sufficient time to process the information, you are encouraged to register at least 48 hours in advance of a sale. You should register for a numbered bidding paddle at least 30 minutes before the sale. Clients who have not made a purchase from any Christie’s office within the last two years and those wishing to spend more than on previous occasions, will be asked to supply a new bank reference to register. For assistance with references, please contact Christie’s Credit Department at +1 212 636 2490 or by fax at +1 212 636 4943.

HOW MUCH YOU WILL PAY

If you are successful you will pay the hammer price plus buyer’s premium on each lot (25% of the first $100,000 of the hammer price, plus 20% of the excess of the hammer price above $100,000 up to and including $2,000,000, plus 12% of any amount in excess of $2,000,000), together with any additional applicable charges, sales or compensating tax or equivalent tax in the place of sale which shall be applied on the hammer price and premium at the applicable rate. There is a PAYMENT AND SUCCESSFUL BIDS section at the back of this catalogue. If you still have any questions please call Purchaser Payments on +1212 636 2495. POST-SALE CARE

All lots (including all furniture) will be held at Rockefeller Center or Redstone handling facility. Property may be transferred at Christie’s discretion following the sale and we advise that you contact Purchaser Payments on +1 212 636 2495 to determine your property’s location at any given time. Please also consult the Lot Collection Notice for collection information for purchased lots. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk. Failure to collect your property within 35 calendar days of the auction date from any Christie’s location, will result in handling and administration charges plus any applicable taxes. For a simple map to Redstone and contact telephone numbers, please see ALL YOU NEED TO KNOW - TAKING IT HOME located in the back of this catalogue. DELIVERY

We can help you with all your transport requirements whether local deliveries or international freight. For more details please refer to the All You Need to Know section in this catalogue or call our Art Transport Department on +1 212 636 2480.

INTERIORS 24-25 FEBRUARY 2015

AUCTION CODE AND NUMBER

AUCTION

Tuesday 24 February 2015 10 am (Lots 1-148) 2 pm (Lots 149-319)

In sending absentee bids or making enquiries, this sale should be referred to as SADIE-3711

Wednesday 25 February 2015 10 am (Lots 320-488) 2 pm (Lots 489-637)

AUCTIONEERS

SPECIALISTS

CONDITIONS OF SALE

This auction is subject to Important Notices, Conditions of Sale and to Reserves This auction features tm

Diana Bramham (#1464939) Xan Serafin (#1358510) Tom Lecky (#1135170) Richard Nelson (#1184056)

20 Rockefeller Plaza New York, NY 10020

Please note lots marked with a square n will be moved to Christie’s Redstone Post-Sale Facility in Long Island City at 5pm on the last day of the sale. These lots can be collected from Christie’s Rockefeller until that time, or they will be available at Redstone on the following Monday. All other lots will be kept at Christie’s Rockefeller for 21 days following the sale, after which they will be transferred to Redstone and available for collection after 2 business days.

new york

live online bidding register at www.christies.com

VIEWING

Saturday

21 February

1 pm–5 pm

Sunday

22 February

1 pm–5 pm

Monday

23 February

10 am–5 pm

Tuesday

24 February

9.30 am–5 pm

Wednesday

25 February

9.30 am–5 pm

CONTACTS

EMAIL

HEAD OF DEPARTMENT

First initial followed by last name @ christies.com (eg. Lauren Anderson = [email protected])

Helen Williams

Browse this auction and view real-time results on your iPhone, iPod Touch, iPad and Android devices

TELEPHONE BIDS WILL BE ACCEPTED FOR LOTS WITH LOW-END ESTIMATES OF $1,500 AND ABOVE, NO LATER THAN 24 HOURS PRIOR TO THE SALE AND ONLY IF THE CAPACITY OF OUR POOL OF STAFF PHONE BIDDERS ALLOWS. ARRANGEMENTS TO BID IN LANGUAGES OTHER THAN ENGLISH MUST BE MADE WELL IN ADVANCE OF THE SALE DATE.

ASSOCIATE BUSINESS MANAGER

Sima Jalili Nathania Nisonson Fine Art

Emily Gladstone Fine Art

SALE COORDINATOR

SALE ENQUIRIES

Megan Conroy

Tel: +1 212 636 2032 Fax: +1 212 492 5718

ADMINISTRATORS

Richard Nelson Furniture

Victoria Tudor Objects

Hayley Harrington Sabina Milbank Shannon Ryan

For general enquiries about this auction, email should be addressed to the auction administrators.

Bliss Summers Furniture

ENQUIRIES

Meaghan Cain Furniture

AUCTION RESULTS

www.christies.com View catalogues and leave bids online at christies.com

TELEPHONE BIDS MAY BE RECORDED. BY BIDDING ON THE TELEPHONE, PROSPECTIVE PURCHASERS CONSENT TO THE RECORDING OF THEIR CONVERSATIONS. CHRISTIE’S OFFERS ALL ABSENTEE AND TELEPHONE BIDDING SERVICES AS A CONVENIENCE TO OUR CLIENTS, BUT WILL NOT BE RESPONSIBLE FOR ERRORS OR FAILURES TO EXECUTE BIDS. PLEASE NOTE THAT ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT A RESERVE. ALL LOTS WITH AN ASTERISK MAY BE EXEMPT FROM SALES TAX, AS SET FORTH IN THE SALES TAX NOTICE AT THE BACK OF THE CATALOGUE. PLEASE NOTE THAT THE MAJORITY OF FURNITURE LOTS IN THE INTERIORS SALE ARE TRANSFERRED TO REDSTONE ON THE DAY OF THE SALE. PLEASE SEE ’STORAGE AND COLLECTION’ AT THE BACK OF THE CATALOGUE FOR FURTHER DETAILS. PLEASE CHECK WITH CASHIERS BEFORE PICKING UP PROPERTY.

Art Direction by Vladimir Golanov Photography by Charles Kaufman and Nancy Scherl

The wallpaper on the cover has been generously provided by Farrow & Ball. The pattern is OCELOT, the color is BP3704. For more information please visit www.farrow-ball.com.

[20]

Order

Of

Sale

Tuesday 24 February 2015 at 10 am 1-148

Fine Art

Tuesday 24 February 2015 at 2 pm

2

149-172

Silver and Silver Plate

174

Russian Work of Art

175-215

Glass

216-243

Ceramics

244-249

Chinese Export Works of Art

250-315

Chinese Works of Art

316-319

Japanese and Southeast Asian Works of Art

Wednesday 25 February 2015 at 10 am 320-488

Furniture and Decorative Works of Art

Wednesday 25 February 2015 at 2 pm 489-637

Furniture, Decorative Works of Art and Rugs

Edwin A. and Lindy Bergman in their Chicago residence, 1982. Photograph by Arthur Shay.

“The Bergmans’ collection,” writes art historian Dawn Ades, “is the fruit of a genuinely joint project, a shared commitment.” Indeed, the Bergmans began their journey in collecting together. In a great books course, discussions of history, philosophy, and literature turned to examinations of fne art’s role in culture and society; after class, the couple would often fnd themselves wandering into Chicago galleries and museums, enthralled by the work around them. Intellectually driven and with a penchant for self-study, the couple poured over classic volumes such as Alfred H. Barr’s Masters of Modern Art, piecing together the story of art history as it culminated with the bold new styles of the mid-twentieth century. Their frst substantial acquisition, a Paul Klee gouache, heralded the beginnings of an ever-growing assemblage incorporating the best in Surrealism, Tribal Art, and Post-War painting, drawing, and sculpture. The collection included names such as Joseph Cornell, Balthus, Alexander Calder, Paul Delvaux, Roberto Matta, and René Magritte, as well as work by the Chicago Imagists and John Graham.

The Library at Trianon.

Property from the Trianon Museum, Denver, Colorado and the Metzger Family Collection (Lots 94-98, 150-162, 174, 214-225, 249, 320-379) Inspired by the Neoclassic pleasure palace bestowed on Louis XV’s maîtresse-en-titre, Madame de Pompadour, the former Colorado Springs residence of Charles H. and Virginia Baldwin has remained an enduring tribute to the French style nestled in America’s heartland. Christened ‘Claremont’ by the Baldwins in 1907, and frequently referred to as ‘Trianon’ thereafter, the house was initially designed by Stanford White and was ultimately completed by the celebrated Colorado architect Thomas MacLaren following White’s untimely demise at the hands of Harold K. Thaw in 1906.

Hailing from Newport, Rhode Island, the Baldwins, fush from family mining exploits, relocated to the Pikes Peak area for Virginia’s respiratory health. Both had travelled extensively through Europe amassing an enormous collection of fne paintings, sculpture and opulent decorations. Virginia survived her husband and their three children and eventually sold Claremont to Blevins Davis, a New York impresario and then President of the Ballet Theater of New York. He remodeled and updated the house, formally named it ‘Trianon’, where he revived social and cultural events. The disposition of Davis’s wife’s estate resulted in the sale of the entire property and contents to an order of Catholic nuns in 1952.

John W. Metzger (d. 1984), former Attorney General of Colorado and an active Denver business leader, had assisted Blevins Davis and the Catholic sisters in their transaction and responded to the sisters’ desire to sell the property in 1960. Metzger established a foundation for cultural preservation and educational advancement; however the residential neighborhood proved unsuitable for an active museum operation. To fulfll the mission of perpetuating arts education, much like the Baldwins did a half-century earlier, the residence and grounds became the permanent home for the Colorado Springs School for Girls in 1967. The lavish contents were relocated to downtown Denver in a French-style building which Metzger purchased and operated as the Trianon Museum & Art Gallery for the appreciation of the public until his death. Betty Metzger, John’s wife and concert pianist whose life was devoted to artistic endeavors, maintained the museum until her death in 2008. J. William Metzger, John and Betty’s son, now pursues the preservation and dissemination of the remarkable collection.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

Tuesday 24 February at 10.00 am

•6 JEAN-PIERRE CAPRON (FRENCH, B. 1921)

Fine Art

Bord de La Creuse signed ‘j.p. capron’ (lower left) oil on canvas 19 æ x 24 in. (50.2 x 61 cm.)

(Lots 1-148)

$700-900 PROPERTY OF A TEXAS COLLECTOR (LOTS 1-34) •1 GASTON SÉBIRE (FRENCH, 1920-2001)

1

Vue sur la plage

6

signed ‘G SEBIRE’ (lower right) oil on canvas 39 Ω x 32 in. (100.3 x 81.3 cm.)

$1,000-1,500 •7 JEAN-PIERRE CAPRON (FRENCH, B. 1921)

Les toits mauves •2 GASTON SÉBIRE (FRENCH, 1920-2001)

signed ‘j.p. capron’ (lower right) oil on canvas 18 x 21 Ω in. (45.7 x 54.6 cm.)

La plage

$700-900

signed ‘G SEBIRE’ (lower right) oil on canvas 7 Ω x 18 Ω in. (19.1 x 47 cm.)

PROVENANCE:

with John Carter Gallery, Austin. Acquired from the above by the present owner.

$600-900 2 7

•3 GUY CHARON (FRENCH, B. 1927)

•8 JEAN-PIERRE CAPRON (FRENCH, B. 1921)

Bateau dans le port signed ‘CHARON’ (lower left) oil on canvas 38 º x 51 º in. (97.2 x 130.1 cm.)

6

Village in the hills signed and dated ‘j.p. capron/ 86’ (lower right) oil on canvas 24 x 29 in. (61 x 73.7 cm.) Painted in 1986.

$1,500-2,000

$700-900 3 8

•9 MAURICE LOUIS SAVIN (FRENCH, 1894-1973)

•4 GUY CHARON (FRENCH, B. 1927)

Untitled (daily chores)

Le village

signed and dated ‘savin/ 1966’ (lower left) oil on canvas 26 x 36 Ω in. (66 x 92.7 cm.) Painted in 1966.

signed ‘CHARON’ (upper left) oil on canvas 31 æ x 39 º in. (80.6 x 99.7 cm.)

$1,000-1,500

$1,000-1,500

9

4

•10 MAURICE LOUIS SAVIN (FRENCH, 1894-1973)

•5 MAURICE LOUIS SAVIN (FRENCH, 1894-1973)

Femmes avec le chien

Paysage

signed and dated ‘savin/ 1966’ (lower left) oil on canvas 28 æ x 23 æ in. (73 x 60.3 cm.) Painted in 1966.

signed and dated ‘savin/ 1960’ (lower left) oil on canvas 23 æ x 29 in. (60.3 x 73.7 cm.) Painted in 1960.

$1,000-1,500

$1,000-1,500

5

10

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE” n16 JEAN JANSEM (FRENCH, 1920-2013)

n11 JEAN JANSEM (FRENCH, 1920-2013)

Enfants de choeur

Nature morte au pichet et vase

signed and dated ‘Jansem 86’ (lower right); dated again and titled ‘ENFANTS DE CHOEUR 1986’ (on the stretcher bar) oil on canvas 51 ¡ x 64 æ in. (130.5 x 164.5 cm.) Painted in 1986.

signed ‘Jansem’ (lower right) oil on canvas 51 º x 63 æ in. (130.1 x 161.9 cm.) Painted in 1965.

$18,000-25,000

$20,000-30,000 PROVENANCE: PROVENANCE:

with Galerie Rienzo, New York. Acquired from the above by the present owner. This work will be included in the forthcoming Jean Jansem catalogue raisonné prepared by Flora Jansem.

with Galerie Rienzo, New York. Acquired from the above by the present owner. 11

This work will be included in the forthcoming Jean Jansem catalogue raisonné prepared by Flora Jansem.

16

17 JEAN JANSEM (FRENCH, 1920-2013)

•12 PAUL AÏZPIRI (FRENCH, B. 1919)

Fille assise au tissus éléphant signed ‘Jansem’ (lower right); signed again ‘Jansem’ (on the overlap); titled and dated ‘flle assise au tissus elephant/ 1995’ (on the stretcher bar) oil on canvas 39 º x 25 Ω in. (99.7 x 64.8 cm.) Painted in 1995.

Nature morte signed ‘AIZPIRI’ (lower right) oil on canvas 9 Ω x 13 æ in. (24.1 x 35 cm.)

$3,000-5,000 PROVENANCE:

$12,000-18,000

with Galerie Rienzo, New York. Acquired from the above by the present owner.

PROVENANCE:

12

with Galerie Rienzo, New York. Acquired from the above by the present owner. This work will be included in the forthcoming Jean Jansem catalogue raisonné prepared by Flora Jansem. 17

•13 PAUL AÏZPIRI (FRENCH, B. 1919)

Nature morte

18 ANDRÉ BRASILIER (FRENCH, B. 1929)

signed ‘Aizpiri’ (lower right) oil on canvas 9 Ω x 13 æ in. (24.1 x 35 cm.)

Femme avec vase de feurs signed ‘André Brasilier.’ (lower right) oil and pencil on canvas 13 º x 18 in. (33.7 x 45.7 cm.) Painted in 1987.

$3,000-5,000 PROVENANCE:

with Galerie Rienzo, New York. Acquired from the above by the present owner.

7

$8,000-12,000 PROVENANCE:

13

with Galerie Rienzo, New York. Acquired from the above by the present owner. This work will be included in the forthcoming André Brasilier catalogue raisonné being prepared by Alexis Brasilier.

•14 JEAN LURÇAT (FRENCH, 1892-1966)

18

Nature morte au verre signed ‘Lurcat’ (lower right) oil on canvas laid down on masonite 13 º x 18 Ω in. (33.7 x 47 cm.) Painted in 1928.

•n19 NICOLA SIMBARI (ITALIAN, 1927-2012)

$3,000-5,000

Artena

PROVENANCE:

signed ‘Simbari’ (lower right); signed again and dated ‘1984 © NICOLA SIMBARI’ (on the reverse) acrylic on canvas 47 º x 63 in. (120 x 160 cm.) Painted in 1984.

Étienne Bignou, 1928. Private Collection. with John Carter Gallery, Austin. Acquired from the above by the present owner. EXHIBITED:

$5,000-7,000

Paris, Salon des Tuileries, 1928, no. 1847. 14

19

LITERATURE:

G. Denizeau and S. Lurçat, L’oeuvre peint de Jean Lurçat: Catalogue raisonné 1910-1965, Lausanne, 1998, p. 338, no. 1928-29 (illustrated).

•15 ALVAR SUÑOL MUÑOZ RAMOS (FRENCH/ SPANISH, 1935)

•20 LUCIEN PHILIPPE MORETTI (FRENCH, 19222000)

Le bateaux

Le petit Bernard

signed ‘ALVAR’ (lower left); signed again and dated ‘ALVAR/ SUÑOL/ 1966’ (on the reverse) oil on canvas 28 æ x 39 º in. (73 x 99.7 cm.) Painted in 1966.

signed and titled ‘L.P. Moretti/ Le Petit Bernard’ (lower left) watercolor, wash, sanguine and gouache on paper 29 x 21 Ω in. (73.7 x 54.6 cm.)

$700-900

$1,000-1,500 15

20

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE” 26 JEAN JANSEM (FRENCH, 1920-2013) •21 FERRERO, 20TH CENTURY

Angela signed ‘Jansem’ (upper left); titled ‘Angela’ (on the stretcher bar) oil on canvas 31 √ x 23 ¬ in. (81 x 60 cm.) Painted circa 1973.

Sunfowers are symbol of happiness signed ‘FERRERO’ (lower right); signed again, dated, titled and dedicated ‘*FERRERO/ Juillet 2011/ To Ellen and Louis/ Sunfowers are symbol/ of happiness’ (on the reverse) oil on canvas 31 Ω x 31 Ω in. (80 x 80 cm.) Painted in 2011.

$12,000-18,000 PROVENANCE:

with Galerie Rienzo, New York. Acquired from the above by the present owner.

$1,000-1,500

This work will be included in the forthcoming Jean Jansem catalogue raisonné prepared by Flora Jansem.

21 26

27 JEAN JANSEM (FRENCH, 1920-2013)

•22 PAUL AÏZPIRI (FRENCH, B. 1919)

Danseuse de dos fond jaune

Vase de feurs

signed ‘Jansem’ (lower right); titled and dated ‘Danseuse de dos fond jaune 2002’ (on the stretcher bar) oil on canvas 36 ¿ x 25 æ in. (91.7 x 65.4 cm.) Painted in 2002.

signed ‘Aïzpiri’ (lower right) oil on canvas 25 ¬ x 23 ¡ in. (65 x 59.4 cm.)

$8,000-12,000 PROVENANCE:

$10,000-15,000

with Galerie Rienzo, New York. Acquired from the above by the present owner.

PROVENANCE:

with Galerie Rienzo, New York. Acquired from the above by the present owner. This work will be included in the forthcoming Jean Jansem catalogue raisonné prepared by Flora Jansem.

22 27

28 CLAUDE VENARD (FRENCH, 1913-1999)

•23 GASTON SÉBIRE (FRENCH, 1920-2001)

Côte du Var

Vase de feurs

signed ‘C. VENARD’ (lower left) oil on canvas 25 ¬ x 32 in. (65 x 81.3 cm.)

signed ‘G SEBIRE’ (lower right) oil on canvas 36 º x 28 æ in. (92.1 x 73 cm.)

8

$10,000-15,000

$2,000-3,000

PROVENANCE:

with Galerie Felix Vercel, Paris. Acquired from the above by the present owner.

PROVENANCE:

with Wally Findlay Galleries, New York.

Alain Vercel has confrmed the authenticity of this painting. 28 23

29 MARCEL GROMAIRE (FRENCH, 1892-1971)

La mare aux oiseaux with woven signature and date ‘Gromaire 1941’ (lower right) tapestry 70 º x 76 º in. (178.4 x 193.7 cm.) Conceived in 1941.

•24 AUGUSTIN UBEDA (SPANISH, 1925-2007)

Untitled (still life) signed ‘A. ÚBEDA’ (lower right); signed again ‘A. ÚBEDA’ (on the reverse) oil on canvas 25 æ x 31 æ in. (65.4 x 80.6 cm.)

$10,000-15,000 PROVENANCE:

with Galerie Matignon Saint Honoré, Paris. Acquired from the above by the present owner, 1996.

$1,500-2,500

Sold with a certifcate from François Gromaire and Françoise Chibret-Plaussu, dated Paris, le 6 mai 1996.

24

29

•30 MICHEL CIRY (FRENCH, B. 1919)

Saint François a L’Alverne

signed ‘A. ÚBEDA’ (lower left) oil on canvas 19 æ x 25 Ω in. (50.2 x 64.8 cm.

signed and dated ‘96-99/ MICHEL CIRY’ (lower left); signed, dated and titled ‘MICHEL CIRY/ SAINT FRANÇOIS/ À L’ALVERNE/ 96-99’ (on the reverse) oil on canvas 31 Ω x 31 Ω in. (80 x 80 cm.) Painted in 1996-99.

$1,000-1,500

$800-1,200

•25 AUGUSTIN UBEDA (SPANISH, B. 1925)

Untitled

PROVENANCE:

with Galerie Robin Leadouze, Paris. 25

30

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE” 31 JEAN JANSEM (FRENCH, 1920-2013)

(Lots 36-53)

Vieille au parapluie

36 DAVIDE BORIANI (ITALIAN, B. 1936)

signed ‘Jansem’ (lower right); signed again ‘Jansem’ (on the stretcher bar) oil on canvas 57 æ x 38 ¡ in. (146.7 x 97.5 cm.) Painted circa 1964.

Superfcie Magnetica signed and dated ‘DAVIDE BORIANI-66-’ (on a paper label affxed to the underside of the base) iron dust, magnets, foam, electric motor, aluminum and Plexiglas assemblage 13 º x 12 x 5 in. (33.7 x 30.5 x 12.7 cm.) Executed in 1966.

$18,000-25,000 PROVENANCE:

with Galerie Rienzo, New York. Acquired from the above by the present owner.

$7,000-9,000

LITERATURE:

Ville de Menton, Biennale de peinture de Menton, January-April 1964.

31

This work will be included in the forthcoming Jean Jansem catalogue raisonné prepared by Flora Jansem.

PROVENANCE:

with Howard Wise Gallery, New York. Acquired from the above by the present owner, 1966.

36

•37 WILLIAM CARLSON (AMERICAN, B. 1950)

Untitled (from Pragnanz Series)

•32 NICOLA SIMBARI (ITALIAN, 1927-2012)

signed and dated ‘William Carlson 1984 ©’ (on the underside) glass, granite and embedded wire 16 º x 9 æ x 7 Ω in. (41.3 x 24.8 x 19.1 cm.) Executed in 1984.

L’Approdo signed ‘Simbari’ (lower right) acrylic on canvas 51 º x 51 º in. (130.1 x 130.1 cm.)

$1,000-2,000

$3,000-5,000

PROVENANCE:

32

with Betsy Rosenfeld Gallery, Inc., Chicago. Acquired from the above by the present owner, 1984. 37 •38 MARGARET WHARTON (AMERICAN, 19432014)

Pala

•33 NICOLA SIMBARI (ITALIAN, 1927-2012)

signed, dated and numbered ‘Margaret Wharton/ 33/35 1985’ (on the handle) collage—metal shovel head, wood and wood dowel assemblage 38 º x 6 x 3 in. (97.2 x 15.2 x 7.6 cm.) Executed in 1985.This work is number thirtythree from an edition of thirty-fve.

St. Barths signed ‘Simbari’ (lower right) acrylic on canvas 27 Ω x 39 Ω in. (69.9 x 100.3 cm.)

$3,000-5,000

9

$800-1,200 PROVENANCE: PROVENANCE:

with Wally Findlay Galleries, New York. 33

with Museum of Contemporary Art, Chicago. Acquired from the above by the present owner, 1985.

38

•39 TOOTS ZYNSKY (AMERICAN, B. 1951)

•34 ALVAR SUÑOL MUÑOZ RAMOS (FRENCH/ SPANISH, B. 1935)

Tierra Del Fuego signed with artist’s monogram ‘Z’ (on the underside) fused glass rods 6 x 10 x 11 in. (15.2 x 25.4 x 27.9 cm.) Executed in 1989.

La Tere signed ‘ALVAR’ (lower right); signed again, dated and titled ‘ALVAR SUÑOL 69/ “LA TERE”’ (on the reverse) oil on canvas 39 Ω x 39 Ω in. (100.3 x 100.3 cm.) Painted in 1969.

$3,000-5,000 PROVENANCE:

$3,000-5,000 34

with Betsy Rosenfeld Gallery, Inc., Chicago. Acquired from the above by the present owner, 1989.

39

PROPERTY OF A PRIVATE COLLECTOR 35 AFTER PABLO PICASSO (1881-1973)

•40 WILLIAM MORRIS (AMERICAN, B. 1957)

Buste de femme au chapeau bleu

Untitled (Vase 3/83)

with woven signature ‘Picasso’ (lower right) wool tapestry 70 æ x 48 in. (179.7 x 121.9 cm.) Executed in an edition of twenty with three HC in 1979-80 by Marigold Enterprises Ltd.

signed and dated ‘William Morris 1983’ (along the lower edge) blown glass 12 Ω x 9 x 5 æ in. (31.8 x 22.9 x 14.6 cm.) Executed in 1983.

$8,000-12,000

$1,000-1,500

PROVENANCE:

PROVENANCE:

Anonymous sale; Christie’s, London, 4 April 2007, lot 515. Acquired at the above sale by the present owner.

with Betsy Rosenfeld Gallery, Inc., Chicago. Acquired from the above by the present owner, 1983. 35

Handling fees commence 35 days after the frst day of the sale

40

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•45 ARNOLD NEWMAN (1918-2006)

Max Ernst, 1942 gelatin silver print, printed later initialed (on the recto); signed in ink by the artist and inscribed ‘To Ed and Cindy Berman, cordially Max Ernst’ (on the mount); copyright credit reproduction limitation stamp (on the reverse of the mount) image/sheet: 9 Ω x 7 Ω in. (24.1 x 19.1 cm.)

•41 ETIENNE HAJDU (FRENCH, 1907-1996)

Untitled signed ‘Hajdu’ (lower right) cast aluminum 37 æ x 23 x 5 º in. (95.9 x 58.4 x 13.3 cm.)

$5,000-7,000

$1,000-1,500 45

PROVENANCE:

46 No Lot

with Galerie Claude Bernard, Paris. Acquired from the above by the present owner, 1959.

•47 DON BAUM (AMERICAN, B. 1922)

Flatware wood, plywood, pencil and nail assemblage 11 æ x 16 Ω x 6 Ω in. (29.9 x 41.9 x 16.5 cm.) Executed in 1981.

41

$800-1,200 PROVENANCE:

with Betsy Rosenfeld Gallery, Inc., Chicago. Acquired from the above by the present owner. •42 JEAN ROBERT IPOUSTÉGUY (FRENCH, 19202006)

Untitled (Black and White Construction)

47

signed and dated ‘Ipousteguy/ 65’ (lower right) collage—oil, plaster, plastic toy, cardboard, wood and glass assemblage 17 º x 17 º x 6 æ in. (43.8 x 43.8 x 17.1 cm.) Executed in 1965.

•48 FELIPE BENITO ARCHULETA (MEXICAN, 1910-1991)

$2,000-3,000

Untitled (Trout) carved and painted wood 9 º x 19 æ x 6 º in. (23.5 x 50.2 x 15.9 cm.) Executed in 1975.

PROVENANCE:

10

with Albert Loeb Gallery, New York. Acquired from the above by the present owner, 1965.

$800-1,200

42

PROVENANCE:

with Phyllis Kind Gallery, Chicago. Acquired from the above by the present owner, 1975. 48 •43 JAMES GROVER THURBER (AMERICAN, 1894-1961)

•49 JIRI KOLAR (CZECH, 1914-2002)

He doesn’t know anything except facts

Exposition Vagabonde Valise

signed and dedicated ‘James G Thurber’ (lower right) and titled ‘“He doesn’t know anything except facts.”’ (lower center) pen and ink on paper 8 Ω x 11 æ in. (21.6 x 29.9 cm.)

signed and dated ‘Jiri Kolar 1981’ (throughout) collage boards in a Plexiglas briefcase; together with two papier-mâché objects 14 æ x 17 æ x 4 in. (37.5 x 45.1 x 10.2 cm.), overall Executed in 1980-81.

$1,500-2,000

$2,000-3,000

PROVENANCE:

R. Gwinn. Gift from the above to the present owner. 43

PROVENANCE:

49

•44 WALT DISNEY STUDIOS (20TH CENTURY)

with Galerie Maeght, New York. Acquired from the above by the present owner, 1982.

50 ROBERT MÜLLER (SWISS, 1920-2003)

Jiminy Cricket from ‘Pinocchio’

Untitled

gouache on full celluloid, applied to gouache and pencil on board 8 º x 9 Ω in. (21 x 24.1 cm.) Executed circa 1939.

signed with artist monogram and dated ‘RM. 58.’ (on the reverse) welded steel and slate assemblage 12 ¡ x 6 ¡ x 3 in. (31.4 x 16.2 x 7.6 cm.) Executed in 1958.

$1,000-1,500

$6,000-8,000

PROVENANCE:

with Courvoisier Galleries, San Francisco. Private Collection. Gift from the above to the present owner.

PROVENANCE:

with Richard Gray Gallery, Chicago. Acquired from the above by the present owner, 1963.

44

50

51 No Lot

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•52 CHRISTIAN D’ORGEIX (FRENCH, B. 1927)

PROPERTY FROM THE GAIL-OXFORD COLLECTION, SOLD TO BENEFIT THE HUNTINGTON LIBRARY, ART COLLECTIONS AND BOTANICAL GARDENS (LOTS 56-71)

Untitled (white) signed and dated ‘d’orgeix 56’ (on the spinning top) and signed again ‘d’orgeix’ (lower left) mixed media assemblage— painted eyeglass case, wooden spool, thimble and other mixed media objects in a wood and glass case 9 x 11 æ x 2 Ω in. (22.9 x 29.9 x 6.4 cm.) Executed in 1956.

•56 FRENCH SCHOOL, 18TH CENTURY

Portrait of a gentleman, half-length, in a red cloak and armor; together with a companion portrait of a lady

$800-1,200

each oil on canvas each 21 º x 17 º in. (54 x 43.8 cm.)

PROVENANCE:

$2,000-3,000

with Galerie du Dragon, Paris. Acquired from the above by the present owner, 1962.

(2)

52 56

•53 ELLEN LANYON (AMERICAN, 1926-2013)

Spoolbox-Thread Web Production

•57 BRITISH SCHOOL, 19TH CENTURY

signed and dated ‘LANYON ‘71’ (lower right center) acrylic on canvas 48 x 60 in. (121.9 x 152.4 cm.), unframed Painted in 1971.

Portrait of a gentleman in a brown coat; together with a companion painting of a lady in a black dress

$800-1,200

each oil on canvas laid down on board each 10 x 8 in. (25.4 x 20.3cm.), oval

PROVENANCE:

(2)

$1,500-2,000

with Richard Gray Gallery, Chicago. Acquired from the above by the present owner, 1972. 53

57

11

PROPERTY FROM A PRIVATE COLLECTION, NEW YORK •54 JEFF KOONS (AMERICAN, B. 1955)

•58 AMERICAN SCHOOL, 19TH CENTURY

Monkey Train Skate Decks

Portrait of two boys

each with printed signature and inscription ‘MONKEY TRAIN/ JK’ (on the base of each deck) three skateboards with screenprinting in colors each 31 º x 7 æ in. (80.6 x 19.7 cm.) Each executed in 2006. (3)

oil on canvas 30 x 25 Ω in. (76.2 x 64.8 cm.)

$1,500-2,000

$4,000-6,000

54 58

59 No Lot

•55 NENDO (JAPANESE, 2TH CENTURY)

Thin Black Lines (7200mm hanger rack)

•60 AMERICAN SCHOOL, 19TH CENTURY

enameled steel 59 x 33 Ω x 14 in. (149.9 x 85.1 x 35.6 cm.) Executed in 2010.

Portrait of a man in a high white collar and black coat

$2,000-3,000

oil on canvas 30 x 25 in. (76.2 x 63.5 cm.)

$1,500-2,000

55 60

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•66 JOHN DENISON CROCKER (AMERICAN, 1822-1907)

•61 MARSHALL JOHNSON (AMERICAN, 18501921)

Figures in a mountainous landscape with a town and ruins in the distance

A three-masted schooner

signed and dated ‘J.D. Crocker .72’ (lower left) oil on canvas 24 x 40 º in. (61 x 102.2 cm.) Painted in 1872.

signed ‘Marshall Johnson’ (lower left) oil on canvas 24 x 36 in. (61 x 91.4 cm.)

$1,000-1,500

$2,000-3,000 66

61

•67 AMERICAN SCHOOL

Town Scene

•62 AMERICAN SCHOOL, 19TH CENTURY

oil on canvas 22 æ x 30 º in. (57.8 x 76.8 cm.)

Three-masted ship at sea

$800-1,200

oil on canvas 21 x 30 º in. (53.3 x 76.8 cm.)

$700-900 67 62

•68 AMERICAN SCHOOL

•63 AMERICAN SCHOOL, 19TH CENTURY

Still life with fruit in a basket on a ledge oil on canvas 20 x 16 in. (50.8 x 40.6 cm.)

The Brig Eunice 12

oil on canvas 17 Ω x 24 æ in. (44.5 x 62.9 cm.)

$700-900

$3,000-5,000

63

68

64 WILLIAM TROST RICHARDS (AMERICAN, 1833-1905)

•69 AMERICAN SCHOOL

Birds over rough seas

Still life with fruits on a ledge

signed and dated ‘W.T. Richards ‘99’ (lower right) oil on canvas 12 º x 15 in. (31.1 x 38.1 cm.) Painted in 1899.

oil on canvas 18 x 24 º in. (45.7 x 61.6 cm.)

$700-900

$8,000-12,000 69

64

•70 AMERICAN SCHOOL

65 EDGAR ALWIN PAYNE (AMERICAN, 18831947)

Still life with apples, grapes, pears, plums, cherries and peaches in a woven basket

Harbor Scene signed ‘EDGAR PAYNE’ (lower right) oil on canvasboard 11 æ x 14 Ω in. (29.9 x 36.8 cm.)

oil on canvas laid down on board 16 æ x 21 Ω in. (42.5 x 54.6 cm.)

$700-900

$7,000-9,000

65

70

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•76 AFTER JACOPO DA PONTE, CALLED JACOPO BASSANO

•71 AMERICAN SCHOOL, 19TH CENTURY

The Deposition

Portrait of a gentleman in a blue coat

oil on canvas 11 Ω x 10 in. (29.2 x 25.4 cm.)

oil on canvas 27 x 21 in. (68.6 x 53.3 cm.)

$2,000-3,000 The present work is a reduced copy after the original in the Louvre, Paris.

$1,000-1,500

71

PROPERTY SOLD TO BENEFIT THE ART ACQUISITION FUND OF THE SEATTLE ART MUSEUM (LOTS 72-79)

76

•77 FOLLOWER OF GEORGE MORLAND (BRITISH, 1763-1804)

•72 EDWIN M. FOX (BRITISH, 19TH CENTURY)

A Wayside Rest bears signature ‘Morland’ (lower right) oil on canvas 16 º x 24 in. (41.3 x 61 cm.)

The End of the Day oil on canvas 20 x 24 in. (50.8 x 61 cm.) Painted circa 1866.

$2,000-3,000

$2,000-3,000 77

72

•73 EDWIN M. FOX (BRITISH, 19TH CENTURY)

•78 WILHELM GAIL (GERMAN, 1804-1890)

On the Scent

Reclining Harem Woman

signed and indistinctly dated ‘EM Fox 186*’ (lower left) oil on canvas 20 x 24 in. (50.8 x 61 cm.) Painted circa 1866.

signed with artist monogram ‘WG’ (lower left) oil on canvas 12 x 16 ¿ in. (30.5 x 41 cm.)

13

$2,000-3,000

$2,000-3,000

78

73

•79 EMIL RIZEK (AUSTRIAN, 1901-1988)

•74 EDWIN M. FOX (BRITISH, 19TH CENTURY)

Vahsenkor

The Kill

signed ‘Rizek’ (lower right); signed again and titled ‘Emil Rizek/ Vahsenkor’ (on a paper label affxed to the reverse) oil on canvas 25 Ω x 30 æ in. (64.8 x 78.1 cm.)

oil on canvas 20 x 24 in. (50.8 x 61 cm.) Painted circa 1866.

$2,000-3,000

$3,000-5,000

79 74

PROPERTY OF A CALIFORNIA ESTATE (LOTS 80-84)

•75 EDWIN M. FOX (BRITISH, 19TH CENTURY)

•80 FRANZ SIMONS (BELGIAN, 1855-1919)

The Chase signed and dated ‘EM Fox/ 1866’ (lower left) oil on canvas 20 x 24 in. (50.8 x 61 cm.) Painted in 1866.

Washing in the courtyard signed and dated ‘Franz Simons 81’ (lower right) oil on canvas 28º x 20 in. (71.8 x 50.8 cm.) Painted in 1881.

$2,000-3,000

$1,000-1,500 75

Handling fees commence 35 days after the frst day of the sale

80

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

PROPERTY FROM A WEST COAST COLLECTOR (LOTS 85-88) •85 EDMUND F. WARD (AMERICAN, 1892-1991) •81 CIRCLE OF ADRIAEN BROUWER (FLEMISH, 1605/6-1638)

Washerwomen signed and dated ‘Edm. F Ward/ 23’ (lower right) oil on canvas 18 x 24 in. (45.7 x 61 cm.) Painted in 1923.

Tavern scene with a seated man holding a glass of wine oil on panel 8Ω x 7 ¿ in. (20.7 x 18.2 cm.)

$2,000-3,000

$1,500-2,000

EXHIBITED:

85

Chicago, The Art Institute of Chicago, Thirty Eighth Annuel Exhibition, 1925.

81

•86 NEAPOLITAN SCHOOL, 19TH CENTURY

Volcanic Eruptions (four works) each gouache on paper 11 æ x 9 º in. (29.9 x 23.5 cm.), oval (2); 6 º x 4 º in. (15.9 x 10.8 cm.) (2) (4)

$4,000-6,000 THE PROPERTY OF A PRIVATE COLLECTOR •82 MANNER OF FRANS VAN MIERIS

86

Portrait of a gentleman in a brown robe oil on panel 6º x 4æ in. (15.9 x 12.1 cm.)

$1,000-1,500

•87 ARTIST UNKNOWN

Still life with fruit, walnuts and knife on a table

82

oil on canvas 18 x 22 in. (45.7 x 55.9 cm.), unframed

14

$1,000-1,500

87 •83 JACOB HENRICUS MARIS (DUTCH, 18371899)

88 No Lot

De Vier Molens signed ‘J. Maris’ (lower left) oil on canvas 17 æ x 44 in. (45.1 x 111.8 cm.)

$5,000-7,000 PROVENANCE:

83

PROPERTY OF AN ESTATE

with E.J. Van Wisselingh & Co., Amsterdam.

•89 FOLLOWER OF THOMAS GAINSBOROUGH, R.A.

A drover and his cattle with a travel on horseback on a path oil on canvas 25 º x 31 in. (64.1 x 78.7 cm.)

$3,000-5,000

89

•84 WILLEM DE ZWART (DUTCH, 1862-1931)

PROPERTY SOLD TO BENEFIT THE VIRGINIA HISTORICAL SOCIETY

Father and child

•90 MANNER OF DAVID TENIERS II

signed ‘W de Zwart’ (lower left) oil on panel 7æ x 6º in. (19.7 x 15.9 cm.)

Peasants merrymaking outside an inn

$800-1,200

bears monogram ‘DT’ (lower left, on the stool) oil on panel 8Ω x 10¬ in. (21.6 x 27 cm.)

$2,000-3,000

84

90

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

PROPERTY OF AN ESTATE 91 CIRCLE OF MICHIEL JANSZOON VAN MIEREVELT (DUTCH, 1567-1641)

•97 KONSTANTIN WESTCHILOFF (RUSSIAN, 1877-1945)

Portrait of a woman, three-quarterlength, in a black embroidered dress and a white ruff and lace headdress

A Winter landscape; and a companion painting

inscribed and dated ‘AEtatis, 49./ A.o 1635. ‘ (center right) oil on panel 43 Ω x 33 in. (110.5 x 83.8 cm.)

the frst signed ‘C. Westchiloff.-’ (lower left) the frst oil on canvasboard the frst 14 x 18 in. (35.6 x 45.7 cm.) (2)

$8,000-12,000

$1,500-2,000 91 97

•92 VENETIAN SCHOOL, CIRCA 1550

The Virgin Annunciate: Design for a Lunette; (recto); The Head of a Youth looking upwards (verso)

•98 PAUL HERMANUS (BELGIAN, 1859-1911)

numbered ‘206’ on verso and with inscription ‘kneeling saint/Guido Reni’ on mount black and white chalk on brown paper 7¡ x 6Ω in. (189 x 164 mm.)

Summer landscape; and a companion painting each signed ‘P Hermanus’ (lower right) each oil on board each 12 Ω x 18 º in. (31.8 x 46.4 cm.)

$500-700

(2)

$1,500-2,000 92 98 PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION 93 ROSA BONHEUR (FRENCH, 1822-1899)

Studies of Cows, Hens, Roosters, a Goose and a Sheep signed with initials ‘R. B’ (lower left) oil on canvas 21¿ x 25¡ in. (53.7 x 64.4 cm.)

15 •99 JOSEPH NICOLAS ROBERT-FLEURY (FRENCH, 1797-1890)

$10,000-15,000 PROVENANCE:

Anonymous sale; Christie’s, New York, 18 February 1993, lot 37. Acquired at the above sale by the present owner. We are grateful to Annie-Paule Quinsac for confrming the authenticity of this work.

Cardinal Richelieu 93

signed ‘J. Robert.Fleury.’ (lower left) oil on panel 25 Ω x 20 æ in. (64.8 x 52.7 cm.)

$2,000-3,000

PROPERTY FROM THE TRIANON MUSEUM, DENVER, COLORADO AND THE METZGER FAMILY COLLECTION (LOTS 94-98)

99

•94 FRENCH SCHOOL, 19TH CENTURY

[Architectural Scenes]: Seven Plates seven engravings, on wove paper, with margins the largest P. 18 Ω x 36 in. (47 x 91.4 cm.)

$1,500-2,000 94 •100 GERMAN SCHOOL, 19TH CENTURY

Perseus and Minerva oil on canvas 54 x 39Ω in. (137.2 x 100.3 cm.)

•95 AFTER JACQUES RIGAUD

$5,000-7,000

[Palaces and Garden Scenes]: Twelve Plates twelve engravings on wove paper, with margins each P. 10 x 19 in. (25.4 x 48.3 cm.)

$1,500-2,000 95

96 No Lot

Handling fees commence 35 days after the frst day of the sale

100

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•101 ATTRIBUTED TO GIACINTO BRANDI (ITALIAN, 1621-1691)

•n106 ROBERT BIDNER (AMERICAN, 1930-1983)

East 63rd Street Brownstones

Saint Francis of Assisi

signed ‘Bidner’ (lower right); signed again and dated ‘Bidner Z 77’ (on the backing board) acrylic on masonite 48 x 76 in. (121.9 x 193 cm.) Painted in 1977.

oil on canvas, the corners made up 40æ x 34 in. (103.5 x 86.4 cm.)

$3,000-5,000 PROVENANCE:

Anonymous sale; Christie’s, London, 19 July 1963, lot 78.

$2,000-3,000 106

101

•107 MAX FERGUSON (AMERICAN, B. 1959)

PROPERTY FROM THE FORBES COLLECTION (LOTS 102-112)

200 East 34th Street Self Portrait

•102 EDOUARD-DENIS BALDUS (1813-1899)

signed and dated ‘M FERGUSON 1984’ (upper right); signed, dated, titled and inscribed (throughout the reverse) oil on masonite 31 Ω x 26 in. (80 x 66 cm.) Executed in 1984.

French architectural views, c. 1855 30 albumen prints each with stamped signature and titled in pencil (on the mounts) each approximately 8æ x 11 in. (22.2 x 27.9 cm.) (36)

$1,500-2,000

$3,000-5,000 102

107

•n108 JANE DICKSON (AMERICAN, B. 1952) •103 EDOUARD-DENIS BALDUS (1813-1882)

Paradise Alley signed with initials and dated ‘JD ‘83’ (on the reverse) oil stick on canvas 90 x 40 in. (228.6 x 101.6 cm.), unframed Painted in 1983.

Arc de L’Etoile, c. 1850 salted paper print stamped with signature and titled in pencil (on the mount) 8 ¡ x 10 Ω in. (21.3 x 26.7 cm.)

16

$3,000-5,000

$500-700 PROVENANCE:

with Delahunty Fine Art, New York. 103 108

•n109 LAURIE CAMPBELL (CANADIAN, B. 1969)

Mayhem No. 42 from the Scatter for Cover Series Part II

•104 ATTRIBUTED TO CHRISTIAN GULLAGER (AMERICAN, 1759-1826)

signed, dated and titled ‘Campbell ‘96 Scatter for Cover Series/ Part II Mayhem #42’ (on the overlap) oil on canvas 72 x 80 in. (182.9 x 203.2 cm.) Painted in 1996.

The music lesson oil on canvas 31 x 25 in. (78.7 x 63.5 cm.)

$1,500-2,000

$3,000-5,000 109

104

•105 LOUIS WILLEM VAN SOEST (DUTCH, 18671948)

•110 ESTI DUNOW (AMERICAN, B. 1948)

A Winter landscape

signed ‘E. Dunow’ (lower left) oil on paper 30 x 22 Ω in. (76.2 x 57.2 cm.)

Spencertown, NY

signed Louis. W.v. Soest.’ (lower right) oil on canvas 41 æ x 59 Ω in. (106 x 151.1 cm.)

$2,500-3,500

$1,000-1,500 105

110

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

PROPERTY FROM A PRIVATE COLLECTION, NEW YORK (LOTS 116-119)

•111 HILDA STECKEL (AMERICAN/GERMAN, 20TH CENTURY )

•116 MEXICAN SCHOOL

Weight Lifter

Niña en un vestido azul con una for

signed ‘Steckel’ (along the lower edge) painted terracotta and iron 49 x 23 x 11 Ω in. (124.4 x 58.4 x 29.2 cm.)

oil on canvas 21 Ω x 17 º in. (54.6 x 43.8 cm.)

$1,500-2,000

$800-1,200

111

116

•117 MEXICAN SCHOOL

•112 BRUNO LUCCHESI (AMERICAN/ITALIAN, B. 1926)

Niña en un vestido blanco oil on canvas laid down on plywood 30 æ x 21 in. (78.1 x 53.3 cm.)

Samson bronze and metal 37 Ω x 22 Ω x 17 in. (95.3 x 57.2 x 43.2 cm.)

$1,500-2,000

$1,500-2,000

112

PROPERTY FROM A PRIVATE COLLECTION (LOTS 113 AND 114)

117

•118 MEXICAN SCHOOL

•113 PAUL BURLIN (AMERICAN, 1886-1969)

Niña en un vestido azul con una sombrilla

Untitled signed and dated ‘Paul Burlin/ 48’ (on the reverse); signed and dated again ‘Paul Burlin 1948’ (on the stretcher bar) oil on canvas 30 x 24 in. (76.2 x 61 cm.) Painted in 1948.

17

oil on canvas 18 Ω x 14 º in. (47 x 36.2 cm.)

$1,500-2,000

$5,000-7,000 113

118

•114 PAUL BURLIN (AMERICAN, 1886-1969)

•119 MEXICAN SCHOOL

Untitled (Figure in Repose)

Niño con la paloma

signed and dated’ Paul Burlin/ 48’ (on the reverse); signed and dated again ‘Paul Burlin 1948-’ (on the stretcher bar) oil on canvas 30º x 20 in. (76.8 x 50.8 cm.) Painted in 1948.

oil on canvas 14 º x 10 in. (36.2 x 25.4 cm.)

$1,500-2,000

$5,000-7,000 PROPERTY FROM A PRIVATE FRENCH COLLECTION

114 •n115 KYLE MORRIS (AMERICAN, 1918-1979)

119

Untitled signed, dated, and dedicated ‘E. DI CAVALCANTI 1962/ A mon ami/ Jacques Petit Jean/ avec ma gratitude/ Paris’ (lower right) watercolor and ink on paper 14Ω x 10æ in. (36.9 x 27.3 cm.) Executed in 1962.

Untitled signed and dated ‘Kyle Morris ‘60’ (lower left); signed and dated again ‘20.July.’60/ Kyle Morris/ 6’ (on the reverse) oil on canvas 62 Ω x 48 in. (158.8 x 121.9 cm.) Painted in 1960.

$5,000-7,000

$5,000-7,000

PROVENANCE:

PROVENANCE:

with Kootz Gallery, New York. Anonymous sale; Christie’s, New York, 30 September 2010, lot 141.

120 EMILIANO DI CAVALCANTI (BRAZILIAN 18971976)

115

The Jacques Petit Jean collection (acquired from the artist). By descent from the above. with Galerie Odile Oms, Céret, France. Acquired from the above by the present owner. 120

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

121 JACQUES LIPCHITZ (FRENCH, 1891-1973)

126 SAMUEL BAK (AMERICAN/ISRAELI, B. 1933)

First study for Peace on Earth signed, numbered and stamped with artist’s thumbprint ‘10/15 J Lipchitz’ (along the edge) bronze with green patina 10 ¡ x 4 x 4 in. (26.3 x 10.2 x 10.2 cm.), including base Executed in 1967.This work is number ten from an edition of ffteen.

Cosmos

$7,000-9,000

PROVENANCE:

signed ‘BAK’ (lower right) oil on canvas 32 x 25 æ in. (81.3 x 65.4 cm.) Painted in 1989.

$20,000-30,000 Private Collection, New England.

LITERATURE:

A. Wilkinson, The Sculpture of Jacques Lipchitz, A Catalogue Raisonné, Volume II, the American Years: 1941-1973, New York, 2000, p. 99, no. 662, (another cast illustrated). 126 121 122 FLETCHER MARTIN (AMERICAN, 1904-1979)

127 SAMUEL BAK (AMERICAN/ISRAELI, B. 1933)

The Toss

Transfer

signed and dated ‘Fletcher Martin 59’ (lower left) oil on canvas 32 x 24 in. (81.3 x 61 cm.) Painted in 1959.

signed and dated ‘BAK/ 2007’ (lower right) oil on canvas 30 x 40 in. (76.2 x 101.6 cm.) Painted in 2007.

$20,000-30,000

$10,000-15,000

PROVENANCE:

PROVENANCE:

Private Collection, New England.

Acquired directly from the artist. EXHIBITED:

Binghamton, New York, Roberson Museum and Science Center, Fletcher Martin: Thirty Year Retrospective Exhibition, September 22 November 13, 1968.

127

•128 DAVID BURLIUK (AMERICAN/UKRAINIAN, 1882-1967)

LITERATURE:

122

18

H. L. Cook Jr., Fletcher Martin, New York, 1977, no. 118 (illustrated).

Peasant woman with fowers signed ‘BURLIUK’ (lower left) oil on masonite 5 Ω x 3 º in. (14 x 8.3 cm.)

PROPERTY FROM A PRIVATE COLLECTION, NEW YORK

$3,000-5,000

123 ROBERT NATKIN (AMERICAN, 1930-2010)

PROVENANCE:

Untitled

The Burliuk Committee has confrmed the authenticity of this painting and will be including it in the forthcoming catalogue raisonné.

Private Collection, New England.

signed ‘Natkin’ (lower left center) oil on canvas 36 ¡ x 71 ¬ in. (92.4 x 181.9 cm.)

$6,000-8,000 123 128 PROPERTY FROM A PRIVATE COLLECTION 124 BENJAMIN EDWARDS (AMERICAN, B. 1970)

129 RICHARD STONE REEVES (AMERICAN, 19192005)

Untitled

Olympia

pencil on paper 26 x 40 in. (66 x 101.6 cm.) PROVENANCE:

signed and dated ‘RICHARD STONE REEVES 1950’ (lower right) oil on canvas 16 x 20 in. (40.6 x 50.8 cm.) Painted in 1950.

Private Collection, New England.

$7,000-9,000

$2,000-3,000

PROVENANCE:

124 129

The artist. Private Collection. By descent from the above to the present owner.

PROPERTY FROM AN ATLANTA ESTATE 125 ROBERT MOSKOWITZ (AMERICAN, 19122001)

•130 RAYMOND PERRY RODGERS NEILSON (AMERICAN, 1881-1964)

Lighthouse at Night

Woman with sunhat

gouache on paper 78 x 34 in. (198.1 x 86.4 cm.)

signed ‘Raymond P.R. Neilson’ (upper left) oil on canvas 76 x 38 in. (193 x 96.5 cm.)

$8,000-12,000

$5,000-7,000

PROVENANCE:

Private Collection, New England.

PROVENANCE:

Lucien Lefevre-Foinet, Paris.

125

130

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE” PROPERTY FROM A DISTINGUISHED COLLECTOR (LOTS 131-135) 131 TAMARA DE LEMPICKA (POLISH, 1898-1980)

PROPERTY FROM A PRIVATE COLLECTION, CONNECTICUT

Nu couch:

•136 LUCIEN ADRION (FRENCH, 1889-1953)

signed ‘LEMPICKA.’ (lower right) gouache, watercolor and pencil on paper 9Ω x 13º in. (23.9 x 33.6 cm.) Painted circa 1960.

Longchamps signed ‘Adrion’ (lower right); titled and numbered ‘LONGCHAMPS/ 1535’ (on the reverse) oil on canvas 23 æ x 29 in. (60.3 x 73.7 cm.)

$4,000-6,000 PROVENANCE:

Acquired from the artist by the present owner. Alain Blondel has confrmed the authenticity of this work.

$4,000-6,000 131

136

•132 TAMARA DE LEMPICKA (POLISH, 1898-1980)

Groupe avec une mandoline

PROPERTY FROM A PRIVATE BROOKLYN COLLECTION

stamped twice with signature ‘Lempicka’ (lower right and lower left) pencil on paper 7 ¿ x 10 ¬ in. (18 x 27.1 cm.) Drawn circa 1935.

•137 PAUL CÉSAR HELLEU (FRENCH, 1859-1927)

Paulette signed ‘Helleu’ (lower right) sanguine and white chalk on paper laid down on paper 16¬ x 10¿ in. (42.2 x 25.7 cm.)

$800-1,200 PROVENANCE:

Acquired from the artist by the present owner. Alain Blondel has confrmed the authenticity of this work.

$2,000-3,000 132

The present work is registered in the archives of the Association Les Amis de Paul-César Helleu as APCH DE-6102.

137

133 TAMARA DE LEMPICKA (POLISH, 1898-1980)

Portrait d’homme coiff: d’une ch:chia signed ‘LEMPICKA.’ (lower right) pencil on paper 9√ x 7 in. (25 x 17.5 cm.) Drawn circa 1934

•138 LOUIS ICART (1888-1950)

$4,000-6,000

etching and aquatint in colors, 1925, on wove paper, signed in pencil, printed by Les Graveurs Modernes, Paris, with margins P. 15 x 18 in. (381 x 457 mm.)

New friends

PROVENANCE:

Acquired from the artist by the present owner.

19

$1,500-2,000

Alain Blondel has confrmed the authenticity of this work.

133

138

•134 TAMARA DE LEMPICKA (POLISH, 1898-1980)

•139 PETER CAMPUS (B. 1937)

Homme assis

Outer Edge, 1985

stamped with signature ‘Lempicka’ (lower right) pencil on paper 10 ¬ x 7 in. (27 x 18 cm.) Drawn circa 1947.

gelatin silver print signed, titled, dated and numbered ‘≈’ in pencil (on the verso) image: 28Ω x 36in. (72.4 x 91.4cm.)

$800-1,200

$2,000-3,000

PROVENANCE:

PROVENANCE:

Acquired from the artist by the present owner.

with Paula Cooper Gallery, New York.

Alain Blondel has confrmed the authenticity of this work. 139 134

•135 TAMARA DE LEMPICKA (POLISH, 1898-1980)

•140 WILLIAM EGGLESTON (B. 1939)

Deux femmes assises

Untitled, 1992

stamped with signature ‘Lempicka’ (lower right) pencil on paper laid down on board 9 º x 6 º in. (23.4 x 16 cm.) Drawn circa 1935.

dye-transfer print, printed 1993 signed in ink (in the margin); signed by William J. Eggleston, III in ink, title, date, number ‘1/5’ in an unknown hand in pencil and Eggleston Artistic Trust copyright credit reproduction limitation stamp (on the verso) image: 12 x 18 in. (30.9 x 46.1 cm.)

$1,000-2,000 PROVENANCE:

Acquired from the artist by the present owner.

$6,000-8,000

Alain Blondel has confrmed the authenticity of this work.

PROVENANCE:

with Robert Miller Gallery, New York. 140 135

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

PROPERTY FROM A PRIVATE COLLECTION (LOTS 141-147)

•146 PAUL WALDMAN (AMERICAN, B. 1936)

•141 JIM DINE (B. 1935)

Tony’s Lunch

Calico from 11 Pop Artist’s, Volume II (M. 37)

lithograph and collage on wove paper, 1975, signed, dated and titled in pencil, numbered ‘AP’, with margins S. 22 x 30 in. (55.9 x 76.2 cm.)

screenprint in colors, 1965, on Cartidge paper, signed in pencil, from the edition of 200 (there were also 50 artist’s proofs in Roman numerals), published by Abrams Original Editions, New York, the full sheet S. 39 æ x 30 in. (1010 x 762 mm.)

$800-1,200

$800-1,200

146

141 •147 STEPHEN ANTONAKOS (AMERICAN/GREEK, 1926-2013)

Red Square signed, dated and titled ‘Antonakos/ September 82/ “Red Square”’ (on the reverse) mixed media—oil, fabric, foam, plywood and burlap in a Plexiglas case 20 x 25 x 8 Ω in. (50.8 x 63.5 x 21.6 cm.) Executed in 1982.

•142 GERALD LAING (1936-2011)

Triple, from 11 Pop Artists, Volume III screenprint in colors, 1965, on smooth wove paper, signed in pencil, a proof aside from the edition (the edition was 200 plus 50 artist’s proofs in Roman numerals), published by Original Editions, New York, with margins image: 21 ¿ x 31 in. (537 x 787 mm.)

$800-1,200 147

$800-1,200 142

PROPERTY FROM AN ATLANTA ESTATE 148 AMERICAN SCHOOL, 19TH CENTURY

•143 CLAES OLDENBURG (B. 1929)

Portrait of a standing woman in a red kimono

Alphabet in the Form of a Good Humor Bar (A. and P. 69) offset lithograph in colors, 1970, on Zerkall paper, initialed and dated in pencil, numbered ‘1/250’ (there were also 20 artist’s proofs), published by Paul Bianchini, New York, with full margins image: 22 x 10 º in. (559 x 260 mm.)

20

$3,000-5,000

oil on canvas 70 º x 39 º in. (178.4 x 99.7 cm.)

$6,000-8,000

148

143

Tuesday 24 February at 2.00 pm

Silver and Silver-Plate (Lots 149-172)

•144 JACK YOUNGERMAN (B. 1926)

PROPERTY OF A LADY •149 A PAIR OF ENGLISH GEORGE III SILVER CANDLESTICKS WITH A PAIR OF SHEFFIELDPLATED THREE-LIGHT BRANCHES,

Untitled screenprint in colors, 1970, on wove paper, signed, dated and inscribed ‘ for Larry Levine’ in pencil, annotated ‘artist’s proof’, with margins image: 36 x 36 in. (914 x 914 mm.)

MARK OF JOHN SCOFIELD, LONDON, 1781,

the candlesticks fully marked, repousse with Satyr heads issuing garlands and four hoof legs near base, each engraved with a crest 18in. (45.7cm.) high; 44oz. approximate weighable silver (4)

$1,000-1,500

$4,000-6,000 144 149

PROPERTY FROM THE TRIANON MUSEUM, DENVER, COLORADO AND THE METZGER FAMILY COLLECTION (LOTS 150-162)

•145 JAY MILDER (AMERICAN, B. 1934)

•150 A GERMAN SILVER THREE-PIECE COFFEE SERVICE,

Writing oil on canvas 32 º x 33 æ in. (82 x 85.7 cm.) Painted in 1961.

MARK OF KOCH & BERGFELD, 19TH CENTURY,

each marked ‘800’, decorated with geometric bands and interval mask terminals, comprising a coffee pot with hinged cover, a milk jug and a two-handled sugar bowl The coffee pot 10in. (25.5cm.) high; 37oz. approximate gross weight (3)

$800-1,200 PROVENANCE:

with Allan Stone Galleries, Inc., New York.

$1,000-1,500 145

150

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•156 A PAIR OF ROCOCO TASTE SILVER-PLATE WARMING DISHES ON STANDS WITH COVERS AND LINERS,

•151 A PAIR OF GERMAN SILVER DECANTERS IN THE FORM OF GAME BIRDS, LIKELY 17TH CENTURY,

20TH CENTURY,

each realistic bird hollow and cast with removable heads and hinged wings, marked on one tail 13 Ωin. (34.3cm.) long; 58oz. approximate gross weight (2)

of shaped oval form, the covers monogramed; together with a silver-plate hot water urn and cover and a three-piece mirrored plateau The plateau 23 Ωin. (60cm.) long (3)

$2,000-3,000

$1,000-1,500 151 •157 AN ENGLISH SILVER PART FLATWARE SERVICE,

156

MARK OF THOMAS BRADBURY & SONS; RETAILED BY JAMES ROBINSON, NEW YORK; LONDON 1926,

•152 A SET OF FRENCH SILVER DRINKWARE, MARK OF CARTIER, 20TH CENTURY,

each marked ‘Sterling’, monogramed, on a seahorse stem comprising twelve cylindrical goblets, eight wine goblets and four compotes The cylindrical goblets 6 Ωin. (16.5cm.) high; 150oz. approximate gross weight (24)

$1,500-2,000

152

each fully marked and with crest, comprising twelve dinner knives with steel blades and flled handles, twelve other similar dinner knives with steel blades and flled handles, twelve luncheon knives with steel blades and flled handles, eleven butter spreaders, eleven dinner forks, twelve luncheon forks, twelve salad forks, twelve hors d’oeuvres forks, twelve large tablespoons, twelve tablespoons, twelve soup spoons, eleven teaspoons and twelve demitasse spoons, in ftted box 9 ¬in. (24.5cm.); 197oz. approximate weighable silver (153)

$2,000-3,000

157

•158 AN AMERICAN SILVER PART FLATWARE SERVICE,

•153 A SET OF FOUR GERMAN SILVER MUFFINEERS,

MARK OF ALVIN, RHODE ISLAND, 20TH CENTURY,

17TH/18TH CENTURY,

each baluster-form and repousse with putti within foliate cartouches, the covers surmounted by a dolphin-form fnial, indistinctly marked at rims Each 8in. (20.3cm.) high; 20oz. approximate gross weight (4)

$700-900

153

each marked ‘Sterling’, monogramed, in the ‘Prince Eugene’ pattern, comprising two large serving spoons, a serving fork, two gravy spoons, four sauce ladles, two shaped small serving spoons, a pair of sugar nips, a roast carving knife and fork, a game carving knife and fork, two pie servers, twenty-fve dinner knives with steel blades and flled handles, twenty-three luncheon knives with steel blades and flled handles, twenty-four butter spreaders, twenty-three dinner forks, twenty-four luncheon forks, twenty-four dessert forks, twenty-four hors d’oeuvres forks, six large tablespoons, twenty-four tablespoons, forty-seven teaspoons, twenty-four iced tea spoons, twenty-four soup spoons, and twentyfour demitasse spoons, in ftted wood chest The dinner knives 9 Ωin. (24.2cm.); 380oz. approximate weighable silver (333)

21

158

$2,500-3,500 •154 A SET OF SIX GERMAN SILVER GOBLETS,

•159 AN ASSEMBLED AMERICAN SILVER DESK SET,

17TH/18TH CENTURY,

each with a pierced repousse bowl on a dolphin and putto support, indistinctly marked at the rims; together with a German silver leaf-form tray with putto-form handle, indistinctly marked The goblets 6in. (15cm.) high; 63oz. approximate gross weight

VARIOUS MAKERS MARKS, 20TH CENTURY,

$800-1,200

154

each marked ‘Sterling’, comprising a Tiffany & Co. silver-mounted glass inkwell, a S. Kirk & Sons repousse chamber stick and snuffer, and a seven-piece desk set with pen tray, inkwell, two boxes with hinged covers, an ovoid vessel and two corner desk blotters, most monogrammed, maker unknown The pen tray 11 Ωin. (29.2cm.) long; 36oz. approximate gross weight (10)

$1,500-2,000 159

•155 A CONTINENTAL SILVER-PLATE SHELL-FORM CENTERPIECE BOWL AND TWO SIMILAR COMPOTES,

•160 AN AMERICAN SILVER FIVE-PIECE TEA AND COFFEE SERVICE,

PROBABLY ITALIAN, 20TH CENTURY,

the centerpiece with repousse rocaille decoration, raised on four dolphin-form supports issuing from a lobed fountain-like base; the similar compotes smaller on singular dolphin and shell pedestals; together with a similar silver-plate salt dish The centerpiece 22in. (56cm.) across (4)

each marked ‘Sterling’ and monogramed, in the ‘Plymouth Pattern’ comprising a teapot with hinged cover, a hot water pot on burner and stand, a cream jug, a sugar bowl and cover and a waste bowl; together with a silver-plate rectangular two-handled tray The tray 29in. (73.8cm.) long over handles; 96oz. approximate gross weight (9)

$5,000-7,000

$1,500-2,000

MARK OF GORHAM, 20TH CENTURY,

155

Handling fees commence 35 days after the frst day of the sale

160

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE” •161 AN AMERICAN SILVER PART TABLE SERVICE, MARK OF TIFFANY & CO., 20TH CENTURY, •166 AN ITALIAN SILVER SHAPED EWER,

marked ‘Sterling’, each with beaded rims, comprising a pair of oval vegetable dishes and covers, a shaped rectangular footed serving dish with pierced mazzarine, two graduated shaped oval serving platters, four salts and two ladles; together with a Shreve & Co. silver threelight candelabrum, and a Gorham silver foliate pierced spoon rest, monogramed The largest platter 20in. (51cm.) long; 259oz. approximate weighable silver (2)

MARK OF BUCCELLATI, MILAN, 20TH CENTURY,

marked ‘925’ on base 10Ωin. (26.7cm.) high, 32oz. approximately

$1,500-2,000

$4,000-6,000 161 166

•162 AN AMERICAN SILVER FIVE-PIECE TEA AND COFFEE SERVICE,

•167 FIFTEEN SILVER TABLE BELLS, VARIOUS MAKER’S MARKS, 20TH CENTURY,

MARK OF WHITING, 20TH CENTURY,

in various shapes and with various molded handles, fourteen marked ‘Sterling’, one marked ‘830’; together with a Cartier silver drum-form canister and cover The tallest bell 4æin. (12.1cm.) high, 43oz. approximate gross weight (17)

each marked ‘Sterling’ and repousse with rococo scrolls, comprising a coffee pot with hinged cover, a teapot with hinged cover, a twohandled sugar bowl and cover, a cream jug and a waste bowl Coffee pot 7 æin. (9.7cm.); 49oz approximate weighable silver (6)

$2,000-3,000

$1,500-2,000 162

167

•168 TWO ENGLISH AND AN AUSTRIAN SILVER CARRIAGE CLOCK,

•163 AN AMERICAN SILVER AND MIXED METAL BOWL,

VARIOUS MAKER’S MARKS, LATE 19TH/EARLY 20TH CENTURY,

the English, the silver fully marked, comprising a small rectangular clock, mark of William Comyns, London 1892, and a larger rectangular clock, mark of Henry Williamson Ltd., Birmingham 1911, each with French movements; the Austrian, the silver fully marked, shaped on four paw feet with ‘jeweled’ face; together with a Continental giltbrass table clock with engraved silvered dial The largest 4 Ωin. (11.4cm.) high (4)

MARK OF GORHAM, DATE CYPHER FOR 1881,

marked ‘Sterling’ , planished body with two bands of geometric design and applied with copper and silver-gilt berries on branches 6ºin. (15.9cm.) diameter, 13oz. approximate gross weight

22

$1,500-2,000 163

$1,000-1,500 168

PROPERTY FROM THE GAIL-OXFORD COLLECTION, SOLD TO BENEFIT THE HUNTINGTON LIBRARY, ART COLLECTIONS, AND BOTANICAL GARDENS (LOTS 169-172)

•164 THREE AMERICAN SILVER AND ENAMEL VASES, AND A PAIR OF SILVER-PLATE ANIMAL-FORM CASTERS,

•169 THREE ENGLISH GEORGIAN SILVER TABLE ARTICLES,

THE VASES MARK OF GORHAM, DATE CYPHER FOR 1897; THE CASTERS REED & BARTON, 20TH CENTURY,

VARIOUS MAKER’S MARKS, 18TH CENTURY,

each fully marked, comprising a gadrooned tankard with hinged cover, mark of Richard Beale, London 1731; a candlestick, mark of James Gould, London 1734; and an engraved chamber stick with snuffer, maker’s mark ‘IT’, London 1796 The tankard 7 Ωin.(19cm.) high; 40oz. approximate gross weight (4)

the vases marked ‘Sterling’, comprising a square trumpet-form vase, a fattened pear-form vase, and an ovoid vase; the casters modeled as a cat and a dog with glass eyes The tallest vase 10in. (25.4cm.) high (5)

$1,000-1,500 164

169

•165 A GROUP OF ENGLISH AND ITALIAN SILVER TABLE ACCESSORIES,

•170 AN ENGLISH SILVER-MOUNTED COCONUT CUP,

THE ENGLISH MARK OF BULGARI, LONDON, 1999; THE ITALIAN MARKS OF BUCCELLATI, MILAN, 20TH CENTURY,

EARLY 19TH CENTURY,

the English fully marked, comprising a tumbler with applied portrait medallion of classical fgure; the Italian marked ‘925’ comprising a model of zebra lionfsh, a snail, and mushroomform salt and pepper caster set with stand The tumbler 4in. (10.1cm.) high, 23oz. approximate gross weight (6) 165

$1,000-1,500

carved in relief with various medallions, monogrammed and dated ‘1812’, the silver apparently unmarked 6 Ωin. (16.5cm.) high

$800-1,200

$1,000-1,500 170

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•171 AN EARLY AMERICAN SILVER MILK JUG AND TWO-HANDLED SUGAR BOWL AND COVER,

•176 AN AMERICAN FAVRILE GLASS FLORIFORM TALL VASE,

MARK OF HARVEY LEWIS, PHILADELPHIA CIRCA 1825,

SIGNED IN ETCH ‘L.C.T.’ FOR TIFFANY STUDIOS, NUMBERED ‘W3531’, CIRCA 1903-1904

each of compressed baluster form and monogrammed; together with an American silver helmet-form sugar bowl and cover, mark of James Musgrave, Philadelphia, circa 1775; another similar silver helmet-form milk jug, dated 1761 and monogrammed; and two silver small cups The Lewis sugar bowl and cover 8 Ωin. (21.5cm.) high, overall (6)

18 ºin. (46.3cm.) high

$4,000-6,000

$1,500-2,000 171

176

•177 TWO AMERICAN FAVRILE GLASS TABLE LAMPS AND TWO FLORIFORM SHADES,

•172 A PAIR OF CONTINENTAL ROCOCO-STYLE SILVER-PLATE WALL SCONCES,

VARIOUS ETCHED MARKS FOR TIFFANY STUDIOS AND VARIOUSLY NUMBERED, CIRCA 1910,

20TH CENTURY,

each base with swirled tapered neck and faring rim, with metal-mounted light or wick The taller 14in. (35.5cm.) high, overall (4)

each back plate issuing a scrolled arm and cast with scrolling foliage 12in. (30cm.) high (2)

$3,000-5,000

$800-1,200 PROVENANCE:

The taller with original applied paper label for Tiffany Studios. 177 172 173 No Lot •178 AN AMERICAN GILT-BRONZE AND FAVRILE GLASS THREE-LIGHT TABLE LAMP,

Russian Work of Art

THE BRONZE STAMPED AND THE GLASS ETCHED MARKS FOR TIFFANY STUDIOS, CIRCA 1910,

(Lot 174)

the gadrooned circular base ftted with three iridescent trumpet-form shades The base 9 in. (23cm.) high (4)

23

$3,000-5,000 PROPERTY FROM THE TRIANON MUSEUM, DENVER, COLORADO AND THE METZGER FAMILY COLLECTION

178

•174 A FABERGE-STYLE HARDSTONE AND GILT METAL EGG-FORM TABLE CLOCK, MARKED WITH PLAQUE ’THE IGOR CARL FABERGE IMPERIAL CLOCK BY IGOR CARL FABERGE’, MODERN,

the case set with Roman numerals and hardstone-encrusted gilt metal trailing foliage supported on a sodalite faceted plinth with further decoration 8 æin. (22.3cm.) high

•179 A PORTFOLIO OF AMERICAN WALLPAPER SAMPLES,

$700-900 174

LOUIS C. TIFFANY FOR TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY,

various samples within a ftted portfolio box The box 18 ºin. (46.4cm.) high

$1,500-2,000

Glass (Lot 175-215) 179

PROPERTY FROM THE COLLECTION OF SHEILA AND EDWARD MALAKOFF (LOTS 175-205)

•180 TWO AMERICAN METAL-MOUNTED FAVRILE GLASS VASES,

•175 A PAIR OF AMERICAN FAVRILE GLASS CANDLE LAMPS AND FLORIFORM SHADES,

THE BRONZE AND COPPER BASES IMPRESSED ‘LOUIS C. TIFFANY FURNACES, INC.’, NOS. ‘164’ AND ‘35 D’ RESPECTIVELY, FIRST QUARTER 20TH CENTURY,

VARIOUS ETCHED MARKS FOR TIFFANY STUDIOS, CIRCA 1910,

the frst of faring form on a counter faring circular patinated bronze base; the second of slender cylindrical form on an enameled copper circular base The second vase 16 Ωin. (42cm.) high (2)

each blue iridescent base twisted and tapered, ftted with later metal mounts 11in. (28cm.) high, overall (4)

$3,000-5,000

$1,800-2,500 175 180

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•181 EIGHT AMERICAN FAVRILE GLASS TABLE ARTICLES,

•186 SIX AMERICAN FAVRILE GLASS TABLE ARTICLES,

VARIOUSLY SIGNED IN ETCH LOUIS C. TIFFANY FOR TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY,

FIVE SIGNED IN ETCH ‘L.C.T.’ FOR TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY,

comprising two fnger bowls and underplates with crimped rims, one bowl numbered ‘R 3417’, the plates numbered ‘W 816’ and ‘W 823’; two similar footed compotes, numbered ‘N 9144’ and ‘N 9148’; and a pair of small side bowls, both marked ‘1401’ The underplates 6in. (15.3cm.) diameter (6)

$1,000-1,500

comprising four small goblets with dimpled sides, a similar bowl and a small plate with undulating rim The bowl 4 Ωin. (11.5cm.) diameter (6)

$1,200-1,800 186

181

•187 TWELVE AMERICAN FAVRILE GLASS CUPS, ALL SIGNED IN ETCH ‘L.C.T.’ FOR TIFFANY STUDIOS AND VARIOUSLY NUMBERED, CIRCA 1898-1903,

•182 AN AMERICAN FAVRILE GLASS TRUMPET VASE,

numbered ‘3358 J’ 13ºin. (33.7cm.) high

all with applied and threaded decoration, comprising six juice glasses, numbered ‘H 2087’, ‘M 6239’, ‘M 7368’, ‘N 1151’, ‘N 3880’, one unnumbered; and six shot glasses, numbered ‘T5892’, ‘T5916’, ‘*3744’, ‘*3748’, ‘*3752’, ‘*3755’ The tallest 4in. (10.2cm.) high (12)

$2,000-3,000

$1,000-1,500

SIGNED IN ETCH ‘L.C. TIFFANY’ FOR TIFFANY STUDIOS, CIRCA 1915,

PROVENANCE:

Some with original applied paper labels for Tiffany Studios. 182

187

•188 TWO AMERICAN FAVRILE GLASS TAZZAS, AND A PAIR OF IRIDESCENT GLASS FLORIFORM COMPOTES,

•183 AN AMERICAN FAVRILE GLASS CYLINDRICAL VASE,

THE TAZZAS SIGNED IN ETCH ‘L.C.T.’ AND ‘L.C.TIFFANY’ FOR TIFFANY STUDIOS, THE COMPOTES SIGNED IN ETCH ‘AURENE’ FOR STEUBEN, FIRST HALF 20TH CENTURY,

SIGNED IN ETCH ‘L.C. TIFFANY’, NO ‘8432 J’, CIRCA 1915,

24

ribbed, with faring rim supported on a conforming base 15in. (38.1cm.) high

the smaller tazza with undulating rim, numbered ‘4380 D’; the compotes numbered ‘367’ The compotes 10in. (25.4cm.) high (6)

$2,000-3,000 188

$1,000-1,500

183

•189 AN AMERICAN GILT-BRONZE MOUNTED FAVRILE GLASS SLENDER VASE,

•184 THIRTEEN AMERICAN FAVRILE GLASS SALT CELLARS,

THE BASE STAMPED ‘LOUIS C. TIFFANY FURNACES, INC., FAVRILE’, NO. ‘170’, FIRST QUARTER 20TH CENTURY,

MOST SIGNED IN ETCH ‘L.C.T. FAVRILE’ FOR TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY,

the enameled bronze circular base supporting the elongated ribbed body with feathered leaves on an opaque white ground, the glass probably Tiffany apparently unsigned 12 Ωin. (32cm.) high, overall

all circular, with variously crimped or everted rims, seven with feet, one with handles The largest 2 Ωin. (6.4cm.) diameter (13)

$700-900

$1,500-2,000 184

189

•190 A SET OF FOUR AMERICAN BLUE FAVRILE GLASS SMALL COMPOTES, AND FOUR IRIDESCENT FAVRILE GLASS SHAPED SALT CELLARS,

•185 A PAIR OF AMERICAN FAVRILE GLASS CANDLESTICKS,

SIGNED IN ETCH ‘L.C.T.’ FOR TIFFANY STUDIOS, VARIOUSLY NUMBERED, FIRST QUARTER 20TH CENTURY,

SIGNED IN ETCH ‘L.C. TIFFANY INC.’ FOR TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY

12in. (30.5cm.) high

the compotes globular with slightly everted rims on circular bases, three etched No. ‘1735’; the dishes with scalloped shaped rims in various sizes, two etched No. ‘1256’ The compotes 4in. (10.2cm.) diameter (8)

(2)

$1,200-1,800

$700-900 190 185

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE” •191 FOUR AMERICAN FAVRILE GLASS LARGE BOWLS

•196 A SET OF FOUR AMERICAN FAVRILE GLASS LINERS,

VARIOUSLY SIGNED IN ETCH FOR TIFFANY STUDIOS, VARIOUS MODEL NUMBERS, LATE 19TH-EARLY 20TH CENTURY,

THREE SIGNED IN ETCH ‘L.C.T.’ FOR TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY,

cylindrical with scalloped rims, three with etched numbers ‘Y6445’, ‘Y8862’, ‘Y6455’; together with two pairs of gilt-bronze mounts variously cast and pierced with leaves and shell patterns The liners 4æin. (12.1cm.) high (8)

comprising an iridescent ‘maple leaf’ bowl etched with vine and leaves to interior sides, a small butterfy to exterior, model No. ‘1808’; another iridescent blue ‘maple leaf’ bowl etched with vine and leaves to interior rim, model No. ‘1215’; an iridescent green foriform bowl, etched ‘15884’ to base; and a short footed compote The foriform vase 12ºin. (31.1cm.) wide (4)

$1,000-1,500 PROVENANCE:

$1,500-2,000 PROVENANCE:

191

One with original applied paper label or Tiffany Studios.

196

The iridescent ‘maple leaf’ bowl with original applied paper label for Tiffany Favrile Glass. •197 AN AMERICAN BRONZE-MOUNTED FAVRILE GLASS TRUMPET VASE, AND TWO FAVRILE GLASS VASES, THE BRONZE STAMPED ‘LOUIS C. TIFFANY FURNACES, INC.’, TWO VASES SIGNED IN ETCH ‘L.C. TIFFANY’ FOR TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY,

•192 AN AMERICAN FAVRILE GLASS FOOTED VASE, TIFFANY STUDIOS, NO. ‘F1207’, CIRCA 1897,

apparently unsigned 5ºin. (13.3cm.) high

$2,000-3,000

192

the trumpet vase slender with ribbed body, etched number ‘5’ to base side, the bronze circular base with green enamel and lappetform support, the base stamped number ‘159’; the frst vase conical on a circular footed base, etched number ‘782 L’; the second a foriform vase, apparently unsigned, etched number ‘7689A’ The bronze-mounted vase 13ºin. (33.7cm.) high, overall (4)

197

$2,000-3,000 •193 TWO AMERICAN BLUE FAVRILE GLASS VASES, SIGNED IN ETCH ‘L.C. TIFFANY’ FOR TIFFANY STUDIOS, CIRCA 1915,

•198 AN AMERICAN FAVRILE GLASS FLORIFORM TRUMPET VASE,

the frst ribbed on circular footed base, numbered ‘9326 J’; the second cylindrical waisted vase, numbered ‘1116 - 4986 L’; together with a similar blue iridescent glass foriform vase, signed in etch ‘Aurene’ for Steuben, numbered ‘723’ The ribbed vase 13ºin. (33.7cm.) high (3)

SIGNED IN ETCH ‘L.C.T.’ FOR TIFFANY STUDIOS, CIRCA 1899-1900,

25

numbered ‘M7633’ 11Ωin. (29.2cm.) high

$2,000-3,000

$3,000-5,000 193

•194 TWO AMERICAN FAVRILE GLASS BOWLS AND TWO FLOWER FROGS,

198

•199 A GROUP OF AMERICAN BLUE FAVRILE AND PASTEL GLASS WARES,

VARIOUSLY SIGNED IN ETCH FOR TIFFANY STUDIOS, FIRST HALF 20TH CENTURY,

SIGNED IN ETCH ‘L.C.T.’ OR ‘L.C. TIFFANY’ , FOR TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY,

the frst bowl shallow with shaped rim, the second smaller and shallow on footed base; the frogs etched No. ‘3097 P’ and ‘29690/5-#6’ The frst bowl 10Ωin. (26.7cm.) diameter (4)

comprising a set of fve pastel plates; an oval candlestick on circular base, etched number ‘1890’; a small goblet, etched number ‘1281’; a large glass; and a futed vase, etched number ‘1873’ The set of plates 8Ωin. (21.6cm.) diameter (9)

$800-1,200

194

$2,000-3,000 199

•195 FIVE AMERICAN FAVRILE GLASS TABLE ARTICLES, TWO SIGNED IN ETCH ‘L.C.TIFFANY’ FOR TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY, •200 A GROUP OF AMERICAN GREEN FAVRILE AND PASTEL GLASS TABLE ARTICLES,

comprising a compressed globular vase with tall faring neck, numbered ‘1811’; a cylindrical bowl with broad everted rim; two small trumpet form vases, numbered ‘1873’ and ‘3597 J’; and a small cylindrical liner, numbered ‘Y 3282’ The cylindrical bowl 12 º in. (31.1cm.) diameter (4)

SIGNED IN ETCH ‘L.C.T.’ OR ‘L.C. TIFFANY’ FOR TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY,

comprising a candlestick with twisted glass support on a shaped circular base; a miniature glass; and a fngerbowl and underplate The underplate 8ºin. (20.9cm.) diameter (4)

$1,500-2,000

$1,500-2,000

PROVENANCE:

Three with original applied paper labels for Tiffany Studios.

195 200

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•201 AN AMERICAN BRONZE MOUNTED IRIDESCENT GLASS TRUMPET VASE,

PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION, TEXAS (LOTS 206-207)

THE BRONZE IMPRESSED ‘TIFFANY STUDIO, NEW YORK’, NO. ‘223’, FIRST QUARTER 20TH CENTURY,

•206 AN AUSTRIAN BLOWN GLASS AND PAINTED METAL TABLE LAMP,

of faring form with scalloped rim issuing from a circular foliate-form base, the glass apparently unsigned; together with a similar glass vase mounted in a silver circular base, the silver marked ‘Sterling’ The frst vase 13 æin. (35cm.) high, overall (2)

FIRST QUARTER 20TH CENTURY, POSSIBLY LOETZ

23in. (58.4cm.) high, overall

(2)

$1,000-1,500

$1,000-1,500 201

206

•202 A GROUP OF AMERICAN ETCHED FAVRILE GLASS TABLE ARTICLES,

•207 A FRENCH ETCHED AND ENAMELED GLASS AND BRONZE ‘PEACOCK’ TABLE LAMP,

SIGNED IN ETCH ‘L.C.T.’ FOR TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY,

FIRST HALF 20TH CENTURY,

the base decorated with blue and green enamel cabochons 20in. (50.8cm) high, overall

each etched with a band of grape vine, comprising a bowl and underplate, a sherbert cup, a small wine glass and a cordial; together with a similar cordial on facetted stem The small wine glass 6in. (15.3cm.) high (5)

$2,000-3,000

$1,000-1,500 202

207

•203 SIX AMERICAN PASTEL FAVRILE GLASS GOBLETS, AND A SET OF SIX FAVRILE GLASS SHOT GLASSES,

•208 AN AMERICAN FAVRILE GLASS VASE,

THE SET WITH ETCHED SIGNATURE ‘L.C.T.’ FOR TIFFANY STUDIOS, VARIOUSLY NUMBERED, FIRST QUARTER 20TH CENTURY,

26

SIGNED IN ETCH ‘L.C. TIFFANY - FAVRILE’, NUMBERED ‘7792 C’, CIRCA 1906

14ºin. (36.2cm.) high

the goblets of various sizes and colors, apparently unsigned; the set each with pinched sides; together with an associated gilt-metal mirrored stand The largest goblet 7 Ωin. (19cm.) high (13)

$800-1,200

$1,500-2,000 203 208 PROPERTY FROM THE COLLECTION OF SHEILA AND EDWARD MALAKOFF •204 AN ASSEMBLED AMERICAN GREEN PASTEL FAVRILE GLASS DESSERT SERVICE, AND A PINK PASTEL FAVRILE GLASS PART TABLE SERVICE,

•209 A FRENCH MOLDED FROSTED GLASS PANEL, MASQUE DE FEMME,

VARIOUSLY SIGNED AND NUMBERED LOUIS COMFORT TIFFANY FOR TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY,

204

LALIQUE, 20TH CENTURY,

apparently unsigned 12Ωin. (31.8cm.) square

the dessert service comprising a green footed octagonal centerbowl and stand, four footed sherbert bowls, and four cake plates; the pink glass comprising four plates, fve water goblets, and two juice glasses The green pastel stand 14 æin. (37.5cm.) diameter (21)

$4,000-6,000

$4,000-6,000 209

•205 THREE AMERICAN IRIDESCENT GLASS TABLE ARTICLES,

•210 A LIMITED EDITION FRENCH SILVER MOUNTED MOLDED GLASS DESK SET,

ONE SIGNED IN ETCH ‘LOUIS C. TIFFANY, FAVRILE’, THE OTHERS PROBABLY TIFFANY STUDIOS, FIRST HALF OF 20TH CENTURY,

the frst a gilt-bronze mounted commemorative World War I medallion molded with an eagle and bell above ‘VICTORY 1918’; the second a turtleback tile, apparently unsigned; the third a rectangular tile molded with foliate vines and gourds, apparently unsigned The turtleback 5 æin. (14.6cm.) long (3)

EACH SIGNED IN ETCH ‘CREATION LALIQUE FRANCE’, NUMBERED ‘1370/4810’, 20TH CENTURY,

created exclusively for MONTBLANC, comprising an inkwell and a rocker blotter, the silver marked ‘925’; together with a Lalique molded frosted glass square bowl The bowl 11Ωin. (29.2cm.) square 210

$1,500-2,000

$800-1,200 205

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

Ceramics (Lot 216-243) •216 A GILT-BRONZE MOUNTED SEVRES-STYLE LARGE VASE AND COVER,

PROPERTY OF A NEW YORK COLLECTOR •211 A FRENCH PATE-DE-VERRE GLASS ‘TULIP’ VASE,

SPURIOUS INTERLACED L’S, LATE 19TH/20TH CENTURY,

gilt decorated and enameled with a panel of lovers in a garden, signed H. Poitevin, the reverse with a landscape, the vase fanked by bronze foliate handles 30in. (76cm.) high, overall

SIGNED IN ETCH ‘DAUM FRANCE’, 20TH CENTURY

13in. (33cm.) high

$700-900

$1,500-2,000

216

211

•217 A GILT-BRONZE MOUNTED SEVRES-STYLE LARGE VASE AND COVER, •212 A FRENCH FROSTED AND MOLDED GREY GLASS GLOBULAR VASE, PALISSY,

SPURIOUS INTERLACED L’S, LATE 19TH/20TH CENTURY,

painted with panel scenes of a chateau landscape and courtly couples in a garden, signed ‘E. Collot’, on a gilt and cobalt ground, gilt-bronze acanthus swag handles, base and foliate knopped cover 41 Ωin. (105.5cm.) high, overall

SIGNED IN ETCH AND MOLDED ‘R.LALIQUE’, 20TH CENTURY,

molded with small snail shells 6Ωin. (16.5cm.) high

$4,000-6,000

$5,000-7,000 217 212

213 No Lot •218 A PAIR OF GERMAN PORCELAIN BALUSTER VASES AND COVERS, BLUE SCRIPT ‘R’ MARKS, LATE 19TH CENTURY,

in the Meissen style, each painted and gilt with alternating panels of courtly fgures and fowers on a yellow ground, the domed covers similarly decorated 14 Ωin. (37cm.) high, overall (4)

PROPERTY FROM THE TRIANON MUSEUM, DENVER, COLORADO AND THE METZGER FAMILY COLLECTION (LOTS 214-225) •214 AN ASSEMBLED ETCHED GREEN AND RUBY FLASHED GLASS PART DRINKWARE AND TABLE SERVICE,

$800-1,200

19TH/20TH CENTURY,

the green-fashed comprising seven champagne futes, six wine glasses, four large wine glasses, a pair of candlesticks, six dessert plates and a compote; the ruby-fashed comprising twelve dinner plates, twelve dessert plates, twelve large wine glasses, twelve small wine glasses, and twelve water goblets; together with an etched clear glass tall vase The pair of candlesticks 14in. (35.5cm.) high (87)

$1,000-1,500

27

218

214

•219 A VIENNA-STYLE PORCELAIN GILTDECORATED AND COBALT GROUND CABARET, UNDERGLAZE BLUE BEEHIVE MARKS, LATE 19TH/20TH CENTURY,

each piece decorated with panels of classical maidens within ‘jeweled’ borders, comprising a milk jug, a cream jug, a sugar bowl and cover, two coffee cans and saucers, and a circular tray The tray 13in. (33cm.) diameter (9)

$800-1,200 •215 TWO AMERICAN GILT-DECORATED CLEAR GLASS DESSERT AND DRINKWARE PART SERVICES,

219

20TH CENTURY,

the frst set possibly Cambridge, decorated with etched bowls and gilt rims comprising twelve dessert plates, twelve water goblets, thirteen red wine glasses, eleven white wine glasses, and ten sherry glasses; the second set clear glass decorated with gilt band rims comprising fortyone dessert plates, seventeen saucers, thirty-six fnger bowls, four large bowls, fourteen short tumblers, ffteen tall tumblers, eight water goblets, twelve champagne futes, ten short liqueurs, ten tall liqueurs, twenty-three white wine glasses and ffteen red wine glasses The larger dessert plates 8 ºin. (21cm.) diameter (225)

•220 A PAIR OF GERMAN PORCELAIN CREAMGLAZED ‘WEIMAR’ VASES AND COVERS, BLUE SCEPTER MARK WITH INCISION FOR BERLIN, LATE 19TH CENTURY,

each two-handled urn supported on circular pedestals, molded with acanthus, and serpents beneath classical borders, the covers with berried fnials 17 Ωin. (44.5cm.) high, overall (4)

$1,000-1,500

$1,500-2,000 215

Handling fees commence 35 days after the frst day of the sale

220

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

PROPERTY OF A WEST COAST COLLECTOR

•221 A CONTINENTAL GLAZED POTTERY TWOHANDLED JARDINIERE,

•226 AN ENGLISH MAJOLICA LARGE JARDINIERE AND STAND,

LATE 19TH CENTURY,

IMPRESSED UPPERCASE MARK FOR MINTONS, SHAPE NO. ‘650’. DATE CYPHER FOR 1876,

of ribbed globular form, painted and gilt decorated with leafy foral stems and pods, impressed ‘453’ on base 18in. (46cm.) wide

the sides molded and colorfully painted with oak branch-form handles, acorns and foliage The jardiniere 21 in. (53.4cm.) wide (2)

$800-1,200

221

$2,000-3,000

226

•222 A CONTINENTAL MAJOLICA UMBRELLA STAND,

•227 A BERLIN (K.P.M) PORCELAIN OVAL PORTRAIT PLAQUE OF A BEAUTY,

LATE 19TH/EARLY 20TH CENTURY,

IMPRESSED MONOGRAM AND SCEPTRE MARK, F AND 5, LATE 19TH/20TH CENTURY,

molded, applied and painted with seed pods, fronds, butterfies and insects 24 Ωin. (62cm.) high

framed The porcelain 10æin. (27.3cm.) high

$4,000-6,000

$700-900

227

222

PRIVATE FROM A DISTINGUISHED PRIVATE COLLECTION

•223 THREE SETS OF TWELVE ENGLISH PORCELAIN DINNER PLATES

•n228 A PAIR OF CONTINENTAL BISCUIT PORCELAIN PLAQUES,

MARKS OF WEDGWOOD, COPELANDS SPODE, AND STAFFORDSHIRE, ONE SET RETAILED BY TIFFANY & CO., 20TH CENTURY,

the frst Wedgwood decorated with cranes on a gilt powder blue ground; the second a Copelands Spode decorated in Japonaise style on a lavender ground; the third Crown Staffordshire decorated with black and gilt Chinoiserie panels on a yellow ground The yellow ground plates 10 ºin. (26cm.) diameter (36)

28

POSSIBLY FRENCH OR RUSSIAN, 19TH CENTURY,

in gilt-wood frames 10 æin. (27.3cm.) high

(2)

$1,000-1,500 228

$800-1,200 223

224

PROPERTY FROM THE GAIL-OXFORD COLLECTION, SOLD TO BENEFIT THE HUNTINGTON LIBRARY, ART COLLECTIONS, AND BOTANICAL GARDENS (LOTS 229-241) •224 AN ASSEMBLED FRENCH AND GERMAN GILT-DECORATED PORCELAIN PART DINNER SERVICE,

•229 TWO ANGLO-GERMANIC SALTGLAZED STONEWARE BELLARMINE JUGS,

GILT CROWNED ‘N’ MARK OF LA PETITE, 20TH CENTURY,

each of bulbous ovoid form with loop handle applied to the neck, with stylized mask of a bearded man above heraldry medallions The larger 18in. (46cm.) high (2)

comprising three graduated oval platters, a circular tureen and cover, a milk jug, a gray boat on stand, eleven dinner plates, twelve salad plates, twelve bread and butter plates, twelve fruit dishes, twelve broth cups and saucers, eleven teacups and saucers, and eight demitasse cups; together with an assembled gilt coffee service with marks of Rosenthal and of Picard Limoges comprising two coffee pots and covers, three sugar bowls and covers, three milk jugs, nine coffee cups and saucers, a circular tray, two pairs of salt and pepper casters, and four ashtrays The largest tray 16in.(41cm.) long (142)

LATE 16TH/17TH CENTURY,

$700-900 229

•230 A GROUP OF ENGLISH STAFFORDSHIRE GLAZED EARTHENWARES, LATE 18TH/19TH CENTURY,

$1,000-1,500

•225 THREE SETS OF ENGLISH AND FRENCH PORCELAIN DINNER PLATES, VARIOUS MAKER’S MARKS, 20TH CENTURY,

the frst a set of twelve Haviland Limoges plates with foral borders; the second a set of twelve plates decorated with a coat-of-arms; and the third a set of eighteen Royal Worcester plates with fronds The largest set 11in. (28cm.) diameter (42)

$800-1,200 225

230

comprising two creamware caulifower molded teapots and covers, circa 1765; a white saltglazed stoneware lobed pierced shallow basket and a set of six similar plates, all circa 1760; a saltglazed stoneware drab teapot and cover, circa 1820; a creamware Whieldon-type globular teapot and cover, circa 1760; a pair of creamware Whieldon-type lobed plates, circa 1760; a pair of creamware manganese, green and yellow splashed plates with shaped milled rims and a similar dish; two blue and white pearlware-type quintal tulip vases; a white saltglazed melon-form tureen and cover on stand; two small leaf-form dishes; a green majolica basket weave-molded dish; a splashed bowl; a footed cup; a molded stand; and a globular teapot with metal cover; together with a French agateware pottery teapot and cover, circa 1780 The saltglazed shallow dish 12in. (30cm.) diameter (33)

$2,000-3,000

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE” •231 A PAIR OF DUTCH DELFT BLUE AND WHITE MODELS OF SEATED HOUNDS, AND TWO GROUPS OF DUTCH DELFT WARES,

•236 A PAIR OF DUTCH DELFT BLUE AND WHITE VASES AND COVERS,

THE HOUNDS SECOND HALF 18TH CENTURY, THE GROUPS 18TH-20TH CENTURY,

the hounds seated on faux marble bases wearing yellow collars; the frst group blue and white decorated comprising two baluster jars and covers, two chinoiserie decorated plates, a similar rectangular boughpot, a square tea caddy, metal-mounted double condiment dish and a toby-type jug; the second group polychrome decorated comprising a large bowl painted with a ship, two large platters, a pair of foral plates, a chinoiserie plate, a small baluster vase, teapot and cover, and a hen-form oval dish and cover; together with a Continental polychrome broad-rimmed dish The tallest baluster jar 17in. (43cm.) high (24)

LATE 17TH/EARLY 18TH CENTURY, BLUE MONOGRAMS POSSIBLY DE GREKSCHE A FACTORY,

each facetted baluster vase painted with chinoiserie panels, the covers surmounted by lion-form fnials 13 æin. (35cm.) high, overall (4)

$800-1,200 236 231

$2,500-3,500

•232 A GROUP OF ENGLISH STAFFORDSHIRE AND DUTCH EARTHENWARES,

•237 A PAIR OF DUTCH DELFT WHITE-GLAZED MODELS OF COWS,

18TH/19TH CENTURY,

19TH CENTURY,

the English wares comprising a fgural watch holder, two fox stirrup cups, a female fgure of ‘Hope’, a shepard boy, three lions, a trunkshaped spillvase modeled with a sheep, and a group modeled as two kneeling girls; the Dutch wares comprising a three-piece blue and white garniture, a polychrome male bust, a lion and a tumbler with a hunting scene The largest 9 æin. (24.5cm.) (16)

each modeled standing in mirror image on a rectangular base 9in. (23cm.) long (2)

$800-1,200

237

$1,000-1,500 232 •238 A DUTCH DELFT BLUE AND WHITE KETTLE AND STAND,

•233 THREE AMERICAN COBALT DECORATED STONEWARE STORAGE JUGS,

LATE 18TH CENTURY,

the globular kettle painted with cartouches of 18th century scenes and fowers, with hinged cover and bronze swing handle, the stand pierced and applied with foliage 17in. (43cm.) high, overall (2)

19TH CENTURY,

comprising two three-gallon jugs, one decorated with stylized foliage and with two applied handles at shoulder, the other decorated with a bird on a branch with applied loop handle; and a two-gallon jug decorated with stylized fower with applied loop handle The largest 16 æin. (42.5cm.) high (3)

29

$1,000-1,500

$800-1,200 238 233

•239 A DUTCH DELFT OVOID JAR, MOUNTED AS A LAMP,

•234 SEVEN VARIOUS ENGLISH EARTHENWARE TOBY JUGS,

18TH/19TH CENTURY,

19TH CENTURY,

painted underglaze in blue and manganese with chinoiserie fgures, with gilt-bronze mounts The jar 14in. (35.5cm.) high

comprising a pale green lead-glazed example, four polychrome jugs, a brown saltglazed example, and a silver luster example; together with a Dutch polychrome monkey-form jug The largest 12in. (30cm.) high (8)

$1,000-1,500

$1,000-1,500 239 234 •240 AN ASSEMBLED ENGLISH STAFFORDSHIRE SPONGEWARE TABLE SERVICE, 19TH/20TH CENTURY,

•235 FIVE ENGLISH AND CONTINENTAL GLAZED EARTHENWARE VESSELS,

some decorated in polychrome with birds and foliage, comprising an oblong platter, a water pitcher, a teapot and cover, two sugar bowls and one cover, three milk jugs in various sizes, a thirteen-piece part miniature tea service, sixteen bowls in various sizes, three small teacups in various shapes and sizes, thirteen saucers, seven plates; together with two early Staffordshire cow creamers The platter 17 Ωin. (44.5cm.) long (84)

18TH/19TH CENTURY,

comprising two pearlware molded jugs, one dedicated to Admiral Nelson and Captain Berry; a blue and white apothecary wetdrug jar; a blue and white bottle vase; and a polychrome puzzle jug The largest apothecary jar 9in. (23cm.) high (5)

$2,000-3,000

$2,000-3,000

240 235

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE” •241 AN ASSEMBLED GROUP OF AMERICAN REDWARE SLIP DECORATED VESSELS,

•246 AN ASSEMBLED CHINESE EXPORT ‘CANTON BLUE AND WHITE’ PORCELAIN DINNER SERVICE,

19TH CENTURY,

241

each variously decorated, comprising three oblong platters in graduated sizes variously decorated, eight plates in various shapes and sizes, two fsh molds, a circular bowl with crimped rim, a circular cake mold, fve jugs in various sizes, two planters in various sizes, a model of a dog, a double barrel vessel, a birdform vessel, a baluster jar, and a cup; together with a Bennington-type brown glazed pitcher and coffeepot and cover The largest platter 20 Ωin. (52.1cm.) long (30)

$2,000-3,000

19TH CENTURY,

246

•242 A FRENCH PORCELAIN PART DINNER SERVICE,

decorated with stylized lake pavilion scene, comprising a tree-and-well rectangular platter, a meat platter, a soup tureen and cover, three rectangular vegetable dishes and covers, an oval vegetable dish and cover, a warming dish, a small sauce tureen and cover with stand, a footed shaped serving dish, a small rectangular platter, a pair of oval platters with reticulated borders, a pair of candlesticks, seven shallow plates, two teapots and covers, a milk jug, a cream jug, a small tazza, two pot de cremes and covers, a pair of tea bowls and saucers, and six additional tea bowls; together with a pair of Chinese Export plates for the American market in the ‘Blue Fitzhugh’ pattern decorated with initials and foral sprigs, and a Chinese Imari plate, 18th Century The meat platter 18 æin. (47.6cm.) long (53)

$1,000-1,500

BLACK PRINTED MARKS OF LIMOGES, RETAILED BY TIFFANY & CO., 20TH CENTURY,

decorated with a silver tone band of bosses, comprising tow oval platters, two oval vegetable bowls, twenty dinner plates, twenty lunch plates, twenty soup plates, twenty salad plates, and twenty bread and butter plates The dinner plates 12in. (30.5cm.) diameter (104)

•247 A CHINESE EXPORT MASSIVE PUNCH BOWL, 19TH/20TH CENTURY,

$800-1,200 242

247

$2,000-3,000

•248 A CHINESE EXPORT-STYLE ‘TOBACCO LEAF’ FIVE-PIECE GARNITURE,

PROPERTY FROM A PRIVATE EUROPEAN COLLECTION

LATE 19TH /EARLY 20TH CENTURY,

•243 A PAIR OF ENGLISH BLUE AND WHITE JASPERWARE CACHE POTS AND UNDERPLATES,

each piece decorated in under glaze blue and famille rose enamels with phoenix amongst large leafy foliage and fowers, comprising three baluster vases and covers, and two beaker-form vases The vases and covers 11in. (28cm.) high, overall (8)

IMPRESSED SMALL UPPERCASE AND MOUSTACHE MARKS FOR WEDGWOOD, LATE 19TH/EARLY 20TH CENTURY,

30

decorated with fgures in various landscapes within shaped cartouches, amongst a cobalt and gilt ground, the interior with various gold fsh amongst sea plantlife 21 Ωin. (54.6cm.) diameter

together with a pair of Parian-type composition circular plaques molded with putti and angels The plaques 12 /2in. (32cm.) diameter (6)

$2,000-3,000

$1,000-1,500 248 243

PROPERTY FROM THE TRIANON MUSEUM, DENVER, COLORADO AND THE METZGER FAMILY COLLECTION •249 A CHINESE EXPORT ‘CANTON FAMILLE ROSE’ ASSEMBLED PART DINNER SERVICE,

Chinese Export Works of Art

19TH/20TH CENTURY,

(Lot 244-249) PROPERTY FROM THE GAIL-OXFORD COLLECTION, SOLD TO BENEFIT THE HUNTINGTON LIBRARY, ART COLLECTIONS, AND BOTANICAL GARDENS (LOTS 244-248) •244 A CHINESE EXPORT ‘MANDARIN PALETTE’ PUNCH BOWL, 18TH CENTURY,

enameled with fgures in pavilion scenes, the interior with a large foral sprig 15 æin. (40cm.) diameter

249

in the ‘Rose Medallion’ pattern, comprising a large punch bowl, a circular platter, two graduated oval platters, a rectangular vegetable dish and cover, a two-handled sauce dish with cover and stand, a sugar bowl and cover, a cream jug, eleven boullion cups and covers, eight coffee cans, four teacups, four demitasse, ten dinner plates, seven scalloped luncheon plates, twenty-two dessert plates, ten bread and butter plates, seven side plates, thirty-two various saucers, nine large spoons, and ffteen demitasse spoons; together with another famille rose globular teapot and cover The larger oval platter 16in. (40.6cm.) diameter

$3,000-5,000

$1,500-2,000 244

Chinese Works of Art (Lot 250-315) PROPERTY OF A TEXAS COLLECTOR (LOTS 250-271)

•245 A CHINESE EXPORT PUNCH BOWL,

•250 A CHINESE MOTTLED CELADON JADE MELON-FORM COUPE,

LATE 18TH CENTURY,

decorated with sepia tone vignettes within medallions, the rim with a gilt grape vine 14 Ωin. (36.8cm.) diameter

PROBABLY 19TH CENTURY

of quatrefoil section with hollowed interior and carved in high openwork relief with chilong dragons and borne on a leafy stem 5 Ωin. (14cm.) wide

$1,500-2,000

245

$1,500-2,000 250

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•Ψ256

•251 A CHINESE TAUPE AND CELADON JADE CARVING OF MONKEYS IN A PINE TREE,

A CHINESE MOTTLED PALE GREEN JADEITE CARVING OF A GOURD

intricately carved and pierced as an openwork basket surrounded by birds and insects on berried foliage and enclosing another bird 11in. (28cm.) high

carved in openwork, the gnarled trunk issuing from rockwork, and with two cranes atop grasping a sprig of lingzhi in their beaks 7 æin. (19.7cm.) high

$1,500-2,000

$1,500-2,000

251

256

•Ψ257

•252 A PAIR OF CHINESE SPINACH GREEN JADE BOWLS,

A CHINESE MOTTLED GREEN AND WHITE JADEITE CARVING OF GOURD,

intricately carved as an openwork basket enclosing a bird, with another perched on foliage above, rockwork base 6 ºin.( 15.8cm.) high

each thinly carved bowl of rounded, slightly faring form and supported on a ring foot, 11ºin.(28.5cm.) diameter (2)

$2,000-3,000

$1,500-2,000

252

257

•Ψ258 A CHINESE RUSSET-SPLASHED LAVENDER JADEITE FIGURAL GROUP,

•Ψ253

carved as the immortal Wenshu astride a mythical beast, his face framed by a fame mandorla 8in. (20.3cm.0 high

A CHINESE GREEN AND LAVENDER JADEITE CARVED GROUP,

carved in high relief depicting three scholars playing a board game beneath pine in mountain landscape 14in. (35.5cm.) long

31

$2,000-3,000

$1,000-1,500

253

258

•Ψ254 A CHINESE LARGE MOTTLED PALE GREEN JADEITE DOUBLE GOURD-FORM VASE AND COVER,

•259 A CHINESE MOTTLED GREEN HARDSTONE CARVING OF TWO ELEPHANTS,

the vase hollowed out as a cave and surrounded by an elaborate network of immortals aloft on clouds with various attributes, the cover similarly carved 12ºin. (31.1cm.) high (2)

carved as a mother with her baby behind, a string of cash trailing across her back 17in. (43.2cm.) long

$2,000-3,000

$2,000-3,000

259

254

•Ψ260

•Ψ255

TWO CHINESE JADEITE CARVINGS,

A CHINESE CELADON JADE PLAQUE, AND A LAVENDER AND GREEN JADEITE CARVING,

the frst carved in relief from the pale greenish lavender stone with a shou medallion and cranes amidst pine; the second pierced and carved from the brown and green stone depicting a dragon and phoenix and a medallion 9Ωin.(24.1cm.) wide (2)

the frst rectangular and carved on one side with immortals beneath pine and set within a carved hardwood frame; the second carved in high relief with cranes and fsh amongst lotus The second 8in. (20.3cm.) long (2)

$2,000-3,000

$2,500-3,000

255

Handling fees commence 35 days after the frst day of the sale

260

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•Ψ266

•261 A CHINESE PALE GREEN JADE FIGURE OF A STANDING GUANYIN,

A CHINESE LARGE PALE LAVENDER AND GREEN JADEITE CARVING,

carved in high relief depicting Shoulao and a pantheon of immortals on a rocky precipice with peach trees and swirling clouds 22 Ωin. (57.1cm.) wide

wearing long robes with foral jardiniere next to her 8 æin. (22.2cm.) high

$2,000-3,000

261

$2,000-3,000

266

•262 THREE CHINESE SPINACH GREEN JADE ARCHAISTIC VASES AND COVERS,

•267 A CHINESE SPINACH GREEN JADE OCTAGONAL LANTERN,

each vase of fattened form and two carved in relief on each side with archaistic motifs, the third with phoenix and blossoms, the shoulders fanked by mask and loose ring handles, each cover surmounted by a Buddhist lion The tallest 15 Ωin. (39.4cm.) high, overall (6)

each thin panel carved in shallow relief with birds and seasonal fowers, joined by dragonform fanges. 11 Ωin.(29.cm.) high

$3,000-5,000

$3,000-5,000 262

267

•Ψ268

Ψ 263

A CHINESE RUSSET AND LAVENDER JADEITE GROUP OF VEGETABLES,

A CHINESE MOTTLED GREEN JADEITE BOULDER CARVING,

carved in high relief with cabbage, leafy gourds and peanuts, with butterfies taken from the russet skin of the stone 11 Ωin.(29.2cm.) wide

carved in high relief depicting a seated fgure of Buddha within a mountainous retreat with attendants 38in. (97cm.) high

32

$3,000-5,000

$6,000-8,000

268

263

•Ψ269

•Ψ264

A CHINESE MOTTLED LAVENDER AND GREEN JADEITE LARGE FRUIT BASKET,

A CHINESE PALE GREEN AND LAVENDER JADEITE CARVED GROUP,

carved and pierced in high relief on both sides, with chrysanthemums, peony, pomegranates, and peaches all with lush foliage 22 Ωin. (57.1cm.) wide

carved and pierced in high relief with two deer beneath a gnarled pine tree, birds nestling within the branches 11in. (28cm.) high

$1,000-1,500

$1,500-2,000

264

269

•Ψ270

•Ψ265

A CHINESE PALE LAVENDER AND GREEN JADEITE CARVING OF A FRUIT BASKET,

A PAIR OF CHINESE MOTTLED GREEN AND PALE LAVENDER JADEITE FIGURES OF COCKERELS,

carved on both sides with chrysanthemums, pomegranates, fnger citrons, lingzhi, lychee, peanuts and other foliate berries 17in.(44.5cm.) high

each carved in mirror image and standing on a rock base with millet, a small boy astride its back 11in. (27.9cm.) wide (2)

$2,000-3,000

$1,500-2,000

265

270

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

PROPERTY FROM THE COLLECTION OF CHARLES AND MARGOT NESBITT, OKLAHOMA CITY

•Ψ271 A CHINESE APPLE-GREEN FLECKED PALE LAVENDER JADEITE CARVING,

•276 A CHINESE JUNYAO-TYPE SMALL CONICAL BOWL

boldly carved in high relief with a dragon and boy amidst a cluster of pomegranates, the base formed from the dark green skin of the boulder 14in. (36cm.) long

5in. (12.7cm.) diameter

$800-1,200

$3,000-5,000

271

272 A CHINESE GREY-GREEN AND RUSSET JADE CARVING OF THREE RAMS,

276

•277 A PAIR OF CHINESE SMALL DOUCAI CONICAL BOWLS,

each beast carved in a recumbent, a cloud-loft yinyang symbol at the hollowed center 4 ºin. (10.4cm.) long

decorated with vines and blossoms, each with underglaze blue apocryphal six-character Yongzheng mark within double circle 4 æin. (12.1cm.) diameter (2)

$2,000-3,000

$4,000-6,000

277

272

PROPERTY FROM THE COLLECTION OF ALFRED E. GUNTERMANN (LOTS 278-287)

273 A CHINESE CELADON AND RUSSET JADE ARCHAISTIC SEAL,

•278 A CHINESE BLUE AND WHITE PORCELAIN SHALLOW BOWL,

carved as a crouching kilin on a rectangular base, seal script underneath 3 ºin. (8.4cm.) high

33

JIAJING MARK AND OF THE PERIOD (1522-1566),

$2,000-3,000

Bajixiang decoration 8in. (23cm.) diameter

$2,000-3,000 278 273

•274 A CHINESE PORCELAIN ‘OIL SPOT’ SMALL CONICAL BOWL

•279 TWO CHINESE WUCAI JARS,

5in. (12.7cm.) diameter

17TH/18TH CENTURY

$2,000-4,000

The larger 7 Ωin. (19cm.) high

(2)

$2,000-4,000 274 279

•275 A CHINESE CELADON-GLAZED SMALL CUP STAND,

•280 A CHINESE TEADUST GLAZED BOTTLE VASE,

UNDERGLAZE BLUE SIX-CHARACTER QIANLONG MARK AND OF THE PERIOD

QING DYNASTY (1644-1911)

14 ºin. (36.2cm.) high

4 æin. (12.1cm.) diameter

$800-1,200

$4,000-6,000

275 280

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•286 THREE CHINESE GLAZED PORCELAIN VESSELS,

•281 A CHINESE FLAMBE GLAZED BOTTLE VASE, QING DYNASTY (1644-1911)

comprising a powder blue bottle vase, a faceted white vase, and a green archaistic-style vessel 14in. (35.5cm.) high (3)

14in. (35.5cm.) high

$600-800

$2,000-3,000

286

281

•287 THREE CHINESE SMALL CELADON JADE CARVINGS,

282 A CHINESE FAMILLE ROSE MEIPING,

comprising a fgure of a recumbent horse, a seated fgure of Budai with his kilin and a brown-fecked archaistic ring The ring 1 æin. (4.4cm.) diameter

QIANLONG MARK AND POSSIBLY OF THE PERIOD,

decorated with fgures beneath a pine tree 8 æin. (22.2cm.) high

(3)

$1,500-2,000

$4,000-6,000 PROVENANCE:

Applied paper label for Chait Galleries, New York.

287

282

288 A CHINESE GRAYISH CELADON JADE ARCHAISTIC BI DISC,

•283 THREE CHINESE BLUE AND WHITE VASES,

carved in relief with stylized confronted chilong to one side, taotie masks to the reverse 3 æin. (9.5cm.) diameter

17TH-19TH CENTURY,

comprising a gu-form vase with molded peony ground, with fan and roundel panels, underglaze blue artemesia leaf within double circle to base; a phoenix tail-form vase painted with birds amongst bamboo, underglaze blue double circle to base; and a rouleau vase with immortals and attendants The rouleau vase 19in. (48.3cm.) high

34

$2,000-3,000

$2,000-3,000

288

283

289 A CHINESE CARVED WHITE AND RUSSET JADE CYLINDRICAL BRUSH POT,

•284 A CHINESE PINK GROUND BOTTLE VASE,

the stone with russet inclusions and carved in relief on the sides with a continuous scene of scholars in a mountainous landscape, supported on three feet 5 Ωin. (13cm.) high

decorated with two writhing dragons amongst peony below a yellow foliate band and furhter fower and fruit motifs, iron-red apocryphal sixcharacter Guangxu mark to base 16 Ωin. (41.9cm.) high

$4,000-6,000

$2,000-3,000

289 284

•285 A CHINESE FAMILLE ROSE VASE,

290 A CHINESE GRAY JADE ARCHAISTIC CONG,

the baluster form with fattened shoulder decorated with three square landscape panels below three roundel foral panels all on a scrolling foliate lotus ground, apocryphal Qianlong mark 9 ºin. (23.5cm.) high

the corners carved in relief with stylized taotie masks 2 Ωin. ( 6.4cm.) high

$800-1,200

$1,500-2,000

285

290

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•296 A CHINESE GILT-BRONZE MOUNTED GREEN HARDSTONE RECTANGULAR BOX WITH HINGED COVER,

291 A CHINESE FLECKED GRAY JADE ARCHAISTIC CONG,

carved in relief with stylized horizontal bands of taotie masks 3 Ωin. (8.9cm.) wide

20TH CENTURY,

the cover panel carved in relief with birds and magnolia, engraved mounts; together with another Chinese hardwood box inset with carved serpentine panels The frst 5in. (12.7cm.) long (4)

$3,000-5,000

$800-1,200 291

PROPERTY OF A PRIVATE COLLECTOR (LOTS 292-293)

296

•297 A CHINESE SPINACH JADE ARCHAISTIC GU-FORM VASE, MOUNTED AS A LAMP,

292 A CHINESE FAMILLE VERTE BALUSTER JAR,

of fattened angular form carved with three pairs of loose ring handles and taotie masks; together with another green quartz vessel and cover carved with foliage and a bird, mounted as a lamp The frst, the stone, 15 Ωin. (39.5cm.) high

19TH CENTURY,

decorated with fgures and attendants in a pavilion in a continuous landscape, underglaze blue double circle to base 11 Ωin. (29.2cm.) high

$1,200-1,800

$2,000-3,000 292

297

•298 A CHINESE YELLOW-GREEN SERPENTINE TEAPOT AND COVER,

293 A CHINESE FAMILLE ROSE SHALLOW DISH, LATE QING DYNASTY,

the globular body carved with panels of lotus and chrysanthemum, with bamboo-form handle and knopped cover 8 Ωin. (21.5cm.) long over handle (2)

decorated with large blossoms on branches on an apple green ground, iron-red four characters seal for ‘Hall for the Embodiment of Harmony’ to reverse 9 Ωin. (24.1cm.) diameter

35

$800-1,200

$2,000-3,000

298

293

PROPERTY FROM THE GAIL-OXFORD COLLECTION, SOLD TO BENEFIT THE HUNTINGTON LIBRARY, ART COLLECTIONS, AND BOTANICAL GARDENS

•299 A GROUP OF CHINESE HARDSTONE TABLE ARTICLES,

•294 A CHINESE FAMILLE ROSE ENAMEL CIRCULAR DISH,

comprising two rose quartz fgures of Guanyin, a small amethyst vase and cover, and a mottled green hardstone carving of a mountain The tallest Guanyin 13in. (33cm.) high (4)

QING DYNASTY, 19TH CENTURY,

painted on the interior with a shaped medallion depicting children in a garden within diaper and scrolling peony borders, the exterior and underside with bats blossoms and dragons 10 ºin.(26cm.) diameter

$800-1,200

299

$2,000-3,000 294

•300 A PAIR OF CHINESE CLOISONNE ENAMEL AND HARDSTONE JARDINIERES,

PROPERTY FROM THE TRIANON MUSEUM, DENVER, COLORADO AND THE METZGER FAMILY COLLECTION (LOTS 295-303)

each of rectangular form decorated with stylized peony scroll, the tree foliage carved from jade, serpentine, amethyst and other hardstones 16 Ωin. (42cm.) high (2)

•295 TWO CHINESE ENAMEL BOXES AND COVERS, AND TWO SIMILAR TRAYS,

$1,200-1,800

the rectangular boxes painted with alternating pomegranates and blossoms or fgural panels; the lobed trays with foliage The larger box 6in. (15.2cm.) long (5)

300

$700-900 295

301 No Lot

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•Ψ306 A CHINESE CARVED PALE GREEN AND RUSSET JADEITE FIGURAL GROUP OF COCKERELS

•302 A CHINESE CLOISONNE ENAMEL INSET GILT BLACK LACQUERED WOOD STOOL,

6Ωin. (16.5cm.) high

$2,000-3,000

20TH CENTURY,

the top inset with a circular cloisonné enamel plaque decorated with birds on rockwork beneath peony, on fve cabriole supports and conjoined stretcher 18 ºin. (46.5cm.) high

$800-1,200

306

302 •307 A CHINESE CARVED MOTTLED GREYISHGREEN JADE MODEL OF A RECUMBENT TIGER,

with ftted wood stand 10Ωin. (26.6cm.) long

$2,000-3,000 •303 A CHINESE GOLD EMBROIDERED RUSTGROUND SILK ROBE, LATE QING DYNASTY,

With side closing and horseshoe cuffs, embroidered on each side with fve-clawed dragons amongst cloud whorls, cranes and Buddhist symbols above a crashing wave border and diagonal stripes 60in. (153cm.) long

307

$800-1,200

PROPERTY FROM THE BEL AIR ESTATE OF DRS. ISOBEL AND SALIM DALALI

303

•308 A CHINESE PALE GREEN JADE BRUSHWASHER, 18TH/19TH CENTURY,

carved with confronting chilong; together with a carved amethyst model of an eagle on a branch, and a carved hardstone model of a recumbent water buffalo The eagle 10Ωin. (26.6cm.) wide (3)

36

304 A CHINESE CARVED ROSE QUARTZ VASE AND COVER,

$2,500-3,500 308

the vase of baluster form with handles and carved in high relief with lotus stems, bats and ducks amongst waves, the cover surmounted by another duck holding an aquatic stem in its beak 16in. (40.5cm.) high, overall (2)

$1,500-2,000 309 A CHINESE GREEN AND GRAY FLECKED JADE MODEL OF A RECUMBENT WATER BUFFALO

9 Ωin. (23.5cm.) long

304

$1,800-2,200

309

305 A CHINESE ROCK CRYSTAL BRUSH WASHER,

of shallow oval form carved on the rim with a rooster and along the sides with swimming carp 4 Ωin. (10.8cm.) long

•310 A PAIR OF CHINESE CELADON-GLAZED GU-FORM VASES MOUNTED AS LAMPS,

$700-900

2OTH CENTURY,

each with crackled glaze 16 Ωin.(42cm.) high

$1,000-1,500 305 310

311 No Lot

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

(2)

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

Japanese and Southeast Asian Works of Art (Lot 316-319) PROPERTY FROM THE TRIANON MUSEUM, DENVER, COLORADO AND THE METZGER FAMILY COLLECTION 312 A PAIR OF CHINESE SPINACH AND EGG GLAZED MODELS OF BUDDHIST LIONS,

•316 A JAPANESE SATSUMA-TYPE MASSIVE POTTERY VASE,

each stylized beast modeled in mirror image with forepaw raised 8 ºin. (21cm.) long (2)

CIRCA 1900,

of elongated baluster form, thickly enameled with scenes of court fgures and fanked by beast-form and fxed ring handles in. (cm.) high

$1,800-2,200

$1,000-1,500 312 316

317 No Lot

PRIVATE FROM A DISTINGUISHED PRIVATE COLLECTION

PROPERTY FROM THE COLLECTION OF ANN AND GRAHAM GUND

•313 A PAIR OF CHINESE WHITE-GLAZED MASSIVE FIGURES OF SCHOLARS,

•318 A CONTEMPORARY JAPANESE BLUISHWHITE PORCELAIN SCULPTURE, ENTITLED KAYO,

20TH CENTURY,

each standing in long robe 36in. (91cm.) high

MASAMICHI YOSHIKAWA, (B.1946) EARLY 21ST CENTURY,

(2)

$4,000-6,000

26 Ωin.(67cm.) long

$2,000-3,000 318 313

37

•319 AN INDIAN PICCHVAI OF KRISHNA VENUGOPALA,

PROPERTY FROM A WEST COAST COLLECTOR (LOTS 314-315)

LATE 19TH/20TH CENTURY,

•314 A PAIR OF CHINESE ANCEST0R PORTRAITS,

painted in bright colors on cloth depicting the blue skinned deity at center surrounded by devotees, framed The image 46 Ωin. (118cm.) high

QING DYNASTY, LATE 18TH/19TH CENTURY,

each rectangular portrait painted in ink and colors on silk, framed The image 62in .(157.5cm.) high (2)

$800-1,200

$2,000-3,000

319 314

Wednesday 25 February at 10.00 am

Furniture and Decorative Works of Art (Lots 320-488) •315 A PAIR OF OF CHINESE REVERSE PAINTINGS ON GLASS OF LADIES, LATE 19TH CENTURY,

each rectangular, depicting a court lady in three-quarter portrait, framed The image 19 æin.(49.5cm.)

PROPERTY FROM THE TRIANON MUSEUM, DENVER, COLORADO AND THE METZGER FAMILY COLLECTION (LOTS 320-379)

(2)

•n320 A LOUIS XVI STYLE MARBLE AND GILT METAL-MOUNTED PORTICO CLOCK

$800-1,200 315

23in. (58.5cm.) high, 13in. (33cm.) wide, 6ºin. (16cm.) deep

$1,000-1,500

320

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n321 A FRENCH MAHOGANY AND GILT BRONZEMOUNTED SWIVEL FAUTEUIL DE BUREAU,

•n326 A PAIR OF LOUIS XV STYLE SHIELD-SHAPED OVER DOOR PANELS IN GILTWOOD FRAMES,

LATE 19TH CENTURY

AFTER FRANCOIS BOUCHER,

36in. (91.5cm.) high, 22Ωin. (57cm.) wide, 23in. (58.5cm.) deep

together with a similar example The pair 155in. (139.5cm.) high, 50Ωin. (128.5cm.) wide

$800-1,200

(3)

$3,000-5,000

321

326

•n322 A LOUIS XV STYLE ORMOLU-MOUNTED KINGWOOD BUREAU PLAT

•n327 A LOUIS XV STYLE SHAPED OVER DOOR PANEL IN A GILTWOOD FRAME,

32in. (81.5cm.) high, 104in. (264cm.) wide, 51in. (129cm.) deep

AFTER FRANCOIS BOUCHER

43in. (109cm.) high, 65in. (165cm.) wide

$4,000-6,000

$2,000-3,000

322

327

•n323 A LOUIS XV STYLE ORMOLU THIRTY-LIGHT CHANDELIER

•n328 A PAIR OF LOUIS XV STYLE SHAPED OVER DOOR PANELS IN GILTWOOD FRAMES,

33in. (84cm.) high, 31in. (78.8cm.) diameter

AFTER FRANCOIS BOUCHER

$5,000-7,000

38

48in. (122cm.) high, 70in. (178cm.) wide

(2)

$4,000-6,000

328 323

•n324 A GROUP OF THREE TABLE ACCESSORIES,

•329 FRENCH SCHOOL, 19TH CENTURY

LATE 19TH/20TH CENTURY,

comprising a gilt metal-mounted glass bowl, a gilt metal, marble and glass table bell, and a gilt bronze fgure group on a malachite base The bowl 7Ωin. (19cm.) high (3)

[Genre Scenes]: Twelve Plates twelve engravings on wove paper, with margins The largest P. 14 º x 18 º in. (36.2 x 46.4 cm.)

$800-1,200

$1,000-1,500

324

329

•n325 A PAIR OF LOUIS XV STYLE FRAMED WALL PANELS IN GILTWOOD FRAMES,

•n330 A PAIR OF LOUIS XV STYLE FRAMED WALL PANELS IN GILTWOOD FRAMES,

AFTER FRANCOIS BOUCHER

43in. (109cm.) high, 37Ωin. (95cm.) wide

AFTER FRANCOIS BOUCHER

(2)

43in. (109cm.) high, 37Ωin. (95cm.) wide

$3,000-5,000

325

$3,000-5,000

330

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

(2)

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•336 AN AMERICAN GILT METAL-MOUNTED INLAID WHITE MARBLE TABLE CLOCK,

•n331 A PAIR OF LOUIS XVI STYLE GILT METALMOUNTED KINGWOOD PARQUETRY BEDSIDE TABLES

BY E.F. CALDWELL & CO., NEW YORK, EARLY 20TH CENTURY

9Ωin. (24cm.) high

29in. (74cm.) high, 15in. (38cm.) wide, 20in. (51cm.) deep (2)

$1,500-2,000

$1,000-1,500

336

331 •n337 A WROUGHT IRON AND MARBLE TOP CENTER TABLE, LATE 19TH/20TH CENTURY

37in. (94cm.) high, 56in. (142cm.) wide, 25Ωin. (65cm.) deep

$3,000-5,000

•n332 A LOUIS XV STYLE GILTWOOD AND MARBLE TOP CONSOLE TABLE

43in. (109cm.) high, 62in. (157.5cm.) wide, 22in. (56cm.) deep

$3,000-5,000

337

332 •n338 A WROUGHT IRON AND MARBLE TOP CENTER TABLE, 333 No Lot

LATE 19TH/20TH CENTURY

39

37in. (94cm.) high, 56in. (142cm.) wide, 25Ωin. (65cm.) deep

$3,000-5,000

338

•334 TWO SIMILAR CHINESE MARBLE-INSET HARDWOOD STANDS, LATE 19TH/20TH CENTURY

The larger 37Ωin. (95cm.) high, 19in. (48.5cm.) diameter, the smaller 37in. (94cm.) high, 17in. (43cm.) diameter (2)

•n339 A PAIR OF ENGLISH BRASS COACHING LANTERNS

$1,000-1,500

30Ωin. (77.5cm.) high

(2)

$800-1,200 334

339

•n335 A PAIR OF CUT GLASS CANDLEHOLDERS,

•n340 A PAIR OF LOUIS XV STYLE GILTWOOD AND MARBLE TOP CONSOLE TABLES,

20TH CENTURY,

together with a pair of gilt metal and molded glass candelabra 13æin. (35cm.) high (4)

26in. (66cm.) high, 30in. (76cm.) wide, 17Ωin. (44.5cm.) deep (2)

$1,000-1,500

$1,000-1,500

335 340

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n346 A PAIR OF LOUIS XV STYLE GILTWOOD AND MIRRORED VITRINE CABINETS,

•n341 A LOUIS XV STYLE ORMOLU THIRTY-LIGHT CHANDELIER

each with three glass shelves 67in. (170cm.) high, 39in. (99cm.) wide, 14in. (35.5cm.) deep (2)

33in. (84cm.) high, 31in. (78.8cm.) diameter

$5,000-7,000

$5,000-7,000

346 341

•n347 AN ENGLISH BRASS FIRESCREEN, FIRE FENDER AND THREE PAIRS OF BRASS ANDIRONS

•n342 A PAIR OF LOUIS XV STYLE ORMOLU AND CUT GLASS FIVE-LIGHT CANDELABRA

27in. (68.5cm.) high

20TH CENTURY

(2)

$1,500-2,000

The frescreen 37ºin. (94.5cm.) high, 21Ωin. (54.5cm.) wide (8)

$2,000-3,000

347

342

•n348 TWO PAIRS OF FRENCH GILT METAL CHENETS,

•n343 A LOUIS XV STYLE GILTWOOD AND MARBLE TOP CONSOLE TABLE,

LATE 19TH/EARLY 20TH CENTURY,

comprising a pair in the Regence style, one signed ‘F. BARBADIENNE’, both lacking log braces, and a pair in the Louis XV style; together with a set of four black-painted wrought iron fre tools and stand and a brass freguard The Regence style chenets 24Ωin. (62cm.) high, the Louis XV style chenets 16in. (40.5cm.) high (10)

together with a pair of Louis XV style giltwood chaises The console table 31in. (81cm.) high, 26in. (66cm.) wide, 13in. (33cm.) deep (3)

40

$1,000-1,500

$2,000-3,000

343

348

•n344 A LOUIS XV STYLE ORMOLU MANTLE CLOCK

•349 A PAIR OF GILT METAL ALTER STICKS MOUNTED AS LAMPS,

18Ωin. (47cm.) high

$1,000-1,500

LATE 19TH/20TH CENTURY

53in. (134.5cm.) high

(2)

$800-1,200

349 344

•n345 A LOUIS XVI STYLE MARBLE AND GILT METAL-MOUNTED THREE-PIECE CLOCK GARNITURE,

•n350 A LOUIS XV STYLE ORMOLU THIRTY-LIGHT CHANDELIER

comprising a mantle clock and a pair of candelabra The clock 20in. (51cm.) high, 10Ωin. (26.5cm.) wide, 5æin. (14.5cm.) deep (3)

33in. (84cm.) high, 31in. (78.8cm.) diameter

$5,000-7,000

$1,500-2,000

345

350

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n351 A FRENCH ORMOLU-MOUNTED AND MALACHITE-VENEERED PORTICO CLOCK, •n357 A PAIR OF REGENCY STYLE GILT BRONZE FIVE-LIGHT WALL LIGHTS,

LATE 19TH/20TH CENTURY

22in. (56cm.) high

$2,000-3,000

FIRST QUARTER 20TH CENTURY

17Ωin. (44.5cm.) high

(2)

$1,500-2,000

351 357

•n352 A PAIR OF LOUIS XV STYLE GILT AND PATINATED BRONZE SIX-LIGHT CANDELABRA

29Ωin. (75cm.) high

(2)

$2,000-3,000 •n358 A LOUIS XVI STYLE COBALT AND PARCEL GILT PORCELAIN AND GILT METALMOUNTED THREE PIECE CLOCK GARNITURE

352

The clock 21in. (53.5cm.) high, 11in. (28cm.) wide, 9in. (23cm.) deep (3)

$1,500-2,000

358

•n353 A GILTWOOD AND PLASTER MIRROR,

•n359 A CARVED MARBLE JARDINIERE

LATE 19TH/20TH CENTURY

50in. (127cm,) high, 40in. (101.5cm.) wide

17Ωin. (44.5cm.) high, 44in. (112cm.) wide, 15in. (38cm.) deep

$1,500-2,000

$1,500-2,000

359 353

354-355 No Lots

•n360 AN EMPIRE STYLE ORMOLU-MOUNTED MAHOGANY AND MARBLE TOP CYLINDER BUREAU,

•n356 A WROUGHT IRON AND PARCEL GILT JARDINIERE,

19TH/20TH CENTURY

48æin. (124cm.) high, 50in. (127cm.) wide, 26in. (66cm.) deep

20TH CENTURY

$4,000-6,000

13in. (33cm.) high, 48Ωin. (123cm.) wide, 12in. (30.3cm.) deep

$800-1,200 360 356

Handling fees commence 35 days after the frst day of the sale

41

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n366 A LOUIS XV STYLE GILT COMPOSITE PIER MIRROR AND CONSOLE TABLE,

•n361 A FRENCH PATINATED BRONZE FIGURAL GROUP OF AN ARAB ON HORSEBACK, ‘CHASSE A LA GAZAELLE AU GUEPARD PERSE’,

EARLY 20TH CENTURY,

the console table with a composition stone top 103Ωin. (263cm.) high, 34Ωin. (88cm.) wide, 12æin. (32.5cm.) deep, overall

CAST FROM THE MODEL BY ALFRED DUBUCAND, LATE 19TH/EARLY 20TH CENTURY,

$1,500-2,000

the naturalistic base inscribed DUBUCAND 23in. (58.5cm.) high

$1,500-2,000 366

361

•n367 A FRENCH ORMOLU AND SEVRES STYLE PORCELAIN-MOUNTED BURLWOOD BONHEUR DU JOUR, LATE 19TH/EARLY 20TH CENTURY

68in. (173cm.) high, 32in. (81cm.) wide, 22in. (51cm.) deep

$4,000-6,000

•n362 A BRONZE FIGURAL GROUP OF THE ABDUCTION OF PROSERPINA, LATE 19TH CENTURY, AFTER FRANCOIS GIRARDON,

stamped 4700 on the base 21Ωin. (53.5cm.) high

$1,000-1,500

367

362

•n368 A PATINATED BRONZE FIGURE OF MERCURY, LATE 19TH CENTURY, AFTER GIAMBOLOGNA,

inscribed J de Bologne; on a dark green marble stepped base with a cast bronze band depicting the arts raised on a dark green marble pedestal 84Ωin. (214.5cm.) high overall

42

$3,000-5,000

•n363 A FRENCH GILT AND PATINATED BRONZE FIGURAL GROUP,

368

LATE 19TH/EARLY 20TH CENTURY, CAST FROM A MODEL BY JEAN VERSCHNEIDER,

the base inscribed Jean Verschneider. and with foundery stamp LNJL Paris 23 27 Ωin. (70cm.) high

•n369 A PATINATED WHITE METAL FIGURAL GROUP OF ST. GEORGE AND THE DRAGON,

$1,000-1,500

19TH/20TH CENTURY,

with inscription on green marble base (illegible) 20in. (51cm.) high, 17¡in. (44cm) wide including base

363

$1,000-1,500

369

•364 A PATINATED BRONZE FIGURAL GROUP OF PAN AND A FAUN,

•n370 A FRENCH PATINATED BRONZE FIGURE OF AN ARAB TRIBESMAN,

CAST FROM A MODEL BY CHARLES ANTOINE COYSEVOX , LATE 19TH CENTURY,

19TH/20TH CENTURY,

the base inscribed ‘F. BARBEDIENNE FONDE UA’ and ‘A. COYZEVOX F 1702’ as well as with a circular reduction seal 30in. (76cm.) high

the plinth inscribed ‘El. Guillemin’, with foundry inscription ‘Barye Fils’ and with roundel ‘FABRICATION FRANCAISE’ 32in. (81.5cm.) high, 24in. (61cm.) wide

$2,500-3,500

$2,000-3,000

370

364 365 No Lot

371 No Lot

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n376 A PAIR OF GEORGE III STYLE GILT METAL AND MIRRORED GLASS FIVE-LIGHT WALL LIGHTS

30in. (76cm.) high, 16in. (40.5cm.) wide, 7in. (18cm.) deep (2)

$1,500-2,000

•n372 A LOUIS XVI STYLE GILT METAL-MOUNTED MAHOGANY TWO-TIER TEA TABLE

33Ωin. (85cm.) high, 30in. (76cm.) wide, 21in. (53cm.) deep

376

$800-1,200

372

•n377 TWO AMERICAN PATINATED METAL WEATHERVANES,

comprising an eagle-topped example and a running horse example The eagle-topped weathervane 50in. (127cm.) high; the running horse weathervane 30in. (76cm.) high (2)

$2,000-3,000 •n373 A PAIR OF LOUIS XVI STYLE KINGWOOD MARQUETRY AND PARQUETRY BEDSIDE TABLES

377

32in. (81.3cm.) high, 19in. (48cm.) wide, 14in. (35.5cm.) deep (2)

$800-1,200

373

•n378 A PAIR OF BLEACHED AND CARVED WOOD MIRROR-TOP SIDE TABLES, 20TH CENTURY

28ºin. (72cm.) high, 22Ωin. (57cm.) wide, 16Ωin. (42cm.) deep

43 (2)

$1,000-1,500

378 •n374 A PAIR OF CARVED OAK SQUARE PEDESTALS, 20TH CENTURY

41Ωin. (105.5cm.) high, 21in. (53.5cm.) square (2)

$2,000-3,000 •n379 A PAIR OF GEORGE III STYLE EBONIZED AND PARCEL GILT SIX-LIGHT TORCHERES

89in. (226cm.) high, 16in. (40.5cm.) diameter 374

(2)

$4,000-6,000

379

•n375 AN ITALIAN INLAID WALNUT OCTAGONAL CENTER TABLE, LATE 19TH CENTURY, INCORPORATING EARLIER ELEMENTS

PROPERTY FROM A WEST COAST COLLECTOR (LOTS 380-407)

32in. (81cm.) high, 47Ωin. (120.5cm.) wide, 47Ωin. (120.5cm.) deep

•n380 A GEORGE III MAHOGANY LIBRARY ARMCHAIR,

$4,000-6,000

LATE 18TH CENTURY, RE-RAILED

39in. (99cm.) high, 29in. (73.5cm.) wide, 23in. (58.5cm.) deep 375

$1,500-2,000

380

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n381 A CONTINENTAL TOOLED LEATHER FOURPANEL FLOOR SCREEN

•n386 AN ENGLISH MAHOGANY TUB BERGERE,

Each panel 63in. (160cm.) high, 23in. (58.5cm.) wide

31in. (79cm.) high, 31in. (79cm.) wide, 22in. (56cm.) deep

19TH CENTURY

$1,000-1,500

381

$3,000-5,000

386

•n382 A GILTWOOD PICTURE FRAME, NOW A MIRROR,

•n387 A GEORGE III MAHOGANY WRITING DESK,

LATE 19TH/EARLY 20TH CENTURY

with a stepped back 36in. (92cm.) high, 40in. (102.5cm.) wide, 28in. (71cm.) deep

EARLY 19TH CENTURY,

57in. (145cm.) high, 41in. (104cm.) wide

$1,500-2,000

$3,000-5,000

387

382

44

•n383 AN ENGLISH PINE WELSH DRESSER,

•n388 A GEORGE III MAHOGANY ARMCHAIR,

20TH CENTURY, PROBABLY INCORPORATING EARLIER ELEMENTS

LATE 18TH CENTURY

38in. (97cm;) high, 26in. (66cm.) wide, 21in. (53cm.) deep

87Ωin. (222cm.) high, 94in. (239cm.) wide, 22in. (56cm.) deep

$1,000-1,500

$3,000-5,000

383

388

•n384 A SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS,

•n389 A NORTH EUROPEAN MAHOGANY WING ARMCHAIR,

EARLY 19TH CENTURY,

19TH CENTURY

with tan leather seats 35in. (89cm.) high, 18in. (46.5cm.) wide, 17in. (43cm.) deep (8)

46in. (117cm.) high, 25in. (63.5cm.) wide, 22in. (56cm.) deep

$1,000-1,500

$2,500-3,500

384

385

389

•n385 A CONTINENTAL POLYCHROME-PAINTED WALLPAPER FOUR-PANEL FLOOR SCREEN,

•n390 AN ENGLISH BLACK AND GILT JAPANNED SIDE CABINET,

THE WALLPAPER LATE 19TH/EARLY 20TH CENTURY

20TH CENTURY

each panel 84in. (213.5cm.) high, 22in. (56cm.) wide

36in. (91.5cm.) high, 36in. (91.5cm.) wide, 19in. (48cm.) deep

$1,500-2,000

$1,000-1,500

390

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n391 A VICTORIAN EBONIZED TALLCASE CLOCK,

•n396 A PAIR OF MARBLE OBELISKS,

LATE 19TH CENTURY,

the dial inscribed ‘WEBSTER/QUEEN VICTORIA ST./LONDON’ 86in. (218.5cm.) high, 21in. (53.5cm.) wide, 13in. (33cm.) deep

together with a William IV mahogany tea caddy, second quarter 19th century The obelisks 18Ωin. (47cm.) high

(3)

$1,000-1,500

$1,500-2,000

396 391

•n397 AN ENGLISH BLACK AND GILT JAPANNED SIDE CABINET, 20TH CENTURY

•n392 AN ENGLISH MAHOGANY LIBRARY ARMCHAIR,

37in. (94cm.) high, 36in. (94cm.) wide, 19in. (48cm.) deep

$1,500-2,000

LATE 19TH/20TH CENTURY,

covered in crimson plush 39in. (99cm.) high, 24Ωin. (62.5cm.) wide, 27in. (68.5cm.) deep

$1,500-2,000

397

392

•n397A A GEORGE III MAHOGANY LIBRARY ARMCHAIR, THIRD QUARTER 18TH CENTURY

40in. (101cm.) high, 30in. (76cm.) wide, 29in. (73.5cm.) deep

$3,000-5,000 •n393 A REGENCY STYLE MAHOGANY CENTER TABLE, IRISH, LATE 19TH/EARLY 20TH CENTURY,

with a paper label for ‘A. MORGAN & CO.... CABINET MAKERS TO HIS MAJESTY... DUBLIN’; together with a Regency mahogany hall chair, early 19th century 29in. (74cm.) high, 53in. (134.5cm.) wide, 26Ωin. (67.5cm.) deep (2)

397A

•n398 AN EBONIZED PEDESTAL,

$1,500-2,000

19TH/20TH CENTURY

393

41in. (104cm.) high, 17in. (43cm.) wide, 17in. (43cm.) deep

$800-1,200

398

•n394 A PAIR OF LANCASHIRE STYLE MAHOGANY ARMCHAIRS

•n399 A SET OF FOUR VICTORIAN OAK DINING CHAIRS,

37in. (94cm.) high, 24cm. (61cm.) wide, 25in. (63.5cm.) deep (2)

$1,000-1,500

SECOND HALF 19TH CENTURY

32in. (81cm.) high, 20in. (51cm.) wide, 18in. (46cm.) deep (4)

$1,000-1,500 394 399

•n395 A GEORGE II STYLE MAHOGANY AND WALNUT AND MARBLE TOP CONSOLE TABLE

•n400 A CONTINENTAL MAHOGANY AND PARCEL GILT CENTER TABLE,

31Ωin. (80cm.) high, 44in. (112cm.) wide, 20Ωin. (52cm.) deep

LATE 19TH/20TH CENTURY

$3,000-5,000

29in. (74cm.) high, 40in. (101cm.) diameter

$1,500-2,000

395

Handling fees commence 35 days after the frst day of the sale

400

45

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n401 A SET OF MAHOGANY LIBRARY STEPS,

•n406 AN ENGLISH MAHOGANY BUTTON-TUFTED LIBRARY BERGERE,

20TH CENTURY

FIRST HALF 19TH CENTURY

38Ωin. (98cm.) high, 16in. (41cm.) wide, 25in. (63.5cm.) deep

42in. (106.5cm.) high, 28in. (71cm.) wide, 31in. (79cm.) deep

$800-1,200

$1,500-2,000

406

401

•n407 A FRENCH PROVINCIAL STAINED FRUITWOOD BUREAU PLAT,

•n402 AN ENGLISH MAHOGANY CONSOLE CABINET,

LATE 19TH/EARLY 20TH CENTURY,

with a later leather top 30in. (76cm.) high, 41in. (104cm.) wide, 23in. (58.2cm.) deep

19TH CENTURY, THE TOP LATER, ADAPTED

$1,000-1,500

39Ωin. (100cm.) high, 59in. (150cm.) wide, 21in. (53.5cm.) deep

$2,500-3,500 PROVENANCE:

The Christopher Hodsoll Collection, Sotheby’s London, 29 Oct 2002, lot 189.

407

402

PROPERTY FROM A DISTINGUISHED NEW YORK COLLECTION •n408 A GLASS AND CHROMED METAL FIVE-LIGHT CHANDELIER, LATE 20TH CENTURY

20in. (51cm.) high, 22Ωin. (57cm.) diameter

$700-900

•n403 A WILLIAM IV MAHOGANY LIBRARY BERGERE, SECOND QUARTER 19TH CENTURY

46

41Ωin. (145.5cm.) high, 31in. (78.5cm.) wide, 32in. (81.5cm.) deep

408

$1,000-1,500 PROPERTY FROM THE COLLECTION OF DOROTHY TREMAINE HILDT •n409 A GROUP OF THREE BRASS AND GLASS TABLES,

403

SECOND HALF 20TH CENTURY,

comprising a console table and two side tables The console table 27Ωin. (70cm.) high, 54in. (137cm.) wide, 24in. (61cm.) deep (3)

$2,000-3,000 409 •n404 A NORTH EUROPEAN MAHOGANY COMMODE, FIRST HALF 19TH CENTURY

32Ωin. (82.5cm.) high, 45in. (114cm.) wide, 20æin. (50cm.)

$1,000-1,500

PROPERTY FROM A NEW YORK COLLECTION •n409A A GILT BRONZE FLOOR LAMP, 20TH CENTURY

58in. (147cm.) high

$1,000-1,500

404

409A •n405 A BAROQUE STYLE GILTWOOD SIX-LIGHT CHANDELIER,

410 A PAIR OF FRENCH STAINED FRUITWOOD AND UPHOLSTERED ARMCHAIRS,

together with a pair of gilt metal two-light wall lights, modern 45in. (114cm.) high, 35in. (89cm.) diameter

CIRCA 1930

$2,000-3,000

29 in. (73.5 cm.) high

$2,500-3,500 405

410

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

(2)

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

ESTATE OF BETTY BARTON EVANS •n416 A FEDERAL MAHOGANY BOW FRONT CHEST OF DRAWERS,

PROPERTY FROM A PRIVATE COLLECTION (LOTS 411-413) •n411 AN ENGLISH MAHOGANY AND BRASSBOUND TWO-DAY MARINE CHRONOMETER,

MID-ATLANTIC STATES, 1800-1820

38in. (96.5cm.) high, 41in. (104cm.) wide, 23æin. (60cm.) deep

BY RICHARD HORNBY, CIRCA 1840

$1,000-1,500

silvered dial signed RICHARD HORNBY/ Liverpool No. 989 6¬in. (17cm.) high

$1,500-2,000 416

411

PROPERTY OF A LADY (LOTS 417-430) •n417 AN AMERICAN MAPLE AND OAK DRESSING TABLE

30ºin. (77cm.) high, 34in. (88cm.) wide, 20in. (51cm.) deep

•412 AN ENGLISH MAHOGANY CASED TWO-DAY MARINE CHRONOMETER,

$1,500-2,500

BY FRODSHAM & SONS, MID 19TH CENTURY,

dial signed Frodsham & Sons/Gracechurch St. London. 6029 6Ωin. (16.5cm.) high, 6ºin. (16cm.) square

417

$1,500-2,000

412

•n418 A FEDERAL MAHOGANY BOW FRONT CHEST OF DRAWERS

47

40Ωin. (102.8cm.) high, 43in. (109.2cm.) wide, 22in. (55.9cm.) deep

$1,000-1,500

418

•n413 AN ENGLISH MAHOGANY-CASED EIGHT-DAY MARINE CHRONOMETER, MID 19TH CENTURY,

dial signed Edw,, Baker,/London No.1201 7Ωin. (19cm.) high, 7¿in. (18cm.) square

$2,000-3,000 •n419 AN AMERICAN GILTWOOD LOOKING GLASS,

413

mounted with a painted panel 41Ωin. (106cm.) high, 22in. (56cm.) wide

$3,000-5,000

419 PROPERTY FROM A PRIVATE COLLECTION •n414 A NORTH EUROPEAN GILT METAL-MOUNTED WALNUT BEDSIDE TABLE, 19TH CENTURY

32Ωin. (82.6cm.) high, 19Ωin. (49.5cm.) wide, 16in. (40.6cm.) deep

•n420 A GEORGE II WALNUT AND STAINED BEECHWOOD SIDE CHAIR,

$1,000-1,500

MID 18TH CENTURY

38Ωin. (98cm.) high, 23in. (58.5cm.) wide, 18in. (46cm.) deep

$300-500 414

420

415 No Lot

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n426 AN AMERICAN LATE FEDERAL MAHOGANY WORK TABLE

•n421 A WILLIAM AND MARY WALNUT GATE LEG TABLE

29in. (74cm.) high, 19in. (48cm.) wide, 14Ωin. (37cm.) deep

26in. (66cm.) high, 9in. (22.8cm.) wide, 25in. (63.5cm.) deep closed

$400-600

$1,000-2,000

421 426

•n422 AN AMERICAN MAHOGANY AND PARCEL GILT LOOKING GLASS

•n427 A CHIPPENDALE MAHOGANY FOLD TOP GAMES TABLE,

38ºin. (98cm.) high, 16in. (41cm.) wide

with a drawer 28in. (71cm.) high, 33in. (84cm.) wide, 17in. (43cm.) deep

$1,000-1,500

$1,000-1,500

422 427

•n428 TWO SIMILAR CHINESE EXPORT BRASSBOUND POLYCHROME-PAINTED LEATHER AND CAMPHOR WOOD FOOT LOCKERS,

•n423 TWO AMERICAN POLYCHROME-DECORATED CHILD’S CHAIRS,

one with a rush seat, the other with a caned seat The larger 27Ωin. (70cm.) high. 15Ωin. (39cm.) wide, 12Ωin. (32cm.) deep; the smaller 24in. (61cm.) high, 13in. (33cm.) wide, 11æin. (30cm.) deep (2)

48

19TH CENTURY,

together with a wallpaper-covered small foot locker The largest foot locker 9Ωin. (24cm.) high, 25in. (84cm.) wide, 12ºin. (31cm.) deep (3)

$400-600

$300-500 423

428

•424 A GEORGE III INLAID MAHOGANY CELLARETTE ON STAND

•n429 AN AMERICAN OAK STRETCHER-BASE SIDE TABLE

28in. (71cm.) high, 18Ω in. (47cm.) wide, 18Ω in. (47cm.) deep

28in. (71cm.) high, 27æin. (70.5cm.) wide, 21Ωin. (55cm.) deep

$2,000-3,000

$1,000-2,000

PROVENANCE:

According to family tradition, this was once owned by Patrick Henry

424

429

•n430 AN ENGLISH GILTWOOD MIRROR

•425 A PARCEL-GILT AND INLAID-MAHOGANY LOOKING GLASS,

47in. (120cm.) high, 22Ωin. (57cm.) wide

$2,000-3,000

PROBABLY ENGLISH, 18TH CENTURY

47in. (119.4cm.) high, 26in. (66cm.) wide

$2,000-3,000

425

430

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n436 A PAIR OF CLUB CHAIRS COVERED IN CREAM UPHOLSTERY,

•n431 A LOUIS PHILIPPE MAHOGANY WRITING TABLE,

20TH CENTURY

SECOND QUARTER 19TH CENTURY

32Ωin. (82.6cm.) high, 33æin. (85.7cm.) wide, 35in. (88.9cm.) deep (2)

30Ωin. (77.5cm.) high, 44in. (112cm.) wide, 25Ωin. (65cm.) deep

$1,000-1,500

$1,000-1,500

436 431

•n437 AN ITALIAN CREAM PAINTED AND PARCEL GILT FAUTEUIL,

•n432 A PAIR OF GILTWOOD AND ROSE GLASS MIRRORS,

18TH CENTURY

20TH CENTURY

60in. (152cm.) high, 24in. (61cm.) wide

35Ωin. (90.2cm.) high, 25in. (63.5cm.) wide, 19in. (48.3cm.) deep

(2)

$700-900

$1,200-1,800

437

432

•n438 A PAIR OF NORTH-EUROPEAN STYLE COMMODES,

•n433 A MAHOGANY AND PARCEL GILT DOUBLE PEDESTAL DESK,

20TH CENTURY,

MODERN,

49

with an open shelf above two drawers 30¡in. (77.2cm.) high, 42in. (106.7cm.) wide, 22in. (55.9cm.) deep (2)

with a pale blue leather top 30in. (76cm.) high, 64in. (162.5cm.) wide, 30in. (76cm.) deep

$1,500-2,000

$1,500-2,000 438 433

•n439 A PAIR OF BRASS SWING ARM FLOOR LAMPS,

•n434 A PAIR OF GILT METAL AND MIRRORED GLASS TWO-TIER TABLES,

20TH CENTURY,

20TH CENTURY

55Ωin. (141cm.) high

25in. (63.5cm.) high, 15in. (38.1cm.) square (2)

$700-900

(2)

$1,000-1,500

434

•n435 A GILTWOOD AND GILT METAL SIX-LIGHT CHANDELIER,

439

PROPERTY FROM A PRIVATE EUROPEAN COLLECTION (LOTS 440-446) •n440 A FRENCH BRASS-MOUNTED MAHOGANY WRITING TABLE,

20TH CENTURY

35in. (89cm.) high, 34in. (86cm.) diameter, excluding chain

LATE 19TH/20TH CENTURY

$1,500-2,000

29Ωin. (75cm.) high, 51Ωin. (131cm.) wide, 27Ωin. (70cm.) deep

$2,000-3,000 435

Handling fees commence 35 days after the frst day of the sale

440

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n441 A VICTORIAN OAK AND LEATHER BUTTON-TUFTED OPEN ARMCHAIR, AND A CONTINENTAL BRASS-MOUNTED MAHOGANY AND CANED SIDE CHAIR,

•n446 A CONTINENTAL WHITE-PAINTED SETTEE, POSSIBLY INCORPORATING LATE 18TH CENTURY ELEMENTS,

decoration refreshed; together with fve throw cushions 45in. (114cm.) high, 71Ωin. (181.5cm.) wide, 25in. (63.5cm.) wide

19TH CENTURY

The open armchair 34in. (86.5cm.) high, 27in. (68.5cm.) wide, 25Ωin. (65cm.) deep; the side chair 29Ωin. (75cm.) high, 21Ωin. (54.5cm.) wide, 18Ωin. (47cm.) deep (2)

$1,500-2,000

$800-1,200 446

441

PROPERTY FROM THE COLLECTION OF SHEILA AND EDWARD MALAKOFF (LOTS 447-461) •n447 AN AMERICAN BRONZE THREE-LEGGED FLOOR LAMP, BY TIFFANY STUDIOS, CIRCA 1910,

•n442 A CONTINENTAL GREY-PAINTED SECRETAIRE BOOKCASE,

the base stamped TIFFANY STUDIOS/NEW YORK/423, shade associated 55in. (139.5cm.) high

LATE 19TH/20TH CENTURY, REDECORATED

$1,500-2,000

84in. (213.5cm.) high, 40Ωin. (103cm.) wide, 18æin. (47.5cm.) deep

$3,000-5,000 447

442

448 AN AMERICAN COUNTERBALANCE FAVRILE FABRIQUE GLASS AND GILT BRONZE ‘LINENFOLD’ TABLE LAMP, BY TIFFANY STUDIOS, CIRCA 1920

15in. (38cm.) high, 7¬in. (19.3cm.) diameter of shade

•n443 A CONTINENTAL WROUGHT IRON AND TOLE ROOSTER-FORM CRUCIFIX,

$6,000-8,000

mounted on a modern patinated metal base 87in. (221cm.) high

50

$800-1,200 448 449 AN AMERICAN PATINATED BRONZE AND FAVRILE GLASS DESK SET,

443

BY TIFFANY STUDIOS, EARLY 20TH CENTURY,

•n444 A PAIR OF CONTINENTAL GILT METALMOUNTED HANGING CABINETS, LATE 19TH/EARLY 20TH CENTURY

24in. (61cm.) high, 17in. (43cm.) wide, 6in. (15cm.) deep (2)

$1,000-1,500 449

444

in the Grapevine pattern, most stamped ‘Tiffany Studios’, comprising a mantel clock; a pair of candlesticks; two large picture frames; two smaller picture frames; two letter holders; two large rectangular covered boxes; two smaller covered rectangular boxes; two small rectangular open boxes; a large inkstand; three smaller inkstands, two square, one hexagonal; an ashtray with match holder; a footed ashtray; a cigarette box/match box; a cigarette box; a match book cover; a pair of bookends; a pair of large blotter ends; a paper blotter; a desk calendar, enameled ‘Tiffany’ on dial; a paper clip; a large letter scale; a pen holder; a paper sticker; a penholder; a letter opener; a desk lamp (electrifed); a receipt holder; a desk clock and a desk thermometer holder; together with a rectangular covered box, the sides in the Grapevine pattern, the top in the Pinecone pattern The mantel clock, the largest, 10Ωin. (26.5cm.) high, 6in. (15cm.) wide, 5in. (12.5cm.) deep (39)

$10,000-15,000

•n445 A BALTIC BRASS-MOUNTED MAHOGANY AND WALNUT SECRETAIRE A ABATTANT,

•450 THREE BRONZE SMALL PAPERWEIGHTS,

FIRST HALF 19TH CENTURY

comprising a gilt bronze recumbent tiger, a patinated bronze bulldog head and a patinated bronze sphinx; each stamped TIFFANY STUDIOS The tiger, the largest, 4æin. (12cm.) wide (3)

BY TIFFANY STUDIOS, CIRCA 1900,

52in. (132cm.) high, 39in. (99cm.) wide, 19in. (48cm.) deep

$1,500-2,000

$800-1,200 450 445

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•451 A PATINATED BRONZE AND FAVRILE GLASS HEART-SHAPED PENDANT, •456 A BRONZE STANDING ASHTRAY,

BY TIFFANY STUDIOS, CIRCA 1900,

apparently not stamped; together with a favrile glass spherical-form drop, 6in. (15.3cm.) high, 3ºin. (8cm.) wide

BY TIFFANY STUDIOS, EARLY 20TH CENTURY,

stamped TIFFANY STUDIOS, NEW YORK 1561; adjustable height 36in. (91.5cm.) high, fully extended

$1,500-2,000

$700-900 451

•452 A GILT BRONZE DESK SET IN THE ZODIAC PATTERN,

456

BY TIFFANY STUDIOS, EARLY 20TH CENTURY,

most stamped TIFFANY STUDIOS with pattern numbers, comprising a pair of desk blotter ends, a set of four blotter corners, a picture frame, two large letter holders, an octagonal inkwell, a canted square smaller inkwell, a smaller letter holder, a paper tablet cover, a paper blotter, a magnifying glass, a mail scale, a pen tray, a rectangular paperweight, a rectangular covered box, a rectangular small covered box with tripartite interior, and a canted rectangular pot (lacking cover) The octagonal inkwell 6Ω in. (16.5cm.) high, 4Ω in. (11cm.) wide (21)

$5,000-7,000

•457 A GILT BRONZE DESK CALENDAR, A GILT BRONZE SMALL TWO-HANDLED DISH AND A SET OF FOUR BRONZE NESTING DISHES, TIFFANY STUDIOS, EARLY 20TH CENTURY,

452

each stamped TIFFANY STUDIOS NEW YORK with pattern number; the calendar in the Adam pattern The desk calendar 6in. (15cm.) high, 6Ωin. (16.5cm.) wide; the two-handled dish 5ºin. (13cm.) wide overall; the largest nesting dish 5in. (12.5cm.) wide (6)

$1,000-1,500 457

n458 AN AMERICAN BRONZE AND FAVRILE GLASS EXTENSIVE DESK SET IN THE PINE NEEDLE PATTERN,

•453 AN AMERICAN FAVRILE FABRIQUE GLASS AND BRONZE ‘LINENFOLD’ TABLE LAMP, BY TIFFANY STUDIOS, CIRCA 1910

BY TIFFANY STUDIOS, EARLY 20TH CENTURY

19in. (48.3cm.) high, 8in. (20cm.) diameter of shade

$3,000-5,000

453

•454 AN AMERICAN ENAMEL AND GILT BRONZE PARTNER’S DESK INKSTAND IN THE ZODIAC PATTERN,

most stamped TIFFANY STUDIOS NEW YORK with pattern number; comprising a jardinière, a handkerchief covered box; a three-panel table screen; a rectangular box; a small mail scale (lacking platform); four picture frames in three sizes; a pair of large blotter ends; a pair of smaller blotter ends; a hexagonal covered box; two large footed rectangular covered boxes in two sizes; two small footed rectangular covered boxes; a seal; a paper tablet with hinged cover; a pen tray; an inkpot; two nib brush stands; two larger letter holders; three smaller letter holders in two sizes; a large inkpot; a letter opener; a small vase; a calendar stand The jardnière, the largest, 4in. high, 12in. diameter (36)

51

458

$6,000-8,000

BY TIFFANY STUDIOS,

with replaced glass liner 4in. (10cm.) high, 10æin. (27.3cm.) wide, 9æin. (24.8cm.) deep

$2,000-3,000 454

459 No Lot

•460 A BRONZE TWO-LIGHT CANDELABRUM, AND A PAIR OF SILVERED METAL FIVE-LIGHT CANDELABRA, EARLY 20TH CENTURY, THE BRONZE TIFFANY STUDIOS, THE SILVERED PAIRPOINT MANUFACTURING CO.,

•455 A GILT BRONZE AND FAVRILE GLASS TABLE CLOCK IN THE GRAPE LEAF PATTERN,

stamped on base TIFFANY STUDIOS NEW YORK 879 9Ωin. (24cm.) high, 6æin. (17cm.) wide, 5in. (12.5cm.) deep

the bronze candelabra stamped TIFFANY STUDIOS NEW YORK 1230; the pair stamped PAIRPOINT MFG WITH P WITHIN DIAMOND The bronze candelabrum 9in. (23cm.) high, 8in. (20.5cm.) wide; the silvered candelabra 11ºin. (28.5cm.) high, 12æin. (32.5cm.) wide

$2,000-3,000

$2,000-3,000

TIFFANY STUDIOS, EARLY 20TH CENTURY,

460

455

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

PROPERTY FROM THE HASCOE FAMILY COLLECTION (LOTS 466-472)

•461 A LEADED GLASS BUTTERFLY-FORM PENDANT,

•n466 AN ART DECO STYLE ALABASTER LIGHT FIXTURE

IN THE STYLE OF TIFFANY STUDIOS

40in. (101cm.) high, 20in. (51cm.) diameter

6¡in. (25.4cm.) high, 10in. (16cm.) wide

$1,500-2,000

$1,000-1,500

461

466

•n462 A GLASS BEAD AND ALABASTER CHANDELIER,

•n467 AN ART DECO STYLE LIMED OAK CONSOLE TABLE

20TH CENTURY, AFTER A DESIGN BY ARMANDALBERT RATEAU

30in. (76cm.) high, 72in. (183cm.) wide, 18in. (45.6cm.) deep

36in. (91.5cm.) high, 21in. (53.5cm.) diameter

$1,000-1,500

$1,500-2,000

467 462

•n468 A MAHOGANY AND WALNUT EXTENSION DINING TABLE AND FIVE CHAIRS,

•n463 A PAIR OF ENAMELED METAL WORK SCREENS,

SECOND HALF 20TH CENTURY,

20TH CENTURY,

52

the chairs comprising two armchairs and three side chairs; with four leaves The table 29in. (74cm.) high. 48in. (122cm.) diameter (6)

stamped J.G.B.CO. CORP. 1965 94in. (238.5cm.) high, 47in. (119.5cm.) wide, 1ºin. (3cm.) deep (2)

$3,000-5,000

$1,000-1,500

468

463

•n469 AN ART DECO STYLE LIMED OAK CENTER TABLE

•n464 A PAIR OF BRASS-MOUNTED AND REDLEATHER DECK-CHAIRS,

29Ωin. (75cm.) high, 58in. (147cm.) diameter

EARLY 20TH CENTURY,

$1,000-1,500

with an apocryphal plaque engraved The GreatEastern/Liverpool 1811 37in. (94cm.) high, 23in. (55.5cm.) wide, 48in. (122cm.) deep overall (2)

$2,000-3,000

464

469

•n465 A MODERN SILVER MODEL OF THE WRIGHT FLYER,

•n470 TWO AFRICAN SIDE TABLES,

comprising a metal and wood drum-form example and a patinated metal example The larger, the drum-form example, 16in. (40.5cm,) high, 20in. (51cm.) diameter

20TH CENTURY,

mounted on a wood stand, marked ‘Sterling’, with plexi cover The silver model 12Ωin. (31.8 cm.) wide

$1,000-1,500

$800-1,200 Please see www.christies.com for addtional information on this lot. 470 465

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

(2)

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n471 A PAIR OF STAINED WOOD CLUB CHAIRS,

PROPERTY FROM AN ATLANTA ESTATE

37in. (94cm.) high, 39in. (99cm.) wide, 38in. (96.5cm.) deep (2)

•476 A PAIR OF BLACK MARBLE-MOUNTED PARCEL GILT AND PAINTED VASES,

$1,500-2,000

LATE 19TH/EARLY 20TH CENTURY

MID 20TH CENTURY

23in. (58.4cm.) high

(2)

$2,000-3,000

471

•n472 A GEORGE III MAHOGANY CANTERBURY,

476

•n477 A CLOSE NAILED, STAMPED LEATHER AND ROPE LARGE MIRROR,

LATE 18TH CENTURY

17Ωin. (44.5cm.) high, 17in. (43cm.) wide, 12Ωin. (32cm.) deep

MODERN

75Ωin. (192cm.) high, 54in. (137cm.) wide

$1,000-1,500

$1,500-2,000

472

477

PROPERTY FROM A PRIVATE COLLECTION •n473 A FRENCH PORCELAIN AND ETCHED GLASSMOUNTED GILTWOOD OVER MANTEL MIRROR, •n478 A BRUSHED STEEL FLOOR LAMP,

LATE 19TH/ 20TH CENTURY,

regilt 70in. (178cm.) high, 43in. (109cm.) wide

53

LATE 20TH CENTURY,

$3,000-5,000

with chromed metal shade 60 in. (152.5 cm.) high

PROVENANCE:

$800-1,200

Sotheby’s, 16 February 1994, lot 544. 473 478

•n474 A PAIR OF GLASS AND CHROMED METAL RADIATOR LAMPS,

•479 A PATINATED BRONZE DESK SET,

20TH CENTURY

comprising a matchbox holder, two candle sticks, a letter opener, a letter rack, two inkwells, two paperweights, and a pen tray The tallest piece: 4√in. (12.4cm.) high (10)

DESIGNED BY YSTAD BRONS, CIRCA 1930S,

25Ωin. (64.8cm.) high, 13æin. (34.9cm.) wide, 6in. (15.2cm.) deep (2)

$2,000-3,000

$1,500-2,000

474 479

PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION, TEXAS

PROPERTY OF A PRIVATE COLLECTOR, A VENETIAN GENTLEMAN (LOTS 480-481)

•475 A FRENCH PATINATED BRONZE FIGURE OF A FEMALE BATHER,

•n480 A PAIR OF ITALIAN CUT AND BEADED GLASS OCCASIONAL TABLES,

signed Jean Chorel 30æ in. (78.1 cm) high

MODERN,

electrifed 33ºin. (84.5cm.) high, 22in. (56cm.) diameter (2)

$1,500-2,000

$4,000-6,000 475

Handling fees commence 35 days after the frst day of the sale

480

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

PROPERTY OF A GENTLEMAN (LOTS 486-488) •n481 A SET OF FOUR ITALIAN BEADWORK APPLIQUES,

•n486 A COROMANDEL LACQUER-INSET LOW TABLE,

20TH CENTURY,

THE LACQUER 19TH/EARLY 20TH CENTURY, THE TABLE OF A LATER DATE

electrifed 32in. (81.5cm.) high

(4)

18in. (45.7cm.) high, 40½ in. (102.8cm.) wide, 25in. (63.5cm.) deep

$3,000-5,000

$1,000-1,500 486 481

•n487 A SET OF FIVE ENGLISH BLEACHED MAHOGANY OPEN ARMCHAIRS,

PROPERTY FROM A NEW YORK COLLECTOR

LATE 19TH/EARLY 20TH CENTURY

•n482 A PAIR OF CHROMED METAL-MOUNTED GLASS TRIPLE GOURD-FORM TABLE LAMPS,

36in. (91.4cm.) high, 23in. (58.4cm.) wide, 17in. (43.2cm.) deep (5)

$1,000-1,500

OF RECENT MANUFACTURE

35Ωin. (90cm.) high

(2)

$3,000-5,000 487 482

•n488 A VICTORIAN GLASS AND BRASS FLUID LAMP,

PROPERTY FROM A PROMINENT NEW YORK COLLECTION (LOTS 483-485)

LATE 19TH CENTURY, THE GLASS SHADE ASSOCIATED,

•n483 A PAIR OF GREEN AND CREAM-PAINTED PEDESTALS,

54

together with a brass columnar-form lamp 32in. (81.3cm.) high

$800-1,200

20TH CENTURY

48in. (122cm.) high, 12in. (30.5cm.) diameter (2)

$700-900 488 483

Wednesday 25 February at 2.00 pm

Furniture, Decorative Works of Art and Rugs •n484 A GROUP OF ELEVEN BALLROOM CHAIRS,

(Lots 489-637)

20TH CENTURY,

comprising ten brown-painted examples and one stained example, with cushions 36in. (91.5cm.) high, 17in. (43.2cm.) wide, 16in. (40.5cm.) deep (11)

•489 AN ACRYLIC BALL-FORM CLOCK,

$800-1,200

20TH CENTURY,

face marked ‘S.L.Y. Namtug Co.’, with an associated base; together with a horseshoe form table clock 8in. (20.5cm.) high (2)

$800-1,200

484 489

•n485 AN OIL CLOTH AND BAMBOO-COVERED BOX,

•490 A ‘CHELSEA SHIP’S BELL’ CLOCK,

19TH CENTURY

on stand, dial signed ‘TIFFANY & Co.’ 6Ωin. (16.5cm.) high on stand

RETAILED BY TIFFANY, 20TH CENTURY,

16in. (40.5cm.) high, 19in. (48.2cm.) wide, 14in. (35.5cm.) deep

$800-1,200

$600-900

485

490

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•496 AN ENGLISH ENGRAVED GILT-BRASS STRUT TIMEPIECE,

•491 AN ENGLISH ENGRAVED GILT-BRASS STRUT TIMEPIECE,

BY THOMAS COLE, MID 19TH CENTURY, RETAILED BY HANCOCK

IN THE MANNER OF THOMAS COLE, MID 19TH CENTURY, RETAILED BY HUNT & ROSKELL

works signed THOS COLE LONDON 6Ωin. (16.5cm.) high

works signed HUNT & ROSKELL LONDON 6ºin. (16cm.) high

$2,000-3,000

$3,000-5,000 491

496

•497 AN ENGLISH ENGRAVED GILT-BRASS SMALL STRUT TIMEPIECE,

•492 AN ENGLISH ENGRAVED GILT-BRASS STRUT TIMEPIECE,

IN THE MANNER OF THOMAS COLE, MID 19TH CENTURY, RETAILED BY M.F. DENT

IN THE MANNER OF THOMAS COLE, MID 19TH CENTURY, RETAILED BY HUNT & ROSKELL,

face signed ‘M.F. DENT 34 COCKSPUR...’; together with an English small strut timepiece retailed by London & Ryder Each 4√in. (12.5cm.) high (2)

face signed HUNT/LONDON; works signed HUNT & ROSKELL LONDON 6æin. (17cm. ) high

$3,000-5,000

$3,000-5,000

497 492

•493 A GILT-BRASS TABLE CLOCK AND TWO BRASS CARRIAGE CLOCKS,

•498 AN ENGLISH ENGRAVED GILT-BRASS STRUT TIMEPIECE,

20TH CENTURY, RETAILED BY TIFFANY,

together with a double-dial carriage timepiece by L’Epee, retailed by Asprey The largest 7æin. (19.5cm.) high (4)

BY THOMAS COLE, MID 19TH CENTURY

$2,000-3,000

$3,000-5,000

55

face signed ‘THOS. COLE/LONDON’ 6Ω in. (16.5cm.) high

493

498

•499 THREE FRENCH MINIATURE TIMEPIECE CARRIAGE CLOCKS,

•494 A FRENCH BRASS CARRIAGE CLOCK,

LATE 19TH-20TH CENTURY,

Comprising an oval engraved brass example by L’Epee and retailed by Tiffany &Co., a gilt brass example by Leroy circa 1890, and a larger giltbrass example The oval carriage clock 4ºin. (11cm.) high; the gilt brass example by Leroy 3ºin. (8.5cm.) high; the larger gilt-brass example 5Ωin. (14cm.) high (3)

20TH CENTURY,

with repeat and alarm, dial signed ‘Arnex’ 5Ωin. (14cm.) high

$1,000-1,500

$1,000-1,500

499

494

•495 A TEMPLE-FORM FAUX BURLWOOD STRIKING AUTOMATON TABLE CLOCK, •500 A GROUP OF EIGHT ENAMEL TABLE CLOCKS,

20TH CENTURY,

dial signed ‘Cartier’ 15ºin. (38.5cm.) high, 6ºin. (16cm.) square

The largest 4ºin. (11cm.) high

(8)

$2,000-3,000

$300-500

495

Handling fees commence 35 days after the frst day of the sale

500

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n506 AN ART NOUVEAU MARQUETRY INLAID ETAGERE,

•501 AN ENGLISH ENGRAVED GILT-BRASS INKWELL TIMEPIECE,

BY LOUIS MAJORELLE, LATE 19TH/EARLY 20TH CENTURY

IN THE MANNER OF THOMAS COLE, MID 19TH CENTURY, RETAILED BY HANCOCK

top signed ‘L. Majorelle’ 39ºin. (99.7cm.) high, 23Ωin. (59.7cm.) wide, 22in. (55.9cm.) deep

6ºin. (16cm.) high open

$1,000-1,500

$4,000-6,000

501

506

•502 AN ART DECO MARBLE AND GILT-METAL MANTLE CLOCK,

PROPERTY SOLD TO BENEFIT THE ART ACQUISITION FUND OF THE SEATTLE ART MUSEUM (LOTS 507-534)

RETAILED BY TIFFANY & CO, EARLY 20TH CENTURY,

dial marked ‘TIFFANY & CO.’ 6æin. (17cm.) high, 12in. (30.5cm.) wide

•507 A GERMAN CARVED OAK ROUNDEL OF THE ADORATION OF THE MAGI,

$800-1,200

EARLY 16TH CENTURY

11Ωin. (29cm.) high, 14in. (36.5cm.) wide

$3,000-5,000

502

507

•503 A SET OF THIRTEEN TABLE BELLS,

together with four decorated metal doorstoppers The largest 8in. (20.5cm.) high

•508 A SPANISH SILVERED AND GILT COPPER RELIEF OF THE CORONATION OF THE VIRGIN,

(17)

$1,000-1,500

EARLY 17TH CENTURY

56

5ºin. (13.3cm.) high, 3Ωin. (9cm.) wide

$1,000-1,500 503

508

•504 A SET OF FOUR GILT-METAL FRAMED PORCELAIN MINIATURES,

•509 A GERMAN CARVED LIMEWOOD FIGURE OF CHRIST,

LATE 19TH CENTURY,

The largest 5Ωin. (14cm.) high

(4)

16TH CENTURY,

$800-1,200

on a later base, cut at the mid-section 11in. (28cm.) high

$1,000-1,500 504

509

•510 A FLEMISH CARVED STONE BAPTISMAL FONT FRAGMENT,

•505 AN ART NOUVEAU BRASS STRIKING CLOCK,

9Ωin. (24.2cm.) high, 16in. (40.5cm.) wide, 4æin. (12cm.) deep

LATE 19TH/EARLY 20TH CENTURY

twin barrel movement with a visible brocot escapement 22¡in. (57cm.) high

$3,000-5,000 PROVENANCE:

$800-1,200

505

Margaret E. Fuller Purchase Fund

510

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•516 A SPANISH BRONZE CORPUS FIGURE,

•511 A FLEMISH CARVED BOXWOOD RELIEF OF THE ADORATION OF THE SHEPHERDS,

PROBABLY 19TH CENTURY,

on a later walnut cross 14Ωin. (37cm.) high

CIRCA 1500

3in. (7.5cm.) high

$1,500-2,000

$1,500-2,000

511

•512 A NORTH ITALIAN CARVED MARBLE PROFILE OF A MALE HEAD,

516

•517 A FRENCH ORMOLU GROUP OF THE VIRGIN AND CHILD,

PROBABLY 19TH CENTURY

19TH CENTURY

20in. (50.8cm,) high, 11in. (28cm.) wide, 2Ωin. (6.5cm.) deep

12in. (30.5cm.) high

$2,000-3,000

$2,000-3,000

512

•513 A FLEMISH CARVED OAK RELIEF OF CHRIST AMONG THE DOCTORS,

517

CIRCA 1500

•n518 A CARVED OAK RELIEF OF CHRIST BEARING THE CROSS,

9in. (23cm.) high, 11in. (26cm.) wide

BRUSSELS, 16TH CENTURY,

$1,500-2,000

with traces of polychrome 24in. (61cm.) high, 15in. (38cm.) wide, 5in. (12.5cm.) deep

57

$2,000-3,000 513 518

•514 AN ITALIAN GLAZED POLYCHROMEDECORATED TERRACOTTA RELIEF OF CHRIST, POSSIBLY BY THE WORKSHOP OF LUCA DELLA ROBBIA (1399-1482), 15TH-16TH CENTURY,

a fragment within a metal and stone-inlaid, gilt and ebonized frame 11in. (28cm.) high, 6in. (15.2cm) wide, 2¿in. (5.3cm.) deep (terracotta) 22æin. (58cm.) high, 17in. (43cm.) wide, 2Ωin. (6.5cm.) deep (overall)

•519 A FLEMISH CARVED ALABASTER FIGURE OF THE MADONNA, SECOND HALF 17TH CENTURY,

with traces of gilding 12ºin. (31cm.) high

$3,000-5,000

$5,000-7,000

PROVENANCE:

David Benzaria, New York, by 1947 Purchased by Seattle Art Museum (funds from Mrs. A.M. Young), 14 May 1947 519

514

•520 A FRENCH POLYCHROME-DECORATED GROUP OF SAINT CHRISTOPHER CARRYING THE CHRIST CHILD,

•515 A FLEMISH CARVED WALNUT RELIEF OF THE PRESENTATION OF CHRIST CHILD IN TEMPLE,

ELEMENTS POSSIBLY LATE 15TH CENTURY,

PROBABLY 15TH CENTURY

Depicted standing 24æin. (63cm.) high, 9in. (23cm.) wide, 7æin. (22cm.) deep

20Ωin. (52cm.) high, 17ºin. (44cm.) wide, 6in. (15cm.) deep

$4,000-6,000

$4,000-6,000

515 520

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•521 A FLEMISH CARVED BOXWOOD FIGURE OF THE GOOD THIEF FROM CHRIST’S CRUCIFIXION SCENE,

n526 A FLEMISH CARVED WALNUT FIGURAL GROUP OF THE DESCENT FROM THE CROSS,

LATE 15TH CENTURY,

MID 15TH CENTURY

depicted contorted on the cross, elements missing 10æin. (27cm.) high

20in. (51cm.) high, 10√in. (27.5cm.) wide, 6ºin. (16cm.) deep

$5,000-7,000

$4,000-6,000

521

526

•522 AN ITALIAN CARVED WHITE MARBLE ROUNDEL OF THE VIRGIN AND CHILD,

•527 A FLEMISH CARVED OAK GROUP OF THE SEATED MADONNA AND CHILD,

POSSIBLY 17TH CENTURY,

16TH CENTURY,

within a crimson plush display holder The roundel 10Ωin. (26.5cm.) diameter

on a later base 13in. (33cm.) high

$1,500-2,000

$1,500-2,000

522

58

527

•523 A SPANISH POLYCHROME AND GILTDECORATED CARVED FIGURE OF SAINT PAUL,

•528 A FRENCH CARVED POLYCHROME AND GILTDECORATED FIGURE OF A MALE SAINT,

POSSIBLY 16TH CENTURY

17Ωin. (44.5cm.) high

24Ωin. (62cm.) high, 10in. (25.5cm.) wide, 6Ωin. (16.5cm.) deep

$1,500-2,000

15TH CENTURY

$1,500-2,000

528

523

•524 A GILTWOOD AND POLYCHROMEDECORATED LIMEWOOD FIGURE OF THE VIRGIN,

•529 AN ITALIAN BRONZE FIGURE OF A MALE ECORCHÉ,

AUSTRIAN OR SOUTH GERMAN, MID-18TH CENTURY,

19TH CENTURY, AFTER THE MODEL BY LODOVICO CARDI DA CIGOLI,

on a rocaille-carved base 7in. (17.8cm.) high

on a later marble base 8in. (20cm.) high

$1,000-1,500

$1,000-1,500

524

529

•530 A GERMAN CARVED OAK RELIEF OF THE BAPTISM OF CHRIST,

•525 A GILT BRONZE FIGURE OF A SAINT,

16TH CENTURY,

ITALIAN OR SPANISH, 17TH CENTURY,

the reverse with a paper label for ‘MATHIAS KOMOR/WORKS OF ART/H676/NEW YORK’ 9Ωin. (24cm.) high, 11Ωin. (29.2cm.) wide

on a porphyry base 6in. (15.25cm.) high

$2,000-3,000

$2,500-3,500

525

530

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n536 AN AMERICAN QUEEN ANNE STYLE MAHOGANY RUSH-SEAT ARMCHAIR,

•531 A SPANISH CARVED WALNUT AND FRUITWOOD TRIPTYCH,

38Ωin. (89cm.) high, 23in. (58.5cm.) wide, 20in. (51cm.) deep

PROBABLY 19TH CENTURY,

depicting scenes of the life of Christ 13in. (33cm.) high, 17in. (43cm.) wide

$1,000-1,500

$2,000-3,000

531 536

•532 A CENTRAL EUROPEAN CARVED LIMEWOOD FIGURE OF THE MADONNA,

•n537 AN AMERICAN CHERRYWOOD PEMBROKE TABLE

ATTRIBUTED TO FRANZ PREISS. MID 18TH CENTURY

7Ωin. (19cm.) high

28in. (71cm.) high, 34æin. (88cm.) wide, open, 18Ωin. (47cm.), closed, 32ºin. (82cm.) deep

$2,500-3,500

$1,000-1,500

532 537

•533 AN ITALIAN CARVED WHITE MARBLE RELIEF OF A PAIR OF LIONS AND PEACOCKS FLANKING THE TREE OF LIFE,

•n538 A MAHOGANY ROUNDABOUT CHAIR

47in. (119.5cm.) high, 29in. (73.5cm.) wide, 25ºin. (64cm.) deep

PROBABLY 19TH CENTURY,

on a later ebonized wood base 33in. (84cm.) high, 18in. (46cm.) wide, 6in. (15cm.) deep

59

$1,000-1,500

$2,000-3,000

533

•534 A CARVED BOXWOOD CORPUS FIGURE AND CARTOUCHE,

538

•n539 A MAHOGANY TILT-TOP CANDLESTAND

ITALIAN OR GERMAN, LATE 16TH CENTURY,

28Ωin. (72.5cm.) high, 24Ωin. (62cm.) wide, 25in. (63.5cm.) deep

within a later velvet and walnut stand 10ºin. (26cm.) high

$800-1,200

$1,500-2,000

534 539

PROPERTY FROM A PRIVATE NEW YORK COLLECTION (LOTS 540-544)

PROPERTY OF THE METROPOLITAN MUSEUM OF ART (LOTS 535-539)

•n540 A GEORGE III MAHOGANY AND MARBLE TOP CONSOLE TABLE,

•n535 AN AMERICAN CHIPPENDALE MAHOGANY SLANT-FRONT DESK

SECOND HALF 18TH CENTURY

43Ωin. (110.5cm.) high, 45æin. (116cm.) wide, 24ºin. (61.5cm.) deep

32in. (81.5cm.) high, 63in. (160cm.) wide, 29Ωin. (75cm.) deep

$3,000-5,000

$3,000-5,000 540 535

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n546 A THREE-SEAT COCOA PLUSH SOFA,

•n541 A SET OF TEN ENGLISH MAHOGANY DINING CHAIRS,

MODERN

30Ωin. (77.5cm.) high, 90in. (228.5cm.) wide, 36in. (91.5cm.) deep

LATE 19TH/EARLY 20TH CENTURY,

$1,000-1,500

with leather seats 35in. (98cm.) high, 21in. (53cm.) wide, 18in. (56cm.) deep (10)

$2,500-3,500 546 541

•n547 A FRENCH BRONZE-MOUNTED MAHOGANY AND YEWWOOD ETAGERE,

•n542 A CONTINENTAL MAHOGANY OVAL EXTENSION DINING TABLE,

BY ESCALIER DE CRISTAL, PARIS, LAST QUARTER 19TH CENTURY,

FIRST QUARTER 19TH CENTURY

the underside stamped ESCALIER DE CRISTAL/PARIS 39æin. (101cm.) high, 32æin. (83cm.) wide, 20in. (51cm.) deep

with three later leaves 30in. (76cm.) high, 57in. (147.5cm.) wide, 46in. (117.cm.) deep

$2,000-3,000

$2,000-3,000 542

60

547

•n543 A LOUIS PHILLIPPE WALNUT CHAISELONGUE,

•n548 A FRENCH STEEL AND BRASS CAMPAIGN BED,

SECOND QUARTER 19TH CENTURY

SECOND HALF 19TH CENTURY AND ADAPTED

41in.(104cm.) high, 74in. (188cm.) wide, 29in. (73.4cm.) deep

42Ωin. (108cm.) high, 85Ωin. (217cm.) wide, 54Ωin. (138.5cm.) deep

$1,000-1,500

$1,500-2,000

543

548

•n544 A TWO-SEAT SOFA COVERED IN BROWN PLUSH,

•n549 A ROSE TOILE SMALL SOFA, MODERN

MODERN

36in. (91.5cm.) high, 60in. (152cm.) wide, 33in. (84cm.) deep (2)

33in. (84cm.) high, 77in.(195.5cm.) wide, 33in. (84cm.) deep

$800-1,200

$1,000-1,500

544

549

PROPERTY FROM A PRIVATE COLLECTION (LOTS 550-554)

PROPERTY OF A PRIVATE COLLECTION (LOTS 545-549)

•n550 A GOTHIC REVIVAL WALNUT, OAK AND FRUITWOOD HALL CHAIR,

•n545 A NORTH EUROPEAN BURR BIRCH AND FRUITWOOD FALL-FRONT SECRETAIRE,

LATE 19TH CENTURY,

FIRST HALF 19TH CENTURY,

48Ωin. (123cm.) high, 45ºin. (115cm.) wide, 21in. (53.5cm.) deep

with lift-top seat 48æin. (124cm.) high, 20in. (51cm.) wide, 18in. (45.5cm.) deep

$1,000-1,500

$100-200

545 550

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n556 A PAIR OF GEORGE III STYLE MAHOGANY WINGBACK ARMCHAIRS

•n551 A PAIR OF BLACK LACQUER AND YELLOW PONY SKIN BARSTOOLS,

39in. (99cm.) high, 29in. (79.4cm.) wide, 23in. (53cm.) deep (2)

20TH CENTURY

$1,000-1,500

38in. (96.5cm.) high, 19Ωin. (49.5cm.) wide, 17in. (43cm.) deep (2)

$400-600

556 551

•n557 A LOUIS XV STYLE ORMOLU AND PIETRA DURA INLAID GUERIDON

•n552 A FIBERGLASS REINFORCED POLYESTER ‘HARI’ TABLE AND THREE ‘OM’ CHAIRS,

26in. (66cm.) high, 29in. (74cm.) wide, 21in. (53.2cm.) deep

DESIGNED BY SWAMI ANAND & MARZIO RUSCONI CIRCA 2000

$3,000-5,000

The table 18in. (45.5cm.) high, 50Ωin. (128.5cm.) wide; the chairs 19in. (48.5cm.) high, 31Ωin. (80cm.) wide, 27in. (68.5cm.) deep (4)

$800-1,200 552

557

•n553 THREE BLACK LEATHER UPHOLSTERED BARSTOOLS,

•n558 A PAIR OF FRENCH ORMOLU CHENETS,

20TH CENTURY, MANUFACTURED BY FREM ROJLE,

16in. (40.5cm.) high, 20in. (51cm.) wide, 6in. (15cm.) deep (2)

19TH CENTURY

stamped ‘FREM ROJLE/MADE IN DENMARK’ to underside of seat 31in. (78.5cm.) high, 14in. (35.5cm.) diameter

61

$1,000-1,500 (3)

$200-300 558

553

•n554 A LAMINATED WALNUT ARMCHAIR,

•n559 A LOUIS XVI STYLE GREY-PAINTED PORTER’S CHAIR

20TH CENTURY

27ºin. (69cm.) high, 24ºin. (61.5cm.) wide, 19in. (48.5cm.) deep

57in. (145cm.) high, 30in. (76cm.) wide, 24in. (61cm.) deep

$700-900

$1,000-1,500

554 559

•n560 A LOUIS XVI STYLE POLYCHROME PAINTED AND MARBLE TOP COMMODE,

PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION (LOTS 555-573) •n555 A PAIR OF ROCOCO STYLE GILTWOOD GIRANDOLE MIRRORS,

33in. (84cm.) high, 50in. (127cm.) wide, 23in. (58.5cm.) deep

$2,000-3,000

LATE 19TH/20TH CENTURY

65in. (165cm.) high, 31in. (79cm.) wide

(2)

$4,000-6,000

555

Handling fees commence 35 days after the frst day of the sale

560

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•561 AN OIL ON COPPER PANEL WITHIN A GILTWOOD FRAME,

•n566 A LOUIS XV GILTWOOD BENCH,

FOLLOWER OF JEAN-MICHEL MOREAU II, 19TH CENTURY,

PROBABLY 18TH CENTURY AND ADAPTED

17in. (43cm.) high, 39in. (99cm.) wide, 17in. (43cm.) deep

The copper panel measures 10√in. (27.6cm) high, 8√in. (22.5cm.) wide

$1,000-1,500

$2,000-3,000 PROVENANCE:

Christie’s London, 10 June 1994, lot 17.

566

561

•n567 A REGENCY BRASS-BOUND MAHOGANY WRITING TABLE, EARLY 19TH CENTURY

•n562 A REGENCE GILTWOOD MIRROR,

29in. (73.5cm.) high, 36in. (91.5cm.) wide, 23in. (58.2cm.) deep

FIRST HALF 18TH CENTURY

$1,000-1,500

58in. (147.5cm.) high, 32in. (81cm.) wide

$4,000-6,000

PROVENANCE:

The Estate of Ambassador Pamela Harriman, Sotheby’s New York, 19-21 May 1997, lot 937. 567

562

62

•n563 A LOUIS XVI ORMOLU-MOUNTED MAHOGANY TABLE A ECRIRE,

•n568 A PAIR OF FRENCH ORMOLU FIGURAL CHENETS,

BY DENIS LOUIS ANCELLET, LATE 18TH CENTURY,

19TH CENTURY,

stamped D L ANCELLET to one long rail 28in. (71cm.) high, 32Ωin. (82.5cm.) wide, 18in. (46cm.) deep

$2,000-3,000

in the style of Francois Thomas Germain 19in. (48cm.) high

(2)

$3,000-5,000 Denis Louis Ancellet maître in 1779. 568 563

•n569 A PAIR OF LOUIS XVI STYLE GILTWOOD AND MARBLE TOP GUERIDONS

•n564 A LOUIS XVI GREY-PAINTED BERGERE, LATE 18TH CENTURY,

27Ωin. (70cm.) high, 20in. (50.8cm.) diameter (2)

covered in grey and cream silk 38in. (96.5cm.) high, 27in. (68.9cm.) wide, 22in. (56cm.) deep

$2,000-3,000

$1,500-2,000

569 564

•n565 A PAIR OF FRENCH ORMOLU FIGURAL CHENETS,

•n570 A SILVERED METAL DRESSING TABLE,

19TH CENTURY,

50in. (127cm.) high, 22in. (56cm.) wide, 16in. (41cm.) deep

in the style of Francois Thomas Germain 19in. (48cm.) high

20TH CENTURY

$1,000-1,500

(2)

$1,500-2,000

565

570

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n576 A FRENCH ORMOLU AND BRONZEMOUNTED MAHOGANY CENTER TABLE, PROBABLY 20TH CENTURY

•n571 A MARBLE BUST OF A GIRL,

29in. (74cm.) high, 37ºin. (94Ωcm.) diameter

$1,500-2,000

AFTER JEAN-ANTOINE HOUDON, LATE 19TH CENTURY,

PROVENANCE:

inscribed HOUDON 17Ωin. (44.5cm.) high

Acquired from Phillipe Delpierre, Paris, September 1981.

$1,500-2,000

576

571

•n577 A LOUIS XVI ORMOLU-MOUNTED PORTICO CLOCK, CIRCA 1790,

the movement with anchor escapement and silk suspension 26in. (66cm.) high, 17æin. (45cm.) wide, 7in. (18cm.) deep

$3,000-5,000 •n572 A FRENCH PATINATED AND GILT METAL, MAHOGANY AND SODALITE TWO-TIERED SIDE TABLE,

PROVENANCE:

Acquired from Wolff-Mueller, Copenhagen, July 1989.

20TH CENTURY

577

29in. (74.5cm.) high, 14in. (35.5cm.) wide, 21Ωin. (54.5cm.) deep

$1,500-2,000

572

•578 A PAIR OF RUSSIAN ORMOLU CANDLESTICKS, EARLY 19TH CENTURY, NOW MOUNTED AS LAMPS,

electrifed 13in. (33cm.) high, excluding ftments

(2)

63

$2,000-3,000

573 No Lot

PROVENANCE:

Acquired from Jean Wanecq, Paris, September 1987. 578 PROPERTY FROM A PRIVATE COLLECTION (LOTS 574-580) •n574 A PAIR OF NORTH EUROPEAN ORMOLU AND PATINATED BRONZE THREE-BRANCH WALL LIGHTS,

•579 A LATE LOUIS XVI ORMOLU STRIKING MANTEL CLOCK,

SECOND QUARTER 19TH CENTURY,

the enameled dial signed Armingaud Lne á Paris, leather inventory label inscribed 1138 to underside 18in. (46cm.) high, 15in. (38cm.) wide, 5in. (13cm.) deep

drilled for electricity 11in. (28cm.) high

BY ARMINGAUD, PARIS, CIRCA 1790,

(2)

$2,000-3,000 PROVENANCE:

$4,000-6,000

Acquired from Ouaiss Antiques, Paris, September 1995.

PROVENANCE:

Acquired from Galerie Perrin, Paris, September 1990. 574

Please see www.christies.com for additional information on this lot. 579

•n575 A PAIR OF LOUIS XVI GILTWOOD CANAPES, •580 A PAIR OF FRENCH ORMOLU TWO-BRANCH CANDELABRA,

BY ANTOINE GAILLARD, CIRCA 1785,

upholstered in crimson velvet, stamped A. GAILLARD to the backrail of one 52 in. (132 cm.) wide

(2)

MID-19TH CENTURY

$6,000-8,000

15æin. (40cm.) high

(2)

$1,500-2,000

PROVENANCE:

Acquired from Galerie Perrin, Paris, September 1989.

PROVENANCE:

Acquired from La Tour Camoufe, Paris, June 1989.

Antoine Gaillard, maître in 1781. 575

580

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n586 A DIRECTOIRE BRASS-MOUNTED INLAID MAHOGANY COMMODE,

PROPERTY OF A NEW YORK PRIVATE COLLECTOR (LOTS 581-585) •n581 AN ART DECO INLAID MAHOGANY AND FRUITWOOD CENTER TABLE,

LATE 18TH CENTURY, PROBABLY BY PIERRE JOURDAIN

DESIGNED BY MAXIME OLD,

stamped P.J. JOURDAIN JME 36in. (91.5cm.) high, 50Ωin. (128cm.) wide, 25in. (63.5cm.) deep

stamped to underside 28Ωin. (72.5cm.) high, 71in. (180.5cm.) wide, 37in. (94cm.) deep

$4,000-6,000

$2,000-3,000

Pierre Jourdain maître in 1779

581 586

•n582 A NORTH EUROPEAN INLAID FRUITWOOD CONSOLE TABLE, 19TH CENTURY, THE SHELVES ASSOCIATED

•n587 A CONTINENTAL GILTWOOD MIRROR,

33in. (84cm.) high, 42in. (107cm.) wide. 16in. (40.5cm.) deep

PROBABLY 18TH CENTURY, ADAPTED FROM A PICTURE FRAME

$1,000-1,500

39Ωin. (100cm.) high, 21in. (71cm.) wide

$2,000-3,000

582 587

•n583 A BRONZE, GILT BRONZE AND RESIN FLOOR LAMP,

•n588 A CONTINENTAL LOUIS XV STYLE ORMOLUMOUNTED TULIPWOOD CENTER TABLE

20TH CENTURY

64

29in. (74cm.) high, 34in. (86.5cm.) diameter

63æin. (162cm.) high

$1,000-1,500

$1,500-2,000

583

588

•n584 A CONTINENTAL PATINATED BRONZE LOW TABLE,

15æin. (40cm.) high, 16in. (40.5cm.) diameter

•n589 A LOUIS XVI BRASS-INLAID MAHOGANY AND FRUITWOOD WRITING TABLE,

$1,500-2,000

LATE 18TH/EARLY 19TH CENTURY

20TH CENTURY

29in. (74cm.) high, 32in. (81cm.) wide, 16in. (40.5cm.) deep

$1,500-2,000 584 589

•n585 AN EBONIZED AND PARCEL GILT MIRROR,

•n590 A FRENCH FRUITWOOD TRIC TRAC TABLE,

20TH CENTURY

LATE 19TH/20TH CENTURY

48in. (122cm.) high, 72in. (183cm.) wide

31in. (78.8cm.) high, 45in. (114.5cm.) wide, 24in. (61cm.) deep

$1,000-1,500

$1,000-1,500

585

590

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n591 A LOUIS XVI STYLE ORMOLU-MOUNTED MAHOGANY CONSOLE DESSERT

•n596 A PAIR OF DECORATIVE BRASS DOORS,

38in. (96.5cm.) high, 48in. (122cm.) wide, 18in. (45.8cm.) deep

84in. (213cm.) high, 21Ωin. (54.5cm.) wide, 1Ωin. (4cm.) deep (2)

$1,000-1,500

$3,000-5,000

FIRST HALF 20TH CENTURY

591

•n592 A LOUIS XVI MAHOGANY, AMARANTH AND MARBLE TOP SIDE TABLE,

596

•n597 A GEORGE III STYLE MAHOGANY LARGE BREAKFRONT SECRETAIRE BOOKCASE,

LATE 18TH CENTURY

29Ωin. (72.5cm.) high, 19in. (48cm.) wide, 14Ωin. (34.5cm.) deep

MODERN

124in. (315cm.) high, 179in. (455cm.) wide, 23in. (58.5cm.) deep

$700-900

$4,000-6,000

597

592

•n593 A LOUIS XVI INLAID MAHOGANY WRITING TABLE,

•n598 A PAIR OF ENGLISH MAHOGANY ARMCHAIRS,

LATE 18TH/ EARLY 19TH CENTURY

20TH CENTURY

28in. (71cm.) high, 25in. (63.5cm.) wide, 16in. (40.5cm.) deep

35in. (89cm.) high, 23Ωin. (60cm.) wide, 20in. (51cm.) deep (2)

$1,000-1,500

$800-1,200

598

593

PROPERTY FROM THE FORBES COLLECTION (LOTS 594-603)

65

•n599 A DUTCH BAROQUE STYLE BRASS TWELVELIGHT CHANDELIER

•n594 A CHROMED METAL, GLASS AND MOOSE ANTLER CENTER TABLE,

51in. (129.5cm.) high, 71in. (79cm.) diameter

MODERN

$1,000-1,500

29Ωin. (75cm.) high, 40in. (101cm.) diameter

$1,500-2,000

594 599

•n595 A BAROQUE STYLE STAINED WOOD TWELVE-LIGHT CHANDELIER

•n600 AN ENGLISH INLAID MAHOGANY DOUBLE PEDESTAL DESK,

47in. (119cm.) high, 36in. (92cm. diameter

20TH CENTURY

$2,000-3,000

30in. (76cm.) high, 54in. (137cm.) wide, 30in. (76cm.) deep

$700-900

595

Handling fees commence 35 days after the frst day of the sale

600

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•n601 AN EMPIRE STYLE GILT AND PATINATED BRONZE EIGHT-LIGHT CHANDELIER •n607 A FRENCH PROVINCIAL OAK ARMOIRE,

51in. (129.5cm.) high, 27in. (68.8cm.) diameter

$2,000-3,000

PARTS POSSIBLY 18TH CENTURY, THE CORNICE ALTERED AND POSSIBLY ASSOCIATED

101in. (256cm.) high, 62in. (157cm.) wide, 28Ωin. (72cm.) deep

$2,000-3,000 601

607 •n602 A WILLIAM AND MARY STYLE OAK CENTER TABLE

30in. (76cm.) high, 36in. (91.5cm.) diameter

$1,000-1,500

•n608 A CONTINENTAL POLYCHROME-PAINTED ARMOIRE,

602

19TH CENTURY

73in. (185.5cm.) high, 45in. (114.3cm.) wide, 23in. (58.5cm.) deep

$2,000-3,000 •603 AN OAK BOOKCASE CABINET, LATE 19TH/EARLY 20TH CENTURY

66

55Ωin. (141cm.) high, 48in. (122cm.) wide, 13in. (33cm.) deep

608

$1,500-2,000

603

PROPERTY FROM THE ESTATE OF KENNETH BATTELLE (LOTS 609-615) •609 A FRUITWOOD PARCEL EBONIZED SIDE CABINET, SECOND HALF 20TH CENTURY

PROPERTY FROM A PRIVATE ENGLISH COLLECTION (LOTS 604-608)

36in. (91.5cm.) high, 64in. (162.5cm.) wide, 22in. (56cm.) deep

•n604 A CONTINENTAL POLYCHROME-PAINTED PINE SIDE CABINET,

$800-1,200

19TH CENTURY,

the cornice painted with an inscription ‘IACOB BIEREL CATARI NA SCHAUB 1818’ 75Ωin. (191.5cm.) high, 68in. (173cm.) wide, 22in. (56cm.) deep

609

$1,500-2,000 604

•610 A PAIR OF BLUE-GLAZED LARGE TABLE LAMPS,

•n605 A CONTINENTAL PALE GREEN-PAINTED PINE BUFFET A DEUX CORPS,

20TH CENTURY

19TH CENTURY

40in. (101.5cm.) high

94in. (239cm.) high, 56in. (142cm.) wide, 24in. (61cm.) deep

$800-1,200

$1,500-2,000

610

605 606 No Lot

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

(2)

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•611 A STAINED OAK SOFA COVERED IN STRIPED VELVET,

PROPERTY OF A NEW YORK COLLECTION (LOTS 616-618) •n616 A PAIR OF BALTIC ORMOLU AND CUT-GLASS FOUR-BRANCH WALL-LIGHTS,

20TH CENTURY,

with two bolster cushions 33Ωin. (85cm.) high, 77in. (196cm.) wide, 30in. (76cm.) deep

EARLY 19TH CENTURY

$1,000-1,500

41Ωin. (105.5cm.) high, 20æin. (52.5cm.) high (2)

$2,500-3,500 611 616

•612 A RED-PAINTED SQUARE LOW TABLE, A PAIR OF RED-PAINTED CARVED MIRRORS, AND A CONTINENTAL BLACK JAPANNED PIANO STOOL,

•n617 A FRENCH ORMOLU-MOUNTED MAHOGANY, TULIPWOOD, SATINWOOD AND PARQUETRY SIDE TABLE,

20TH CENTURY

The low table 17in. (43cm.) high, 34Ωin. (87cm.) wide, 34Ωin. (87cm.) deep

(4)

CIRCA 1880

$1,000-1,500

32in. (81cm.) high, 22in. (56cm.) wide, 14ºin. (36cm.) deep

$3,000-5,000 612

617

•613 A GROUP OF THREE TABLE LAMPS, 19TH-20TH CENTURY, •618 A NORTH EUROPEAN VERRE EGLOMISE MIRROR,

comprising a Carcel bronze lamp with frosted glass shade, stamped label to the base; a bronzepainted wood archickoke-form lamp; and a marble vase-form lamp The Carcel lamp and shade 25Ωin. (65cm.) high (3)

LATE 19TH/EARLY 20TH CENTURY,

the arch cresting centered by an M monogram 81Ωin. (207cm.) high, 41æin. (106cm.) wide

$800-1,200

67

$3,000-5,000

613 618

PROPERTY FROM THE COLLECTION OF NATHAN AND JOAN LIPSON (LOTS 619-620) •619 A GEORGE I WALNUT, YEWWOOD AND PARCEL-GILT BUREAU CABINET,

•614 A DISTRESSED PINE CORNER CUPBOARD,

CIRCA 1720,

LATE 19TH/20TH CENTURY

the slant-front enclosing a ftted interior, the top of the lower section inscribed in black AMC/10866, the brasses and feet later 91æin. (233cm.) high, 40Ωin. (103cm.) wide, 23ºin. (59cm.) deep

97in. (246.5cm.) high, 57in. (144.5cm.) wide, 30in. (76cm.) deep

$800-1,200

$4,000-6,000

619

614

•620 A FRENCH ORMOLU-MOUNTED BLUE JOHN AND FLUORSPAR URN,

•615 A MODERN TWO-SEAT SOFA COVERED IN WHITE TWILL,

19TH CENTURY, THE MOUNTS LATE 19TH CENTURY, NOW MOUNTED AS A LAMP,

together with seven throw pillows 30in. (76cm.) high, 76in. (193cm.) wide, 40in. (101.5cm.) deep

electrifed 16ºin. (41cm.) high, excluding ftment

$800-1,200

$3,000-5,000

615 620

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE” Due to recent changes in US law, a permit will be required for the export of any carpet of Iranian origin. While Christie’s will assist the purchaser with a permit application, the purchase is not conditional upon receiving a permit. Please see the Conditions of Sale paragraph 4(e) titled “Export license” for further details.

PROPERTY FROM A PRIVATE SOUTHEAST COLLECTION

PROPERTY OF A PRIVATE COLLECTOR, NEW YORK

•621 A FRENCH ORMOLU-MOUNTED MAHOGANY AND SATINE COMMODE A L’ANGLAISE,

•n626 AN EMPIRE AUBUSSON CARPET,

BY EUGENE POTEAU, PARIS, LATE 19TH CENTURY,

reduced in length Approximately 16ft. 10in. x 12ft. 4in. (513cm. x 376cm.)

FRANCE, CIRCA 1810,

with a later rose breccia marble top, the top of the cabinet door with plaquette signed E. POTEAU/Ameublement/59 Rue de Turenne/ PARIS, Poteau stencil to the top of the case 40æin. (103.5cm.) high, 72in. (183cm.) wide, 24in. (60.5cm.) deep 621

$3,000-5,000

$2,000-3,000 PROVENANCE:

626

Acquired from Dominique Chevalier, Paris, 1985.

PROPERTY OF A PRIVATE COLLECTION

•n622 AN ART DECO PAINTED CANVAS PANEL FROM THE ORIGINAL ZIEGFELD THEATER, MOUNTED AS A SCREEN,

•n627 TWO BESSARABIAN KILIM CARPETS, 19TH CENTURY

Approximately 10ft. x 8ft. 10in. (305cm. x 269cm.) and 6ft. 5in. x 4ft. 1in. (196cm. x 124cm.)

PAINTED BY LILLIAN GAETNER PALMEDO CIRCA 1926-1927, UNDER THE DIRECTION AND DESIGN OF JOSEPH URBAN

$800-1,200

125in. (317.5cm.) high

$2,000-3,000 622 627

•n628 A KASHAN RUG,

•n623 A LARGE SEAL STUFFED ANIMAL,

68

CENTRAL PERSIA, CIRCA 1930

IN THE MANNER OF STIEFF, SECOND HALF 20TH CENTURY

Approximately 6ft. 8in. x 4ft. 4in. (203cm. x 132cm.)

46in. (117cm.) long

$3,000-5,000

$800-1,200

628

623

•n629 A KIRMAN RUG,

PROPERTY FROM A PRIVATE COLLECTION •n624 A FLEMISH MYTHOLOGICAL TAPESTRY,

SOUTHEAST PERSIA, LATE 19TH CENTURY

Approximately 6ft. 7in. x 3ft. 7in. (201cm. x 109cm.)

EARLY 17TH CENTURY,

depicting Cupid and Psyche 103Ω x 100in. (262.8 x 254cm.) approx.

$4,000-6,000

$4,000-6,000

629

624

PROPERTY FROM A PRIVATE NEW YORK COLLECTION

•n630 A HERIZ CARPET,

•n625 A SUZANI EMBROIDERY,

NORTHWEST PERSIA, CIRCA 1930

UZBEKISTAN, CIRCA 1880,

Approximately 10ft. x 7ft. (305cm. x 213cm.)

now mounted on a stretcher Approximately 7ft. 7in. x 7ft. 7in. (231cm. x 231cm.)

$3,000-5,000

$5,000-7,000

625

630

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

(2)

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE” Due to recent changes in US law, a permit will be required for the export of any carpet of Iranian origin. While Christie’s will assist the purchaser with a permit application, the purchase is not conditional upon receiving a permit. Please see the Conditions of Sale paragraph 4(e) titled “Export license” for further details.

•n631 A MELAS RUG, WEST ANATOLIA, CIRCA 1900

Approximately 5 ft. 10 in. x 4 ft. 2 in. (147 cm. x 127 cm.)

PROPERTY OF A LADY

$3,000-5,000

•n635 A CHRISTOPHER FARR CARPET,

PROVENANCE:

CIRCA 2000

Anonymous sale; Sotheby’s New York, 1 April 2003, lot 161.

Approximately 13ft. 2in. x 11ft. 8in. (401cm. x 356cm.)

$3,000-5,000

631 635

•n632 A SHIRVAN MARASALI RUG, EAST CAUCASUS, LAST QUARTER 19TH CENTURY

Approximately 6 ft. x 3 ft. 3 in. (183 cm. x 99 cm.)

$3,000-5,000 PROVENANCE:

Anonymous sale; Christie’s New York, 19 June 2003, lot 67. PROPERTY FROM A PRIVATE EUROPEAN COLLECTION (LOTS 636-637) •n636 AN EAST TURKESTAN CARPET, CIRCA 1900

632

Approximately 12ft. 10in. x 6ft. 5in. (391cm. x 196cm.)

$1,000-1,500

69

PROPERTY FROM A DISTINGUISHED NEW YORK COLLECTION (LOTS 633-634) •n633 A CHINESE NICHOLS CARPET,

636

CIRCA 1930

Approximately 11ft. 5in. x 8ft. 11in. (348cm. x 272cm.)

$1,500-2,000

633

•n637 TWO MOROCCAN FLATWEAVES, 20TH CENTURY

Approximately 9ft. 3in. x 4ft. 9in. (282cm. x 154cm.) and 6ft. 4in. x 3ft. 7in. (193cm. x 109cm.)

•n634 A CHINESE NICHOLS CARPET,

(2)

$1,000-1,500

CIRCA 1930

Approximately 11ft. 7in. x 8ft. 9in. (353cm. x 267cm.)

$1,500-2,000

637 634

END OF SALE

Handling fees commence 35 days after the frst day of the sale

Fine Art Index A

G

P

Adrion, L., 136 Aïzpiri , P., 12, 13 Aïzpiri, P., 22 American School, 58, 60, 62, 63, 67, 68, 69, 70, 71, 148 Antonakos, S., 147 Archuleta, F.B., 48 Artist Unknown, 87

Gail, W., 78 Gainsborough, T., 89 German School, 100 Gromaire, M., 29 Gullager, C., 104

Payne, E.A., 65 Picasso, P., 35

B Bak, S., 126, 127 Baldus, E., 102, 103 Bassano, J., 76 Baum, D., 47 Bidner, R., 106 Bonheur, R., 93 Boriani, D., 36 Brandi, G., 101 Brasilier, A., 18 British School, 57 Brouwer, A., 81 Burlin, P., 113, 114

C Campbell, L., 109 Campus, P., 139 Capron, J., 6, 7, 8 Carlson, W., 37 Charon, G., 3, 4 Chorel, J., 475 Ciry, M., 30 Continental School, 86 Cornell, J., 46 Crocker, J.D., 66

H Hajdu, E., 41 Helleu, P., 137 Hermanus, P., 98

I Icart, L., 138 Ipoustéguy, J.R., 42

J Jansem, J., 11, 16, 17, 27, 31 Janszoon van Mierevelt, M., 91 Johnson, M., 61

Savin, M.L., 5, 9, 10 Sébire, G., 1, 2, 23 Simbari, N., 19, 32, 33 Simons, F., 80 Steckel, H., 111 Suñol Muñoz Ramos, A., 15, 34

T

Kolar, J., 49 Koons, J., 54

U

L

Ubeda, A., 24, 25

Laing, G., 142 Lanyon, E., 53 Lipchitz, J., 121 Lucchesi, B., 112 Lurçat, J., 14

V

M

Waldman, P., 146 Walt Disney Studios, 44 Ward, E., 85 Westchiloff, K., 97 Wharton, M., 38 Wilem van Soest, L., 105

E

N

Edwards, B., 124 Eggleston, W., 140

Natkin, R., 123 Neilson, R., 130 nendo, 55 Newman, A., 45

Ferguson, M., 107 Ferrero, 21 Fox, E.M., 72, 73, 74, 75 French School, 56, 94

S

Teniers, D., 90 Thurber, J.G., 43

d’Orgeix, C., 52 De Lempicka, T., 131, 132, 133, 134, 135 de Zwart, W., 84 Di Cavalcanti, E., 120 Dickson, J., 108 Dine, J., 141 Dunow, E., 110

F

Reeves, R.S., 129 Richards, W.T., 64 Rigaud, J., 95 Rizek, E., 79 Robert-Fleury, J.N., 99

K

Maris, J., 83 Martin, F., 122 Mexican School, 116, 117, 118, 119 Milder, J., 145 Moretti, L.P., 20 Morland, G., 77 Morris, K., 115 Morris, W., 40 Moskowitz, R., 125 Müller, R., 50

D

R

O Oldenburg, C., 143

van Mieris, F., 82 Venard, C., 28 Venetian School, 92

W

Y Youngerman, J., 144

Z Zynsky, T., 39

Auction Calendar Interiors 2015

NEW YORK Wednesday-Thursday

1-2 APRI L Rockefeller Center

Tuesday-Wednesday

23 -24 JUNE Rockefeller Center

Absentee Bids FREQUENTLY ASKED QUESTIONS

Is it like a Sealed Bid? A little. The key difference is that a sealed bid is a fixed sum which, if you are successful, you will end up paying regardless, whilst a written bid is your maximum level (plus buyer’s premium and applicable taxes) and you may end up paying less than that. What will I pay? If you are successful, the purchase price payable will be the aggregate of the final bid and a buyer’s premium of 25% on each lot up to and including $100,000, plus 20% of the excess above $100,000 up to and including $2,000,000, plus 12% of any sum in excess of $2,000,000, together with any additional applicable charges, such as sales or compensating taxes.

Can I change my mind? Yes of course, but only before the auction has begun. Contact the Bids Office as soon as possible on +1 212 636 2437 If I’m successful, what happens next? To find out if your bid was successful call the auction results line at +1 212 703 8080.

Can I have my items delivered? Yes. Our Art Transport team can arrange all your transport needs, from local deliveries to international freight. Their telephone number is +1 212 636 2480

We will send you an invoice and payment information sheet to the address provided, you can then make payment and collect your lots. Please check with our cashiers about lot locations prior to picking up your purchases. Their telephone number is +1 212 636 2495. Remember, lots can be subject to handling and administration charges after the sale, always check the catalogue for precise details on when charges begin.

IMPORTANT INFORMATION

1 All written bids are subject to the Conditions of Sale and Notices printed in the catalogue. 2 Although to be certain of buying a lot you should attend the auction, Christie’s will use reasonable efforts to carry out written bids delivered to us prior to the sale. A maximum price should be given against each lot and the auctioneer will bid on your behalf. Written bids should be consistent with the normal increment in bidding at the relevant level. 3 If your bid is successful, the purchase price payable will be the aggregate of the final bid and a buyer’s premium of 25% on each lot up to and including $100,000 plus 20% of the excess above $100,000 up to and including $2,000,000 plus 12% of any sum in excess of $2,000,000, together with any additional applicable charges, such as sales or compensating taxes. 4 Please ensure you have left bids on the correct lots and that your written bids are received by no later than the day before the sale begins. In certain circumstances it may not be possible to execute bids received after the start of the sale.

5 If we receive written bids on a particular lot for identical amounts, and at the auction these are the highest bids for the lot, it will be sold to the person whose written bid was received and accepted first. Written bids submitted on “no reserve” lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. The auctioneer may execute absentee bids directly from the rostrum clearly identifying these as “absentee bids,” “book bids,””order bids” or “commission bids.” Absentee Bids Forms are available in this catalogue, at any Christie’s location or online at christies.com. 6 Please note that we do not accept responsibility for notifying you of the result of your bid and request that you contact us after the sale for your result. 7 Purchases must be paid for and picked up within 35 days of the sale, after which handling and administration fees may accrue in accordance with notices in salerooms and as set forth in the POST-SALE CARE section in this catalogue.

8 To ensure that bids will be accepted and that delivery of lots is not delayed, new clients or existing clients planning to spend sums inconsistent with their buying history may be asked to supply written bank or other suitable references to Christie’s. The references should be supplied in good time before the sale. Collection orders for purchased lots will not be posted. Please enquire with Cashiers +1 212 636 2480. 9 At the time of making payment for successful bids, please inform us if you wish to contact Christie’s Art Transport Department for shipping or removal. 10 Export Licences: Overseas buyers, please ensure that you are aware of any restriction or licence requirements for your intended purchase. If you are unsure, please contact your local customs authority, an international shipper or Christie’s Art Transport Department on +1 212 636 2480. 11 Execution of written bids is a free service undertaken subject to other commitments at the time of the sale. The volume of goods is such that we cannot accept liability in any individual instance for failing to execute a written bid or for errors and omissions in connection with it arising from circumstances beyond our reasonable control.

Absentee Bids Please see reverse for Important Information If you can’t attend an auction in person, don’t miss out, leave a written bid and we’ll do the rest — BID NOW it’s quick, convenient and confidential.

LOT NUMBER

MAXIMUM BID (US$) (EXCLUDING BUYER’S PREMIUM)

!

SALE DETAILS

to fax this form, please trim here.

Sale title: CHRISTIE’S INTERIORS Sale date/time: Tuesday 24 February at 10 am Tuesday 24 February at 2 pm Wednesday 25 February at 10 am Wednesday 25 February at 2 pm Sale number: SADIE-3711

TO BID NOW ONE DECIDE ON YOUR MAXIMUM BID You might not end up paying this much. We will bid on your behalf up to your limit in order to buy the lot for you at auction. Of course, written bids always remain totally confidential. Don’t forget that your final invoice will also include buyer’s premium and any additional applicable charges, such as sales or compensating taxes where applicable.

TWO PLACE YOUR BID Form Complete this form by filling in the lot numbers and your maximum bids together with your contact details. Hand this form into the Bids Department or fax it to us on +1 212 636 4938. Please remember this form should only be used for the sale detailed above. Please write in clear, BLOCK CAPITALS.

Online

YOUR CLIENT ACCOUNT NUMBER

NAME

INVOICE ADDRESS

Please log onto christies.com and follow the simple instructions.

Telephone Please call the Bids Department on +1 212 636 2437.

ZIP/POSTCODE

Written Bids must be received the day before the sale.

COUNTRY

If you have not previously bid or consigned with Christie’s, please attach copies of the following documents. Individuals: government-issued photo identification (such as a driving licence, national identity card, or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or bank statement. Corporate clients: a certificate of incorporation. Other business structures such as trusts, offshore companies or partnerships: please contact the Credit Department at +1 212 636 2490 for advice on the information you should supply. If you are registering to bid on behalf of someone who has not previously bid or consigned with Christie’s, please attach identification documents for yourself as well as the party on whose behalf you are bidding, together with a signed letter of authorization from that party. New clients, clients who have not made a purchase from any Christie’s office within the last two years, and those wishing to spend more than on previous occasions will be asked to supply a bank reference.

EMAIL

THREE CHECK THE RESULTS

I HAVE READ AND UNDERSTOOD THE TERMS AND CONDITIONS SET OUT ON THE REVERSE

To find out if you have been successful you can call the automated results line on +1 212 703 8080. Remember, lots can be subject to storage charges after the sale.

TELEPHONE

MOBILE

FAX NUMBER

BIDDERS NOT YET KNOWN TO CHRISTIE’S SHOULD SUPPLY A BANK REFERENCE

NAME OF BANK(S)

ADDRESS OF BANK(S)

ACCOUNT NUMBER(S)

NAME OF ACCOUNT OFFICER(S)

BANK TELEPHONE NUMBER(S)

SIGNED

DATED

Please check if you would like to receive an email with the results of your bid(s) and if successful, a link to your invoice on Christies.com

Please ensure your details are correct as we cannot change the invoice name once the invoice has been issued.

73

All you need to know EXPLANATION OF CATALOGUING PRACTICE Some of the terms we use in catalogue descriptions might be unfamiliar to you. We’ve outlined below these expressions and their explanations. FOR PICTURES, DRAWINGS, PRINTS AND MINIATURES Terms used in this catalogue have the meanings ascribed to them below. Please note that all statements in this catalogue as to Authorship are made subject to the provisions of the CONDITIONS OF SALE and LIMITED WARRANTY. Buyers are advised to inspect the property themselves. Written condition reports are usually available on request. Name(s) or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist. *”Attributed to …” In our opinion probably a work by the artist in whole or in part. *”Studio of …”/ “Workshop of …” In our opinion a work executed in the studio or workshop of the artist, possibly under his supervision. *”Circle of …” In our opinion a work of the period of the artist and showing his influence. *”Follower of …” In our opinion a work executed in the artist’s style but not necessarily by a pupil. *”Manner of …” In our opinion a work executed in the artist’s style but of a later date. *”After …” In our opinion a copy (of any date) of a work of the artist. “Signed …”/”Dated …”/ “Inscribed …” In our opinion the work has been signed/dated/inscribed by the artist. “With signature …”/ “bears signature...”/“With date …”/ “bears date...”/“With inscription …”/”bears inscription...” In our opinion the signature/date/inscription appears to be by a hand other than that of the artist. The date given for Old Master, Modern and Contemporary Prints is the date (or approximate date when prefixed with ‘circa’) on which the matrix was worked and not necessarily the date when the impression was printed or published. *This term and its definition in this Explanation of cataloguing practice are a qualified statement as to Authorship. While the use of this term is based upon careful study and represents the opinion of specialists, Christie’s and the consignor assume no risk, liability and responsibility for the authenticity of authorship of any lot in this catalogue described by this term, and the Limited Warranty shall not be available with respect to lots described using this term. EUROPEAN CERAMICS Buyers are recommended to inspect the property themselves. Written condition reports are usually available on request. “A German cup and saucer Meissen, Blue crossed swords, mark, date” In our opinion both were made at the factory named and match. “A German cup and a saucer The cup Meissen, Blue crossed swords” In our opinion both pieces were made at the factory named but do not necessarily match. “A Worcester style plate” In our opinion not made in the factory, place or region named but using decor-ation inspired by pieces made therein. “A Sèvres-pattern plate” In our opinion not made in the factory, place or region named but using decor-ation inspired by pieces made therein. “A Pratt-ware plate” In our opinion not made in the factory, place or region named but near in the style or period to pieces made therein.

74

“Modelled by…” In our opinion made from the original master mould made by the modeller and under his supervision. “After the model by…” In our opinion made from the original master mould made by that modeller but from a later mould based on the original. “Painted by…” In our opinion can properly be attributed to that decorator on stylistic grounds. FOR FURNITURE AND OBJECTS OF ART A LOUIS XV KINGWOOD COMMODE MID-18TH CENTURY This heading printed in capital letters, with the inclusion of the date in capital letters, means that in Christie’s opinion the piece is essentially of the period. A LOUIS XV KINGWOOD COMMODE This heading printed in capital letters, without the date included, means that in Christie’s qualified opinion the piece is essentially of the period. A LOUIS XV STYLE KINGWOOD COMMODE This heading printed in capital letters, with the word “STYLE” included in capital letters, means that in Christie’s qualified opinion the piece is an intentional copy of an earlier design. FOR SILVER A GEORGE II SILVER CUP AND COVER Mark of Paul de Lamerie, London, 1735 In Christie’s opinion either made in the workshop of the master or struck with his sponsor’s mark prior to retailing and hallmarked at the London Assay Office between May 29, 1735 and May 29, 1736. The date letter has usually, but not always, changed since the early 18th century on, or around, May 29. Prior to the 18th century, the date letter changed on various dates ranging from May 8 to August 3. Since 1975, the date letter has run from January 2 to January 1 of the subsequent year. Other countries and English, Irish and Scottish provincial offices have varying dating systems. A GEORGE II SILVER CUP AND COVER circa 1735 In Christie’s opinion made during the specified monarch’s reign and unmarked or struck with illegible marks. A GEORGE II SILVER CUP AND COVER Bearing marks for London, 1735, with the mark of Paul De Lamerie In Christie’s opinion made during the specified monarch’s reign and, in all probability, in the workshop of, or sponsored by, the maker cited, but with marks transposed from a previously hall marked object. In some instances the catalogue may note that these transposed hall marks have been cancelled to bring them into conformity with modern English hallmaking laws. Please note that the ounce weights given in this catalogue are troy ounces. OTHER None of the electrical goods offered in this catalogue have been tested. We strongly advise that all electrical items be inspected by a certified electrician and any intended re-commissioning is undertaken by an appropriately qualified electrician. In respect of mechanical pieces such as clocks, no representation is made or warranty given that any such item is in working order and nothing in the catalogue description should be taken as such. The date given for Old Master, Modern and Contemporary Prints is the date (or approximate date when prefixed with ‘circa’) on which the matrix was worked and not necessarily the date when the impression was printed or published. Measurements of Prints are taken where possible from the platemark (‘P’), otherwise they record the size of the sheet (‘S’) or the borderline of the subject (‘L’). All measurements are in centimeters to the nearest centimeter and are approximate. ALL DIMENSIONS ARE APPROXIMATE

IMPORTANT NOTICES CONDITION All property is sold “as is”. It is yours or your agent’s specific responsibility to inspect the property and to read the Conditions of Sale section contained in this catalogue before bidding upon it. The existence or absence of a condition report relating to the property does not imply that the lot is limited to any defects referred to nor free from any defects not referred to in that condition report. A condition report is given for guidance only and the extent of any damage or restoration must be confirmed by your examination of that lot prior to the sale. A GUIDE TO SYMBOLS • NO RESERVE (the title line of the lot description and the symbol are printed in red) In these cases the lot is sold without reserve.

∆/º

CHRISTIE’S INTEREST From time to time, Christie’s may offer a lot which it owns in whole or in part. Such property is identified in the catalogue with the symbol ∆ next to its lot number. On occasion, Christie’s has a direct financial interest in lots consigned for sale, which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. Where Christie’s holds such financial interest on its own we identify such lots with the symbol º next to the lot number. Where Christie’s has financed all or part of such interest through a third party the lots are identified in the catalogue with the symbol º u. When a third party agrees to finance all or part of Christie’s interest in a lot, it takes on all or part of the risk of the lot not being sold, and will be remunerated in exchange for accepting this risk based on a fixed fee if the third party is the successful bidder or on the final hammer price in the event that the third party is not the successful bidder. The third party may also bid for the lot. Where it does so, and is the successful bidder, the remuneration may be netted against the final purchase price. If the lot is not sold, the third party may incur a loss. Please see http://www.christies.com/ financial-interest/ for a more detailed explanation of minimum price guarantees and third party financing arrangements. Where Christie’s has an ownership or financial interest in every lot in the catalogue, Christie’s will not designate each lot with a symbol, but will state its interest in the front of the catalogue.

~ PROPERTY INCORPORATING MATERIALS FROM ENDANGERED AND OTHER PROTECTED SPECIES Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife are marked with the symbol ~ in the catalogue. Such material includes, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whale bone and certain species of coral, together with Brazilian rosewood. Prospective purchasers are advised that several countries prohibit altogether the importation of property containing such materials, and that other countries require a permit (e.g., a CITES permit) from the relevant regulatory agencies in the countries of exportation as well as importation. Accordingly, clients should familiarize themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. For example, the U.S. generally prohibits the importation of articles containing species that it has designated as endangered or threatened if those articles are less than 100 years old. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered and other protected wildlife material. The inability of a client to export or import property containing endangered and other protected wildlife material is not a basis for cancellation or rescission of the sale. Please note also that lots containing potentially regulated wildlife material are marked as a convenience to our clients, but Christie’s does not accept liability for errors or for failing to mark lots containing protected or regulated species. NOTICE REGARDING BURMESE STONES Items which are made of, or contain, rubies or jadeite originating in Burma (Myanmar) may not be imported into the U.S. As a convenience to our bidders, lots which contain rubies or jadeite of Burmese origin or of indeterminate origin have been marked with Ψ. Please be advised that a purchaser’s inability to import any such item into the U.S. or any other country shall not constitute grounds for nonpayment or cancellation of the sale. Please note that with respect to items that contain any other types of gemstones originating in Burma (e.g., sapphires), such items may be imported into the U.S., provided that the gemstones have been mounted or incorporated into jewelry outside of Burma and provided that the setting is not of a temporary nature (e.g., a string).

All you need to know HOW DOES THE AUCTION WORK? Bidding generally opens below the low estimate and advances in increments of up to 10%, subject to the auctioneer’s discretion. Written bids that do not conform to the increments set below may be lowered to the next increment. $0 to $2,000 by $100’s $2,000–$3,000 by $200’s $3,000–$5,000 by $200, 500, 800 (i.e $4,200, 4,500, 4,800) $5,000–$10,000 by $500’s $10,000–$20,000 by $1,000’s $20,000–30,000 by $2,000’s $30,000–$50,000 by $2,000, 5,000, 8,000 (i.e. $32,000, 35,000, 38,000) $50,000–$100,000 by $5,000’s $100,000–$200,000 by $10,000’s above $200,000 at auctioneer’s discretion The auctioneer may vary the increments during the course of the auction at his or her own discretion.Note that published estimates do not include buyer’s premium or applicable sales taxes. Buyers should not rely upon estimates as a representation or a prediction of actual selling prices. CONDITION REPORTS Condition reports for most lots in the Interior Sales are available online at www.christies.com. Condition reports are provided as a service to interested clients. Prospective buyers should note that descriptions of property are not warranties and that each lot is sold “as is”. SALEROOM NOTICES Details in this catalogue can be subject to change after it has been printed. For example, some extra provenance or information might have come to light over a particular lot, or the lot itself might have been withdrawn from the sale, or the estimate might have changed. These details will appear in the saleroom notice for that particular sale and is available at the Bids Office, +1 212 636 2437. Please check with the Bids Office for last minute changes prior to the sale.

PAYMENT & SUCCESSFUL BIDS All you need to know on how, when and where to pay New clients or existing clients planning to spend sums inconsistent with their buying history may be asked to supply written bank or other suitable references. PAYMENT Under normal circumstances, buyers are expected to pay for purchases within seven calendar days after the auction and to remove the property that they have bought by that date. Payment can be made by personal check, bank wire transfers, cash (in US currency up to $7,500), Travellers checks (in US currency up to $7,500), and money orders (in US currency up to $7,500). If you are planning on paying in person, our Cashiers will accept payment for collection Monday through Friday from 9:30 am until 5:00 pm at both Christie’s Rockefeller Plaza and Redstone in Long Island City. Purchased property can only be picked up on those days up to 4:30 pm at both Christie’s Rockefeller Plaza and Redstone in Long Island City. Checks and money orders should be made payable to Christie’s Inc.. Bank transfers should be made to: JP Morgan Chase Bank, N.A., 270 Park Avenue, New York, NY 10017, ABA# 021000021, FBO: Christie’s Inc., Account # 957107978. For international transfers, SWIFT: CHASUS33. Please be sure to specify your name, invoice number, sale and lot numbers to ensure proper credit to your account. Please note that Christie’s will not accept payments for purchased Lots from any party other than the buyer, unless otherwise agreed in writing between the buyer and Christie’s prior to the sale. SUCCESSFUL ABSENTEE BIDS Christie’s is not able to notify successful absentee bidders. While invoices are sent out by mail after the auction we do not accept responsibility for notifying you of the result of your bid. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary handling charges. Auction Results: +1 212 703 8080 SALES TAX AT CHRISTIE’S NEW YORK Purchases picked up in New York or delivered to locations in California, Florida, Illinois, Massachusetts, New York, Pennsylvania, Rhode Island or Texas may be subject to sales or compensating use tax of such jurisdiction. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyer’s claiming exemption from sales tax must have the appropriate documentation on file with Christie’s prior to the release of the property. For more information, please contact Purchaser Payments at +1 212 636 2495.

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All you need to know –Taking it Home Every year we sell tens of thousands of lots of all shapes and sizes. Lots from Interiors Sales marked with a square n will go to Christie’s Redstone in Long Island City following the sale. All other lots will be kept at Christie’s Rockefeller until they are transferred to Redstone 21 days after the sale WHERE TO COLLECT You can pay for and collect all sold lots from Christie’s Rockefeller only until 5.00 pm on the last day of the sale. Items marked with a square n in the catalogue are transferred to Christie’s Redstone Post-Sale Facility in Long Island City at that time. They will be available at Redstone on the following Monday. All other lots will be kept at Christie’s Rockefeller for 21 days, after which they will be transferred to Redstone and available for collection after two business days. Property may be transferred at Christie’s discretion following the sale and we advise that you contact Purchaser Payments on +1 212 636 2495 to confirm your property’s location at any given time. Failure to collect your property within 35 calendar days of the auction date from any Christie’s location, will result in handling and administration charges plus any applicable taxes. Please see information below which contains a location map, contact details for Christie’s and Redstone, days and times when property is available for pick-up, and rate information related to handling, loss and liability coverage, administration and transfer of your property.

CHARGES

ALL PROPERTY

Administration (per lot, due on Day 36) Handling (per lot/day beginning Day 36)

$150.00 $12.00

HOW TO COLLECT All lots must be paid for at Christie’s prior to collection. Please ensure that you bring your invoice as well as some form of identification such as a drivers licence or passport to obtain a Collection Order that will allow your lot to be released to you directly, your agent or via Art Transport. If you are collecting from Redstone you will need your invoice and proof of identification. In order to ensure this, please schedule a collection time in advance, and bring a copy of your Collection Order with you. Please note that payment for lots will be accepted at the Redstone. SHIPPING A shipping form is enclosed with each invoice. It is the buyer’s responsibility to pick up purchases or make all shipping arrangements. After payment has been made in full, Christie’s can arrange property packing and shipping at the buyer’s request and expense. Where Christie’s arranges and bills for such services via invoice or credit card, an administration charge will apply. We recommend that buyers request an estimate for any large items or property of high value that require professional packing. For more information, please contact Christie’s Art Transport Department on +1 212 636 2480.

EXPORT/IMPORT PERMITS Buyers should always check whether an export and/or import licence is required before exporting to a foreign country. It is the buyer’s sole responsibility to obtain any relevant export or import licences. The denial of any licence or any delay in obtaining licences shall neither justify the rescission of any sale nor any delay in making full payment for the lot. Christie’s can advise buyers on the detailed provisions of the export licensing regulations and will submit any necessary export licence applications on request. If a license is obtained on a buyer’s behalf, a minimum fee of $150 per item will be charged. However, Christie’s cannot ensure that a licence will be obtained. Local laws may prohibit the import of some property and/or may prohibit the resale of some property in the country of importation. For more information, please contact Christie’s Art Transport Department on +1 212 636 2480.

If you are arranging with your own carrier, please ask your carrier to call Christie’s at least 24 hours in advance to book a collection appointment to ensure your purchases/lots will be ready for collection. Please ensure your carrier arrives with: 1. Written authority to collect 2. Proof of their own identification 3. A copy of your invoice or accurate detail of sale and lot numbers

Property can be transferred to Christie’s Fine Art Storage Services (CFASS) New York at any time for environmentally controlled long term storage, per client request. CFASS is a separate subsidiary of Christie’s and clients enjoy complete confidentiality. Contact CFASS New York for details: Tel: + 1 212 974 4570, [email protected]

CHRISTIE’S ROCKEFELLER CENTER 20 Rockefeller Plaza, New York, NY 10020 +1 212 636 2000 Main Entrance on 49th Street Receiving/Shipping Entrance on 48th Street Hours: 9.30 am to 5.00 pm Monday-Friday except Public Holidays

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CHRISTIE’S REDSTONE POST-SALE 32-23 48th Avenue Long Island City, NY 11101 +1 212 974 4500 Main Entrance on 48th Avenue Receiving/Shipping Entrance on 48th Avenue Hours: 9.30 am to 5.00 pm Monday-Friday except Public Holidays

Conditions of Sale These Conditions of Sale and the Important Notices and Explanation of Cataloguing Practice contain all the terms on which Christie’s and the seller contract with the buyer. They may be amended by posted notices or oral announcements made during the sale. By bidding at auction you agree to be bound by these terms. 1. CHRISTIE’S AS AGENT Except as otherwise stated Christie’s acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. 2. BEFORE THE SALE (a) Examination of property Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place. Condition reports are usually available on request. Neither Christie’s nor the seller provides any guarantee in relation to the nature of the property apart from the Limited Warranty in paragraph 6 below. The property is otherwise sold “as is.” (b) Catalogue and other descriptions Our cataloguing practice is explained in the Important Notices and Explanation of Cataloguing Practice after the catalogue entries. All statements by us in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by us of any kind. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. Estimates of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Except as set forth in paragraph 6 below, neither Christie’s nor the seller is responsible in any way for errors and omissions in the catalogue or any supplemental material. (c) Buyer’s responsibility Except as stated in the Limited Warranty in paragraph 6 below, all property is sold “as is” without any representation or warranty of any kind by Christie’s or the seller. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. 3. AT THE SALE (a) Refusal of admission Christie’s has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid. (b) Registration before bidding Prospective buyers who wish to bid in the saleroom can register online in advance of the sale, or can come to the saleroom on the day of the sale approximately 30 minutes before the start of the sale to register in person. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. (c) Bidding as principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium and all applicable taxes, plus all other applicable charges, unless it has been explicitly agreed in writing with Christie’s before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Christie’s, and that Christie’s will only look to the principal for payment.

(d) Absentee bids We will use reasonable efforts to carry out written bids delivered to us prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in the currency of the place of the sale. Please refer to the catalogue for the Absentee Bids Form. If we receive written bids on a particular lot for identical amounts, and at the auction these are the highest bids on the lot, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with it. (e) Telephone bids If a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone but we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. (f) Currency converter At some auctions a currency converter may be operated. Errors may occur in the operation of the currency converter and we do not accept liability to bidders who follow the currency converter rather than the actual bidding in the saleroom. (g) Video or digital images At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. (h) Reserves Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve will not exceed the low estimate printed in the catalogue. If any lots are not subject to a reserve, they will be identified with the symbol • next to the lot number. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at 50% of the low pre-sale estimate for the lot. In the absence of a bid at that level, the auctioneer will proceed backwards in his or her discretion until a bid is recognized, and then continue up from that amount. Absentee bids will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. In the event that there is no bid on a lot, the auctioneer may deem such lot unsold. (i) Auctioneer’s discretion The auctioneer has the right at his absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, to combine any two or more lots and, in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive. (j) Successful bid and passing of risk Subject to the auctioneer’s discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of his hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk and responsibility for the lot (including frames or glass where relevant) passes to the buyer at the expiration of seven calendar days from the date of the sale or on collection by the buyer if earlier.

4. AFTER THE SALE (a) Buyer’s premium In addition to the hammer price, the buyer agrees to pay to us the buyer’s premium together with any applicable value added tax, sales or compensating use tax or equivalent tax in the place of sale. The buyer’s premium is 25% of the final bid price of each lot up to and including $100,000, 20% of the excess of the hammer price above $100,000 and up to and including $2,000,000 and 12% of the excess of the hammer price above $2,000,000. (b) Payment and passing of title Immediately following the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The buyer must pay the full amount due (comprising the hammer price, buyer’s premium and any applicable taxes) not later than 4:30pm on the seventh calendar day following the sale. This applies even if the buyer wishes to export the lot and an export license is, or may be, required. The buyer will not acquire title to the lot until all amounts due to us from the buyer have been received by us in good cleared funds even in circumstances where we have released the lot to the buyer. (c) Collection of purchases We shall be entitled to retain items sold until all amounts due to us, or to Christie’s International plc, or to any of its affiliates, subsidiaries or parent companies worldwide, have been received in full in good cleared funds or until the buyer has satisfied such other terms as we, in our sole discretion, shall require, including, for the avoidance of doubt, completing any anti-money laundering or anti-terrorism financing checks we may require to our satisfaction. In the event a buyer fails to complete any antimoney laundering or anti-terrorism financing checks to our satisfaction, Christie’s shall be entitled to cancel the sale and to take any other actions that are required or permitted under applicable law. Subject to this, the buyer shall collect purchased lots within seven calendar days from the date of the sale unless otherwise agreed between us and the buyer. (d) Packing, handling and shipping Although we shall use reasonable efforts to take care when handling, packing and shipping a purchased lot, we are not responsible for the acts or omissions of third parties whom we might retain for these purposes. Similarly, where we may suggest other handlers, packers or carriers if so requested, we do not accept responsibility or liability for their acts or omissions. (e) Export licence Unless otherwise agreed by us in writing, the fact that the buyer wishes to apply for an export license does not affect his or her obligation to make payment within seven days nor our right to charge interest or storage charges on late payment. If the buyer requests us to apply for an export license on his or her behalf, we shall be entitled to make a charge for this service. We shall not be obliged to rescind a sale nor to refund any interest or other expenses incurred by the buyer where payment is made by the buyer in circumstances where an export license is required. (f) Remedies for non payment If the buyer fails to make payment in full in good cleared funds within the time required by paragraph 4(b) above, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available to us by law): (i) to charge interest at such rate as we shall reasonably decide; (ii) to hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iii) to cancel the sale; (iv) to resell the property publicly or privately on such terms as we shall think fit; (v) to pay the seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting buyer; (vi) to set off against any amounts which we, or Christie’s International plc, or any of its affiliates, subsidiaries or parent companies worldwide, may owe the buyer in any other transactions, the outstanding amount remaining unpaid by the buyer;

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(vii) where several amounts are owed by the buyer to us, or to Christie’s International plc, or to any of its affiliates, subsidiaries or parent companies worldwide, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; (viii) to reject at any future auction any bids made by or on behalf of the buyer or to obtain a deposit from the buyer before accepting any bids; (ix) to exercise all the rights and remedies of a person holding security over any property in our possession owned by the buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted by the law of the place where such property is located. The buyer will be deemed to have granted such security to us and we may retain such property as collateral security for such buyer’s obligations to us; (x) to take such other action as we deem necessary or appropriate. If we resell the property under paragraph (iv) above, the defaulting buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the seller under paragraph (v) above, the buyer acknowledges that Christie’s shall have all of the rights of the seller, however arising, to pursue the buyer for such amount. (xi) Failure to collect purchases Where purchases are not collected within 35 calendar days from the date of the sale, whether or not payment has been made, we shall be permitted to transfer the property to our Long Island City facility at the buyer’s expense, and only release the items after payment in full has been made of transportation, administration, handling, insurance and any other costs incurred, together with payment of all other amounts due to us or our affiliates. (xii) Selling Property at Christie’s In addition to expenses such as transport and insurance, all consignors pay a commission according to a fixed scale of charges based upon the value of the property sold by the consignor at Christie’s in a calendar year. Commissions are charged on a sale by sale basis. 5. EXTENT OF CHRISTIE’S LIABILITY We agree to refund the purchase price in the circumstances of the Limited Warranty set out in paragraph 6 below. Apart from that, neither the seller nor we, nor any of our officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Except as stated in paragraph (vi) below, neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph.

6. LIMITED WARRANTY Subject to the terms and conditions of this paragraph, Christie’s warrants for a period of five years from the date of the sale that any property described in headings printed in UPPER CASE TYPE (i.e. headings having all capital-letter type) in this catalogue (as such description may be amended by any saleroom notice or announcement) which is stated without qualification to be the work of a named author or authorship, is authentic and not a forgery. The term “author” or “authorship” refers to the creator of the property or to the period, culture, source or origin, as the case may be, with which the creation of such property is identified in the UPPER CASE description of the property in this catalogue. Only UPPER CASE TYPE headings of lots in this catalogue indicate what is being warranted by Christie’s. Christie’s warranty does not apply to supplemental material which appears below the UPPER CASE TYPE headings of each lot and Christie’s is not responsible for any errors or omissions in such material. The terms used in the headings are further explained in Important Notices and Explanation of Cataloguing Practice. The warranty does not apply to any heading which is stated to represent a qualified opinion. The warranty is subject to the following: (i) It does not apply where (a) the catalogue description or saleroom notice corresponded to the generally accepted opinion of scholars or experts at the date of the sale or fairly indicated that there was a conflict of opinions; or (b) correct identification of a lot can be demonstrated only by means of either a scientific process not generally accepted for use until after publication of the catalogue or a process which at the date of publication of the catalogue was unreasonably expensive or impractical or likely to have caused damage to the property. (ii) The benefits of the warranty are not assignable and shall apply only to the original buyer of the lot as shown on the invoice originally issued by Christie’s when the lot was sold at auction. (iii) The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party. (iv) The buyer’s sole and exclusive remedy against Christie’s and the seller, in place of any other remedy which might be available, is the cancellation of the sale and the refund of the original purchase price paid for the lot. Neither Christie’s nor the seller will be liable for any special, incidental or consequential damages including, without limitation, loss of profits nor for interest. (v) The buyer must give written notice of claim to us within five years from the date of the auction. It is Christie’s general policy, and Christie’s shall have the right, to require the buyer to obtain the written opinions of two recognized experts in the field, mutually acceptable to Christie’s and the buyer, before Christie’s decides whether or not to cancel the sale under the warranty. (vi) The buyer must return the lot to the Christie’s saleroom at which it was purchased in the same condition as at the time of the sale.

7. COPYRIGHT The copyright in all images, illustrations and written material produced by or for Christie’s relating to a lot including the contents of this catalogue, is and shall remain at all times the property of Christie’s and shall not be used by the buyer, nor by anyone else, without our prior written consent. Christie’s and the seller make no representation or warranty that the buyer of a property will acquire any copyright or other reproduction rights in it. 8. TITLE INSURANCE For certain specified lots in this sale, the seller has arranged to purchase – for the benefit of and at no cost to the buyers – an art title insurance policy (ATPI®) issued by ARIS Title Insurance Corporation. Policies insure against defective title and provide indemnity for full value of the work (hammer price plus buyer’s premium) plus outside the limit of liability defense costs. Detailed information about how to obtain your art title insurance policies for certain designated lots will be provided upon request to successful bidders and other interested parties. Policies will be dated and provide coverage from the date that title transfers pursuant to paragraph 4(b) herein and the buyer provides ARIS with their name and contact details. Christie’s hereby disclaims any and all responsibility and/or liability associated with said title insurance and the provision thereof. For specific inquiries about coverage and inception of coverage for purchased lots please contact ARIS at 303.773.7300, 212.563.3600 or [email protected]. For general information about art title insurance please visit the ARIS website www.aristitle.com. 9. SEVERABILITY If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law. 10. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in which the auction is held. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Christie’s, to the exclusive jurisdiction of the courts of that country, state, county or province, and (if applicable) of the federal courts sitting in such state.

Worldwide Salerooms and American Offices ARGENTINA BUENOS AIRES

CHILE SANTIAGO

Tel: +54 11 43 93 42 22

+56 2 2 2631642

Cristina Carlisle

Denise Ratinoff de Lira

BERMUDA BERMUDA

COLOMBIA BOGOTA

+1 401 849 9222 Betsy Ray

+571 635 54 00 Juanita Madrinan

BRAZIL RIO DE JANEIRO

+5521 2225 6553 Candida Sodre SÃO PAULO

+55 11 3061 2576 Nathalie Lenci

ITALY • MILAN

+39 02 303 2831 JAPAN TOKYO

+81 (0)3 6267 1766 Ryutaro Katayama MEXICO MEXICO CITY

FRANCE • PARIS

+33 (0)1 40 76 85 85 INDIA • MUMBAI

+52 55 5281 5503 Gabriela Lobo THE NETHERLANDS • AMSTERDAM

+91 (22) 2280 7905 Sonal Singh

CANADA TORONTO

+31 (0)20 57 55 255 PEOPLES REPUBLIC OF CHINA • HONG KONG

SWITZERLAND • GENEVA

+41 (0)22 319 1766 Eveline de Proyart • ZURICH

+41 (0)44 268 1010 Dr. Bertold Mueller UNITED ARAB EMIRATES • DUBAI

+971 (0)4 425 5647 UNITED KINGDOM • LONDON, KING STREET

+44 (0)20 7839 9060 • LONDON, SOUTH KENSINGTON

+44 (0)20 7930 6074

+1 617 536 6000 Elizabeth M. Chapin CHICAGO

+1 312 787 2765 Lisa Cavanaugh DALLAS

+1 214 599 0735 Capera Ryan HOUSTON

• NEW YORK

+1 212 636 2000 PALM BEACH

+1 561 833 6952 Maura Smith PHILADELPHIA

+1 610 520 1590 Christie Lebano SAN FRANCISCO

+1 415 982 0982 Ellanor Notides

+1 713 802 0191 Jessica Phifer LOS ANGELES

+1 310 385 2600 Rita Boyle MIAMI

+852 2521 5396

+1 416 960 2063 Brett Sherlock

UNITED STATES BOSTON

+1 305 445 1487 Jessica Katz NEWPORT

• Denotes Saleroom ENQUIRIES?— Call the Saleroom or Office

+1 401 849 9222 Betsy D. Ray

EMAIL— [email protected]

Christie’s Specialist Departments and Services DEPARTMENTS AFRICAN AND OCEANIC ART PAR: +33 (0)140 768 386 NY: +1 212 484 4898 AMERICAN DECORATIVE ARTS NY: +1 212 636 2230 AMERICAN FURNITURE NY: +1 212 636 2230 AMERICAN ART NY: +1 212 636 2140 ANGLO-INDIAN ART KS: +44 (0)20 7389 2570 ANTIQUITIES NY: +1 212 636 2245 ASIAN 20TH CENTURY AND CONTEMPORARY ART NY: +1 212 468 7133 AUSTRALIAN PICTURES KS: +44 (0)20 7389 2040 BOOKS AND MANUSCRIPTS NY: +1 212 636 2665 BRITISH & IRISH ART KS: +44 (0)20 7389 2682 NY: +1 212 636 2120 SK: +44 (0)20 7752 3257 BRITISH ART ON PAPER KS: +44 (0)20 7389 2278 SK: +44 (0)20 7752 3293 NY: +1 212 636 2120 BRITISH PICTURES 1500-1850 KS: +44 (0)20 7389 2945 CARPETS NY: +1 212 636 2217 CERAMICS AND GLASS NY: +1 212 636 2215 CHINESE PAINTINGS NY: +1 212 636 2195

CHINESE WORKS OF ART NY: +1 212 636 2180 CLOCKS KS: +44 (0)20 7389 2357 CORKSCREWS SK: +44 (0)20 7752 3263 COSTUME, TEXTILES AND FANS SK: +44 (0)20 7752 3215 ENTERTAINMENT MEMORABILIA SK: +44 (0)20 7752 3281 FOLK ART NY: +1 212 636 2230 FURNITURE NY: +1 212 636 2200 HOUSE SALES SK: +44 (0)20 7752 3260 ICONS SK: +44 (0)20 7752 3261 IMPRESSIONIST AND MODERN ART NY: +1 212 636 2050 INDIAN AND SOUTHEAST ASIAN ART NY: +1 212 636 2190 INDIAN CONTEMPORARY ART NY: +1 212 636 2190 KS: +44 (0)20 7389 2700 INTERIORS NY: +1 212 636 2032 SK: +44 (0)20 7389 2236 ISLAMIC WORKS OF ART KS: +44 (0)20 7389 2370 SK: +44 (0)20 7752 3239 JAPANESE ART NY: +1 212 636 2160 KS: +44 (0)20 7389 2595 JEWELLERY NY: +1 212 636 2300

KOREAN ART NY: +1 212 636 2165 LATIN AMERICAN ART NY: +1 212 636 2150 MINIATURES NY: +1 212 636 2250 MODERN DESIGN SK: +44 (0)20 7389 2142 MUSICAL INSTRUMENTS NY: +1 212 636 2000 NINETEENTH CENTURY FURNITURE AND SCULPTURE NY: +1 212 707 5910 OBJECTS OF VERTU NY: +1 212 636 2250 OLD MASTER DRAWINGS NY: +1 212 636 2120 OLD MASTER PAINTINGS AND 19TH CENTURY EUROPEAN ART NY: +1 212 636 2120 PHOTOGRAPHS NY: +1 212 636 2330 PICTURE FRAMES SK: +44 (0)20 7389 2763 POST WAR AND CONTEMPORARY ART NY: +1 212 636 2100 POSTERS SK: +44 (0)20 7752 3208 PRINTS NY: +1 212 636 2290 RUSSIAN WORKS OF ART NY: +1 212 636 2260 SCIENTIFIC INSTRUMENTS SK: +44 (0)20 7752 3286

SCULPTURE KS: +44 (0)20 7389 2331 SK: +44 (0)20 7389 2794 SILVER NY: +1 212 636 2250 TOPOGRAPHICAL PICTURES KS: +44 (0)20 7389 2040 SK: +44 (0)20 7752 3291 TWENTIETH CENTURY DECORATIVE ART AND DESIGN NY: +1 212 636 2240 VICTORIAN PICTURES KS: +44 (0)20 7389 2468 SK: +44 (0)20 7752 3257 WATCHES NY: +1 212 636 2320 WINE NY: +1 212 636 2270 AUCTION SERVICES CHRISTIE’S AUCTION ESTIMATES Tel: +1 212 492 5485 Fax: +1 212 636 4930 www.christies.com CORPORATE COLLECTIONS Tel: +1 212 636 2901 Fax: +1 212 636 4929 Email: [email protected] ESTATES AND APPRAISALS Tel: +1 212 636 2400 Fax: +1 212 636 2370 Email: [email protected] MUSEUM SERVICES Tel: +1 212 636 2620 Fax: +1 212 636 4931 Email: awhiting@christies. com PRIVATE SALES US: +1 212 636 2557 Fax: +1 212 636 2035 Email: vpfeiffer@christies. com

OTHER SERVICES CHRISTIE’S EDUCATION New York Tel: +1 212 355 1501 Fax: +1 212 355 7370 Email: christieseducation@ christies.edu Hong Kong Tel: +852 2978 6747 Fax: +852 2525 3856 Email: hkcourse@christies. com London Tel: +44 (0)20 7665 4350 Fax: +44 (0)20 7665 4351 Email: [email protected]

CHRISTIE’S FINE ART STORAGE SERVICES London +44 (0)20 7622 0609 [email protected] New York +1 212 974 4579 [email protected] Singapore Tel: +65 6543 5252 Email: [email protected] CHRISTIE’S REDSTONE Tel: +1 212 974 4500

Paris Tel: +33 (0)1 42 25 10 90 Fax: +33 (0)1 42 25 10 91 Email: ChristiesEducationParis@ christies.com CHRISTIE’S INTERNATIONAL REAL ESTATE New York Tel: +1 212 468 7182 Fax: +1 212 468 7141 Email: [email protected] London Tel: +44 (0)20 7389 2551 Fax: +44 (0)20 7389 2168 Email: [email protected] Hong Kong Tel: +852 2978 6788 Fax: +852 2845 2646 Email: [email protected]

KEY TO ABBREVIATIONS:

KS: London, King Street NY: New York, Rockefeller Plaza PAR: Paris SK: London, South Kensington 06/12/13

For a complete salerooms & offices listing go to christies.com

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In this course prominent art world leaders and members of the

The Christie’s Art Business Course

Christie’s Education faculty guide participants through lectures and discussions designed to provide an in-depth understanding of the practical and theoretical aspects of the global art market. Flexibly organised, you can take the course in its entirety or subscribe to individual modules of particular interest.

Contact Information To register or receive further information visit www.christies.edu or please call: London + 44 (0) 20 7665 4350 New York +1 212 355 1501

LONDON

Tuesday evenings

NEW YORK Wednesday evenings

Module 1 The Art Market 4 –18 March 2014

Module 1 Art and the Law September 10 – October 8, 2014

Module 2 Art Law 25 March – 8 April 2014

Module 2 The Art Market October 15 – November 12, 2014

Module 3 Artistic Creativity & Art Business 15 – 29 April 2014 Module 4 Valuation & Art Appraisal 6 –20 May 2014 Module 5 Collecting & Dealing in Art 27 May – 10 June 2014 Module 6 Auction Business 17 June – 1 July 2014

Module 3 Art and Valuation January 7 – February 4, 2015 Module 4 Auction Business February 11 – March 11, 2015 Module 5 The Art World Today April 8 – May 6, 2015

Module 7 Museums & the Art Market 8 –22 July 2014 81