Lutoslawski S3

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;tÇa ,b'"i;.1r

Witold Lutoslawskr

SYMPHONY No'3

mi ïïïki'xfu:'*;iï,ï::"1'f

i"':""ff

ï::IJ'I:"'ïJ": 1ï:;":i:

CHESTE,R N{IJSIC Londott ['ld'

ll;tnscn I. & \V. Chcslcr/l-tlilir'n WilhclmlìClM 5Ql) p.,,qlc C,'Lrrt t,,rnd,rrt

I ThÍ

work_was coÍrúnissioned by

úe

Cfucago Sym_

Auftragswerk des Chicago Symphony OÍchestra. r-rrau!getiihrt a.!Tl 29 September l9g3 vom Chicago Symphony Orchestra unteÍ leitung von SÍ Georg

phony Orchestra who gave lhe fust performãnce on 29th September 1983, conducted by Sir Georg Solti.

Solti.

ORCÌIESTRATION

-

3 flutes (2nd and 3rd doubling piccolo) 3 oboes (3rd doubling cor anglais) 3 clarinets in B Ílat (2nd doubling clarinet in E flat,3rd doubling bass cladnet) 3 bassoons (3rd doubling contrabassoon) 4 trumpets in C 4 horns in F 4 lrombones Tuba

Timpani Percussion:

Xylophone, glockenspiel, marimba, vibraphone úthout motor, bells, 5 tom toms, 2 bongos, bass drum, side drum, tenor drum, 3 cymbals (small, medium aad large), tam tam, gong, tâmbourine. 2 harps Piano (4 hands) Celesta

Strings

Duration: approximately 28 minutes Full score and orchestral parts arc avqíhbte on hire.

The ad libitum secÍions are not to be conducted. The be, ginning of í.ach secÌion is malled wirh an arrow + which corÍe\pondr to Ìhe downbeat o[ the conductot. ü the ad liòiÍu,n sections âìl the rhythmic vâlues are approximate. In con5equence. the plâcing

oI the note\

Die ad Ìibitunt fcile \ottren nicht dirisreÌr r\erden_ Zu BeErnn jede\ solchen Tetles deutet das Zelche; çt an.woderDrriãenr einen AbwaÍtssLhlag 7u geben h,jr tn dre"sen ad tióirum TirLen sin-d

one above the other ln

thc çcore does not nece(sarily mean that the' are plâyed simujtâneously. On the o(her hand, in the conducted s;clions (Ínarked 3/4. 2/4 etc.) all the rhythmic values are precise, the notes appearing vertically in line to be played simultaneously.

alle rhyÌhmischen WeÍte nur Annàherüngen, und dem-

zufolge stellt

ein

Uebereinandersetzen

der Noten in

der

Parlitur ni.hl norqendigelweire ein en(emblemãsJrpes Zusâmmenspiel ddr. AndereÍseiLs slnd die rhvrhmisctren

in den zu dirtgierenden kn.r 314, 2/4 u.s.w. bezeich. neten) Teilen genau zu nehmen, sodass do senke.hl übereinãnderstehende Noren gleichzelrig ge\plelt $eÍdcn Werte

lt !

ana

{

mean beats íwhich may be given with rhe left hand) a soloisr, and NOT for úe whole orchestra.

loÍ a gÌoup oÍ for

All nolallon is made ât soÌlnding pitch et(cept for the pa-rts ot tÌle prccolo, contÌabassoon. double bass. xylophone,

glockenspiel and celesta.

beaeufen Schliige (evenÌueu mit der lirÌken Hand)

ÁUe Instrumente klingen wie notiert, mit

ffi

nalural signs are used in the orchestrâl parts. The notation sìgnifies the repetition of the same note. @

Allc Vorzeichcn gelten nur für die Notc. vor wclcher so bedeuten

"

r11tì. rìor( hy I q r rtúr-rull(. ' ,ÌuJ,t,.Í.íu,,(.,. ,f rrr,. rur,rrrg

tow(111g

-thr lus. rrng h) r,,,(,. .!l by a quâr(cLlonc

, ffi

""d

!FB-H

sic

und;,rcrr B-ts.

In dcn Orchesterstimmen jedoch steh€n zusâtzliche AufÌõs nngszeichen.

Dic NoricÍunB Note

llrc rrgn L Uenorc, rtr.

Ausnahme

von Piccoloflôte, Kontrafagott, Kontmbass, Xylophon, . Glockenspiel und Celesta.

The accidentals apply only to the notes they precede. Thus uno ,ign;iv gb -B and ror Bb -Bb. However,

F

t una!

lúr Gruppen oder Soloisten und nicht lür das ganze Orchesrer.

-ffi.

bcLJeutct drc \\ redcrno.ung JcÌ(ctbc1

Dus Zcichen L berjeurer die Vcrninde.uns dcr Norc urÌì cincn

Vi"rr':lron. fl,

Í

d.rs

Ji( VcÍrnrnJcÍ.n- uir .rrrr Vi,rrctr,,ne. lÌlìôhen unì einen VicrrctroÌì

Íat St Georg solti and the Chicago Symphony Orchestra

SYMPFIOÌ{Y '1

lttro.8

,,|

Witold Lutoslawski

'-'.|.

(1e83)

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