Lm_mappingthemodes_int.pdf

MASTERCLASS BOOKLET

Luca Mantovanelli

MAPPING THE MODES: VOL.2 INTERMEDIATE INTRODUCTION Hey folks, thanks for buying my modes masterclass! My intention here is not to give you the usual guide to the modal system, with lots of boring scale diagrams and stuff. Instead, I’m going to show you how you can create cool licks using outside notes, but in all positions, all over the fretboard. This is why this masterclass is called Mapping the Modes… we want to be able to find the important target notes wherever we are on the fretboard. This is how you become a fluent improviser. In this volume I’m going to show you patterns, approaches, descending triads, ‘’walking triads’’ and how to create a good phrasing vocabulary. For a basic guide to the modal system, check out Volume 1. Let’s move on to our new practice routines…

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MAPPING THE MODES: VOL2 INTERMEDIATE LUCA MANTOVANELLI

THE 5 NOTE APPROACH - STARTING WITH PINKY (Tab files: 5notes_pinky) This is related to something we did in Volume 1 - we’re creating little “melodic cells” (like mini phrases) where we approach a target note in different ways. A “target note” is a strong melodic note which can be held over a chord. Normally, the root, 3rd and 5th are the most powerful target notes. Over a G major chord, these would be the notes G, B and D. The idea here is to take these simple melodic cells and work them through all our scale shapes, increasing fretboard knowledge and melodic flexibility. For our first pattern, we’ll start on the index finger (on a downbeat) and run through five notes, ending on a target note. Using the intrinsic layout of the five CAGED scale shapes (see Vol 1), we only have three possible fingerings on a single string: 1-2-4, 1-3-4 and 1-3. For example, if you look at the first scale shape (Tab file modes_5shapes_shape1_tab) you’ll see that we’re using 1-2-4 on the low E and A strings, 1-3-4 on the D and G strings, 1-3 on the B string and then 1-2-4 on the high E string. Each of these fingerings has its own pattern of scale notes and chromatic passing notes, leading to the eventual target note… 1-2-4 = 4-3-2-4-1 1-3-4 = 4-2-3-2-1 1-3 = 3-1-3-2-1 The easiest thing is to play through the exercises, referring back to the 5 mode shapes in Volume 1 to see how they relate to the five-note melodic cells.

THE 4 NOTE APPROACH (Tab files: 4notes_index, 4notes_pinky) Of course, you don’t have to create 5-note cells; this is the same concept, but using four notes. Also, to vary the rhythmic feel, we’re starting each phrase on an upbeat. Firstly, the 4 note approach starting with index finger: 1-2-4 = 1-4-3-2 1-3-4 = 1-4-2-3 1-3 = 1-3-2-1 And then we have another set of exercises starting with the pinky (4th finger): 1-2-4 = 4-3-1-2 1-3-4 = 4-1-2-3 1-3 = 3-1-2-3

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MAPPING THE MODES: VOL2 INTERMEDIATE LUCA MANTOVANELLI

DESCENDING TRIADS (Tab files: desc_triads_triplets) For each shape we can build triads from all notes, but we’re just going to take one set of shapes, using the highest note on each string as the root. In volume 1 we played ascending triads, so now we’ll play them in descending form. This is harder as you have to know the whole shape in order to find the top note. You can’t just find the root first and then think about the other notes! These are the triads in each shape… Shape 1: A minor, D major, G major, B minor Shape 2: B minor, E minor, A minor, D major Shape 3: D major, G major, B minor, E minor Shape 4: E minor, A minor, D major, G major Shape 5: G major, B minor, E minor, A minor

WALKING TRIADS (Tab files: walking_triads) Now we know all the triads for each shape, we’ll join them together in a linear fashion. In this exercise, we’ll be moving up and down the fretboard, using four sets of triads (strings 1-3, 2-4, 3-5 and 4-6). We’re also going to be using two triads from the key of G major that we haven’t played in the previous triad exercises: C major and F# diminished. In each exercise, we’ll start from shape 1, gradually moving up to shape 5 and back down again. These are the triads in each sequence… Exercise 1 (strings 1-3): Bm, C, D, Em, F#dim, G, Am Exercise 2 (strings 2-4): G, Am, Bm, C, D, Em, F#dim Exercise 3 (strings 3-5): D, Em, F#dim, G, Am, Bm, C Exercise 4 (strings 4-6): Am, Bm, C, D, Em, F#dim, G As you can see, we’re basically playing through all the triads of G major, in order (this is the diatonic sequence).

4 NOTE APPROACH - ALTERNATE (Tab files: 4notes_alternate) When we worked on the 4-note approach above, we had two sets of patterns… one set starting with the index finger and one set starting with the pinky. In these lines, we’re going to alternate between the two patterns. For example, in shape 1, we’re playing the index-leading pattern on the 6th string, the pinky-leading pattern on the 5th string, and so on.

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MAPPING THE MODES: VOL2 INTERMEDIATE LUCA MANTOVANELLI

You could also take this further and reverse the order, so you’d start with the pinky-leading pattern on the 6th string, the index-leading pattern on the 5th string, etc. With this exercise, we’re getting closer to the kind of thing you might play in a real solo.

10 LICKS Again, I’ve made two backing tracks so we can work on a variety of scales and triads. The first five licks are played over a progression in Bb Lydian (Bb C D E F G A) which is relative to F major. Also, licks 1-5 are based on just one shape each. Lick 1: This is shape 5, and in bar 3 I play a 5-note approach starting with the pinky on 2nd string and 3rd string. Lick 2: Now we’re in shape 2. Note the D minor and G minor triads in bar 2, giving a Bb major 7 (add 6) sound over the Bb backing. Let the notes ring together at the end to give a cool complex chord sound. Lick 3: This lick in in shape 3 and we start with descending triads: Dm, Bb, F, C. Then I play a series of 4-note patterns starting with index finger. Lick 4: Built on shape 5, this starts with a classic countryish bending line followed by the descending triads Am, F, C. Lick 5: Now we’re in shape 4, and this lick uses almost all the concepts we’ve covered. After the first couple of notes we have a 4-note approach pattern (starting with index) on the 5th string and then a 5-note pattern (starting with pinky) on the 4th string. Then there’s are 4-note approach patterns (index) on the 3rd and 2nd strings, followed by descending triads of. F, C, Gm and Dm. Lick 6: The rest of the licks are in A Mixolydian (A B C# D E F# G) which is relative to D major. We’ll also be moving around from shape to shape. This lick starts in shape 4 and I played 4-note (index) patterns across three strings. After using those sliding 3rd intervals to move through the shapes, I then land in shape 5 and play 4-note approach patterns on the 1st and 2nd strings in bar 3 (index, then pinky). Lick 7: The whole lick is built around the 4-note approach patterns. From the 5th to the 1st string we’re starting with the index finger, and then we descend starting with the pinky. The lick ends with three notes from the underlying A7 tonality… the major 3rd (C#), root (A) and minor 7th (G). Lick 8: Bars 1 and 2 are built around the walking triad pattern (using just two of the three notes at first). I then play a sequence of descending triads in shape 4: A major, Em, Bm and F# minor. Lick 9: Starting in shape 2, I play a 5-note approach line starting with the pinky on the 1st string, then a 4-note approach with pinky on the 2nd string. We then have a mixture of ascending triads with scale fragments (and some chromatic fragments)

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MAPPING THE MODES: VOL2 INTERMEDIATE LUCA MANTOVANELLI

Lick 10: Starting at shape 2 on the 2nd string, I play the 1st, 2nd, 3rd and 5th notes of A Mixolydian (A B C# E) followed by a little chromatic line on the 4th string. This is followed by the 5note approach starting with index on the 3rd and 2nd strings and a 5-note approach starting with pinky on the 1st string. Finish with a blues line.

FINAL WORDS And there we have it! Once again, i’ve also included a full solo for you to learn and extract ideas from. Take it slow and try to see where I have used the concepts behind the exercises/ licks in this volume in my own soloing. Just like in volume one, once you’ve got everything mastered, try to create your own licks and phrases with the concepts I’ve shown you so far. Be sure to work in different keys and over different backing styles too. Thank you, I hope you’ve learned a lot, and we’ll see you in volume three! Luca Mantovanelli. P.S Please scroll down to find the TABs!

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5 NOTE APPROACH, STARTING WITH PINKY SHAPE 1 As recorded by jamtrackcentral.com 1

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5 NOTE APPROACH, STARTING WITH PINKY SHAPE 2 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

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5 NOTE APPROACH, STARTING WITH PINKY SHAPE 3 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

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5 NOTE APPROACH, STARTING WITH PINKY SHAPE 4 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

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5 NOTE APPROACH, STARTING WITH PINKY SHAPE 5 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

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4 NOTE APPROACH, STARTING WITH INDEX FINGER - SHAPE 1 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

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4 NOTE APPROACH, STARTING WITH INDEX FINGER - SHAPE 2 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

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4 NOTE APPROACH, STARTING WITH INDEX FINGER - SHAPE 3 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

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4 NOTE APPROACH, STARTING WITH INDEX FINGER - SHAPE 4 As recorded by jamtrackcentral.com P = 100

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(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

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4 NOTE APPROACH, STARTING WITH INDEX FINGER - SHAPE 5 As recorded by jamtrackcentral.com

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4 NOTE APPROACH, STARTING WITH PINKY SHAPE 1 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

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4 NOTE APPROACH, STARTING WITH PINKY SHAPE 2 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

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4 NOTE APPROACH, STARTING WITH PINKY SHAPE 3 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

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4 NOTE APPROACH, STARTING WITH PINKY SHAPE 4 As recorded by jamtrackcentral.com P = 100

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4 NOTE APPROACH, STARTING WITH PINKY SHAPE 5 As recorded by jamtrackcentral.com

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DESCENDING TRIADS IN SHAPES, TRIPLETS, SHAPE 1 As recorded by jamtrackcentral.com 1

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DESCENDING TRIADS IN SHAPES, TRIPLETS, SHAPE 3 As recorded by jamtrackcentral.com

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V 10

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DESCENDING TRIADS IN SHAPES, TRIPLETS, SHAPE 4 As recorded by jamtrackcentral.com P = 100

g4 1 I 4 T A B 3

g I T A B

(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

V

3

V

V

3

10

V

12

V

V

10

11

12

V

V

V

3

9

10

V

V

V

V

3

3 10 11

12

3 10

V 10

9

9

V

V

V

V 12

V 9

12

12

3

V

10

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

V 12

W

12

DESCENDING TRIADS IN SHAPES, TRIPLETS, SHAPE 5 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

P = 100

g 1 I 44

V

V

3

V

V

V

V

V

V

V

V

V

V

3

3

3

T A B 3

g I

11

12

V

14

V

15

V

V

12

12 12

12

14

V

3

V

V

V

3

V

3

T A B

12

12

14

11

12

14

12

13

14

14

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

15

W

14

WALKING TRIADS, EX1 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

P = 100 V V V V V V V V

g 1 I 44

2

T A B

2

3

3

3

5

4

5

sl.

12

7

g I

sl.

13

V 5

T A B sl.

12

14

14

V 7

sl.

V

15

7

5

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sl.

14

V

5

3

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5

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8

7

13

V

12

10

14

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sl.

3

sl.

V 3

8

10

11

12

10 12

V V V V V V V V 8

12

V

10

sl.

10

12

2

5

8

9

sl.

sl.

V

5 7

V V V V V V V V 12

16

V

V V V V V V V V

V V V V V V V V

10

sl.

8

7

11 sl.

W 4

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

8

sl.

7 9 sl.

WALKING TRIADS, EX2 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

P = 100 V V V V V V V V

g 1 I 44 T A B

3

3

4

5

5

5

5

7

sl.

7

g I

13

sl.

T A B

14

V 7

sl.

13

15

16

V 7

sl.

V

16

7

7

V V V V V V V V g 4 I T A B

sl.

15

V

7

5

9 sl.

5

8

9

8

14

V

13

12

16

V

sl.

5

sl.

10

11

sl.

V 4

10

12

12

12

12 14

V V V V V V V V

14

V

11

sl.

12

12

3

7

10

10

sl.

sl.

V

7 9

V V V V V V V V 13

17

V

V V V V V V V V

V V V V V V V V

10

8

12 sl.

W 5

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

9

sl.

8 10 sl.

WALKING TRIADS, EX3 As recorded by jamtrackcentral.com

1

(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

P = 100

g I 44 T A B

2

2

4

4

4

5

5

5

g V V V V V V V V 4 I

7

g I

12

14

12

sl.

5 sl.

16

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V

sl.

14

5 9

V

5

4

9 sl.

V 5

9

7

14

12

11

15

10

4

2

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11

12

12

11 14

V V V V V V V V 9

10

sl.

V

9 sl.

14

V

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11

12

sl.

V

9

10

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sl.

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7 sl.

12

17

sl.

V

T A B

14

15

7

7

sl.

T A B

V V V V V V V V

V V V V V V V V

V V V V V V V V

9

7

12 sl.

W 5

sl.

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

9

sl.

7 10 sl.

WALKING TRIADS, EX4 As recorded by jamtrackcentral.com

1

P = 100

g I 44

2

5

4

4

5

5

7

sl.

g I

12

14

sl.

V

T A B

5 sl.

12 15

V 7

14

15

sl.

V 8

V

5

4 sl.

12

14

sl.

V

5 8

7

9

sl.

7 10

9

V 5

V 7

12 15

10

14

sl.

V

V

4

2 sl.

9

10

sl.

V 3

9 12

10

12

sl.

10 14

sl.

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10

12

10

sl.

V V V V V V V V

14 17

7

sl.

g V V V V I V V V V T A B

7

2

3

V V V V V V V V

V V V V V V V V

V V V V V V V V

T A B

4

(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

W 5

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

9 12

7 sl.

9

7 10

sl.

4 NOTE APPROACH, ALTERNATE INDEX/PINKY SHAPE 1 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

1

P = 100 k V V V gV f V gV V

g I 44 T A B

4

2

5

4

5

3

4

2

g V V V eV V V V eV I T A B

3

3

5

4

3

5

2

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3

2

3

5

3

4

5

2

3

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2

5

3

4

5

4

2

V gV V V V V eV V 4

3

5

4

3

V V V gV f W 3

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

2

5

4

3

5

4

2

4 NOTE APPROACH, ALTERNATE INDEX/PINKY SHAPE 2 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

1

P = 100 k V V eV fV V V eV

g I 44 T A B

5

8

6

7

7

5

6

V V V f V gV g V gV V 4 I T A B

7

5

8

6

7

7

6

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4

4

7

7

6

5

7

6

4

V V V gV f V V V eV 5

4

7

6

5

7

5

6

V V eV V V V f V gV 5

5

8

6

7

V V V eV fW 7

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

5

8

6

7

8

5

6

4 NOTE APPROACH, ALTERNATE INDEX/PINKY SHAPE 3 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

P = 100 k V V fV V V gV f V

g4 1 I 4 T A B

10

7

V V V gV f V g V V eV 4 I T A B

7

8

7

10

10

9

9

8

8

9

7

8

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8

7

9

10

8

9

9

7

8

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7

10

8

9

10

7

8

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7

10

9

8

V V V gV f W 9

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

7

10

9

8

10

9

7

4 NOTE APPROACH, ALTERNATE INDEX/PINKY SHAPE 4 As recorded by jamtrackcentral.com P = 100

g 1 I 44 T A B

g 4 I T A B

(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

k

V V e V V V gV V 12

11

V V V eV fV V V fV 10

12

10

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13

12

11

11

12

10

12

9

10

9

9

10

12

11

10

12

9

10

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9

12

11

10

12

11

9

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10

13

11

12

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10

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

12

11

10

12

10

11

4 NOTE APPROACH, ALTERNATE INDEX/PINKY SHAPE 5 As recorded by jamtrackcentral.com

1

(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

P = 100

g I 44

k

T A B

V V eV V V f V gV 15

12

V V V gV f V V gV V g 4 I T A B

12

14

12

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15

15

14

13

13

14

14

13

11

13

14

12

14

13

12

14

13

11

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12

14

13

12

15

12

13

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12

15

14

13

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12

JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

15

13

14

15

12

13

LICK 1 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

P = 120

1 Ie 44

M

10

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Gm7

Ie

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F/A

`

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12

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9

10

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LICK 2 As recorded by jamtrackcentral.com P = 120

Gm7

1

Ie 44 j

(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

V V l V l V V V l V gV V F/A

`

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let ring

T A B

5

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5

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4

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6

LICK 3 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

1

P = 120

Ie 44

j

5

T A B

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6

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6

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5

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7

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LICK 4 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

1

P = 120

Ie 44

V

j

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l

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12

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l

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13

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15

15

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13

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12

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12 12

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LICK 5 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

P = 120

Gm7 1 Ie 44 l

T A B

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8

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3

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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

LICK 6 As recorded by jamtrackcentral.com g 1 I g 44

(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

P = 130

V V V V V V V V V V V V V V V V

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0

4

7

6

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7

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5

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12

LICK 7 As recorded by jamtrackcentral.com g 1 I g 44 T A B

3

g Ig T A B

(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

P = 130

V V V e V V V V f V gV V V f V gV V gV V

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5

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LICK 8 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

P = 130

f V gV V V V

A7

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M

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3

4

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LICK 9 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

P = 130

A7 8va

1

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14 16 sl.

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LICK 10 As recorded by jamtrackcentral.com P = 130

(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

V V f V gV V f V gV f V V V V f V V V V V

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P

15 12 13 15

P

H

H

12

13

14

EXAMPLE SOLO As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL2)

P = 120

1 Ie 44

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EXAMPLE SOLO - jamtrackcentral.com

Page 2 of 3

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