Music Of The Spanish Masters For Intermediate Guitar
This document was uploaded by user and they confirmed that they have the permission to share it. If you are author or own the copyright of this book, please report to us by using this DMCA report form. Report DMCA
Overview
Download & View Music Of The Spanish Masters For Intermediate Guitar as PDF for free.
More details
- Words: 1,481
- Pages: 11
Loading documents preview...
Musi c ofthe
Spani sh Masters Arranged for I ntermedi ateGui tar
arranged by
edward wri ght
1
MUSIC OF THE SPANISH MASTERS ARRANGED FOR INTERMEDIATE GUITAR
MUSIC OF GRANADOS, ALBENIZ TARREGA AND LLOBET TRANSCRIBED AND ARRANGED BY EDWARD WRIGHT
2
CONTENTS
FOREWORD NOTES ON THE COMPOSERS NOTES ON THE PIECES
3 3 4
ENRIQUE GRANADOS (1867-1916) DANZAS ESPANOLA No. 2 (Oriental) No. 3 (Zarabanda) No. 4 (Villanesca) No. 6 (Jota Rondalla Aragonesa)
9 14 19 25
VALSE POETICOS No. 1 No. 3 No. 5 No.6
31 34 36 38
ISAAC ALBENIZ (1860-1909) CORDOBA (Canto De Espana) LEYENDA (ASTURIAS) (Suite Espagnola ) RUMORES DE LA CALETA SEVILLA (Excerpt, Suite Espagnola) TANGO (Espana) TRIANA (Excerpt, Iberia Book 4)
40 49 60 66 68 72
FRANCISCO TARREGA (1852-1909) CAPRICHO ARABE (Sereneta)
76
CATALONIAN FOLK SONG (MIGUEL LLOBET 1878-1937)) EL TESTAMENT D'AMELIA
Guitar logo by designed by peter blandori www.blandori.com
82
8
CVII
7 8 0
7 8
7 6
7
7 5 0
8
8 7
7 7
0
4
Rumores de la Caleta from Recuerdos de Viage (1887); This very flamenco inspired piece is usually played in E on the guitar although the piano original is in A. This transcription remains in the original key. The first section is a solea and the middle section emulates a vocal melody accompanied by the guitar in the style of a malaguena. During the repeat of the solea, the following rasgueado figure could be utilized (as played by Pepe Romero): 3
3 5 2 2 2
5 2 2 2
5 2 2 2
5 2 2 2
0
Tango in D, from Espana; 6 Album Leaves Op. 165 No. 2 (1890): This extraordinarily evocative piece is perhaps Albeniz' most recognizeable piece.Originally in D, Tango has been transposed to C for ease of reading and playing. Capo 2 to return to the original key if desired. FRANCISCO TARREGA (1852-1909) Capricho Arabe (1892): Guitarist, composer, and teacher Francisco Tarrega is considered the father of modern classical guitar playing. Capricho Arabe has become a standard in the classical guitar repertioire and is supremely Spanish in character. The original guitar version is in D minor with a dropped D tuning. This version, in A minor, stays very close to the original. There are five distinct sections to this piece: Intro, A minor, C major, and A major and a return to A minor. Less advanced students or guitarists looking for a shorter version may consider using just the intro ("A") and final A minor ("E") sections.
SPANISH FOLK SONG - MIGUEL LLOBET (1878-1937) El Testemant D'Amelia: Catalan guitarist Miguel Llobet was a student of Tarrega and went on to have his substantial career as a performer and composer. El Testament D'amelia is one of many Catalan folk songs he has arranged. This A minor version is based on Miguel Llobett's version in D minor. I have included an alternative to the section played with artificial harmonics to help make this arrangement more accessible to less advanced students. You may wish to play both.
18
3
0
1 0
0 2
3
2
1
1
3
3
3
3
2
3
8 5 5
3
8 5 5
0 2 3
1 0 2 3
0 2
0 2
3
0 2
3
3 0
2 3
0
1 2 3
24 CI
CIII
E B G D A C
3 4
3
5
4 5 6
4
6 3 5
3 1
1 3 1 3
1
3 4 3 5
1 3 1 3
3
5
5
3 1
5 4 5
5 4 5
7
5
3
5
7 0 0
0 3
7
E B G D A C
4 3
3
1 1
1 3 0
3
1
0 1
0 0
1
1 3
3 1
0 1
1
0 0
0 1 3
0 1 1
1 0 1 0
1 3
3 0
3 2
D.C. al Coda 2nd time tr.
E B G D A C
1 1 4
3 3
0 0 2
0 0 3 3
1
0
0 3
5
3
5
Coda
Coda E B G D A C
3
3
3
0 2
0 2
0 2
2
0
0
0
0
0 1 3 3
2 5
0
2
3 0
39 CVII
dim.
passione
8 5 7 0
5
5 7
12 10
10
8
7
0 8 9
0 5
10 9
7
10
2
7 8
9
4 0
4 0
9 2 7
2
0
0
con molto espressione
0 4
3
1 2
1
1 2
2
2 2
2
0
0
0 2
2 2
0 2
2
0
2 2
2
3
0
2 1
4 3
2
0
rall.
0 0 0
2
0 2
4 1
4
2
2 2
1
2 2
3
1 2
2
2
2 2
2
2
0
2
0
CII
3
1
0
0 2 2 0
0 2
2
3
p
rall.
3 5
3 5
molto
3 4 2
2
3
2
0
0 0 0
2 2
3 0
2
2 0
0
48 1/2 CIV
0 0 0
0 3
1
0
0
2 1
0 3
0 0 0
0 2
2 4 2
3 5 4
5 7 5
7 8 7
5 7 5
3 5 4
5 7 5
2 4 2
3 5 4
0 0 0
4 5 4
4 5 5
4 5 7
2 0
2
0
0
0
CVII
0 4
4
5 4
4
3 0 0
4 7
5
7 0 0
7 0 0
0 7 7
4
7 7
0 0 0
0 8
0
CV
7 5 7
CIV
7 7 7
8 7 9
5 5 5
4 4 5
7 8
0 0
0
2
1
0 0 0
0 0
2
4
7
7
0 3 2 3
2 1
0
0
2
2
1
7
7
0 0 0
0 0
2
0
4
3
7
7
3 2
2 1 2
0
Art. Harm.
CVII H12
pp
4 6 0
0 2
2 4
4 5
2 4
0 2
2 4 2
3 5 4
5 7 5
7 8 7
5 7 5
3 5 4
2 4
3 5
5 7
7 8
5 7
3 5
pp
7 7 8
0 0 0
7
0
4
59
6 6 7
6 6 7
7 8
5
5 6 7
4 6 7
0
0
0 5 5
3 4
0 5
0 6
0 3
2
0 5
0 6
0 3
0
0
5
1
2
5
2
1
2
1
2
3
1
1
2
1
2
3
1
2 3
CV
CV 1
1
2 1
1
2 3
1
2 1
1
2 3
1
2 1
2 3
0 5
CI
0
0 5
5 5 5 7
2 0
71 1/2CI
3
3 3 1 2 0
0
1
0
2 1 3
3
0 2
0 2
1
1 1
0 2
0
1
3
1
3
3
2
3
3 1/2CI
CI
3 3
3
3
3
3
3
3
3 3
1
3
4
0 3
0
1
1
3
1
2 2
1 3
3
1
1 1
3
2 3
3 3
3
3
3
3
riten.
0 2 3 2 0
1
3
1
0
0
2
0 0
5
3 0
1
0
0
1
0
0
3 0 3
3
3
3
3 3
CVIII rit. molto
pp
3 5
3 5
5
0 1 0
8 8 9
5
3
3 3
3 3
5
3
2
4
3
3
8
75
7 9 9
8 11 8
8 11 8 9
8 11 8 9
8 11 8 9
8 11 8 9
0 13 14
9
0 13 13 15 14 13
0 13 13 14 13 12
0 13 13 12
0 14
11 11
0 14 11 11 12 13
14 11 12
0 14 11 13
14
V 3
3
3
3 0 13 14
0 13 13 15 14 13
0 13 13 14 13 12
0 13 13 12
0 11 14 14 11 11 12 14
0 14 11 11 12 13
0 14 11 13
0 13 14
3
3
5
5
8
8
8 13
8
8
7
9
6
VII 3 3 3
7 9 9
3
5
6
3
5
8
7
3
8
8
8 13
9 10
8
8 9
7 9 9
9 10 8 9
7 9 9
9 10 8 9
7 9 9
9 10 8
7 9 9
2 2
9
1
9 10
8
0 1 2
8 12 7 10 9 8 9
2 7
0
Spani sh Masters Arranged for I ntermedi ateGui tar
arranged by
edward wri ght
1
MUSIC OF THE SPANISH MASTERS ARRANGED FOR INTERMEDIATE GUITAR
MUSIC OF GRANADOS, ALBENIZ TARREGA AND LLOBET TRANSCRIBED AND ARRANGED BY EDWARD WRIGHT
2
CONTENTS
FOREWORD NOTES ON THE COMPOSERS NOTES ON THE PIECES
3 3 4
ENRIQUE GRANADOS (1867-1916) DANZAS ESPANOLA No. 2 (Oriental) No. 3 (Zarabanda) No. 4 (Villanesca) No. 6 (Jota Rondalla Aragonesa)
9 14 19 25
VALSE POETICOS No. 1 No. 3 No. 5 No.6
31 34 36 38
ISAAC ALBENIZ (1860-1909) CORDOBA (Canto De Espana) LEYENDA (ASTURIAS) (Suite Espagnola ) RUMORES DE LA CALETA SEVILLA (Excerpt, Suite Espagnola) TANGO (Espana) TRIANA (Excerpt, Iberia Book 4)
40 49 60 66 68 72
FRANCISCO TARREGA (1852-1909) CAPRICHO ARABE (Sereneta)
76
CATALONIAN FOLK SONG (MIGUEL LLOBET 1878-1937)) EL TESTAMENT D'AMELIA
Guitar logo by designed by peter blandori www.blandori.com
82
8
CVII
7 8 0
7 8
7 6
7
7 5 0
8
8 7
7 7
0
4
Rumores de la Caleta from Recuerdos de Viage (1887); This very flamenco inspired piece is usually played in E on the guitar although the piano original is in A. This transcription remains in the original key. The first section is a solea and the middle section emulates a vocal melody accompanied by the guitar in the style of a malaguena. During the repeat of the solea, the following rasgueado figure could be utilized (as played by Pepe Romero): 3
3 5 2 2 2
5 2 2 2
5 2 2 2
5 2 2 2
0
Tango in D, from Espana; 6 Album Leaves Op. 165 No. 2 (1890): This extraordinarily evocative piece is perhaps Albeniz' most recognizeable piece.Originally in D, Tango has been transposed to C for ease of reading and playing. Capo 2 to return to the original key if desired. FRANCISCO TARREGA (1852-1909) Capricho Arabe (1892): Guitarist, composer, and teacher Francisco Tarrega is considered the father of modern classical guitar playing. Capricho Arabe has become a standard in the classical guitar repertioire and is supremely Spanish in character. The original guitar version is in D minor with a dropped D tuning. This version, in A minor, stays very close to the original. There are five distinct sections to this piece: Intro, A minor, C major, and A major and a return to A minor. Less advanced students or guitarists looking for a shorter version may consider using just the intro ("A") and final A minor ("E") sections.
SPANISH FOLK SONG - MIGUEL LLOBET (1878-1937) El Testemant D'Amelia: Catalan guitarist Miguel Llobet was a student of Tarrega and went on to have his substantial career as a performer and composer. El Testament D'amelia is one of many Catalan folk songs he has arranged. This A minor version is based on Miguel Llobett's version in D minor. I have included an alternative to the section played with artificial harmonics to help make this arrangement more accessible to less advanced students. You may wish to play both.
18
3
0
1 0
0 2
3
2
1
1
3
3
3
3
2
3
8 5 5
3
8 5 5
0 2 3
1 0 2 3
0 2
0 2
3
0 2
3
3 0
2 3
0
1 2 3
24 CI
CIII
E B G D A C
3 4
3
5
4 5 6
4
6 3 5
3 1
1 3 1 3
1
3 4 3 5
1 3 1 3
3
5
5
3 1
5 4 5
5 4 5
7
5
3
5
7 0 0
0 3
7
E B G D A C
4 3
3
1 1
1 3 0
3
1
0 1
0 0
1
1 3
3 1
0 1
1
0 0
0 1 3
0 1 1
1 0 1 0
1 3
3 0
3 2
D.C. al Coda 2nd time tr.
E B G D A C
1 1 4
3 3
0 0 2
0 0 3 3
1
0
0 3
5
3
5
Coda
Coda E B G D A C
3
3
3
0 2
0 2
0 2
2
0
0
0
0
0 1 3 3
2 5
0
2
3 0
39 CVII
dim.
passione
8 5 7 0
5
5 7
12 10
10
8
7
0 8 9
0 5
10 9
7
10
2
7 8
9
4 0
4 0
9 2 7
2
0
0
con molto espressione
0 4
3
1 2
1
1 2
2
2 2
2
0
0
0 2
2 2
0 2
2
0
2 2
2
3
0
2 1
4 3
2
0
rall.
0 0 0
2
0 2
4 1
4
2
2 2
1
2 2
3
1 2
2
2
2 2
2
2
0
2
0
CII
3
1
0
0 2 2 0
0 2
2
3
p
rall.
3 5
3 5
molto
3 4 2
2
3
2
0
0 0 0
2 2
3 0
2
2 0
0
48 1/2 CIV
0 0 0
0 3
1
0
0
2 1
0 3
0 0 0
0 2
2 4 2
3 5 4
5 7 5
7 8 7
5 7 5
3 5 4
5 7 5
2 4 2
3 5 4
0 0 0
4 5 4
4 5 5
4 5 7
2 0
2
0
0
0
CVII
0 4
4
5 4
4
3 0 0
4 7
5
7 0 0
7 0 0
0 7 7
4
7 7
0 0 0
0 8
0
CV
7 5 7
CIV
7 7 7
8 7 9
5 5 5
4 4 5
7 8
0 0
0
2
1
0 0 0
0 0
2
4
7
7
0 3 2 3
2 1
0
0
2
2
1
7
7
0 0 0
0 0
2
0
4
3
7
7
3 2
2 1 2
0
Art. Harm.
CVII H12
pp
4 6 0
0 2
2 4
4 5
2 4
0 2
2 4 2
3 5 4
5 7 5
7 8 7
5 7 5
3 5 4
2 4
3 5
5 7
7 8
5 7
3 5
pp
7 7 8
0 0 0
7
0
4
59
6 6 7
6 6 7
7 8
5
5 6 7
4 6 7
0
0
0 5 5
3 4
0 5
0 6
0 3
2
0 5
0 6
0 3
0
0
5
1
2
5
2
1
2
1
2
3
1
1
2
1
2
3
1
2 3
CV
CV 1
1
2 1
1
2 3
1
2 1
1
2 3
1
2 1
2 3
0 5
CI
0
0 5
5 5 5 7
2 0
71 1/2CI
3
3 3 1 2 0
0
1
0
2 1 3
3
0 2
0 2
1
1 1
0 2
0
1
3
1
3
3
2
3
3 1/2CI
CI
3 3
3
3
3
3
3
3
3 3
1
3
4
0 3
0
1
1
3
1
2 2
1 3
3
1
1 1
3
2 3
3 3
3
3
3
3
riten.
0 2 3 2 0
1
3
1
0
0
2
0 0
5
3 0
1
0
0
1
0
0
3 0 3
3
3
3
3 3
CVIII rit. molto
pp
3 5
3 5
5
0 1 0
8 8 9
5
3
3 3
3 3
5
3
2
4
3
3
8
75
7 9 9
8 11 8
8 11 8 9
8 11 8 9
8 11 8 9
8 11 8 9
0 13 14
9
0 13 13 15 14 13
0 13 13 14 13 12
0 13 13 12
0 14
11 11
0 14 11 11 12 13
14 11 12
0 14 11 13
14
V 3
3
3
3 0 13 14
0 13 13 15 14 13
0 13 13 14 13 12
0 13 13 12
0 11 14 14 11 11 12 14
0 14 11 11 12 13
0 14 11 13
0 13 14
3
3
5
5
8
8
8 13
8
8
7
9
6
VII 3 3 3
7 9 9
3
5
6
3
5
8
7
3
8
8
8 13
9 10
8
8 9
7 9 9
9 10 8 9
7 9 9
9 10 8 9
7 9 9
9 10 8
7 9 9
2 2
9
1
9 10
8
0 1 2
8 12 7 10 9 8 9
2 7
0
Related Documents
Music Of The Spanish Masters For Intermediate Guitar
January 2021 1
Music Theory For Guitar 4.9
January 2021 1
Science Of The Ancient Masters
March 2021 0
Spanish Joint - Guitar
February 2021 1
Spanish Joint - Bass Guitar
February 2021 1
Music Of The Spheres
March 2021 0More Documents from "KATPONS"
Music Of The Spanish Masters For Intermediate Guitar
January 2021 1
Christmas Guitar Solos
February 2021 1
Christmas Guitar Solos(samples)
January 2021 1
Spc For Non-normal Data
January 2021 1
Spc For Correlated Variables.pdf
January 2021 1