Mental Magic1

.MENTAL MAGIC (http://www.simple-magic-tricks.org/mind-tricks.html) 1. Pulse Stop http://www.youtube.com/watch?feature=player_embedded&v=jn-9Noirq1s 2. Cut the Number http://www.youtube.com/watch?feature=player_embedded&v=yE5aeK2Kjkc 3. Ghost touch http://www.youtube.com/watch?feature=player_embedded&v=XLi_GyIfrRQ#! 4. Reading the writing from burnt paper http://www.youtube.com/watch?feature=player_embedded&v=7hLqlaCtmcc 5. Not thinking not holding http://www.youtube.com/watch?feature=player_embedded&v=HosutUDBNBs 6. Magic mind http://www.youtube.com/watch?feature=player_embedded&v=grKiTJsapaM

David Blaine Style Mental Magic Tricks (http://www.goodtricks.net/mental_magic.html)

A Selection of mental trick observations and ideas that you can improvise on. 1. “Think of any card” it's a wild guess but a spectator will almost always think of the Nine of diamonds, Ace of spades, Queen of Hearts or the Six of Clubs. Have each of those cards hidden on you in different pockets, remember which card is where so that you can reveal the hopefully chosen card. 2. “Pick a number between 50-100 with even anddifferent digits.” Answer: 68. 3. “Pick a number between 1-1,000” Answer:333 4. Fan a set of cards with one face card and the 4H in the center, nine times out of ten the spectator will pick the four because it's in the center and it appears uncommon. (i.e. 7C,AD,4H,KH,9D). Have a duplicate 4H, already slipped into the spectators pocket and ask them to check the pocket after they have hopefully selected the 4H from your cards. 5. Borrow a coin from someone, secretly switch it with an already bent coin that you had in your hand and have them hold your coin in their hand.Tell them to concentrate and imagine that the coin that they are holding is bending. When they open their hand to examine the coin, they will think that the coin has bent while in their hand. Tell them that they have they have bent it with their mind! Just stick your coin in a vice and bend it previously to performing the trick.

Say some Blaine like things to help your magic such as: “Let me show you something strange, I'm going to try something, I've never done this before, It's bizarre, Do you (Did you) feel that? That's crazy, That's scary, Can I try something with you?”

elephants in Denmark 1. Pick a number between 2 and 9. It can be 2 or it can be 9, or any number in between. 2. Take the number that you've chosen and multiply it by 9. 3. This should give you a two digit number. Take the two digits of the number and add them together. For example, if your number is 16, take the one and six and add them to make seven. 4. Take the resulting number and subtract 5 from it. 5. Take that number and correspond it to a letter in a alphabet. A =1, B=2, C=3, etc. 6. Take your letter, and think of a country that begins with that letter. For example, "B" might make you think of Brazil, "D" could be Denmark or "F" could be France. 7. Take the second letter in the name of that country and think of an animal. For example, "P" may make you think of a Penguin and "Z" may make you think of Zebra. 8. Do you now have a country and animal? 9. Hold that thought in your mind while I concentrate. (Pause here for a moment, make it look like you're thinking). 10. Say, "I didn't know that there were elephants in Denmark."

How to do magic trick #14 – The Magician’s Choice By on Saturday, June 20th, 2009 | 2 Comments Hi! It has been a long time since my last post. Life is busy, especially when I have not fired my boss. I’ve sold my life for a wage. Furthermore, I believe in only putting up genuine and quality content in this website. I bet you cannot find any website on magic that gives you the kind of insight I am giving you here on my website. If you do come across a better website on magic than mine, let me know. I will visit it. The Principle of Force

Now I still remember that I am supposed to write on the Principle of Force in performing magic. Before I begin, let me quote myself once again that “the principle of force as the word implies, forces the audience to make a selection that is predetermined by the magician himself”. Another way of saying that is that the magician forces the audience to choose what the magician wants while giving the audience the illusion that he (the audience) is the one who makes the choice. There are many ways to execute a “force”. No matter which way it is done, a force is always based on one of these principles: the use of gimmicks, sleight of hands and verbal manipulation. For today’s article, I will begin by what is known as “The Magician’s Choice”. This is one of the most basic lessons a magician has to learn to perform magic tricks. The Magician’s Choice is done merely by verbal manipulation although not all verbal manipulation in the performing of a magic trick necessarily constitutes a force. The Magician’s Choice In executing a Magician’s Choice, the magician will ask the audience to choose between 2 choices. These choices could be in the form of objects, words, or anything imaginable. However it is easier to illustrate here by referring to these choices as objects. Say for example, the magician divide a deck of cards into 2 piles which I will refer to them here as the first and the second pile. Let’s say that the magician knows that the card that he wants to reveal at the end of the magic trick is in the first pile. In order to show that everything is done randomly and the final outcome is magical, he allows the audience to choose one of the 2 piles. The simplest statement the magician could say to the audience would be, “Choose one of the two piles.” If the audience chooses the first pile (which is the desired pile), the magician will take the first pile as chosen by the audience and continue with his routine and finally reveals the desired card in the “chosen” pile eventually. On the other hand, if the audience has chosen the second pile, then the magician will take the second pile and discard it by putting it aside. After discarding the second pile that the audience had chosen, the magician now picks up the first pile (which is the desired pile) and continues as in the first scenario. Notice that the secret lies in what the magician says. He merely asked the audience to choose a pile of cards. But he did not ask the audience what audience want to do with the chosen pile of cards nor did he commit himself to saying what he (the magician) is going to do with the chosen pile of cards. The idea here is being vague with what he says. The magician never commits himself to what he is going to do. Nasty Audiences Now can anything go wrong in performing this routine? Yes! Especially if you are performing magic tricks to your friends and it is not an official magic show. In a magic show where you are the professional magician and the audience are usually strangers, they will show more

respect to the performer and will not so called, “try to be funny with you” and try to ‘spoil’ your show and embarrass you. Even so, some professional magicians do experience uncooperative audience who try to be funny in more informal settings such as a close-up magic in a bar. So when you are performing magic tricks informally to friends, they tend to have a mindset to sabotage you, spoil your show or do whatever they can to figure out how you do your magic trick. So now, how do the audience sabotage the magician? I believe that you probably know how to do that too and probably will be very guilty as you have done that very often to friends who performed magic tricks to you. Nevertheless, let me mention 2 very common scenarios here. Scenario 1: “I want to change my mind” After either the audience has chosen the first pile or the magician has discarded the second pile that the audience has chosen, the audience will say, “Oh wait! Can I change my mind?” “What if I change my mind? Would it make a difference if I have chosen the other pile?” The audience may not have said all that, but just one of those things or anything to that effect. So now what should the magician do. Do you supposed that the magician is supposed to say, “No! You can’t change your mind. You have already made your choice and that is final.” A tug-of-war will occur between the magician and the audience and the whole magic trick is destroyed. Let me tell you what. The magician will be very pissed if this happens. There is only one conclusion. The audience is trying to be nasty. He will vow to himself that he will never show another magic trick to this person ever again. Scenario 2: “I will decide for you what you are to do.” In this other scenario, after either the audience had chosen the first pile or the magician had discarded the second pile that the audience had chosen, the audience would insist on what he (the audience) wants to do with the pile of cards he had chosen. If the audience had chosen the second pile of cards and the magician discarded the chosen pile, he would insist that the magician take the second pile that he has chosen. If the audience had chosen the first pile and the magician picked up the first pile that the audience had chosen, the audience would insist that the magician discard away the first pile or the audience insist on holding on to the first pile that he had chosen instead of giving it to the magician. In short, the audience will insist on forcing the magician to do the opposite of what the magician wants do. Knowing Who To Stay Away From

How do I know? As a hobbyist (a non-professional magician), I perform magic tricks to my friends frequently and I have experienced this many times. This is not meant to be a complaint here but to point out that it is useful to test out your performance first before you actually put on the real show. These annoying audiences will prepare you for the real thing and at the same time it teaches you who to avoid performing magic tricks to in real life. Don’t entertain these smart asses who are unappreciative. Talking about unappreciative audience, avoid such people at all cost. This kind of people who are all out to examine you as if they have set an examination for you to take or they are the police officers interrogating you as a suspect. They have forgotten that you are giving them a free entertainment. They will want to examine all your props and if possible strip search you. They will disrupt you in your routine and dictate to you how you should carry out your routine. And in the event that you manage to survive all the ordeals and still perform a miraculous ending, they will say things like, “I don’t believe that you can really read my mind. Surely there is a trick in it.” Of course there is a trick in it because it is a magic trick, not sorcery or witchcraft. And of course I am supposed to look like I can read your mind and not really read your mind. That’s why I am only a magician, not a wizard or sorcerer. If I am truly a mind reader, I would rather read somebody else’s mind who has more value and not yours. Some others might tell you that they have not seen such a magic trick before and therefore it is not a magic trick to them. They will insist that you should be pulling a rabbit out of a hat or saw a lady in half in order to call it a magic trick. Just tell yourself that these people are absolutely not worth your time and effort. They don’t deserve to be entertained as an audience. They should be abducted and chained up like monkeys by some aliens and made to perform like monkeys to the aliens. That is what I call ENTERTAINMENT! Fine Tuning The Magician’s Choice Alright! After that big side step, let’s get back to how to prevent those two nasty scenarios described above from occurring. A professional magician who is experienced will pre-empt something similar to the above two scenarios to happen. Therefore, he would qualify his words and actions a little more in order to seal off objections that may arise later. In using verbal manipulation, you need to gather enough experience to handle objections before they arise. How can this be done? To avoid scenario 1, after the audience has chosen the first or second pile of cards, the magician could say, “Do you want to change your mind? Is that final? Now, notice that you could have changed your mind but you didn’t (or did). You could have chosen the other pile but you have decided to choose this pile.” All these are said so that the audience could no longer go back on his choice. At the same time, the magician elaborate at great length that the whole process was absolutely random and the audience was absolutely free in making his choice. To avoid scenario 2, the magician could have chosen to be a little more specific in his instructions instead of being too vague. Let me elaborate on this point. When I first learned

the Magician’s Force, I was taught to use the statement, “choose this or that”. More often than not, I encountered scenario 2. The open-endedness of the statement “… choose …” is left to too much interpretation and room for argument. So instead of just say, “choose”, it is better to instruct the audience to do something without any specification of what it is leading to. In our example of 2 piles of cards here, the magician could have said, “pick up a pile of cards”. If the audience pick up the first pile of card, then the magician will ask the audience to hand the pile of card to him (magician). If the audience picks up the second pile of card, then the magician will continue to instruct the audience to put that pile of cards aside elsewhere. So now you may ask, which approach should I use then since I wouldn’t know which scenario will I encounter. I would suggest that you use the approach in scenario 2. And just in case the audience would say that he wants to change his mind after you have given the second instruction, it would be good to ask audience whether he wants to change his mind after he has picked up a pile of cards before giving him a second instruction such as “hand the pile of cards to me”. Conclusion That’s more than enough for today’s post on the Magician’s Choice. In my next post, I teach a simple magic trick that shows you how to apply the Magician’s Force. (http://howtodomagictrickcorner.com/)