Ill See You In My Dreams - Django
This document was uploaded by user and they confirmed that they have the permission to share it. If you are author or own the copyright of this book, please report to us by using this DMCA report form. Report DMCA
Overview
Download & View Ill See You In My Dreams - Django as PDF for free.
More details
- Words: 4,130
- Pages: 10
Loading documents preview...
I'll See You In My Dreams
B¨
4 3 2
1 4 3 2
1 1 1 1
B¨-%
4 1 1 1
4 2 2 1
4 2 2 1
2
Django (and Stochelo) plays bar 1-10 with his right hand fingers. If you are uncomfortable playing with your fingers just play it with your pick (all down strokes) and it will sound just as good!
F^
5
4 2 3 1
10 9 10 8
3 3 3
1 3 3 3
4 2 3 1
10 9 10 8
3 3 3 3
3
10 9 10 8
4 2 3 1
3 2 3 2
8 6 6 5
G7(9)
2
10 9 10 8
5 3 3 3
8 6 6 5
4 2 3 1
9
2 0 2 1
8 6 6 5
6
4
3 2 3 2
3 2 3 2
3 2 3 2
3
F7b13
Eº/B¨ 4 0 3 1
8 6 6 5
4 0 3 1
2 0 2 1
2
2 0 2 1
2 0 2 1
1
2 4 3 1
T
1
2
1
3
1 2 2 1
3
3
3
2
1
2
B¨6
13
0
0
2
7
5
1
8
5
2
7
4
8
5
1
7
7
1
B¨-6
2
4
2
5
5
7
E7
1
2
3
F%
17
2
5
2
F%
2
7
7
1
1
1
1
2
5
5
5
6
5
5
1
3
1
1
(3) 2
2
3
7
3
9
6
8
7
7
D7
21
2
7
25
G7
0
0
1
5
4
1
2
1
7
2
3
4
3
C7
10
2
6
4
7
10
7
1
1/2
9
1
7
F7
1/2
7
1
1
3
5
7
5
1
5
6
3
29
B¨6
3
5
7
8
1
3
3
5
8
E7
F%
1
3
3
1 3 1
3
78
4
4
1
1
3
B¨-6
4
33
1
7
F%
1
1
3
3
1
1
5
5
5
1
1
2
3
2
6
7
2
2
3
1
1
1
1
3
Because the E7 in this spot is just a "retardation" for the F chord in the next bar it is fine to just play "F" over it in the solos. In this case an Fmaj7 arpeggio.
7
37
5
7
B¨
1
1
5
8
3
1
8
1
3
12
8
5
3
3
5
7
7
Bº
10
1
1
7
C7
1
9
5
7
1
1
2
3
1
1
4
F% 2
7
3
9
7
6
7
D-
2
1/2
7
A7
41
5
D7 2
2
3
5
1
3
F7
1
2
1
5
1
5
3
5
Django plays around with the "9" and "b13" of C7 and is in fact suggesting a C7 (the dominant) for four whole bars. The tritone distance between the two makes for a peculiar sound: typcial Django!
5
5
5
5
5
5
6
6
5
6
7 5
6
7 5
6
7
7
4
45
B¨6 2
1
2
B¨-7
3
3
3
2
1
3
3
3
1
2
3
3
1
2
3
2
1
3
1
Django only changes to a Bb minor arpeggio in the second half of bar 47. This creates a nice "delayed" effect.
7
8
8
7
8
8
F% 1
2
3
1
1
3
1
8
8
E7 3
3
3
1
2
1
(1) 3
(2) 3
2
8
8
7
49
7
8
F%
8
6
8
1
8
8
1
1
2
6
1
4
8
8
6
3
1
1
1
3
The E7 is actually not played by the rhythm section on the original recording. It is how most people play it nowadays. In any case in your solo you can just keep playing F anyway
5
6
5
5
7
7
5 7
8
7
5
5
6
8
10
11
10
13
D7
2
53
1
4
1
1
3
2
1
2
11
10
13
10
11
11 12
11
10
1
1
1
1
2
13
10
1
10
10
1
1
1
2
3
10 12 10
1
9
10
Typicial Django: he starts with a simple idea and sticks with it for several bars changing the notes to fit the chords, beautiful!
This dominant lick is one of Django's and Stochelo's favourites, a good one to add to your bag of licks as well!
10
10
10
11
10
10
10
10
11
10
10
5
57
G7
2
1
61
B¨6
9
9
2
1
10
9
4
1
1
1
6
7
5
6
5
1
8
4
1
3
1
3
10
9
2
4
7
5
8
7
8
8
4
1
2
8 8
1
1
2
1
7
7
8
7
2
2
1
10
6 7
9
8
8
F7
2
1
1
1
8
6 7
2
1
8
8
6
8
7
F%
3
1
8
5
5
5
1
5
1
5
1
1
5
3
3
3
1
5
5
3
0
0
0
1
0
8
8
8
8
1
1
5
1
5
1
5
1
5
0
0
5
0
1
0
A7
1
3
1
The typical manouche dim arpeggio, but with one skipped note (A), skipping or adding a note in a normal arpeggio is an effective way to vary the sound of the arpeggio
1
B¨-6
2
1
8
1
1
D7
69
9
9
1
2
1
9
E7
4
3
7
F%
2
7
65
1
10
7 8
1
7
1
1
C7
2
1
1
(4) 3
(2) 1
(1) 1
(3) 2
(2) 1
3
1
5
1
5
0
0
5
0
0
0
0
D-
1
1
2
2
Easy but very nice lick from A7 to D-, this is a good one to practice in all keys.
6
1
1
8
6
5
8
6
5
7
6
9
7
7 8
8
0
0
6
73
B¨
Bº
C7
F%
4
1
1
2
4
1
1
2
F7
4
1
1
2
4
1
1
2
4
1
1
2
4
1
1
1
2
Django forces a repeated D dim triad without regarding harmonic changes for a bluesy sound. These kind of "hooks" are important in solos, they create memorable moments. Blues licks usually work best for this.
B¨6
77
6
6
6
6
9
6
7
9
6
3
2
1
1
1
6
7
9
7
3
3
1
7
1/2
3
8
6
8
6
4
6
4
1
1
2
2
1
7
3
4
6
7
E7
3
4
4
4
1
3
6
7
3
1
1
9
6
6
7
1
2
7
6
F%
2
2
8
6
4
6
2
1
1/2
1
2
9
Django continues his #IV idea and on this Moll Dur subdominant (Bb-6) it sounds even weirder. The "d"-note in the B dim arp. really clashes with the minor third of Bb-6, so again notg sure if you should pick this "trick" up.
81
F%
3
6
7
3
This lick doesn't make a lot of sense on Bb. It does however make sense in F (the main key): the B dim arpeggio suggests a #IV in F. It sounds like Django is substituting the subdominant with a raised subdominant variant. I'm not sure you should pick this up, it's just part of Django's solo and we're all used to it.
6
2
3
9
B¨-6
2
6
4
1
1
3
7
2
7
Up and down F arpeggios ending on the 6th
85
D7
5
6
8
5
6
3
1
1
2
1
1
1
5
7
8
5
7
3
3
3
2
1
5
6
8
12
1
4
1
5
10
8
13
10
10
12
12
1
3
2
1
4
1
4
1
2
3
3
1
3
10 12 10
9
10
11
10
16 15 14 14 13 12 11 10
2
3
2
3
A little early on the G7
5
17 17
1
3
No need to play this exactly as written, just time your slide to end on an up stroke.
1
13
10
11
10
9
12
10 12
9
3 12
11
10
10
12
10
10
3
12 11 10
7
89
G7
1
0
1
1
2
3
2
C7
1
F7
3
1
2
1
3
1
1
1
2
2
1
1
1
3
Playing Cm7 here.
12 12 12
12 12 12
9
93
10
10
10 12
11
2
2
10
7
8
10
8
8
9
1/2
9
8
8
8
9
10
B¨-6
3
2
10
8
B¨6 1
1
1
1
4
4
4
1
1
1
Nice arpeggio based lick for minor chords
7
8
8
8
9
F%
97
1
4
1
1
2
1
3
1
101
3
6
8
6
5
D7
2
2
2
6
5
2
5
7
7
1
5
6
3
3
7
6
8
8
2
1
5
7
6
3
3
1
2
5
8
12
10
2
1
1
1
3
3
1
1
1
3
1
2
1
1
1
1
1
3
A7
8
3
1
8
6
6
8
2
1
5
F%
5
3
1
3
10
E7
3
1/2
3
10 12 10
9
10
11
10
9
10
D-
1
3
2
3
1
3
3
1
Great lick from A7 to Dm, practice this one in all keys!
11
11
11
11
10
12
1/2
14
15
14
13
14
14
17
17
12
15
13
15
14
15
12
14
15
14
8
105
B¨
Bº
1
2
C7
1
3
F%
4
2
1
2
2
3
1
3
1
2
3
F7
3
1
1
2
1
2
3
2
1
1
1
2
3
3
This is a great idea: lick based around F major triads with leadtones/embellishments but in quarter triplets! I never hear anyine doing this except for Django
109
13
15
3
13
13
B¨6
2
3
3
13
15
17
12
15
13
3
1
14
1
15
1
3
B¨-6
3
1
2
3
113
15
F%
3
14
15
17
15
E7
2
1
14
15
1
13
15
13
3
15
13
1
14
14
15
14 15
14
1
1
3
3
15
13
14
15
3
15
12
14
15
2
3
3
2
3
3
16
F%
2
3
3
3
3
4
1
2
Continuing the quarter triplet idea started in bar 106
3
15
1
1
1
3
1
3
1
1
1
2
2
Very nice melodic lick for F major, again one to practice for all keys!
13 14
14
14
17
D7
4
117
1
1
1
2
1
3
2
15
13
1
12
15
13
15
13
14
13 15
15
15
4
1
1
1
2
1
3
2
1
Django making music out of a simple D major triad
13
14
17
14
15
14
15 16
14
14
13
14
17
14
15
14
15 16
14
14
14
9
G7
4
121
1
1
2
1
1
3
2
1
Stochelo makes a little mistake by playing an F# as the last note in this bar. Django actually plays an F natural and I corrected it in the tab.
13
17
14
B¨6 1
2
1
2
2
2
1
16
15
14
14
125
13
15
4
1
2
2
2
Watch the typical Django/Stochelo picking pattern for repeated notes and add some vibrato for "attitude".
14
F7
C7
2
2
1
14
14
14
14
14
14
14
14
1
2
1
2
1
4
1
2
2
14
14
14
14
14
B¨-6
14
2
2
1
1
2
3
The D-natural on the beat 4 of bar 127 is strange but is much more comfortable to play than a D-flat. Django even plays a D-natural on beat 2 but Stochelo changed that (and it's better). I corrected the D-flat on beat 4 of bar 128 which is what Django plays.
12 12
15
14
15
15
13
17
15
13
15
13
E7
4
F%
129
2
1
1
1
1
3
133
D7
3
14
2
14
2
1
1
4
11 12
3
12
1
14
15
15
17
15
13
15
15
13
15
4
F%
1
1
1
1
4
1
1
1
1
1
1
1
3
12
12
1
3
3
15
12
10
2
10
10
13
10
A7
1
3
11
3
10
11
10
13
11
1
3
1
2
3
9
9
9
9
2
1
2
3
12
8
8
8
D-
1
3
1
1
2
Another good A7-Dm lick to practice in all keys.
15
13
3
3
17
14
15
13
Typical Django idea but very usable by us mere mortals.
1
14
1
1
3
I also corrected this to what Django plays.
15
10
12
1/2
11
10
11
9
11
9
12
10
13
10
10
12
8
10
B¨ Bº
137
2
2
1
3
C7 3
2
F%
1
4
1
0
1
2
(1) 3
(2) 3
3
3
3
2
3
1
This is a good gypsy jazz ending for any four last bars of a song in the key of F
6
4
3
6
7
1/2
6
1
3 3
1
0
6
1
2
3
4
5
2
3 1
1
B¨
4 3 2
1 4 3 2
1 1 1 1
B¨-%
4 1 1 1
4 2 2 1
4 2 2 1
2
Django (and Stochelo) plays bar 1-10 with his right hand fingers. If you are uncomfortable playing with your fingers just play it with your pick (all down strokes) and it will sound just as good!
F^
5
4 2 3 1
10 9 10 8
3 3 3
1 3 3 3
4 2 3 1
10 9 10 8
3 3 3 3
3
10 9 10 8
4 2 3 1
3 2 3 2
8 6 6 5
G7(9)
2
10 9 10 8
5 3 3 3
8 6 6 5
4 2 3 1
9
2 0 2 1
8 6 6 5
6
4
3 2 3 2
3 2 3 2
3 2 3 2
3
F7b13
Eº/B¨ 4 0 3 1
8 6 6 5
4 0 3 1
2 0 2 1
2
2 0 2 1
2 0 2 1
1
2 4 3 1
T
1
2
1
3
1 2 2 1
3
3
3
2
1
2
B¨6
13
0
0
2
7
5
1
8
5
2
7
4
8
5
1
7
7
1
B¨-6
2
4
2
5
5
7
E7
1
2
3
F%
17
2
5
2
F%
2
7
7
1
1
1
1
2
5
5
5
6
5
5
1
3
1
1
(3) 2
2
3
7
3
9
6
8
7
7
D7
21
2
7
25
G7
0
0
1
5
4
1
2
1
7
2
3
4
3
C7
10
2
6
4
7
10
7
1
1/2
9
1
7
F7
1/2
7
1
1
3
5
7
5
1
5
6
3
29
B¨6
3
5
7
8
1
3
3
5
8
E7
F%
1
3
3
1 3 1
3
78
4
4
1
1
3
B¨-6
4
33
1
7
F%
1
1
3
3
1
1
5
5
5
1
1
2
3
2
6
7
2
2
3
1
1
1
1
3
Because the E7 in this spot is just a "retardation" for the F chord in the next bar it is fine to just play "F" over it in the solos. In this case an Fmaj7 arpeggio.
7
37
5
7
B¨
1
1
5
8
3
1
8
1
3
12
8
5
3
3
5
7
7
Bº
10
1
1
7
C7
1
9
5
7
1
1
2
3
1
1
4
F% 2
7
3
9
7
6
7
D-
2
1/2
7
A7
41
5
D7 2
2
3
5
1
3
F7
1
2
1
5
1
5
3
5
Django plays around with the "9" and "b13" of C7 and is in fact suggesting a C7 (the dominant) for four whole bars. The tritone distance between the two makes for a peculiar sound: typcial Django!
5
5
5
5
5
5
6
6
5
6
7 5
6
7 5
6
7
7
4
45
B¨6 2
1
2
B¨-7
3
3
3
2
1
3
3
3
1
2
3
3
1
2
3
2
1
3
1
Django only changes to a Bb minor arpeggio in the second half of bar 47. This creates a nice "delayed" effect.
7
8
8
7
8
8
F% 1
2
3
1
1
3
1
8
8
E7 3
3
3
1
2
1
(1) 3
(2) 3
2
8
8
7
49
7
8
F%
8
6
8
1
8
8
1
1
2
6
1
4
8
8
6
3
1
1
1
3
The E7 is actually not played by the rhythm section on the original recording. It is how most people play it nowadays. In any case in your solo you can just keep playing F anyway
5
6
5
5
7
7
5 7
8
7
5
5
6
8
10
11
10
13
D7
2
53
1
4
1
1
3
2
1
2
11
10
13
10
11
11 12
11
10
1
1
1
1
2
13
10
1
10
10
1
1
1
2
3
10 12 10
1
9
10
Typicial Django: he starts with a simple idea and sticks with it for several bars changing the notes to fit the chords, beautiful!
This dominant lick is one of Django's and Stochelo's favourites, a good one to add to your bag of licks as well!
10
10
10
11
10
10
10
10
11
10
10
5
57
G7
2
1
61
B¨6
9
9
2
1
10
9
4
1
1
1
6
7
5
6
5
1
8
4
1
3
1
3
10
9
2
4
7
5
8
7
8
8
4
1
2
8 8
1
1
2
1
7
7
8
7
2
2
1
10
6 7
9
8
8
F7
2
1
1
1
8
6 7
2
1
8
8
6
8
7
F%
3
1
8
5
5
5
1
5
1
5
1
1
5
3
3
3
1
5
5
3
0
0
0
1
0
8
8
8
8
1
1
5
1
5
1
5
1
5
0
0
5
0
1
0
A7
1
3
1
The typical manouche dim arpeggio, but with one skipped note (A), skipping or adding a note in a normal arpeggio is an effective way to vary the sound of the arpeggio
1
B¨-6
2
1
8
1
1
D7
69
9
9
1
2
1
9
E7
4
3
7
F%
2
7
65
1
10
7 8
1
7
1
1
C7
2
1
1
(4) 3
(2) 1
(1) 1
(3) 2
(2) 1
3
1
5
1
5
0
0
5
0
0
0
0
D-
1
1
2
2
Easy but very nice lick from A7 to D-, this is a good one to practice in all keys.
6
1
1
8
6
5
8
6
5
7
6
9
7
7 8
8
0
0
6
73
B¨
Bº
C7
F%
4
1
1
2
4
1
1
2
F7
4
1
1
2
4
1
1
2
4
1
1
2
4
1
1
1
2
Django forces a repeated D dim triad without regarding harmonic changes for a bluesy sound. These kind of "hooks" are important in solos, they create memorable moments. Blues licks usually work best for this.
B¨6
77
6
6
6
6
9
6
7
9
6
3
2
1
1
1
6
7
9
7
3
3
1
7
1/2
3
8
6
8
6
4
6
4
1
1
2
2
1
7
3
4
6
7
E7
3
4
4
4
1
3
6
7
3
1
1
9
6
6
7
1
2
7
6
F%
2
2
8
6
4
6
2
1
1/2
1
2
9
Django continues his #IV idea and on this Moll Dur subdominant (Bb-6) it sounds even weirder. The "d"-note in the B dim arp. really clashes with the minor third of Bb-6, so again notg sure if you should pick this "trick" up.
81
F%
3
6
7
3
This lick doesn't make a lot of sense on Bb. It does however make sense in F (the main key): the B dim arpeggio suggests a #IV in F. It sounds like Django is substituting the subdominant with a raised subdominant variant. I'm not sure you should pick this up, it's just part of Django's solo and we're all used to it.
6
2
3
9
B¨-6
2
6
4
1
1
3
7
2
7
Up and down F arpeggios ending on the 6th
85
D7
5
6
8
5
6
3
1
1
2
1
1
1
5
7
8
5
7
3
3
3
2
1
5
6
8
12
1
4
1
5
10
8
13
10
10
12
12
1
3
2
1
4
1
4
1
2
3
3
1
3
10 12 10
9
10
11
10
16 15 14 14 13 12 11 10
2
3
2
3
A little early on the G7
5
17 17
1
3
No need to play this exactly as written, just time your slide to end on an up stroke.
1
13
10
11
10
9
12
10 12
9
3 12
11
10
10
12
10
10
3
12 11 10
7
89
G7
1
0
1
1
2
3
2
C7
1
F7
3
1
2
1
3
1
1
1
2
2
1
1
1
3
Playing Cm7 here.
12 12 12
12 12 12
9
93
10
10
10 12
11
2
2
10
7
8
10
8
8
9
1/2
9
8
8
8
9
10
B¨-6
3
2
10
8
B¨6 1
1
1
1
4
4
4
1
1
1
Nice arpeggio based lick for minor chords
7
8
8
8
9
F%
97
1
4
1
1
2
1
3
1
101
3
6
8
6
5
D7
2
2
2
6
5
2
5
7
7
1
5
6
3
3
7
6
8
8
2
1
5
7
6
3
3
1
2
5
8
12
10
2
1
1
1
3
3
1
1
1
3
1
2
1
1
1
1
1
3
A7
8
3
1
8
6
6
8
2
1
5
F%
5
3
1
3
10
E7
3
1/2
3
10 12 10
9
10
11
10
9
10
D-
1
3
2
3
1
3
3
1
Great lick from A7 to Dm, practice this one in all keys!
11
11
11
11
10
12
1/2
14
15
14
13
14
14
17
17
12
15
13
15
14
15
12
14
15
14
8
105
B¨
Bº
1
2
C7
1
3
F%
4
2
1
2
2
3
1
3
1
2
3
F7
3
1
1
2
1
2
3
2
1
1
1
2
3
3
This is a great idea: lick based around F major triads with leadtones/embellishments but in quarter triplets! I never hear anyine doing this except for Django
109
13
15
3
13
13
B¨6
2
3
3
13
15
17
12
15
13
3
1
14
1
15
1
3
B¨-6
3
1
2
3
113
15
F%
3
14
15
17
15
E7
2
1
14
15
1
13
15
13
3
15
13
1
14
14
15
14 15
14
1
1
3
3
15
13
14
15
3
15
12
14
15
2
3
3
2
3
3
16
F%
2
3
3
3
3
4
1
2
Continuing the quarter triplet idea started in bar 106
3
15
1
1
1
3
1
3
1
1
1
2
2
Very nice melodic lick for F major, again one to practice for all keys!
13 14
14
14
17
D7
4
117
1
1
1
2
1
3
2
15
13
1
12
15
13
15
13
14
13 15
15
15
4
1
1
1
2
1
3
2
1
Django making music out of a simple D major triad
13
14
17
14
15
14
15 16
14
14
13
14
17
14
15
14
15 16
14
14
14
9
G7
4
121
1
1
2
1
1
3
2
1
Stochelo makes a little mistake by playing an F# as the last note in this bar. Django actually plays an F natural and I corrected it in the tab.
13
17
14
B¨6 1
2
1
2
2
2
1
16
15
14
14
125
13
15
4
1
2
2
2
Watch the typical Django/Stochelo picking pattern for repeated notes and add some vibrato for "attitude".
14
F7
C7
2
2
1
14
14
14
14
14
14
14
14
1
2
1
2
1
4
1
2
2
14
14
14
14
14
B¨-6
14
2
2
1
1
2
3
The D-natural on the beat 4 of bar 127 is strange but is much more comfortable to play than a D-flat. Django even plays a D-natural on beat 2 but Stochelo changed that (and it's better). I corrected the D-flat on beat 4 of bar 128 which is what Django plays.
12 12
15
14
15
15
13
17
15
13
15
13
E7
4
F%
129
2
1
1
1
1
3
133
D7
3
14
2
14
2
1
1
4
11 12
3
12
1
14
15
15
17
15
13
15
15
13
15
4
F%
1
1
1
1
4
1
1
1
1
1
1
1
3
12
12
1
3
3
15
12
10
2
10
10
13
10
A7
1
3
11
3
10
11
10
13
11
1
3
1
2
3
9
9
9
9
2
1
2
3
12
8
8
8
D-
1
3
1
1
2
Another good A7-Dm lick to practice in all keys.
15
13
3
3
17
14
15
13
Typical Django idea but very usable by us mere mortals.
1
14
1
1
3
I also corrected this to what Django plays.
15
10
12
1/2
11
10
11
9
11
9
12
10
13
10
10
12
8
10
B¨ Bº
137
2
2
1
3
C7 3
2
F%
1
4
1
0
1
2
(1) 3
(2) 3
3
3
3
2
3
1
This is a good gypsy jazz ending for any four last bars of a song in the key of F
6
4
3
6
7
1/2
6
1
3 3
1
0
6
1
2
3
4
5
2
3 1
1
Related Documents
Ill See You In My Dreams - Django
March 2021 0
You're Trending In My Dreams - Sudeep Nagarkar.pdf
January 2021 0
My Life In You (133)
January 2021 0
Can You See It?... Can You See God Within?...
March 2021 0
Django In Rome 1949
March 2021 0
Reinhardt, Django - Georgia On My Mind (2)
February 2021 0More Documents from "starbuckf"
Ill See You In My Dreams - Django
March 2021 0
What Say Her Next Interaction Out
January 2021 0
62 Bosch Crin Repair Instructions En
January 2021 0
