Mahatma Volume 1

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THE ONLY PAPER IN TIIK UNITED STATES DEVOTED TO THE INTERESTS OF MAGICIANS, SPIRITUALISTS, MESMEKIM -, I i

VOL.

I. No. I.

NEW YORK. MARCH, I8QS.

ROBERT HOUDIN. KATHI-.R OF MODERN

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MAGIC.

ROBHRT HoniiN was born on the 6th of December, 180s. in the town of Blois, France. His father a watchmaker in that city gave him a good education at the college of Orleans, with the idea of making him a professional man, a solicitor by preference; but Houdin was averse to this, having inherited his father's mechanical genius he wished to follow in his footsteps. To this his father would not listen, and forthwith bound him to a country solicitor, where he served two years, at the end of which time he was discharged having spent most of his time in constructing ingenious mechanical contrivances. His father at last despairing of making anything of him except that which nature designed. con-__ sented to his following his own bent, much to his son's joy. He was sent to a relative at a distant town to learn the watchmaking trade. While there, by the merest chance a treatise on conjuring fell into his hands that so charmed and fascinated him that he became averse to following his father's trade, his sole ambition being to become a conjurer; chance at this time throwing him into the company of a professional conjurer strengthened this ambition, but circumstances compelled him to stick to his trade; nevertheless he found time not only to perfect himself in sleight of hand, but to construct new mechanical tricks which he fondly hoped to exhibit some day. So great was his ingenuity, that at the Paris Exhibition of 1844, he was awarded a medal for the ingenious construction of several automata. In 1845, Houdin had the good fortune to render a great service to a nobleman of considerable wealth, who in a spirit of gratitude pressed upon him the loan of sufficient money to enable him to open a small theatre in the Palais Royal, Paris. It was here that Houdin made reforms that entitles him to be called the Father of Modern Magic. The contemporary performers of his time dressed like astrologers, in long and flowing robes, embroidered with hieroglyphic characters, and pointed cap, or in a mountebank costume with short sleeves

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and bare arms. Houdin appeared on the stage in ordinary ••evening dress," substituting undraped gilt tables and consoles in the Louis XV. style in place of the cumbersome long draped tables of his predecessors. The enormous metal covers under which articles to be vanished had hitherto been placed, were replaced with covers of glass, opaque or transparent as occasion required; boxes with false bottoms and all apparatus of brass or tin were completely banished from his stage. At his entertainments which were given under the title Soriees Fantastiques, the originator exhibited certain illusions which not only by reason of the manner of their working, but of the principles" whereon they were based. inaugurated a new era of conjuring, these were the Second Sight, the Aerial Suspension, the Inexhaustible Bottle, the [Mysterious "Portfolio, the Crystal Cash-box. the Wonderful Orange-tree. etc. . including several pieces of •-_4ufniiiata. The Soirees Fantastiques proved

a complete success and soon the little theatre was nightly crowded with the first circles of Parisian society ; though the number of seats were limited to two hundred, the prices were tolerably high, so that" Robert Houdin, thanks to the signal favor with which his performances were received by the public, was enabled to repay his generous creditor within a year afterthe opening of his theatre". He continued to enjoy uninterrupted success until 1848. when the revolution ruined all theatrical speculations in Paris, he then visited London, where his performances at the St. James' Theatre were universally attractive and lucrative; leaving London he made a tour through Great Britain with equal success, returning to Paris when France had settled down quietly under the rule of a President; he subsequently visited many other parts of Europe and was everywhere received with distinction and applause. In 1852 finding his health failing he determined to retire, to his great regret his two sons upon whom he had reckoned to fill his place evinced from an early age, inclinations of a different character to those he had hoped. The elder, yielding doubtless to an hereditary predisposition, developed {Cloutinned on piig? 2. 1

flDabatma.

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RATES OF ADVERTISEMENTS.—Twenty cents per line, nonpareil type measure; space ol one inch $2.40 each insertion. A deduction of 20 per cent, is allowed on advertisements when paid for three months in advance, and on advertisements measuring 50 lines or more. For Sale or Exchange column, 15 cents a line. Copyrighted March, 1895.

TO OUR READERS. In presenting "MAHATMA" to the magical fraternity it is with the idea of (to use a time worn phrase) filling a long felt want. Every branch of any occupation, art, science is represented by a periodical of some kind, but magic whose devotees can be counted by the thousands has in some unacountable way been overlooked, therefore MAHATMA as a periodical is unique, and justifies our claim that it "fills a long felt want." The chief features of MAHATMA are as follows: beginning with the first number a series of articles will be given teaching Umbromania. or the art of shadowgraphv, also Chapeaugraphy, or a score of heads under one hat, tricks of various kinds and their manner of working, optical and mechanical illusions, and automa, the majority of which will be new to the profession at large, they never having been printed in book form. Juggling tricks will also be treated upon, in fact everything that pertains to magic directly or indirectly. "MAHATMA" will also cheerfully answer any questions pertaining to magic or any of its branches, and will keep track of all the noted artists of the day, telling of their doings, comings and goings, not only in this country but the world over. The advantages of our advertising columns to the performer cannot be over-estimated, there he will find materials and tools advertised which will enable him to perform any or every branch of his art, also new tricks and illusions as soon as placed on the market, this is a great advantage for those living a distance as they can obtain the apparatus almost as soon as those living in the immediate vicinity: thus reaping the benefit of their purchase while it is still a novelty. To the manufacturer it presents unprecedented advantages; other periodicals are disseminated among thousands who never did, nor ever will, purchase one cents worth from them, while with this paper their advertisements go right to the fountain-head. It is also well to note that this paper is not published for the benefit of any one manufacturer, but for all who wish to advertise in its columns, that is, all honest advertisers—not to any person who may wish to thrive upon the curiosity or credulity of the readers of this paper, and any complaint having been received against an advertisement in this paper, if found upon investigation to be correct, our columns will be forever closed to them or any person associated with them. "MAHATMA" is published by the proprietor, a new plant having been purchased for this special purpose, thus insuring to the subscriber an existence not for a month or two, but for all time. ROBERT HOUDIN.—Continued.

an intense love for mechanics, and after going through an extensive course of study on that subject, devoted himself to clockmaking, a profession which had been followed by that family for generations. The energetic and decided character and military tastes of the younger caused him to adopt the profession of arms, after gradunting at the military academy of St. Cyr, he lost no time in attaching himself definitely to the army. A former pupil named Hamilton having married his sister, Houdin made him his successor in order that his theatre and the fruit of his labors might remain in the family, and after a short tour through Germany he retired to a retreat

in the neighborhood of Blois, there to devote himself to his favorite study, the application of electricity to mechanism, a lingering love for his old clockmaking trade made him choose chrohometro-electrical works as the objects of his study, and so well did he succeed that at the Great Parisian Exhibition of 1855, he was awarded the gold medal for his scientific application of electricity to clocks. In 1857, at the special request of the French Government which desired to lessen the influence of the Marabouts whose conjuring tricks, accepted as actual magic by the Arabs, gave them too much influence, he went to Algeria, as a sort of Ambassador, to play off his tricks against their tricks, and, by greater marvels than they could show, destroy the prestige which they had acquired. He so completely succeeded that the Arabs lost all faith in the miracles of the Marabouts, and thus was destroyed an influence very dangerous to the French Government. Houdin has been considered of such importance and interest in France, that in Didot's -h^onvelle ^Biographic Generate a whole page is given to him. Upon again seeking retirement he wrote his celebrated memoirs under the title Les Confidences d'un Prestidigitateur, which has been translated into English by Dr. R. Shelton Mackenzie. French and English critics have warmly eulogized M. Houdin's confidences. Robert Houdin's desire to perpetuate the Soirees Fantastique has been realized to a degree that must have been even beyond his fondest hopes, as July 3d. 189s. will be the celebration of the soth anniversary of the Theatre Robert Houdin as a Temple of Magic. THE MAGICIANS REVENGE. A neat story is told how a wily magician got the best of one of those would be clever fellows that are met with in almost every audience, to the sorrow of the performer. They pretend to know the secret of_ every trick that is being performed, and give the explanation in such a loud voice that all within two or three rows can hear them. This particular story happened to-lie'enacted in a small country town, and the smart individual who made himself unusually objectionable was the local photographer. The Professor had no trouble after the performance to find out the man's address, and the next day he paid him a visit in his studio. He made a bargain for a lot of large sized photographs. The Photographer was all smiles in anticipation of the good profit from the order. He placed the Professor who by the way was quite bald, in the most advantageous position anJ proceeded with his business. Having taken the plate to the dark room he returned after a considerable time smiling very uneasily and said that he was not quite satisfied with the pose. He placed the Professor a little differently, put another plate in the camera, and took another snap. This time he remained very much longer and emerged from the dark room very much perturbed, giving as an excuse, that the plate was not perfect. For the third time he went through the business and when he came out from the dark room he was pale as a ghost and trembled violently. "What is the matter?" asked the Prolessor. "1 am very sorry, I am not able to take your picture, there is something very queer about this." The Prolessor who was very good natured. after having enjoyed the discomfiture of the photographer said: "If you knew as much about your business as you pretended to know about mine yesterday, you would liave found out what was the trouble; I will explain it to you. I have painted on my forehead with a certain acid of quinine, which is a colorless liquid, a skull with crossbones; you cannot see that, but the camera reproduces the picture perfectly and that is the reason you found every time the skull reproduced on the plate. The magician washed off the chemical and there was no more trouble with the next sitting.

/IDabatma. AN INTERESTING FLOWER TRICK. While there are many small tricks, to make them effective they must be so combined as to make them appear to the best advantage. The following is an interesting flower trick: The performer comes forward holding in his hand a small cardboard box which he says contains various kinds of llower seeds. "There is no need of moisture, earth', or time to cause the seed to germinate, the plant to spring up arid the flower to bloom. Everything takes place instantaneously. Would not a rose in my buttonhole produce a charming effect? A stroke of the wand upon the seed deposited in the desired place, and tile rose appears. A few seeds in this little box (Fig. i A), (hat we shall cover so that it cannot be seen how flowers are born. . Take off the cover: violets, forget-me-nots, and Easter daisies are here all freshly blown. "You are suspicious of the little tin box and of its cover. Well then, here is a goblet, the transparency of which is perfect, and this borrowed hat with which 1 cover it can have undergone no preparation. Let us remove it quickly, for the flowers. . . What! no flowers? Ah! I forgot to sow the seeds. Let us begin again. What flowers do you want?—a mignonette, a violet, a marigold? Here is a seed of each which I place in the glass. Let each one tell me the flower he prefers. Now I cover the glass and count three. . . . See the bouquet!" (Fig. 5.) The trick is finished by taking from the hat a number of bouquets for the ladies. An explanation of it: 1. Tlh' Biillonliole 7(ose.—This is a stemless artificial rose of muslin, which is traversed by a strong black silk thread arrested by a knot. To this thread, whii.li is live or six inches in length, is attached a strong rubber cord.

dle of the bouquet, which has been placed upon a bracket, as shown in Fig. 1, and, raising his finger, introduces the flowers into the hat, taking care not to turn his gaze away from the glass to the bouquet or hat, as one might teel inclined to do. This introduction of the bouquet should be done quickly, after which the hat is held aloft, while with the left hand some imaginary seeds, the kinds of which are designated in measure as they are taken, are selected from the cardboard box and deposited in the glass. This time the flowers will appear. 4. Small "Bouquets in the Hat.—There is not a second to be lost; the spectators are admiring the bouquet. The operator quickly profits by this surprise to introduce, by the same process, small bouquets tied together with a weak thread that can be broken in the hat. We have not figured these bouquets upon the bracket, in order to avoid complication. A skillful operator will not hasten to produce the small bouquets; he will advance toward the spectators as if the experiment were ended, and as if he wished to return the hat, making believe answer a request, he says: "You wish some flowers, madam? And you, too? And are there others who wish some? 1 will empty into the hat the rest of my wonderful seeds, and note the result. It is at this moment that all eyes are open to see the advent of the flowers.

An excellent addition to the foregoing experiments is the flower (Fig. 2) that changes color three times. This can be produced in the small box (Big. 2), or among the small bouquets in the hat. the performer stating that he not only has power to make flowers grow at will, but to assume any

Fig. 2.—THE MAGIC FLOWER.

THK H1RTH OF THK FLOWERS.

The free extremity of the rubber traverses, in the first place, the left buttonhole of the coat, and then a small eyelet formed beneath, and passes over the chest and behind the back, and is fixed by the extremity to one of the right hand buttons of the waistband ol" the trousers. When the performer comes upon the stage, the rose is under his left armpit, held by the arm. He raises his wand toward the right, and looks in the same direction to attract the spectators to that side; but, he separates his arms slightly, and the rose held by the taut rubber suddenly appears. The effect produced by the appearance of tins llower is instantaneous. 2. Tin- Flowers in the Sunill Box.—In this second appearance of flowers, produced by means of the small apparatus shown in Fig. 2, there is nothing very mysterious. The object of it is to bring into relief the experiment that is to follow, and of which there can be no'question of a double bottom. Moreover, the means employed contributes toward astounding the spectators. Fig. 2 shows in section the three pieces of the apparatus, which are placed separately upon the table in Fig. 1. A is the cylindrical tin box in which the seeds are sown, and B another box of slightly larger diameter, but like the first, which it entirely covers. To the bottom of B is fixed a small bouquet of artificial flowers. By slightly squeezing the cover, C (which is ol thin brass), toward the bottom, the box, B, with the bouquet, is lifted. If, on the contrary, the box is left upon the table, the spectators do not perceive the substitution made, and think that they see the first box, whence they believe the flowers started. 3. The Bouquet in Hie GLiss.—This is an interesting part of the experiment. The glass is first covered with a hat, aiul the performer feigns astonishment upon the flowers having not appeared, but at the instant the hat is lifted, when all eyes are upon the glass, looking for the bouquet announced, the performer, who, with the right hand, holds the hat resting upon the edge of the table, sticks his middle finger in the cardboard tube fixed to the han-

color that he desires, which he proceeds to do in the following manner: Fig. 2 represents the tri-colored artificial flower; to the left of this figure (No. 1) we see a white flower. This, by an abrupt movement of the arm, is rendered blue and red. The white flower, made of thin paper, is folded like a Ian and is placed between two flexible leaves, provided at their upper extremities with a small piece of lead. By a dexterous movement the green leaf is raised and the white flower is folded under its weight, and a blue flower makes its appearance on one side and a red one on the other. If quickly done the eye cannot discern the means that are employed to effect the transformation. UMBROMANIA, OR THE ART OF SHADOWGRAPHY. Professor Hermann, in 1S89, toured through this country a variety company known as "Hermann's Transatlantic Vaudevilles." the chief star of which was Trewey, a juggler and sleight of hand performer of great merit, described as "The Absolute Master." not only for his great dexterity but for the originality of his performance, the principal features o which were novelties in this country, namely: Umbromania, or the arlofshadowgraphy, andChapeaugraphy, or a score of heads under one hat. As a complete treatise on these arts have never before been printed in this country, our explanations will be very acceptable to the magical fraternity. In calling this "act" a novelty of course we do not mean that there is anything new in projecting shadows with the hands, such as the dog, rabbit, swan, etc., which, in itself, must be as old as the hills, but in its improvement which has raised it to the dignity of an art. An Italian painter

/IDabatma. named Campi seems to have been the first to try and improve this art. He devised new and amusing forms of animals that delighted the school children, whom he loved to amuse. An imitator named Frizze imported the art into Belgium, where Trewey got a knowledge of it, which he still further improved. The art now consists not only in forming innumerable figures of birds, fishes and animals, but in giving them life-like motions—the cat making its toilet, the swan smoothing its plumage, the bird taking flight, the ropedancer, who before walking on the rope rubs resin on her feet, etc. Before giving any of these we must point out the fact that there are various exercises of the hands and fingers that are indispensible in order to give life-like motion to the silhouettes. The first exercise consists in bending the little finger as much as possible without moving the others while the hand is spread out. Second, the little finger is raised and an effort is made to bend the middle .uul ring fingers while the fore and little fingers remain extended. Third, bend the two last joints of the fore and little finger while the ring and middle fingers are bent inwardly. In this position, if the thumb be bent inwardly, it will be found that the shadow made by this profile on the wall will lorm the head of a cat. Fourth consists in leaving the two last joints of

the first and little lingers bent, and extending the middle and ring lingers. Afterward follow exercises in separating the fingers from each other by opening them in the direction of the middle of the hand. First it is the little finger that is isolated, the fore, ring and middle fingers resting against each other; then it is the separation of the fingers into two groups, the little finger against the ring finger and the middle finger against the fore-finger, the latter and the ring linger making as wide an angle as possible. Then comes the assembling of the lingers, the extremities of each being hidden behind the middle finger, so that the hand has the profile of a spear head. Finally we have the exercises in which each finger is made independent of the others, one being bent to the first, the other to the third joint, the latter extended as when the hand is open, the former elongated and at right angles with the hand. It must be understood that all that is done with the right hand must be repeated with the left. The next thing to be considered is the screen and the source of light. In practicing at home a white wall, white paper or muslin thrown over a clothes-horse will answer as a screen, and the source of light may be obtained from an ordinary oil lamp or even by a commnn candle, the mirrors and all brilliant objects having been veiled or re-

moved to prevent reflections, quite dark and sharp shadows may be obtained. In the theatre the performer must have a screen of muslin provided with metal eyelets, fastened at proper distances apart on the four sides, so that cord may be fastened into them for the purpose of stretching the screen until it is smooth. The source of light necessary for public exhibitions must be a single lamp, oxyhydrogen or electric, inclosed ina projecting apparatus throw very divergent rays. The lens must consequently be of very short focus. So much lor the preparatory part of this art. In our next issue we will commence teaching the forming of the latest and best of these silhouettes. CHAPEAUGRAPHY OR A SCORE OF HEADS UNDER ONE HAT. This act, which we have every reason to believe is original with Trewey, is to make from a round piece of felt (shaped a sombrero minus the crown;) numbers of different shaped hats by simply twisting the felt into different shapes, and then by simpfy turning up his coat collar or tying his handkerchief around his neck and changing the expression of his face, he would personate a score or more ol different characters in pantomime. Any one seeing Trewey perform would imagine this feat a very difficult one to master, and so it would be to the one who attempted to learn it without some guide to aid him. He might practice a year and not get all the combinations. It must be borne m mind that the success in Chapeaugraphy does not consist in the skill of making the hats alone, but also in the facial expression and pantomimic ability of the performer. Some imitators of Trewey not possessing his mobility of countenance use accessories, and as many of our readers will find themselves handicapped in the same way our explanations will include them; they consist in prepared chalks, white, black and rouge; a false mustache and imperial, a false nose, a cane and a looking glass (lying flat on the table). In explaining the making of the different hats we shall do so with the aid of two illustrations (A. B.) A will show the folds and twists required in each hat; B will show how the hat looks when on the head, also the proper facial expression. Fig. i. The Scout is so simple as to require no illustration. Having first shown a round piece of felt, you turn to your table, and, looking down into your looking glass, you place it on the back of your head a" little on one side, the same as you would any wide-brimmed hat, attach moustache and imperial; you may also dust your face lightly with rouge in order to look sun-burned; pick up the cane and hold it in front of you like a gun; turn around and you will represent a Western scout. The coat should be tightly buttoned and a handkerchief tied around the neck. N. B.—It may be well to state here, although it seems superfluous, that to perform Chapeaugraphy it is necessary to be clean shaven. MAHATMA'S NEWS. Professor Alexander Hermann lias met with crowded houses in Omaha, Neb. Professor Kellar performed in Newark, N. J., to packed houses. His season has been a very prosperous one. Powell is again the attraction of the Eden Musee, this city. Mr. Powell has the reputation of not only being a thorough gentleman, but is one of the cleverest exponents of magic in this country. The great Imro Fox has returned from his last successful European tour, in which he played all the large cities on the Continent with great success, and is now filling an engagement at the Casino, New York. Mr. Fox for the season of 95-90, will be a special feature with Donnelly & Girard, Rain Makers. Chevalier Thorn, has concluded a run of 100 performances at Vienna, Austria, to crowded houses. The Professor is deservedly popular. Edna Wood reports very fine business from Santiago de Chili. Balabrega, in company with the Bemoles, is reaping a harvest in Valperaiso.

/IDabatma. A NEW OPTICAL ILLUSION. An optical illusion was exhibited a year or so ago in New York in connection with the Crystal Maze (a labyrinth built of mirrors), which, though exhibited some years ago at the Paris Exposition, was an entire novelty in this country. The illusion is to make a few persons appear like an innumerable throng. It is simply an enlarged modification of the kaleidoscope, inert bodies being replaced by living beings. Three glass mirrors about six feet square are placed together so as to form an equilateral triangle, a person (entering through a trap in the floor), placing himself in the centre of this triangle sees his reflection reproduced in groups of six at all three joining points ol the mirrors. Each of these groups are in turn indefinately reflected until the last are lost in the dim prospective. Several persons walking about have the appearance of an exi d pp b Thi i l l i cited mob. This illusion ought to prove a valuable addition to any museum as a side exhibition. MAHATMA'S NLWS Prof. Queen, magician, and Prof. McCarthy, illusionist, are at the Dimeodeon, San Francisco, Cal. Geo. Reba, magician, is with the Mohawk Indian Medicine Co., No. i. Sato, the juggler, will go to Europe in May, opening in Berlin, Germany. Prof. Ferguson, magician and juggler, is a member ol the Topqua Medicine Co. Prof. De Camio, magician and mesmerist, is with Dr. C. J. Foster's Comedy Co. Prof. Frank Emerson, illusionist, is now booking through •the New England States. Prof. George A. Milligan's Magical Show is en route through Ohio and Indiana. Prof. Ira Vilton and Mile. Valletta, mind leaders, are with Cameron's Palace Museum. Cliquot's performance is one of the attractive features with Orrin Bros. Show in Mexico. Prof. Charles F. Hndor, the magician, is manager of the Kickapoo Indian Medicine Co. Prof. B. G. Arden, magician and fire eater, is a member of the White Spear Medicine Co. Prof. J. C. Kam, magician and mind reader, has joined the Oregon Indian Medicine Co., No. 4. Prof. Adrian Plate, the originator and successful manipulator of the mystic art, reports a successful season. Mons. Forber, juggler, is at his home in Toronto, Can., visiting his parents for the first time in twenty years. Herbert Quin, magician, was married in Fort Wayne, Ind., on February )d, to Myrtle Van Dyke, a non-professional. Prof. Harry Stork, magician, and Wiliiam Medbury. in Psychic Phenomena, are very successfully "working" private clubs, etc. Prof. Harry Helms, magician and juggler, of Milwaukee, Wis., writes that he is at present filling local "dates," and is doing very well.

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Thomas L. Finn, ventriloquist and illusionist, has signed with Charles Lee's London Shows for next season, making his second season with that show. Barry and Ella Gray, marionette manipulators, have signed with the Ringling Bros. Show for the n?xt season, making their second season with this show. Irr Prof. H. J. J. Black, magicianand marionette manipulator, is resting at his home in Stockto n, Cal.. for the winter, where he is preparing a new and startling program. The Vernelo's magic and second sight artists, having closed a very profitable season in the Northern States, are now touring the South with equal success. Geo. W. Gilchrist, magician, has left Forster's Comedy and Pavilion Theatre Co.. which is now touring Southern Texas: his place has been tilled by Roxy Connolly. Prof. Yerac. magician and shadowgraphist, has finished playing dates for the season and is getting ready for his annual tour through the New England States and Canada. Dr. Forest Gordon, magician, en route with the Chippewa Medicine Co., No. 26, writes that in May he will open, under canvas, with ten first class stars and tour the Middle States,^ Glidden, mind reader and magician, has so far during the present season been entertaining at private affairs in Minneapolis, Minn., but is now making elaborate preparations to go on the road. Prof. John G. Sheidler, magician, and Mollie Roberts, mind reader, have signed with Leon W. Washburn's Circus for the coming season, this making their second season with this show. - Prof. Harrie Pierce, "The celebrated London Illusionist," now of New York, writes' "That on account of special business he has decided to play only city houses and nearby towns this season. Dr. A. Merlin and wife (Margaret Hayden), who claim to be the undisputed mind readers and second sight performers of the world, are now in their twenty-fourth week at White's London Musee. Chicago, 111., and will remain until May, 189s. Prof. Jas. H. Teel and wife, who are now touring New England States, writes that he is doing week stands in large cities only : also, that this coming tenting season he expects to arrange to run a side show with a well known Western circus. Henri Cazman, the lantaist. intends next season to send out a first class organization of international vaudeville stars, headed by himself and Mam'selle Flossie. The season will commence about the end of October and end April, 1896. Mr. Cazman returns to Europe shortly, and will sail for New York the end of September, bringing the European contingent with him. Prof. Hermann is now organizing a vaudeville company, which he will place upon the road at the beginning of the season i89S-'96. It will be known as Hermann's Gigantic American and European Vaudeville Organization, and will be booked in first class houses only. This will in no wise interfere with his tour, which he will make accompanied by his wife as heretofore.

flDabatma. Prof and Mme. Annetto, the Mexican Life Readers, are closing a three week's stay in Harrisburg, Pa., to crowded houses; they will be in Pottsville, Pa., the week of Feb. 28th to March 6th. Prof. E. J. Dwelly, the magician, of Springfield, Mass., is making preparations for an extended tour of the New England States this coming summer. Prof. J. C. Green, the wizard, of Montreal, Can., is getting an entire new act, and will open in London, at the Trocadero Music Hall, next August. Prof. Green will introduce an entirely new program. Rapp the conjurer and illusionist of Milwaukee, Wis., will introduce this coming season the "Phantom Trapeze," a lady disappearing from a trapeze hung over the audience. Mi. Rapp is making extensive preparations lor the coming season, and will have one of the finest outfits on the road. Gabe Rasgorshek, of Omaha, Neb., reports good business. Mr and Mrs. W. P. Denis, illusionists and aeronauts, of Terre Haute, hul., open on May 1st, at Fountanett, hid., under canvas. Prof. Shapiro, Cross Folks. Pa., will open on April islh his coming season. Prof. Anton F. Zamloch, of Golden Gate, writes: 1 have been on the road 2} years, mostly on the Pacific Coast, South Sea Islands, British Columbia and Mexico. This year will end my career on the road. Next May 1 will build on my own property in Golden Gate, Cal.. a Temple of Mystery, to be devoted to conjuring and spiritualistic expose. Astarte made her first European appearance in Vienna, a Etablessement Ronacher, meeting with decided success. On January 1st, Astarte had the pleasure of presenting her act before the Royal Family of Austria. The editor of thi$ paper while filling an engagement in Bridgeport. Conn., had the pleasure of visiting the den ol Fred. W. Hurd, where he was entertained by that aspirjng magician, who reports good business. Thegre.it Rheutell, magician, of Grand Rapids. Mich., will open his season with 7 people, including Hunt and Wilsey. Mr. Elmer P. Ransom, the successful magician, is presenting an entirely new program this season, and is meeting with his usual success. Prof. French, the clever magician of this city, has secured many return engagements from Lodges, Churches, etc.; his dates are well filled for March.

THE SECRET OUT. Magic taught in all its branches. Personally or by mail. Sleight of hand a specialty. Care MAHAIAIA.

PROF. BROWNIE.

PROF. -R. A. READER,

MAHATMA wants to hear from every person interested in magic, etc. all news interesting to magicians to this office. size of this paper.

FROM OUR LONDON CORRESPONDENT. The conjuring fraternity in England, with the exception of a favored few, among which I am fortunate enough to be able to include yours truly, have suffered not a little during the past year from the dullness which has prevailed in business generally. In the first part of the year 1 heard of many cases of genuine distress among the humbler exponents of the Black Art, and I fear that the summer which invariably finds some of these entertainers giving al fresco shows at the seaside towns, did not bring them any relief, for our summer has been an unusually cold and wet one. 1 took a vaudeville company around the South. Welsh and Lancaster coasts, playing at Theatres, and with the exception of August Hank holiday week at Bournemouth, I never saw Hnglish seaside places so bare of visitors in the height of summer. 1 am happy to say. however, that things now seem more promising. The theatres are doing a good business, and the Egyptian Hall, Maskelyne & Cook s "Home of Mystery" is crowded at every performance. I went to a matinee their recently and found the cosy little hall packed. Several new and clever items appear on the program. A clever slight of hand performer, one David Devant. has been permanently engaged by "M, & C." to assist at their entertainments, and is very popular with their audiences. His work is neat and finished and his style and patter exceptionally good. Although it cannot be said that he has invented any new tricks, he has an criminal method of presenting old ones. He is quite a young man, with but a few years experience, but he gives promise of a brilliant future. Mr. Meskelyne's new illusion sketch. Modern Witchery, designed vith a view of exposing the tricks introduced by thi called Theosophy, scarcely does what it claim's. It is very humorous and well presented, but it is susceptible ol great improvement in its illusory work—a man strapped to a board placed on the backs of two chairs, the board being raised by invisible means, and suspended in the air, then the chairs are removed—is scarcely up to the standard of this truly great inventor of illusions. The appearance of Koot Hoomi, the Mahatma in his astral body is simply a repetition of an illusion arranged by Mr. Maskelyne for Mr. Tree at the Haymarket Theatre last winter for the play "The Charlatans," An opposition Was started to the "M. & C." establishment some months ago in a hall near the Egyptian Hall, by a performer who graduated as a conjurer with "M. & C." Several good illusions by a very clever inventor. Mr, J. \V. Winstan, were presented, but as the show closed 1 presume it was not a financial success. The Egyptian Hall. iat which I had a most successful and profitable season during "M. & C." last provincial tour) is too thoroughly established to admit of.i rival. In music halls the most successful conjurer is the American magician, Carl Hertz. His lime is always well filled, and he draws I should guess almost double the salary of any of his English competitors, although not an invenior he nearly always has a good illusion on hand, generally obtained on the Continent and which he takes the precaution to patent in England- It is rumored that he will shortly present in London a new version of the vanishing lady. An illusion on entirely new lines is much wanted. Tell your American inventors to put on their thinking caps. . HhKCAT

SISTERS LYNN, THE CELEBRATED JUVENILE ARTISTS, Can be engaged for Churches, Lodges, etc. Address 1368 Herkimer St., Brooklyn, N. Y.

MAGICIAN.

There are others but only "One French."

Magic, Mystery, Illusions, Address, 253 W. i2Sth St., N. Y.

PROF.J. H. SMITH, VENTRILOCLUIST AND MAGICIAN.

Can be engaged for all kinds of entertainments, rates reasonable. Drop a postal or call at 49 Lincoln Ave., Cohoes, N. Y. JOHN W. LITTLE, Prestidigitateur. Latest illusions in conjuring. Address, 18 Broadway, New York. ELMER V. RANSOM, 12th Season. " Preslidigitateur." Address, 172 South 9th Street, Brooklyn. " HEWITT," Prestidigitateur and Illusionist. Twenty years before the British and American public, address Box 14, Station E, Brooklyn. F. A. DANA, Magician. Entertainments furnished for Lodges, Clubs and Parties. Terms reasonable. Address, No. 70 4th Avenue, Pantucketville, Lowell, Mass. GEO. H. LITTLE, Prestidigitateur and Shadowgraphist. Can be engaged for Churches, Lodges, Theatres, etc. Address, MAHATMA.

MUSICAL RUSSELLS, Instrumentalists, Specially adapted for Churches, Lodges, Theatres, etc. Eor terms, address O. M. Russell, ay-27 3d Ave., N. Y. City. LAYMAN, MAN OE A THOUSAND FACES. Address, care Miner's Bowery Theatre, N. Y.

MAGIC TRICK JUGGLING GOODS. VENTRI1.OQ.1MST AND JUDY FIGURES. SWINGING CLUBS. Send 20 cents in stamps for 2$6 pages Magic, Illustrated Catalogue. Catalogue for Juggling Goods, Clubs, Ventriloquist and Punch and Judy Figures free. COLUMBIA MAGIC TRICK M'F G CO., 121 Bowery, N. Y.

HIGH CLASS MAGIC,

FOR SALE.

Can be engaged for Churches, Lodges, etc. Address. 102s Boston Road, N. Y. City. I'ROE. B. FRENCH,

Send

Their will be no limit to the

All interesting news will be published.

MEEKER & MACK, SONG AND DANCE ARTISTS, In their own original creations. Address No. 189 East 12th Street, New York City.

PROFESSIONAL CARDS. (/ <; cents per no:tparcil line.)

Pupils fitted for Drawing-Room or Stage.

Weston Bros., of Hilton, N. J., are going on the road this Spring. The Houdinis, Harry and Bessie, go with Welsh Bros, show this season.

AN ASSISTANT FOR MAGICIANS.

FOR SALE, one lirst class Sterecoplicon with oil and oxyhydrogen, lights, screens, shades, everything as good as new COM $400. Price Si'? Win C-oodfellow. 9 Clay Street, South Norwalk. Conn.

THI-i DONALDSON LITHOGRAPHING COMPANY. No.

W.

EIGHTH ST.,

CINCINNATI, O.

An assistant of experience can be engaged for single entertainments in New York or vicinity. Address, ASSISTANT, care MAHATMA.

W. D. LEROY. Manufacturer of MAGICAL APPARATUS AND AN Tl SPIRITUALISTIC ILLUSIONS. NOVELTIES IN ALL BRANCHES OF THE ART. Office and School of Magic: 103 COURT STREET, BOSTON, MASS.

We have six stock lithographs in Magician's paper, but acting under instructions from Mr. Jack Curry, we offer for sale the entire line of superb paper ret eitly gotten out by him forZanzic. The paper is for sale as it is without stripping or dating, but is easily rendered available for use by any one ESTABLISHED 1851 BY N. E. CHASE. No. 63— T. C. &Cakt\1—Whole sheet, 4 colors. MAGICIAN. A beautiful bill. Magician and devil. Sample \Ylmli*itli mill Ililnil. luniitm. Ilrsigm I and sent by mail on receipt of o cents in stamps. Price per 100 $7.00. No. 150— T. C. Nabugum—Half sheet, 4 colors. MAGICIAN. A magician in evening dress executing the hat trick. Sent by mail on receipt of 5 cents in stamps. Price per 100, S4.00. No. 499—7. C, Nafo/ot— Halfsheet, 4 colors. CIOLU FISH TRICK. A magician executing the gold fish trick. Sample sent by mail on receipt of 5 cents in stamps. Price per 100, $4.00. No. 498—7. C. &Qofolik—Half sheet, 4 colors. LE COCOON. This well known illusion beautifully portrayed. BOSTON, MASS. , U. S. A. Sample sent by mail on receipt of 5 cents in stamps. Price per 100, $4,00. c No. 497—^- - V^ofolej—Half sheet, 4 colors. SPIRIT CABINET. An illustration of the cabinet trick. Sample sent by mail on receipt of 5 cents in stamps. Price yper 100 $4.00. No. 496—T. C. hiof olah—Half sheet, 4 colors. I HK VOODOO. An illusion somewhat similar to Le Cocoon. Sample sent by mail on receipt of 5 cents in stamps. Price per 100, $4.00. No. 49s— T. C. Nofolttg—Three sheet, 4 colors. LilH/i si llnlisi in Hi, I'nilfil Stntrs. LK COCOON. A beautifully designed and splendidly executed Si ml Stitmii fur list 11/ .Vcic Trick*. poster. Sample sent by mail on receipt of 26 cents in stamps. Price per 100, $21.00. Znnzic paper consists of one sixteenth-sheet stand, one threesheet poster. Le Cocoon, one-whole sheet, and four half-sheets, which we will sell at the low price of 6 cents per sheet. A Nuthiuu hut tilt Jiiieat apparatus made at this maun sample set of the paper will be sent to any address in the factory, and at prtces.iJiat defy competition. United States or Canada on receipt of $1.32.

C. MILTON CHASE,

45 to 51 Cambridge Street,

ZlDabatma.

MANUFACTURERS OF

Ib^roocn d3ae, anb all apparatus pertaining to tbc same. OFFICE AND LABORATORY:

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Agency for the most noted Entertainers. Musical Celebrities ,-ind Entertainments in every branch of the profession. nished for all Instruments, also musicians for dancing or otherwise.

2X-27 'iff Areiitu% Room

SPECIAL I I I

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Coojtrr Institute,

These Cabinets comprise a complete set of properties used in the production of shadow pictures, together with a fully Illustrated Book of Instructions showing the shadows and position • 'Ithe hands and fingers. The properties numbering 20 pieces .ire put up in a handsome box. which is sent free of charge on receipt ot 60 cents.

MART1NKA & CO..

Teachers fur-

MANUFACTURERS.

40', SIXTH AVENUE.

AT. I'.

TO F I R E

NEW YORK.

I'F m-i m M w > s r.ivEN FOR PARTIES AND THEATRES AT SHORT NOTICE

1 nm now putting up ;i special $5.00 FIRE KING OUTFIT. I his outfit is the nt-:ite^t and cheapest practical outfit ever put on sale in this country. It contains everything necessary to perform nil the leading li Fire Tricks." It is suitable for Stage or Drawing Koom Entertainments. Each outfit is put up in a handsome casket, including a complete book explaining 28 of the best Fire Tricks, so that "ANY ONE" can perform them with very little practice. E. BAKNELLO, 176 N. Clark St., Chicago, 111.

JOHN J. WHALEN, MODERN

MAG.C

Permanent Address

IN ALL I T S B R A N C H E S .

40", S I X T H

AVENUE,

N.

Y.,01

HARRIGAN'S THEATRE. ACADEMY OF MEDICAL M E S M E R I S M ' A N D HYPNOTISM. Illustrated pamphlet, " How TO FIvr-N0Ti7E; or the Science of Suggestion." Price 15 cents. Weekly Experimental Clinics and Class Seances, MONDAY and FRIDAY evenings at 8 o'clock; admission $1.00. Metaphysical and Fsychophysiological instruction j / " A T A 1 f~\C Latest Novelties, Tricks, Songs, photos. daily and by illustrated correspondence. For regular course of instruction, " How to Hypnotize." Full particulars on receipt o L f t l A L U U free. W i l l J A M E G G E R . illuS]i mailed ostage. Address:—DR. MCCARTHY, 256 West 115th St., N. Y. City. 157 TREMONT STREET, BOSTON, MASS. " STOP THIEF," and send io cents for my New Catalogue containing all of my own Original Coin Feats and the very Latest Experiments in Magic, Spiritalism, Etc., Etc. T. NELSON DOWNS, The King of Koins, Marshalltown, la. DO YOU WANT TO GO IN THE SHOW BUSINESS, if so, all you need is a good act; here are two that require no skill you can do them soon as you have the outfit. Black Art. full act, §3S-co, the best thing in magic. Sword Walking Outfit §/.o,> with secret how to walk Barefooted on Ladder of Sharp Swords; one third with order, balance C. O. D. \V. Nhl.SON. Manufacturer, r, Fulton Street. Worcester. Mass.

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5 NT K RT-A IN M Y, N f l 5 U R K A11, E THE LARGEST ENTERTAINMENT BUREAU I N THE UNITED STATES.

ALL

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Cor Kasforn ;in (or . 1 . I{. C L A N C Y , of S y r a c u s e , N . Y. Sole M a n u f a c t u r e r K X C K L K I O K 1 ' K O F I L K , KIOYSTON ISN a n d C O K N E K S . ESTIMATE

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CIRCULARS FOR MAGICIANS' A SPECIALTY. M CIRCULARS RE-WRITTEN IF DESIRED.

t*~; j

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II".I STED.—Thc

nildreux of rmn //IIXO

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in MAI1IC,

CORRESPONDENCE IN A L L LANGUAGES.

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107 West 29th Street, N. Y. City.

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Bppnratud of evcr\> lunb 1na^c to oi^cr. Our complete fully illustrated Book Catalogue with 500 engravings and description of every Trick and Novelty up to date, will be sent on receipt of l o c . Illustrated Catalogue of Parlor Tricks free on application.

IMPORTANT TO MAGICIANS. Since the issue of the new tariff we have reduced the price of extra fine Figured Felt, imported specially for Magicians' table coverings, from 4O cents to 2 5 cents per square foot. Send 2 cent stamp for Samples. •

•

•

•

•

NHW ADDITIONS. M.igic change- of color of 3 white handkerchiefs, Glass Houlette. chosen Cards are blown out, Bouquet of Rowers produced on common Plate. S Paper Rolls in s colors, all sizes, and for all purposes, Improved Champagne Bottle for Pigeon or Guinea P i g .

-

-

-

-

-

-

-

if; 1 . 0 0

Acid tubes for Hash paper effect, per dozen. 30 cents.

MANUFACTURERS

\

THE ONLY PAPER IN THE UNITED STATES DEVOTED TO THE INTERESTS OF MAGICIANS, SPIRITUALISTS, MESMERISTS, ETC.

NEW YORK, A PR II, j 89 5. THE ORIGINAL HERRMANN. 'PRINCE OF CONJURERS.'

SINGLE COPY,. 10 CENTS.

his chief traits which made him so popular was his great charity, which was exemplified only a few days before his death by his sending 1,500 francs for the relief of the victims of the Opera Comique disaster. Herrmann's chief hobby while in retirement was the collecting of rare antiquities, in acquiring which he spared neither time nor money. Herrmann died at Carlsbad in June, 1887, after a short illness, at the age of seventy-two, leaving his large fortune and collection of antiques to his second wife, a French lady. His first wife was Rosa Essilag, a prima donna, from whom he was divorced. A number of amusing anecdotes are told of Herrmann, one or two of which will do very well as a sample. The first I shall relate is to the effect that Herrmann while on the River Platte was giving a private representation before the Patagonian chiefs, and, though exerting his wonderful abilities to the utmost, was somewhat annoyed at the stolidity and apparent lack of surprise with which they received the marvels displayed. Showers of gold and packs of cards were made to fall from their ears and noses, dozens of eggs from their pockets, and live canaries from their hair, and still they sat on undismayed. At last, after the entertainment was over, it was discovered that one of them had abstracted a valuable gold watch from the Professor's fob while the latter was disengaging a miraculous fowl // from the savage's breast; and that '• the untutored mind of another had led him to improve the occasion by innexing a handkerchief and pencil case. The other anecdote is, that the unfortunate Sultan Abdul Aziz was among Herrmann's warmest admirers, and used to pay him a thousand pounds (Turkish) for every representation. During one of these performances he exhibited two pigeons, one white and one black, and did the trick, so popular in the beginning of this century, of placing the wl.ite head on the black pigeon and vice versa; this pleased the Sultan greatly and he asked Herrmann to try the same trick with a black and white slave, but the conjurer declared that this was beyond his powers.

The original Herrmann was CAKI. HERRMANN of Berlin, we say the original from the fact that a number of unscrupulous performers have adopted that name in order to bask in the sunshine of his reflected glory. Carl Herrmann was born in Germany in the year 181 > His father who was also a conjurer by profession took his son, while still a boy, with him to Paris, where the young conjurer by his dexterity attracted much attention; notwithstanding this, his great ambition was to become a physician, and he entered the Paris University to study medicine, but after ten years' struggle with poverty, ambition gave way before privation and he resumed his old profession, which brought him both fame and fortune. His style of performance was of the non-apparatus order, depending mainly on sleight of hand and address, and he possessed most extraordinary skill in this school of magic, fully entitling him to be styled "the first professor of magic in the world." He is the only conjurer who has had the honor of giving lessons to a Royal personage, he having at one time the Queen of Belgium as a pupil. In 1848 he made his first appearance before an English speaking audience at the Adelphi Theatre, London, where he produced for the first time in England " Second Sight," which he had copied from Houdin in France. Early in the sixties he made a tour of America, meeting with unparalleled success. It was at his farewell performance that he introduced his brother, the present Alexander Herrmann, as his legitimate successor in this country. His tours extended over the entire civilized world, and there was probably not a Royal Court in Europe before which he did not perform and from which he did not receive some mark of favor. It is said that the decorations and tokens received by him would fill a small trunk. The Czar Nicholas, in particular, bestowed valuable favors on Herrman, who, it is said, cleared a million roubles on one Russian tour. Having amassed a large fortune he went into MAHATMA is published monthly in the interests of Magiretirement in Vienna where he was very popular, and when cians, Spiritualists, Mesmerists, jugglers, etc., at $1.00 per he celebrated his seventieth birthday, a distinguished com- year, payable in advance, For rates of advertising see second pany assembled at his residence to congratulate him. One of page.

/115 a bat ma.

ISSUED THE ist OF EACH MONTH. GEO.

H. LITTLE,

-

EDITOR AND PROPRIETOR.

107 WEST 2Qth STREET, NEW YORK, U. S. A. SUBSCRIPTION, $I.OO PER YEAR, SINGLE COPIES 10 CENTS. RATKS OF ADVERTISEMENTS.—Twenty cents per line, nonpareil type measure; space ol one inch $2.40 each insertion. A deduction of 20 per cent, is allowed on advertisements when paid for three months in advance, and on advertisements measuring 50 lines or more. For Sale or Exchange column, [$ cents a line. Copyrighted March, 1895. Remittances should be made by cheque, post office or express money order, or registered letter. Entered at the New York Post Office as Second Class Matter.

TO MAHATMA'S READERS.

the size of pocket handkerchiefs, pushing them one at a time completely under the acid, after which you place the handkerchief in a dish of flowing water, and wash them thoroughly until all trace of the acid has been removed, this is ascertained by the use of blue litmus paper, which when brought in contact with the fabric must not show the least shade of red. Then dry the handkerchief, but not near a stove as they are liable to explode. Paper is prepared in the same way. On account of the fumes which ascend from the acid, it is advisable to make the experiment in the open air. The trick of throwing a piece of paper in the air when it suddenly ignites, is produced by the use of Hash paper, and is accomplished in the following manner. Order from a glass blower some very fine glass tubes, no thicker than a darning needle. The tube you cut with a fine file in lengths of about two inches, and close one end by holding over a gas jet until it melts. Fill the tube with sulphuric acid, and close the other end in the same way. Make a mixture of one part of chlorate of potash, and one part of powdered sugar; take a piece of flash paper about 3 x 2 and place in it a very small quantity of the mixture, and on it you place one of the acid tubes. Fold the paper carefully so that you will not break the glass tube, and bend the ends up to avoid spilling the powder. Then take the prepared paper in the finger tips and press down with the thumb, which will crush the acid tube. Throw the paper immediately into the air as high as you can, when it will explode by the action of the acid upon the powder. The paper and acid tubes are used by some fire kings with excellent effect. They are also being used in the demon scene of the popular play "The Brownies."

It is with pleasure that the publisher of MAHATMA can state that he is in receipt of many letters from all parts of the United States and Europe congratulating him upon the first appearance of this paper. It will be the aim of MAHATMA to keep up to the times, and its readers can rest assured that all news of interest to the fraternity will find its way into the columns of this paper. It is necessary that those interested should contribute all news of interest, and all are invited to contribute. Commencing with an humble eight pages, it has been enlarged this month to twelve. All of our readers are requested to co-operate with the editor to make this journal a concensus of news interesting to Magicians, Mesmerists, Jugglers and Spiritualists. Let your contributions be but one line, it will be received with th.inks and duly appreciated. MAHATMA will be enlarged as occasion requires, and all A RUMOR. news will be published, no matter how many pages it will There is a rumor which however cannot be substantiated, require to do it. The advertising columns ot this paper are patronized by that a syndicate of capitalists have under consideration the forming of a stock company for the purpose of erecting in the honest dealer, who expect to see you again, and sell to this city, a theatre similar to the Egyptian Hall, in London, you again; thus ensuring to the customer who sends his where magical performances alternating with scientific lecorder and money, the true valuation of the money received. tures will be the leading features. We have no doubt but what it would prove a profitable investment if the right locaMAHATMA'S advertising columns are open to all who wish tion could be secured for it. to sell or trade, and the advertiser can rest assured that all persons interested in magical goods of all descriptions IN OUR NEXT ISSUE. throughout this country and Europe read the columns of MAHATMA. While there are other papers with a much larger In the next issue of this paper will be exposed MAHATMA'S circulation, it can be claimed that they do not equal this way of loading the " High Hat." An excellent idea of the disappearing handkerchief box. paper for the benefit to be derived. The readers of MAHATMA How to work the fish bowl without letting go of the are the purchasers that the advertisers want, .ind in order Handkerchief. to sell you must advertise your wares. An original snake trick never performed in public. NEW FIRE EFFECTS FOR MAGICIANS.

CUT OFF HIS HEAD.

The so-called flash handkerchiefs have been used but very little by magicians on account of the expense attached to them; although the effect used is certainly astonishing. For many purposes in magic, paper prepared in the same way as the handkerchiefs will answer the same purpose. An astonishing effect is produced by throwing a small piece of paper in the air, when suddenly it bursts into a flame and vanishes leaving no trace. For those who wish to make their own material for the different fire effects, they can do so by following the instructions below. FLASH HANDKERCHIEFS.—Wash thin cambric in hot water to remove all greese and other impurities, and then dry it. Mix aqua fortis, 1 pound, and sulphuric acid, 2 pounds, in a glass jar. After the acid has been prepared, let it stand twelve hours, then it is ready for use. Cut the cambric to

A Hartford paper states that while visiting "Jewett" the noted Hartford magician, in his den the other evening, Jewett took his head by the hair in one hand and with the other hand taking a sword he deliberately and completely severed his head from his body. This ghastly spectacle will never be forgotten. An instant later the magician placed his head back on his body and with a snap of his finger the head adjusted itself and the magician smiled. This is Jewett's latest sensation which he will perform at the opera house next season, and he says that it will go way ahead of the shooting act. MAGICIAN'S WOOING.—"We need no ring to plight our troth," he suggested, as he kissed her impetuously. "Yes, we do," retorted the maiden. "None of your slight of hand tricks with me."—T)etroit Tribune.

flDabatma. EXPHRIMHNTS IN PRESTIDIGITATION. Spirit Slates.—Two ordinary wooden framed slates are presented to the spectators, and examined in succession by them. A small piece of chalk is introduced between the two slates, which are then united by a rubber band and held aloft in the prestidigitator's right hand. Then, in the general silence, is heard the scratching of the chalk, which is writing between the two slates the answer to a question asked by one of the spectators—the name of a card thought of or the number of spots obtained by throwing two dice. The rubber band having been removed and the slates separated, one of them is seen to be covered with writing. This prodigy, which at first sight seems to be so mysterious, is very easily realized. The writing was done in advance: but upon the written side of the slate A there had been placed a thin sheet of black card-board which hid the characters written with chalk. The two sides of this slate thus appeared absolutely clean. The slate B is first given out for examination, and, after it has been returned to him, the operator says: "Do you want

written with. When the operator judges that this little comedy has lasted quite long enough, he lays the two slates horizontally upon his table, taking care, this time, that the non-prepared slate shall be beneath (Fig. 2). It is upon it that then rests the black cardboard, and the other slate, on being raised, shows the characters that it bears, and that are stated to have been written by an invisible spirit that slipped in between the two slates. Our readers will not ask us how we manage to know in advance what should be written upon the slate. It is useless to say that deceit is allowable in prestidigitation; loaded dice always turn up the same number, and nothing is easier than to know the name of the card that a spectator will draw from a pack composed of thirtv-two similar cards, if one is not skillful enough to cause him to take the forced card. THH PHANTOM BOUQUET. The spherical concave mirror produces certain effects where the virtual image appears behind the mirror, the the image is a magnified one. The real image, which appears in front of the concave mirror, may be either larger or smaller than the object itself, depending upon the position of the object relative to the mirror and the observer. It is in-

CONOAVE MIRBOn.

verted, and is formed in the air. A candle placed between the centre of curvature of the mirror and the principal focus forms an inverted image in air. which is larger than itself. The phantom bouquet, an interesting and very beautiful to examine the other one also?" And then, without any haste, he makes a pass analogous to that employed in shuf- optical illusion, is produced by placing a bunch of flowers fling cards. The slate A being held by the thumb and fore- (either natural or artificial) in an everted position, behind a finger of the left hand and the slate B between the fore and shield of some sort, and projecting its image into the air middle finger of the right hand (Fig. i.) the two hands are by means of a concave mirror. A magnifying hand glass brought together. Rut at the moment at which the slates answers the purpose, if of the right focal length, and a few are superposed, the thumb and forelinger of the \ right hand books may serve as a shield. Two black covered books are grasp the slate A, while at the same time the fore and middle placed upon one end and arranged at an angle with each finger of the left hand take the slate B. Then the two hands other, and a third book is laid horizontally on the ends of the separate anew, and the slate that has already been examined, standing books. The bouquet is hung top downward in the instead of the second one, is put into the hands of the spec- angle of the books, and a vase is placed on the upper book, tator. This shifting, done with deliberation, is entirely over the hanging bouquet. invisible. During the second examination the slate A is The concave mirror is arranged so that the prolongation laid flat upon a table, the written face turned upward and of its axis will bisect the angle formed by lines drawn from covered with black cardboard. The slate having been suffi- the top of the vase and the upper part of the suspended bouciently examined, and been returned to the operator, the quet, and it is removed from the bouquet and vase a distance latter lays it upon the first, and both are then surrounded by about equal to its radius of curvature. the rubber band. A little experiment will determine the correct position for It is then that the operator holds up the slates with the left the mirror. When the proper adjustment is reached, a wonhand, of which one sees but the thumb, while upon the pos- derfully real image of the bouquet appears in the air over the terior face of the second slate the nail of his middle finger vase. With a good mirror and careful adjustment, the makes a sound, resembling that produced by chalk when illusion is very complete. The bouquet being inverted, its

J

/IDabatma. it; draws the latter from below, and now shows No. 2 empty. He then puts No. 2 through No. 1 again; then he shows No. 1 again empty. Now he puts No. ) over 2, 4 over 3, s over 4, and 6 over 5; each being shown empty. He then takes out first the table cloth, knives, forks and napkins. He unfolds the table cloth, under cover of which he produces three plates, from the front pocket of his coat. The tablecloth he spreads on the table, and the plates, knives and forks arranged in proper order. He now produces from the cylinders the objects therein prepared, always placing the cylinders one over the other, and showing them alternatively empty. It is almost impossible to make a mistake. When finishTHE BEWITCHED ORGAN. OR THE MAGIC SUPPER. ed and all contents taken from the cylinders, the performer should lay them all down upon the table, showing them This trick is remarkable for its simplicity, and great credit empty. The objects are hanging in the cylinders by means is due the well known inventor, A. de Kerbec, of New York, of metal hooks, and on the back of the cylinders. In for the genius shown in producing it. It was first introduced putting the cylinders one over the other, the hooks remain in London, by that very clever exponent of magic, Mr. Imro hanging on the larger cylinder, and of course also the conFox, the comic conjurer, who stands upon a pinnacle diffi- tents fastened on the other side of the hooks". cult for the cleverest magician to imitate or approach, and CHAPEAUGRAPHY. FIGUKK II.—CHINAMAN. as shown in his inimitable way produces the very best effect. It consists of 6 large polished tin cylinders, numbered reThe Chinaman is perhaps one of the best and most amusspectively from i to 6, which are placed upon a piece 01 board, and which may be examined by the audience, the ing characters. The felt for this hat must be twisted twice, board is supported upon the back of two chairs. The cylin- as shown in Figure A. When placing the hat on your head, first push your hair well up. so that it cannot be seen, Chinaimage is erect. A very effective way of illuminating the bouquet, which is due to Prof. W. Le Conte Stevens, of Brooklyn, is shown in the engraving. It consists in placing two candles near the bouquet and behind the shield, one candle upon either side of the bouquet. In addition to this, he places the entire apparatus on a pivoted board, so that it may;,be swung in a horizontal plane, allowing the phantom to be viewed by a number of spectators. This simple experiment illustrates the principle of Herschel's reflecting telescope. In that instrument the image of the celestial object is projected in air by reflection and magnified by the lenses of the eyepiece. c. H. H.-sde,,nfic American.

Figure A. ders resemble organ pipes, and are each slightly smaller than each other, so that No. 2 will pass through No. 1, and No. 3 wilt pass through No. 2, and so on. The performer tells the audience how he came into possession of the pipes. On his return from South Africa he met near the Island of St. Helena, a wrecked ship. Two sailors and an organ builder were all that remained of the crew and passengers. There were but a few of the organ pipes saved, and he had purchased six of them, having found out their secret. He then passes the pipes one by one to the audience for examination, and replaces them upon the board. He then invites a committee of two persons in the audience to dine at his expense. After they are seated he begins to set the table; taking out with sleeves rolled up, the following articles: 1 table cloth, 2 napkins, 3 plates, 2 pair of knives and forks, some boiled eggs, loaf of bread, roasted chicken, 1 bottle of wine, 2 tumblers, 1 bottle of brandy, a couple of glasses and a vase of flowers. Following is an explanation. There are six cylinders, 18 inches high, the smallest being 6 inches in diameter, the other five slightly larger than each other so that they pass easily into each other. The cylinders for better convenience are numbered from 1 to 6, and are standing side by side on the table, see cut. Cylinders No. 1 is empty, and inside of the remaining cylinders are the articles suspended by means of hooks. The performer shows No. 1 empty, and places No. 2 over

men generally being minus it on the front of their heads, To make this more effective hold your first finger of each hand up as a Tally.

You must stand facing the audience. To make yourself look more like a "Heathen Chinee," take one side of your handkerchief and tuck it all around your collar, letting trie handkerchief hang down in front of your coat as shown in Figure B.

/iDabatma. SHADOWGRAPHY. To the casual observer Shadowgraphy seems an easy feat to learn, but in actual practice and when well done there is nothing more difficult than shadowgraphs, requiring as it does nimble fingers and the patience that but few performers possess. There are but few men of note in this country to-day doing this act, the reason is easy to account for, it not only requires great skill but an ingenious brain. Henri

CAT.

Cazman, calling himself Europe's greatest fantaisist and shadowist, is an example of what practice will do when combined with grace—that no man possesses more than he—to make an entertainment that cannot be surpassed, joined as it is with high class magic and chapeaugraphy. This skillful performer should be seen to be appreciated.

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distance. On the brim of the painted hat is pasted a small triangular piece of white silk which represents the white handkerchief hanging out from the opening of the hat. The back of the metal sheet is of the same pattern as the table covering. On the lowest part of the sham hat is a long hinge fastened on, so that when the hat rests over it, it rests in a recess made in the top of the table and thus exhibits the mosaic pattern which forms the covering of the table, the painted hat side being hidden in the recess which is also of the same pattern as the general covering. In the top of the table which is not thicker than about one and a quarter inches, right under the hinge of the sham hat, in a long groove is concealed the working mechanism. It consists of a strong plate of brass on which another plate slides in grooves forward and backward. On the lower brass plate is fixed the end of a strong flat spring, on the other end which lies exactly under the center of the table, another small plate is fastened with an eye on the lower side of it. This eye serves for the connection with a cord which runs through the hollow leg and leads to the assistant's hidden place. On the upper part of said small plate is soldered on a triangular piece of iron, against which there is a small flat piece of steel spring which is fixed on the lower part of the hinge, on the bottom of the sham hat where it rests when it is erect. Two spiral springs are stretched from the triangular piece of iron on which they are fastened, one of them leading to the edge, the other to the center of the table. The spring on the edge side is connected with the sliding upper plate already mentioned, and when it is stretched by means of a cord attached on the other side of this plate, the sham hat rises, pushes against the triangular piece and stands upright, held in position by the flat spring affixed on the lower metal plate. A spring catch is fastened on the upper plate to avoid the slackening of the spiral. To let down the sham hat in this recess the front springs must be slackened so that only the back spring remains

THH VAN1SHF.1) HAT. The performer on the beginning of this trick, shows the audience a round, one legged table, without fringes, the top of which is ornamented with scroll work design. Taking a large foulard which he throws over his arm, he steps down among his spectators and borrows a high hat, and from other persons various articles such as watches, keys, handkerchiefs, etc., which he places in the borrowed hat. Covering all with the large foulard, he goes back to the stage, places the hat on the table, and takes the foulard away, drawing the attention of the audience to the fact that a piece of a borrowed handkerchief is hanging out from the hat. Meanwhile the assistant has brought forward an easel of light wood work, the upper cross piece of which is provided with several small hooks. With the aid of the assistant the performer fastens the foulard to the hooks so that it hangs down like a curtain. The easel is then placed behind the table some 24 inches distant from it. The performer informs his audience that he will make the hat disappear and cause the articles to appear on the foulard stretched on the easel. He then takes a pistol and fires at the hat. Instantly it vanishes, and the borrowed objects are seen hanging on the foulard, and the hat is fixed on the ceiling, or any other part of the hall or theatre. AN KXPLANATION.

The hat which the performer exhibits on the table after he returns to the stage, is not the same one he borrowed, but is only a metal sheet, cut in the shape of a high hat. On the side facing the audience it is artistically painted to resemble a high silk hat, and deceives the eye even from a short

stretched, which alone holds the sham hat in an erect position. To accomplish this, at the top of the table in reach of the performer, an upright wire, which is fastened on the catch spring, comes out, this wire pressed down keeps the spring from losing its action. When the pistol is fired the assistant pulls the cord and the back spiral spring draws with velocity the sham hat in the recess.

flDabatma. When the performer first borrows the hat and places the FROM OUR TEXAS CORRESPONDENT. foulard over it, he returns to the stage and gives it to his assistant to hold, but the assistant misunderstanding him Prof. J. S. Means has received from Thos. Yoest a lot ot will enter the side wing of the stage, but half out of sight; new apparatus, and commences his summer season at Denhe will be recalled by the performer who reprimands him. nison, Texas, May the 3d, 1895. The assistant returns and delivers to the performer the hat Prof. H. Hugo, magician, is in Waco, and will tour thestill covered with the foulard. The genuine hat, foulard and South and Texas, with J. S. Means. contents are already in possession of the second attendant A. W. Thomas the jolly fat old magician has bought who waited behind the wings to accept the genuine article, Dr.Capt. Henthorne's Medicine Co. and Pavilion Show, and is and to exchange it for a dummy one. The foulard which is doing a fine business in So. Texas. then brought forward is merely another foulard of the same Prof. Williard, magician, is traveling in Texas, and reports pattern, and in the center of which there is a folding wire ring in the shape of the brim of a hat, and when properly business good. Prof. J. B. Hardy, who claims to be the oldest living Amerheld makes the audience believe that he has the hat. When the performer with the foulard reaches the table he makes ican magician, has retired and is living in Gatesville, where the movement of placing the hat upon the table, pulls the he has accumulated considerable wealth. Prof. Hardy is 80 cord of the upper sliding plate which sets the spring and years of age and has been in the business 66 years and claims catch in action, and raises the sham hat. The empty foulard to have given the first public performance ever given in Salt Lake City, Utah. He first appeared as a magician in Caliis then dropped. fornia at the age of 16 years. Meanwhile the assistant has brought the easel, exchanges The Texas Legislature has reported favorably on the bill the dropped foulard with another of the same pattern which contains all of the borrowed objects, and which is prepared of reducing the license on magical performances, and it will as follows: In the middle of the foulard another half foulard very likely become a law. J. S. MEANS. is sewn, and constitutes a flap and which covers either hall of the foulard. The objects are attached on the upper hall MAHATMA'S NEWS. and between the flap. The flap is held on the upper edge by a thin wire which passes through the length of the foulProf. James, of Brooklyn, is filling local dates only. ard, and on the end of which a black thread is fastened G. Q_ueen, of Moosup, Conn., is touring his own State. which leads to the place of the assistant. When the thread is pulled it causes the (lap to drop, and G. H. Ellsworth, magician, of Seaforth, Ont., Canada, rethe objects are revealed. ports fair business. The pulling ot the thread from the foulard as well as the Herz and Berger, of Dennison, Texas, are purchasing an cord from the spring in the table must be done at the report outfit for the coming season. of the pistol. The hat can be made to appear at the option Prof. Emil Miller, of Paterson, N. J., is introducing an of the performer from the ceiling or elsewhere. original program and is filling local dates in his vicinity. Imro Fox and Henri Cazman are the star performers at BIRTHDAY OF SPIRITUALISM. Keith's Union Square theatre, for week ending March 30th. Prof. Louis C. Smith, of Albany, N. Y., the favorite maChLbBRATION OK THE FORTY-S1-.VHNTH ANNIVF.KSARY. The Spiritualists celebrated the forty-seventh anniversary gician of that city, reports that he is well booked for April. Pixon and Owens, of Reading, Pa., will present several of the advent of spiritualism March 31st. at Carnegie Music new illusions this coming season in connection with their Hall. A big crowd was present and there was lots of encabinet mysteries. thusiasm. Prof. R. L. Robinson, ventriloquist, illusionist and shadMr. J. Clegg Wright, a medium, went into a trance and made an address nearly an hour in length, unconscious all owgraphist, of Minneapolis, Minn., congratulates MAHATMA the time. Edgar W. Emerson and other mediums brought upon its first appearance and says it is just what is wanted. spirits into the hall, who told their friends present how happy Maurice Raymond, the necromancer, of Cleveland, Ohio, they were in the spirit land. has been sick lor the past six weeks, but has recovered and The principal address of the day was made by Luther R. will play small towns through Ohio, Indiana, and Penn. Marsh, who is an ardent spiritualist. His remarks were in Prof. W. Benjamin has just returned from Mexico, where praise of his faith and prophetic of the future power of spir- he has been running his own show for the past two years. itualism. He told of its beginnings, and how it had come The Professor expects to open in South America next season. to take the place of the superstition of the past. Prof. Fancher and wife are giving an entire program conSpiritualism, he said, was no longer an inquiry or belief; it had passed the realm of conjecture, hope, and faith. It sisting of magic, singing, dancing, etc. They start the i^th stands on a rock. Knowledge has been substituted for faith. of April for a tour through Indiana, Illinois and Missouri. Prof. Lehr writes that he has just finished a six weeks' tour Jf there is such a thing as absolute knowledge, it is spiritualism. Many will not look on it, for they are too incredulous, through old Mexico, to a very satisfactory business. He is too absurd in other things, too indifferent. They close their now touring the northwest and coast and expects to be eyes to the true knowledge. But unbelief affects only the home at Chicago in July. unbeliever, and what is dark to him is not so to another who Prof. B. G. Arden, Spanish magician and fire king, is inwill see. troducing the latest novelties in high class prestidigitation, In the evening another meeting was held, devoted for the and has signed for his second season with the White Spear Specialty and Novelty Co. most part to practical tests of mediums. Prof. Hewes of Brooklyn, has now in preparation some new inventions of illusions. Levitation, Mystery of the MAHATMA is informed that Chapeaugraphy was originated by a Frenchman named Taborin, and "is known on Great Lama, Decapitation of Mena Mahomet, the Seven Ages, the Continent as the Taborin feat of hats and faces, and Mazie and the Dragon's Dream. is not original with that clever performer "Trewey" who All business communications to MAHATMA, should be adntroduced it in this country. dressed to the publishing rooms, 493 Sixth Ave., N. Y. City

/lOabatma. Prof. Kellar played one week in Brooklyn to crowded houses. Producing a program never surpassed in the city of churches. The Great "Powell" has met with the greatest success this past season. It is rumored that he is negotiating for a well known theatre in this city for next season. Herrmann the Great, reports unparalleled success upon his recent tour in the West. Professor Herrmann will stop at Herrmann Manor, Whitestone, L I., Sunday next, on his way to Boston. Prof. A. S. Conlin and wife in her mind reading and second sight act, have been working small towns in Indiana, Illinois and Kentucky, and will join Beveridge's Show for the coming summer season. W. S. Wright, the well known and popular head of Wright's Theatrical and Entertainment Exchange of this city, has disposed of his interests at the end of this season, and is open to negotiate in a managerial capacity for next season. "Jewett" is booked for the Hyperion Theatre, New Haven, on Easter Monday. MAHATMA having received an invitation from the Hartford magician to visit him at his "den," it will be the pleasure of MAHATMA to give the details of this visit in the near future. It will be of interest to magicians for "Jewett" has the finest and largest collection of magical apparatus in this country. Chevalier Thorn will open at Buda Pesth, the capital of Hungary, Austria. He will present his various illusions and also reproduce those now exhibited at the Egyptian Hall, London. Chevalier Thorn is the first magician in Europe making an extensive use of colored lithographs for advertising. His posters are very artistic and catchy, but they do not compare with the work of the American lithographic artists who must be conceded the palm for pictorial posters. Canary and Lederer are arranging fora grand exposition of magic next fall. They intended to have it in the Bijou theatre, but if their present plans are carried out the Metropolitan Opera House will have to be engaged. Professor Kellar, Powelk Jewett, De Kolta and Carl and Guz Hartz are among those who have been asked to appear. The first presentation in America of the famous Walker illusion and the exposure of Professor Herrmann's bullet catching trick are among the marvels promised. CHAMELION LIQUIDS.

that its effect is due in part to a well known principle in physics, and in part to the wine glasses used, which are made so as to contain, at most, not more than a thimbleful. The trick having become common and generally understood, conjurers began to look about for a means whereby something similar in elfoct could be produced, but by altogether dissimilar means. The result is a bottle trick in which lager beer is furnisned in sufficient quantity to satisfy the thirst of a large audience. It is a very effective trick, and to it one well-known performer almost entirely owes his success. It is only suitable (or public exhibition, however, as the beer is pumped up from beneath the stage, and passes through rubber tubing, concealed in the dress of the perfoimer, to the bottle held in the hand. The connection with the stage is made by means of a hollow boot-heel, and during the progress of the trick, the performer is unable to move.

MAGIC AT PROCTOR'S HARTFORD THEATRE. " lewett" entertained a very large audience of the best description at the Opera House, in a delightful manner. His methods of performance and his conversational comments are remarkably smooth and pleasing, and his tricks are always striking and wonderful. Some of the mechanical tricks are astonishing enough, but really the sleight of hand are much superior, and they take best with the audience. A number of these were carried out in the first two parts, the marked quarter trick, the fifteen half dollars, and the slate writing being perhaps the neatest and best. Later, a casket puzzle was carried out as such things are, under the inspection of some one from the audience, and the boy that was locked into a trunk re-appeared at the back of the audience, and when he had been tied in a sack he was changed to a pretty young girl with a colored doll. And then the flags of all nations were drawn from a case that seemed empty. In the fourth part the shooting act, with which Herrmann created such a sensation in New York, was very neatly carried out. Tile soldiers marched upon the stage, the bullets were marked by Sheriff Preston and Mr. Oakey, then loaded into four muskets and fired at Mr. Jewett, who gathered them into his hands as they came and produced them for the inspection of the audience. It was rather a thrilling act, and the crack of the muskets was undoubtedly the crack of loaded cartridges, while the gun seemed aimed straight at the magician. In the last part Indian mysteries were very prettily performed in a semi-obscure cabinet. Vases were made to come and go, oranges floated through the air hither and thither, vessels enlarged or diminished in full sight, and a plant grew and burst into blossoms that were distributed to the ladies. The whole had an air of mystery at once appropriate and delightful, and it finished a performance which would be deemed to rank among the very best of the kind given here

MY OLD VILLAGE HOME. DK. ALBERT MERLIN JOINS THE RANKS OF AMERICAN COMPOSERS

A GOOH CHHMICAI. TRICK.

Fake five glasses, place in the first a solution of iodide of potassium, into the second a solution of corrosive sublimate sufficiently strong to yield a scarlet precipitate with the iodide in the first glass without re-dissolving, as the effect of the experiment depends on the adjustment of this before hand; into the third a strong solution of iodide of potassium with some oxalate of ammonia; into the fourth a solution of murate of lime; into the fifth a solution ol hydrosulphate of .ammonia. The following changes occur: Number one added to number two produces a yellow quickly changing to a scarlet. Number two poured into number three becomes clear and transparent again; number three into number four changes to a milky white; number four poured into number five produces a black precipitate. Thus a clear and colorless liquid is changed to scarlet; the scarlet again becomes colorless; the colorless liquid milky white, and the white black. THE INEXHAUSTIBLE BOTTLE. The inexhaustible bottle, which produces different liquors, and apparently in endless quantity, was first made popular in this country by Professor Anderson, and since his day has been exhibited by very many magicians. Of ate years, it has been sold in the toy shops, and the public have learned

MY OLD VILLAGE HOME I long for the dear ones at home, I miss them as no one can tell; Dear father and mother, dear sister and brother, In the old village home I love well. 'Twas there that we parted with tears in our eyes And a blessing of love on my ear, Oh, 1 long to go back and find them all well In the old village home I love dear. CHORUS.

To see them once more will gladden the heart, 1 miss them as no tongue can tell; Oh, I long with a sigh, and with tears m my eye, For my old village home in the dell. 1 dream of the dear ones at home, When sleeping I'm back in the dell; Thro' the old village street, to the wild rustic seat, And I drink from the old fashioned well, With shoutings of joy I am met at the gate, And no more I've decided to roam, 1 awake, it's a dream, then I mournfully sigh, For a glimpse of my old village home. Copies of this song can be purchased from Dr. Merlin, London Museum, Chicago, Illinois.

/iDabatma. LETTER FROM OUR CHICAGO CORRESPONDENT. Chicago, 111., March 25th, 1895. Another turn of the magical kaleidoscope brings to view in the window city numerous changes to the wonder working fraternity, The chief events of the month is the first appearance here this season of Kellar, who is billed as the "Great Magician," opening at the Schiller Theatre, March 24th, for two weeks. The pictorial wall paper and window lithographs, used in advertising this attraction, is conceded to be the handsomest printing in color and artistic design ever put up in this city to advertise an entertainment of mystery. Prof. Kellar, assisted by Mrs. Kellar, were greeted by a large and appreciative audience, problem after problem in magic was presented to the delight and amazement of the spectators, and Kellar's entertainment is sure to draw packed houses during his two weeks stay here, as he has a program of wonderful illusions entirely new to the amusement lovers of this city. Kellar and wife received excellent press notices from all of the Chicago papers, proclaiming his entertainment to be unsurpassed. Kellar has, in my estimation, the strongest mystery show ever presented in this country. I state this with a knowledge gained by experience and observation, as I have seen every magician of note who has appeared in the United States since the days of Robert Heller. Horrmann, the up to date magician, has just closed a very prosperous engagement of several weeks in this city, having played in the principal vaudeville houses here with great success. He is a very clever conjurer, and depends entirely on dexterity for his success, and is original in his performances. He is to open in Pope's Theatre, St. Louis, the second week in April. Two weeks later he is at Wanger's Theatre, New Orleans, La. His new illusion "the globe of the world" is one of the handsomest pieces of apparatus I have seen in a long time, and the mechanism is the acme of perfection. He reports it is making a great hit wherever presented, and is a strong finish to his act, deserving the applause it nightly receives. Prof. Scheidler passed through this city last week on his way to Minneapolis, Minn., where he was booked to play a two weeks' engagement, commencing March 25th at Kohl and Middleton's museum. At the close of his engagement in Minneapolis, he is to return to Chicago for a two weeks' engagement at Kohl & Middleton's houses here, commencing April 8th. Miss Mollie Roberts, his assistant in second sight, has been in this city during the winter months, located at the home of her mother, Mrs. Roberts, who by the way is a wellknown spirit medium, and gives seances at her home for full form materialization. Prof. Houdini, the "wonder worker," who appeared at the dime museums here a few months ago, with a barrel mvstery, has fully recovered from a severe attack of the grip, which he contracted while playing his last engagement at Kohl & Middleton's Museum in this city. The barrel mystery he sold this week to Prof. Phillips, the American jap Magician, who has just closed at the London Musee. Prof. Phillips intends to take the barrel East and present it as a Japanese mystery. Prof. Houdini and his assistant, Mme. Ola, are busy practicing a new theosophic wonder, invented by Prof. Houdini, and entitled "The Temple of Buddha," a clever idea and a new departure in illusionary effects. A small cabinet thirty inches deep by twenty-four high, represents a Buddhist temple, in which the usual spirit manifestations and a number of new ones are presented. The cabinet is apparently empty, and manifestations take place while the door of the cabinet is open and the audience are looking into the interior of the temple.

Prof. Melohn, a successful business man of this city, who has taken up the study ol modern magic as a pastime and a hobby, gave a very enjoyable entertainment to 500 invited guests at Young's hall, Tuesday evening, March 12th, the date being the tenth anniversary of his career as a hardware merchant. The entertainment of magic lasted two hours, and Mr. Melohn presented trick after trick with the dash and dexterity of a professional conjurer. He has an extensive repertoire of tricks, and presented them in an entertaining manner. A few professional friends who witnessed the exhibition, are loud in their praise of a new trick invented and presented by Mr. Melohn. In the last trick, he introduced seven round alarm clocks, and while taking them from the hat the alarm bells kept ringing, making a very showy and effective addition to this trick. A lull orchestra of seven pieces discoursed sweet music, and after the exhibition a dance was given and kept up until the early hours of morning. Prof. Harry Stork, who is now playing a four weeks engagement for Manager Frank Hall of this city, opened at Hall's Casino, March 24th, and made a decided hit. Week of April 1st, he commences at Havlin's theatre, and from there opened a two weeks' engagement at Pike's theatre, Cincinnati, April 8th. The three houses mentioned above are controlled by Frank Hall, and are run on the continuous plan of amusement. Master Charles Carter is resting in this city at the present writing. His wife, who assists him in the illusion "Escaped from Sing Sing," has gone to the home of her parents in San Francisco, Cal. While Master Carter may not be the "Father ot Magic," news reaches us that he is the father of a fine boy. Prof. Reatty is showing "Pepper's Ghost Mystery," at Kohl & Middleton's Clark street museum. He is to remain during the month of April. Mdlle. Aloo, the lady magician, commences a two weeks' engagement at the London Musee, April 1st. At the close of her engagement she joins the side show of Robinson's circus. Pro. Donaldson, an old time showman has opened a store show, 2S4 State street, where he is exhibiting to fair patronage two optical illusions, Amphrodite and Neptune's daughter. Dr. Merlin and wife, Margaret Hayden, are now in their thirtieth week at the London Museum, presenting their act of second sight. Alex Davis, magician and ventriloquist, left this city March 25th, for Kalamazoo, Mich., to open theie for two weeks. Prof. Brown and wife are performing at the Atlantic Garden, this city, presenting a new illusion entitled "The United States Mail Pouch" mystery. Mrs. Brown is locked in a United States mail bag and escapes in thirty seconds. Mardo, the society magician, purchased a handsome center table after the style of Louis XV. in design, from Mr. Rotherberg this week. The table was a special order made entirely of sheet brass, nickle-plated, with highly polished raised brass ornamental work. The Monograph Trick and Novelty Co. closed suddenly last week owing to poor business. I understand that the magical manufacturers and dealers of this city, Messrs. Rotherberg. Burlingame, Shaw and Barnello, report business booming. A startling and at the same time what I consider a most repulsive exhibition is being presented here this week at Hall's Casino. The feature that I refer to being "The Sleep of Death." Walter Bishop is daily hypnotized at 1 p. m., and placed in a real coffin or casket for public view in the curio hall, and while in this trance state will remain as if dead without moving a muscle or nerve for 10 hours daily during the 7 days of the week. Awakened at 11 p. m. each night from his trance or whatever power it may be by his brother Paul Allen Bishop. All have words of praise for MAHATMA. DR. ALBERT MERLIN.

/iDabatma.

»&!)•,*>?>>*'

Dr. Albert Merlin is business manager and correspondent of MAHATMA in Chicago. All persons doing business with the genial Doctor will find him a thorough business man and a gentleman to deal with. Address Dr. A. Merlin, London Museum, Chicago, 111. In answer to "H. V." would state that there are different ways to load a piece of paper for the flower trick. You can pick up one load from the servante of your table, the second load from your own person; or, if you are skillful you can do better by far than load in this way. Pockets in the front of your coat can be utilized. Tying a piece of wire or thread to the load, resting the same upon the button of your vest, and while showing the paper, call attention to the fact that there is nothing upon that side of the paper—then turn the paper and while turning it around take hold of the wire, showing nothing upon either side. Retaining the wire between finger and thumb, raise the right hand in gesture which pulls the load into the paper unseen by the audience. This way if done well is out of sight. There is but one "Jewett," the prince of entertainers. He is the coming magician. This young man is gaining a reputation in this country equal to Hermann and Kellar. Prof. Ambrose, of Pottsville, Pa., after a rest of several years is making preparations for a tour of the coal regions; giving a show in magic and mesmerism. Mrs. L. B. Newell, lady magician, of Mainsburg, Pa., reports a successful season. Prof. Chas. Herrman Pohle, the noted magician of Auburn, N. Y., has been giving local entertainments this past winter. Chas. E. Bingham, conjurer and illusionist, of Matteawan, N. Y., is making extensive preparations for a tour of this State. The Great "Powell" one of the cleverest magicians in this country to-day, is going to make an extended tour of Europe, leaving this country early in May. W. J. Andrews, his stage manager will accompany him. Prof. Charles P. Wilson, of Houston, Texas, joins Mexican Billy's Carnival of Novelties, which will open at Bradford, Iowa, on May ist. This will make the Professor's fourth season with this company. Prof. Ritenour, of Haymarket, Va., is with a small company and reports good business. "G. S." writes does it require much practice to become a professional sleight-of-hand performer. In answer we would say that it must be born in you, if you wish to make a success of it, and then it takes practice and lots of it before you are competent to give a good turn in magic. There are so many indifferent performers that I would advise no person to undertake magic as a livelihood unless they possess patience, for such men as Jewett, Kellar and Herrmann only acquire their reputation by years of faithful work and brains to assist them. Prof. J. H. Stevenson, the clever magician of Brooklyn, is meeting with unparalleled success in his unique and original entertainment. This young man is a born magician, and is exceptionally clever in palming. MAHATMA is in receipt of a very fine photograph of the Hartford magician, "Jewett," which we add to our collection.

Corinne Carter, presented a son to her husband, Chas. Carter, the magician, at El Paso, Texas, Saturday, March 9th. Mrs. Carter was on her way to California. Mother and child were doing well at last accounts. Mr. John Whalen of Harrigan's Theatre, this city, opens in Huber's Museum, April ist for two weeks. The Professor has been touring through this State ably assisted by "The Filbers," in their cabinet mystery and mind reading tests. Balabrega writes from Baranquilla, South America, that notwithstanding the revolution in that country, business has been exceptionally good. MAHATMA'S Paris correspondent writes that Buatier de Kolta has temporarily given up the magic art. He is the inventor of a system that is supposed to prevent the collision of railway trains. The idea is the development of a trick which he invented while performing .at the Eden Musee in New York; but he considered it so valuable that upon his return to France he formed a company for the development of his patent. It is said that it has proven to be a success, and he has secured a fortune from it. We trust however that he will eventually return to his old love, and astonish the world again with some startling novelty from his fertile brain. The rule once a magician, always a magician, will hold good in his case also. " W. F." wants to know the best way to work the Plate Trick, and in answer would say the little box attached to a wire or banjo string that you can pass readily over the thumb of either hand at your will, is far superior to the use of your pockets or vanishing handkerchief box. In the case of the box you can show either hand at will and nothing in them, the back of the hand affording the protection neccessary to cover the box. To the uninitiated and without practice it is difficult to perform, and to the experimenter I would say, try some other method. W. D. LeRoy, of Boston, Mass., is publishing a book of prominent magicians which is now out. Prof. Harry Helms, magician and oriental juggler, is at present touring Wisconsin under the management of Col. Geo. P. Wood; they will close a successful season at Madison, Wis., May ist. Prof. Helms will next season play the larger cities under the direction of Jas. H. Arthur. Ferry, the frog man; Ogawas Imperial Japanese Troupe; Adele Purvis Ouri, and other high class specialties have been engaged. Mile. La Belle Ko Ko will assist the Professor. Voudoo, a Hindoo illusion will be featured. Manager Arthur is also trying to engage Chisikitchi. late of D'Alvinis Co. Professor Helms will spend the summer at Waukesha, Wis., where he has a long engagement at the Silurian Springs. This will be one of the strongest shows of the kind on the road next season. Prof. H. Leslie Green, Prestidigitator, assisted by Miss Amy Russell, the Qj-ieen of Psychometists, of Rockville, Conn., are playing to crowded houses. Wallace, the magician of Springfield, Mass., has had a successful season, entertaining in neighboring towns. The Professor states that he is enlarging his outfit to start on the road May 1st, touring the New England States. Prof. Paul Eichelroth. the noted magician, of Stockton, Cal., writes for a samplecopy OI'MAHATMA, and says, 1 have wanted to subscribe for a journal devoted to magic for a long time, but could not find one. Green the Wizard, of Montreal, P. CL-. Canada, writes: I have received a copy of MAHATMA, and must say, it is just what is wanted in the ranks of the magical fraternity. Prof. Geo. J. Fish, (Duprez,) of Indianapolis, Ind., will start next season with a new outfit; he is now resting at home, playing local dates. De Kolta is King of Magicians for originality and execution.

L

/IDabatma.

IO

VLtttC"1 Metal

PROFESSIONAL CARDS. (15 cents per nonpareil Imc.)

MUSIw DllAcivliBdcrH.

—1 Tunes unlimited. Sea! Hear it!

R. A. READER,

MAGIC

HlCH Ci AS;, MAGIC, Can be engagedforChurches, Lodges, etc. Address, 1025 Boston Road, N. Y. City.

fflmW

FOR SALE.

CP(ew JOO Vage Tutorial Catalogue, with TUiures of Leading Trofesswnals.

LATEST EUROPEAN NOVELTIES.

FOR SALE, one first class Stereopticon with oil and oxyhydrogen lights, screens, shades, everything as good as new. Cost $400. Price Si25. Wm. Goodfellow, 9 Clay Street, Magic, Second Sight and Anti-Spiritualism. Up South Norwalk, Conn. to date. Send 15c. for same. No free list.

PROF.J. H. SMITH, VENTRILOOJJIST AND MAGICIAN.

Can be engaged for all kinds of entertainments, rates reasonable. Drop a postal or call at 49 Lincoln Ave., Cohoes, N. Y. JOHN W. LITTLE, Prcstidigitateur. Latest illusions in conjuring. Address, 18 Broadway, New York.

WANTED.

W. D. LF.ROY,

NEW AND OLD SFXOND HAND BOOKS ON MAGIC, Etc. Address, H. WILLIAMS, care MAHATMA.

ELMER P. RANSOM, 12th Season. " Prestidigitateur." Address, 172 South 9th Street, Brooklyn

THE DONALDSON LITHOGRAPHING COMPANY.

"HEWITT," Prestidigitateur and Illusionist. Twenty years before the British and American public, address Box 14, Station E, Brooklyn.

TO3 COURT STREET, BOSTON, MASS.

AN ASSISTANT FOR MAGICIANS.

An assistant of experience can be engaged for single entertainNo. 11 W . EIGHTH ST., CINCINNATI, O. ments in New York or vicinity. We have six stock lithographs in Magician's paper, but acting Address, ASSISTANT, care MAHATMA. under instructions from Mr. Jack Curry, we offer for sale the entire line of superb paper recently gotten out by him for Zanzic. The paper is for sale as it is without stripping or dating, but is easily rendered available for use by any one. ESTABLISHED 1801 B7 N. E. CHASE. No. 63— T, C. iT^ahid—Whole sheet, 4 colors. MAGICIAN. A beautiful bill. Magician and devil. Sample WlioUsalr and Retail. Inventor, Designer and sent by mail on receipt of 9 cents in stamps. Price per ioo, $7.00. Manufacturer. No. 150—T. C. Nabuffum—Half sheet, 4 colors. MAGICIAN. A magician in evening dress executing the hat trick. Sent by mail on receipt of 5 cents in stamps. Price per JOO, §4.00. No. 499—7". C. Nofolol—Halfsheet, 4 colors. GOLD FISH TRICK. A magician executing the gold fish trick. Sample sent by mail on receipt of 5 cents in stamps. Price per IOO, $4.00. No. 498— T. C. &Qofohk—Halfsheet, 4 colors. LE COCOON. This well known illusion beautifully portrayed. BOSTON, MASS., U. S. A . Sample sent by mail on receipt of 5 cents in stamps. Price per 100, $4.00, No. 497—7". C. O^ofolcj—Half sheet, 4 colors. SPIRIT CABINET. An illustration of the cabinet trick. Sample sent by mail on receipt of 5 cents in stamps. Price per IOO, $4.00. No. 496—T. C. Nofolah—Half sheet, 4 colors. THE VOODOO. An illusion somewhat similar to Le Cocoon. Sample sent by mail on receipt of 5 cents in stamps. Price per 100, S4.00. No. 495—T. C. Nofoltiff—Three sheet, 4 colors. LE COCOON. A beautifully designed and splendidly executed Largest House in the United States. poster. Sample sent by mail on receipt of 26 cents in stamps. Send Stamp for list of Sew Tricks. Price per 100, $21.00. Zanzic paper consists of one sixteenth-sheet stand, one threesheet poster, Le Cocoon, one-whole sheet, and four half-sheets, which we will sell at the low price of 6 cents per sheet. A sample set of the paper will be sent to any address in the Nothing but the finest apparatus made at this manuUnited States or Canada on receipt of $1.52. factory, and at price* iliat deft) competition.

F. A. DANA, Magician. Entertainments furnished for Lodges, Clubs and Parties. Terms reasonable. Address, No. 70 4th Avenue, Pawtucketville, Lowell, Mass.

JOSEPH B. PEYROUX,

C. MILTON CHASE,

MUSICIAN. VIOLINIST.

,NTERNS WANTED

lHARBACH&CO.8O9Filb«rtStPbiU.Pa.

123 Clymer St., Brooklyn.

MUSICAL RUSSELLS, Instrumentalists, Specially adapted for Churches, Lodges, Theatres, etc. For terms, address O. M. Russell, 25-27 3d Ave., N. Y. City.

45 to 51 Cambridge Street,

LAYMAN, MAN OF A THOUSAND FACES. Address, care Miner's Bowery Theatre, N. Y. MEEKER & MACK, SONG AND DANCE ARTISTS, In their own original creations. Address No. 189 East 12th Street, New York City.

SISTERS LYNN, THE CELEBRATED JUVENILE ARTISTS, Can be engaged for Churches, Lodges, etc. Address 1368 Herkimer St., Brooklyn, N. Y.

: &,-.

JO

ALL WHO WISH

SEND TO THIS OFFICE FOR ESTIMATE. CIRCULARS

FOR

MAGICIANS' A SPECIALTY.

CIRCULARS RE-WRITTEN IF DESIRED.

CORRESPONDENCE IN ALL LANGUAGES.

WANTED.—The address of every person interested in MAOIC, Etc.

Magicians.—Please send us all news, dates, etc.

107 West 29th Street, N. Y. City.

If

Effl'K VENTRILOQUIST! t

MARTYNF

SIXTY LAUGHS IN SIXTY MINUTES.

HUMORIST, ARTISTIC. MIMIC ELOCUTIONIST.

T;tl e

-

Plienomenal Entertainer,

^ ' ^ •* V 1 V I 1 1 1 1—/ 5 VcntrUtxfiiUU Slu'tclicx without Finnic*. From four tu sue voices. THE ONLY MAN that Laughs and Cries (it the sami titw. D •line. iHnu so distinct pmitir.. ('haute and Moral The greatest Entertainer for Churches, Loilocs, etc., that I ham- ever seen.—Kditor Mahatma.

A. J. MARTYNE, NO. 90 4TH AVENUE, NEW YORK.

GEO. H. LITTLE, Prestidigitateur and Shadowgraphist. Can be engaged for Churches, Lodges, Theatres,"etc. Address, MAHATMA.

/iDabatma.

11

AND STEREOPTICONS p.fford tin- best im'l t liu-iins of oljjccl It-ucliiiif; fur w l Sunday Schools. Our ll ut'St Schools Sh

erit of Views, illustrating AuT, Si IK.NI E, HISTOKY, , is immense. For IToinp Amusement mid P n r l o r Enti rliiiiiincnl, it., nothing ran be found a< instructive or amusing, i g r Church Eutvl'Iiilnii t s , I'lihlic E x l u h l lllar llliistllll- |E» A Y W E L L Jm»"»a"-'''»;»« Wi lire ew ii. rnndiu-t I'urlor Enterliiinm, nts fur pleasure or P u b l i c E x h i b i t 1O1IH, etc., for MA K I P< <J H O N E Y ,

l

d

d

f

22Q

F FREE E E p & Q £ BOOK

BI'l's Optician, 49 NasHau Street, New York.

IMPERIAL ENTERTAINMENT BUREAU

THE WONDERFUL PUZZLE PURSE. The Capital Puzzle is quite new and one of the best puzzles ever invented. The purse is made of leather, is strong, has a nickle plated rim and is very convenient for keeping money. O. iVlA.TT RUSSELL. MANAGER. Holding the purse in one hand and blowing at it, it will fly open. Handing it over to be examined it is closed and no one Agency for the most noted Entertainers, Musical Celebrities and Entertainments in every branch of the profession. Teachers fur- can discover the secret of its opening. Sent free by mail for 30c. HORSE SHOE COIN HOLDER. A new nickel plated coin holder, takes 10 cent coins. When nished lor all Instruments, also musicians for dancing or otherwise. ten are put in it. it opens. It can be attached to the watch chain. Sent free by mail for 15c. 2Z-27 3d Avenue, Room, I.'i49 opposite Cooper Institute, iV. Y. THE EUREKA PUZZLE. A handsome brass disc perforated by numerous holes, into which a sliding ring is fitted. The solution of the puzzle is to start from the center and clear the ring in iS moves. It can be done. Very amusing and fascinating. Sent by mail for 10c. SELF REGISTERING PURSE AND POCKET SAFE. I am now putting up a special $5.00 FIRE KING OUTFIT. This outfit is the neatest and cheapest practical outfit ever put A decided novelty. Drop a dime in the slot, the first coin on sale in this country. It contains everything necessary to perform all the leading "Fire Tricks." It is suitable for Stage or deposited locks the purse and registers it. When one dollar has Drawing Room Entertainments. Each outfit is put up in a handsome casket, including a complete book explaining 28 of the best been deposited the purse can be opened. Sent by mail for 30c. STAR NOVELTY CO., 1098 Lafayette Ave., Brooklyn. Hire Tricks, so that "ANY ONE" can perform them with very little practice. E. BARNELLO, 176 N. Clark St., Chicago, 111.

SPECIAL III

TO UTIIRE

ACADEMY OF MEDICAL MESMERISM AND HYPNOTISM. Illustrated pamphlet, " How TO HYPNOTIZE; or the Science of Suggestion." Price 15 cents. Weekly Experimental Clinics and Class Seances, MONDAY and FRIDAY evenings at 8 o'clock; admission $1.03. Metaphysical and Psychophysiological instruction daily and by illustrated correspondence. For regular course of instruction, " How to Hypnotize.1' Full particulars on receipt of postage. Address:—DR. MCCARTHY, 256 West 115th St., N. Y. City. anc

* s e n c ' I O c e n t s *° r m y New Catalogue containing all of my own Original Coin Feats and the very Latest Experiments in Magic, Spiritualism, Etc., fctc. T. NELSON DOWNS, The King of Coins, Marshalltown, la.

9 111 J LW* F

DO YOU WANT TO GO IN THE SHOW BUSINESS, if so, all you need is a good act; here are two that require, no skill, you can do them soon as you have the outfit. Black Art, full act, $35.00, the best thing in magic. Sword Walking Outfit, $7.00, with secret how to walk Barefooted on Ladder of Sharp Swords; one third with order, balance C. O. D. W. NELSON, Manufacturer, 13 Fulton Street, Worcester, Mass.

MIL1KIN & LAWLEYS, DEALER IN MAGIC AND OPTICAL GOODS, 161; Strand, London, England. J. THEOBALD & CO., 6 and 7 Bath Place, Kensington High Street, London, W. DEALERS IN MAGICAL APPARATUS, NOVELTIES, SPORTING GOODS, Etc. Send for Catalogue. E. VOISIN, OLD ESTABLISHED MANUFACTURING ESTABLISHMENT FOR MAGICAL APPARATUS. S3 Rue Vieille-du-Temple, Paris.

ROBIRT ANKELE CREATOR OF ORIGINAL DESIGNS ANT) DA "PLATES.

OF ECONOMICAL

306 WEST 22d STREET, NEW YORK. Designs C r e a t e d and E c o n o m i c a l P r i n t i n g P l a t e s furnished for tlie JUDICIOUS ADVERTISING

OF ALL THEATRICAL

AND CONCERT BUSINESS.

Pen Drawing, Wash Drawing-, Half Tone.

BETTER, CHEAPER AND MORE CONVENIENT THAN LITHOGRAPHS. PLATES CAN BE CARRIED EN-ROUTE, AND SHEETS PRINTED BY ANY PRINTER

I IIKOUGIIOUT

THE COUNTRY AS YOU NEED THEM.

Estimates, proofs and practical information cheerfully furnished upon application. Original designs created and submitted upou receipt of deposit covering the bare expense of same. Designer and engraver for "Mahatnia,/' Letter Heads, Cards, Dodgers, Hangers and Posters. •PORTRAITS A SPECIALTY.

PERFECT LIKENESS GUARANTEED.

CABINET OF

SHADOWGRAPH APPARATUS. NEW ! ! These Cabinets comprise a complete set of properties used in the production of shadow pictures, together with a fully Illustrated Book of Instructions showing the shadows and position of the hands and fingers. The properties numbering 20 pieces are put up in a handsome box, which is sent free of charge on receipt of 60 cents.

MARTINKA & CO., IMPORTER OF WILD ANIMALS.

MANUFACTURERS,

SNAKES A SPECIALTY.

493 SIXTH AVENUE.

ROOSEVELT STREET, NEW YORK.

D% AL--BET{T MERLIN. THE LOCATED

FOR SE-^SO^

WOULD1S

OF ;,S 9 ?.

and {MA^G^ET

ORt- ITEST

gvllCK-U

HA YDEN,

RE-'/-T>liRS.

LOJ>CT>O:7
NEW YORK.

WONDEKCABINET F R E E . MIMIUK Link I'uitL. D.vi.'g U,.ltl(«, 1'iH-krt Caiiii\fl, IjUtSt \\ in' L'uizU1, Spook hotos. Bfok ot Sli j lgbiof Man I. l..uil \a)u, I'.n, ^, ut f . « with iiumtbfte ^ m h r t i r n f l i - i lUrjjai.n for lOo for ] u-mce. INciKK>uLLi BUO. 06 Cortlnndt Street. N- T.

r* A T A 1 r\r* Latest Novelties, Tricks, Songs, photost C A 1 A L U U illus., mailed free. WILLIAM EGGER. CHICAGO. ILL.157 TREMONT STREET, BOSTON, MASS.

/IDabatma.

12

ETTITHE IVJAGIGIAN, COMPOSED

OF

ALWAYS DRAWS CROWDED HOUSES.

THE

J E W E T T HAS THE FINEST AND LARGEST COLLECTION OF TRICKS IN THE WORLD. tsrWITHOUT ONE EXCEPTION. ^ 1

ONE MILE OF TH£ M09T FLATTERING PRESS NOTICES, A

FULL

CORPS

OF STAGE

PERMANENT ADDRESS:

HANDS

ACCOMPANY H I M .

" J E W E T T , " MAGICIAN, HARTFORD, CONN.

C I STR0HMENSER J R V^.

Lw, wJ 1 1 \V«/1 1 / l U l N U l w l

493 sixth Avenue

V, C j r \ M

N E W

YORK CITY.

>

DEPOT FOR THEATRICAL HARDWARE AND SUPPLIES. General Agent for Eastern and Middle States for J. R. CLANCY, of Syracuse, N. Y. Sole manufacturer EXCELSIOR PROFILE, KEYSTONES and CORNERS. Estimate furnished for all Stage Supplies.

KNTERTAI NMEN'nBlJ REAU, THE LARGEST ENTERTAINMENT BUREAU IN THE UNITED STATES. ALL

Ho. 29 Park Row, Hew York.

OF THE LEADING

ARTISTS

OP" T H E DAY.

MARTINKA & IMPOI\TEFiS w

JflNE A^AGIGAh i\PPARATUS, 493 SIXTH AVENUE, NEW YORK. LARGEST

AISJJ

MOST

•

COMPLETE STUCK IN THIS COUNTRY. •

•

•

OK

FINE

•

APPARATUS

•

apparatus of even? hint) maoc to orocr. Our complete fully illustrated Book Catalogue with 500 engravings and description of every Trick and Novelty up to date, will be sent on receipt of 1 5 c . Illustrated Catalogue of Parlor Tricks free on application.

IMPORTANT TO MAGICIANS. Since the issue of the new tariff we have reduced the price of extra line Figured Felt, imported specially for Magicians' table coverings, from 4 O cents to 2.r> cents per square foot. Send 2 cent stamp for Samples. •

•

•

®

•

•

NEW ADDITIONS.

SIXTH AVENTTE

Magic change of color of 3 white h.indkerchiefs, - $3.00 Glass HouleUe, chosen Cards are blown out, $3.00 Bouquet of Flowers produced on common Plate, $3.00 Paper Rolls in 5 colors, all sizes, and for all purposes, Improved Champagne Bottle for Pigeon or Guinea

P'g. - - - - - - $,.oo ^ ^ ^ ^ ^ : l ^ ^ ^ i Acid tubes tor flash paper effect, per dozen, 30 cents.
:

:

:

^ ^ 0 : g ^ '^:^l^h^Hm.

THE ONLY PAPER IN THE UNITED STATES DEVOTED TO THE INTERESTS oy MAGICIANS, SPIRITUALISTS. MESMERISTS, ETC.

VOL. I.

No. III.

NEW YORK, MAY. 1895.

SINGLE COPY, 10 CENTS.

"JEWETT."

posed to be open. Marshall was just as anxious in those days to see others on the stage, as others are now to see him; THR GREATEST COMING 2OTH CENTURY MAGICIAN. and he usually managed to do it for nothing, by the way. It must not be supposed that the generation of bright men The pretty little city of Hartford is noted for something in Harttord is dying out. In what may be termed Hartford's else besides being the home of Insurance and the Charter rising generation is found magician Fred D. Jewett, who Oak. She has furnished the world many of its best enter- was born in that city March 26th, 1861. We are told that tainers. We use the word "entertainers" in its broadest "the poet is born, not made," and this is equally true of the sense; including those who have furnished entertainment in magician. There are magicians and magicians, just as there the literary line, as well as in the dramatic. are poets and poets; only a few of each class have proven

Hartford is known as the home of a number of literary stars of the first magnitude; of Harriet Beecher Stowe. of Mark Twain and of Charles Dudley Warner. Playright and actor Will Gillette, still calls Hartford his home, and the prince of laugh makers, Marshall P. Wilder, can tell you of his Hartford school days, followed by nights when he crept into the Hartford Opera House before the doors were sup-

themselves worthy of the name; in fact, a good magician is a rarer article than a good poet. What might be termed a "genuis" for sleight of hand was born in the subject of this sketch; as a small boy he gave entertainments of various kinds, and, coming to manhood, his talent took more definite shape, and for the past few years he has grown in skill and popularity. As his course has not been rocket-like in

/IDabatma.

ISSUED THF. i^t O F KACH M O N T H .

HAMLEY'S MAGICAL SALOONS, 229, HIGH HOLBORN, LONDON, W.C. RATES OF ADVERTISEMENTS—Twenty cents per line, nonpareil type measure; space ol one inch $2.40 rack invrlioit. A deduction of 20 per cent, is allowed on advertisements when paid for three months in advance, and oil advertisements measuring ^o lines or more. For Sale or Exchange column, 15 cents a line. Copyrighted March, 1895. Remittances should be made by cheque, post office or express money order, or registered Entered at the New York Post Office as Second Class Matter.

MAHATMA has received congratulations by innumerable letters and telegrams from all over the country, stating that this paper is just what the magical fraternity has wanted, and that MAHATMA is sure to be a success. The many friends who have so kindly encouraged us by words and deeds, can rest assured that MAHATMA is in the field to stay, the proprietor having enlarged the plant, he now asks the fraternity to help introduce this paper to all who are interested in magic. As most magicians have more or less printing to be done, send to this office for an estimate on all printing desired. Printing picture or advertisement on blank playing cards a specialty. See advertisement. MAHATMA in presenting a few problems each month that are original with the publisher, will help the magical fraternity by making them think over the subjects introduced and without a doubt they will find means to improve them. In order to better themselves and do first class work the magician should try to introduce new problems; and if he cannot produce something new, he probably can help out with some new features that are novel and unique and which will help to make effective an old chestnut. Sleight of hand has been so well drawn upon, that it is almost impossible to introduce new features; but among the many magicians, we have no right to be surprised if some of them introduce new and effective tricks, and no matter how good a magician may be, he will find that he does not know it all. "JEWETT."—CONTINUED.

its ascent, there is no reason to believe that it will be sticklike in its descent. Mr. Jewett's progress has been gradual, commencing with entertainments in private parlors, and, as he gained confidence in himself, and the public gained confidence in him, he has extended his field until now he is well received in the finest theatres of New England. The brevity of this article will not permit of an extended account of his exploits in the land of legerdemain, but following is a few of the acts which have given him his greatest celebrity. His duplication of the cabinet test of the Hnglish medium, Anna Hva Fay, is perhaps his most skillfully performed and most mystifying act; although, in close proximity come his wonderful bullet catching, crystal casket puzzle, wigwam mystery, and others; and yet, after all, it is in legitimate sleight of hand, which so many magicians seem to forget in these days of illusions and mechanical effects, it is in this legitimate sleight of hand that magician Jewett is seen at his best; here, he has few equals, and certainly no superiors. The quickness of hand is where the magician must have natural talent; here is where acquired skill will not do. Practice may make perfect in some things, but not in sleight of hand, unless the performer is gifted in an unusual degree. Wonderfully effective is Jewett'in these acts of sleight of hand, and especially in egg and coin tricks. The press notices which Mr. Jewett has received testify better than anything else can to his remarkable skill. "Some prophets are without honor in their own country, but lewett is not without honor in his own city, many of Hartford's most eminent citizens endorsing his entertainment.

If you watch the 20th century horizon, you will see, as the stars of the older magicians wane, a new star rising in their place. The name of the new star: "Jewett." FORTHLUNG THOUGHTS IN CARDS. Place a pack of 32 cards in any certain order that you can easily remember. Take four slips of paper and write the names of the cards on them in their consecutive order, as in formula, /. c. On the first slip six names, on the second nine, on the third seven, on the fourth ten cards. Place each in a separate envelope; each envelope being smaller than the preceding one. Place the smallest in the second, second in the third, and third in the fourth, so that in each envelope there is an envelope and a slip of paper—seal all. Do any preliminary trick with the prepared cards that will not disarrange their regular order, then proceed to lay them out on the table in four heaps in just the order that is written on the slips of paper, leaving the last heap which corresponds to the slip in the smallest envelope, towards the audience. It is best to lay them on a plate and allow the ends to project a little over the edge of same, so that when you cover them with a handkerchief the position of the packs can be easily seen by you. When all this has been done, and you have given one of the audience the aforementioned sealed envelope to hold high so that all can see it. request some gentleman to step forward and select anyone of the four heaps of cards from underneath the handkerchief, place it in his pocket and return to his seat, then the gentleman should be told to look at the cards and remember them as far as possible before putting them in his pocket; this is to make it a mind reading test. In the meantime the performer to complete the deception retires to one side and turns his back on the person while selection is being made, he then comes forward and casting a quick side-long glance at the covered cards, he discovers which pack has been removed by the handkerchief sinking or sagging down on the side from which the cards have been removed. The performer now takes back the sealed envelope and opens it; if the slip of paper is in it containing the names of the cards the gentleman selected it is only necessary to take out the slip of paper leaving the rest in the envelope and hand it to the gentleman requesting him to read aloud the names of cards he finds on the slip of paper and also to name the cards he has in his pocket, showingthem plainly to the audience who see that they agree. Should another pack be chosen, tor instance that corresponding to cards on the second slip of paper in the second envelope, performer leaves the slip in the first envelope and takes out the second one (i. e. envelope ). which he opens and finds in this the slip required, leaving in the envelope the third one. If still another one is chosen proceed as above until the required one is reached. The front pack is the one generally chosen, the slip corresponding to it being in the fourth envelope heightens the effect of the trick. Having once learned the pack the gentleman selects, you can introduce the mind reading fake by placing his hand to your forehead and writing the names of the cards on a blackboard previous to opening the envelope. D. W. Robertson, the well known manager of New York city has secured the greatest novelty in the entertainment line for next season. He has just completed arrangements with the Tyrolean Troubadors from Austria, and upon their arrival in New York about September 23d, he will start them on a tour of the country. Elmer P. Ransom, the popular magician, has been engaged to appear with them. The tour will be under the direction of Mr. Charles W. Plumb. Already many dates have been booked and the success of the company is assured.

/IDabatma. HOW TO LOAD A HIGH HAT. The performer borrows a high hat from a gentleman in the audience and after reaching the stage he apparently rubs the nap of the hat the wrong way, and then proceeds to apologize to the owner for spoiling the hat, and in the meantime he gives the hat to his assistant to repair the damage that he has done. The assistant holding the hat in his left hand approaches a chair upon the stage that has two or three handkerchiefs thrown over the back, and while securing the silk handkerchief, he lays the hat on the servante back of the chair and picks up the duplicate hat, rubbing the hat with the silk handkerchief and giving it to the performer, who places it upon the table as shown in the cut. The table has but one upright and a very thin top, with a trap in the center of the table which you pull up and the trap in the hat when placed directly over the trap in the table will give access to the table. A small catch upon the inside of the trap to hold the traps open will be found necessary. The performer can take as many objects as the table will hold from the hat, and the hat can be shown empty as often as the performer wishes by pushing the little catch back which frees the trap in the table and hat; the top of the hat coming back in its proper place, likewise the trap in the table.

opera nymph rises from the sea without anything being visible to support her in space, in which she turns round and round, gracefully moving her legs and arms, now in one direction, and then in another. When the exhibition is at an end, she straightens out in the position of a swimmer about to make a dive, and plunges behind the curtain representing the ocean.

The experiment that we have just described may be performed as follows: Amphitrite is an image—a specter analogous to those of Robin. If we imagine that a transparent glass, M M (Fig. 2), is inclined 45 degrees with respect to the stage, a person clad in light clothing, lying horizontally upon a black background beneath the stage, and well illuminated, will exhibit an upright image behind the glass. This image will form in front of the back canvas, T T', which will be perceived by transparency. If Amphitrite is lying upon a table. P P', she will be able to go through her The performer can then show the audience an empty hat and repeat as often as he may wish. An other innovation in the hat trick would be to have a small trap in the side of the high hat and when picking it up from the table, at the same time pick up a load of flowers pressing them in the trap in the side of the hat, the flowers overflowing would make a very desirable and showy effect to the finish of the experiment. The performer then hands the hat back to the assistant who goes through the same performance of picking up the handkerchief from the back of the chair, dropping the dummy hat, and picking up the legitimate hat borrowed. AMPHITRITF—AN OPTICAL ILLUSION. This experiment which is presented under the name 01 " Amphitrite," is as follows: When the representation is about to begin, the curtain of a small stage rises. There is observed, cut in a screen, a circular aperture, over which is stretched transparent muslin. About six feet behind the latter there is a scene representing the sky, with clouds; below, in the foreground, there is a canvas representing the sea. •'Amphitrite, come forth!" exclaims the person in charge of the show. All at once, a woman in the costume of an

evolutions and bend herself in a circle; and if, during this time, the table, movable around an axis, A, is revolved, her image will turn in all directions. Finally, to cause Amphitrite to appear or disappear, it will suffice to slide the table upon rails, thus bringing it in front of or behind the glass. Amphitrite should be placed upon an absolutely black background. Her costume should be of a light color with metallic spangles, and she should be illuminated by a powerful electric light.

/iDabatma. The muslin stretched in front of the screen is designed to arrest the spit balls that jesters might throw against the glass, and which, sticking thereto, might explain a part of the mystery. There are assuredly other arrangements lor carrying out the experiment. We have no other pretension than to offer an explanation that will at least permit of giving a representation which is analogous if not identical.—u Nature.

An easy way to introduce the snake is to apparently press upon the shirt front to force the snake out of the mouth, and while so pressing he obtains the head of the genuine snake from its receptacle about his waisl: using the left hand for this purpose. He will then place the left hand to his mouth to apparently catch the head of the snake, the right hand

AN EGG TRICK. The performer calls the attention of the audience to a fruit dish which is of glass and cannot conceal an object; he then places the dish upon his table covering it with a large handkerchief, and upon removing the handkerchief, an egg is found inside of the dish, which the performer takes out from the dish and places one side, and by covering again with the handkerchief he can produce enough to fill a dish. An explanation of this trick will show the performer that it can be easily done and will have a very mystifying effect.

catching the head and pulling the snake completely out; the performer keeping the left hand still to his mouth until the snake is completely out, he then drops the fake head into his left hand. The left arm while held in this positton will cover the drawing of the snake from the person, and a still better way if the performer does not roll up his sleeves, is to have the snake in his sleeve. By the use of the sleeve for this purpose the performer could defy detection. HOW TO WORK THE FISH BOWL.

As seen in the upright of the table, the eggs are allowed one by one to fall on the top of a spring, which is connected with a button on the top of the table which the performer catches with one finger each time he places the handkerchief over the table pulling it taut; and when he lets go with the finger the spring forces the egg through a trap in the top of the table and right up through the dish which is hollow. On the inside of the dish is a piece of isinglass which the egg forces up and which falls back in place, preventing the egg from falling back.

An imitation finger made of aluminium or of any light material can be used to advantage in working this old trick. The old way of throwing the foulard over the arm and shoulder should give way to something better, for the casual observer can see that you have one arm free and that it is an easy matter to take the fish bowl from an inside pocket. In fact some way should have been devised before this in performing this old problem. An explanation of this cut will show that it is an improvement on the old way. An ordinary black foulard with a hem that you can run three small pieces of flat wire inside (B), the wire rivited at each end. The middle piece should be a little shorter than the two outside pieces, and if made in this manner it gives strength to the wire. Place the wire inside of hem, and when you pick up the handkerchief, you can show both sides of same. You take the false finger in palm of hand and place it between the fingers of hand (A), withdrawing the hand—it looking as though you had hold by the one finger (C), this will give you an opportunity to use your hand, when you apparently have hold of the handkerchief; the handkerchief will conceal the movements of the right hand, and the handkerchief will not come in contact with your person. Upon the finger (D) is a small spring catch which will hold when placed over the

A SNAKE TRICK. The performer in introducing this trick must place the snake's head in his mouth, the head can be made of paper mache or wood as the performer may choose. Inside of the head is a tongue which is attached to springs in the neck of the snake, the neck can be made of rubber and is attached to the head. The head must be made in accordance with the size of the snake that the performer will use. The performer after inserting the head of the snake in his mouth, should start to introduce some trick until an impediment in his speech apparently stops him; he will then let the snake's head protrude, holding the neck between his teeth, and by biting the neck he will of coursj press the spring which will force the snake's tongue to spring out, and when the performer lets up on the spring the to.igue darts in and out every time the performer presses the neck with his teeth. This will make a very nat.iral appearing snake, if it is an exact reproduction of tlu snake the performer introduces.

handkerchief and which you can easily palm; *he wire falling out of the hem upon the servante of the table, also the finger. For instance take a small table which can be examined, the performer can call attention to the handkerchief, turning and showing both sides, the wire bending without giving away the fact of its presence. You can produce any object that you may wish upon the table.

/Ifcabatma. THE TOUR OF THE KNIGHTS. AS EXPLAINED BY PROFESSOR

KF.RBFX, OF N. Y.

An interesting experiment which surrounds the performer •with the reputation of a learned man, is when he exhibits his skill in arithmetic and marvellous memory. Almost all of our patrons have read or heard of the remarkable feats of the chess players, who not only can play the most intricate movements on the chess board blindfolded, but who can do the same where the respective players are thousands of miles apart, communicating the moves by cable. One startling problem .....s been performed by one of our celebrities in magic before large audiences: which is the moving of Knights over all squares of the chess board alternatively Irom any selected square without touching those which have already been covered. 73/

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i

1 2

2 3 4 5 6 7 S

1

32

3 243 1,024 4 5 3.125 6 7,776 7 16,807 8 32,768 9 59,049

125 216 343 512 729

The performer distributes some slips of paper, requesting some one to select a number from 1 to ioo, and to raise it to its cubic number, that is multiply it thrice with itself. Suppose somebody selected the number 72. 72X72=5184

w

19/

Another ver)r perplexing problem of arithmetic is to find the cubic root from a given sum. Some years ago Morris Frankel, Phil Roth, and others of Germany, astonished their andiences by the remarkable quickness with which they solved the most intricate problems in mathematics only from memory. The most learned professors of arithmetic were baffled by these phenomenal feats whicli they could not solve; nevertheless the general agent is a trick which helped the artist to accomplish these difficult problems in almost a twinkling. A few words on cubic numbers and roots. If you multiply three equal numbers with each other, viz: 12X12X12=1728, the result being 1728, and the factor 12 the root of said sum. The roots may be extracted in a mathematical way, but the intention of this article is to show how the root by means of a trick can be extracted instantaneously. First you have to memorize well the following respective schemes or to write them on a small card board which con be concealed in the hand. The scheme is arranged for numbers from 1 to 100. I.—Cubic numbers. . II.—Fifth power. oX oX 0

Pi

63 60 6/ S9 5-7 It seems at a first glance a very difficult task to play the Knight from a given square over the remaining sixty-three in sixty-three moves, nevertheless it is very easy when you follow the explanation given below. On the stage the performer has placed an easel on which a large slate is resting, and which is divided in the manner of a chess board in sixtvfour squares, and the squares for facilitating the experiment are numbered, beginning with one and terminating with sixty-four. The performer requests one of the audience to name any number that he will start with. With a piece of chalk he marks the number and in rapid succession he makes the regular moves of the Knight until he comes again to the first number given, without covering any number twice. In many instances where it is performed a lady is introduced to 53 43 33 27 44

23

32

8 14 24 7

41 51

13 28

f.i

22

55

5

47 64 54 4S 63 46

42

9 3

33

40

15

s(>

59

18

60

37

45 39

20

21

4

29

36

10

12

30

25

6

35

16

50

31

I II

26

62 52 58

57

49 34 17 2

19

perform the part of a medium, she is blindfolded, and it is then a test of memory. When done without an assistant the performer can have it written on a small card, which he can conceal in the palm of the hand. For instance the selected number is 36, this the performer marks and moves to 30, then 19 and 28, and so on until he comes to 26, which terminates the moves, as it is the last number before 36. On the diagram the above moves are shown, and a little practice will enable every one to perform this seemingly difficult problem.

Which is the cubic number. The same is communicated to the performer who writes it on the slate which is resting on an easel standing on the stage. Now he erases in his mind the three last figures and the remainder is 373. In the scheme 1, he looks for the number that is next to 373, without exceeding it. It is 343, opposite it is the digit 7, therefore is the first figure of the root 7. Further observe the last digit of the whole sum given, which is an eight. On the scheme you find opposite the number which terminates with 8, the figure 2, this is the second digit of the root, hence the whole cubic root of 373,248 is 72. Another scheme is say the given number is 97,336, erase the last three figures, which makes 97, in the scheme 1, it is the number next to 97,=64 which shows you the opposite figure 4 as the first figure of the root. The end figure of the sum is a 6, on the scheme you observe that 216 terminates with 6, opposite is the digit 6, therefore is 6 the second figure and 46 the cubic root of the number 97,336. If a number is raised to its fifth power, the proceedings are the same, but the scheme 2 is to be used, and instead of erasing the last three figures, you erase five of them. For instance 32X32=1,024 32 32,768 32

1,048,576 32

33,554,432 Erase the last five figures and there remains 335, which indicates on scheme 2, 243=3. The last digit 2 shows you on the same scheme 32, which indicates the 2 as the second figure, thence the whole root of 33,554,432 is =32. III.—Squares. I ox oi 5x25 6 36 4 3 9 4 16 2

7 49 8 64 9 81

If any number is raised to its square, you have to proceed according to scheme 3, and in erasing the last two digits, for example: 56X 56=3,136. You erase thus the last two figures, and it remains 31. The scheme indicates 3: to number 25, which shows as opposite figure 5, and which is the first figure of the square, the end digit is 6. Now you find in the second column of the scheme two figures which terminate with a 6, viz: 16 and 36. To find the right figure you proceed as follows: You have learned that the first number of the square which is 31, shows the figure 5 as the first digit. This figure you multiply with itself = 25; deduct from 31 and 6 is left. This figure is larger than the one which you have multiplied, therefore select from the scheme the larger number which terminates with 6, and which is 36, showing on opposite side 6. The root of 3136=56.

/l&abatma. When the figure which is left after the multiplication is smaller, then look for the smaller number which ends with six example =S,836; erase 36, 88 remains, which according to the scheme is equal to 9, as first digit. To find the second correct digit multiply 9X9=81, deducted from 88 leaves 7, which is smaller than 9, therefore according to the scheme you have to take 16, which shows as second digit of the square the figure 4, and the whole root of the above number 8,836 is 94. If a square ends with 9 or 4, you proceed in the same way as shown in previous two themes.

SHADOWGRAPHY.—Tin. PRI-.ACHLK. Place left hand in position and arrange sleeve as shown in the engraving, the right arm kept very near the light to give a large shadow. Between the fingers of the right hand is held a piece of cardboard cut to represent the preachers baret.

THE IRISHMAN. Take the felt and (old in half. Then place the two ends together, and to keep the felt in shape use an ordinary tie clip and fasten the ends with it. You now have an "Irishman's" hat. There are actually two rims inside, but place your head in the smallest rim and pull the hat firmly on. It should be placed on the head sideways, us usually worn by "Irishmen." A clay pipe placed in the mouth and a shillalah makes a capital addition to the representation of this character. A little rouge on the nose greatly adds to the effect and gives the laughing jolly features of an Irishman. Tie a handkerchief round vour neck in a sailor's knot, which makes the Irishman complete. While representing this character,

you must try and make your features look as funny as possible. A NEW FLAG TRICK. An aparatus for the red, white and blue with flag. It is a [tube about one and a half inches diameter and about two and one half inches long, closed at each end, it also has three partitions, giving the tube four separate compartments, with four holes in the tube about five-eighths of an inch in diameter. Amateurs who cannot palm the tube, a very thin or invisible wire is fastened from centre to centre of ends to be looped over a finger. The tube is prepared with a white handkerchief in compartment B, a blue one in C, and a small

The moving of the thumb represents the gesticulations of the hand. The scene is represented by first throwing the shadow of the pulpit, the preacher appears from below until he assumes his position and delivers his sermon in a more or less excited manner. THE DISAPPEARING BOX. In the disappearing handkerchief box an improvement is made by having the little piece attached to the side in the shape of a hook. When taking the box from under the vest the box can be so arranged as to have the little catch strike

between the fingers, and the hand can be opened wide, the performer can have the little catch so arranged that he can turn it around over the box, so when he lets go of the box there is nothing to stop it.

flag in D. The tube is picked up from the table with a red pocket handkerchief, and this handkerchief is worked into compartment A, and the white one worked out of B, it is then worked back into B, the blue one is worked out of C, it is then shown and worked back into C, and the flag from D worked out and shown and then laid on back of chair. The tube can be dropped on the servante of the chair.. This little box is an original idea of Prof. Melohn of Chicago.

This finger can be used to produce a handkerchief. The ring is placed upon the second finger of the hand, attached to the end of the false finger is apiece of thread, a loop at the end of thread to fit on finger, by pulling the finger down the false finger comes into position.

ZlDabatma. FROM OUR BOSTON CORRESPONDENT.

Now that Trilby has closed its season at the Park, we have the Trilby block puzzle to keep green her memo; y. "Galatea" is on exhibition at Jordan, Jlarsh & Co.'s store, under the name of "King Pharaoh's Daughter," a full length marble statue of King Pharaoh's daughter holding a basket ci ntaining the baby Moses. The statute turns into life, the girl's eyes move, the color comes to her cheeks and you see her breath; at the same time the baby Moses turns into a magnificent basket of flowers. Gradually the girl and flowers are transformed into marble again. This is the property of Mr. A. B. Carrington, the illusionist, of Chicago, Ills., who is well known in this country, also in Australia, where he has. exhibited'his "Palace of Illusions,' for several years with success. Mr. B. B. Keyes gave an exhibition of legerdemain and spirit manifestations at E. W. Kinsley Post, No. 113, G. A. R., April 23d. His tricks with cards, coins, etc., were very deceptive, but the most astonishing feat of all was his freeing hi'mself from handcuffs, seemingly an impossibility. E. F. Gaskin, Captain of Police Station 14, at the request of the Commander of the Post was present with 4 different kinds of the latest improved hand-cuffs, the best the department could obtain. He applied them himself, one pair at a time, and was dumbfounded when Mr. Keyes removed and handed them back to him unlocked, in from twenty to fifty seconds. W. D. LF. ROY.

Mysteries in the Hub have been rather quiet of late. Bostonians have seen Herbert Albini, the English conjurer, at the Lyceum, with his clever card manipulations, and his incomprehensible egg bag, which has mystified magicians as well as outsiders. He also introduced several new experiments purchased here with success. Henri Cazman lias also appeared twice at Keith's theatre in magic, shodowgraphs and chapeaugraphy. Mr. Cazman is certainly a very clever artist in his line. Bunt and Rudd, the English comic conjurers, were also a later attraction at Keith's, where they held the boards for several weeks, introducing their funny burlesque magic ; they are certainly very clever people and are old hands at the business. Mr. Albert Eddy, the magician, was at Autin & Stone's for two weeks, followed shortly by the Royal Hindoo East Indian Fakirs, jugglers, snake-men and only giant Sepoys. The principal trick of these fakers is the basket trick, similar to that seen at the World's Fair at Chicago, also at New York city. The most essential requisite for the man who gets into the basket is to be a good contortionist, so as to curl up in the bottom of the basket, enabling another man to get in and jump up and down, of course proving the basket empty. This act compares in no way with the old basket trick as introduced in this country by Hartz, who is now abroad, and who is I believe, A new and original demonstration of optical illusion was introduced the only man wh > at Maskelyne's enever secured from tertainment at the the Mikadoof JapEgyptian Hall, a an, permission to short time ago by engage and exhibMr. David Devant it the Mikado's who merely with own troupe of 25 the aid of a small Royal Japanese square of silk, was Court conjurers, able to produce jugglers and equithe Goddess Flora librists,in his travemerging from a els through Eugilded b a s k e t rope. decked with a wealth of flowers, At present Marto the delight of a do the juggler is big audience. The ' here at the Boston sketch e n t i t l e d theatre, with the Modern Witchery, Black Crook, and is a remarkable is just as clever as exhibition, and all ever in his work. lovers of the mysBerol and Belterious should see monte, the celeit. b r a t e d second sight artists,are at An exceedingly present t o u r i n g clever illusion can the "South with he seen at 98,High good success. Holborn, London, Their new act is It is called the certainly one of mysterious cave, the cleverest ever and has been sucseen in this councessfully exhibitry. Mr. Berol certed in Paris and tainly possesses Antwerp. The ilthe somewhat unlusion, which, to usual faculty, for say the least, is artists in this line, gruesome, is the of being original, transformation of and thus introduca man into a skeling new ideas; eton and his revivamong which are ification. The subsome of the clevject is first envelerest in use at the oped in a white ORIENTAL BLACK ART. present time. w i n d i n g sheet, ^ Mr. Charles Carter has sold his escape from Sing Sing act to a Mr. which completely covers him from neck to heel, only the features reColgrove of Chicago. Mr. Carter will still continue to work at magic maining free. Almost immediately his hair begins to turn white, as heretofore. while his features assume the leaden hue which so frequently preAudiences at the Howard Atheneum have seldom been aroused to sages approaching dissolution. The eyes disappear, and the whole such a pitch of merriment as they have been the weeks of the 1 5th and facial structure rapidly loses its usual contour, until in a very short 22d, by the clever exhibition in mesmerism given by Mile. Agnes time nothing but the bones remain. The subject is then brought, one Charcot. She generally found a subject she could completely control, might say, back to life again. It is, without doubt, one of the clevand then the fun was fast and furious for all but the subject. erest exhibitions of its kind. Ray Burton, the equilibrist and swinging rifle expert is at the HowThe illustration of Oriental Black Art was kindly loaned to MAard this week. He does a good specialty, introducing some difficult II.VIMA by Mr. LeRoy, the noted Boston magician, who has just pubfeats of jugglery that have seldom before been attempted by any lished an illustrated Catalogue of noted magicians of the day. Mr. other artist. LeRoy is making a specialty of black art, and his writings upon this One of the numerous attractions at Keith's this week is Pichat, the subject will be found in his new catalogue. See advertisement. French mimic and facial artist who portrays with a fidelity to the original that is almost startling, the features and mannerisms of over It is with regret that we announce the death of Mrs. T. Nelson 100 noted people and odd characters seen in every day life. Downs, wife of the noted magician of Marshalltown, Iowa. Mrs. Walter Deaves' marionettes are at Keith's theatre this week. Prof. V. P. Wormwood's animal circus, consisting of 25 dogs and Downs was well known for her many good qualities, and those who monkeys, who do almost everything except talk, are at the Howard have met her speak of her in the highest terms. Mr. Downs has the sympathy of the magical fraternity in his bereavement. this week. Chas. DeCamo, the juggler, is at the Lyceum, with the London Mrs. Scarsey, mother of Mrs. Herrmann, wife of "Herrmann the Gaiety Co. Great," died recently at the home of Herrmann, Whitestone, L. I.

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Prof. W. Floyd, of Chelsea, Mass., has had a very successful season, and is now booking ahead for next season. The great and only Albini, the King of Cards, is meeting witli his usual unparalleled success. This very clever magician who seems to make friends wherever he goes, sends a complimentary telegram to "MAIIATMA" up.m its appearance in the magical world, and stands ready to contribute some interesting reading for magicians about his travels around the world. Chevalier Thorn is meeting with success at the Theresienstadter Casino, at Buda Pest, in Hungary. His Mahatma wonders of Madame Blavatzka and Aerographia create a great sensation. A sensation has been created in Berlin by an entirely novel feature. The performer appears on the stage with a black mask on his face. He introduces himself with a pjetical address to the audience, and proceeds with his performance; although his tricks are not new, they are performed in a very brilliant style. He advertises himself L'llome Masque. The mystery surrounding his person draws great crowds to his seances. Bertram, the well known London magician is expected to tour this country accompanied by Chevalier, the music hall celebrity. Krieger, the Russian magician, has returned from a very successful trip in the West Indies and Florida.

F. S.—Would state that it will be impossible to explain how all tricks are done. In the first place the manufacturers and dealers in magical goods are in the business to sell apparatus and secrets of their trade, and it would not be fair to them to explain what it possibly has taken them years and a large outlay of money to find out. Upon the other hand we are going to explain a certain amount of experiments that will help the magician to better the tricks that they have all ready in stock, showing them the improved way as far as known to the editor of this paper, while the magician himself must build from the information gleaned from our LETTER FROM OUR CHICAGO CORRESPONDENT. columns in this paper. It will start him thinking and he will find still more improvements. Truth is more reliable than fiction, and yet erroneous impressions are apt M AHATMA wants'to introduce new tricks as much as possi- to creep into the mind of the most intelligent, there to take root and blossom ble so that the magicians at large will know what is in the forth in false teachings, which delude and confound the intellect of the over credulous, who seek the "Light and the Way." market as soon as it comes out. Prof. W. J. Andrews opens next week in the Opera House, Lowell, Mass. Prof. Harry Helms, magician and juggler, will exhibit the Guillatine Decapitation and a new illusion called Confucius, or the Wizard's Dream, next season. In introducing "Jewett" the Hartford magician, upon the front page of MAIIAT.MA, it is well perhaps to state that it is a change from the old magicians of fame to the coming men who have earned the right by their skill to entitle them to be called the coming magicians. It is also a pleasure to the publisher of this paper to be able to introduce so worthy an exponent of magic as the well known Hartford magician. There seems to be nothing too high for this aspiring young man, who has carefully and thoroughly studied and practiced the art of magic, and who seems imbued with the originality and expertness that seems to be born in this rising star of the magical world until at this present day he certainly stands upon the top round of the ladder of fame. Hon. M. \V. Howard, Congressman elect from Alabama, will give a limited number of lectures this coming season on his great reform book, "If Christ came to Congress." He will be under the sole management of D. W. Robertson. Martyne, the phenominal entertainer, has signed a contract with D. W. Robertson for next season, and from present appearances he will do a big business. Prof. W. N. Davies, of Clebourne, Texas, is filling local dates. LaBey, the magician of Savannah, Ga., is with the Wynn Novelty and Mystery Combination. The " Jarretts" write from Lake View, Wooster, Mass., that they have just closed with the Matthew Comedy Co., and are now playing local dates. Imro Fox relates a story from actual experience which happened to the famous comic conjurer while filling an engagement at Montgomery, Alabama, in '86. The Professor's assistant was taken sick and he secured a colored gentleman to fill the bill, and after repeated instructions he decided that the assistant was competent. One of his problems was shooting the gold watch that he borrows from a gentleman in the audience into the looking glass. The watch in due order was handed to the assistant to fill his part of the programme. Fox waited patiently for his appearance upon the stage—and he is still waiting. Fox paid §46.00 to the gentleman for his watch, and he now claims that good assistant's come high. Prof. Wilmar Whittier, mind reader and mesmerist was the attraction at Kohl & Middleton's museum, Minneapolis, Minn., last week. He exhibited a lady asleep in a casket under Hypnotic influence. Master Harry Shagren, the youthful conjurer of Minneapolis, Minn., is gaining the reputation of being a clever magician. Prof. Fred. Bancroft, of Minneapolis, Minn., is filling local dates. Prof. J. H. Stevenson, the Brooklyn magician, appeared at the Atheneum on April 15th, his programme was a genuine surprise. He was congratulated by the committee on his originality and cleverness. The Great "Powell" who has entertained people of all countries is at present raking in the good Yankee dollars in his own native land. Powell is certainly one of the cleverest men—not of this country only—but of the world in magic. Those who have seen Powell, and by this I mean the professional magicians of the day. claim that he is without a peer.

In reading the theosophical writings of the late Madame Blavatsky, the .founder and high Priestess ot the philosophical religion, Theosophy, we are led to believe that there is but one method by which written communications can reach the Mahatma. The miracle of the precipitated letter being the accepted way. Time ami space are here annihilated for in the twinkling of an eye, quicker than thought, the letter has reached its destination. This, however, is a mistaken idea as I have discovered that the Mahatma can also be reached in the ordinary way. This letter will leave on the fast mail between Chicago and New York, there to be delivered to MAHATMA by the post office department on schedule time. Kellar closed a brilliant three weeks' engagement at Schiller's Theatre, April the 3d. Crowded houses greeted him at each performance. The success achieved by Kellar in this city has been phenominal and deserving. Coming here last season comparatively unknown to the general public, he was forced to play to empty seats, but he must have made a strong impression for this season. Kellar has made for himself a name that is now conceded here by managers and the public as the leading favorite in his chosen line of work, and is sure to prove a strong drawing card in his future visits to the great Western metropolis. Booked originally for two weeks, the manager of the Schiller Theatre prevailed on him to remain over another week, and if the patronage bestowed on his entertainment! is to betaken as a criterion, this, too, during the poorest week of the year, holy week, when the strongest attractions find it more profitable to lay off than to perform, it is safe to predict that he will be able to draw crowded houses for many weeks to come. The evening we witnessed his performance, Good Friday night, which is positively the poorest night in the year to showmen, the house was packed from the orchestra to gallery. Mrs. Kellar, in the new Karmos, delighted and bewildered the spectators, but from a professional standpoint, I do not like the new act as well as the original Karmos, as first presented by them in this country, owing to its simplicity, and the fact that a committee cannot be allowed on the stage without detecting its modus opcrandi, yet it is a good act and has greater possibilities in the way of tests, etc., .and no doubt, is more wonderful to the uniniated. But it has a great drawback from the first Karmos, it is so simple that many are sure to duplicate and "murder it.'1 Kellar's season will close at St. Louis, the first week in June, after which he will proceed at once to Erie, Pa., to superintend the construction of three new illusionary features for next season. Suzanna Schafler, equilibrist and juggler, one of the original Schaffer family, made her American appearance in her new act at Hopkin's theatre, April 1 }th. Her brother Severus, has been performing tor weeks past at the Royal English Circus. Week of April the 1 5th, he appeared at the Olympic theatre. Prof. Zarro laid off here week of April 8th, and opened at Q_uincy, Illinois, April !>th, and is booked to appear at St. Joseph, Mo., on the 22d. Prof! Zarro makes a feature of the decapitation act. He is soon to appear in this city at Hopkin's theatre. Prof. Frank Hubin joined the Ringling Bros, circus here April the 22d, engaged for magic and punch with the side show. Dr. Merlin and Margaret Hayden will close a season of nine months at the London Musee the last week of May, and will rest during the summer months at their cottage at Old Orchard Beach, Maine. Charles Colby, the warbling ventriloquist, appeared at the Park Theatre, the week of April the 2nd, making the hit of the show. Mr. Colby has been elected Secretary of the Actor's Protective Union of this State, a position which he (ills in a creditable manner. Prof. Kruger, magician, appeared at Kohl & Middleton's museum the week of April the 22d and 2Qth.

flDabatma.

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The "Aerial Ballet," a spectacular stage illusion was presented for the first out scarring the parts or producing pain. When we take into consideration time in the United States at Havlin's theatre, April 14th, for a run of three that this feat is performed ten times daily it is wonderful to say the least. week?, and pleased large audiences during the engagement. There is much Mons. Theodor is the originator of another remarkable exhibition which ingenuity displayed in this pleasing stage picture. The "Aerial Ballet" is has attracted tile attention of the medical profession. At a recent date he done by six women in mid-air. But how they get there or are held there is performed the feat before the medical faculty, and the students of Rush Meda mystery to the spectators. They are undoubtedly suspended by wires, but ical College. It is called the "man boiled alive," and was presented a few no means of support of any kind can be detected though the stage is fairly months ago on the Kohl & Muidleton circuit. A large metal tank of boiling flooded with calcium lights at times. Novel as the suspension of the dancers water, underneath burns a blazing fire, when Ihe water has reached a temperis, the "turn" would lack interest but for the color and shape effects produced ature of 100 degrees of Fahrenheit heat, water hot enough to boil an egg in by the man who manipulates the light. It is comparatively easy to change ten minutes, Mons. Theodor enters the tank of boiling water naked with the colors of all costumes on one group to one shade, but it is claimed that the exception of a pair of bathing trunks and remains there twenty minutes. no one but this operator, Nilsson, has the knack of changing shapes as well Apparently there is no deception as every part of the tank bears the closest as colors and of changing the shape and style and hue of individual costumes examination, and is performed under the eyes of a committee selected from in full view ot the audience without disturbing other members of the group. the audience. Mr. Harry H. Heath who is business manager for the boiling water act, has made arrangements with a number of spiritual societies to preAt one time all six of the suspended dancers seem clad in flowing white robes, and to be doing a skirt dance. Presto, change! four of them are sent the exhibition at the Spiritual Camp Meetings during the months of August and September as a manifestation of spiritual control. dressed in pale blue tights. Another shift of the light and the long white robes have changed to blue wings with gold dots. Then, a gorgeous huge Professor John J. Scheidler appeared at Kohl & Middleton's museum the butterfly wafts itself across the stage, and a second later the group is a daz- week of April 1st and Sth, and left this city April the 1 sth, with Miss Mollie zling mixture of moths, dancers and winged girls. This illusion is an EngRoberts, for Covington, Kentucky, to join the side show at Washburn's Cirlish importation brought from London, England, for the Winter Circus, but cus which opens the tenting season at Covington, Kentucky, Apiil 20th. owing to the construction of the building could not be presented there. Ziska, the " phenominal magician," is resting in the city. Ziska is engaged Prof. W. L. Harrington, magician and ventriloquist, who has been showto appear at the Roof Garden Theatre, opening July 1st for the summer ing the small towns of the West, closed his season April the 1 sth, owing to months. This theatre is situated on the roof of the Masonic Temple, the poor business. For years the Professor assisted by other talent has been highest building in the world. Ziska performed there all of last season. exhibiting a legitimate gift show throughout the small cities and towns of Dolan and Lennhar, who formerly performed a sketch in which they introthis country. He reports this season as the worst he has experienced in twenty duced second sight appeared at Hopkins continuous show house, week of years. Harrington has arrived at the conclusion that the people have lost conApril 1st, appearing in a society sketch, a satire on the dramatic play " The fidence in the promises made by the gift showmen, and instead of it being a Crust of Society." drawing card as in the old days, it is a detriment, and is sure to keep people The Hindoo Fakirs who appeared on the Midway Plaisance at the World's away, therefore he is forever done with gift shows. He is still in the city but Fair, were at Kohl & Middletons, April the 15th and 22d. his future plans are undecided. Hornmann the " u p to date magician " left this city April the 28th, to play Prof. William Start, of Elgin, Illinois, was arrested and lodged in jail here a three week's engagement on the Moore circuit, opening at Detroit, April April the Sth, accused of stealing one hundred and seventy-live dollars from 29th; Rochester, May 6th, and Toronto, Canada, the n t h ; making the third Michael J. Shaw, a saloon keeper of this city, under peculiar circumstances. return engagements at the above named places this season. Shaw, it is stated, had befriended Prof. Start when in need, sharing his sleepHenri Cazman, shadowist and magician, appeared at Hopkin's Theatre the ing apartments with him for two weeks. This is Shaw's story as related to week of April 1 sth and 22d. Cazman will have a company of his own next the police: ''One night he was kept late at his bar, about half past two o'clock in the morning he found that in tile hurry and bustle of business one season, to be known as the Henri Cazman Royal European Vaudeville Co. The season is nearly all booked. of dis customers passed what looked like a bad ten dollar bill on him. This bill Mr. Shaw took a good description of and put down its number so he Professor Andress, one of the old time magicians, is in the city with Ringwould be able to inquire more intelligently at the bank whether the bill was ling Bros, circus. Prof. Andress has the side show concession with the Ringcounterfeit or not. He put the ten dollar bill in with a roll of one hundred ling circus. and sixty-five, which he deposited under his pillow when he retired, and in Prof. A. D. La Fayette appeared the week of April istli and 22d at the the morning when he woke up he found the money was gone, and so was London Dime museum. "Start." A day later Start was arrested while sending a telegraph message DR. ALBERT MERLIN. to a lady in Elgin, who he wished to join him here. When arrested the ten dollar bill which the saloon keeper identified at once, was found concealed A GENEROUS OFFER TO THE READERS OF M A H A T M A . — " M y in his overshoe. At his room a trunk full of magical apparatus was found, Old Village Home," words and music by Dr. A. Merlin. together with a two thousand mile ticket over the Wabash railroad, this Published last month by the Tontine Music Co. F. J. Tierticket Start admitted having pin chased intending to visit the small towns along the route and give slight of hand exhibitions. At the trial the accusaney reports that the demand for Dr. Merlin's song, exceeds tion made by Shaw was not proven. Prof. Start was honorably acquitted the sale of any of the other twenty-three songs published at of the charge by Judge Burke, who severely reprimanded Shaw tor the flimsy story related to the police and on the witness stand. The charge was evi- the same time; twelve of which were written by F. McGlennon, author of more popular songs than any composer living. dently a blackmailing scheme. Prof. Start it is said is the son of a rich father whom Shaw expected would settle the case out of court. The title page is adorned with a large halftone engraving of Mons. Theodor, the Fire King, played a two week's engagement at the London Musee, April the Sth and 1 sth, performing the strongest fire act ever iresented at the London. Apparently he is fire proof. Among the many ire tests accomplished by Mons. Theodor is one that deserves special mention as 1 have never seen it accomplished by another performer. A large torch of burning flame is slowly passed over his naked arms and breast with-

f

the popular Doctor, who looks as natural as life. Mr. Tierney will send the song to the readers of MAHATMA, postage free, at the professional rate, 10 cents per copy. Address M. |. Tierney, manager Tontine Music Co., 415 Dearborn St., Chicago, III.

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THH WONDERFUL PUZZLE PURSE. The Cnpil.il Puzzle is quite new and one of the best puzzles ever invented. The purse is made of leather, is strong, has a JOSEPH B. PEYROUX, nickle plated rim and is very convenient for keeping moneySELF RKGISTHRING PLJRsl A M ' I'<M,KKT SAFK. Holding the purse in one hand and blowing at it, it will fly A decided novelty. Drop a dime in the slot, the first coin MUSICIAN, open. Handing it over to be examined it is closed and no one deposited locks the purse and registers it. When one dollar has VIOLINIST. i ^ Owner St., Brooklyn. can discover the secret of its opening. Sent free by mail for 30c. been deposited the purse cm be opened. Sent by mail for }oc.

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SEASONS OF ' 9 6 , ' 9 7 , ' 9 8 . SOMF. OF THE MANY ORIGINAL CREATIONS PRESENTED BY "POWELL."

POWELL fresh from a three years'tour of South America, presented a series of entirely new feats, and baffled all attempts at solution. His sleight of hand little short of the supernatural.— E i S A N. Y. Evening Sun, April i l ijtli,II ''92. I

Suggested by the cave scene in Rider Haggard's novel S H E . " of that name, and presented for the first time at'El leatro Baralt, Maracaibo, Venzuela, S. A. A beautiful woman apparently burned to ashes in full view of the audience. tAFTER THE FLOOD OR THE ARK OF NOAH. Founded on the biblical legend of Noah and the Ark, in which a coterie of wild and domestic animals'are used, culminating with the production of a beautiful woman, dressed as a sea nymph. RATIO TRANSIT OR SUBSTITUTION. POWELL'S latest version of the great Hindoo mystery. THE CABINET OF PHtA&CTAOflS OR THE VAG-AH^IES OF MO*DER&C SPIRITUALISM A novel Cabinet Seance ending outside the lines of such productions. m-AHATM-A'S MIRACLES. The materialization of life, and shadows from the Spirit world. METAMORPHOSIS. I The substitution of a beautiful American girl for a live Indian. THE MISSING "'BRhDE.- An entirely new illusion. ICA%IAN, Oli FT? (KM THE EARTH TO THE SUN. First produced by Powell at the Queen's Theatre, Montreal, Canada, Sept. 22d, 1895. The Hindoo Ladder Mystery, Crystal Casket of Mahomet, A Tribute of Flora. The Cave of the Orient, The Light of Asia, La Seance de Suggestion, etc., etc.

FREDERICK EUGENE POWELL, a prestidigitateur who has

been traveling in South America, made hisfirstrip-] pearance in this city last evening. Especially entertaining were his unique digital manipulations with cards and handkerchiefs.—N. Y. Herald. April n/h, '92. i| POWELL proved to be a skillful entertainer and kept, his audience amused by his droll talk, humorous stories] and anecdotes.—.V. Y. Times, ^April nlh, 1892. \ POWELL'S tricks were done with much skill. His] most important illusion, entitled "She," suggested by! the Cave Scene in Rider Haggard's novel of that name,] was exceedingly startling and well done.—N. Y. Tribune,

April

/ ? / / ? , 1892.

POWELL an adept sleight of hand performer and illusionist appearedforthefirsttime in this city last evening. ] His peiforniance was largely experimental in that it was' manifest that the performer was feeling his way cau-j tiously with his audience. The latter was less coy, for after the first few sleight of hand tricks cleverly performed they accepted the new comer unreservedly. * * Of Powell it can be said that he is one of the most skill-' • ful of prestidigitateurs.—Recorder, April 18th, '92. \ POWELL is one of the few magicians who's work is r original and clever, and he has an attractive personality ( f ( j f and his researches are beyond the domain of the o r - " dinary conjurer.—N. Y. IVorld, tApril 13, '92.

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SINGLE COPY, 10 CENTS,

MR. AND MRS. W. E. ROBINSON.

etc. The name Astarte was unfortunately not copyrighted, and while with Kellar the name of Achmed Ben Ali was Mr. and Mrs. W. E. Robinson, the subjects ot the fol- changed to Nana Sahib, as other performers had pirated the lowing sketch, are well known to the magical fraternity. name. Robinson's next engagement was with Herrmann They were the original successful exponents of that bewilder- the Great, he was then known as Abdul Kahn, and Astarte ing and bewitching entertainment now so widely known as became known as Florine, Child of the Air. The Robinsons' the Black Art, and was first introduced at B. F. Keith's Gay- have been connected with Herrmann and Kellar for the past ety and Bijou theatre, Providence, R. I., where they played ten years, and in that time have helped to prepare and work a marvellous run of four months, and from there they went all the modern big illusions. Mrs. Robinson, familiarly to the Bijou theatre, Boston, for three months, and created known as little "Dot" Robinson, is acknowledged to be as the most profound sensation of any performance placed before bright as a gold dollar, and one of the best assistants in existence. She wasinthestockcomoany at the Bijou Theatre, Bosthe public. In the meanwhile Herrmann and Kellar had heard of ton, for a year and a half as dancing and singing soubrette. Robinson was formally known as "TheMan ofMystery," these wonderful goings on, and sent their respective agents

to investigate, and if possible, to engage Achmed Ben Ali, the name Robinson then assumed. Kellar was the successful man, and procured the Robinsons' for his entertainment. Besides producing the Black Art with Kellar, Robinson also introduced the illusion of the Cocoon, which he was also the first to present in America at a private performance for Manager Bingham at the Westminster Musee, Providence, R. 1. He was the first to give the world famed illusion Astarte, which is the joint invention of B. B. Keyes, of Boston, and himself. This illusion, Astarte, as well as the Black Art, have had numerous imitators, who not only copied every movement, gesture, costume and all little ideas that go to make an act, but also used the names,

and played the variety theatres some fifteen years ago, and then toured the country for a few seasons with his own show, which consisted of magic, spiritualism, mind reading, etc., he being a good all around performer. Those who know Robinson personally find him a bright and interesting man to talk to, and one who is perhaps as well or better acquainted with magic and its followers than any other man in his profession. He is an extensive reader, and has a valuable library of over two hundred works on magic, in all languages and ages, and is considered a good authority on all things in magic generally. He certainly has had a long and varied experience, and it will not be a surprise some day to see a new bright star in the magical sky.

•FT flfcabatma.

MAHATMA.

FROM OUR BOSTON CORRESPONDENT.

ISSUFD THE ist OF EACH MONTH.

Cheiro, the Indian Palmist from Bombay, has visited Boston and examined many hands, the impression of some of which have been taken by Mr. HAMLEY'S MAGICAL SALOONS, | J. D. Cole, of Bombay, the eminent young Parsee who is traveling around the world with Cheiro. 229, HIGH HOLBORN, We received a call from Vandez, the Australian Wizard, who is touring LONDON, W.C. 1 the N. E. States with his own Medicine Co. RATES OF ADVERTISEMENTS.— Twenty cents per line, nonpareil type measure; space of Dr. Wilson, formerly known professionally as Aristos, of Kansas City, one inch $2.40 each insertion. A deduction of 20 per cent, is allowed on advertisements when paid for three months in advance, and on advertisements measuring 50 lines or more. MIL, paid us a visit recently; he is a very pleasant gentleman and well posted. For Sale or Exchange column, 15 cents a line. Copyrighted March, 1895. Prof. Wm. E. Skinner, the magician and mesmerist, has been in the Remittances should be made by cheque, post office or express money order, or registered letter. city, and contemplates taking the road again next fall. Entered at the New York Post Office as Second Class Matter Mrs. Lovcnberg, lady magician, was at Austin & Stones, week of May 6th. Prof. W. W. Dayton has been around Boston, playing in near by towns. We announce with pleasure that MAHATMA is out this month on time, We received a pleasant call from Gordon Helvix, the Fire Demon, who and will state that the Magical fraternity should not miss the next issue of is going on the road next season. this paper, as we will have an interesting letter from that well known exponThe "Jarretts" open here at the Palace Theatre, week of May 27th, with ent of magic, W. E. Robinson, and many other good things on magic, etc. their troupe of Marionettes, following week of June 3d, at Hall's Casino, ChiMAHATMA will publish and give credit to all who send original ideas that are cago. They intend presenting next season a series of Patriotic Tableaus. of real merit. The Pharmacy Fair which opened May 1st for the month, closed the 15th for the lack of funds; the drug trade was against it from the start, and boyPowell has just completed the construction of an entirely new and origcotted it. It was the first of its kind in this country, and the Hall of Mysinal illusion which will be presented for the first time during his coining tour tery at the Fair was in charge of Prof. Fredericks, who presented Black Art, which opens in Philadelphia in September. His stage settings will also be Aerial Suspension, Thauma, and the Head on Golden Bars. In this hall, also, entirely new, and will present several original ideas. The decorations being was Weston, the Mechanical Walking Automaton, owned and exhibited by entirely of gold. Chas. Walker. Weston is probably the most life-like automatic walking W. E. Robinson, "The Man of Mystery" will in the July number configure ever placed on exhibition. tribute a very interesting article on magic, containing wrinkles, advice, and Kreiger, the Russian conjurer, was at Austin & Stones week of May 20th experiences culled from twenty years active work in the "World of Magic." and 27th, creating much amusement as usual. " J e w e t f the Hartford, magician, has now under construction Dexter, the Man of Mystery, was also at Austin & Stones the same week, f three original illusions which will make his show next season second presenting his cage and box act. His transit from the locked cage to the box, to none. is very rapid and proved very mysterious, done without the use of a cabinet. Imro Fox, the Comic Conjurer, who is so well known in the magMr. Dexter intends presenting an entirely new act next season. ical world, is not only a wit on the stage, but is a comical fellow at all We were pleasantly surprised by a call from Dr. Merlin, who has closed times, a pleasant gentleman to meet and a thorough artist. The his season's work at Chicago, and spends the summer with his wife at Old Professor can give the fraternity lessons in dexterity and when corOrchard, Me. The Doctor is certainly one of those people who believe in nered by magicians shows plainly that he can let himself out and he the full enjoyment of the fruits of their labor. will show some of the cleanest passes in the business. Anna Eva Fay has been playing in the neighboring towns with good sucJohn W. Whalen, the magician, has made quite a success with cess, her reading and answering questions written by the audience has mys- . his new trick, producing a large fish bowl, rabbits, handkerchiefs and fled them. She is certainly one of the cleverest travelling mediums on the a number of balls and other articles from a small table situated in the road. She left here the 25th for St. John, N. B., with her company, and is center of the stage. Introduced by him for the first time at Doris' booked to open in Halifax, N. S. Bijou Theatre, this city. Mr. Albert Eddy, magician, has left the road for the present, and is installed as business manager of the Actors' Protective Union of Boston. FROM OUR CLEVELAND CORRESPONDENT. Warren Lincoln, assisted by Gipsy Q _ u e e n , gave a spiritualistic entertainment at Horticultural Hall, May 26th. Mr. Lincoln is one of the very few HarU, the magician, now manager Euclid Avenue Opera House, gave who makes money from this form of show. He is probably one of the oldest several very delightful and mystifying entertainments at a Fair given atSangat the business, and always plays to full houses. He resides near Boston. erfeist Hall, for the benefit of the Young Men's Hebrew Association. Prof. Andy Johns, the magician, paid Boston a flying visit the 26th. He is Hartz has a very clever way of working the Fish Bowls. He produces four with one of the Kickapoo Medicine Companies, and reports good business. large bowls in rapid succession, while in the midst of his audience, and each The new amusement enterprise: The Floating Palace, lying at East Boston, bowl has a massive silver tripod attached. He hands the bowls for examinanow nearly completed, will be opened to the public May 30th, at City Point, tion as fast as produced. He is as clever as of yore and made a decided hit. South Boston, with the largest congregation of leading vaudeville artists ever A. G. Fiisbie, a wealthy real estate dealer of this city, who has been seen on one bill. The interior of the mammoth boat is finished throughout studying magic for some time, is to make his professional debut shortly; he in white and gold, with stage, dressing rooms, 4 boxes and balcony. The has signed a contract for the summer season, and leaves here for New York boat will spend the summer season along the coast, going south in the winter. in a few days. Prof. Edwards is at Austen & Stones weeks 20th and 27th in Black Art. Melbourne, manipulator, has given up juggling, and is studying for an Trilby returned to Boston, at the Boston Theatre, May n t h , for a run, operatic career. the change of company seems in no way to lessen the popular interest the Sells' Bros. Circus turned people away. Cradoc, Roman Axe Juggler, is play has aroused, and the season may continue for some time. a feature of the big show. Madame Harbeck is making a hit with her jugW. D. LeRoy, the magician, has been unusually busy this Spring with gling on a slack wire. Prof. Elmo, the magician, has charge of the side show. dates which have kept him hustling most of the time, besides being flooded Prof. C. D. Pereira, is having a fine set of tables made, also some fine with orders from all over the country. conjuring apparatus. He expects to fill local dates this summer. Mr. and Mrs. Baldwin, the White Mahatmas, and their Butterfly Coterie, Dr. Ormsbee, an old time magician, is living in retirement in the Forest open June 3d, for three weeks at the Bowdoin Square A great deal of City. He is nearly 70 years of age, and has not given any public performcuriosity is felt by theatre goers and many of those interested in magic, as to ances for fourteen or fifteen years, but nevertheless he awaits anxiously the adwhat the White Mahatma really is. As Boston has had no large mystery vent of MAHATMA each month, and peruses it with all the enthusiastic interest show for over a year, we predict them a big business. Mr. Baldwin lias been of a more youthful conjurer. Dr. Ormsbee still gives occasional entertaintouring the East for over a year, playing to crowded houses. They introduce ments for his friends, church and club. He is still an original and skillful no magic, but their second sight and Cabinet Acts are conceded to be very conjurer. clever. In next letter we will give a more detailed description of the MahatMAURICE RAYMOND.

mas for "MAHATMA."

W. D. LEROY.

flfoatama. A STARTLER FOR A CAREFUL HOUSEKEEPER. How to balance a coffee cup on the point of a knife. The accessories are simple enough; in fact, you find them all at hand when you take your seat at the dinner-table —a cork and two knives; nothing more is required, except the knowledge "how it is done," and the skill to do it. Pass the cork through the handle of a coffee cup. It should lit tightly enough to be a close tit, but not so tightly as to part cup and handle. Next thrust two knives back ot the cork, see cut. The centre of gravity of the whole being thus made to fall

be entire, with openings only at the upper and lower ends, and no openings are seen in the folding screen which partly surrounds the table. Upon the firing of a pistol the occupant of the table is ignited, and smoke and flame bursting from

PREPARED FOR CREMATION.

the screen indicate that the work of destruction is going on within. When the fire is burned out the screen is lifted, below the cup, you place the latter on the point of the knife, and by successive trials you will, in due time, find the exact spot on which it will rest in equilibrium. The under side of tea-cups being usually enamelled, there must be no trembling of the hand which holds the knife, or the cup would slip and fall. At the outset it is well to keep the opposite hand close to the cup, so as to be able to seize it and save the cup in case of a fall. A final hint: If you wish to make sure of your coffee, drink it before you try to balance the cup. A CREMATION SCENE. Among interesting things that were to be seen at the Hdeii Musee, in this city, perhaps one of the most curious and at the same time scientific is the weird spectacle entitled "She," exhibited and originated by Powell, the well known illusionist, and suggested by the Cave scene in Rider Haggard's celebrated novel "She." In this scene a beautiful young lady mounts a table arranged in an alcove formed of a folding screen. Above the victim is suspended a cylindrical cloth screen. The screen is lowered to the level of the table, completely inclosing the subject. The table apparently has four legs, and four candles shown beneath it indicate that the space underneath the table is open and clear. The cylindrical screen is shown to

THt BURNING.

/Ifcabatma. and nothing remains upon the table but a few smoldering embers and a pile of bones surmounted bv a skull. (Jose observation does not reveal any way of escape lor the young woman. It is, however, obvious that the magician cannot afford to sacrifice such a subject every evening, and the spectators are forced to conclude that the whole affair is a very clever trick. In fact, it is simply a modilication of the beheaded lady and numerous other tricks based upon the use of plane minors. The table has but two legs, the other two

els, which are of the same color as the central or back panel, are reflected in the mirror and appear as a continuation of the back panel. The triangular box, of which the mirrors form two sides, has a top composed in part of the table top and in part of mirror sections for reflecting the back panel, or with a covering of the same color as the back panel. The operation of the apparatus is now obvious. When the victim is enclosed by the cylindrical screen, she immediately escapes through a trap door in the table top, places the bones and the fireworks upon the table, and at the firing of the pistol ignites the latter and retires, closing the trap after her.

Scientific-American.

THE AMATEUR MAGICIAN. BY CHARLES SUMNER KAY.

B.y the phrase "Amateur Magician," I do not mean the precocious youth who buys a magic book, and gets together a few mechanical tricks, and entertains his youthful friends in the attic or the barn. Neither do I mean the more pretentious local " prestidigitateur" who lets himself out, either free or for hire, to the local charity entertainments of his neighborhood, and who is usually fairly skillful in a few simple coin sleights and conventional card tricks, closing his program with some such bewildering feats as the "mysterious growth of flowers," which he may have squandered all his superfluous cash to purchase, and which he employs with s u c h <•< hit. THE FINISH.

which appear being simply reflections. The central standard supports but two candles, the other two being reflections. Underneath the table, and converging at the central standard, are arranged two plane mirrors at an angle of 90

THE ESCAPE.

degrees with each other and 45 degrees with the side panels of the screens. By means of this arrangement the side pan-

I refer to the increasing class of bright business and professional men, who dip into magic a little, in the home circle and in quiet parlor entertainments. Men who buy the better class of parlor mechanical tricks, to use them but once, perhaps, and who especially value a really good card or coin feat, in the skillful execution of which they often press closely upon the professional magician. Every community of any size has one or more gentlemen who take an interest in this diversion; and it is probable that their number will increase. It is certain that no more delightful feature can be added to an evening party, or a social party musicale, than a little spicery in the way of sleight of hand or clever magic. Having given some attention to this diversion myself, I know that such an entertainment always pleases, and I also know that odd moments spent in studying out new modifications of old feats, and in trying to originate new experiments have always yielded pleasure to me. 1 have observed that the more phenomena of an apparently mental nature that can be introduced at such an entertainment, the higher satisfaction it seems to give. Coins and cards, sparingly used, may divert for a moment, a clever mechanical trick may temporarily amuse, but for pure, downright and engrossing attention from first to last, an experiment in mental phenomena always takes the palm. Long familiarity with coins and cards in magic, and the wonderful advances in mechanical and electrical appliances have prepared the public to view with complacency anything of that sort. They cease to astonish. From this I argue that the magic of the future will be developed more and more along mental lines. These represent almost the only field in

dfoabatma. which, as yet, on account of its unexplored character, the public is prepared to credit almost anything, and to be amazed at any really good experiment. I have, for over five years, as a non-professional, and simply as a business man, having this as a social' diversion, conducted experiments along purely mental and mixed mental and sleight of hand lines, and have never during all that time been detected in a single experiment. This has been done in crowded rooms surrounded by, and closely pressed by my audience, without mechanical appliances, and using only the ordinary objects found in the room. 1 know therefore by experience, and by study, that it can be successfully done. I have originated, modified and purchased experiments, often using them but once, and never under any prefect, preannouncing or repeating. To the last two rigid rules 1 attribute my non-detection. Very few secrets which 1 may have purchased, have been available in the shape in which 1 have received them. They have often been merely suggestive of something else which I have been able to found on the principle involved. There is no more intensely absorbing occupation for leisure moments than the development, in quiet meditation, of a new mental experiment, studying out its details, procedure and effect. I have no hesitancv in saying that I believe the "magic of the future" will be brought out almost wholly along this line. The present equipment of tables; traps, cones, boxes, cabinets, etc., are destined to give way to a simply draped stage with the settings of an ordinary parlor, just as certain as the old time "curiosity shop" stage pharaphernalia was displaced by the more modest appliances which we now have. In behalf of a large possible constituency which " MAHATMA" might have, if it devoted liberal space to this rising branch of magic. I would suggest that each month some of the best obtainable experiments in this line be elucidated in its columns. Many, I believe, would be willing to contribute to the general stock of information on this subject. Your subscribers, as well as the dealers in magical apparatus and secrets, have rights in this matter. It is certainly due the former that something good in this way, available and thoroughly explained, appear each month in "MAHATMA." It is gratifying to note that you have already commenced to minister to this need. THE ACTORS' PROTECTIVF. UNION No. i, OK AMERICA. The greatest business ever done in Miners Bowery theatre, was the week of May 13-18. The Actors' Protective Union No. 1, of America, held the fort and successfully entertained thousands with the cream of talent who volunteered their services for the benefit of the Actors' sick fund. Over 500 were on the bills and appeared during the week. Never before has this city been so favored, all of the leading Vaudeville actors culled from all parts of the world willingly took part in this charitable work. There were so many to appear that encores were barred and all of the stars shared alike in the liberal applause given impartially for so generous a cause. The theatre goers of the Bowery seemed to know

them all and every act made a hit. The Actors' Protective Union is aiming high, and under the able management of John McCarthy, the President, and Joe M. Lawrence, the Secretary, will reach the popular favor and respect of all who employ and who are entertained by the actors of this Union. Mutual protection seems to be the bye-word, and all members and the few who are honored by holding the offices of this Union are working faithfully to make more than a success of it. So far they have been wonderfully encouraged by the constant demand lor admittance by men and women of repute who see and appreciate the honor conferred by belonging to this Union who has now numbered among its members the cream of the vaudeville stars. It has now gone beyond the question, will it be a success ? It has overwhelmingly buried the question in the first year of its existence, and it now aims to take in every actor of repute, and it will be but a short time before all are under the protecting arm of this Union. The object and aim of this Union is mutual protection; protection not only against the Agent who barters the skill and brains of the performer for his own personal gain, but also to protect the performer from irresponsible managers who skip and leave salaries unpaid. It is now possible for clubs, theatres, etc., to secure performers from this Union at the shortest possible notice, at their rooms No. 105 East 14th Street. Address all communications to Joe M. Lawrence, Secretary of the Union. At a meeting of the Union a vote of thanks was unanimously tendered to Joe M. Lawrence, the Secretary, and to Tom Carter, who so capably filled the onerous duties of stage manager, and also to Chas. Dawly, William Boyd and James Barry, who so ably assisted the Secretary in making this one of the most successful entertainments ever given in New York city. At the annual election the following named officers were elected: John McCarthy, President; Geo. W. King. VicePresident; Al. E. Fostell, Treasurer; William Payne, S. & A.; William Boyd Tyler, Jas. Nesbett, Del. C. L. U.; Joe M. Lawrence, Secretary and Business Manager. THE FAIRY TREE. On the stage from a bed of gorgeous plants a large tree covered all over with leaves and roses in full bloom appears. The tree is about seven feet high and its branches and leaves over live feet wide; between the bottom plants there is a large Begonia with its beautiful tinted leaves and in the center of one of the leaves a large egg is seen. The performer plucks the branch, shows it to the audience and in passing his hand over it, the egg disappears and in its place is seen a large caterpillar which is taken off of the leaf and grows visibly to a length of twelve inches. The performer now commands the tree to lower its lower branches, and the upper branches incline to the front, bowing to the audience. After a second command the tree assumes its proper shape and the performer places the caterpillar upon one of the branches of the tree, and the caterpillar is seen to crawl inside of the branches until it gradually disappears within. At command of the performer a transformation of the caterpillar into a large

/IDabatma. yellowish egg or cocoon which grows higher and higher from the top of the tree. The performer now fires a pistol and the top leaves part and the egg opens in the center and reveals a beautiful girl with golden butterfly wings and glittering attire. It is an improvement on the Cocoon illusion, the idea and execution being due to the celebrated illusionists Chevalier Thorn and Darvin. and has met with great applause wherever it has been exhibited. The tree in all its parts is of mechanical construction, the trunk consists of an iron tube about ) inches in diameter; on the sides are fastened strong hinge shaped pieces of iron to which the two lower parts of the branches are fastened; on the upper part two large branches are in the same way attached. The lower branches move side ways up and down, the upper branches however incline in front, thus making the movement of bowing. The rising and lowering the side branches and inclining of the center branches on the upper part is done to convince the audience that nothing is concealed behind the branches of the tree. On the hinges are arranged strong levers on which wire ropes are connected, and which are running over pulleys, placed on the back of the bases, and which are manipulated by the assistant. On the top of the tube is a fanlike arrangement on which the top branches are fastened. Through the tube over pulleys two wire ropes are running which are connected with a hoisting arrangement which is placed under the stage below the tree. In the tube runs also all its length along a slot in which slides up and down a small chariot, and which is connected with the other side of the wire ropes. On the chariot is placed an egg shaped shell of thin wire, covered with a yellow stuff, and which divides in two halves by means of hinges arranged on both sides of the chariot. Inside of the egg is fastened two cords which when tied holds the egg together. The girl is sitting in the chariot in a crouched position, hidden by the shells of the cocoon. When the performer explains the illusion, and shows the caterpillar egg, and then the caterpillar, and so on, the large cocoon with the girl in it, is still under the stage behind the box which forms the bed containing the foliage surrounding the tree; an opening is made for the passage of the chariot with the cocoon. When at command of the performer the lower branches are let down, the attendant at the windlass begins to work and makes the ascent of the cocoon, which is not seen to rise as it is hidden behind the branches; the cocoon is then raised to its highest point behind the upper branches. When the pistol is fired the girl opens the egg in unfastening the cords which holds it together, and in pulling another cord which opens the fanlike arranged branches on the top, the same parts with the egg on both sides and the girl now revealed salutes the audience. This beautiful and effective illusion is now in America and to our knowledge never has been exhibited in this country, and is offered at a very reasonable price. Parties wishing to purchase this illusion may obtain particulars by addressing MAHATMA, and enclosing stamp for reply. Horace Golden, one of the cleverest manipulators of cards and coins in this city is meeting with the success he so well merits. The humorous wizard is out of sight with the egg bag trick.

RED, WHITE AND BLUE TRICK. Prof. I.aMonte, of Binghamton, N.Y., contributes another idea on the red, white and blue trick, an original one of his own. It is a little oval box two and one-half inches wide, and two inches in depth, with two partitions inside, making lour compartments inside with a hole one inch in diameter in each compartment near the outer edge at top and bottom; it has more room in each compartment and can be palmed with ease. Each compartment is the same size, and it can be picked up with the red handkerchief, which is worked into A, and the white one out of B, and back again, and then the blue the same as the white, until you come to the flag, and the box can be dropped on the servante of the table. CHAPEAUGRAPHY.

Napoleon. SHADOWGRAPHY.

Rabbit. There are now six magicians in Germany who have assumed the title of " L'Home Masque," the original is now performing at Munich, the capital of Bavaria, with great success.

A. !. MARTYNE THE K I N G OF PLATFORM ENTERTAINERS. A.1 >M< > l o t t ? l v

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Humorists, Mimics, Impersonators, Polyphonists and Ventriloquists.

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1 1 t h KTRKKT, XKW YORK.

Jttaljatma. LETTER FROM OUR CHICAGO CORRESPONDENT. The Zarros played a three weeks' engagement in Chicago, ai and made a decided hit with their act, especially especially at at Frank Frank Hall's Hall's Casiti Casino, where they were week of May 12th. The remaining two weeks they played Kohl & Middleton's Clark Street and Globe Museums. Princess Tehi, the Oriental lady magician, left for Quincy, 111., on the 12th of May, in order to fill a two weeks' engagement at the Quincy Museum. She received flattering notices for her clever work. Genial Col. Diegle, of Marion, 111., a well known magician and proprietor of Diegle's show was in town. The Colonel reports good business throughout the season. Flint, the mesmerist, is playing weekly stands to good business through Illinois. Prof. Zanetti, the dexterous conjurer, gave a very successful exhibition on May 21, at Battle Creek, Mich. Prof. John Scheidler reports fine business with the side show of Washburn's circus. Mr. Scheidler is ably assisted by Miss Mollie Roberts, with whom he performs second sight and aerial suspension. Mons. Travelle, the versatile juggler, conjurer, shadowgraphist and chapeaugraphist, scored a hit with Tony Pastor's show, which played here 3 weeks. Travelle is assisted by Mme. Travelle, whose grace and beauty greatly add to the act. Prof. Hornmann, the magician, played in Buffalo, N. Y., week of May 19th, he appears in Kohl & Middleton's Minneapolis Musee, on May 27th, being booked there for two weeks. Mr. E. Barnello, the well known inventor of the modernfireact, reports a large sale of his new work on fire eating. The title of the book is " T h e Red Demons." Mr. Louis C. Haley, the clever society magician of Madison, Wis., has had a successful season, and has succeeded in mystifying all who have witnessed his performances. Prof. Adams, magician, played at Kohl & Middleton's Clark Street Musee week of the 12th, and then left for his home at St. Louis. The Salambos opened at the Olympic Theatre, the 27th of May, and scored a decided success in their electrical fire act, which is similar to the one performed by The Dante Bros., who recently created such a sensation in Paris, France, with the above act. Prof. Melohn gave another of his famous entertainments for the benefit of the A. Turning Society of this city. A number of professional friends were invited and many resp mded. Among those present was Binebo, Tehi, M. Johnson, Mons. Bernier, R. Kohts, A. Roterberg and others. All of the tricks which were large ones, worked without a hitch, especially the growth of natural flowers, the rice and orange trick, the flags of all nations, etc. Mr. Melohn's original transmission of thought, is certainly a very clever act and presented in an original way. The medium was placed on a skeleton platform which was erected in the presence of the spectators. After being securely blindfolded she described bank notes, checks, playing cards, etc. Prof. Melohn was very ably assisted by Miss Louise Hahn, a charming and accomplished young lady. Wm. N. Selig, who some years ago was very well known in local magical circles, has just returned to Chicago, after an absence of 54 years. Mr. Selig. whose clever black art at the Midwinter Fair at San Francisco, is well remembered by many, has had many interesting and varied experiences through California and the Western States. Mons. Bernier, illusionist, is in Chicago. This gentleman was unfortunate enough to lose his entire outfit by fire in Marion, Ind.," while traveling with the Wilbur Entertainment Co. The Professor is purchasing another outfit and will soon be able to resume business. Prof. W. L. Harrington left here May iSth to join Williams' show. Mr. Harrington has had his own gift show, but he has given this up for the time being. Messrs. Chas. Burlingame & Co. of this city have just published a neat pamphlet containing a history of magic and magicians, to which is attached a catalogue of up to date tricks and illusions. Mr. Bur; lingame has been having a large number of private dates this season. Prof. Thos. E. Addy and wife are laying off in Aurora, 111., owing to the ill health of Mrs. Addy. They had the misfortune to lose a baby boy recently.

GENERAL NEWS. Prof. Levino, of Kaslo, B. C , has had a successful season. Henri Cazman, the noted fantaisist and shadowgraphist, has sailed for Europe. Mr. Cazman will return in the fall and head his own company which will be one of the largest and best on the road. Prof. W. W. Durbin, the magician of Kenton, Ohio, has been playing local dates and reports a very successful season. Prof. W. N. Davies, of Clebourne, Texas, is filling local dates. LaBey, the magician of Savannah, Ga., is with The Wynn Novelty and Mystery Combination. Prof. Louis C. Haly, of Madison, Wisconsin, has closed an exceptionally good season. In our last issue we stated that A. J. Martyne, the phenomenal entertainer, had signed a contract with Robertson, it is a mistake. Prof. J. H. Stevenson, the Brooklyn magician, has mastered the Knights tour published in the May issue of this paper. The Professor is a lover of the art and will create a place for himself in the profession. Mile. Olive, the clever girl juggler is at Keith's Boston house week of May 27th. Her plate spinning, club, ball and baton juggling is very good, especially for a little lady of her age and size. Her attendant is a black page. The Bellmonts have a new illusion entitled: " F u n on the Quiet," which will be on the road this coming season. Prof. Wood, the famous magician, has several original tricks which he will introduce next season. Prof. Greene, the Wizard of Montreal, Canada, is filling an engagement at the Eden Musee, after which he will take his summer route of the Northern Lakes. Geo. C. Martin, of Thomsonville, Conn., is making quite a name for himself as a magician. MAIIATMA has many contributions for the next issue of this paper which will interest magicians. Harry and Bessie Houdini, introducers of the original "Metamorphosis," are not the team of Prof. Houdini and Mile. Olla, mentioned in a previous issue of this paper. Harry and Bessie are the features of Welsh Bros. Circus, and are doing their old act and are using their old name. Prof. F. D. Hewes, the noted magician, manager of Worth's Museum and Family Theatre of this city, will introduce his own original Levitation. The Professor is meeting with the greatest success in his management of this theatre, and a bright future is promised it under his enterprising management. The only " Vernello" assisted by Mme. Vernello, close their season on June 29th, and will open again Aug. 12th. Chase, of Boston, is working on a new outfit for them which promises to be one of the finest on the road. MAHATMA has received a set of handsome lithographs illustrating the various illusions of Chevalier Thorn. The Chevalier expresses his pleasure in receiving a copy of this paper and tenders his congratulations. Chevalier Thorn gave 42 performances in Buda Pesth and will start with his own car containing 84 trunks and 26 illusions to open at Trieste, for 1 month, then proceeds to Milan and Constantinople, where he will undoubtedly meet with his merited and usual success. Dr. A. Merlin and wife, Margaret Hayden, of Chicago, closed a season of 37 weeks at the London Museum, May 15th. Mr. and Mrs. Merlin originally planned to close their season the last week of May. But two unforseen events transpired, either one of which would have made it impossible for them to have remained longer. The license for the museum was revoked, which necessitated the closing of the house, and on the same date Mrs. Merlin received an urgent telegram to attend the dying bedside of her mother, and was fortunate enough to reach home a few hours before her mother expired. Dr. Merlin and wife opened their season at the London, Sept. 3d, 1894, and remained until May 14th, 1S95, where they presented their matchless act of second sight ten times daily, and during the season gave 2,550 exhibitions of second sight, which can be placed on record as the longest run ever given to a specialty act in the United States or elsewhere. The season of 1892 at the same house they gave their act 2,530 times, they also gave their performance at Austin's Nickelodean, Boston, Mass., where they were located for three years, and gave 7,879 shows makes a total of 12,957 times. The Doctor is now taking a well earned rest at his summer seat at Old Orchard, Maine.

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Prestidigitateur POWELL appeared here

for the first time last night, at the Grand Opera House, and proved an estimable rival of other noted illusionists known in Philadelphia. His illusion " S h e "is the best ever seen here.—Thil. Tress. I'owi LL'S fame as an illusionist had preceded him for when he stepped on the stage last night at the Grand Opera House, he was welcomed with a hearty burst ot applause. From that on until the end of the program he held the large audience spellbound. His tricks all of a novel and startling character followed each other in quick succession. The most wonderful feature being his feats termed a series of Psychological experiments. —Philadelphia Recorder. A novelty at the big Upton Grand Opera House, was

Suggested by the cave scene in Kider Haggard's novel ' S H E . " °f t n a t name, and presented for the first time at 'El teatro liaralt, Maracaibo, Venzuela, S. A. A beautiful woman apparently burned to ashes in full view of the audience. 'AFTER THE FLOOT) OR THE ARK OF NOAH. Founded on the biblical legend of Noah and the Ark, in which a coterie of wild and domestic animals are used, culminating with the production of a beautiful woman, dressed as a sea nymph. RATJID TRANSIT OR SUBSTITUTION. POWRI-L'S latest version of the great Hindoo mystery. THE CABINET OF PH,AC^TA^MS OR THE VAG- 4<X1ES OF WO^DERO^ SPIRITU-4I.ISM A novel Cabinet Seance ending outside the lines of such productions. tM>_AHATM'_4wS MIRACLES. The materialization of life, and shadows from the Spirit world. METAMOR'PHOSIS. The substitution 01 a beautiful American girl for a live Indian. THE MISSING "BRf-TJE.—An entirely new illusion. ICA^IAN, O'7< FeR,OM THE EARTH TO THE SUN. First produced by Powell at the Queen's Theatre, Montreal, Canada. Sept. 22d, 1893. The Hindoo Ladder Mystery, Crystal Casket of Mahomet, A Tribute of Flora, The Cave of the Orient, The Light of Asia, La Seance de Suggestion, etc., etc. POWF.I.L'S Latest for the coming season: THE -ASTRAL TiODY. An entirely new and original production, embracing new principles never betore utilized in illusions.

the appearance of POWELL, an exceedingly clever sleight-

of-hand performer. Among the series of interestingly devised illusions was the disappearance of a young lady from the stage without apparent motion and by means that completely mystified the audience.—Phil. T{ecord. The Grand Opera House last night was filled with a large and much mystified audience. The occasion being the appearance of POWELL, a master of the art of jug-

glery. So skillfully were his various manipulations executed that the impossible appeared real.—Phil. Times. PROFESSOR POWELL is certainly wonderful in his feats

'POWELL, Ulaotrr of I

of magic. His entertainrhent last evening was in the nature of a revelation. He stands peculiarly alone in the particular line which he has chosen, and presents some of the most startling manifestations possible to human ingenuity.—Philadelphia Hem.

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493 SIXTH

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VOL.

I. No. V.

NEW YORK, JULY, 1895.

SI'l R I T U A L I S T S , M E S M K R I S T S , E T C .

SINGLE COPY,

10 CENTS.

Mr. W. I). LeRoy, Boston's well known illusionist, was born August sth, i&->2, at LaSalle, Illinois; at the age of Q he moved to Chicago, studying music, and at sixteen he visited Virginia City, Nevada, playing violin, three years later going into California, making San Francisco his headquarters, teaching and playing violin, and studying and practicing magic,

in this country, and being a natural born magician he is in every way fitted tor his chosen profession. There is no branch of professional business that requires closer study than legerdemain. There must be a natural aptitude for the art, it must be born in a man, and he must be alert both in body and mind, cool and calculating to the movement of a muscle un-

W. ID. making his first appearance at the Fountain theatre. In 1887 he visited Boston, locating there, being on the road =,0 weeks (two seasons) with Schaffer's Swiss Bell Ringers. From filling engagements he started to manufacture, opening one of the largest stores devoted to the sale of magical apparatus

ROY. der all circumstances, and a close student of human natun.. To these qualifications he must add the rather incongruous quality of a mind turning on contradictions, with a scientific cause he must produce a seemingly opposite effect to that warranted by order and system. There is no life requiring

/Ibabatma. A NEW STAR. ISSUED THE ist OF EACH MONTH.

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A new magician will be on the road next season with a show that means a new departure in the magic business. Frederick Bancroft, a magician who has had nineteen years experience as an amateur, is putting on a magnificent "Spectacular Production of Magic," which is replete with new ideas, and marks a new era in the development of magic as an art. Bancroft has plenty of capital to carry out his decidedly extravagant ideas, and his marvellous skill and fascinating powers of entertainment will be supported by the finest scenery and most beautiful spectacular effects that money

FROM OUR BOSTON CORRESPONDENT. "With a single drop of ink for a mirror, the Egyptian sorcerer undertakes to reveal to any chance comer, far-reaching visions of the past. This is what I undertake to do for you, reader." With this drop of ink at the end of my pen, I will describe the mystical events transpiring hereabouts. The Baldwins, "White Mahatmas," opened here June 3d, at Bowdoin Square Theatre, closing the 17th. Full houses were the rule throughout the engagement, and the interest aroused by their work continued to the end. With the development of telepathy, a new force has been discovered that investigates the minds of the suspected, and by the theory of thought transmission results are obtained that in many cases bring offenders to justice and benefit the law abiding community. The example of this strange force is illustrated in the somnomancy or clairvoyant trance-visions of Mrs. Baldwin. But it must not be imagined that she deals entirely in the sensational and gruesome, for in her mental research she answers thoughts that have never left the minds of her auditors, and then correctly repeats the questions. Prof. Baldwin introduces a series of funny manifestations of mediums and theosophic adepts. His long residence in the Orient enabled him to investigate every phase of the wonder-workings of the Mahatmas. Mr. Baldwin is by birth an American, and has presented the cleverest clairvoyant act ever seen in Boston. Mrs. Baldwin is certainly a star. Drawee, juggler, appeared at Keith's new theatre week of June 17. Dudley Prescott, ventriloquist, is enjoying a successful vacation tour through the valley towns of the Connecticut river in N. H. and Vt. Mardo, the juggler, was one of the attractions at the Floating Palace, at Marine Park, South Boston, week of June 17th. Kreiger, Russian conjurer, closed a four weeks' engagement at Austin & Stone's museum, June 15th. Prof. Max Berol intends playing the summer resorts with Miss Belmonte's new act,in which she outbishops Bishop, doing all of his and other mind readers feats^without contact. We received a call from Scheidler, June 5th, who is in the side show of Washburn's circus. W. H. Mercer, is with the Kickapoo Medicine Co. He contemplates going to the West Indies in September. R. H. Mohr, ventriloquist, appeared at Keith's week of June 10th. Kamochi, lady magician, was at Palace theatre, week of June 10th. LeRoy the magician, appears for the city of Boston, July 4th, his sixth annual engagement. Kiirara, Japanese magician, was here weeks of June 10th and 17th, with the side show of Buffalo Bill's wild west. Fulgora, mechanical mystifier.was at Keith's, week of June 24th. John Till's Marionettes were at Floating Palace, week of June 24th. Mr. John Lodge, the clever young amateur magician, leaves July 3d for a three months' pleasure trip abroad. We have had the pleasure of outfitting Mr. Lodge with all the latest novelties up to date. W. J. Andrews, formerly with Zanzic, and later with Powell, was here with Baldwin's Butterfly Co. He sailed for London, June 17th. He is a pleasant gentleman, and well versed in the "mystic lore." Every magician around Boston of any note, is engaged for July 4th for children's entertainments. '

W.

D.

LEROY.

can buy, and he will be assisted by a large company of talented specialty artists, including many beautiful women. Everything pertaining to the entertainment is new and original and on the same scale of costliness and artistic excellence. Most of the arrangements have already been completed. Mr. Bancroft's manager is Clarence Fleming, well known for many years as the manager of high class attractions in this country and Europe. Mr. Bancroft's bookings are now being completed. He will play only in the best theatres and most of the contracts already closed are for week engagements in the larger cities. W. D. LF. ROY.—Continual.

such a series of opposite qualities as the magicians. Truly it is a profession teeming with possibilities, surrounded by mystery and defying the laws of nature. A master of the art must be an originator and should be constantly inventing new tricks. It is often said that but little existed, absolutely new, yet this is a paradox, for their is much that is new in the mystic art, and Mr. LeRoy is always in the foremost rank with the latest ideas.

ZlBabatma. CHICAGO NEWS.

CHAPEAUGRAPHY.—THE SALVATIONIST.

This is not a hard figure to make. An easier way however is to simply double the hat, running a ribbon inside of the fold. Tie the ribbon under the chin, pull down the bangs and there you are. THE ACTORS' PROTF.CTIVR UNION No. 1,01 N. Y. Actors' Protective Union No. i of N. Y., under its present able management, is exceeding all expectations, that the executive officers are exerting every effort to make this Union a success is plainly shown by their establishing a branch office under the able supervision of Harry Thompson, who will follow the lead of that excellent officer Secretary Joe. M. Lawrence, who is so well qualified to handle the business of the Union which has gained so rapidly and is commanding the attention in the theatrical world that it deserves. The Union is gaining among its ranks the best talent in the country and performers generally are recognizing the benefits that are derived from belonging to this body of ladies and gentlemen, who now help each other, and the pleasure of knowing that they are doing good to the profession and to their neighbors is ample recompense for their trouble. It is to be hoped that the present staff of officers will retain their present positions, for their executive ability is unquestioned, and far greater success awaits this body under its present President, John McCarthy, and his able assistants. The Union is now making a strong bid for furnishing talent for the firstclass clubs, etc., in this city, and are meeting with well deserved success. Having a variety to pick from that cannot be surpassed in New York city, and being able to fill any demand upon an hour's notice.

Notwithstanding the warm weather and dull season, things in the magic line in the Garden city have been rather brisk during the last month. The different dealers are more or less busy. Many performers have exhibited in the various theatres and museums, while others are laying off and getting new turns ready for next season. Several prominent amateurs are also hard at work arranging a suitable collection for private circles for next fall and winter. Prof. Ganellean arrived here from St. Louis where he filled a successful engagement at Terrace Park. Mr. Ganellean is booked at Kohl & Middleton's Globe and Clark street Museums for the latter part of June and first part of July, and is making a hit with a new hat production. A number of prominent magicians and several dealers are going on a fishing trip July 6th. and are sure to have a good time and plenty of fun. King, the Boston telepathist and mind reader, is in Chicago, and is busy performing before the various lodges, clubs, etc. Prof. Peregalls, the Italian magician, who but recently came from Europe, is performing in the various smaller halls, etc., of this city. Prof. Ernest the Danish magician, Prof. Max Basel and others are getting ready their outfits and contemplate going on the road again. Hylo & Bylo in their magical comedy act, opened at the Buff Theatre. June 10th. Dr. A. M. Wilson, professionally known as Aristia, of Kansas City, Mo., has just returned from an Eastern trip. Dr. Wilson is a successful and popular entertainer, and reports a very profitable season. Travelle, the juggler and fantaisist, after playing the Casino, and then in Duluth, Minn., was forced to return to Chicago on account of illness. He left for New York city June .23d. Hornmann, the up to date magician, closed a two weeks' engagement at Kohl & Middleton's local houses. Prof. S. P. Bowman is with Coopers's circus at Nashville, Tenn. In the June number of MAHATMA mention was made of Mr. Wm. N. Selig's return to Chicago after an absence of S4 years. This was a typographical error, and ought to have read '-, years. Mons. Bernier, the French illusionist, is now touring Wisconsin and Minnesota. Barnello, the original fire king, left for Detroit, June 23d, to fill a week's engagement at Moore's Musee. Herbert Albino played the very popular and successful Hopkin's Theatre, week of June 16th. His act is the same as ever, consisting of the egg bag trick as a feature, and some minor card tricks. The Addys' will be ready to take the road again in the neai future. Their new act will embrace principally spiritualistic effects, illusions, and a few select tricks. They will travel under a new name. Lewis, the wizard, performed at Billers Pavilion for 3 weeks, and made a pronounced hit. Lewis has a large collection of tricks and changes his program frequently. CLEVELAND NEWS.

SHADOWGRAPHY.—THE TIGHT ROPE WALKER.

Victorellis, shadowgraphist, was at the Lyceum week of June 10. Prof. Abt made quite a hit with his dissolving views, week 17-22. He has been re-engaged for several weeks. Pettibone, the materializing medium is in this city, giving some excellent "seances" which havs been well attended. He is a great favorite here among spiritualists. Maurice Raymond, the necromancer, is preparing an entirely new juggling act for next season, and in conjunction with Markland. illusionist, will play dates through the East. Melbourne, manipulator, leaves July 2d for Chicago.

/iDabatma. The Spiritualists are preparing for their annual encampment at Lake Brady. Lalla Rookh opened at the Madison Avenue Amphitheatre, June 2?th, to a large house. Barnum & Bailey's circus shows here July ist. Awful hot here, good chance for the conjurers to do the " ice trick." MAI KICK RAYMOND.

OUR

Bl-.RUN l.h I I 1 R.

The past winter season has been an exceptionally good one owing to the appearance of the L'home Masque, whose performances have been greatly appreciated by the public and endorsed by the press. The professor is a brilliant entertainer something in the style of the late Robert Heller. Prof. Ilartz, the well known American magician, has performed during May and April at the Wintergarden, and was very successful in the production of his great specialty, the inexhaustible hat trick. At the present time Professor Hartz is running his own show in Kopenhagen. Professor Hepner, the London magician, was engaged to exhibit his illusion Vanity Fair, at the Wintergarden, but owing to the inadequacy of the stage, his performance had to be discontinued. The Bungalow, an illusion, invented by Mr. M. Hermann, lias been exhibited successfully at the Apollo Hall. Professor Chambly is producing for the last two months at Castan Panopticun, the illusions i )h, and Vanity Fair.

MAHATMA can be purchased in London only at Hanilev\ 220 High Holborn, who is now our sole agent in London. John J. Whalen is authorized to act as a representative of MAHATMA. Professor Herrmann is spending his vacation in Whitestone, at his beautiful country seat Herrmann Manor, Mme. Herrmann has just returned from a visit to Europe on the St. Louis, and was met a t quarantine by Herrmann's splendid steam yacht Fra Diavolo Professor Kellar is resting at Yonkers where he is erecting a magnificent mansion on an extensive plot of ground recently purchased. From the mansion an extensive view of the Hudson river can be seen. Another building will also be erected that will be fitted tip with a stage where the Professor will experiment with his new illusions, so as to bring them to perfection. Mr. Claude, Kellar's clever assistant, is now in England. Prof. Hewes, the well known originator, produced for the first time his new levitation, although the audience is but ten feet from the act, it is impossible to detect the modus optiJtidi. All of the magicians of this city visited Worth's Museum and Family Theatre, where the Professor is manager, and they pronounce it the most perfect reproduction of the Indian Yogi's experiment of levitation that they have ever seen. The genial and hospitable gentleman, Mr. Worth, who is known the world over for his graciousness, still continues to introduce the very best talent and curiosities that can be secured. Mr. Worth has an enviable reputation in this city where his sterling worth is appreciated. May he still continue to lead in his chosen line Mr. Montanelli the noted magician of Mexico, is now at Foluca, Mexico, and reports business exceptionally good at this time of the year. Robinson • 'the man of mystery" is playing summer resorts and meeting with success. Imro Fox is rusticating in the Catskills. Ransom, the magician, will go with the Tyrolean Troubadors this coming season under the management of D. W. Robertson. "Powell the Great" is at his summer home Chester, Pa,, preparing some illusions and a programme that will prove the strongest

on tlie road this coming season. The Professor is a master of his art and has no superior. An impromptu entertainment was given by Stevenson, the Brooklyn magician, assisted by his young daughter, 7 years of age, in the magical enip iriuin of Martinka & Co., Saturday. June 22d, where a first-class stage and all modern appliances have been introduced. A large audience was present who thoroughly enjoyed the entertainment. Prof. W. J. Ritenoui", the clever magician, writes from Strasburg, \"a., that business is good. \V. F. Hard, the Bridgeport magician, has been engaged by Wm. A. Palmer for n tour of the summer hotels. The faces on chapeaugraphy in this paper are from the book published by Harnley, London ; that it has been so widely copied is due to the excellence of the work. Mephisto (Frank " • Snyder) magician and fire demon is resting at his home in MahoneyCity, Pa. He is making preparations to play small towns and clubs this coming season. Rafael Montano, the noted magician of Mexico, will contribute to the columns of this paper everything of interest to the magician that happens in Mexico. Henri Cazinan is in London, this noted artist with a strong company will tour this country this coming season. It is claimed his company will be one of the strongest on the road. The manager of "Enirel" the South American wizard, is at present in New York, where he has ordered several new illusions which were built for him at the magical manufactory of Martinka & Co., and will be the principal feature of his tour through the South American Republics. Prof. Wood is on his return from Brazil where he met with good business. Prof. Chas. Prada is in Havana, preparing for a tour in the interior of Cuba. Horace Golden, is engaged for the season at a seaside resort. The mystery surrounding the L'home Masque is still unlifted, and'the success of this clever magician is on the increase. The professor is taking lessons in the English language with the object in view of visiting England ami the Tinted States, and an extended tour around the world. De Carno, the ju t gler, is working at the Grand Central Opera House week of July I-I>. "Jewett" the Hartford magician, was in Xew York,June 30th. it is rumored that he will have an entire new outfit this coming season that will surpass anything hitherto seen. Prof. Welch, of this city, is very clever, and an artist in palming.

THH CANDLH TRICK. The following is the candle trick as performed by Frederick H. Powell, the celebrated magician, at the hden Musee, this city. The performer places a piece of card board about double the size of a playing card and which he bends in half in a V shape, alter making a hole in the center of the card he places the candle in it. He now produces a small handkerchief and passes it inside of the candle. The explanation is as follows • To make the handkerchief disappear he uses the vanisher described in the May issue of MAHATMA. In the back of the match box, the box being open, is concealed the handkerchief, and after lighting the candle the performer in closing the match box pushes the handkerchief out of the box into his hand. He then picks the candle up and places it in his left hand with the handkerchief, breaks the candle open and pulls out the handkerchief. The candle is a genuine one, and when the performer breaks it, he merely pulls the handkerchief out of his hand, where he has palmed it

ZlDabatma. THE DISAPPEARING LADY. THE accompanying figures illustrate a trick in which the prestidigitator, after placing a chair upon an open newspaper and seating a lady thereon, covers her closely with a silk veil, and after the words "one," "two," " three," lifts the veil and shows that the lady has disappeared. The newspaper is provided with a trap, which is con-

FIG.

5

although she has disappeared. In fact, the veil, on account of the wire frame, seems always to outline the contours of the vanished subject.

1.

cealed by the printed characters (Fig. i). This trap is of the same size as the one that must exist in the floor upon which one operates. As tor the chair, that is generally an old affair, without any cross rod in front (Fig. 2). It is provided with a movable seat that lowers in order to allow the lady to pass between the two front legs. It is provided, besides, with a frame of wire which is invisible on account of the feeble diameter of the latter, and which, attached to the back, is turned backward on the side opposite the spectator. As soon as the lady who is to be made to disappear is seated (Fig. 3), she causes the frame to tilt and

3.

Alter the operator has said "one, " "two." "three," he lifts the veil and causes the wire frame to fall back. —Magasit: Pittoresque.

W w * *It/ I 1IM Ik .Fie. 4.1

PIG. 2. cover her head and shoulders. This operation is hidden by the veil that the prestidigitator spreads out at this moment in front of the lady. At this instant the operator actuates a spring, which opens the trap in the floor. The lady passes between the legs of the chair (Fig. 4), and then through the two traps, the one in the paper and the one in the floor. As soon as she reaches the floor beneath the stage she closes the trap in the newspaper with gummed paper, and shuts the one in the floor, and it might be thought that she was still on the stage,

" Jewett " the Hartford magician will again introduce this coming season an excellent bill, producing many new and original features that has made him the up-to-date magician that he is. MAHATMA is in receipt of so many letters that it is impossible to answer them all. Any subscriber not receiving his paper, by sending a notification to this office another one will be sent to him. MAHATMA is laboring under the impression that all mail carriers are magicians, so many papers do not seem to reach their destination. Mr. Dale Armstrong, formerly manager of Paoli Museum, Bridgeport, Conn., is performing his ventriloquism act with the Livurra Medicine Co., giving open air performances in the city of Maine for the summer months. Prof. Wm. F. Freier, the magician of Dayton, Ohio, has opened his Pavilion at Lakeview Park, May ioth, and is meeting with his merited and usual success, drawing large and refined audiences.

/Esabatma. WRINKLES ON MAGIC. " Wrinkles," that is the most fitting name I can give the following article, as it will only contain wrinkles, tips or advice on all things in general pertaining to a performance of magic. First thing 1 would advise is to get away from the old style of everything black, except perchance the full evening dress i suit, this of course is to a certain extent a recognized style of dressing befitting the occasion that you can hardly change for a better one. Have your tables and surroundings in gold, silver and white; the delicate tints of pale blue, pink, etc., and lined or decorated in corresponding light colors. Do away entirely with black, it looks to sombre and dull looking. Don't use a black wand, it don't show one third of the time against your black clothing, a white one is far more preferable ; a white celluloid baton such as used by band leaders is a fine article. Whether in a private or public performance, have this one idea before you. Brightness in costume, scenery, apparatus, etc., have it so when the curtain rises the stage presents a brilliant light etherial effect, instead of a dull one. Don't bore your audience with a lengthy opening speech, make it short, pointed and effective, and don't try to impress them with the idea that you are superior to them, being able to perform seeming impossibilities, rather let them think you are the same flesh and blood as they, simply an ordinary mortal who has selected the art of magic as a calling or livelihood, just the same as they have chosen to be a doctor, lawyer, etc., and let your programme be short and well done, leaving the audience hungry for more, instead of long and perhaps poorly done, and the public disgusted with magic. Many try to show how much they can do, and how large an assortment of tricks they can collect, instead of getting one programme, perhaps a dozen tricks, and practicing them until each trick is thoroughly mastered. A short act of magic well done is far better than a long programme poorly done. Never make a trick appear easy of execution to the audience, get all you can out of a trick. For instance, a person is asked to take out a card, really one forced, instead of having it replaced in the pack, and then telling name of card drawn, proceed as follows: ask a person to look long and intently at the card, holding the same in left hand, telling them for some mysterious reason, the left hand has a sympathetic connection with the heart and brain, which in turn affects the eye, as he looks at the card, and it produces a photographic reproduction on the eve of the card he is gazing at. The person now places the card in the pack and shuffles the same, and is asked to hold the pack in left hand, the performer now places his left hand on the pack and grasping the person by the right wrist, looks into the eye of the person, and asks them to think vividly of the card he drew. Suppose the card drawn was the eight of diamonds, the performer counts slowly the beat of the pulse until eight is reached, and then says your pulse is beating violently, I must not count any more, it must have been an eight spot on the card. Your eye looks bright and snappy and tull ot fire, it must have been a red card, if your eyes were dull looking, it would have denoted a black card. I see also the shape or semblance of a square or diamond, it must have been the eight of diamonds you thought of. A trick I often watched and always thought a pretty one is the serial treasury, or catching money in the air. This trick can be improved by using larger coins when upon the stage, half dollars are all right when used in a parlor, but are not large enough for the stage, use dollars or large coins that

can be seen from a distance. It is a good idea in producing this trick to combine both the sleight of hand and mechanical methods; not to use only one method, use more than one way of producing the coins, all methods are good, but should not be abused, and made to do all the work, use every little idea that suggests itself to produce a coin by a different method, produce a few coins with the mechanical wand, also a candle on the same principle, on point of pack of cards, a fan, same idea, also a few coins covered with black cloth and attached here and there, by wax or fine hooks on your clothing, on borrowed hat, etc., cloth removed, coins produced. Learn to palm five or six coins and produce them one at a time." Don't pass to many coins apparently through the crown of the hat, as the movement repeated, often gives the idea that the coin is palmed in the right hand. Instead of throwing it through the hat, apparently push it through, the coin going behind the finger tips, as the one in left hand is dropped in hat. Palm two coins, produce one and throw it in the air, catch it in the hat, and as it strikes the bottom inside, produce the palmed coin from bottom of hat outside, the second coin palmed, it looks as though the coin came through the hat. I could write of innumerable wrinkles on this one trick. The magician must remember that the hand is not quicker than the eye, notwithstanding all assertions to the contrary. It is not the quickness of the hand that deceives the eye, for no matter how quick a movement is made the eye can follow it; but the neatness and perfection with which a pass or palm is made, accompanied by that one main point so often forgotten, the magician's eye should always look in the direction the article is supposed to be, and convince the audience by look and gesture of its being where it is supposed to be placed, or in other words he must apparently believe it himself, to carry conviction with it, and be as much surprised at the results apparently, as the audience. Whatever you appear to do should be the exact counterpart of what it would be if it were really done. Thus appear to place a coin in the left hand, really palming it in the right, and watch the movement of both hands in doing so. Now really place coin in the left, from the right, and you will find out your two movements are entirely different. You will find that the coin or article is palmed in the right hand long betore it reaches the left hand, so to a close observer the right hand is seen to reach the left hand empty. The article should not be palmed until the right hand is actually placing article in the left hand, and then as the fingers of left hand curl up to grasp article or shut the hand, it masks the movement of the fingers of the right hand lifting article to the palm of the same hand. An article is also very often vanished before the spectators have actually had a chance to see where it was originally or what was done with it. Don't be in a hurry, make haste slowly, and make up your mind never to present a trick unless you have it to perfection. In preparing your programme for a tour on the road, make up your mind just exactly what you want, and do not carry more than you will need. If you go on the stage feeling downhearted and gloomy, don't expect your audience to be otherwise. Fame and fortune cannot be made in a season, it takes years of hard struggling and determination to get there, and it is accomplished gradually, not suddenly. It has taken a prominent performer now before the public is years to gain his present successful foothold. Secure a method and style of your own, adopt a name that is not similar to any other person, so as to avoid all suspicion of trading on another man's success. Be ready at all times to go and witness another magician's performance, you may get points and ideas from the lowest. Don't ridicule or cry down the efforts of other performers. A parting advice would be to not purchase only the very best apparatus that can be procured, cheap apparatus is useless. ROBINSON, the Man of Mystery.

/iDabatma. HYPNOTISM. Hypnotism is an invisible force or power that every person possesses, and but few know how to handle and exert. It is literally animal magnetic influence. Hypnosis is defined by two states. The first is the unconscious state in which the subject is entirely oblivious of what transpires, and on being awakened could not tell what has ^transpired. The second one is the conscious state, in which the subject is perfectly conscious of all that takes place. Their eyes are open, they hear, see, and feel, but are unable to withstand the suggestions made by the hypnotizer. In the first mentioned state the subject may be placed in a cataleptic state, every muscle strained and stiffened, and even stops the circulation of the blood in certain parts of the body, so that a surgical operation might be performed, a limb amputated without drawing blood or without any pain on the part of the subject. Such experiments are now being performed every day in our large medical institutes and hospitals. Schools of Hypnotism are now founded in Paris, London, Vienna, Berlin, and the city of New York. Our prominent physicians are now giving all their attention to the study and practice of Hypnotic influence, for they find it is invaluable to them, as they can cure many nervous complaints by suggestion which could not be cured by medicines. However perfect a Hypnotizer one may be it is utterly impossible to control any one against their will. No one can receive the influence of Hypnosis unless they are perfectly willing and place themselves in a passive state and obey every wish of the Hypnotizer. This is a fact that many impostors who call themselves Hypnotists will readily refute. When I meet a man or woman who says: "I can hypnotize ten out of twenty, or fifty out of one hundred persons that might come to me." I at once know that they are frauds and that they know nothing about hypnotism. Hypnotism is one of our greatest sciences, and requires knowledge and practice to be successfully handled. In my experiments before a number of prominent physicians in this city, during the week of May 20th, I demonstrated conclusively that the hypnotizer could control every muscle and nerve, and in addition could wield the mind of his subject as he willed it, also that the entire circulation could be controlled. I placed my subject—a young lady, in a cataleptic trance (the unconscious state) and immediately stopped the circulation, she ceased to breathe, her heart stopped beating, and for fully ten minutes remained as if dead. This proved a very interesting experiment for the physicians, but the most startling one was when I controlled the pulsation so completely that one doctor who held her right wrist declared that the pulsation raised to 149 to the minute, while another doctor who held the left wrist said that the pulse went down to only 31. Hypnotism like everything else is sometimes handled by what we would term "fakers," men who only profess to know, but in reality know nothing. To be successful one must study and practice, then the strangest results may be obtained. F. D. HEWES.

FROM OUR LONDON CORRESPONDENT. Business in England has shown improvement since my last letter, and as usual, '' the world of amusement " has been considerably benefitted thereby. With the exception of a few "fossils" who have failed to keep up with the times and still make such antiquated tricks as the fish bowls the leading features of their entertainments, and magic-

ians, in fact entertainers generally, have had a good season since Christmas. The London season is now in full swing and those who do "society work" will be kept busy till August when there will be a stampede to seaside resorts. The newest illusion here is at the Egyptian Hall and is the invention of David Devant, he calls it " T h e Birth of Flora." Neither the idea nor the title are original, for a conjurer in the smaller music halls worked an illusion bearing the same name a few years ago. It was a poor imitation of DeKolta's "Cocoon," in which a lady was made to appear in a basket of flowers. This is what Devant does, but the iiiudus operandi employed by him is vastly different and superior; not difficult for an "old professor" to see through but very bewildering to the uninitiated. Now I am not going to give the trick away; I will describe it and let your readers think it out for themselves. A piece of silk, about a yard square, is examined by the audience and is then attached to a bar suspended by two cords from the "flies," in the center of the stage, Mr. Devant standing upon a chair behind the bar, while attaching the silk, with his head and shoulders above it, which shows there are no glasses over head. The bar is then raised towards the " flies" and an ordinary table is wheeled under it, the silk just touching the top of the table. The silk is again lifted and there is nothing behind it; but an instant afterwards a lady's voice is heard singing; the silk is removed and upon the table is discovered a huge basket of flowers from which a lady emerges J hi the "Cocoon," it is very effective. There are absolutely no glasses or mirrors used ; the table is merely a stand quite devoid of tricking and it would be impossible to connect it with the scene at the back of the stage by a counter weighted bridge. Now, how is it done ? The entire entertainment at the Egyptian Hall is bright, clever and cheerful. A new but clever musical entertainer, Mr. R. A. Roberts, gives a very acceptable turn. Mr. Maskelyne retains his sketch, "Modern Witchery," in the programme. The illusion introduced " The Miracle of Lh'asa " improves on a second visit. How the man who is strapped to the board is suspended, is a puzzle to many. Carl Hertz is under engagement to go to New York next fall, and to South Africa the following spring. Servais LeRoy, exceptionally clever at slight-of-hand, sailed for South Africa this week under 12 weeks engagement to Luscombe Searelle the well known entrepreneur. I have just received from Mr. Sydney S. Pridenore, a well known and clever "wizard of the drawing room" the most handsome circular I have ever seen, it is quarto in size, well printed on tinted paper and teems with complimentary press notices and personal testimonials. I hope in my next to give you a description of an) entirely new illusion which is now being experimented upon by | HERCAT. J

The above picture is a good likeness of the well known Imro Fox, the comic conjurer, who has created a place for himself that none can imitate. The Professor is well known the world over and is in constand demand. Mr. Fox is not only an excellent performer but a shrewd business man as well, which accounts for his continual success. Mr. Fox will be a special feature with Donnelly & Girard, the rain makers. Success to the genial and hospitable Professor.

/IDabatma. DR. ALBERT MERLIN. Thanks are due to Dr. Merlin for his kindness to MAHATMA, for furnishing his own original story of the haps and mishaps of the travelling magician in the days gone by. Those who are acquainted with this enterprising gentleman will hail with delight this story coming from Dr. Merlin, who seems to have many friends, and no enemies. Since Dr. Merlin has contributed to this paper MAHATMA has been the recipient of many letters congratulating it upon having Dr. Merlin as a correspondent, and it is one of the pleasures that falls to the editor of this paper, that tile best people of the profession have done all in their power to help it along. Many thanks to the Doctor for past (avors, and there is no doubt but what the Doctor's story will be read monthly with appreciation by many who have been through the same mill. THE LAND OF HUMBUG. A TALE OH OBSERVATION AND EXPERIENCES. CHAPTER I.

BY DR. ALBERT MERLIN.

"Very well," I said, we will leave this here, placing it face downward on the table, remarking that I felt quite confident that in two more trials I could find the card. " Is this the card?" Again came the answer "No," and deeper grew the interest and excitement, for it began to be evident that 1 had at last made a failure. Nothing daunted, however, I again lifted the top card off of the third pack, again inquiring: " Is this the card?" A chorus of "No's" and derisive laughter greeted my last attempt. I had apparently failed. The magician had been caught napping. I was patronizingly greeted by the expression : "You have done very well during the evening but you are off your base on this last trick." Appearing to be somewhat crestfallen, 1 inquired : Am I to understand that none of the three cards now lying on the table is the one the gentleman selected ? For the fourth time came the emphatic assurance "No," the card selected is not among them. Gentlemen, I replied again, somewhat nettled by the sneering remarks and loud guffaws of the man of national reputation, I never make mistakes, and I feel confident, notwithstanding the assertions made that the card this gentleman drew from the pack is one of the three now on the table, and I feel you are taking a mean advantage of me, as I am the only one of the party who did not see the card. Jumping to the fore, and in an exciting and blustering manner the man of national and sporting reputation said : ' • Young man as you feel so confident and seem to doubt the word of gentlemen, perhaps you will make your boast good by covering this hundred dollars which I am ready to bet ?" Suiting the action to the word, he quickly handed the amount to the wine clerk, remarking meanwhile, that the card he selected was not one of the three now lying on the table, and if you have sufficient sand in your make up, you will acknowledge your mistake, make good your assertion or offer to us an apology." Here was my chance of revenge for the cavalier manner in which I had been treated when my trick was looked upon as a failure. I immediately covered the amount, somewhat to the surprise of himself and friends. I was not prepaied after my experience in life to take a bluff from any one, least of all from this bulldozing gentlemen of national reputation. If there was silence before, it was deathlike now. Now gentlemen, I said, I shall trust to your honesty; what was the card the gentleman selected from the pack ? " The Q_ueen of Hearts," was the answer. Very well, will you sir, pointing to the wine clerk, be kind enough to turn over the three cards now lying on the table in such a manner that all may distinctly see whether the Q_ueen of Hearts is not among them." This he proceeded to do. Judge of the consternation when the Q_ueen of Hearts was proven to be one of the three. Everybody laughed but the hilarity was checked at sight of the pallor rapidly spreading over the face of the man of national reputation. His friends stood by him, they did not dare to laugh he was so enraged. "Hold on," he cried, this is a catch. It certainly is I quickly replied, I have caught your hundred dollars, at the same time accepting1 it from the hands ot the wine clerk, also remarking: this is one of the many lessons we have to pay for through life. Never doubt the ability of a man practicing his own trade. Now, my friends, as this is my hour for retiring, we will adjourn to the wine room for a nightcap, we have already had an eyeopener. The closing sentence was greeted with roars of laughter, my antagonist remarking while slapping me on the shoulder, that it was a good trick, and he would be benefitted by the advice to never bet against a man's own game. The following evening I performed before the guests of the Oceanic House, to a large and appreciative audience, and the day after, said good-bye reluctantly to many friends. 1 had here associated with the best society, and I profited by it in many ways, I was also three hundred dollars richer than when I had landed on . the Island. My next destination was Centre Harbor on Lake Winnepesaukee. A continuation of this article will be published next month.

"Ah Master, Master, there are more tricks in a town than are dreampt of.1' —T>on Quixote. During the summer of 1S70 I presented a series of exhibitions in magic at the seaside and mountain resorts of the New England States. The events to be related in the following stories actually occurred, and are given to the readers of MAHATMA, for what they are worth. An unvarnished tale, nothing extenuated, naught set down in malice. As a history of my observations and experiences during the summer of 1870, they may serve to entertain the reader, or to warn the credulous against a too ready confidence in everything they see or hear. If so, they serve my purpose. But to begin my first story I would here state that in my 18th year I travelled about the Eastern summer resorts, and gave entertainments in the principal hotels. It was about the last of July that I landed at the Isles of Shoals, situated off Portmouth, N. H. My first entertainment was at the Appledore House. Programme as follows: Rising Cards, The Aerial Treasure, Magic Banker, The Unfortunate Handkerchief, Sun and Moon, Spirit Slate Writing, Table Tipping, The Sealed Packet, The Growth of Flowers, The Wine and Water Miracle, The Crystal Casket, Fifteen Minutes with the Spirits. It was considered a good programme and every trick was well performed and gave universal satisfaction. 1 had good audiences, indeed the night at the Appledore the audience was very large. As both hotels of this delightful resort were full—every room being taken, 1 was obliged to put up with the only remaining accommodation the house afforded, that of a mattress on a billiard table. After my performance had closed, and awaiting the closing of the billiard hall that 1 might retire, a party of guests, among whom 1 noticed a gentleman of national as well as of sporting reputation pass out of the wine room into the billiard hall where 1 was quietly promenading. Seeing me one remarked: " Here is the young gentleman who gave the performance this evening." 1 quickly became the center of attraction, many questions were asked and I was finally prevailed upon to do some card tricks. 1 had no difficulty in easily deceiving them. Card trick after card trick was performed and much interest was taken. Being very tired, and the hour late, I endeavored to let every trick be my last. Finally as a last resort I concluded to turn the laugh upon them by doing a well known betting trick as practiced by card sharpers, but not in my case with any intentions of winning money. 1 allowed the gentleman of national reputation whose money was only exceeded in amount by the bad champagne he had imbibed, to select a card from the pack which the wine clerk had just furnished fresh for this trick. This selected card was to be shown to his friends of which some twenty or more had gathered about. This being done I then invited him to return the card to the pack by placing it in the center, which he did, I then handed the pack to him to be shuffled by himself and friends; this also was done. After the cards were returned to me I remarked that it had been a long time since 1 had attempted the trick and I might possibly make a mistake, but would do my best. (This was the usual remark to come in at this stage of the trick,) I also impressed the fact on their minds that as I had not seen the card, I depended on their honesty to acknowledge it, when produced before their gaze. Martinka & Co., the magical apparatus manufacturers, have had 1 then divided the pack in three piles, taking the top card of the first pile, a stage erected in their factory. An entertainment is promised to I said : '' Is this the card that was drawn from the pack ?" the magical fraternity in the near future. The management of the A chorus of ''No's " greeted my question. entertainment will be under the direction of Antonio Martinka.

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BOOKINC SEASONS OF '96, '97, '98. SOME OF THE MANY ORIGINAL CREATIONS PRESENTED BY " P O W E L L . "

In his opening entertainment last night PKOF. POWELL sustained his claim to the

title of magician, and we ourselves add grand master of the art of legerdemain. Not only is he a master, but an originator as well, his program containing io tricks never seen before in Montreal, while the old ones were so transformed as to appear complete changes. His illusions are a distinct departure from the old lines, and make us wonder if the shade of the great Robert Houdin is not again amongst us.—-Montreal Ga;ette. POWELL the magician made his first bow to a Montreal audience at the Q_ueen's Theatre last evening, and may justly be considered a rival to all others who have appeared here. He is cleaner in his manner, and his tricks are done with greater smoothness than those of any prestidigitateur who have previously been seen here. On Thursday night will be presented a complete change of progiam including (for the first time) POWELL'S Grecian sensation ' ' Icarian."— -Montreal cDaily Star. Right royally did magician POWELL entertain his large audience at the Q_ueen's last night. Although we of the ioth Century have unmasked many frauds and broken many traditional images, we may yet learn at the Q_ueen's this week that we do not know everything. However skeptical we may be, a visit to Mr. Powell will compel the admission that the dexterity with which he deceives the eye, ear, and other senses, is wonderful and admirable.—-Montreal Daily Herald. La Minerva says Prof. Powell proved to be verv clever in his deceptions. Professoi Powell is the best we have seen.—/.,• MonJe.

•Vl^1

POWELL," (Tljr Blaster of JHofcern

Suggested by the cave scene in Rider Haggard's novel S H E . " of that name, and presented for the first time at 'El leatro Bar.ilt, Maracaibo, Venzuela, S. A. A beautifu woman apparently burned to ashes in full view of the audience. • AFTER THE FI.OOTD OR THE ARK OF NOAH. Founded on the biblical legend of Noah and the Ark, in which a coterie of wild and domestic animals are used, culminating with the production of a beautiful woman, dressed as a sea nymph. RA-P1D TRANSIT OR SUBSTITUTION. POWELL'S latest version of the great Hindoo mystery. THE CABINET OF PHAO^TA'^MS OR THE VAGARIES OF mO^DERJ^ SPIRITUALISM A novel Cabinet Seance ending outside the lines of such production;.. VA-AHA'TMA'S MIRACLES. The materialization of life, and shadows from the Spirit world. MhTAMOR'PHOSIS. The substitution ot a beautiful American girl for a live Indian. THE MISSING *~BRIeI>E.—An entirely new illusion. ICA-'KIAN, O ^ Fl^OW THE EARTH TO THE SUN. First produced by Powell at the Q_ueen's Theatre, Montreal, Canada, Sept. 22d, [893. The Hindoo Ladder Mystery, Crystal Casket of Mahomet A Tribute of Flora, The Cave of the Orient, The Light of Asia, L.i Seance de Suggestion, etc., etc. POWELL'S Latest for the coming season: THE ASTRAL -BODY. An entirely new and original production, embracing new principles never before utilized in illusions. Address all communications to

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NEW ADDITIONS. O l d £IH.C3. 3NTO'\^7'.—New book bv Professor llnll'man: beautifully bound and fully illustrated, 894 pages,SI 50 D e m o n H a n d . . - A perfectly modeled hand is shown and placed with the linger tips on top of a pack of cards contained in transparent goblet. At uommand tlie hand picks out any chosen card from the pack while the performer is amongst the audience, $(>.00.> Detachable Magician's Pocket.— Useful for getting rid and producing articles like handkerchiefs, eggs, bowls, etc. Can betaken off and put on instantly, si. 50. Palming Apparatus for Billiard Balls, Egg.s, etc. Wix.li the help of this apparatus any one can perform the feat of palming round articles with ease, 50 cts.

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DAVENPORT BROTHERS. Ira Erastus Davenport and William Henry Davenport, who years ago startled the world and puzzled the minds of scientists and deep thinkers, were born in Buffalo, N. Y. T'..e former Sept. 17th, 1839, and the latter Feb. 1st. 1841. At about the age of 12 and 14 they first began their remarkable physical and psychical phenomena. They made a tour of the world and in England, France and Germany, created a profound sensation and put all the leading conjurers of that time on their mettle to discover the method or secret of their remarkable accomplishments. In justice to them it must be candidly said, although they were extensively copied and imitated, they were never approached in their deftness and quickness of execution in their work. They proclaimed it to be the work of spirits, and although Houdin, Robin, Anderson, Herr Tolmaque, Redmond, Taylor, Sutton, lawaka, the Indian rope worker, and others, professed to be able to detect and expose them, but their explanations and exhibitions were never satisfactory- Anderson and Tolmaque openly challenged the brothers and upon the challenge being quickly accepted, immediately backed out and refused point blank to meet the brothers. Anderson at the time was showing at the St. James Hall, London, Oct. 1864. The London press while giving credit to the skill of Anderson, frankly declared that his pretended exposition of the Davenports was simply absurd. Mr. Charles Kennedy under the signature of "Incredulous Odi," in the Standard, has said he could not offer an exact explanation of how the Davenport manifestations were done, but had a shrewd conception of it, wrote after witnessing Anderson's perfoimance that the original demonstrations of the Davenports remained as inexplicable as ever. He also says while Redmond's performance at Astley is clever it does not unravel the skein of mystery surrounding the Davenports exhibition. Mr. Edwin Arnold as a correspondent of the Telegraph puts the question between the Davenports and conjurers as fol-

SINGLE COPY, 10 CENTS

lows: It must be the remark of all good observers, that while the performances are attributed by their critics to conjuring, and challenged as conjuring by the conjurers themselves, no spectator has yet offered any explanation of them except sarcasm, while professional conjurers like Tolmaque, Anderson and others have produced nothing but a travesty of the manifestations; for the imitations hitherto publicly described omit just the most puzzling features of this odd American exhibition. He then quotes from the iPneumatologie of the Marquis de Mirville, addressed to the Academy of Pans, an account of a visit of Houdin, at the end of which Houdin made the following remarkable declaration to the Marquis: "Monsieur, I am a conjurer, and, if there be a conjurer in the whole world who can show such marvels, it would confound me a thousand times more, being one myself, than to admit the mysterious agency you have introduced me to. Fifteen days afterwards, when the matter had been been turned over again and again in Houdin's mind, he wrote: I returned as bewildered as a man could be, and quite persuaded that neither chance nor conjuring could produce effects so bewildering." It should be stated however, that later on Houdin claimed he discovered the method employed by the 1 )avenports. W. M. Fay, an American, was also lor years connected with the Davenports. The combination beingknown as the Davenport Brothers and Fay. William Henry Davenport died in October, 1877, at the Oxford Hotel, Sydney, Australia. Mr. Fay retired and went to Sheep raising and accumulated a fortune. He returned in the fall of 1804, and hunted up Ira Davenport, and in conjunction with an English magician, Snazelle, started on a tour of the world which lasted just three days. The public being a little skeptical as to spirit phenomena as compared to their ready acceptance in the days gone by, and the name of Davenport Brothers tailed to excite the enthusiasm and bring the vast audiences it did some twenty years ago. Ira Davenport is still alive and resides in the town of his birth, Buffalo, N. Y.

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493 6th AVENUE, NEW YORK, U. S. A. SUBSCRIPTION, $1.00 PER YEAR, SINGLE COPIES IO CENTS. RATES OF ADVERTISEMENTS.—Twenty cents per line, nonpareil type measure; space of one inch $2.40 each insertion. A deduction of 20 per- cent, is allowed on advertisements when paid for three months in advance, and on advertisements measuring 50 lines or more. For Sale or Exchange column, 15 cents a line. Copyrighted March, 1895. Remittances should be made by cheque, post office or express money order, or registered letter. Entered at the New York Post Office as Second Class Matter.

MAHATMA would ask as a favor that all magicians will send their address and all news appertaining to magicians to this office, and also names of persons interested in magic, etc. The aim of this paper is to reach all magicians, and MAHATMA is now circulated all over the world. There are many persons interested in magic who have never heard of this paper. All magicians must help by news and happenings of the profession. There will appear monthly in this paper articles from Messrs. Hewes and Robinson, who have no superiors in the practical knowledge of magic. Powell is hard at work perfecting his latest illusions. He will have everything new, and a magic entertainment that cannot be surpassed. Mr. John J. Whalen, well known to the magical world, has signed a contract with Frederick Bancroft for the season of 'QS-'OG. Mr. Bancroft has spared no expense in securing the best people, printing, and other paraphernalia, which is on a scale of magnificence that has never been equaled in the history of magic. Mr. Bancroft styles himself the Prince of Magicians, and he has certainly spent a princely sum of money before he makes his first appearance before the public. The magnificent mansion which Professor Kellar is erecting in Ludlow on the Hudson, is progressing rapidly under the personal supervision of the Professor himself. Mr. Kellar has some great surprises in store for this coming season, consisting of startling illusions of his own invention which he will introduce in his repertoire. The manager of the Spanish conjurer Enireb, sailed IJuly 29th for Port O'Prince, taking with him several fine Illusions manufactured by Martinka & Co. of this city. A New York manager has offered his theatre to " Jewett" the Hartford magician, for an extended stay in this city. It is not known whether this famous magician has accepted or not.

FROM OUR MHXICAN CORRESPONDENT. Prof. Montanelli is successfully playing an engagement of one month at " Teatro Guerrero," Puebla. Miss Montanelli is warmly applauded every time she appears in her spirit cabinet. The two Montanellis' give the entire show. Rafael Montano is managing a variety company. The star being Anita Diaz in ner new second sight act and Spanish dances. The " Museo de Variedades" will soon open in which the principal feature will be magic. Joaquin M. Garduno has been engaged for the entire season, giving magic and spiritualism, also Blanca Linder, transmission of thought; Fred Sylvester, illusionist and shadowist; Alberto Castillo, clown juggler. Prof. Ricardo Vargas is with his own company at Monterrey. lldefonso F. Orellana, dealer in magical goods in this city has established an academy of magic. He has quite a number of pupils. No foreign magician has visited us since two years ago. There are but two Comic Opera Companies in this city. RAFAEL MONTANO.

THE NEW TORN CARD. This is superior to the old torn Flap-card, for after it is restored, it is given for examination. It is prepared as follows: a corner is first torn from a card, the remainder

being discarded as it is not used. A piece of thin black cloth is cut the exact sine and shape of the torn corner and is pasted to a similar card by means of soap. A card so prepared, when held in front of a person, has the appearance of a corner missing. It cannot be detected at a few feet distance so perfect is the deception. To restore card the performer holds the supposed missing piece over the black cloth to show that it fits. He rubs it once or twice and palms off both cloth and piece, taking the wand in the same hand. He now gives the card for examination and it is to all appearance restored. This is useful in all torn card tricks. A SUGGESTION.—A good effect with chlorate of Potash and sugar mixture, described on page 2 of April MAHATMA, is produced as follows- a small quantity of the mixture with a drop or two of sulphuric acid is placed on a plate about an inch apart. The handkerchief to be burned is first moistened with the spirits and laid on the table with the chemicals. The conjurer take his wand, and saying as he does so, that he scorns the use of matches, touches the handkerchief with it. The handkerchief on being pushed by the wand sweeps the potash mixture into the acid and all burst in flames. This artifice may be used in all tricks where handkerchiefs are burned and its simplicity recommends it to all. HAKKV SHAGRKN.

HIS FIRST HIT. BY "SARGEANT"' THE MKRRY

WIZARD.

Professor Fakirino, a magician of renown, On show bills yclept "the marvel of the age," But at his home in Jersey they call him slick Bill Brown, Who ran away to go upon the stage. He tried his hand at everything from playing Hamlet, down To swallowing the sword at country fairs' One week he'd be a Fire King, the next, a circus clown, The next he'd walk the ties quite free from cares. But fate, an opportunity to each poor mortal gives, Whereby he may be famous if he will. The crucial moment surely comes to every man that lives, And, ergo, such a moment came to Bill. When it happened he was working under canvas with a lot Of Kickapoos and Keeley graduates; He lectured, and sold medicine, and very often got His salary—where the shoulder terminates. Their best card was a lusher who did a magic turn, He'd a set of apparatus that was great, And Bill got stuck upon the act and started in to learn, So's to jump in when his nobs got on a skate. He practiced every chance he got, but never said a word, Till, at last, one night the wizard was non i'sl. The manager was furious 'till Bill's calm voice was heard: "You raise the curtain, and I'll d^o the rest. He started in and did the turn for all that he was worth, The Hat, the Flowers, the Handkerchiefs and Rings; The audience was with him and you'd think he owned the earth, To see him use the old Professor's "things." They were playing in a little town out in the woolly west, And the audience went wild when he got through; They thought him such a wonder that if driven to the test, There was nothing in the world he couldn't do. Late that night a frisky cyclone came sailing o'er the town And struck the little church upon the hill It picked up the sacred structure and didn't let it down, And for all I know the church is sailing still. Next morning when the people found their kirk had gone astray They laid the disappearance to poor Bill; A delegation went to him and gave him just one day In which to put it back upon the hill. " I ain't got your church," said Bill, "And where you fellows think I could hide it, is the thing I can't conceive." " We reckon," said the spokesman, and he gave a knowing wink "We reckon that you've got it up your sleeve."

ANTI-SPIRITUALISM. BY F. D. HEWES. (JINCE the remarkable demonstrations produced by the Fox Sisters of Rochester, N. Y., who claimed that they accomplished their phenomena by an unseen agency which they attributed to supernatural beings, or disembodied spirits, hundreds of others have appeared in different parts of this and other countries styling themselves mediums, and claiming to have intercourse with our departed friends and through their mediumistic abilities to cause them to write upon slates, tip and lift tables, rap upd« walls in answer to our questions, and even going so far JS to materialize faces and forms of those that are near and dear to us. Thousands have accepted spiritualism as a religion, and place explicit trust and confidence in these self styled mediums. No other belief could be more pure and beautiful than spiritualism or its teachings, if it were true. To believe that our friends and relatives are constantly with us. and are directing us in paths of virtue, honesty and integrity, would cheer the mind of any mortal; but to consider that in order to receive a communication from ones friend or relative it is necessary to consult an entire stranger, and to pay them a sum of money in order to receive the same, clearly upsets the belief that might have a foothold in the intelligent mind. 1 as an investigator have attended some of the seances given by our most prominent mediums, and in all of my investigations I have failed to witness what I could call a genuine demonstration of supernatural power. In Little Rock, Ark., 1892, I attended a seance given by a Mrs. Fletcher, who was securely bound to an ordinary chair which was fastened to the floor of her cabinet, her dress, a black silk one, was tacked to the floor upon all sides, the lights were lowered and immediately bells were rung and other usual phenomena was presented. The curtain of the Cabinet opened slowly and the form of a lady dressed in white emerged therefrom, purporting to be a sister of one of the gentlemen present, and during the conversation between the gentleman and the supposed spirit, he requested a piece o( her dress, as a token of remembrance, the spirit reached to a table and picking up a pair of shears cut from the side of her dress a small piece three inches square, this piece which was cut from the dress of the supposed spirit, contained three thicknesses of cloth, viz: the lining, the stiffening of the dress, and the dress itself. Strange to say th.it when the Cabinet was opened and the lights turned up, Mrs. Fletcher was still in the same position in the Cabinet, but stranger still, a piece had been cut from exactly the same spot of Mrs. Fletcher's black silk dress, nnd the white placed there fit exactly, this was the most perplexing experiment that I had ever seen, but after a nights reflection I solved the problem. She was tied in the usual manner of mediums, her hands behind her tied with tape, the reader is probably aware that knots tied upon ones wrists with tape may be converted into a slip noose by a smart pull on the long end of the tape, so that in this manner she could free her hands at will, to escape from the dress it was only necessary to unhook the waist band of the dress and step out of it leaving it still tacked to the floor, the gentleman purporting to be a brother was in reality a confederate of the medium, and the pieces of the black dress had been previously cut out, and the opening cleverly concealed by the folds of the dress, the pieces cut therefrom had been emersed in a solution of hydro-chloric acid and lime, which removed all color. These pieces were palmed by the medium when she appeared as the spirit, so that it was very easy to feign cutting them from the dress.

S"

The slate writing test may be accomplished in different ways, the neatest manner is as follows: Take two ordinary slates of the same size, and previously write J communication upon one and cover it with a black card board closely fitting inside the frame, now show your slates both sides perfectly blank, step to your table upon which is a black cloth and make a scroll upon both sides of the slate No. 1 which contains the writing and lay it upon your table, you then pick up No. 2 which is blank and do the same. Now take a moistened cloth and erase the marks first upon one side and then the other, taking care to keep the edge of the slate upon the table while erasing marks, now throw this slate carelessly upon the floor, and pick up slate No. 1. erase first the marks from the black card board which covers the communication, and in reversing your slate to erase the opposite side, allow the black card board to fall upon the table; throw this slate upon the floor with the writings downward, now pick up slate No, 2, powder a little chalk upon the face of it, and show it to your audience; now take slate No. 1 and place it over slate No. 2, and care should be taken not to expose the writing in handing them to a spectator to hold, now reverse your slates so that when the slate is removed the writing will appear upon the lower one. A simple method to produce spirit rapping upon a table is by letting the heel of the right boot come in contact with the table leg, pressing it firmly and slightly raising or lowering the heel will cause the raps that come apparently from the center of the t.:ble. the vibration being carried up the table leg. The old idea of lifting and tipping a table is a good one, and used so little at present that it is unknown to many and it consists merely of two parties sitting at opposite sides of the table who are in collusion, they having prepared themselves previously with a small band of iron fastened upon the under side of the arm reaching from the elbow to the wrist, the iron being bent slightly at the wrist so that when the hands are placed on the table the irons slip under the table top. thus securing a firm hold, now by pre-arrangement they can tip the table in any direction and also lift it from the floor while a committee are seated about it. The Cabinet mysteries simply require a knowledge of getting in and out of the ties, ,uid this anything can be accomplished that is desired by the performer.

without eating or drinking. The man was in charge of the Western Reserve Medical College of this city, and was watched day and night by the faculty and students o( the college. Santanelli is under the management of genial John Williams who for several seasons was Herrmann's business manager. Santanelli appears in Pittsburgh for two weeks beginning Aug. 5th, he goes from there to Philadelphia for three weeks, which closes his season. Crelo, the juggler, is booked to appear .it the Auditorium, week of August sth. MAL'RICI-: RAYMOND.

Mr. Hugh G. Emmett, the celebrated California entertainer, who has entertained every club and lodge in this section of the country is now visiting California, his native State. Mr. Emmett is already well booked for this coming season. IMPROVED SMOKE TRICK. First you hand volunteer assistant trick box, containing cigarettes. Meanwhile you show a package of cigarette papers with the remark: "these were given to me by the Emperor of China and were specially made, they do not consist of paper but of ribbon. If I enclose tobacco in them they make cigarettes, but if 1 roll them up so, without tobacco, they change to thetr original form- ribbons. Here you produce colored ribbons in three yard lengths. Now 1 show an ordinary glass tumbler and take a piece of paper and make it into a cone with which 1 cover the glass, and place it on a table or chair. This 1 repeat with another glass, and now I open the trick box and let him light cigarette. Pass the smoke into glass and then pass from this glass into another glass; now hold glass in two hands right at the top. and collect more smoke. Then say 1 will dispense with the K^SS, close your hands and they become full of smoke. "EXPLANATION. -- The trick box is easily made or obtained. The ribbons are rolled up small and fastened with a small pin or piece of thread, these are vested and developed while rolling up the paper, they form a roll one inch in diameter. Ulasses contain a few drops liquid ammonia fort. The covers are made of blotting paper with a few drops ot muriatic acid where the point ol cone will be when made. I have a piece of tin made to fit palm, a small tongue stands up half an inch and catches between thumb and first finger at fleshy part. This is covered with cloth and on it is the acid. To catch smoke in hands hold glass in left and tilt it so as to allow ammonia to come on the hand. The rest is easy. ILSA BECQ.

CLEVELAND NEWS. Barnum & Bailey Circus was greeted by immense crowds afternoon and evening of July 1st. Miss Cornalla and Sakai, please with their juggling. Mile. La Tosca. lady magician, has a finer outfit than the average sideshow magkian, and MOMS. La Tosca, marionette manipulator jre drawing cards in the side show. Santanelli, the hypnotist, who recently had a man in a trance for seven days and nights .it Lake Brady, appeared at Army and Navy Hall for two weeks beginning Monday, week of July 15th, He created quite a sensation here by keeping a man in a trance for eight days and nights

A. J. Martvne, the king of platform entertainers, and so well known throughout the United States and Canada, is absolutely without a peer as a humorist, mimic, impersonator, polyphonist and ventriloquist. Mi. Martyne is a gentleman that it is a pleasure to meet, and many return engagements for this coming season shows th;it he is appreciated by managers and the public,

flDabatma. FROM OUR CHICAGO CORRESPONDENT.

paratus obtainable. Mr. Roterberg is making him a beautiful centre table in the style of Louis XV., finished in white and gold to match the balance of his stage setting. Chicago conjurers are unanimous in their praise of Mr. W. E. Robinson's excellent article in last months MAUATMA, and sincerely hope for more articles from the same author.

The chief event in the magic line during July has without doubt been the first appearance in this city of the Guibals, whose work created quite a stir among local performers. The Guibals finished a two weeks' engagement at Hopkin's State Street Theatre. Mon«. Guibal did some clever tricks, among which were the programme, ring and envelope trick, the glass box and paper cone, multiplication of cards, the diminishing cards, etc.. using ordinary parlor furniture for stage setting. He manages to keep his audience very much interested by his patter which he delivers with a certain dramatic effect and with such an air of sincerity that it reminds one of the well known saying of Robert Houdin, that "a magician is an actor playing the part of a magician." By his success Guibal demonstrated to Chicago conjurers that a performer can take up from eight to ten minutes with a single trick, use plenty of patter and still not tire his audience, in direct opposition to the often heard statement that the fin d? sieclc way of performing a trick is to rush through it as quickly as possible. Mons. Guibal closed his act with his well known silent second sight seance: "psychognotism," in which he was assisted by Miss Otis, who takes the place of Miss Greville. Mr. Salo Ansbach accompanied by his accomplished wife gave us a pleasant call. Mr. Ansbach reports a prosperous season. T H E BUMPKIN. Satsuma, the Japanese juggler, finished a two weeks' engagement Take care with this figure to look as idiotic as possible. The best at Hopkin's Theatres. way is to stare very hard and open your mouth at the same time. Mock-Sad-Ally, the Oriental necromancer, is playing local datesYou will notice that the hat looks a different shape to the one on He is booked at the Olympic Theatre, which will soon ope" as a con- the Bumpkin's head. The reason of this is that when you place it on tinuous variety house. your head you stretch it till you make it stiff and sets on your head, Prof. Jos. Pacourek and son, the Bohemian magicians, left for as in the drawing. To form the hat pull the sides out so as to give North Dakota after finishing a tour of one year through Wisconsin. the shape as shown in the drawing. Part of this arrangement must Le Roy Doude, the clever crayon artist and chalk talker of West be completed when it is on the head. Pullman, has added the dancing skeleten mule on a blackboard to his Professor Herrmann with a party of friends spends most of his act, a'so some up to date tricks. Mons. Bernier, the French illusionist, is playing at St. Paul, Minn. time on board of his splendid yacht Fra Diavolo. He is a member Mdlle. Martelle, the lady magician, performed for two weeks at the of all prominent yacht clubs, and is now preparing for an extended Clarke Street and Globe Museums, making a feature of an inexhaus- cruise in Southern waters. tible box, originally owned and invented by the late D'Alvini, and AN EVENING WITH "POWELL 1 AT THE EDEN MUSEE. loaned to her by Mr. Roterberg. Prof. Thos. E. Addy and wife, who from now on will be known as How some of the experiments can be done as presented Nadean and Navarre, leave for the .road August 6th. by America's cleverest magician, Frederick Powell. It is only Edward Maro, the famous society prcstidigitateur, is as successful as ever mystifying the people. Next year Mr. Maro intends to take necessary to state that he is the embodiment of mystery and an extensive tour through Mexico; he is now perfecting himself in the skill, and as he presents his numerous problems it is safe to say that but few magicians have detected his methods, and language of that country. Prof. Wernert showed in.Peoria, Illinois, July 4th, the performance as many of them would like to know a few explanations will not come amiss. One of the prettiest tricks is the (lag proved an artistic as well as a financial success. Peregall, the Italian Mephisto, played at the South Side Musec, the trick, the performer taking three small pieces of paper—red, white and blue, rubbing them between his hands and proweek of July 21st. Hornmann, the up to date magician, is as busy as ever playing ducing innumerable little Hags of the three different colors. Chicago and other dates. On July 4th he performed before a large An explanation is as follows: the flags are rolled in a small and appreciative audience at Neogo, 111. He is at present building a bundle turning them half and half, so as to make an even bundle, a small rubber band can be placed on each end, and combination illusion which he expects will create a furore next season. Mr. Rapp, the Milwaukee conjurer, was in Chicago July 7th, and then roll them in a piece of black tissue paper, sticking the was glad to find a place where he could purchase the latest MAIIAT.MA. side of the paper leaving the top and bottom open so Prof. Rodney, the smoke artist, and wife, have added magic to their that there need be no more tying. Then take a piece of turn and are busy getting ready for the fall season. Mr. Rodney has thread doubled, making two half loops over the bundle, and when you have them in your hands the loop of thread falls improved his smoke turn in such a way as to make it suitable for the oft and all you have got to do is to tear the black tissue and stage. Charles Carter, assisted by Corinne Carter, introduced his illusion the rubber band slides down, and your flags are free. The " T h e Phantom Bride or the Mysterious Swing," at Kohl & Middle- way to secure your load without detection is to have a small pocket on the inside of the front of your dress coat, the string ton's Clark Street Musee, July 21st. Ziska, Chicago's clever conjurer, is playing local dates, previous to that is attached to the small bundle of flags tie to the other side of your coat, and when you pick up the second piece of going out with the Vincent show in August. H. West, the fire king, finished a two weeks' engagement at the paper run the thumb of the right hand under the thread, and bring it under the thumb of the left hand, you then pick up South Side Musee. Mr. West does a neat turn. Ganellean, the illusionist, went to Minneapolis, Minn., where he the third and last piece of paper, pushing the left hand away performed in the Musee for two weeks. He then returned to Chicago, from you which draws the bundle into the hand under cover where he is booked for the season at Kohl & Middleton's houses. of the three pieces of paper. The second load you can take This speaks well for Mr. Ganellean, who gives a smooth and refined from under your vest while you are down among the auperformance which pleases the public and managers alike. Mr. dience. Ganellean is adding largely to his repertoire, purchasing the best apAnother very puzzling problem of the Professor is when

ZlDabatma. he borrows a high hat he takes the hat in the left hand and as a chair upon the stage is in the wav. having hold of the brim of the hat with his fingers, with the same hand holding the hat he picks up the chair, releases a spring by pressing the top which forces a load through the front of the chair, and seemingly placing the chair out of the way, hi. has secured his load without going near a table or the back of a chair. Another way to ioad a hat is to have a star trap in the center of the table, with a loop of wire projecting, and the performer laying a hat upon its side on the table, picks up his "wand and then picks the hat up again and places it upon one of his side tables with another load in it. All the Professor has got to do is to run one finger through the loop that is projecting from the table and as he turns the hat in an upright position he pulls the load into the hat. The old way of deliberately scooping up a load from the back of a chair although it is done by the best of performers, is a chestnut, and many people who know a little of magic are looking for it, and there are many amateur magicians that can follow out every move of some of our prominent star performers, for the simple reason that they have not improved upon the old methods. It is claimed by many observing magicians that Powell is one of the neatest performers that has ever appeared in this city, and one of his tricks that will puzzle you is to see the Professor when he has unloaded among other things two silk handkerchiefs which he throws upon the back of a frail chair that is so small and there being no decorations upon the chair, could not possibly conceal an object of any kind; he picks up the two handkerchiefs and you find that he has made four out of the two, he again throws the handkerchiefs upon the back of the chair, and calls your attention to the fact that his sleeves are rolled up, etc., picks the handkerchiefs up again and he has six, he carelessly throws them over his shoulder and again they have increased. How this can be done is so simple that you can do it by using the same means. The two uprights of the chair are hollow, and he has already placed two handkerchiefs in each, and when he picks up the first two he also takes the ends of two that are invisible unless you know that they are there, and he has four; again he throws them upon the back of the chair and when he picks them up he takes the two from the other upright of the chair, making six, he carelessly throws them over his shoulder, and under the lapel of his coat the ends of two handkerchiefs are projecting which are hanging down his back inside of his coat, and he takes them from his shoulder and he has two more; he can also continue as he can have them under his sleeves in the same manner, or under the knee of his pants, and if he wears knee pants he can attach the end of the handkerchief to a button. The performer can load his chair by employing a long and thin tin box without ends, in which he folds his handkerchiefs, the ends projecting from the lower end of the box, and by shoving the box down inside the upright of the chair, and a small hole in the chair in which you can run a needle which catches the ends of the handkerchiefs, withdraw the box and your handkerchiefs are not wrinkled and so make it a deeper mystery. Another problem and one that never fails to please is the flower trick, a great many performers after the first load secure the rest from the back of the table or umbrella, and it has always been a mystery to me why the performer should go behind his table fumbling around for the load. Powell picks up his piece of paper and makes a cornucopia of it and then unfolds it, showing that it is still empty—all the time away from his tables—he again makes a cornucopia of it, and it is filled with flowers, the last time his hand and the corner of the paper covers the leg of his table which must be hollow, with the flowers in a star trap with a piece of wire attached and when he has secured the end of the wire he raises his paper to make the cornucopia for the second time and that is where he secures his first load. The second one upon the

back of a chair with a small wire loop attached, he then runs his thumb through the loop, the load resting upon the back of his left hand, he shows the left hand open, the paper between thumb and finger of the right hand, turning the paper around so that you can see both sides of the paper, he then places the corner of the paper under the thumb of the left hand, making the cornucopia around the back of the left hand, and he has secured his second load. I merely say that the tricks can be done in this manner, I do not claim that these are his methods, for he is so skillful that you cannot detect him. Another feature of this performer is that he never employs the same methods twice; he is continually changing, consequently his audience is continually guessing. CURIOUS INVENTIONS. OPTICAL ILLUSIONS.

Sepctral illusions date back nearly a century. Descriptions of them are found in the memoirs of the physicist Htienne Gaspard Robertson (1762 to 1837), who invented phantasmagorias by projection. This mode of illusion was completely transformed by Robin, who conceived the idea of obtaining the real image of a living person by means of a transparent glass invisible to the spectator. Robin's representations created great excitement at Paris some twentyfive years ago, and our contributor, Mr. G. Kerlus, has already given a thorough description of them in his journal. His article terminated with a short description of dissolving specters, which we shall reproduce, since it contains the principle of those metempsychoses that for two or three

1 •FIGURH 2. DIAGRAM EXPLANATORY OK THE TRICK.

years have been obtaining a certain measure of success on some stages of the capital and in strolling exhibitions. The following is the description : "Dissolving specters consist in the successive and uninterrupted appearance of various objects that are transformed before the spectators eyes. In this way, Mr. Robert Houdin obtained very curious effects. Dissolving specters are obtained by placing an object on the stage so as to be seen directly, and another beneath so as to be seen by reflection, and by gradually illuminating one and not the other. The image the least illuminated disappears and gives place at the same point to that of the object which at this moment is receiving the entire light. "When the theatre, through its arrangement, does not allow the actor forming the specter, to be placed beneath the stage, he may stand behind the scenes. In this case the glass must be vertical but diagonal on the stage." Now for the trick of metempsychosis. Fig. 1 gives ai general idea of the appearance of the stage at the moment the doors of the transformation temple are opened. At the back of a deep and slightly conical aperture, entirely lined with black, appears under a strong light, in the cen-

/IDafoatma. ter of a cubical cavity about 24 inches square, a plaster or paper pulp head that the showman picks up nnd passes around among the spectators in order to well show the materiality of its existence. After it has been examined, the head is put back in place when, gradually, it becomes animate. The eyelids wink, the face takes on a color, the mouth •smiles, and. in less than a minute, the plaster has entirely disappeared and given place to the head of a live woman which moves its eyes. Then, by an opposite effect, the living head becomes pallid and changes into plaster again. This plaster head afterward becomes a death's head from which a bouquet of artificial flowers appears to make its exit. Then the death's head disappears, and is replaced by a pot, which supports the bouquet. The showman then approaches the stage and takes the bouquet, and passes it around among the spectators. After putting it back in place he makes it disappear and shows in place of it a globe of fish from which he afterward causes the plaster head to emerge. This latter apparition terminates an exhibition which through

I-IOURE

AL. when the showman approaches to take up one of the objects placed at P. The darkness ol the place in which the elass is situated would prevent the shifting from being seen. The manner of placing the plaster head and the bouquet, moreover, allow it to be supposed that the objects are simplv passed under the
AN OI' r i t . A I .

successive transformations, might thus be continued indefinitely. ' '. The reader has already guessed that, in these transformations, the objects that succeed one another are seen alternately, directly, and by reflection. The diagram in Fig. 2 shows the principle of the very simple arrangement that permits these results to be obtained. At P is the real object lying upon a shelf, EGAM. At AB is a plate of glass inclined at an .ingle of about 4=, degrees. As the object, P,- is directly and brilliantly illuminated, it alone is seen; but if a second object be placed at F, and be gradually illuminated, its image, reflected by the glass, AB. will appear to the spectators to be at P. that is to say, the plaster head will be replaced by the head of the living woman, F. It would seem as if the glass would prevent the showman from approaching to take up the plaster head to show it to the spectators: but it does not, since the glass has not necessarily the dimensions shown in the diagram, its lower edge stopping nearly on a level with the shelf upon which the head, P. lies. In the case of a stage and of objects of very large size, it would not be difficult to slide the glass back to

ll.l.UMUN.

an ordinary pane of glass at an .ingle of 4=, degrees. The inside of the box was lined with black paper, and apertures were made in the side for illuminating the objects through two incandescent lamps, maneuvered by rheostats, in order to vary the light and effect the necessary substitutions. The experiments that succeed best with such an apparatus consist in making a fruit ripen, and in exhibiting a blond doll's head and then converting it into a brunette. A skillful box maker might certainly utilize this experiment, and make an interesting and cheap toy, since the use of incandescent lamps is in nowise obligatory. In strolling shows the installation is completed by a few artifices that contribute to increase the delusion. Thus, lamps placed at L serve to illuminate the spectators, and even to dazzle their eyes a little, so as to make the background appear darker; and the plaster head is moulded from that of the person who animates it. All these details make an attractive and interesting spectacle of the metempsychosis, and one which, although not very novel in principle, is at least skillfully presented and merits the same success as Robin's specters, from which it is1 derived.—i.,i ^c.iturr.

JHaljatma.

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MACICIAN, HARTFORD, CONN.

I 1

ZlDabatma. OLD TRICKS. A W O R D IN F A V O R

OF

OIL)

TRICKS.

1 would rather see an old trick well done than a new one which is devoid of ingenuity or effect. Cm vou find any better tricks than the old Chinese rings, the inexhaustible hat, the cups and balls, the aerial treasure, etc.. and let me see a person perform the above, and I will tell you his ability and prospects as a magician. In a novices hands these tricks fall (hit without making an impression, but in the hands of a clever performer they are the very tricks, although old. that are talked of. and the Chinese rings to-day are still in the programme of a celebrated performer, and the ease with which he handles them makes you wish to see them again. It is simply my intention in this article to take a few old tricks and dress them in a new suit of clothes, showing you that old tricks like a shabby individual, in new apparel are greatly improved. To start with we will take the cone of wood, or the old die trick, and instead of using either of (he above I use an ordinary pint or one-half pint champagne bottle, and tricks are improved when done with ordinary every day articles, such as we are accustomed to see in general use. instead of those that are strange looking and made for the occasion, and look what they really are "tricks." Over the bottle 1 have a shell or dummy bottle of paper mache or metal, also a paper cover fitting over both, the paper cover containing the shell is setting on the table and the bottle along side of it. The performer produces an orange, and this he places on a side table; he now passes the bottle for inspection, and at the same time borrows a hat and returns with both to the stage, placing the hat on the table along side of the orange, and the bottle on the other table beside the cover, remarking this cover is made to go over the bottle, and showing them in action bv placing it over, and again removing it from the bottle, but leaving the shell behind. The performer shows the cover and bottle, but for the benefit of those who did not see it, proves its solidity by banging it on the table, holding it by the neck, near the rear edge of the table, and the last knock he
the orange on the plate. A neat and effective way of vanishing the orange, instead of the pass or trap, is to have half a shell of thin paper, color of the orange, fitting over it. You make the motion of tossing the orange toward the cover, and in doing so drop the orange into the coat tail pocket, simply keeping the paper shell in the hand, but remarking 1 must make it a little smaller, so I will squeeze it, which he does, making the shell into a small round ball, he shows it ind makes the pass holding the small ball in same hand as the wand. The end of wand being hollow to receive it, thus showing hands perfectly empty. I will now give an idea on vanishing a glass of water. Take a piece of mica, or if you can procure it, clear celluloid, whicii is better. Cut a circular piece a trifle larger, say a sixteenth of an inch than the top of your glass, and have a few pellets of transparent wax on this; you now fill the glass with water and palm the piece of mica, leaving it on top of the glass as you advance towards the audience. You now borrow a handkerchief and place it over the glass, and hold handkerchief and glass from the outside, press the handkerchief down on the wax which is on the mica. Holding f.he glass at the top you make a motion of throwing it towards the audience, and as the hand is brought back, before giving it the forward throw, drop the glass out of the handkerchief into your coat tail pocket, which should be rubber lined. The mica cover is easily retained in the fingers which have just let go of the glass, but you change your mind and do not throw the glass but walk clown with the glass apparently in the handkerchief, squeezing a sponge with water or a rubber ball concealed in the hand. Now take hold of one corner of the handkerchief, drop the center and the glass has vanished. Palm off the mica and return handkerchief. Another way is to have the top of glass prepared with wax, then palm thin piece of circular glass, place it on top of glass and press it firmly, now then vanish it by any way that you wish, the water remaining in glass by a glass top held on by wax. Another way is to have a glass pitcher tilled to the top with wine or colored water; you must use a small thin glass, fill it from a pitcher and cover it with handkerchief, letting the glass slide gently back into the pitcher, and it containing wine prevents the glass from being seen through it. The next trick is a chin chin egg and handkerchief. Use a wide mouthed goblet, or a sugar bowl is a good article; have the egg attached to a hair or fine silk thread, long enough so that when the egg is in the bowl the end of the thread is just behind the egg or outside of the glass—to the end of this fasten a small pellet of wax. The glass is shown and the egg placed openly into it, and the pellet of wax press against the glass just behind the egg, which will hide the wax from the audience. Borrow a handkerchief, and in your right hand folded up is one of the silk handkerchiefs: the borrowed one held by the top corner, one in each hand, and in covering the glass do so with a kind of side motion, dropping silk handkerchief in the glass. Now pick up your other silk handkerchiel under which is concealed the duplicate egg, do not use a hollow egg, but a genuine one. learn to palm the silk handkerchief instead of stuffing it into a hollow egg. With a little practice and determination this handkerchief can be worked into the palm and the egg produced all with one hand. The hand containing the palmed handkerchief immediately lifting the borrowed handkerchief from the glass or grasps the wand. As you lift the borrowed handkerchief from the glass with the right hand you transfer it to the left hand which is introduced under it, and obtains the egg palming it and transferring it to the coat tail pocket. The wax on thread is to keep it in one place against the glass, and prevents its moving when the glass is shaken, without it the thread would become lost. WM. E. ROHINSON, the Man of Mystery.

/IDabatma. THL LAM.; Of HUMBUG.

1

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lliv. J h l J i U i icplied.

All yes, the cross of Christ, of Jesus, the only K^otlen son of God, who OBSERVATION AND EXPERIENCES. BY DR. ALBERT MERLIN. was crucified by Pontius Pilate, and crowned with thorns in derision, as an A r atonement for sin, that all might inherit eternal life. And this is^what ? CHAPTER II. drawing a crown. " N o w you shall hear, what he (The Devil) can accomplish through his " A crown,'' the chorus replied. instruments. ften laughing have heard it. It indicated an experience in Jericho, possibly an experience over the success of his pretended piety. with thieves. I resolved to investigate. Out of the thousand or more people there, only two individuals understood On inquiry of one of the deacons 1 learned that this highly respected man each other—he and I. He waist deep in the cold water of Lake Winnepewas the popular and well known Reverend James A. Smithson, let us call saukee looking at me, and I at him. Both considering no doubt, " what him, as I do not wish to divulge his right name. He is now a well known fools these mortals be.'' theatrical manager famous for his chalk talk and missionary work throughout The last time 1 saw this tellow was when he shook my hand and bid me New England twenty years ago. good bye at the steamboat whart the following morning, saying in all sinAt the deacon's invitation I accompanied him to the tent which I found cerity: " God bless and speed you safely dear boy to your destination." well filled with ladies and children. Truly, some men have a double nature, the real and the acquired. The chalk talk by means of a blackboard and numerous colored crayons A continuation of this article will be published next month. was really entertaining. The speaker drawing rapidly a picture of a cross so R e a d e r a n d Smith, magicians, are p l a y i n g s u m m e r resorts for t h e artistically with the various colored crayons, that it really appeared to be a summer. Mr. R e a d e r is an exceptionally clever e n t e r t a i n e r . work of art, saying meanwhile: Children, what is this?

flDabatma. FROM OUR BOSTON CORRESPONDENT.

address him care American Consul, Calcutta. Mr. Redan certainly has a host of friends in the profession, and will carry with him their The hot weather has driven most of the exponents of magic to the well wishes for his continued success and prosperity.—W. D. LKROY, seashore and mountains, so few are seen about the " Hub." Eddy Odell, the acrobatic tramp and juggler, appeared at Oakland Park, Augusta, Me., week of 13-19 of July, Island Garden, Lewiston, Me., week of 22d, opening at Austen & Stone's Museum, Boston, week of 20th. He is booked to appear with Manchester's French Folly Co. this coming season. Alburtus and Bartram, expert club jugglers, were seen at Keith's new theatre, week of July 15th. Astarte, the illusion, opened at Austen & Stones, in curio hall, |uly 15th for four weeks. Mercer, magician, was at Austen & Stones weeks of July ijth-and 22d. He goes with Kickapoo Medicine Co. week of 29th. Bunth & Rudd. the English comic conjurers have finished their rehearsals at Lawrence, Mass., and open the season with Cosgrove & Grant at Portsmouth, N. H.. Aug. 12th, for one week; Opera House, Lawrence, week of 19th, following which they play the New England circuit. These gentlemen introduce a very funny act, and are certainly one of the cleverest teams in the business. We are recently in receipt of several curious magical photographs of Mr. David Devant, now at Egyptian Hall, London. Among which is one of Mr. Devant and his spirit wife, and from the accompanyingpress clippings it is evident that Mr. Devant is one of the most original, skillful and entertaining conjurers ever engaged by Maskelyne & Cook at their famous Egyptian Hall. Mr. A. W. Eaton, magician, is doing the summer resorts, and enjoying himself as usual. T H E COOK. Prof. Howard, the magician, is playing the small towns in Maine, This figure is produced by using hands separately. A piece of card cut in the shape as shown in the engraving forms the cap. The left during the summer. A letter just received informs us that Mr. Harry Redan, the clever hand with the card is held with the back towards the light, quite close tf> it so as to enlarge the shadow. The right hand is placed bemagician and illusionist, started the 23d for San Francisco, there to tween the light and the screen distant enough from the left hand to embark on the Steamer Josepha for Calcutta, India. All friends can show half of the arm in proportion to the size of the head. MANUFACTURERS OF

Conjuring Tricks, Illusions, Ventriloquial Heads and Figures, Puzzles, Marionettes, Shadowgraphy, Chapeaugraphy, Juggling Goods, Etc.

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ILLUSIONS! ILLUSIONS! ILLUSIONS! Several prominent magicians have commissioned us to offer the following popular Illusions and Apparatus for sale. is an opportunitv seldom met with to procure reliable illusions that have stood the test before the public at a figure far below the actual value. CASSADAGA T*RO PAG A Ti D A, NOAM'S ARK, OM, PSYCWO, SARATOGA TRUNK MYSTERY, OUT OF SIGHT, C A N N O N , '"' ~-]i""tini; <>\u ;i live lady, suitable f«r Circus.

TREE

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B U N G A L O W '| 'te new and never performed in this enuntry. FLOWER T A B L E , London make. T H E B I R T H O F F L O R A , t l l e latest Sensation from the Egyptian Hall, London. FINE FRENCH CENTRE T A B L E , made by Voisin, Paris. Prices and particulars will be communicated on application to professionals only, on receipt of last programme or card.

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/Ifcabatma. FLOWER BANDS.

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Bright and Catchy.

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AUHARBACH & CO.. 8C9 Filbert

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DtAl.tR IS

ANI> MALE S c i - I FOR Iliu rlt: OK KXOIIANSK

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I am now putting up a special $5.00 HRK KING OUTFIT. This uutlil i- the neatest and cheapest pi.ictu.jl outfit ever pu on sale in this country. It contains everything necessary to perform all the leading '"hire Tricks." It is suitable for Stage 01 Drawing Room Entertainments. Each outfit is put up in a handsome casket, including a complete book explaining 28 of the bes Fire Tricks, so that "ANY ONE" can perform them with very little pn practice. Address 1 0 0 L a S a l l e A v e n u e , C h i c a g o , 111., U. s . A .

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tfbabatma.

Jtom giving* PLAYING ONLY THE LEADING FIRST CLASS THEATRES. NOW BOOKINC SEASONS OF '96, '97, '98. SOME <)F THE MANY ORIGINAL CREATIONS PRESENTED BY " P O W E L L . " Suggested by the cave scene in Kider Haggard's novel " S H E . " °f t n a l name, and presented tor the first time at 'HI teatro Baralt, Maracaibo, Venzuela, S. A. A beautit'u woman apparently burned to ashes in full view of the audience. •AFTER THE FLOOT) OR THE ARK OF NOAH. Founded on the biblical legend of Noah and the Ark, in which a coterie of wild and domestic animals are used, culminating with the production of a beautiful woman, dressed as a sea nymph. RA-VID TR-ANSIT OR SUBSTITUTION. POWELL'S latest version of the great Hindoo mystery. THE CABINET OF PHAU^TACMS OR THE VAC- 4'R.IES OF •'MO'DERO^ SPIRITUALISM A novel Cabinet Seance ending outside the lines of such productions. fMAHATM-A'S MIRACLES. The materialization of life, and shadows from the Spirit world. METAMORTHOSIS. The substitution ot a beautiful American girl for a live Indian. THE MISSING DRI-DE.—An entirely new illusion. ICAK.IAN, O'X F-ROm THE EARTH TO THE SUN. Hrst produced by Powell at the Q_ueen's Theatre, Montreal, Candi, Sept. 22d, 1893. The Hindoo Ladder Mystery, Crystal Casket of Mahomet, A Tribute of Flora, Thle Cave of the Orient, The Light of Asia, La Seince de Suggestion, etc., etc. POWELL'S Latest for the coming season: THE -.ASTRAL 'HODY. An entirely new and original production, embracing new principles never before utilized in illusions.

Tour opens August 26th,

EVERYTHING \NEW. Watch Future Announcements.

POWELL," of Btobern

Address all communications to

B.

New York Office:

A . M Y E R S , Manager

NO. 5 1 WEST 28TH STREET. Rooms 8, 9, 10, 11 and 12.

M A R T I N K A & CO.,7 •

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•

: N[AGJGAh i\PPARATUS, 493 SIXTH LA K G K ST

AND

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COMPLETE list

THIS

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OF"

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APPARATUS

COUNTRY.

apparatus of cvcr^ kino mabc to orber. Our complete fully illustrated Book Catalogue with 500 engravings and description of every Trick and Novelty up to date, will be sent on receipt of 15<-. Illustrated Catalogue of Parlor Tricks free on application.

IMPORTANT TO MAGICIANS. Since the issue of the new tariff we have reduced the price of extra fine Figured Felt, imported specially for Magicians' table coverings, fmm 4 O cents to 2 5 cents per square foot. Send 2 cent stamp for Samples.

NEW ADDITIONS. 2STe"\7V«—New book by Old. a n d and fully illustrated, 394 pages, §1.50. —A perfectly modeled hand is shown n Hail and placed with the linger tips on top of a pack of cards contained in a transparent goblet. At tfoininuiid the hand picks out auv chosen card from the pack while the performer is amongst the audience, 80-00.^^^^ Detachable Magician's Pocket.—-Useful for getting rid and pro- <^ ducing articles like handkerchiefs,, eggs, bowls, etc. Can betaken ^ off and put on instantly, $1.30. Palming Apparatus for Billiard ^ Balls, Eggs, etc. With the help of this apparatus any one can perform the feat of palming round articles with ease, 00 cts. eS

Pi'ol't-,^11- H n l l ' m u i i : b e a u t ii'ully b o imd

ANU

"

THB ONLY PAPER IN THE UNITED STATES DEVOTED TO THE INTERESTS OF MAGICIANS, SPIRITUALISTS, MESMERISTS, ETC.

NEW YORK, SEPTEMBER, 1895. FREDERICK EUGENE POWELL. FREDERICK EUGENE POWELL, professionally known as "The Great Powell," who is the subject of our illustration for the present month, was born in Philadelphia, the City of Brotherly Love," and the birth place of "The Declaration of Independence." His early education was begun in a private, and afterwards :arried on in the public schools of that City. At the age of seven he was taken to see the magical performance of the then celebrated Signor Blitz, who had for a long period held sway at his "Temple of Wonders" in the old assembly buildings at the corner of 10th and Chestnut Sts. That performance planted the germ that was to produce the future magician, for from that period Powell's mind was bent on the study and practice of magic, and even at that early age he earned the title of " The Magic Man," among his playmates, owing to his success in the performance of some juvenile tricks. In the latter part of 1865 his parents removed to Chester, Pa., and Powell was sent to continue his studies at the Chester Academy where he acquitted himself with high honors. It was during this time that he gave his first public performance of which the following is a criticism taken from the "EVENING NEWS," the principal daily of the town. "Last Friday evening was the time for the regular monthly lecture before the Students' Union, of Chester Academy. But on this occasion it was replaced by a unique entertainment given by Mr. Frederick E. Powell, a student of the Academy, who for more than an hour entertained the large audience with a series of tricks of sleight of hand, rapid movements and curious chemical transformations, that completely bewildered and astonished them. His tricks with cards were most of them new, and were all remarkable, the feats in which he displays his remarkable memory, were curious instances of the degree of perfection to which that attribute of the mind may be developed. He was greeted throughout the evening with rapturous applause, and his tricks were

SINGLE COPY, IO CENTS

conceded to equal those of the professionals, and yet time prevented the exhibition of more than half that had been arranged for the evening. Mr. Powell is but sixteen years of age, and forone so young, succeeded beyond all expectation." Shortly after this Powell joined a magician by the name of Willis with whom he traveled for a short period. But preferring to be independent he closed with Willis and traveled on his own account with varied success, discontinuing his tours in 187^ to enter the Pennsylvania Military College from which he was graduated, June 21st, 1877, with the degree of C. E. and the rank of Lieutenant, and owing to his having been one of six cadets who carried the highest grade for the year, his name was handed to the Governor of the State, and he was selected to write and deliver the Honorary Oration on Commencement Day. Powell now entered upon a mercantile life, and with two partners began the manufacture of a pigment for paint from an oxide of iron, which was obtained from a mine near Reading, Pa., with a mill for it's manufacture at Germantown, and a store and office at 205 Arch Street, Phila. This venture not proving the financial success expected, Powell withdrew and.began a series ot entertainments at the theatre corner of 9th and Arch Streets, which was managed at this time by Geo. Wood. His program at this time contained besides all the best general features of the day, a special act of "Second Sight" in which he was assisted by his brother Edwin. A Spiritual Seance and the Indian Box and Spirit Sack worked on a new principle. The "Second Sight" was perhaps Powell's strongest card, as Robert Heller had just died at the Continental Hotel in Philadelphia, and his performance of " Second Sight " with his sister Haidee Heller had created a real furor and no one but Powell had appeared to continue the act. It will be remembered that the main building of the Centennial Exhibition had been leased at the close of the National Fair by a company of Philadelphia gentlemen and turned into what was called the Permanent Exhibition. About this time arrangements were made with the various

1VI SOLE AG'EWTS1 F(2B A '" MAHATMA MAG&ZIITE- OF 29, ^ RATES OF ADVERTISEMENTS.-Twenty cents per line, nonpareil type measure; space of one inch $2.40 each insertion. A deduction of 20 per cent, is allowed on advertisements when paid for three months in advance, and on advertisements measuring 50 lines or more. For Sale or Exchange column, 15 cents a line. Copyrighted March, 1895. Remittances should be made by cheque, post office or express money order, or registered letter. Entered at the New York Post Office as Second Class Matter.

can be purchased in London only at Hamleys, 226 High Holborn, dealer in magical apparatus. MAHATMA

THb LAT.

Replace the sleeve on the left arm and hold at right ends, close the hand, back toward the light, the first and little fingers hold higher than the others to form the ears. Place right arm over the left, holding with the hand the elbow of the right hand, the extended first finger forming the tail. WORDS FROM EDWARD F. KNOWLES. We received a very pleasant visit from Mr. Edward L. Knowles, of Bristol, R. I., formerly with Anderson, the Wizard of the North. In speaking of various conjurers, Mr. Knowles says: "I have from boyhood been deeply interested in the Mystic Art becoming a skillful performer in the old school of " Magic," which, in many respects, 1 still prefer to the new. Besides Prof. Anderson, I was personally well acquainted with his rival, Andrew McAllister, who was also a Scotchman; the original Signor Blitz, and the inimitable Robert Heller, also many others of lesser name and fame. The most skillful performer I ever saw, as regards dexterity, was Herrmann the elder. Anderson was probably the greatest of all the older performers, in his style of entertainment, he did not pretend to great dexterity, depending more upon apparatus; all of his feats were of the large effective kind, and his apparatus was the most showy and splendid 1 ever saw on any stage. He was a large, very fine looking man, and as a performer, in his style, was superb. But as an entertainer, 1 think Robert Heller never was equaled; as a magician he was as clean and skillful as the best, and was also a first class pianist; he had an inexhausti-

ble fund ot original wit and humor, always retined, and was withal so easy and finished in everything he did, that his entertainments had an indescribable charm. His best trick was the "Second Sight," and of that he was the master. A good sketch of him, and Anderson, also others of the old school, would be of interest to many readers of "MAHATMA." The oriental "Occultism" of which we hear much, offers a wide field for some one who has studied it, and 1 would like to see some article on it in "MAHATMA." It claims a knowledge of occult laws of nature, which if applied properly, would dwarf into common place all the boasted wonders of recognized science, and make "Magic," magical indeed." W. 1). LHROY. FREDERICK EUGENE POWELL. Continued from 1st page.

School Boards of the City for the teachers and children to visit the exhibition, a certain district going each day. Various entertainments were arranged, such as lectures on the exhibits, practical illustrations of glass making, concerts on the Grand Organ, etc., and as a climax Powell was engaged to give his entertainments daily at 3 P.M. This engagement covered a period of seven weeks, at the close of this engagement, Geo. Wood, not the Geo. Wood previously mentioned, but Wyman's old agent, Wyman having died a short time previous, proposed to Powell a tour of the Southern States, and this was successfully made under Wood's management. Powell then took his entertainments to New York, Baltimore and Washington, running in the latter city for six weeks, when hot weather compelled him to close his season. Upon his return home Col. Hyatt,commandant of the Pennsylvania Military College tendered him the intermediate Chair of Mathematics which he accepted and held for three years. It seemed now as though he had left the stage forever, as the high esteem in which he was held at the College, and the studies which suited his taste, all combined to offer advantages that would tend to make his position permanent, but Providence overruled his desires, and a serious illness produced in part by the sedentary employment and study compelled him to relinquish his Professorship, and place himself under medical treatment. This illness lasted with greater or less severity for a p e r i ^ of over two years during which time Powell was twice compelled to enter the Medico Chirurgical Hospital in Philadelphia, where he underwent several surgical operations for hemorrhage. At last the trouble was conquered, but the long idleness and its entailed expenses had so far diminished his resources that he had in a measure to begin life afresh, so he joined for the season of '85 and '86 George Wilson's minstrel troupe, and closed the show for him, presenting as a feature his original "Cremation" scene preceded by an act of magic, and in the summer of '86 he traveled with Barnum and Bailey's " Greatest Show on Earth," presenting his Cremation Act in the concert. The close of this engagement leaving Powell free to act upon his own re" sources he engaged Mr. Frank Majilton, one of the original Majilton family, originators of the legmania and grotesque style of dancing and with Mr. John Crook as Manager, and other needful help sailed via "Red D''Linefrom New Yorkto Venezuela. This tour embraced along journey through Venezuela, Curacoa and the West Indies, and was brought to a successful close by a return to New York direct from La Guyra, when an engagement was made with the management of the Eden Musee, New York, for Powell and his Company. Boutier de Kolta had just closed a four months' run on the Musee stage, when Powell took possession and held sway with unvaried success for six continuous months, when much to his own, and the managements regret, he was compelled by previous engagement to close, and go direct to Minneapolis where he had been engaged to give his performances at the Industrial Exhibition for four weeks, following this comes three successful seasons which include engagements at most of the principal Theatres in the United States, and the Provinces of Canada, New Brunswick and Nova Scotia. During the summer just passed Powell has been busy changing and improving his program, and has just started on what promises to be his most successful year, with everything new, and the most complete outfit ever placed upon the stage.

flDabatma. T H E ACE MARTIN DECEPTIVE COIN RAP. Performer pulls up left sleeve and places coin from right hand into left hand which he partly closes keeping back of that hand towards audience; performer now takes wand and taps coin to further convince them that it is there, when lo! it has actually vanished, left hand front and back being shown with ringer spread—it has flown. Explanation.—Take borrowed half dollar marked or palming coin by tips of second and ring fingers and thumb of right hand—throw it into left hand two or three times then suddenly palm the coin by placing it in right hand by considerable force, ring finger of right hand doing the most work, grasp coin in hollow of hand—by'the two fleshy portions, all the time moving right hand toward the left which is partly opened to receive supposed coin, make a veryslight sucking noise with the tongue well moistened on roof of mouth, at the same time make a very slight sound with left thumb similar to snapping thumb but less perceptible. The above both sounds should coincide and audience will at once think they heard coin slap palm of left band. Now take your wand which should have metal ends from beneath left arm pit with handle pointing- downwards so that audience may not see that you have palmed a coin in right hand, and now for the mysterious part of this sleight, take the wand with one end not across palm, but just within it, so that if the index and second finger and thumb of right hand act as a fulcrum, you can make metal end of wand strike coin in right hand and audience although they cannot see coin in left hand, yet they are fully satisfied that it is there because of its sound. Remember that the wand in the striking act does not touch left hand at all but is checked by other end of wand striking coin ; also remember that the left hand is roofed over by its fingers, look sternly and seriously at its center then close left hand, look worried and imagine that it contains a cracker and crumble at it with drawing hand away from side of body, open hand slowly spreading your fingers as far as possible but keep index and second fingers of left hand in contact and show palm of hand boldly—somebody will think "their on" and then slowly spread your fingers apart and show front and back and produce coin from tie, moustache or hat. Prof. Fred Hurd, the well known Bridgeport magician, has just filled a week's engagement at the Bon Ton, Jersey City, his act was a big hit. The Professor is now playing at Koster & Bial's for the week of Sept. 2d.

THE ARTIST.

This is rather a complicated hat to look at, but really is not hard to make, and once you have mastered the twists it will be found very simple and a most effective character. FROM OUR CHICAGO CORRESPONDENT. Mi. Elmer Ransom, the New York magician, stopped in this city before returning East. Mr. Ransom filled several successful dates while in this part of the country. Mdlle. E. M. Martelle, the lady magician, has signed with the McCaul Opera Co.'s "Said Pasha." The company is booked solid for a period of 35 weeks.

Mr. Roterberg who has established a conjuring entertainment bureau in connection with his magical business, desires Chicago magicians to book with him, -said booking being free of charge. His object is to popularize magic, and to establish a permanent place where people in search of such an entertainment can apply. Prof. Hornmann left here Aug 17th to play the Moore circuit. He goes to Detroit, Rochester and Toronto. Mr. Chas. Carter plays the same circuit one week later, he will then proceed to Atlanta, Ga., where he owns some space at the Atlanta Exposition grounds, on which Mt. Carter will most likely erect a building for a magical show. Mr. O'Shea, the clever prestidigitateur and hypnotist ot Lincoln, Neb., will hereafter make his home in Chicago. Mr. T. Lambert, the well known electrician, mechanician and magician, has just returned from a two weeks trip to Iowa. The trip was such a success financially that Mr. Lambert contemplates taking to the road. Siegfried Melohn, our popular entertainer, is taking an extensive pleasure trip, going from here to Montreal, Boston, New York, etc. Prof. Herbert Albini, the acknowledged king of cards filled a two weeks engagement at the Orpheus, which was formerly known as Engel's Pavilion. Prof. Zarro with his new assistant left for Cincinnati, to fill a date at the Vine Street Museum. Prof. Lafayette, the French magician, played the Kohl & Middleton Musee's weeks of August 18th and 2^th. Mr. Lafayette is manager of the big headed boy. Prof. Harrington has returned from a trip through the west, and is taking a much needed rest. The Professor is ably assisted by Miss Tyler. Prof. Ernest, the Danish magician, and Mons. Bernier, left for New York city. Prof. Adams in his magical and spiritualistic entertainment concluded a two weeks engagement at the London Musee. Prof. Wernert's season opens in the beginning of September. Mr. Wernert will play through Illinois. Mr. Patterson, a clever Chicago magician has returned from a pleasure trip through northern Wisconsin. Ganellean, the French illusionist, has cancelled his engagement at the Globe Museum and will present his new act at Hall's Casino, Sept. 1st. Mr. Ganellean will introduce several elaborate tricks of his own invention. After his Casino engagement Mr. Ganellean goes to the Olympic Theatre. The Tennis Theatre (formerly Jacob's Clark street) opened Aug. 5th. During the season the following magicians will appear, Bamello, Hornmann and Chas. Carter. Mr. Youngheart, professionally known as Signor Blitz, left here to fill engagements through the country, playing medium sized towns only. Sig. Blitz is accompanied by a specialty troupe, among which is Miss Virginia Knapp. Oscar Eliason, the Mormon wizard of Salt lake, Utah, will make a tour of the principal theatres of the west this coming season. Philip Claudi, Kellar's clever assistant has returned from his annual visit to England. He reports a great demand for MAHATMA'S in London. Prof. Harry M. Helms, the famous conjurer and juggler of New London, Wis., late of Zan Zic's Co., is now playing the Northwest under the management of Mr. Ben Evers, and reports good business. The following people are connected with the Company: Prof. Helms, Mille. La Belle, Prince Ko Ko and Igawas troupe of Yokohoma Japanese. Prof. Helms new illusion "Electrocution" is meeting with big success. Miss Fannie Leslie, the famous lady contortionist, will join the company Sept. ist. Prince Albene and Miss La Brant are at Huber's last week of August, Harlem Museum Sept. 2-9. They are doing an original act of their own called Transmission of Thought. They are well booked up for the coming season,

ZlDabatma. FROM OUR BOSTON CORRESPONDENT. Markos Modern Miracles Company will open their season Sept. oth, at Halifax, N. S., to be followed by dates in cities of the Maritime Provinces until Oct. 4th, when he closes in Canada to open a month's engagement at Washington, D. C , Oct. 7th. Markos was formerly well known throughout the East as Prof. W. E. Skinner. Two years ago he changed his stage name to Markos, and since that time another performer has appropriated the original name. The feature of his repertoire is genuine hypnotism; he also produces the cabinet mysteries, mental phenomena, illusions, and other wonders. The Williams Trio, world renowned English bell ringers will travel with Markos this season, it being their fourth annual engagement with him. Mr. J. Fred Payne, last season with Sousa's band, will be advance representative. Mr. Bob Bragg, who was with Stock, the magician, last season, will look after the properties. Imro Fox, comic conjurer, appeared at Keith's New Theatre, week of July 29th. Prof. Queen and Willie Gray, thought transmissionists, were seen at Austin & Stones' Museum, week of July 29th. Harrington, the tramp juggler, appeared at Keiths, week Aug. 5th. Capt. Jack Sutton writes us from Aukland, N. Z., that he opens with side show of Fitzgerald Bros. Circus, in November, for a seven months trip in a new country. H. P Emerson, of Waltham, Mass., is spending his vacation at Guild, N. H. Salvail, with his company appear Sept. 4th, 5th and 6th, at Morrisburg, Ont., St. John's, Quebec, following week, then Lynhurst, Unionville, Delta and Frankville, at the fairs. Mr. Frank Colgrove, the jail breaker, appeared at the Lyceum Theatre, week of Aug 12th. Mardo, the imperial juggler, opened at Austin & Stones Aug. 19th. The Loretts, shadowgraphists, were at Keiths, week of Aug. 19th. The Loretts open Sept. 17th, at Oswego, N. Y., with their company of players in a new mystery show. Season all filled. A. O. Duncan,ventriloquist, was at Grand Opera House Aug. 19th. Miss Anna Eva Fay, opened her regular season at the Grand Opera House, Indianapolis, Intl., Sept. gth, carrying 12 people. Mr. Ed. R. Hutchinson, the illusionist, of Atlanta, Ga., opens in September at the fairs with his illusions. At the Nickelodeon, opened week of 19th, are to be seen Erskins and Edgerly, shadowgraphists and comic magic; Bertine, clown juggler and rifle shot; Belle Morrison, in second sight, and Salvail, the clever conjurer, who keeps them all guessing. Mr. Albert Eddy, the genial manager of the A P. U., has given up

his position here to accept that of business manager of the Gaiety and Bijou Theatre at Fall River, Mass., which opens Sept 2d. Mr. Anton Schatzel of Richmond, Va., visited Boston, purchasing from LeRoy a handsome set of gold tables. Prof. S. S. Baldwin with his company opens his season Sept. 9th, at New Orleans, La. He has specially engaged for the season the Tally-ho Trio. His tour includes the principal cities of the South and West. At the close of his American tour he is under contract to make a European tour, opening in London, England. Fielding, the clever juggler, is at the old Howard, Aug. 26th. Mons. Bonita, the big man with electric ears, eyebrows and nose, and a voice like a tornado, is at the Grand Opera House, Aug. 26th. Chick Kehoe, club swinger and juggler, is at Grand Museum, 26th. Mr. Chas. Carter, aided by Corinne Carter, are presenting The Phantom Bride illusion at Wonderland Musee, Detroit, Mich., Aug. 26th. and at Rochester, N. Y., Sept. 2d. F. J. Bernier, French illusionist, opens at the Gaiety and Bijou Theatre, Fall River, Mass., week of Sept. gth. Prof. Welsh, of Baltimore, is one more to add the Knight's Tour to his program. W. W. Durbin, the magician of Kenton, Ohio, is gaining many very flattering press notices. Prof. C. D. Pereira, the Cleveland magician, is preparing for this coming season. He has added several new and original tricks. Herrmann will open in Montreal, first week of September. Jewett, the Hartford magician, is well booked for the season. Kellar opened his season in Detroit, Mich., at the Opera House. Karl Hertz is booked to open in Hammerstein's New Opera House in November, with two illusions. Imro Fox, the comic conjurer, is a drawing card for Donnelly & Girard's Rainmakers. Fox has been engaged for the entire season. The Great Powell opened his season at Albany, on Aug. 29th. A crowded house greeted him on his initial performance. Clivette, just over from London, is about to start his own show. Chevalier Thorn has left Vienna for Constantinople, where he will open for an extended period. L'Home Masque is repeating his success at the Turkish capital. Prof. Hartz is expected in New York this winter. John J. Whalen, the clever magician, is filling local dates. Horace Golden, the humorous wizard, is playing a return engagement in Philadelphia. Stephenson, the Brooklyn magician is playing local dates. Imro Fox is reported to have purchased a brown stone front, be tween 45th and 46th streets, 5th avenue. L. Goldsmith, Jr., is selling magicians trunks way down. It is with regret that we announce the death of Mrs. Adrian C. Plate, wife of the well known magician of this city.

«

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flDabatma. lid is made to drop, working on hinges and held up by a catch. For the benefit of those who do not know the idea That's it, odds and ends, of the paper cone, I would state that part of it, say the rear nothing in particular, but every- half, is double, and the handkerchiefs placed in one section thing in general. I will write and cone closed. On opening it again the other half or of little improvements, sugges- empty section is shown. Now for a card effect—two plain tions, etc., on a few old tricks. pieces of board are handed for inspection and are tied together Let us take the flying handker- with a piece of string. A card is selected, and a corner torn off of it and given to person to hold, the card is rolled up and chiefs in the decanters. In the decanter setting on placed into the pistol, and with it a few tacks. A person is the table is a glass stopper, but given the two boards to hold, the performer fires the pistol n o t e n t r e v s0 ' ' - The knob or at the boards and asks the person holding them to untie and ball part of the stopper is glass, take them apart, and on doing so the card minus the torn ^ Ut ^ e s t r a ' # ' l t P a r t ' t n e Por~ corner, is found nailed to one of the boards. The missing tion that enters the neck of the piece is placed along side of it, and matches perfectly. The decanter is hollow, there being a nickle plated tube, this con- card drawn is forced, and the piece torn from the corner is tains the handkerchief. Use very heavy thread for pulling not handed to spectator to hold, but another piece from a with, braided fishing line is the best. Tie the handkerchief duplicate card which is really the one that appears on the to this with a light piece of thread; in pulling the handker- board. This card lies on your table face downward, and it chief into the bottle this thread will break as the handkerchief has tacks pushed through it, the points of the tacks protrudstrikes the bottom of the decanter, this leaves the decanter ing from the back, the performer carelessly lays one of the free to be picked up. I have seen a device in the table top boards on top of the card and presses down, thus attaching to cut the thread as the bottle was slid forward before lifting the card to the board, the performer now places the two it from the table, but I much prefer the heavy thread with boards together, taking care not to expose the card. The light piece attached. The bottle in the hand can have a gen- rest of the trick explains itself. Card and tacks come out ot uine glass stopper in it, and the handkerchief pulls out through pistol with a tube on the wand, or pistol can be one that a half inch hole in the bottom of the decanter, or the decanter shoots from below the barrel. Here is another almost the same effect, but using a borcan be minus of any deception, and the stopper can be prerowed handkerchief, the card is lying on the table face downpared as follows: let the top be of glass, and the bottom nickle plated, the top is hinged to this, allowing it to wards, the back of card is prepared with wax. Handkeropen. The tube is slit up the entire length, this is to chief borrowed and upper half placed over card, the card allow the thread on the handkerchief to pass through as the forced is a duplicate of one on the handkerchief. The card stopper is placed in the bottle. Grasp decanter by the neck is placed in the pistol and given to a spectator with instrucand the handkerchief flies out, the top moving on its hinge tions to shoot at the handkerchief when the performer holds to allow its flight. The top can be on a slight spring hinge it up. The performer now folds lower half of handkerchief up over upper half, brings the two lower corners to the two thus keeping it always in position. In using cords, threads, etc., for pulling in or going through top corners. He now says when you shoot the pistol I will glassware, have attached to it a piece of clear cat gut, such drop the two front corners of the handkerchief; he does so to as is used for fishing purposes, this is less likely to be seen illustrate the idea which gives all present a chance to see that the handkerchief is perfectly empty. He again folds the through glass and is also stronger. We will now take Verbeck's trick of the paper cone and handkerchief and holds all the corners, two in each hand, glass box, where he makes the handkerchief leave the paper same as at first, but when the pistol is fired he drops the cone and go into a glass box covered with a pocket hand- rear instead of the front corners, this little trick brings the kerchief. The paper cone is a splendid idea, but the box back of the handkerchief instead of the front into view, and strikes me as rather suggestive of being made for the pur- of course with it the card which has been there all along. Here is an improvement on the Sun and Moon, the trick pose. I use a china plate with a hole cut out of it, the top being covered with a piece of tin enamelled white and dec- in which two handkerchiefs, a white and a colored one bororated. The bottom of plate is also covered with tin with a rowed, the assistant is asked to mark them, he does so with circular hole in it, and closed by round door. It is hinged by a knife. The performer holds the end of each handkerchief a spring hinge and held closed by a catch working through in his hands and offers the centre of handkerchief to be markthe top of the plate. The opening in the tin bottom is a ed. The assistant cuts the center out of it and when the trifle smaller than the hole in the plate, so as to prevent a handkerchiefs are mended the wrong handkerchiefs are found mended, but with the red piece on the white handkerchief, round piece of lead in there from falling out. The handkerchiefs are placed in the hollow part of the and the white piece on the colored. The handkerchief is plate and when the catch is released the leaden weight forces now rolled up and handed to assistant and the performer the handkerchief out into a glass goblet over which the plate makes a few passes over them, takes them back and they are was placed. The whole being covered with a borrowed found to be restored. It is hardly necessary to say that the handkerchief. If a person should prefer to use the box, it handkerchiefs were changed after being rolled up for the can be improved by having the lid or cover doubled, and of original borrowed ones, and those handed to the assistant. course of glass, and about one-quarter of an inch or less be- This move always necessitates the turning to one side as the tween the two. Cemented to the top lid on the inside, un- change is made, and looks bad. Now for my idea, instead derneath, is a strip of black cardboard running completely of giving the assistant a knife to mark the handkerchief, I hand around all four sides, but one-quarter of an inch away from him a lead pencil, the point being broken I sharpen it for him, the edge. This leaves a narrow box or compartment one- and hand the knife back by mistake, he cuts the handkerquarter of an inch wide around the edge of the lid. Now chiefs, but only one corner off. The handkerchiefs are mendon the outside of each lid paste black paper or paint the glass ed and the wrong corners are seen. They are now rolled up black, so as to hide handkerchiefs. Paste paper on all cor- and not changed and handed to assistant, when unrolled are ners of box so as to correspond with the lid. The lid and found all right. I have two triangle bags size of cut pieces, all the box can be freely shown empty. The handkerchiefs a white and a colored one, these are slipped over end of handare never suspected of being concealed around the edges, and kerchiefs and held by wax/as the handkerchief are rolled up when the box is covered over with handkerchief, the bottom the pieces are slipped off and palmed. ODDS AND ENDS.

|H at) at ma. trunk, which is closed and locked and the padlock sealed. Some obliging spectators then aid in tying the trunk, around A trick known by the name of the Indian Trunk, the Mys- which the rope is passed twice lengthwise, beginning at the terious Trunk, the Packers Surprise, etc., formerly had much side opposite the opening part. The rope is then passed success in theaters of prestidigitation. This trick, which over this part and runs in the axis of the pivots. Then the may be presented in several ways, is consequently executed trunk, for the convenience of tying, is tilted upon the end by difierent means, one of which we shall describe. where the rope passes. It is then that the assistant inclosed The following is in what the experiment consists: The in the interior presses the bolt. The end of the trunk then prestidigitator has a trunk brought to him, which he allows has a tendency to open, and as the prestidigitator has taken the spectators to examine. When every one is certain that care to tilt the trunk at a carefully marked point of the stage it contains no mechanism, a person comes upon the stage floor, the movable end meets in the latter with an exactly and enters the trunk. It is found that he fills it entirely, and similar trap that opens at the same time, and it is through the cover is shut down. A spectator locks the trunk and these two traps that the invisible vanishing takes place. guards the padlock. As soon as the assistant has passed through the trap, he The trunk is afterward wound in all directions with rope, pushes up the latter, and consequently the movable end of the intersection of the latter are sealed, and the whole is in- the trunk, which closes upon its spring plate bolt. troduced into a bag provided with leather straps, and which The time that it takes the man to pass through the trap is may in its turn be sealed at each of its buckles. When the insignificant, and while the ropes are being crossed the opoperation is finished, the spectators who have aided in the eration might be performed several times. Afterward, there packing remain on the spot to see that nothing makes its is nothing to be done but to proceed with the experiment THE MYSTERIOUS TRUNK.

exit from the trunk, which has been placed upon two wooden horses. The prestidigitator then fires a pistol over the trunk, which, when divested of its covering, ropes, and unbroken seals, is found to be entirely empty. By what means has a human body been able to disappear without being perceived by the spectators who were constantly looking at the trunk, and, better still, by those who were handling it an instant before, and who still surround it ? The whole credit of the trick is due to the cabinet maker who constructed the trunk. The latter, in the first place, is exactly like an ordinary trunk, and the closest examination reveals nothing out of the way about it. Yet one of the ends, instead of being nailed, is mounted upon a pivot on the two long sides, so that it can swing. The swinging motion is arrested by a spring plate bolt. When the person in the interior presses upon a point corresponding to this bolt, the pivot becomes free and the end of the trunk swings. The following is the way that the operation is performed in order that the spectators may not perceive the opening of the trunk. The operator's assistant takes his place in the

as we have said, care being taken, however, not to abuse the complaisance of the spectators, and not allow them to try the weight of the trunk. When the vanished person descends beneath the stage, he is supported by some other individual if the theater is not well appointed, and by a trap with a counterpoise if the construction of the stage admits of it. This trap permits of expediting things in certain cases of the re-appearance of the confederate, but is useless in the process described above. Such is one of the artifices employed. Whatever be the process, the presentation of it is often complicated by causing the person who has vanished to reappear in a second trunk that has previously been ascertained to be empty and that has been sealed and enveloped under the eyes of the spectators. It will be easily comprehended that the operation here is inverse to that of the first, and that the confederate beneath the stage awaits the proper moment to be lifted into the interior of the second trunk, whose movable end is opened outwardly by the prestidigitator at the desired moment. Boxes with glass sides also have been constructed. The

flDabatma. management is the same, but, as the person inclosed is visible up to the last moment, care must be taken to so pass the ropes as to not interfere with the trap of the trunk, which then consists of one of the sides, and which operates at the moment when the trunk, bound with ropes, sealed and laid upon this side, is about to be wrapped up. This presentation has still more effect upon the spectators than the preceding, and seems to present greater difficulties. THE SAND FRAME TRICK. The sand frame is a very ingeniously constructed little apparatus which is employed in different tricks of prestidigitation for causing the disappearance of a card, a photograph, a sealed letter, an answer written upon a sheet of paper, etc. In appearance it is a simple, plush-covered frame, the back of which opens with a hinge behind a glass, which, at first sight, presents nothing peculiar. In reality, there are two glasses separated from each other by an interval of 3 millimeters. The lower side of the frame is hollow and forms a reservoir tilled with very tine blue sand. In the interior the door is covered with blue paper ol the same shade as the sand. The card, portrait, or letter that is subsequently to appear is placed in the frame in advance, but. in order to render it invisible, the latter is held

THE SAND FRAME.

vertically, the reservoir at the top. The sand then falls and fills the space that separates the two glasses, and the blue surface thus formed behind the first glass seems to be the back of the frame. In order to cause the appearance of the concealed object, the frame is placed vertically with the reservoir at the bottom, and covered with a silk handkerchief. In a few seconds the sand will have disappeared. The door that closes the back may be opened by a spectator and the frame shown close by, provided that it be held vertically in order to prevent the sand from appearing between the two glasses. Fig. 2 shows the frame as seen from behind. The door, P, is seen open, and at S is seen the sand falling between the two glasses. In the section at the side, V and V, are the two glasses, P, the door, and R, the reservoir. We have supposed here an experiment made by means of

the small foot, A, upon which a spectator has placed the seven of hearts. The card passes into the frame. To tell the truth, it is removed by the cover, C, along with the thin disk, D, that covered the foot, A, and upon which it was placed. It will be said that we have here to do with a double bottom. Allow the cover, C, before covering the card, and the foot, A, after the experiment is finished, to be examined. Is the cover asked for again ? One will hasten to show it without saying that the back edge of the table has just been struck with it in order to cause the disk, D, and the card to fall on to a shelf. THE MAGICIAN'S DREAM. The other night I had a dream that Tilled me with contusion, I had been reading MAHATMA. that is all about Illusion, I thought that I had left this earth, and vale of tears, and sighs. And in a golden Chariot, had passed up into the skies. I met St. Peter at the gate that guards the heavenly throne. And told him I a magician was, "said he," this is your home ! And as 1 have time I will show you, that of them there is no dearth, For all of them they hasten here, where they make the pass from earth. Now first look o'er this way, at that dapper little feller, I guess you have seen him oft before, his name is Harry Kellar, And there standing just behind him, talking to that little German, The tall dark man, with big moustache, well that is the great Herrmann. The little man he is talking to, with his hands is very smart. You must have heard of him on earth, his name is Prof. Hartz. That pair upon the grassy bank, near which the water's purling, Are working out a mind reading act, that's Hayden and Dr. Merlin; While yonder coming through the trees returning from a stroll, Oh they do hear just as they please ! is Belmonte and Berole, There's Powell. Hewes, Robinson and Downs, grand magic they can do it, While that man coming up this way, is the great magician Jewett. And over there is Edmonds, in magic he is slick, He has pencil and paper in his hands, he is planning a new trick. Who's that short dark man that is passing now with a smile that's so serene, Oh ! he's no magician, that is the great mimic Martyne. Those two chaps talking over there, neither of them can I name For on the earth they never shone, and are not known to fame. But all the time they are arguing until I am quite sick, And you would think to hear them, that they had invented ever trick, But I've found out they never did, they are only just two fakirs Who lived upon magicians, selling secrets through the papers, By some fake they got in here, they should have gone the other route, And if they don't stop arguing I will have them both put out. Just then a dreadful racket rose, who's that knocking at the door? A magician straight from Canada, with his hair cut pompadour, From Canada! St. Peter said, what took a magician there? Besides no one gets in here that pompadours his hair. And then the knocking louder grew, another heavy stroke, I thought the door it would come down, and with a start I woke, And heard a voice say in the hall, "I'll wake him if alive! It's half past four now by the clock, and the train it starts at five." By F. E.

Clayton J. Hicks, the young magician of Auburn, N. Y., is at present filling local dates. Victor Barreal, the Providence magician, was at the Star Theatre, Providence, R. I., a week in August, and made a decided hit. Harry Shagren, the young magician of Minneapolis, Minn., is gaining considerable reputation as a clever and pleasing performer. Prof. Frank Atkinson, the juggler, is resting for the summer at his home in Saco, Me. He is engaged for Dick Hartz' Specialty Co. for next season. Petitt & Green of Springfield, 111., are hard at work perfecting their latest illusions; they will tour Illinois this season. Petitt assisted by his wife do a very clever turn together. Prof. Green the spirit medi_ um has a good act. No magician has visited here for a long time, Sherry's Busy World, an ingenious exhibition of automatic figures, exhibited upon a stage 5 by 10 feet, represents a country village; the figures are about 2 inches in height and go about their various trades in a perfectly natural manner. Trains are seen to enter through a tunnel, the doors are opened by automatic figures, and in fact everything is life like throughout. It is claimed that the inventor, Mr. Sherry was 8 years in constructing this scene, and as no mechanical means are visible, it is claimed that it is the finest piece of me. chanism ever shown in this country.

/IDabatma. THE LAND OF HUMBUG.

Can it be, oh, can it be that I have been deceived. At this thought, overcome by his emotions, he burst into tears. What could I do, was it my duty to remove the bandage of superstition CHAPTER 111. t rom his eyes? Would it not be better for his peace of mind to pretend 1 was "There are men in the world who make people believe they see things only joking, that 1 was a medium, and that no deception was practiced in which they do not see. either case. RIDER HAGGARD. While debating this question, not knowing what to do, I was rudely After a beautiful trip up the lake celebrated lor its unrivalled scenery, I grasped by the hysterical gentleman, who shouted "you must tell me how arrived duly at Centre Harbor, and again performed to a well pleased audience you deceived me. Prove it beyond a doubt that Foster is a fraud, or I will of summer guests. kill you instantly—either he or you are a devil not fit to live '' Standing at the hotel desk, lighting my evening cigar after the close of my So strong a statement could only be from a brain, momentarily insane. I entertainment, I overheard a party of gentlemen discussing my feats of leger- comprehended this instantly, took in the situation at a glance and proceeded demain and marvelling much at the success of my spiritual manifestations. quickly and quietly to carry out my agreement. Observing that 1 was not recognized, owing no doubt to my having Calling the bell boy, I requested four fresh envelopes and four blank cards. changed my evening suit, I lingered for further praise or criticism and overThe same process was gone through as at first. When he had finished heard the following assertion from one who had evidently not been one of writing the first card and had sealed it in the envelope, I on pretence of seeing my auditors. that the sealing was perfect, dexterously changed the envelope for one conGentlemen you may talk as much as you please about remarkable men, but cealed beneath my vest, which I had placed there while he was busy writing you should see Charles Foster, the wonderful spirit medium of New York. the card. Why, what can he do ? So far nothing was suspicious, as the exchange was instantaneous and no He can do that which none but a powerful medium can do. With spirit suspicion excited. eyes he can decipher writing concealed by folds and folds of paper. Not I also remarked that I desired the envelopes to be as securely sealed asonly this, but the spirits of the departed speak to you through his lips, in possible. Then on pretence of looking out of the window on the moonanswer to the unseen questions written on the folded paper. lighted lake, while he was writing the messages on the remaining two cards When I consult him I write on a slip of paper the question I want answer- I quickly and secretly opened the envelope which I had secured, and which ed, fold it over and over again into a small pellet, then Mr. Foster places it, contained the first written card, and read the words: still rolled together, to his forehead, and slowly reads it contents word for "Are honest Spiritualists mistaken? Are all mediums fiauds?" word, as I have written it. Easy sailing now. I had mastered the wording of the sealed packet while Why, said one of the gentlemen, interrupting the speaker, why, sir, the my own envelope called in the parlance of a magician a "ringer," was lying young man did that to-night. on the table as a substitute for the one I had opened. Impossible, said the first speaker. No man can do that but Foster. I had but too pick up any one of the remaining envelopes excepting my At this I stepped forward, remarking: "excuse me sir, you are mistaken, substitute, and holding it to my forehead pretend to read: 1 1 also can do the same. ' "Are honest spiritualists mistaken ? Are all mediums frauds?" Who are you? was the question in reply. Asking him if this was correct, which he acknowledged, while at the same 1, sir, am the magician who gave the perlormance these gentlemen were time I was tearing open his second envelope, reading aloud: "Are honest just discussing, I replied. spiritualists mistaken ? Are all mediums frauds ?" but mentally memorizing Then sir, if you do as Charles Foster does, you are a medium as well as a the writing on the second card then in hand, which read: magician, he said. '" Is Foster a swindler ?" No sir, like Charles Foster, I am a trickster. There is no such person in Mentally noting again that the card of the third envelope had written upon existence as a genuine medium. The so-called mediums are only pretenders it the following: trading on the credulity of a long suffering but truth seeking people. 'Ms there no hope beyond?" This undeniable but truthful statement, no matter what people may say to Then saying that I was about to expose the trick, I would not delay by the contrary, somewhat startled the gathering, especially the little spiritualist, giving answers to his questions written on the card, as Foster did, purporting who cried out: to do so by spirit influence, but would proceed to complete the trick. What, you mean to tell me mediums are all frauds, and that you can do I then picked up the "ringer," placed it against my forehead and read the what Mr. Foster does without the aid of spirit force? next concealed card, which apparently contained the words "is there no Yes, 1 replied, that is just what I do imply, and as you seem to doubt my hope beyond ?'' ability, 1 here before these gentlemen make you this offer. You pay me the That is what is written on the card contained in this sealed envelope is it price which you have paid Mr. Foster, five dollars was it not, and I will dunot, sir?" plicate the manifestation to your satisfaction, and also teach you to perform "Most emphatically it is," was the reply. the same equally as well for ten dollars. Handing him the envelope, I requested him to break the seal, which he By jove, I agree to this, exclaimed the now highly excited little Frenchman did, saying: "Why there is no writing here, this card is a blank." Then I whom I afterwards learned was a diamond salesman for one of the largest explained how I had substituted the "ringer" which he now held in his jewelry establishments in New York. hand, for the envelope containing the first card he wrote upon, and by secretly Then let us adjourn to a private room, said I, and we will soon settle it, knowing what he had written, it was an easy matter to apparently read what as these gentlemen have seen the trick already performed by me the first of the other envelopes contained, by always reading one in advance. the evening. My explanation which he thoroughly understood fell upon him like a Asking the clerk for five envelopes and five blank cards, we proceeded to thunderbolt. Indignation took the place of grief. He vowed vengeance on the private parlor, and I soon convinced him that others beside Mr. Foster at Foster and all his ilk, swearing he would return to New York to settle affairs least were capable of presenting the same manifestation. with him by the first train in the morning. After reading the message verbatum, while apparently sealed in the envelNot hearing of Foster dying of violence, I concluded the little Frenchman opes, 1 inquired if I had performed the manifestation equally as well as Foster. thought best to feel satisfied in the belief that he was a dupe no longer. A You have done it better. Where he used pellets you have used sealed enreward sufficient to make any man content. velopes which could not be duplicated. My God, he exclaimed, don't tell A continuation of this article will be published next month. me this is a trick of legerdemain, that I have been duped and swindled by this man Foster whom I consulted weekly, considering him the means ot Prof. Green is now preparing for his annual winter tour of Canada converse between my dear departed daughter and myself. Is this Foster in whom the whole spiritual fraternity places so much confidence, a humbug, with Prof. Clarke, late general stereopticon lecturer and advertiser a fraud, preying upon the blind faith of his converts. Don't tell me I have in foreign countries for the Canadian Pacific Railway Company. been deceived. 1 consulted him week after week, and firmly believed that They will make three night and week stands, and give only pure in his presence that I was near my spirit daughter I loved so much in life. magic and stereopticon shows and are already well booked. A TALE OF OBSERVATION AND EXPERIENCES.

BY DR. ALBERT MERLIN.

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Sevenl prominent magicians have commissioned us to offer the following popular Illusions and Apparatus for sale. is an opportunity seldom met with to procure reliable illusions that have stood the test before the public at a figure far below the actual value. CASSADAGA PROPAGANDA, NOAM'S ARK, SARATOGA TRUNK MYSTERY,

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DEPOT FOR THEATRICAL HARDWARE AND SUPPLIES. General Agent for Eastern and Middle States for |. R. CLANCY, of Syracuse, N. Y. Sole manufacturer EXCELSIOR PROFILE, KEYSTONES and CORNERS. Estimate furnished for all Stage Supplies.

Actors' Protective Union No. 1, of America. Entertainments, Clubs, Theatres, Roof Gardens, THE

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MAGIC, SFIRITUAUSM,etc. IN ALL LANGUAGES. SEND NAMES AND PKICES.

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NEW ! ! These Cabinets comprise a complete set of properties used in the production of shadow pictures, together with a fully Illustrated Book of Instructions showing the shadows and position of the hands and fingers. The properties numbering 20 pieces are put up in a handsome box, which is sent free of charge on receipt of <JO cents.

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4
THROUGHOUT

Estimates, proofs and practical information cheerfully furnished upon application. Original designs created and submitted upon receipt of deposit covering the bare expense of same. Designer and engraver for "Mahatma." Letter Heads, Cards, Dodgers, Hangers and Posters. TOT{TRAITS A SPECIALTY. TERFECT LIKENESS GUARANTEED.

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apparatus of cvcvy kino mabe to orber. Our complete fully illustrated Book Catalogue with 500 engravings and description of every Trick and Novelty up to date, will be sent on receipt of 1 5 c . Illustrated Catalogue of Parlor Tricks free on application.

IMPORTANT TO MAGICIANS. Since the issue of the new tariff we have reduced the price of extra fine Figured Felt, imported specially for Magicians' table coverings, from 4O cents to 2 5 cents per square foot. Send 2 cent stamp for Samples.

NEW ADDITIONS. F U Z Z l e S O l d a n d "Ne~W.—New book by Professor Hoffman: beautifully bound and fully illustrated, 394 pages, $1-50, D e m o n H f l U C i . — A perfectly modeled hand is shown and placed with the linger tips on top of a pack of cards contained in a transparent goblet. At eouiinand the hand picks out any chosen card from the pack while the performer is amongst the audience, §6.00.*-' , Detachable Magician's Pocket.—Useful for getting rid and pro- <_ ~~ ducing articles like handkerchiefs, eggs, bowls, etc. Can be taken - ^ off and put on in.s1nnt.lj1, $1.50. Palming Apparatus for Billiard Balls, Eggs, etc. With the help of this apparatus any one can perform the feat of palming round articles with ease,, 50 cts.

MANUFACTURERS

THB ONLY PAPER IN THE UNITED STATES DEVOTED TO TME INTERESTS OF MAGICIANS, SPIRITUALISTS, MESMERISTS, ETC.

VOL. I. No. VIII.

NEW YORK, OCTOBER, 1895.

DAVID DEVANT AND HIS SPIRIT WIFE.

SINGLE COPY,

10 CENTS.

Mr. David Devant, now performing at Maskelyne & Cooke's Egyptian Hall, London, is so well known by reputation to all magicians the world over, that little can be said of this

permanent engagement in the home of magic—Egyptian Hall. Among some of the most noted experiments that have originated from his fertile brain will be found the "Birth of Flora," "Vice-Versa, ""Artist's Dream," etc. A brightfuture surely awaits this gentleman who has gained a footing in

clever magician that we do not already know. Mr. Devant is an originator as well as performer, and to this is due the reputation that he has gained, and which has given him a

London that has never been accomplished by so voung a man before, and he seems to be eminently qualified to attain still higher honors in the magical world. Mr. Devant is es-

/iDabatma.

ISSUED THE ist OF EACH MONTH.

c8O1_En'AGENTS FOR "' HAMtBT'S one inch $2.40 rjcli insertion. A deduction of 20 per cem. is allowed on advertisements \ paid for three months in advance, and on advertisements measuring 50 lines or more. For Sale or Exchange column, 15 cents a line. Copyrighted March, 1895. Remittances should be made by cheque, post office or express money order, or registered letter. Entered at the New York Post Office as Second Class Matter.

can be purchased in London only at Hamleys, 226 High Holborn, dealer in magical apparatus. MAHATMA

DAVID DEVANT.—CONTINUED.

pecially good in mental phenomena, his performance of repeating backward and forward a list of thirty nouns, frequently prefixed by an adjective, written down by half a dozen different persons, and he is also readily able to state the word or words written against any individual number haphazard. In hand shadows this gentleman has rarely or ever been excelled, and magicians owe to him many clever tricks that have been scattered and performed all over the world. Mr. Devant is ably assisted by his wife (Marion Melville), whose pleasing personality has gained for her and her husband the highest rank that can befall the lot of a magician—• an engagement in Egyptian Hall, London. The picture represents Mr. Devant and his spirit wife. FROM OUR BOSTON CORRESPONDENT. Emma Cotrely, one of the most expert lady jugglers on the stage, is at Austin & Stones, Sept. 23d and week. The Fall season fairly opened in August, and everyone is happy. Harry Woods has been exemplifying Magic at Austin & Stones weeks of Aug. 26 and Sept. 2. Chic Kehoe was seen at Grand Museum week of Sept. 2d in a new and original club act and trick manipulations. Charles DeCamo, the unsurpassed expert of comedy jugglery, also appeared at the Grand Museum, weeks of Sept. 2d and 9th, and at the Grand Opera House week of Sept. 23d. Deave's Marionettes were seen at Keith's new theatre week of Sept. 2d, as was Meyer Cohen, in beautiful dissolving views, illustrative of his songs. We received visits during Knight Templars' week, Aug. 26 to 31st, from many lovers of magic, among which were Mr. Melohn, of Chicago, 111.; Edward L. Knowles, of Bristol, R. I.; F. A. Eldred, of Springfield, Mass.; H. R. Evans, of Washington, D. C, and many others. Mr. F. J. Bernier visited Boston Aug. 30th. He played at Rivers Point, R. I., at the agricultural fair, Sept. 3d to 7th, and at Gaiety and Bijou Theatre, Fall River, week of Sept. 9th. He has located for the coming season with W. D. LeRoy at 103 Court street. Chocora Alleg, the Hindoo juggler and palmest, called upon us Sept. 9th. He left the same week for London to present magic and jugglery over there. Prof. Stockton called Sept. 10th. He has some very clever ideas, although an amateur. Fred Hurd, the clever Bridgeport magician, appeared week of Sept. 9th at Keith's new theatre, presenting some very pleasing work, using but little apparatus. The original and only Severus Scheffer, phenomenal juggler, made one of the hits at Keith's new theatre, week of

Sept. 9th and 16th. Many of his features were new and catchy. He is certainly a star. We were favored with a call from him on the 20th. Prof. Miller, magician, joined the Dr. Kit Kenyon Medical Co., at Caledonia, N. Dak., Sept. 14th, for the season. We were favored with a call from Dr. Merlin, Sept. 9th. He was on his way to Atlanta, Ga., on a business trip. A. O. Duncan, ventriloquist par excellence, was seen in 'his clever and funny work at Keith's Theatre, Sept. 16th Neilson's aerial ballet was one of the features at Keith's Theatre, week of Sept. 16th. The calcium light effect on the serial dancers was very beautiful. They return here in about four weeks time. Eldora and Lorine, in juggling, were at Austin & Stones, week of Sept. 16th. Cudora, the juggler, with John S. Williams, in shadowgraphs, were at Austin & Stones, week of Sept. 16th. Fielding, the marvelous juggler, appeared at Keiths Theatre, week of Sept. 23d. Prof. Martyne, humorist, mimic and ventriloquist, was one of the laughing attractions at Keith's Theatre, week of Sept. 23d. Mr. Martyne is a Boston favorite, and always sure of a welcome. We received a pleasant call Sept. 23d, from Prof. Andy Johns, who was here on a flying trip. He reports business as never better than at present. His Medicine Co. is at present down on Cape Ann. Henry Markos and his Company opened their season at Halifax, N. S., playing to packed houses nightly. Mr. Markos is making a big sensation through that country, as he always does wherever he appears. See particulars in last issue of MAHATMA. Sept Qth we received a visit from Mr. T. Nelson Downs, of Marshalltown, Iowa, who met many of the magic fraternity here. During his stay it was the pleasure of many to witness his remarkable work with coins and cards. The universal verdict was that he is indeed "The King of Koins." All his work was absolutely new, original and puzzling, even to magicians. We are frank to say that we believe him to be the cleverest man living with coins, and justly entitled to the name of "King of Koins." Mr. Downs joins a company in October, taking the road for the season, and has placed with us an order for a special set of elegant gold tables, and a fine outfit of the latest tricks. He pronounced our stock the finest he ever saw. Prof. J. M. McAllister, the great wizard of the world, who has been residing for several years in San Francisco, Cal., intends shortly to start on a tour of the world. He is one of the best known of the old time magicians, and will undoubtedly receive a warm welcome back into the ranks. Prof. A.W. Eaton, appears at Union Hall, Boston, Oct. 8th, iu an entertainment of fun and mystery, entitled "Eatonism." Prof. Samri S. and Mrs. Baldwin, the White Mahatmas, and their company of entertainers, opened their regular season Sept. 13th, at the Academy of Music, New Orleans, La. F. D. King, the original paper king, is at Austin & Stones week of Sept 23d and 30th. Emma Cotrely, one of the most expert jugglers on the stage, was at Austin & Stones week of Sept. 23d. W.

D. LEROY.

Professor Herrmann's tour in Canada was a big success, at Ottawa, Montreal and Quebec, crowded houses were the rule, especially at the latter place. Professor Herrmann has purchased for the sum of $32,000 the magnificent traveling car of Mrs. Langtry. The train consists of a car for the baggage, a car for six horses and three turnouts, and a combination and sleeping car. The Professor makes the car his permanent home during his trip.

/iDabatma. FROM OUR CHICAGO CORRESPONDENT. The chief events in September were without doubt the presence of Mr. and Mrs. Kellar at the Schiller Theatre, and that of Kennedy and Lorens, the mind readers at the Roof Garden of the Masonic Temple. Prof. Kellar presented as strong a program as ever, and during the second week of his engagement had crowded houses, the unusual heat prevailing during his first week somewhat affected the attendance. In the first part of his act Mr. Kellar successfully introduced his ever popular conjuring feats, of which the production of flowers from the cone and the natural growth of flowers as usual elicited the most applause. The balance of the entertainment consisted of the puzzling thought transmitting act, Karmos or the. Diablerie of the Decimals, and the large illusions which are elaborately gotten up. In the Queen of Roses, Kellar introduced something new and so clever that it may be safely said that the principle used in the production of the illusion will most certainly be used in some illusions of the future. Kellar realizes this, as he works the Kooma Sammi trick by the same process, allowing it to precede the Queen of Roses. Kennedy and Lorenz, the European mind readers in their magnificent act called "The Modern Sphinx," eclipse anything of the kind ever witnessed in Chicago; it may even be said in America. Their system of describing any article, executing any wish, singing of any operatic air, etc., all executed in perfect silence, is extremely ingenious. They succeeded in packing the roof garden every night, and mystified all local critics. Mitchell, the magician, who appeared at the Tennis Theatre week of the 22d of September, is another one who deserves favorable mention. Mr. Mitchell's tricks are entirely new and of his own invention; his stage setting consists of parlor furniture, and the articles used by him for his experiments are such as are seen in any drawing room. Mr. Ganellean, the French illusionist, with his elaborate electrical stage setting 'thas been busy filling local engagements at Kohl & Middleton's houses. He is engaged to play their houses in Cincinnati and Minneapolis during October. Mr. Jacob Krueger, prestidigitator, appeared at Hopkin's West Side Theatre the week of Sept. 9th. D'AImora, the Oriental wonder worker, appeared at the Tennis Theatre during the early part of the month. Mr. Carl Baggesen, the famous contortionist, and his wife Sapphire, the lady juggler, is once more in our city and are playing at Hall's Casino. They are working on a new act which will consist of a happy melange of juggling, contortion feats and straight and burlesque magic, they intend to introduce their act in Europe. They are accompanied by Otto Struck, a well known Newark magician. Prof. Hornmann, the up to date magician, has finished playing the Moore circuit and is filling Chicago dates. Mr. Roterberg, who became the happy and proud father of twins (boy and girl) on Sept. 25th, is publishing a thorough treatise on strictly modern conjuring. The book is expected to be ready for sale at the end of October. Mr. and Mrs. Addy passed through Chicago previous to taking to the road. They were unfortunate enough to lose their remaining child recently. Prof. W. L. Harrington has secured a financial backer and starts his fall season Oct. 1st, having added some of the best of the modern tricks to his program. Mr. Harrington has some fine paper and we hope that he will do well. Barnello, the fire king, played the Detroit Museums and the Crystal Theatre, Toronto, Canada. Alor, the lady magician, filled a week's engagement at the London Musee. Messrs. Chas. Burlingame & Co., offer a new book entitled "Tricks in Magic," which contains all the secrets lately offered for sale, the price of the book is only 25c. The au-

thor of the book deserves great credit for devising a way to stop the nefarious practices of secret dealers who have done so much toward hurting the business. : Similar treatise by the same author are to follow.

MISS LABRANT.

PRINCE ALBENE. Prince Albene and Miss LaBrant, the incomprehensible and phenomenal mystic workers are well known throughout the States for their clever act. Their spiritual cabinet act is especially good. FROM OUR CONSTANTINOPLE CORRESPONDENT. Chevalier Thorn has by order of His Majesty Sultan Abdul Hamid II, given a special performance at the Yldiz Palace in Constantinople which was attended by the Sultan himself, the Princes Osman Pacha, all foreign Pashas, high dignitaries and court interpreters. The ladies of the Sultan's Harem watched the performance from behind a screen provided with small openings. The large and varied program was most enthusiastically received and the Sultan has as a token of his appreciation presented Chevalier Thorn with the decoration of the 4th class of the

/IDabatma. Osmania Order, besides the substantial payment of ^200. Chevalier Thorn had on his previous visit to Constantinople been decorated with the 4th class of the Medgedge Order. His Majesty, the Sultan, appreciated mostly the small clever slight of hand tricks which were presented by the Chevalier in an inimitable manner, also the illusions Cremation, Propaganda, and Noah's Ark. The Sultan has a reception every Friday for the amusement of the Court and the ladies of the Harem. He has also his own conjurer, a Frenchman named Nartrab, and many pantomine and other artists. Chevalier Thorn will on the closing of his Constantinople engagement start for Vienna, where he will give a series of 60 performances.

r

Mr. John J. Whalen, the well known New York magician leaves in October for an engagement of 30 weeks with Fiederick Bancroft. Mr. Whalen is an originator of no mean merit, and his program is replete with his own creations. MAGIC AND MAGICIANS. BY

CHARLES SUMNER KAY.

My personal recollection of celebrated magicians extends back to the days of Houdin, MacAllister and Anderson, and up to the present day princes of the magical art—Herrmann, Kellar Guibal, Powell and Jewett. It has seemed to me that some thoughts on the changes in the art, and reflections on the character of the work of some of these men might be of interest to the readers of MAHATMA. I viw Houdin when I was quite a boy. I well remember the embroidered table cover v. ith

the name "Houdin," in large letters in front. Like all magicians of his day, his art was largely mechanical. The rear of the stage was a banked up display of intricate and dazzling apparatus, such as a man of his antecedents and early calling as a mechanician would naturally aflect. Of the details of his performances I now retain but little recollection, in those days the obedient clock with its crystal dial, the burning cauldron with its accompanying doves, the elaborate card-star, the aerial suspension, and such like, formed the chief teatures in the program. MacAllister made much, in his posters, of the fact of his descent from a magical ancestry. His father's portrait always appeared on his posters, side by side with his own. From these men there has come down to us, and now found in the modern program as "fill in" material, the gold-fish, the magic plumes, the Chinese rings, and the aerial treasury. These all seem to be of perennial interest and appear to be destined to endure to the remote future. Anderson was one of the first to introduce the gift feature as a drawing card for magical performances. In provincial tours he would purchase from the local merchants of the small towns the stock of miscellaneous and usually useful household articles, which he gave away on the lottery principle. It may be said that this feature generally gave satisfaction, and at that time done well, but it cannot be denied that it had a tendency to lower the standard of the performance, and made that part of the program too short, incidental and subordinate. Its abondonment is a subject for congratulation. If one were to ask: "What is the chief charm of Herrmann's performances ?" It might be truthfully said: It consists in the light, deft and altogether self-possessed procedure of that master of magic. While talkative in the best sense, Herrmann is not a bore, he says just enough, says it well, and does not make patter a substitute for performance. Nothing could be better than Herrmanns manipulations of birds, and for perfection of handling his version of the vanishing lady is unexcelled. Herrmann always gave the best rendering of the "Black Art" idea. Kellar has been ascending the ladder of magical fame recently at great strides. His mental phenomena given in connection with his wife, are known and appreciated by all. Kellar's latest cabinet for spiritual phenomena, put up and taken down, panel by panel, in full view of the audience, is a marvel of completeness. This artist is particularly good in flower production, and every season may be counted on for something new and startling. Herrmann and Kellar, on account of their neck and neck race to outdo each other, on account of the continued high character of their entertainments, and through the original and artistic printing which they employ, stand to-day the favorites. Jewett, the Hartford magician, is an easy and particularly pleasing performer. He is the originator of many clever tricks that have been widely copied by the fraternity. Jewett is a natural born wit, and consequently a great favorite. Mons. Guibal, who has mystified and delighted American audiences for several years, is particularly fine in digital manipulation. He has a simple little feat of disappearance and re-appearance, on frequent repetition, of a small roll of cork, showing empty hands and uncovered arms, that is a gem in its way. His version of the ring and sealed packets is always well done, sometimes a magician shows his essential genius in such simple feats more significantly than by working elaborate mechanical devices in which the operator merely pushes the button and the machine' does all the rest. Powell is one of the best educated, refined and polished gentleman on the magical stage today. He talks well and works well. He does not under-rate the intelligence of his audience by inflicting self-laudatory stories, nor make exaggerated statements to heighten effects. He is quick and lively in genuine wit and repartee, and his hand work, wand work, and general manipulation of coins and cards are of the highest order. As before intimated it is not in the more elaborate features approaching the theatrical in costume, drapery and mechanism, that the real genius of a magician is best displayed, these can be gotten together by the costumer and stage-carpenter. This is here said to recall the fact that Powell gives one of the most pleasing and beautiful renderings of the age-old feat of the Chinese rings that can be seen anywhere, allowing the rings to separate in an almost liquid stream from the hand.

Mr. Leopold Fuenkenstein has opened a School of Vaudeville at the Central Opera House, this city. Mr. Fuenkenstein has the best instructors in their different lines that can be obtained, and every branch of the business will be taught. The pupils will have weekly opportunities of appearing at matinee performances where a full orchestra and everything necessary will be found to complete a first class performance. X ^ ¥ ^ MK ^ W * T ^ ^ ^ Y S f ^ n e x a c * reproduction A K < ^ V A M. ^ ^ ^ i 1 M of the most marvellous experiment of the Indian Yogis—a living, breathing, human being actually floats i without any visible means of support. This Marvel of Magic is from the

MAGICIANS, ATTENTION! ^H&Tt^iStirTwTniiasi EWES h M M i d f M d MVS&L i

The Latest Sensation "ESCAPED FROM THE DEATH CHAIR." "

securely strapped in the chair and instantly vanishes, re-appearing in midst of audience. Price and particulars on application.

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flDabatma. Clivette, the well-known necromancer, juggler and shadowgrapher, opens his season about the last of October. The feature of his show will be his wonderful lightning calculating act. Frederick Bancroft, styling himself the Prince of Magicians, under the management of Mr. Clarence Fleming, opens his season in October. It is claimed Mr. Bancroft has the most magnificent stage settings ever seen on the American stage. Dr. C. W. Hidden, of Newburyport, Mass., lectured recently at Lake Pleasant, his lecture being "Child Life and Child Love," and "Hypnotism and Crime." The Doctor is an expert hypnotist, a noted writer on hypnotism and psychic phenomena, and is looked upon as one of the most prominent spiritualists in New England. John G. Scheidler, side show manager and magician, is still with the Leon W. Washburn Circus, and reports big business. Miss Mollie Roberts, mind reader, was presented with a fine gold watch and chain by John G. Scheidler, this being the second season for her with the Washburn Circus. lmro Fox, the comic conjurer, the star attraction of Donnelly & Girard's Rainmakers, reports crowded houses. John J. Whalen opens the season with Bancroft, the magician, in October. Prof. LeBey, of Savannah, Ga., reports good business in that city, and says all ot the local magicians are kept busy. Frank Emerson, of Lynn, Mass., has been successful playing summer resorts. Prof. C. Green, the Canadian magician, with Prof. E. C. Clark, are playing all the large fairs in Canada. The Houdinis, Harry and Bessie, closed a successful season of 26 weeks with Welsh Bros. Circus. C. B. Shindle, magician, of Mauch Chunk, Pa., is going on the road with his own magic show in November, playing Eastern Pennsylvania. Morris DeCastro is filling several engagements at Atlanta. Oakman, the hypnotist, is creating quite a sensation entertaining the members of the Y. M. C. A. T. Edward Grigor, the mind reader, is resting at Patterson,

N. J.

Truchelut, of Savannah, boy magician, is doing a clever act and has a line outfit. Mr. Eliott Payge, of Savannah, has made a hit with black art. Eugene Partridge, magician, is filling an engagement in New York city. Prof. Flint and daughter, hypnotists, are touring the Northern States. Prof. Wm. F. Frier, of Dayton, Ohio, is touring North Carolina. Cazman's Royal European Vaudeville Co., headed by Cazman, will open at Buffalo, Oct. 14th. This clever artist will bring over with him Walter Stanton, the man bird; the Great Newton, the four Tivoli Dancing Girls, the Wiltons, horizontal bar experts; Tini Corri, male impersonator; Mam'zelle Flossie, Smith & Campbell, Willis Clark, Hughey Dougherty, Giguere & Giguere, etc. Mr. Cazman will introduce some new features in his already perfect specialty. Berol & Belmonte, are preparing for an extended tour of the States. Sargent, the merry wizard, will play local dates in New York and vicinity. Earl P. Sprague, magician and illusionist of Cleveland will play local dates this winter. LONDON NEWS. Mr. Ellis Stanyon, the clever society entertainer of this city is getting up an elaborate programme for the coming season. A novel feature is an entirely new production trick, the effect of which is as follows: A small round table 12 inches in diameter is introduced, the table is simply covered with a piece of white muslin one and a half

5

yards square, entirely unprepared. Immediately the muslin is laid on the table it is withdrawn, when it reveals half a dozen glasses of wine, and a cake on the plate with a knife, the whole being already placed 011 a Japanese tray for distribution. The table is now taken to pieces, and the legs and top are given for examination. The top of the table is only one-half inch thick, quite plain with a fringe four inches deep. The principle employed is really clever and absolutely new. Later on I hope to have his permission to disclose the secret of this exceptionally pretty and effective experiment. Henri Cazman, renowned fantaisist and shadowist, is now working three of the principal halls nightly. This refined artist gets through a phenomenal amount of work in a very short time; he always has something new for his audience, and the applause he well deserves, testifies to their appreciation. The prince of jugglers, Paul Cinquevalli, needs no introduction, as he is known all the world over. At present he is exclusively engaged at the Empire Theatre of Varieties, where he has become an exceptional favorite. Carl Hertz, premier illusionist, is performing at the Royal Music Hall, Holborn, where his latest illusion, " Aerolithe," the mystery of the air, causes quite a sensation. Prof. Burto, royal wizard, is filling a long engagement at the Alhambra, Brighton, where he nightly mystifies his audience with his feats of Legerdemain. ROSS CoNVEAKS,

PARIS NEWS. Things in the magic world are rather slow here just now. Theatre Robert Houdin is under the direction of Mr. G. Melics. Their pretty little home of conjuring has re-opened for the season. The conjurers Ranally and Duperry being engaged. The first part consists of hand tricks, followed by a magical melange called " T h e Chateau of Mesmer,'1 the curtain rising on an excellently painted scene of an ancient interior in which are introduced a number of novel as well as old illusions, including a suspended Cornet a Piston, playing any tune desired, the keys working as if pressed by hidden hands. A spirit hand which taps out answers to questions, etc., notwithstanding it is isolated on a sheet of glass placed across the backs of the stall seats in the middle of the audience, also dancing hats, skulls and skeleton. Terminating with the suspension trick on a new style arranged by DeVere. Theatre Isola.—The brothers Isola still hang out with their old tricks, second sight and transmission of thought business, only keeping on with the half price admission ticket trick. Theatre Roskoff.—This theatre is closed and to let, Roskoff having just left for the Brazils, the field of his early successes. Musee Grevin.—Carmanelli a very clever exponent of the magic art has just finished a long season. Henri Cazman has visited this city. Trewey tells rne he leaves for the States in a couple of months. The pretty Okita is engaged in England for two months, she returns here to the Casino in September, when she will introduce DeVere's new screen trick. C. D. V.

DISAPPEARANCE OF AN APPLE AND A NINEP1N.

To an apple and a ninepin, the principal objects with which this trick is performed, are added as accessories a napkin, a large vessel of dark blue glass and a cornet of coarse paper, which is made on the spot by moulding it over the ninepin. First 'Disappearance (Fig. 1).—The apple, in order that it may be more in sight, is placed upon the inverted glass, V, under the paper cornet, while the inverted ninepin is covered with the napkin, S, through which it is held. All at once the napkin, quickly seized by the two corners, is vigorously shaken and the ninepin has disappeared, or, rather, it is found upon the glass in place of the apple, which has passed into the prestidigitator's pocket. Second 'Disappearance (Fig. 2).—The apple, first placed

/IDabatma. upon the table, is thrown invisibly toward the paper cornet, under which, in fact, it is found. And the ninepin ? The prestidigitator had forgotten to tell it where it was to go when he sent the apple in its place. As he gives up trying to find it and seizes the blue vessel in order to put it in place, it is seen that the ninepin, driven by the apple, has passed underneath. Fig. 5 renders an explanation scarcely necessary. At the moment that the paper cornet was made, the ninepin. A, was covered with a dummy, B, of thin metal, which remained in the cornet when the latter was removed. In the napkin, formed of two napkins sewed together by their edges, was concealed, between the two fabrics, a small disk of cardboard

of the same diameter as the base of the ninepin. The latter was allowed to fall secretly behind the table in a box lined with silk waste, only the cardboard disk being held, thanks to which the napkin preserved the same form that it possessed when the ninepin was beneath it, as shown in Fig. i. There is no explanation in regard to the apple that comes out of the prestidigitator's pocket and which is similar to the one that remained on the glass and was hidden by the false ninepin that covered it when the paper cornet alone was removed. For the second disappearance, the apple, placed upon the table, is surrounded by the two hands of the prestidigitator, who, while it is thus concealed, by a blow given with the little finger of the right hand, sends it rolling on to a shelf behind the table. His hands, nevertheless, preserve the same position as if they held the apple. It is the first one that is seen upon the foot of the glass, the false ninepin being removed this time with the paper cover. Under the glass there is a second talse ninepin, C, of metal, painted dark blue in the interior and which has a narrow flange through which it rests upon the edge of the glass, of which it seems to form a part. Fig. 3 shows it in section with the glass, and also the different pieces as they are arranged at the beginning of the experiment.—'-<> o^atur'c A BRIOCHE BAKED IN A HAT. This old trick always amuses the spectators. Some eggs are broken into a porcelain vessel, some Hour is added thereto, and there is even incorporated with the paste the egg shells and a few drops of wax or stearine from a near-by candle. The whole having been put into a hat (Fig. 1), the latter is passed three times over a flame, and an excellent brioche, baked to a turn, is taken out of this new set of cooking utensils. As for the owner of the hat, who has passed

through a state of great apprehension, he finds with evident satisfaction (at least in most cases) that his head gear has preserved no traces of the mixture that was poured into it. Fig. 2 shows the apparatus employed by prestidigitators to bake a brioche in a hat. A is an earthen or porcelain vessel (it may also be of metal) into which enters a metallic cylinder, B, which is provided with a flange at one of its extremities and is divided by a horizontal partition into two unequal compartments, r and d. The interior of the part, d, is painted white so as to imitate porcelain. Finally, when the cylinder, B, is wholly inserted in the vessel, A, in which it is held bv four springs, r, r, r, r, fixed to the sides, there is nothing to denote at a short distance that the vessel, A, is empty, just as it was presented at the beginning of the experiment. The prestidigitator has secretly introduced into the hat the small cake and the apparatus, B, by making them fall suddenly from a bracket affixed to the back of a chair. That at least is the most practical method of operating. The vessel, A, about which there is nothing peculiar, is, of course, submitted to the examination of the spectators. The object of adding the flour is to render the paste less fluid and to thus more certainly avoid the production of stains. The cake being arranged under the apparatus, B, in the space, d, the contents of the vessel, A, poured from a certain height, fall into the part, c. of the apparatus; then the vessel, gradually brought nearer, is quickly inserted into the hat in order to seize therein, and at the same time remove, the receptable, B, with its contents and leave only the cake. Fig. 3 shows this last operation. We have intentionally shown the part, B, projecting from the vessel, A, but it will be understood that in reality it must be inserted up to the base at the moment at which the vessel, A, introduced into the hat, is concealed from the eyes of the spectators. The

prestidigitator none the less continues to move his fingers all around the interior of the double vessel as if to gather up the remaindei of the paste, which he makes believe throw into the hat, upon the rim of which he even affects to wipe his fingers, to the great disquietude of the gentleman to whom it belongs. The experiment may be complicated by fust burning alcohol or fragments of paper in the compartment, r, of the apparatus. Some prestidigitators even add a little Bengal fire. But let no one imitate that amateur prestidigitator who, wishing to render the experiment more brilliant, put into the receptacle such a quantity of powder that a disaster supervened, so that it became necessary to throw water into the burning hat in order to extinguish the nascent fire.

flDabatma. THE MYSTERIOUS SUM IN ADDITION. The performer passes a number of papers or cards to the audience with the request that a line or row of numbers be written on each card. The performer collects the same, and with chalk puts the numbers on the blackboard and draws a line under the bottom row, he now (places the piece of chalk in a pistol and fires point blank at the board, and the answer is seen to suddenly appear in bold chalk figures under the drawn line. The explanation is very simple, the assistant stands in the entrance off the stage and adds the sum up on a slate and puts the addition in chalk on a piece of black cardboard, or silicate board, a pasteboard painted black with pulverized slate and a certain sizing, making it like a real slate. 1 prefer this also for the false flap in the slate for spirit writing, it takes less room in thickness and is noiseless. The back of this paper board has wax on it, if the black board is really a slate, and small steel points if it is merely a painted board, this makes it adhere to the blackboard. Now this cardboard with the numbers on it is double, the one half folding up against and hiding the numbers of the answer. This cardboard strip is the length and width of a flat ruler, such as is used for ruling straight lines. After assistant has written the answer on the black cardboard strip, he folds the lower half up, thus concealing the same, and the flap is kept from dropping by a little catch, which is released by pulling a thread. The cardboard strip thus prepared is placed under the ruler above mentioned and both placed on small table, and put half on and half off stage. After all the numbers are placed on black board, you make the request that some one copy them and add them up, and keep the sum total to himself: while he is doing so it gives your assistant the desired time to do the same and lay the prepared ruler on the table, you now say I will draw a line under the last row of figures, you do so taking care to press the ruler hard enough to stick it to the board, and remove only the ruler. When pistol is fired, the string is pulled releasing the flap which falls down and reveals the correct answer to a sum of figures that have, been put on the black board from slips of paper written by the audience. For this card trick the performer borrows a hat and places it mouth downwards on the table, remarking I am now about to illustrate to you the force of one mind over another, also the marvelous power of being able to see through obstacles such as solid matter; for example here is an ordinary pack of cards laid out on the table with their faces down, it thus being an utter impossibility to know one card from another, nevertheless I can see the face of those cards and distinguish the names of them, and what is more 1 will ask this gentleman to assist me, and I will influence his mind in such a manner as to compel him to take such cards as I call for. We shall not look at the cards until the trick is finished, as the cards are called he is to take any card that he wishes, he is not to look at it, but hand it to me, and I will place it under this hat. After five or six cards are called for I will remove the hat, and the cards under it will be the ones 1 called for, and such is found to be the case. Here is the explanation, you palm a card from the pack and when you borrow the hat drop the card into it, and observe its denomination, and then slip it inside the sweat band of the hat, then allow the hat to be placed on the table upside down without the card falling out. Suppose the card was the five of spades, you now ask for that card and thegentle,man who is assisting you takes haphazard every card and

hands it to you, as you place it under the hat you catch a glimpse of it, and that is the next card you are to ask for. The last card you ask for will be one you have already got, of course it will be a wrong one that is handed to you, but slip it into the sweat band of the hat and remove the or*that has been there all along, and when the hat is removed the cards you called for, and only those are found under it. You can do away with the use of the hat in this manner, first observe what the bottom card of the pack is, and let that be the first one you ask for, and proceed as previously described, but when you ask for the last card say you will take that one yourself, and take the bottom card which of course you must not let them see alone, because it would divulge the method employed, but place it with the rest and turn them all over face upwards. WM. E. ROBINSON.

A NliW CARD TRICK. Hand the pack to be shuffled and when returned to you have a card chosen (not forced). We will suppose the chosen card is the knave of spades, receive it back in the pack and make the pass so as to leave it fourth from the bottom. Shuffle the cards, not disturbing the order of the four bottom ones, now show the bottom card, and lowering the pack, draw it out and lay it on the table, and we will suppose for illustration that it is the seven of hearts. Show the next bottom card, which we will suppose is the eight of hearts, and lowering the pack, draw it out and lay it by the side of the other. Show the next card, which we will suppose is the ace of diamonds, and lowering the pack, slip this card back a little with the third finger of the hand holding the cards, and draw out the next one, /. e. the chosen card, and lay it by the side of the other two on the table. The ace of diamonds is now at the bottom of the pack, and it is necessary that you shuffle the cards so as to leave it on the top, the three cards on the table are supposed to be the seven of hearts, eight of hearts, and the ace of diamonds, but really they are the seven of hearts, eight of hearts, and the chosen card. Now say to a lady, which card do you prefer, the seven of hearts, eight of hearts, or the ace of diamonds. If you appear to forget the last card, then suddenly name it, the lady is almost sure to say the ace of diamonds, as she will probably have forgotten the other two—this is what you require. We will proceed as if this was so, you have now simply to ruffle the cards over the supposed ace of diamonds, when the chosen one is found in its place, and the ace on the top of the pack. Suppose the lady had said she preferred the seven of hearts, you would have simply pushed it in her direction saying, thank you, then turning to another lady saying which one do you prefer, the eight of hearts or the ace of diamonds. If she says eight of hearts, push it towards her, saying thank you, then 1 will take the one that remains, from this you would proceed as above described. There is yet another contingency which may arise, suppose the second lady had said she preferred the ace of diamonds, you would have to say, thank you, then that leaves this other lady the eight of hearts. You now ruffle the pack over the supposed ace of diamonds to cause the change as described above, and it is well to have the chosen card named before turning it up. There being no doubt in the minds of the audience that the three cards on the table are indifferent ones, and as you appear to be so indifferent in your selection of the one for the final effect, the trick causes the greatest possible sensation. This trick has been arranged entirely by myself, and I can thoroughly recommend it as producing a great effect. Ei.i.is STANYON. Prof. Harry M. Helms, is playing the large towns of the Northwest, and-reports good business.

fioabatma. place the quarter in my hand, which I afterwards close, on re-opening it the coin has vanished. 1 reproduce it this time by apparently finding it concealed A TALE OF OBSERVATION AND EXPERIENCES. BY DR. ALBERT MERLIN. in the porter's whiskers, much to his astonishment, though he showed no CHAPTER IV. sign of being amused, a look of suspicious dread passed over this big Irish'•The profession I am of requires me to understand everything.'' man's face, which with my tact as a physiognomist, I quickly noticed. Don Q_uixote. He then excitedly exclaimed: " Do thot again." I repeated the trick, but this time I took the coin from under his vest. Not It being my intention to visit the White Mountain resorts, I took the boat the following morning for Weirs, thence by cars through the gateway of the the least disturbed, he said: " Let me see that money in me hand." Taking mountains to Bethlehem, to give my entertainment at the Maplewood House. it, 1 noticed he turned his back to us all. Mv early religious training gave Having admired the grandeur of natural scenery in the west and a few for- me to understand that he was makine; the sign of the cross on the coin. 1 eign lands, I had accustomed myself to believe there was nothing in compar- remembered my own faith when I battled with the evil one (the first magicison in the East worth speaking of, but at Bethlehem, N. H., I met with a ian 1 had ever seen), and I could not suppress a smile, but I pretended not surprise. Here was nature in all her glory, possibly not so much grandeur, to notice what he had done. With a show of confidence, and in a dogged but a beauty of scenery far surpassing anything I had ever seen—hardly tone he returned the coin to me, remarking: ''Do it now moi laddybuck." After my experience the previous evening at Centre Harbor with the little dreamed of. Niagara Falls had impressed me as the grandest object in nature. Trenton Frenchman, I thought it best not to dispel his faith in the sign of the cross, Falls, N. Y., as the most beautiful, but here in Bethlehem, ''The Sacred so I placed the coin in my hand, but this time with a show of effort I could Mountains drew around us," my eyes were greeted with a sight that filled not make it disappear. Speaking to him in a tone of annoyance I demanded my soul with joy, the grandeur of nature in all her beauty, a veritable " Port to know what he had done to the coin when he had turned his back. His of rest from troublous toil, the world's sweet inn from pain and wearisome only reply was '' Do it now, I defy you to do it now." After a few more useless attempts I left the crowd in apparent disgust. turmoil." O, ye tired denizens of the city, wearing out your strength and reserved The devil overcome by the sign of the cross, though not the first time either. energy in the toil for gain, for power or pleasure, stop a moment, think a Had 1 done this in Jerusalem 1800 years ago, what a powerful influence for moment what you are sacrificing for a short lived result, and " strike your saving souls I might have exerted. Or had I done it in the days of Cotton task " for a few days rest, a rest that soul, mind and body needs each twelve- Mather I would have been branded in reality a witch, and doubtless have month, come to this refuge of peace, verily great will be your reward, for been burned at the stake. Well, 1 did some good for that poor man, I left "he who of these delights can judge, and spare to interpose them ott, is not him his religion and ignorance. The story he will tell as long as he lives and unwise." will find many believers. I also tell this story and 1 find more believers than There is a charm, a fascination, a subtle enticement, in this beautiful spot he, because 1 talked to wiser people. which brings one under its sweet power, making him over into a new being. It was in Bethlehem I met with an experience somewhat new to me, one An incident which occurred during my stay at Bethlehem, reminded me strictly characteristic of Yankee narrowmindedness. I could not gain the of an interesting scientific fact brought to my notice some two years pre- hotel proprietor's consent to charge an admission to my entertainment, as he vious while stopping at Indianapolis, Ind. At the hotel in that city I met claimed he could not allow his hall to be closed against any of his guests; in two highly educated deaf mutes, who were traveling through the west giving other words a small cranky few of them might have complained if the maexhibitions of their truly remarkable powers. At a private reception I was jority were entertained one hour. Nor would he allow me to take a collecone of a party invited to witness their skill. One would stand at the ex- tion from the audience in case I admitted them free. He was willing I should treme end of a large parlor, and read a newspaper conveying the contents to give a free entertainment, this however did not accord with my method of his companion at the other end of the room, as quick as voice reading, by doing business, but I consented to do so although with other views in my means of his fingers, spelling each word as he went along, and with his fin- mind, and confident that I could turn the tables on him. I proposed to ingers he could indicate the alphabet much quicker than I with my voice. Out troduce a new trick for his especial entertainment. Of course a free enterof courtesy to their kind invitation I volunteered some of my specialties in tainment from one endorsed as I was, brought a crowded house, including magic, such as palming the coin, manipulation of cards, making the pass, etc., our landlord and family on front seats. Some five hundred people were preswhile interesting others present, to the mutes it was all transparent. There ent, and the Boston Museum orchestra furnished the music, being engaged was no deception, no trick to them, their trained eye was quicker than my there for the season. The entertainment was conducted as if every one had sleight of hand. My trick, no matter how skillfully done, was detected by paid, and nothing was said about payment, but as the audience passed out them, it naturally fell flat—a miserable failure. They were the first persons they doubtless thought the laborer was worthy of his hire. I had previously I ever met that I could not deceive by my magic. 'Twas more of an enter- selected the smartest bell boy I could find, and instructed him to throw a tainment to me than to them. silver dollar on the tray he was to hold in his hand with a loud bang the Their long practice in training the eye to read the rapid motion of the. fin- moment the first man left the hall at the close of the performance. The hint gers in spelling words, had rendered it impossible for me to deceive. It is an took, as I counted my money, there was one hundred and sixty-five dollars, old saying, especially with magicians that the hand is quicker than the eye- and I could not but conclude my entertainment had proven satisfactory. As sight, but in this case it was demonstrated that the eyesight was quicker than I paid my bill the next morning the clerk handed me the following letter. the hand, a fact, I believe, not generally known. These expert mutes were DR. A. MERLIN, in their skill to the untrained mutes, what a college professor is to a school Dear Sir: Your entertainment far surpassed my expectations, myself and boy. This occurrence left a lasting impression on my mind, and I afterwards guests were highly entertained. Your programme was filled with many surwas on the lookout for an uneducated deaf mute, or one educated in the com- prises, your first trick of turning water into wine was done in an improved mon school, one who could not use his fingers in conversation. At Bethle- and modern manner, the following ones equally as wonderful and satisfactory, hem 1 had this good fortune, the bootblack was a deaf mute. 1 improved but the last and greatest trick, that of turning labor into capital was the most the first opportunity, taking a coin from my pocket to pay him for polishing original and surprising to me. My indignation wai only exceeded by my my shoes, I apparently handed it to him, but the blank expression on his admiration for your genius in getting the best of me, but as every one seemed face convinced me that he did not know where it had disappeared. I then pleased I have only to say that you are a bright, smart fellow, and that extracted the coin from his hair, again handing it to him; it again disappeared, wherever you go you have the best wishes of, Yours truly, 1 drew it this time from the sole of my shoe, noticing that he marvelled more RICHARD STANTON. and more. It needed not that expression of surprise on his face to tell me Such incidents as these go to make up the experiences of a gripsack magicthat I had completely fooled him. That my hand was quicker than his eye. ian at the summer watering places, or did in my day, the "trick" is an old Finally seeing the ten cent piece which I had first handed to him had one now, the managers of these great hotels have caught on to the idea of turned into a quarter of a dollar, he seized a tablet from his coat pocket, furnishing entertainments to their guests, and for the purpose they employ a wrote vigorously upon it, and in gutteral tones, "uh, uh !" beckoned to the master of ceremonies who attends to this duty. bell boys and porter, and a few servants standing about and pointing to me, From Bethlehem I continued on to the other resorts of the White Hills, hands them the slate, which I noticed contained the words: "A witch." thence to Mount Desert, and only closed my wanderings as the season drew This caused them much astonishment, and I am closely .watched as I again to a close. (The End.) THE LAND OF HUMBUG.

iltaljatnta. A FRENCH FANTAISIST. BY HARRY R. EVANS.

Paris is the home of the fantaisist. These rare exotics flourish in the genial atmosphere of the great French capital, and cater to the most critical, as well as the most appreciative public in the world. No matter how trivial your profession may be, if you are an artist in your particular line, you may be sure of an admiring audience. Today you are a performer in the cafe's; to-morrow you tread the boards of some minor theatre, and the journals duly chronicle your debut, sometimes with as much elaborateness as they would "write up" the dt'but of a new cantatrice at the Grand Opera, or else the advent of a new Cabinet Minister, who has just assumed an important portfolio. Two of the greatest entertainers in Paris to-day are Yvette Guilbert, Chantcuse Ecccntrique, and M. Felieien Trewey— fantaisist, mimic, shadowgraphist and juggler. It is M. Trewey and his wonderful art I wish to introduce to the American reader. The clever Frenchman is one of the greatest sleight-of-hand artists in the world, but his lasting fame has been male through his ombre?:! inie, or shadowgraphy—the art of casting silhouettes with his hands on an illuminated screen; silhouettes of men, women and animals, all projected with such marvellous dexterity of manipulation as to raise the diversity to the dignity of a fine art. The projecting of shadows on a wall by the aid of the hands interposed between the wall and the light of a lamp or candle, is very old, but it was confined to the production of a few simple silhouettes contained in almost every work treating of the art amusante. In the hands of Felicien Trewey, however, shadowgraphy comes as a novelty, and is highly entertaining. In fact, this artist may be said to be the classic performer of ombromanie, for his tireless ingenuity has given birth to over three hundred silhouettes, the making of which is a complete mystery to the public. I will now endeavor to explain and illustrate the mysteries of this species of the art fantastique. The modus operand/ of the shadowgraphs may be seen from the accompanying pictures. A screen is first placed on the stage, and behind it, some ten feet away, is a powerful oxhydrogen lamp, which projects a circle of light upon the white cotton sheet. Between this screen and the light the artist stands and manipulates his hands so as to throw the shadows. The nearer the hands are brought to the light the more the shadow increases in size and loses its intensity, while on bringing the hands closer to the screen the silhouette is rendered sharper, but smaller and smaller. Some little pieces of cardboard, cut in different shapes to represent hats, bonnets, etc., as occasion requires, and held between the fingers, enable Trewey to represent all sorts and conditions of people and things. The great features of his shadowgraphs is that they are endowed with life, and enact little pantomimic scenes, much to the amusement of the onlooker. He shows, for instance, a preacher in his pulpit delivering a vigorous discourse and pounding the rail in front of him to emphasize his remarks; a concierge and a belated lodger quarreling violently; a fisherman in a boat having the usual luck with the finny tribe, and resorting to liquid consolation from a big jug, and last, but not least, two Romeos serenading a capricious Juliet. All these clever little scenes have to be seen to be appreciated. So elaborate are some of them, and so clever from a pantomimic standpoint, that one can hardly believe that simply the the two hands of the performer and some bits of cardboard constitute the entire deux ex machina. A little box tied around the wrist of the artist represents a pulpit in the theological scene described above; his bent fingers the canopy, while the preacher is made by the disengaged hand. Trewey's faces of old men and women are excellent. You can see the aged military pensioner, taking snuff, smoking, and imbibing wine from a flask. The motions of swallowing are marvelously executed, the progressive movement of the hand or arm showing the swelling of the throat occasioned by the descent of the food in the oesophagus. Trewey's latest specialties are ombromanie portraits of political, literary, and military celebrities, which are ingeniously executed, and exceedingly lifelike. The long practice necessary to acquire the digital dexterity required in shadowgraphy, as exemplified by this artist, is never dreamed of by the average spectator who sits in front of the house and applauds and laughs at the performer's conceptions. La Nature, the French scientific journal, in speaking of the work, says: "There are certain hand and finger exercises that are indispensable to perform in order to reproduce such silhouettes more or less perfectly. The first exercise consists in bending the little finger as much as possible without moving the others, while the hand is spread out. It must be understood, that all that is done with the right hand must be repeated with the left. The two hands being broken in to this motion, the little finger is raised and an effort is made to bend the middle and ring fingers, while the fore and little fingers remain extended. Trewey's appearance on the stage is prepossessing, being a man of fine physique, with a jovial smiling countenance. The handsome court dress which he wears is peculiarly adapted to his graceful stat-

ure and expressive actions. Among the principal features of Trewey's entertainments are balancing tricks of a startling nature, and of which he is the grand master. In legerdemain he is equally fine, his dexterity in throwing cards being extraordinary; for he is able to project these little pieces of glazed cardboard from the stage of the Alhambra (the largest hall in Europe) to the furthest part of the top gallery. He also possesses great skill in the uncommon art of writing backwards any words selected by the audience and is a lightning sketch artist of ability. "Tabarin or twenty-five heads under one hat," is a performance named after the inventor. With the brim of an old felt sombrero, Trewey is able by skillful manipulation to construct every variety of headgear, from the chapeau of a French Abbe to the headdress of a Norman peasant woman; but it is not this headgear that astonishes the audience, but Trewey's facial interpretation of the different types of character assumed. His mobile features are a national portrait gallery, and we see represented in the "Tabarin" Irishmen, Scotchmen, Chinamen, Englishmen and other nationalities. It is a pantomimic act of inimitable skill. The Paris Figaro has described his work as "Treweyism," and Illustration never fails to send a staff artist behind the scenes to make sketches of the ombromanist's latest creations. He has always something novel and unique from week to week, and so stimulates public curiosity by his remarkable versatility. I first became acquainted with this ingenious artist in the summer of 1893, and over a bottle of Bordeaux, heard the story of his life and career. He was born at Angouleme, nearly forty-five years ago. His father was a machinist employed at one of the paper mills of the city, and desired the young Trewey to become engineer in the manufactory. An unexpected incident diverted Trewey's mind from mechanics to jugglery. He was taken one day to the circus at Marseilles, and saw the performance of a conjurer. He was so delighted with the entertainment of the mountebank, that he forthwith determined to become a professional prestidigitateur. Finding that he could not enlist the interest of his son in machinery, Trewey perc sent him to a Jesuit Seminary at Marseilles to study for the priesthood. One day, after he had completed three years at the seminary, he returned home for a short holiday, and refused to return, whereupon his father sent him to work daily at the factory. During his sojourn at the school, Trewey exhibited his skill as an amateur juggler, and took part in the dramatic exhibitions given by the students from time to time. He kept up his practice while at work at the factory, and then one fine summer's day at the age of (15) ran away from home with a professional acrobat, not much older than himself. The two boys gave performances in the cafes of the neighboring towns, and eventually Trewey succeeded in getting an engagement in one of the Marseilles music halls, at the munificent salary of a franc a day. He had to give his own juggling entertainment several times a day, and appear in a pantomimic performance every night. In this same company was Plessie, afterwards one of the greatest of the French comedians. Speaking of this period of his interesting career, Trewey said to me: "It was\he custom in French places of amusement, when I was a young and struggling entertainer, for the spectators to throw money on the stage to the actor when he is particularly pleasing. I carefully saved the coin obtained in this way until I was able to purchase two grand new costumes. These costumes and the popularity acquired, enabled me to obtain an engagement at the Alcazar, the principal place of amusement in Marseilles. Other engagements offered themselves in quick succession after that, and I became a favorite performer in all of the principal towns in the South of France where 1 remained for three or four years. After a while I returned to the strolling branch of the profession, and started anew as the proprietor of a travelling caravan pantomine and vaudeville company. I travelled from one little town to another, playing various roles, including Pierrot and Cassandre, the clown and pantaloon of French pantomine; and danced in the Clodochc, a grotesque quadrille; took part in a comedy, in addition to giving my own entertainment. It was a bare living only that was gained in this manner for two years; after which an offer of an engagement came to me from Bordeaux. Here I was most successful, and made a hit with a number of new feats of balancing with bottles, etc., which I had been busy for a long time perfecting myself. It was at this period I invented the ombromanie. An offer quickly came for an engagement at the Concert des Ambassadcurs, in Paris, and my success was complete. I stayed in Paris nine years and since then traveled all over Europe— in Spain, Germany, Belgium, Austria, Russia, Great Britain, and, as you know, introduced shadowgraphy to the American public in 1893." Trewey's home in the Rue Rochonart, Paris, is an interesting place to visit, it is crowded with apparatus and all sorts of new inventions intended for use in his conjuring entertainments. His scrap and memorandum books are unique in themselves and contain hundreds of sketches in water colors of juggling feats, either performed by himself or by other artists, and under each drawing is a carefully written description of the particular act. "What are you going to do with all this material ?" I once asked him. "I may publish a book one of these days," he replied, with a merry twinkle of the eye, who knows. "I've done worse things."

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C A N N O N , f o r shouting out a live lady, suitable for Circus. T R E E O F T H E F Al R I E S , a s described in No. 4 of MAHATMA. B U N C A L O W , quite new and never performed in this country. FLOWER TABLE, London make. THE BIRTH OF FLORA, t Q e Latest Sensation from the Egyptian Hall, London. FINE FRENCH CENTRE T A B L E , made by Voisin, Paris.

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Positively the best on the market—hold flowers even and secure—releases them by slight pressure. 35c. each, or three for Si.00. With improved device whereby loading is a matter of ease, with hands and cone away from body and sleeves rolled up, 60 cts. or 2 lor one dollar. Registered letter, post office or C. B. SH1NDHL, express order. Address, Mauch Chunk, P.i. Box 371.

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BOOKINC SEASONS OF '96, '97, '98.

BURLINGTON. ALBANY.

All his work was splendidly done, with an ease and grace that brought torth enthusiastic applause. 'Burlington 'Daily News, Sift. 4th.

The ease and dexterity of his Legerdemain (a truly npproprbte term in this easel, has not been surpassed here, and in many instances not equaled. They defied detection even when done in the auditorium instead of the stage, as many of them were.— Slate, Aug. 30th.

Powell's fame does not rest alone on his digital dexterity, but equally well founded on his illusions. Those presented were the "Astr.il Body." "She." "The Cabinet of Phantoms," "Double Rapid Transit, " and "Noah's Ark," all of which were perfect in every detail.—l?Qrv-s, St-pt. 5/*.

His palming is the most wonderful and best ever seen in Albany. * * * He kept up a flow of witty and pleasant conversation, in this respect he has no rival. Evening Journal, Aug. -}oth.

POTTSFIELD.

* * * And it was in every sense of the word. Many of the most difficult tricks were done in the Auditorium, and yet every effort at detect ion .was futile. He has also the happy faculty of making witty remarks in the proper place, and keeps his audience in thorough good humor. "Unify Press Knickerbocker, Aug. 30th.

In the part devoted to sleight uf hund, Mr. Powell proved himself a thorough master.—Berkshire Eve. Eagle, Aug. 3 1. His feats with flowers and his Spanish Tambourine were both pretty and astonishing, and though done in the aisles, in full view and surrounded by his audience, nobody detected his methods, in a word he held his own most creditably with the most skillful illusions in America. '''Berkshire Sunday IRcconi, Sept. 1st.

MONTHELIER. Powell's illusions are thoroughly entertaining, and are moreover, novelties. His stage presence is so graceful and easy that it must arouse a feeling of envy in the necromantic bosoms of his rivals. Then his skill with his hands must be seen to be at all appreciated.—Sept. 8th.

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apparatus of evert? hino maoe to orber. Our complete fully illustrated Book Catalogue with 500 engravings and description of every Trick and Novelty ( up to date, will be sent on receipt of 1 5 c . Illustrated Catalogue of Parlor Tricks free on application.

IMPORTANT TO MAGICIANS. Since the issue of the new tariff we have reduced the price of extra fine Figured Felt, imported specially for Magicians' table coverings, from 4 O cents to 2 5 cents per square foot. Send 2 cent stamp for Samples. 493 SI2£T:K

NEW ADDITIONS. — •—-—_..nc-..«.'»_^i^ •»_»-ju»_m- £ M l c L 3SrG'\^7"«—New book by Professor Holl'man: beautifully In.mid and fully illustrated, 394 pages, $1.50. D e m o n H a n d . - A perfectly modeled hand is shown and placed with the linger tips on top of a pack of cards contained in a transparent goblet. At vomnuind the hand picks out any chosen card from the pack while the performer is amongst the audience, 86.00. Detachable Magician's Pocket.—Useful for getting rid and producing articles like handkerchiefs, eggs, bowls, etc. Can betaken otl' and put on instantly, SI.SO. Palming Apparatus ['orBilliard « Balls, Eggs, etc. With the help of this apparatus any one can perform the feat of palming round articles with ease, 50 cts.

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THF. ONI-V PAPER IN THE UNITKI) STATLS DI VOTF.D TO THE INTERESTS OF MAGICIANS, SPIRITUALISTS, MESMERISTS, E T C .

VOL.

I.

No. X.

NEW YORK, MARCH, 1898.

SINGLE COPY, 10 CENTS

It is with pleasure that we present to the readers of this month the peer of all magicians up to the present. Where is there a professional or amateur who does not strive to attain the skill acknowledged by all to be

tricks talked about and different opinions given as to how they are done. This in itself gives an idea of the perfection of his art when the profession are unable to see how his experiments are accomplished, surely he must indeed have his art at his fingers' ends when he so surely and cleverly appears before his [audience to deceive and amuse them.

possessed by Mr. Kellar; the leader in originality, continually improving his art and the perfect master of magic. In a gathering of professionals you will constantly hear Kellar's

That Mr. Kellar'undoubtedly owes much of his popularity to his talented wife who so ably assists him in his entertainment, does not detract from the wonderful skill display-

HARRY KELLAR.

MAHATMA

M ah at ma

MAHATMA. ISSUED THE Hi OF EACH MONTH. A: G

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, w.c. SUBSCRIPTION, $i.oo PER YEAR, SINGLE COPIES IO CENTS. RATES OF ADVERTISEMENTS.—Twenty cents per line, nonpareil type measure; space of one inch. $2 40 each insertion. Deduction of 20 per cent, is allowed on advertisements when paid for three months in advance, and on advertisements measuring 50 lines or more. Remittances should be made by check, post office or express money order, or registered letter. MAHATMA would ask as a favor that all magicians will send their address and all news appertaining to magicians to this office, and also names of persons interested in magic. The aim of this paper is to reach all magicians. There are many persons interested in magic who have never heard of this paper, please send us the address of any whom you may know. Anything new in magic will be published and credit given to person sending it. HARKY KKLLAK—CONTINUED.

ed by him in his performances which are acknowledged to be the strongest magical show in this or any other country. Mr. Kellar has for many years appeared only in the best houses and has met with unparalleled success. Being a first-class business man his bank account has grown steadily until it is claimed by those that know that he is one of the largest property owners of any American actor. He has an elegant residence built by himself where he spends his well earned vacation in entertaining his friends in the summer. Overlooking the picturesque Hudson it is indeed a fit home for the master of his profession. Mr. Kellar personally is a very pleasant gentleman to meet, with a kind word to the amateur and good advice to all who dabble in magic. o CRYSTAL BOX AND HANDKERCHIEFS. Our readers are no doubt familiar with the popular trick introduced some time ago by Prof. Guibal, and originally performed by Verbeck, in London. It consists in placing two handkerchiefs into a paper cone from where they vanish to appear in a crystal box which has been shown empty. There is however a disadvantage in the use of the box as it must be held on the hand of performer in such a way as to conceal the bottom, where between two glasses the handkerchiefs are concealed. Martinka & Co. have made a box where this is obviated and all six sides may be freely shown, all the glasses being transparent. Can you tell where the handkerchiefs are ? The box has the same appearance as the old one, except that the frame is a trifle wider, the movable spring glass flap at the bottom, instead of flying up, drops

raised and fastened to flaps by means of a catch. Thus are formed at the back on each side of the box two narrow channels into which the handkerchiefs are pushed with a pencil or thin stick. The accompanying drawing shows construction plainly. Figure 1 repre'sents the box with closed lid and ready loaded. Figure 2 shows interior arrangement with the square channels, one on each side. In order to secure the proper expanding of the handkerchiefs when released, the inventors have placed on the movable frame tiny hooks to which the handkerchiefs are fastened by the corners. It will now be clear to our readers that when the frame is released and springs down the handkerchiefs are carried down by the hooks, and thus fill the box. BOSTON NOTES. Alexander, the magician was seen at the Zoo week of Feb. 5th. Otto Struck, whose work, setting and personal appearance remind one strongly of the late Alexander Herrmann, appeared at Keith's; his work proved very acceptable. Chas. V. Lee, in sleight of hand work graced the boards of the Nichelodeon for two weeks. John G. Scheidler, billed as King Kardo, also played two weeks here. Soto Sunetaro, the Japanese wonder worker proved a very acceptable card at the Aquarium for one week. Hornmann, the Up-to-Date magician, was in good voice, and was pleasing in his stay of two weeks at Austin & Stones. Herr Schlam visited the Howard for a brief stay. Crane, the magician, proved a pleasing worker at Keith's; his tables, etc., were very handsome, and were made by LeRoy, the Boston manufacturer. Salem Sid, the Turkish card manipulator, exhibited some of his deceptive combination card work at the Aquarium. At the Zoo, week of Feb. 14, was introduced the Famous Parisian sensation and mystifying illusion of "Morning" presented with all its rich effects in the gorgeous white satin parlor; the dazzling splendor of this room outshines anything ever seen in this country. You see a beautiful drawing room scene transformed to a boudoir scene, with complete change of furniture, carpets, etc., without a single article moved from the spot. You see distinctly people enact a scene, and then hear them speak and sing, though they are not there at all. At this house can also be seen the Eden Musee, with its Chamber of Horrors, which leaves here Feb. 26th. Berol's Mystegogues gave a Sunday evening exhibit at the Grand Opera House. These people are certainly the peers in their second sight and mind reading without contact. The great beauty of their work is "originality," puzzling magicians as well as novices. Felix, who introduced rapid memory work, received generous applause at the end of his brief work. It is the intention of these people shortly to go on the continent. Kamoche, lady magician, appeared at the Howard, week of Feb. 7th. We acknowledge a visit from Taylor, the wizard, who is a veteran in magic. He was only passing through the city on a flying trip. In appearance he is a ''wizard'" and a more genial or pleasant performer it would be hard to rind. Success to him.

I

2

down toward the front of the box. Close to the glass at the back are on both sides longitudinal flaps with spring hinges that nold them when not used flat to the box. After box is prepared for the performance the flaps are bent forward, and the movable bottom frame

Boston has seen Severus Leroy, the European conjurer, who held the boards for two weeks at Keith's Theatre, proving a strong card; he is a clever performer, as well as a polished gentleman to meet personally. T. Nelson Downs made his first bow to a Boston audience at the same house, and had them all guessing; his manipulation of coins is truly wonderful, and he is without doubt the "King of Koins."

v

Mahatma BOSTON

NOTES.

The Zarros have also visited the Hub, playing four weeks in magic and illusions. The first two weeks the illusion was the Decapitation, and the last two weeks was seen their new illusion " I n the Realm of Fancies," being produced on a stage brilliantly lighted by electric lights, with a light background, which, as soon as the illusion was over, was removed, disclosing no secret or mechanism The Zarros carry their own electrical effects, and certainly there is no suggestion of "Magic" about their stage. Parley Zarro is a handsome boy, perfectly self-possessed, and a great favorite. These people are working all the time at the very best vaudeville houses throughout the country. At Keith's was seen John LeClair the expert juggler and illusionist in a pleasing act.

Fielding, the clown Juggler, was also an attraction at Keith's where he always receives a warm welcome. Powell is busy preparing for his annual Spring run in Philadelphia. His business there last season ; despite warm weather and the unusually large circus attractions that cut very materially the business of all the theatres; was so good, that he is now negotiating for a larger theatre, and will present a much stronger program in his minor work together with two new and original illusions, that will create a sensation in the world of magic. It is with regret that we announce the death of Herrmann the Great. For many years he has been the most prominent magician in the world. That he is so ably succeeded by his nephew will not let the name be forgotten.

THE CABARET DU N1ANT. The above engraving is taken at random from the recently published work entitled " Magic Stage Illusions, etc.," by A. HOPKINS. This handsome large volume, contains over 400 fine illustrations on over 500 pages. It is an entirely new book on illusions and contains everything an up-to-date magician should know. Science in the theatre is fully described with elaborate cuts. Automata, mental magic, trick photography, fire eating, sword swallowing, ventriloquism, shadowgraphy, in fact everything- relating to magic and kindred arts is represented and lucidly explained. In the next issue of MAHATMA it will give a description and explanation with diagrams of the "Cabaret du Niant." This book is for sale by Messrs. Martinka & Co., see advertisement on last page.

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New Era Card Tricks. By A. ROTERBERG. The great book on Up-to-Date Card Conjuring, conceded by all intelligent and progressive magicians to be the best book of its kind ever published. Hundreds of flattering testimonials received in regard to this book. 284 pages, 204 superior illustrations. Finely bound in red maroon cloth and gold, and printed on the best paper. Price, postage prepaid, S 2 . O O . Obtainable at the following repositories. fMARTlNK,./! & CO., 491 Sixth avenue, &£• Y. W. D. LEROY, 103 Court Street, Boston, Mass. •B- -4JI.EY &• Tl^lPP, 49? Washington St., Boston, ZMass. C. L. BURUJ£GA(ME & CO.,"Hox 851, Chicago. CHAS. CSRJFFIK, Suffern, N, J. IV. H. J. SH>.41V, 159 *_4ugusta St., Chicago, lit, A. ROTERBERG, 145 Illinois St., Chicago, III.

Mahatma

l'ROF.

F.I.I I' 'I I ,

i'I

BOSTON.

T H E NEW CIGAR TRICK. Ordinary cards non-prepared given for examination and are thoroughly shuffled by members of audience. Some person is told to think of a card. Performer now requests a second person to think of any number between one and fifty-two. This being done performer takes deck face downwards on the flat of his outstretched left hand. Performer now ruffles the cards with his thumb (left) not looking at cards at all, and calls particular attention to the fact that the cards arc too new or to stiff or to old for the trick, but he will try and do the trick. Now slightly slope the deck, viz: the top card of deck being nearer body than the bottom card, this latter being the furtherest card from the body. Now addressing the first person: "will you kindly be so kind as to name card." Whatever the answer given regarding the card the performer says: honestly and candidly I knew you were going to name that card from the other remaining 51 cards. In fact I was positive of the card, but I wanted you to name the card so that our friend here who was so kind as to think of some unknown number for me would appreciate the trick. Whilst saying this long but good patter, the right hand thumb ruffles up the corners of the cards nearest corner of right wrist, quickly get sight of the index of the cards and slip your trustworthy little finger of left hand above the card. You may have to ruffle the cards three times in order to get sight of card, but in practice you can nine times out of ten get the card before your second ruffle. Bring the card to the top of deck by double hand pass and directly call particular attention to the fact that the bottom card is in no ways altered or changed for another. Now addressing second person and say, by the way at what number did you want the card to appear from the top of the pack ? The number being given, say: I have the identical number on a card here in my pocket, also the name of the card. (In your pants pocket have a blank card and a little sharp lead pencil, when you address second person for the number have your right hand in pocket on lead pencil and quickly write the number down, also abreviate the card (King of Hearts would be K-H) and fold card once. To show you that I also had your number just the same as I named first person's card (you have done nothing of the sort), I will show you the card which bears the name and number that you and our friend thought of, bring forth the card from pants pocket and exhibit it. Now deal seconds and produce the card letting person take off the last card himself. This trick is good and I usually get the card on the first raffle. This is one of many good card tricks depending upon a good side second deal; end second deals are not worthy of practice. T H E BEST METHODS OF DEALING SECONDS. Position—Hold the deck in the left hand as though you were going to deal with the exception that the index finger of left hand lies in a slanting position across edges of the upper left hand corner of cards. The little finger of left hand is midway between the two lower corners, width of deck at right angles to the distal end of the little

finger points toward right shoulder. The left hand thumb assumes a position across the pack of the cards just as though you were going to shove forward the top cards as in dealing. The second and ring fingers of left hand box the cards on the left. Execution—Pull top card (say Queen of Hearts) back towards thumb side so that one-sixteenth to one-eighth inch separates the two parallel lines, viz: that formed by the right hand side of the deck and that formed by the queen of hearts. Now your index finger (left) pulp conceals the protruding one-sixteenth inch of second card. Now your right hand thumb and index finger grasps the protruding one-sixteenth inch margin between the second and ring fingers of left hand. I have dealt seconds for many years and my own peculiar method is as follows: I have found that the thumb and second finger of right hand can grasp the second card more naturally and quickly if the movement is shielded by the index finger of right hand just as it appears to take the top card, in other words I appear to take the card between the thumb and index finger of right hand, but actually instead use second finger of right hand which really does the work of getting the card free from the deck, at the same time I find tr.ere is less noise. I can tell a second dealer easily. There is a peculiar sound which to my ears tells me ''what's up." You can't deal seconds with steamboats, you must have glazed cards, and the white margin on the backs of all good cards must be your guide, viz: Never think of pulling the top card' back till you see the red or.blue body of the card. There is also a peculiar action of the wrist, a slight flexion each and every time a card is drawn. This is one of the many movements of expert card manipulating that magicians do not know, consequently I would advise all interested to practice it slowly at first. It is of great use to magicians, a card is selected, replaced (double hand pass) card on top. "How many cards from top would you like to have your card appear ?" Any number. After the number is given show bottom card of deck, then deal seconds. A good second dealer can let you look over his shoulder and deal the whole deck from beneath the top card, and you would never mistrust him of dealing unfairly. Gamblers not only deal seconds but can throw them around the table with a natural throw right off from a second. This sleight will no doubt prove acceptable, and if practiced thoroughly will pay the magician well for his trouble. ELLIOTT. NEWS OF T H E DAY. Imro Fox, the well known comic conjurer, after a long engagement at the Folies Bergeres, Paris, has appeared in Munich; Antwerp, Amsterdam, Roterdam, and is at present at the Empire in London. Before returning to the United States he contemplates a visit to St. Petersburg and Moscow, in Russia. Nelson Downs, the King of Coins, has met with considerable success in this city, playing in all the leading houses here. Jewett, who is so well known in the East, is still mystifying his audiences with his entertainments. Horace Goldin, the humorous wizard, has made an enviable reputation on the variety stage. The egg bag is one of Goldin's hits. That he appears in the best houses speaks well for his skill. Clivette, the juggler and shadowgraphist, is starring in the West. Stevenson, the Brooklyn magician, has had his share of patronage this past season.

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Mahatma MAHATMA'S PAPER AND CIGAR TRICK. This problem is simple and the interest of the audience is centered in it for the reason that you have several of them help you, thus making it more enjoyable, and giving a chance for the performer to make some fun out of it, if he chooses so to do. The performer borrows a cigar from some one in the audience, and lets the person make a mark on it so that he will know it when it is returned to him after the experiment. The performer holding it in his hand and placing it on one of his tables in a small holder and without changing it. He then takes three small pieces of paper—red, white and blue—and asks a lady in the audience to hold one end of them, and a gentleman the other, the performer cutting off three small ends which the lady holds and the large pieces the gentleman holds. The performer then produces two envelopes, letting the lady place the three small pieces inside and hold the envelope. The other envelope he takes to some one else in the audience, shows that there is nothing inside of it, and asks him to please hold it. The performer then takes the three large pieces held by the gentleman and holding them high so that all can see them he walks upon the stage and with sleeves rolled up he rubs the three pieces of paper until they are so small that he can pass them inside of the cigar that he has borrowed, which he proceeds to do. A piece of newspaper is given for examination and a cornucopia made of it, closing the top with his wand so that it is impossible for the performer to place anything inside, and is then given to a gentleman in the audience to hold. The performer then states that he is going to pass the cigar inside of the cornucopia that the gentleman is holding. That seems impossible as the cornucopia was shown to be empty, but the gentleman upon opening it at the request of the performer finds a cigar, and upon breaking it open he finds the three large pieces of paper, red, white and blue. The performer then asks the young lady that is holding the envelope with the three small pieces inside—of course she is sure as she has held it all the time, but upon the performer opening it and to the astonishment of the young lady the small pieces have disappeared and are not inside where they were placed by the young lady herself. The performer then opens the envelope held by the gentleman which was shown to be empty and inside is found the three small pieces of paper which fit perfectly the three large pieces held by the gentleman that had the cigar. The performer then calls attention to the fact that it is an impossibility for any person to substitute either of the three pieces of paper, if they were to do so they would not fit as these pieces do perfectly. After the amazement of the audience the performer proceeds to apologize to the gentleman for the broken cigar, but after the audience has enjoyed a good laugh at the expense of the gentleman who was kind enough to loan a good cigar for the experiment; the performer then says he will try and restore the cigar again for the gentleman. He takes the pieces and commands his assistant to make a small cornucopia to place the pieces in, which he does. The performer then passes his wand over

it, and opens the cornucopia which has never left the eyes of the audience, and inside is found the cigar restored and the gentleman upon examination of course identifies it. If the performer so wishes, and uses good judgment in his selection of persons to assist him in this experiment, considerable fun can be had out of it, for there are so many interested with him in showing the trick that duplicity cannot be charged to so many, thus giving the performer a chance to secure all the credit himself and without any mechanism of any kind to help him. An explanation follows: In the first place the three pieces of paper shown and used in this experiment are only dummies for the occasion. The performer before his entertainment has taken three pieces of paper similar to the ones used, and by the aid of the cigar maker has a cigar made with the three pieces inside—the three small pieces he places inside of an envelope which has a double compartment in it—the right way to do is to cut the back out of an envelope and place it inside of the envelope, making the paper the same and the audience cannot detect it as the performer opens it each time himself. For instance when the young lady places the three pieces inside the performer holds the envelope and closes it, that is, half closes it by merely folding the flap inside which covers the extra back inside, and when opened you can find the three pieces inside, or not, according as you open it. The gentleman that you give the empty envelope, really has the three small pieces inside which the extra back covers. When the performer takes the three pieces of paper on the stage and passes them inside of the cigar, he really rubs them inside of the vanisher and they disappear up his back to be thrown away after the entertainment. The piece of paper shown to the audience to be empty, has nothing in it but when the performer closes the end of it with his wand so that his hands do not come near it, and of course cannot place anything inside, not so with the wand which is hollow, only one end being stopped up, which the audience can see as it rests upon the table. Upon tipping the wand when you are closing up the cornucopia the cigar falls inside, and when given ro the gentleman to hold, it has the cigar inside. When you take up the cigar to pass it inside of the cornucopia that the gentleman is holding you get rid of the cigar any way you like, in the trap of your table, or drop it on the servante when you pick up your wand. When you restore the cigar the paper which is used to place the pieces of cigar inside is a half sheet of paper doubled up and glued on the sides, thus leaving the top open which makes a pocket to place the pieces in, and when your assistant makes a cornucopia for you he drops the cigar inside and you place the broken cigar in the pocket and when you open it of course the good cigar falls out, and the broken cigar is in the pocket and cannot be seen. If the performer will immediately crumple the paper up and throw it one side as though it were but a piece of common paper, the audience will never suspect it. Also the cigar when made by the cigar maker should be made with a dark wrapper and when you ask for a cigar borrow a dark one. Let the reader study out these principles and they can be used in other tricks to advantage.

Mahatma CHEMISTRY OF MAGIC. For those of our readers interested in magical experiments produced by the aid of chemical combinations, we submit a number of interesting formulas that will suggest various uses they can be put to in the service of magic. THE MAGIC GLASS OF WATER.—Put a pinch of finely ground and sifted red sanders in a glass of water, and the liquid will at once assume a red color similar to that of claret. It this liquid be poured into another glass, previously rinsed with a lew drops of vinegar, it will assume a beautiful tint, resembling that of brandy. If a little potassa be added to it. it will change back to its original color, and, finally, if a litth- alum be introduced, it will become as black as ink; so that, to a person not in the secret, it would seem as if claret, brandy and ink had been obtained from a simple glass of water. WATER CHANGED INTO WINE.—Place in a glass a solution of sulphocvanide of potassium or of ammonium. This solution (which is very poisonous) will appear as limpid as water. Pour the liquid into another glass, in the bottom of which has been placed a minute quantity of sulphate of peroxide of iron, and it will at once change to a red color. The sulphate of peroxide of iron may be obtained by pulverizing some copperas and exposing it to the air. WINE CHANGED INTO WATER.—Dissolve is grains of permanganate of potash in a quart of water, and a liquid will be obtained resembling claret in color. Add to this solution 45 grains of tartaric acid. Put into a bottle a few crystals of hyposulphite of soda and a little water and rinse a glass with the solution. If the permanganate solution be now poured into the glass, it will be instantaneously decolorized. WINE CHANGED INTO MILK.—If vinegar be added to tincture of iodine, a beautiful red liquid resembling claret in appearance will be obtained. It into this we pour a solution of hyposulphite of soda, we shall obtain a milky white liquid (due to the deposition of sulphur), and a credulous spectator might be led to believe that wine had really been changed into milk. WATER AND WINE FROM THE SAME PITCHER.—Prepare some water chemically by adding to each pint 40 drops of chloride of iron and a few drops of sulphuric acid. The glasses in which it is desired to have the wine-colored liquid appear are then prepared by rinsing them with a solution made in the proportion of one drachm of sulphocyanide of ammonium and one drop of a solution of nutgall in alcohol. One drop of this in each glass is sufficient. When the prepared water is poured into these glasses, it is instantly changed to a wine color. This may be changed back to water color again by the addition of a solution of acetate of lead. The instantaneous changes produced seem magical. A PURPLE, GREEN AND RED LIQUID FROM THE SAME BOTTLE.

—Boil some leaves of red cabbage, and after half an hour's ebulition we shall have a beautiful purple liquid, which, when cold, may be put into a bottle for future use. Take three glasses. Let one be perfectly clean, in the second put a drop of ammonia, and in the third a drop of sulphuric

acid. The liquid poured into the clean glass will, of course, preserve its original color, that in the second will turn green, and that in the third will become red. If the odor of cabbage is disagreeable, the flowers of mallows, dark colored hollyhocks, or red pelargoniums may be used. COLORS ASSUMED BY FLOWERS UNDER THE ACTION OF FLUIDS

AND BASES.—Through a series of very elegant experiments, Messrs. Filhol and Gaston Tissandier have shown that a large number of violet or rose-colored flowers immersed in ether to which a little ammonia has been added become a very beautiful green. Such are the rose geranium, the violet periwinkle, red roses, the heliotropes, etc. The action is the same with red-dish colored leaves, such as those of the purple beech, for example. Submitted to the action of the same liquid, white flowers become yellow, while yellow flowers, on the contrary, generally retain their color. With flowers of a non-uniform color, the results are still more curious. Thus the upper petals of the violet sweet pea turn dark blue, while the lower assume a bright green color. The white extremity of the dielytra becomes yellow and the external petals metallic gray. If we expose slightly moist flowers to the vapor of ammonia, as has been done by Mr. Gabba, the results are the same, but it takes longer for the action to occur. The coloring matter of these flowers is not destroyed, for if, after treating them with ammonia, they be immersed in pure water, they will resume their tints in a few days. On another hand, these flowers submitted to acid vapors (to the vapor of hydrochloric acid, for example) become in a few hours a beautiful carmine red, which they preserve when they are put in a dry place and in the shade, after they have been dried in the air and in darkness. Immersed in a dilute solution of potassa or soda, the same flowers give colorations analogous to those that they take on under the action of ammonia, but they come out of the solution deteriorated. The color first taken by the flowers is blue, and does not become green until some little time afterward. Colored hollyhocks, the white and red pelargoniums and the corn poppy become blue and then green when they are immersed in a basic liquid, and assume a bright color under the action of powerful acids. 0

NEWS OF THE DAY.

Advices from London report that Buatier de Kolta, the master magician, has reappeared again on the scene after a seclusion for about two years. He has invented a new and startling illusion which he presents at the London Aquarium. The effect is as follows: In the centre of the stage is standing an upright ladder supported by wire ropes from above. DeKolta climbs upon this ladder in full view of the audience when he reaches near top of ladder he suddenly vanishes. DeKolta has in perfecting this novel illusion given new proof of the fertility of his brain and originality of conception. Elmer Ransom, the Lyceum artist, is still entertaining large audiences with his original magic. Stevenson, the Brooklyn magician, has had his share of patronage this past winter. Prof. Elliott, of Boston, has won considerable distinction in chess circle, having just won a $50 match game

Mahatma CHICAGO NOTES. The chief events of importance to Chicago enquiries of late were of course, the entertainments given by Prof. KKI.LAR at McVicker's Theatre, and that of Mr. HENRY

DIXKY at the Great

Northern

Theatre. The novelties (to Chicagoans) introduced by Mr. KEI.LAR were some new features of the blue Room Mystery, Kellar's Hindoo Clock, a novel Table Lifting and other minor feats. The tricks and the numerous stage illusions which Mr. Kellar gets up and introduces in a masterly manner, were, in the main, the same as seen before. Kellar's show proved a financial as well as an artistic success, large crowds attending every performance. A great deal of curiosity was displayed by local conjurers in regard to Mr. Dixey's Chicago debut in the role of a conjurer. Although a few of the tricks presented by Mr. Dixey might be changed to advantage, for others, the entertainment as a whole, was a very pleasant surprise to the initiated. Dixey's perfect stage presence, his brilliant address and witty patter stamp him a conjurer with a brilliant career before him. Although Mr. Dixey drew good houses, it is to be hoped that the next time he comes here, he will perform at a theatre more popular than the Great Northern. Mr. Soto Stmataro, the famous Japanese necromancer filled several successful engagements in the vicinity of Chicago and stopped in our city for several days, preparatory to going East. Mr. Surataro reports a profitable season. Dr. Merlin and Margaret Hayden, who without a doubt, perform one of the best taking second sight acts in existence, are again at the Londen Musee and are attracting the usual interested crowds. Prof. Roltair, who is famed for putting up the finest optical illusions ever seen, passed through Chicago, being on his way to Omaha on the fair grounds of which city Mr. Roltair will erect a magnificent palace of illusions, which, it is said, will surpass all of Mr. Roltair's former efforts.

Prof. Murdell, a clever and promising magician, has been obliged to abandon the magical business, owing to extremely poor health, After selling his outfit to another local conjurer, Mr. Laflein, Murdell left to seek a new home and health in California. The Jarretts, illusionists and marionette workers, closed a highly successful engagement at the Haymarket Theatre and then left for Joliet, 111., where Mr. Jarrett has taken the management of a variety theatre. Miss May Davenport, a popular artist and proprietress of a burlesque show, travelling through the smaller towns, has just added magic to her repertory and has met with good success in her new venture. Prof, Durno, the Rockford magician who lias been touring Indiana and Illinois, has been obliged to come to Chicago, owing to inclemency of weather and scarcity of money in the part of the country through which the show was booked. He has accepted an engagement at the new Drexel Theatre, commencing on Feb. 21st. After that he will resume his place at the head of his show, which will be taken out under a new manager. Messrs. Ritchie, Hueston and other Chicago performers all report plenty of dates. Mr. Wm. N. Selig, a well known local illusionist, has of late applied himself to the manufacture of superior films for moving pictures. He has met with splendid succes in this line and is head of the Multiscope and Film Co. of this city. Prof. Biena, Austrian conjurer and card expert, is catering exclusively to the Austrians and Bohemians of this city and neighor. ing cities. Prof. Biena has a good outfit and is meeting with merited success. Mr. George Patterson, who toured the South in 1896 under the professional name of Winton, the Wonder, is laying off in this city, preparatory to taking out a new show.

The- Tanakas, clever Japanese illusionists and top-spinners, Among the many people, who lost heavily by the recent fire of the made a big hit at the Olympic and Chicago Opera House. Coliseum, are Mr. Morley, who lost his X Ray Illusion and Dr. ValThe Chicago dealers, Messrs. Roterberg, Shaw and Burlingame entine (Sig. Blitz) who lost a set of valuable paintings. are all filling orders, the season being at its height. E. Barnello, the famous old times fire king, has retired from the The reappearance of Mahatma is anxiously awaited by all Chicbusiness and is now located at his home ia Cerro Gordo, 111. He will ago conjurers. be pleased to hear from his many professional friends. Mr. Lou Burt, known as Loubertina, a prominent Detroit conjurer and ventriloquist, recently paid a visit to several Chicago dealers. Mr. Harry Russell of Wheaton, 111., who travels as " Russell the Hindoo Wonder Worker," is doing exceptionally good buisness throughout Missouri and Wisconsin. Mr. Russell introduces all the late stage illusions in places where such things have never been seen besides giving a rattling good magical show. Hence his success. Prof. Bennett, a Kansas City magician, recently located in Chicago and did a profitable business teaching tricks to business people, Owing to the ill health of his wife Mr. Bennett was forced to leave for the Pacific coast, where, no doubt, he will do well, as he is an exceptionally clever performer of parlor tricks. Robert Ernest, the clever Danish magician formerly known as " Ehrenstein," has again located in Chicago, after a highly successful tour through Denmark, England, etc. Mr. Ernest has adopted commercial pursuits and will from now on give private entertainments only. He is booked to appear before the Marquette Club, March 3d. Magic has at last reached sedate Evanston, one of Chicago's aristocratic suburbs. Messrs. Adams and Webster, two clever Evanston amateurs were the first to introduce magical entertainments in churches, etc., and have met with such success that others have followed in their wake.

P. S.—My original Kard Trick for Magicians can be had only of me. Typewritten minute instructions with photographs to accompany same. Can furnish anything pretending to cards. (Enclose 2c. stamp for early reply.) No postals answered. Sincerely yours,

ELLIOTT, The Challenge Champion Kard ulator of the World. Private

Manip-

/'. 0. Lock Box No. 1551,

BOSTON, MASS., U. S. A. J, A, RICHARDSON,

Backer and Manager.

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Magical Apparatus and Mechanical Effects for Theatres made to order. ESTIMATES T h e M y s t e r i o u s Clock. FURNISHED A great hit with all audiences. A magnificent piece of apparatus. A crystal dial, beveled and gold figures, mounted upon an elaborate gilt pedestal; hand is taken off and shown around, also clock, when hand is put on again it will indicate any number, cards, dice, etc., at will of performer without going near it. It works on any table or chair. Price, $25.00.

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The well known juggler, magician and shadowgraphist, whom we present to our readers this month is a performer to well known to need much comment. Mr. Clivette and his talented wife present one of the finest entertainments ever giveu before to the American public. The future for this enterprising couple is certainly a very bright one. Clivette

inal and he makes them appear lifelike. A good magician, and in fact as near perfect as can be in grace and deportment upon the stage, his star is assuming very large proportions at the present time in America. He has appeared in all the principal theatres in the United States and Burope, and newspapers all join in the general acclamation of praise and endorsement of his novel and clever act. A college graduate of one of our famous institutions, he is a man of excellent

is a born juggler and it must be conceded that we have never had a more skillful juggling act than the one presented by this talented performer. As a shadowgraphist he is the peer of them all. Never has his equal in presenting this novel act ever appeared in New York. Hisfiguresare orig-

education, thoroughly posted on all subjects, and a person whom you might imitate to your benefit and honor to the profession. They are booked for Europe this coming summer and will return in time for their winter tour here, when he will introduce some new magical experiments.

CL1VETTE.

Ma hat ma

MAHATMA. ISSUED THE 1ST OF EACH MONTH.

,K S A L O O M S , AKDSJHECN«1V,^1<J®WDO.NS. W . C . Suusckii'iioN, S'-oo PER YEAR, SINGLE COTIES IO CENTS. RATHS Oh ADVERTISEMENTS —Twenty cents per line, nonpareil type measure; space of one inch, $2 40 each insertion. Deduction of 20 per cent, is allowed en advertisements when paid for three months in advance, and on advertisements measuring 50 lines or more. Remittances should be made by check, post office or express money order, or registered letter.

MAHATMA would ask as a favor that all magicians will send their address and all news appertaining to magicians to this office, and also names of persons interested in magic. The aim of this paper is to reach all magicians. There are many persons interested in magic who have never heard of this paper, please send us the address of any whom you may know. Anything new in magic will be published and credit given to person sending it. MAHATMA can be purchased in London only at Hamleys, 220 High Holborn, dealer in magical apparatus. THE HAT AND BALL TRICK. The trick is performed as follows: The performer borrows two high hats, which are placed on two separate tables, far apart. He now brings forward a basket filled with solid cloth balls, which after they are examined, he drops one by one into one of the hats, and finally puts a plate on top of it. The other empty hat he covers with another plate. Performer now commands the balls from the one hat to leave and appear in the other. Plates are removed and the exchange is demonstrated. A glance at the accompanying illustration will explain the mystery. _One of the hats has a trap in its crown and is

placed directly over a trap in the table. The solid balls which are dropped into the hat find their resting place inside of the table which is provided with a box to accommodate the balls. The other hat is not prepared, but the plate has a double bottom in which are compressed an equal number of spring balls. A pressure on a projecting button release the balls which drop into the hat underneath. The prepared hat is taken care of by a confederate. Powell begins his annual run in Philadelphia at the iith Street Opera House, Monday, May 2d. Hewes, the White Yogi, is giving his magical entertainment in the West. Mr. Hewes is a very pleasant and able performer. W. E. Floyd, the magician, has booked for the summer season at the railroad parks. This is his third season over this route.

THE MYSTERIOUS HEAD. BY \ V M . E. ROBINSON, THK

MAN Oh MYSTERY.

One of the most mystifying as well as ingenious illusions presented to the public is that of the mysterious head. The spectators on entering the room the exhibition is given in, behold setting on a small lightly built table a large globe of water and gold fish, in the mdst of which is also ? living 'head. It turns from side to side, of->ens and closes its eyes and gives other proofs of its being a living and not a dummy head. The table is turned completely around showing the rear as well as side of table and globe, and at the same time proving there is absolutely no connection between the table and floor, doing away with idea of traps, etc. This clever trick calls to its aid the employment of mirrors, but in a different manner than is ordinarily used. I here is also a little trickery about the globe of water and lish. It would be an impossibility for a human head to exist in water the length of time required for the exhibition of the above trick. An inspection of C will give the reader an idea of the construction of the fish globe. It is a double sided affair, forming an inside and outside compartment. The inside is bottomless and roofed over; this allows the head to be introduced from beneath and the top being covered over no water can reach the head. The outside compartment contains the water and gold fish. We will now describe the construction of the table and how the persons body the head belongs to is concealed. A glance at cut will help to convey the idea. The table is composed of four legs, a top and a bottom. The legs cross or meet one another about halfway down towards the bottom and then spread out again and are made fast to a bottom same shape as top of table. The bottom is mounted on wheels so as to turn the table, the legs in the above position causes four open spaces of nearly triangular shape to be formed between where they join and the top of the table, and leaning at an angle of "45 degress toward the .bottom 0/ the table. Now these four spaces are filled in with looking glasses, see B. The bottom of the table is covered with cloth same as the curtained background at rear of the table. This bottom is reflected in all four mirrors and looks like the real background, and no matter how the table is turned the reflection is always the same and always there. Something unheard of before in illusions of like kind. The top of the table has a hole or loop in it for the persons head to come through. Of course the persons body is concealed behind the glasses. 0 Horace Goldin, the clever young magician who has been entertaining New Yorkers for the past three years, has just had a new illusion built from his original ideas with which he will finish his vaudeville act. Goldin has been thoroughly appreciated in this city, which is attested to by return dates in all of the principal vaudeville houses. An act peculiar in magic, well presented goes to-day better than ever before. Goldin has a peculiar way of his own, copies no man, consequently he is a success.

Mahatma BOSTON NOTES.

NEWS OF THE DAY.

Young Fredericks, was seen in magic at Austin & Stones Museum, week of Feb. 21st. March 7th, Jewett the magician, made his initial bow to a Boston audience at Keiths. His tables and stage setting were elegant, and his work seemed to "catch on" with the audience. Geo. G. Marten, at the Grand Theatre, March 14th, presented a pleasing program of tricks. His manipulation of the diminishing egg trick was well done. At Keith's week of March 21st, T. Nelson Downs played a return date. Mr. Downs is receiving the largest salary of any of our variety hall performers. He deserves the title ''King of Koins." LeRoy, the magician and manufacturer, has been quite busy of

Sargent, the merry wizard, is still in the business and seems to pick up most of the magical entertainments where there is big money. Good luck go with him. Fransiola, the expert magician, is now booming in the principal vaudeville theatres for the summer season. John G. Scheidler, magician and lecturer, who was with the Barnum & Bailey Show the past two seasons, has signed with Ringler Bros, for the coming season. He is at Chicago April 4 and rr. Pettit & Green were playing in churches, lodges, etc., this past month at Springfield, 111.

late.

Harry Helnies, who is at present located in Chicago, reports business as being veiy good.

At the Nickelodeon the leading feature is Capt. Castro, the wonder and marvel of the age, advertised to be nailed to a cross of wood by both hands and feet at every performance, remaining nailed for an hour each time.

Maro, the well known magician, has attained considerable notoriety for his clever work. His painting of marine views, etc., in the short time of 10 minutes, has proven a very acceptable part of his entertainment.

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Mahatma CHICAGO NOTES. Zizka, the magician, well known to Chicago theatre goers, has accepted an offer from the Dixey show and in company with his wife is now with Dixey. Mr. Alfred McEwen, the magician, ha<= a very fine collection of magical apparatus. Mr. Maro has just returned from a long eastern trip and reports business as being good. Prof. Murdell (J. S. Johnston), who went to California for his health, died two weeks after his arrival in Los Angelos. In Murdell we have lost a good performer. Prof. Nemo and sister, under which name is hidden a well known conjurer and wife, opened at the Clark Street Museum and scored a success. Madame Tardo, who is being nailed to a wooden cross, through the arms, hands and feet, is also a lady magician of good address. Prof. Durno, after making a hit at the new Drexel Theatre, has been engaged to open at the Haymarket Theatre on March 21st. Mr. Warren, of Chicago, who has taken up the study of magic has the promise of a bright future in the magic world. Harry and Bessie Houdini, who perform the new substitution act, are the features at the Clark Street Museum.

INEXHAUSTIBLE BARREL. On a wooden trestle rests a small Glass Barrel with faucet in the front toward the audience. The performer calls attention to the barrel, which is quite empty, and proceeds to fill the same with water and draws out some through the faucet. He then asks the audience to call out any liquid they desire to be drawn. When selection is made, the performer draws the liquid from the faucet into the glass and hands it to the spectator.

At the conclusion, the performer draws out a glass of water again. A glance at the illustration will explain the mystery. One of the legs of the bottle is hollowed out and a tube runs through, as shown by dotted lines. The tube connects with the faucet and another tube which runs through and below the stage where by means of a force pump the assistant send up the various liquids held in readiness. A careful system of tips, has to be arranged with the assistant so that the pump is operated only at the proper time otherwise the mechanism may be injured.

The above cut represents Mr. Nelson Downs, and his latest invention, the Crystal Ladder, which he will present as "a special feature at the finish of his wonderfully clever coin act. Mr. Downs appears upon the stage without apparatus of any kind and entertains his audience with his wit and clever work. Many return dates in the popular houses speak well for this young man. He is justly entitled to the name "King of Koins." The illusion was made at the magical works of Martinka & Co.

SOMETHING NEW UNDER THE SUN. WM. E. ROBINSON, the Man >f Mystery offers is original illusions for sale. Evanishment, The Weight of Love, The Ladder of Fame, The Witches Daughter, Cupid, Kyoto, Mumbo Jumbo. Satan's Bride, Schrive of Buddha, Birth of the Lily, The Smuggler, Life and Death, Creation, Youth and Old Age, The Woman of Flames. The above and more to follow are duly copyrighted and fully protected. I will prosecute one and all infringing on my rights. Illusions improved upon. Your ideas carried out. When in doubt write me. Books on Magic, etc , bought, sold and exchanged. Photographs of magical celebrities for sale. W I L L I A M E . R O B I N S O N , Care of MAHATMA, 493 Sixth Avc, New York.

JAPANESE RICE TRICK. Make a small bag 2 x 2 inches out of white muslin, and glue some rice on the outside of the bag; at the mouth of the bag you fasten a spring wire to each side which holds bag closed, and by pressing on ends of springs it will open. This can be palmed with hand open, pick up a handful of rice with this in your hand, and pars it from one hand to the other, some naturally spills, and when the largest portion of it is gone you press the ends of the bag which opens it and let the rice fall in, then make a move to pour it into the other hand when it is gone, and you get rid of the bag in any way you see fit.

NEW

TRICKS,

New 100 Page Pictorial Catalogue, with Pictures of Leading Professionals.

LATEST EUROPEAN NOVELTIES. Magic, Second Sight and anti-Spiritualism. Up-to-date. Send 15c. for same. No free list. W. D. LF.ROV, 103 Court Street, Boston, Mass. GEO. H. L I T T L E , Teacher of Magic, Shadowgraphs, Chapeaugraphy. For terms, etc., apply to 493 6th Ave.

Mahatma T H E " C A B A R E T DU NEANT." The name " Cabaret du Meant," or " Tavern of the Dead" (''nonexisting,") has been given to a recent Parisian sensation ; it was also exhibited in New York. The interest of course centers in the ghost illusion. The spectaters on entering the Cabaret pass through a long hall hung with black and find themselves in a spectral restaurant. Along the walls coffins are placed for tables, and on the end of each coffin is a burning candle. From the centre of the ceiling hangs what is termed " Robert Macaire's chandelier," made to all appearances of bones and skulls. The spectators are here at liberty to seat themselves at the tables and are served with what they desire by a mournful waiter dressed like a mourner with a long crape streamer hanging from his silk hat. Around tr.e walls of the room are placed pictures to which the spectator's attention is called liy the lerturrr. Seen hv

AN

X-RAY

ILLUSION

UPON

T1IK

his place appears a skeleton in the coffin. Again, at the word of command the skeleton in its turn slowly disappears, and the draped figure of the spectator appears, again. The illusion is perfect to the outer audience; the one in the coffin sees absolutely nothing out of the common. His interest, if he knows what is going on, is centered in watching the changing expression of the spectators, being increased by the fact that at their period of greatest astonishment he is ab T solutely invisible, although directly before them more plainly than ever. After the restoration to life one or more auditors are put through the same performance, so that the recent occupant of the coffin can see what he has gone through. The third chamber is now entered, somewhat similar to.the second, but on its stage is a table and seat, all the walls being lined with black. One of the auditors is invited to seat him,self at the table on the stage. He does it, and, as before, sees nothing. While the de-

S T A C K — C O N \ KKMOiN

the light of the room these pictures are ordinary scenes, but a new aspect is given to each when lights directly behind it are turned on ; the figures in it appear skeletons, each picture being in fact a transparency giving a different effect as it is lighted from the rear or as seen simply by reflected light. The second chamber is now entered; it is hung with black throughout. On the walls tears are painted, and in close juxtaposition are two somewhat incongruous inscriptions, ''Reqniescat in pace," and " No smoking." The reason for the latter admonition, which is also given by the lecturer, is that for the success of the illusion an absolute clear atmosphere is essential. At the end of this second chamber, at the back of a stage, is seen a coffin standing upright, in which one of the audience is requested to place himself. Entering the stage by the side door, he is conducted by an attendant to the coffin and placed in it. Blocks of wood are placed for him to stand on in quantity sufficient to bring his head to the right height so that the top of it just presses against the top of the coffin, and the attendant with great care adjusts his height according to the predetermined position. Two rows of argand burners illuminate his figure, which is then wrapped in a white sheet. Now, as the spectators watch him, he gradually dissolves or fades away and in

()]•' A

IIVIM.

.MAN

INTO

A

SKELETON.

scription of the lecturer and the appearance and comments of the audience tell him something very interesting is going on, the remarks will probably disclose to him the fact that this time at least he is never out of their sight. He leaves the stage and his place is taken by another, and then lie understands the nature of the drama in which he has been an unconscious participator. He sees the other spectator seated alone at the table. Suddenly a spirit, perhaps of an old man, appears at the other side of the table, while a bottle and glass are seen upon the table. When exhorted to help himself to the liquid, the performing spectator's idle gestures show that he certainly does not see the glass, through which his hand passes unobstructed. Or perhaps it is a woman who appears and makes the alluring gestures toward him who never sees her. This concludes the exhibition, which as accessory has the strains of a funeral march, the ringing of deep-sounding bells as room after room is entered, and the appearance of a brown-robed monk who acts as Charon to introduce the spectator to his place in the coffin. In one of our illustrations we show, side by side, the coffin with its living occupant draped in a sheet and in the other the skeleton which appears in his place. Our large illustration shows precisely how it is done

Mahatma and so clearly that an exhibition is hardly needed. The floor of the stage is represented. To the left are seen the spectators and the performer at the piano discoursing his lugubrious melodies. To the right is seen Charon, and directly in front of him the coffin with its living occupant. When lighted up by the burners shown near him, the other burners being turned down, the coffin with its occupant is all that is seen by the spectator. Directly in front of the coffin, crossing the stage obliquely, is a large sheet of the clearest plate glass, which offers no impediment to the view of the coffin with its occupant, when the latter is fully illuminated. At one side of the stage, in the back of the picture, is a painting of a skeleton in a coffin with its own set of Argand burners. It is screened from view.

this lies the secret of the coffin exhibit of the Cabaret du Neant. By the blocks on which the occupant of the coffin stands, and by the adjustment of his head by the attendant, the head is brought into perfect registration with the reflected head of the skeleton. The wrapping with the sheet, presumably the enveloping in a shroud, is done with a purpose. It covers the body from the shoulders down and extends to the very bottom of the coffin, covering the blocks also, thus doing away with all effects of registration which would be incurred in the persons of spectators of different heights. In other words, the exhibition fits out everybody with a skeleton of precisely the same height, however tall or short he may be, the draping of the sheet and accurate position of the head concealing from the spectators this inaccuracy, the skull occupying precisely the place of the head, the rest taking care of itself. .Still referring to the large cut, it will be seen that it serves to explain the exhibition in the other chamber. Instead of the coffin there is the table and chair, and in the place of the pictured skeleton a live performer is placed. In this act there is no dissolving effect; by turning up the lights at the side of the stage any object desired and performers dressed as spirits are made to appear upon the stage, being reflected from the glass plate. The spectators simultaneously see their companion sitting at the table and the reflections of the ghosts apparently executing their movements about him. From the scientific as well as scenic aspect, the exhibiton is most interesting, and to one who knows how it is performed, the interest is vastly enhanced. To properly enjoy it, the stage position should be taken during one or both performances. * From Magic, Stage Illusions and Scientific Discoveries, includ ing Trick Photography; edited by Albert A. Hopkins. Copyrightel i8<)S, by Munn & Co.

When strongly illuminated, and when the lights of the real coffin are turned down, the spectators see reflected from the glass a brilliant image of the pictured coffin and skeleton. By turning up one set of burners as the others are turned down a perfect dissolving effect is obtained, skeleton replacing spectator and vice versa at the will of the exhibitor

B. B. Keyes, was born at Sand witch, Mass., in 1837, and died in Chelsea, Mass., Nov. 1S95. He was a rare genius in many respects, having invented many tricks and illusions, notably the illusion of "Astarte." As a mechanician he excelled, and was awarded many patents. He possessed almost a mania for automata and constructed some of the most complete mechanical working figures. He was widely known throughout the profession, frequently making goods for jugglers, trapese artists, bicycle riders, etc. He was never happier than when puzzling out some intricate problem which baffled others, and the profession lost a valued friend, and the public a useful citizen in his death. He was a man of unassuming disposition, and never sought fame. His friends were legion and sincerely mourn his sudden death. THE SHEKTED GHOST.

The magic lantern operator always realizes that to secure a good dissolving effect perfect registration is essential. In the securing of

W.

D.

LEROV.

Adrian Plate, the Society entertainer has had a very successful winter. He has the reputation of being exceptionally clever.

Mahatma •' PATTER." BY

SARGENT, T H E MERRY WIZZARD. There is no possible question that the onegreatest requisite to success as a magician is effective patter. This is by no means an original statement as writers on magic for ages past have devoted page upon page of well-written advice to this department, but that there is a crying need that still more should be written is abundantly proven by observing the slip-shod, colorless jargon used by many of the lesser lights of the profession to-day. It is more than possible that I may not be able to add anything to the already large supply of literature on this subject, but I can at least emphasize what others have written, ami perhaps bring some poor wandering'sinner to the paths of virtue in our profession. The first great care of the beginner is to select a style of his own, that is to say, choose the character he wishes to represent, and then, as if it were a character in a play, carry it through consistently to the end. This style should be determined exactly as the actor determines whether he will be a tragedian, comedian, leading man or what not, that is, if one is inclined to be humorous he should create a humorous character for himself, if naturally comic, follow that line, and if a serious turn, make the character dignified and stately, always remembering that one style is exactly as good as another, and it only remains for the beginner to select the style best suited to his individual attainments. After the choice is made he should bend all his energies to the development of that style to the highest possible point. There is one thing that the uninitiated should avoid and that is the use of the " full and complete patter furnished with each trick," supplied by the manufacturers of tricks. The reason is obvious, it is written usually by the inventor of the trick and is in his own peculiar style, and there being many inventors there are many styles of patter, hence a program made up of this kind of material is only patch work at best, no matter how good each trick may be when taken separately, and besides that, others may be, and probably arcusing the same patter, thus giving the program an appearance of being a copy, while exactly the same tricks with different patter will often pass as one's own creations. Of course a good deal of such patter can be worked in to good advantage, and I believe in making use of any good material as long as it does not conflict with one's established style, but as far as possible I advise originality. Some performers do not use the same patter on all occasions, but change it to suit the circumstances under which they work, depending largely on the impulse of the moment, and I must confess to a tendency in that direction myself, nevertheless, I am satisfied that it is not the best method and that it is far safer to write out and commit to memory the patter for each trick and never to change it any more than an actor would change the lines of Hamlet. In the case of the actor there are only the lines to remember, as the lines suggest the action, but with the magician it is very different for he is continnally saying one thing and doing another, therefore, the latter should be so dead letter perfect that he can rattle off his patter without giving it a thought. Hence, he should never have his patter written by another, but should write it himself and then it will be in his own style, employing his own vocabulary and, therefore, will be easy and natural and not have the appearance of having been learned by rote. He should be extremely careful that the grammar is not defective, as bad grammar is never excusable in a public performer, and many a man whose work is first-class in other respects, is working seven or eight times a day in Dime Museums because of his inability to use the King's English properly. Again, he should avoid all coarse expressions, be particularly guarded in the use of

slang, and never indulge in personalities nor turn the laugh on any person in the aiidience. As I said at the start, the above may not be any addition to the literature of our art but I think these matters cannot be discussed too freely, and if one student should get an impetus in the right direction from reading it, I shall feel that I have not written in vain.

MR.

MCMAHON.

On 6th Avenue between 28th and 29th sts., is a restaurant patronized by actors, and on the walls of which can be seen pictures of our leading magicians which gives the place a home like appearance to those who dabble in magic. Mr. MCMAUON, the proprietor, is a critic of no mean merit on the art of magic, having seen them all, his enthusiasm is unbounded when talking of some of our leading lights. That he has some good ideas on magic can be seen after a few minutes chat with him, and there can be no doubt but that we would have another magician had dame fortune not favored him so liberally with prosperity. While a fortune has been accumulated by this genial restaurant keeper in catering to the tastes of his guests, there can be no doubt but that he would have been equally successful in catering to the eyes and senses of an ever curious public.

Tew Megischiannes Ownlee. My Cards are by far the linest marked Card^ ever

invented, and at two ynrds distance you can read any card by its back, and yet any magician not having the instructions may examine the backs with a strong magnifying glass and be none the wiser.— They 1111 a long-felt want among the magical fraternity, and are the best ever offered, as their large sales show that they have proved a strong attraction. 1 hey have been only recently invented at great expenditure ot money and can be read with great speed and accuracy, and the rigid experiments with the Colorimeter shows that my secret process of coloring effects cannot be duplicated. Price, $>.oo per pack, or two packs for Ss oo Complete instructions with each pack. N. B. - I have no agents. My very latest Rising Card Trick (non-apparatus) fiooo Will answer any queston in regards to it, a iy special card trick, (non-apparatus) or sleight, or new card effect wanted, write me. Enclose two cent stamp for eariy reply. No postals answered My photograph and autograph upon receipt of 25 cents in stamps. 1 am, sincerely yours

ELLIOTT,

1 he challenge Champion Kard Manipulator of the world. Private P . O . Lock Box No. 1551, Boston, Mass U.S.A.

J. A. MCH.YKDSON, 1$acker and Manager.

Mahatma MANUFACTURERS OF

Conjuring Tricks, Illusions, Ventriloquial Heads and Figures Puzzles, Marionettes, Shadowgraphy, Chapeaugraphy, Juggling Goods, etc.

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Grand Illustrated Catalogue, yoo Engravings, with all the latest novelties.

New complete Catalogue just published, artistically illustrated, price 6d. A'. /'.—Xoted for superiority of manufacture and I/it; h-i lass 'work.

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NEW PUBLICATIONS ON MAGIC. M A G I C , Illusions, etc., by AI.BKKT A. HOPKINS, large, handsomely bound volume, with over 500 high grade Illustrations on 550 pages, containing every Illusion up to date. Sent prepaid forS2.5<>. 1'amphlet with full list of contents and sample illustrations, sent free on application HOUHS W I T H

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tions into the realms of Spiritualism and Theosophy; 297 pages; bound in cloth. Price, $1.00. H E R R M A N N , the magician; by H. Burlingame, illustrated Book of his Life, and his secrets, 298 pages, bound in cloth. Price, $1.00.

Magical Apparatus and Mechanical Effects for Theatres made to order. ESTIMATES Miniature Coins. FURNISHED. For distribution t( juvenile audiences.

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As a means to make yourself popular with the youngsters, and consequently with the parents, they have no equal. These pretty coins are perfect imitations on a snvill scale of the Gold, Silver and Copper Coins of various European nations. Price per ioo, assorted 25 cents. Samples, in sealed envelope, 5 cents. Any portrait or inscription stamped on these coins without charge when ordered in lots of 10,000.

r

<

esiabUshe
MAMLHY'3 OT?ANT> I W..G-

PAPER IN THE UNiTtu STATES DKVOTID TO nil.

VOL.

I.

No. XL

INTERESTS OF MAGICIAKS. SPIRITUALISTS, MESMERISTS, E T C .

1SEW YORK, MAY, 1898.

SINGLE COF#, 10 CENTS

PROF. ZISKA. There is a hustling spirit prevailing in the West that seems to strike the magical talent there, for all of the magicians that come East are exceptionally clever in their own original acts. Mr. Ziska who is now visiting us for a short period, is an example of the inventive Western magician where bril-

cesses that give a performer that perfectly at home feeling when before their audiences, make future successes for them easy. Mr. Ziska has made quite a reputation for himself in the West where magic is thoroughly appreciated. He is very clever with the billiard balls and that is but one of the many good deceptions that he presents. While he is

liant and up-to-date performers seem to abound, that is, those whom we have had the pleasure of seeing work here have proven the fact that the Western way of presenting new ideas, and when introduced with a certain amount of dash that can be acquired only from constant work and sue-

but a young man he is the happy possessor of a talented helpmate who assists him and ably helps to sustain the reputation that he has already gained in the magical world, MAHATMA'S best wishes go with Mr. Ziska and his accomplished wife.

Mahatma

JYIAWATJYIA. ISSUED THE 1ST OF EACH MONTH.

G Etf.MJ

The sole agents for the sale of "MAHATMA" in England is the celebrated and old established firm of Messrs. Hainloy Brothers, and it may be obtained at their Grand Magical Saloons, 229 High Holborn, London, where also advertisements are received for it and every information given respecting it. MAHATMA would ask as a favor that all magicians will send their address and all news appertaining to magicians to this office, and also names of persons interested in magic. The aim of this paper is to reach all magicians There are many persons interested in magic who have never heard of this paper, please send us the address of any whom you may know. Anything new in magic will be published and credit given to person sending it.

INDIAN JUGGLERY. BY \VM. E. ROBINSON, THE MAN OH MYSTERY.

So much has been said and written of the East Indian and Hindoo jugglers and magicians that those persons who have not been fortunate enough 10 witness one of their exhibitions, must rely to a certain extent upon what has been described to them, either in print or in person, and believe that these mystic men of the Orient are enabled to perform real marvels, things that our own wonder workers are unable to duplicate. I wish to dispel this illusion, and while I acknowledge in sleight of hand they are clever, they are not more so, in fact not so much so as some of the American and European conjurers. In fact there are plenty of our parlor or club entertainers, who, working under just as severe conditions as those natives do, with the audience best part of the time completely surrounding them are enabled to give as good and in my honest opinion, a cleverer, neater and more effective entertainment, devoid of all of the tomfoolery called by the Hindoo, incantations. I do not speak from guess .work or hearsay. In the past twenty-two years of my life devoted to magic as a science and a study as well as a livelihood, I have had numerous opportunities of observing the methods employed by these Oriental necromancers, and I have not found their methods or principles differing from our own. Their passes with small objects, balls, coins, etc., are with few exceptions identically the same moves and passes as used by our own conjurers, and as for their attempts at large magic or illusions they are very often ludicrous instead of marvellous. Their snake charming means simply the lying in wait of about a dozen natives in the vicinity of the cobra de capello, and when the opportunity arrives, pinning by means of a forked stick the snakes head to the ground, and while some manage the body of the snake a couple remove the fangs from the serpent's mouth. A sting from the fangs of the cobra de capello is the most poisonous in the world. It is claimed that no person has ever survived after being once bitten by the cobra. It is an easy matter with the serpents fangs removed to assume the character of snake charmer. All the wierd music and talk, torn torn beating, etc., is half the trick, without it there would be no effect. Their cup and ball work in some respects is better than our own. the cups are about the size of half an ordinary orange with a small ball like handle or knob on the top, and with 'this knob the cup is invariably lifted from the ground, generally between the first and second finger, not by the tips. When the cup is lifted or replaced on the ground (see cut) the palm of the hand is close to the floor, and therin lies the secret of the difference in their style of work and ours. In palming a ball or like object it is held further back than the palm, it is caught and held at the base of the thumb and the flesh opposite, and in replacing a cup on the table or floor, the ball is dropped and the cup is brought backwards over it, in the act of placing cup down. It is hard to describe in writing the exact move. The hand and cup in going towards the floor, takes also a forward motion and just as the ball is released the cup is given a backward move which covers the ball. You have seen children on the street give the same movement to a hoop which they have thrown out in front of them and

cause it to return, a movement similar to cause a card to return when thrown out. Of course the movement is so sleight it is nigh imperceptible; this is their principal method of getting the ball under the cup. To get it out after ball is covered, they move the cup a little nearer the spectators, shoving it along, this action, if the cup is made high in center and tapers gradually towards its edge, will bring the ball out of the cup automatically and right into the base of the hand ready for palming, and all their other moves are repetitions of the ones we use. A trick in which a turban is used is quite mysterious in its way although when we were youngsters we did the same trick and called it the cut string restored, but in its new dress and surroundings we hardly recognize it. One of the performers takes off his turban and unrolls it, showing it to be merely a long strip of red cloth. He commences by cutting off a few small pieces from the end, these he ties together again, piece to piece, and back to the long strip, he then cuts the long strip into three or four large pieces, and ties said pieces together again. What, he really does is this, he does not cut the cloth into three or four separate pieces, but only a small piece each time from the opposite end, the end that has the first small piece tied to it. Each time the turban is cut it has the two ends apparently tied together, but really the small piece cut from the end is tied around the cloth. So at the conclusion of the three or four cuts he has the turban whole, with these small pieces7 tied around it, looking for all the world like pieces tied together. The manner of holding the turban during the cutting is somewhat as follows, instead of laying in one strand it is made into as many coils as pieces are to be cut. Now instead of cutting through one of the coils, the cloth is cut near the free end which is covered over with one of the hands, after the cut the end is still connected under the hand, but the two ends now caused by the cut are exhibited without removing the hands from or displacing the coils. The ends are now apparently tied, really the small piece tied around the coil that is nearest to end having all the first small pieces tied to it. At the same time the new end formed by the cut is secretly placed under the hand as was the

previous end, and the first coil is now dropped from the hand, the other still remaining. The above operations are repeated until all coils are apparently cut and the turban is hanging down straight. When the first small pieces were cut and tied to the turban, fair and square, it was done for the purpose of misleading the people that the following cutting of the larger pieces was likewise fairly done. When the smaller pieces were tied to the large strip it was with the knot used for the vanished knot handkerchief. Now the cloth is rolled up into a ball, and as this is done the cloth slides through the performers hand, these pieces and the others slip along the cloth and are retained in performers Hand secretly. The turban after a lot of gibberish and nonsense is unrolled and found to be complete and whole; the pieces contained in jugglers hand he leaves behind in a bag, containing his tools of trade, as he goes there to bring forth his wand most generally a bone or a wooden god called Rahmsamee. This bag is always at hand to get rid of or produce from. It is to the juggler what the servante is to the magician ; and now we come to a trick which is almost identical with one performed by our own conjurers and called by them the Inexhaustible Punch Bowl, but the Hindoos give it the name Lota. (See drawing) a small vessel is seen and during the trick it seems to contain a constant supply of water which appears without end. The secret lies in the fact that its sides are double and capable of holding a good quantity. There is a small hole at the bottom of the inside compartment to allow the water to run between the sides after it has been poured into the vessel proper. The Lota can be turned upside down and no water appears, but upon being brought to its natural position and the juggler blows into a small bole in the side of vessel which makes the water appear. (TO BK CONTINUED.)

Mahatma A NOTED PARISIAN " M I N D - R E A D E R ' S " SUCCESS. Pagliani, an Italian magician in Paris, has been performing a puzzling feat which has given him the name of "The Big Ear." As he stands on the stage of a big hall he distinctly hears and instantly answers questions asked in scarcely more than a whisper by persons in the audience, no matter whether they are near or far from the stage. His big ear seems to detect the question in advance of its utterance, and mystifies his audience. He explains that he anticipates the question by mind reading. After Pagliani left Paris, Troupe, the great French electrician by whose aid the magician had been enabled to perform his wonderful feats, disclosed the "mind-reader's" trick. This great "feat" had been accomplished by cleverly constructed miniature telephone plants. The magician wears a heavy wig, the long locks of which completely hide a pair of tiny receivers fastened to his ears. The wig also hides the wires connected with the receivers. The wires run down inside the wonder-worker's clothes to a metal plate in the soles of his shoe.

phone that has been constructed by M. Troupe is a remarkable bit of work. It is in every respect precisely like a telephone plant, but the various parts are so tiny that they require very accurate adjustment to get the results that have been obtained.

LONDON NEWS. Mr. Ellis Stanyon, F. O. S., teacher of conjuring and entertainer, reports a good season. Mr. Stanyon is the author of two books on magic which are standard works. Mr. and Mrs. Henry Carters silent thought transmission act, is one of the best we have yet seen. Imro Fox, the great Comic Conjurer, is filling a most successful engagement at the Empire Theatre of Varieties. John Warren, ventriloquist, conjurer and quick change artist, is in great demand. His whole performance is original. Professor George Newman, magician, etc., is a mystifier of the first order, and one of the cleverest of magicians. o INDIAN MAGIC. In speaking of the feats of the Indian Fakirs and Jugglers, the Mango tree trick is invariably mentioned and variously explained. We give here an explanation as it has been communicated to us by a retired magician who had the opportunity to see the trick performed in a Chinese Theatre in the West Indies. The performer was a Chinaman. He exhibited a kernel of a mango, placed it in a square box which he had previously rilled with mould. He then sprinkled some water over it and covered it with a small silk handkerchief. Lifting it up in a few seconds small green leaves were seen apparently coming from the earth. Again he covered the box and when handkerchief was removed a sprig of about twelve inches in height was revealed. Then he took a large foulard and after fumbling for about half a minute over the box he removed the foulard and there stood in the box a tree about twenty inches high, with fruit on its branches. After many failures our correspondent succeeded by offering a substantial bribe, to obtain from the Chinaman the secret of the trick. The solution was quite startling. A large kernel of a Mango is about three inches long and five inches in circumference. This he cuts in two the meat was removed so that only the thin shell remained. Now the tender sprigs and leafs of a Mango tree have the particularproperty of being intensely pliable and when folded and then released they assume their former shape as if made of rubber. A carefully selected sprig of the mango tree was rolled up small so as to find room in the nollow kernel, which was then pasted together with some adhesive clay and left to dry. When the kernel was placed in the earth and water poured over it the clay got softened and under cover of the handkerchief the sprig is as at first partly pulled out and the second time to its full length. The large tree with the fruit was only a branch trimmed down Pagliani's confederate wears a shirt, the bosom of which is made to resemble a tree and was concealed about the body inside the flowing robe. Under cover of the large foulard, aided by swaying moof celluloid, which serves as a diaphragm of the telephone. He moves around the auditorium and directs the asking of the questions tions of the body from side to side the branch was removed from its in such a way that they are communicated through his shirt-front to hiding place and planted in the box to be exhibited to the wondering' the stage. The current is established between the magician and spectators. Another feat performed by the same individual from the Celestial assistant by wires terminating in small plates which stud thefloorof the stage and the audience hall. Both men manage to keep then- Empire was to cause a tumbler to float in the air. He brought forward feet on these small plates and yet at the same time move around in a tumbler with wine, dr.mk it, threw the glass in the air. fanned it, such a way as to prevent the audience suspecting the possibility of and it remained floating in space similar to the well known butterfly trick. All efforts to get at the secret of this surpassing trick any such connection between them as really exists. Every question asked is answered very quickly. If Pagliano does were unavailing but all seemed to indicate that the tumbler was of not know the answer he says so, and his reply is made so quickly that some very thin material resembling glass, such as mica or celluloid, which may have been attached to some very fine thread which was he has uttered it almost before it has been asked. His explanation that he has anticipated the questioner is accepted by the people in suspended from the stage. As he never performed this trick except the audience, as there seems to be no other explanation. The tele- at the theatre this system may be correct.

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Mahatma SOME NOVEL EFFECTS WITH BILLIARD BALLS. IIV

JOHN HENRICKS.—MAGICIAN AND ATHLETE.

ZANETTI—"THE MODERN CAi;l.lOSTKO."

Among the many pretty experiments with billiard balls, none perhaps will be found more amusing and effective than the following: Stepping to the point of the stage the magician shows both hands empty, puts them together without bringing them near the body and after a little mystic rubbing produces a solid billiard ball. Announcing that the ball is magical and will obey his wishes he bends the left arm upward to bring the forearm forward and taking the ball in his right hand strikes it against the Meshy part of the left arm, at which the ball completely vanishes, leaving both hands empty. Then with a smile he pulls up the bottom of his vest slightly with one hand and the missing ball drops out into the other. He now places the ball partly in his mouth with the right hand, and complains about his mouth being too small, but finally pushes it in, when it again vanishes, and showing Mis left hand empty he reaches up and produces the ball from the back of his neck. Next rubbing the ball gently with his right hand he multiplies it into two balls, both of which are shown to be solid. Having produced them magically he must cause them to vanish in the same manner, so he takes one in the right hand, makes the motion of throwing, says: go. and the ball is gone. Taking the remaining ball in his right hand he tosses it lightly in the air, catches it, repeats the motion and the ball vanishes. The "modus operandi" is as follows: Take two billiard balls just alike, preferably red. Have one vested and the other palmed in the right hand. Turning the body and eyes slightly to the left, show the palm of the left and the back of the right hand to the audience. Then turning to the right pass the left hand in front of the right and show the right palm and the back of the left. But at the moment the hands pass each other transfer the ball from the palm of the right to that of the left, which after a little practice will be found an easy and most effective sleight. I use it also in egg tricks. Now to pass it into the elbow. Holding the ball in the right hand you strike it against the left elbow but allow it to drop on the floor, which shows the ball is solid. Saying that you did not strike hard enough you pick it up with the left hand, pretend to take it in the right, but by means of the "tourniquet" retain it in the left which you immediately raise to your neck, strike the right hand which is supposed to hold the ball against your left elbow and rub it for a moment. The motion of the left arm brings the hand containing the ball to the back of your neck and also causes the coat collar to sag away from your collar. While your hand is in this position place the ball between your collar and coat. This will be found easy and can be used also for coins, etc. Now showing both hands empty you produce the second ball from under your vest, the audience taking it to be the ball you just vanished. To swallow it you make believe to place in the mouth, but palm it. The left hand shown empty, now reach up and produce the ball (No. i) from behind the neck. Putting your hands together and gently rubbing you show the two solid balls. Vanish the first ball in your pocket, and vest the other one. Some very pretty additions can be made by having small pockets or loops made under the knees of the pants, also under the sleeves of •the coat; in fact the performer can in various ways introduce articles of this kind without giving away or duplicating the same movements. A vanisher made of black goods—like a round pocket-book—is a very easy way to vanish an article of this kind. BOSTON NOTES. Zanzic, the magician, is at present in Boston. On May 2d, The Great Kellar opens for a season at the Boston Museum, and he is sure of a big business as usual. Higgins and Hardy, magicians are doing well in their peculiar act. Dr. C. W. Hidden, of Newburyport, Mass., assisted by Master Fred. Walter Knapp, in Magic, e t c ' a r e at Dwight Hall. The Herrmann Company close their season this week. Dixey, who succeeded the late Bancroft, has closed his season.

SOMETHING NEW UNDER THE SUN. WM. E. ROBINSON, the Man of Mystery offers is original illusions for sale. Evanishment, The Weight of Love, The Ladder of Fame, The Witches Daughter, Cupid, Kyoto, Mumbo Jumbo, Satan's Bride, Schrive of Buddha, Birth of the Lily, The Smuggler, Life and Death, Creation, Youth and Old Age, The Woman of Flames. The above and more to follow are duly copyrighted and fully protected. I will prosecute one and all infringing on my rights. Illusions improved upon. Your ideas carried out. When in doubt write me Books on Magic, etc., bought, sold and exchanged. Photographs of magical celebrities for sale. W I L L I A M B . RO1$IN'SO>", Care of MAHATMA, 493 Sixth Ave., New York.

John Henricks, the athletic runner of the Germanic, White Star Line, is not only a magician of note, but the many prizes he has won on this side of the Atlantic and England makes him a figure in the magical world that you seldom meet with. A magician, an athlete. Here are some of the prizes that he has captured when not afloat: Booth Hall Plate, 120 yards in n 3-5 seconds. He won from C. A. Bradley, the same distance at Stoke-on-Trent in 11 4-5 seconds; at Ellesmere, he won the 120 and 440-yard handicap runs from scratch, etc. Many matches were won in this country by Mr. Henricks. Numerous trophies and some valuable ones over which he delights in showing and he runs the race over again when telling how this and that one was won. He is a natural entertainer, vivacious, and after witnessing some of his palming with cards, coins, etc., you will acknowledge that he is fully up to date in his work. Many passengers on the Germanic between New York and Liverpool are entertained to their pleasure and to the profit of the Wizard of the Atlantic. Mr. Henricks.was also the first to win the Ismay trophy given by the White Star line for the best all around athlete of the year. T H E COOKED OR UNCOOKED EGG. A plate of eggs is shown to the audience and they may select any one they wish and upon the performer asking which way they will have it, cooked or uncooked, upon breaking it open the egg will be found as requested. They may select any one, or in fact the whole plateful can be found to conform to the wishes of the party who likes his eggs raw, or the person who wishes them cooked. The explanation is simple and can be performed in a parlor or on a stage as will be seen from the following: Take some eggs and boil them, then cut them exactly in the middle; remove from one of the halves the boiled egg so that the empty shell only remains; fill the empty shell with the contents of a raw egg; put the other half of the egg with its boiled contents over it and paste around the outside a narrow strip of tissue paper. When dry, brush over with a thin solution of plaster of paris which will harden quick and give the so prepared egg the appearance of a genuine egg. The person asking to have the egg cooked, you can easily furnish it for one half of the egg is cooked. On the contrary you can also supply the demand of an uncooked one for the other half is uncooked. If you wish to give the audience a piece of your cooked egg lay it on the table for a second to get a knife to cut it with, by having one cooked all through, make the change and you can show the whole egg is cooked. No one will doubt you when you break open the top of the egg and find it either cooked or uncooked as the person may wish. This is a very clever devise, and will certainly go no matter where used. If you want to make an egg stand on any small surface like a china plate or even the beveled rim of a drinking glass, place on the spot where you want the egg to balance a pinch of finely powdered salt, as much as a medium pins head, and place the egg on it and it will stand on its small end with very little trouble. You can even balance the egg on the back of a butcher knife with very little practice. "Try it.

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Mahatma THE KING OF CONJURERS. BY HENRY K1IHJEI.Y EVANS.

I. Conjurers are born, strut their brief hours on the stage of life, and then pass away, soon to be numbered among the forgotten dead. But there is one name that is destined to live as long as books are read—Robert-Houdin. There is hardly an encyclopedia that makes any pretence to comprehensiveness that does not contain an account of the remarkable career of Jean Eugene Robert-Houdin. The reason for this is obvious: Robert-Houdin was not only the progenitor of the modern school of conjuring, but he was a man of science and a remarkable mechanical genius, having received several medals from the French Government for his successful application of electricity to the running of clocks. If he had accomplished nothing more during his life save his electrical inventions, his name would have been heralded down to posterity. But besides this, he wrote several books, thereby distinguishing himself in the world of letters. One of his literary productions, an autobiography, is as fascinating as the me-

moirs of the great J. J. Rousseau, minus the hitter's obscenity. Thisautobiography of Houdin is noted not only for the excellence of its style, but for its unique historical sketches of old-time conjurers, and for its analysis of human nature. Houdin was a master in ail that related to the psychology of deception. His treatises on the art of leg erdemain are really psychological studies of very great interest to all students. Houdin placed sleight-of-hand on a scientific basis, showing that it depended not only upon digital dexterity but upon the careful observance of certain mental characteristics common to all individuals. He laid down the axiom that it is easier to deceive an intelligent person than an ignorant one. It sounds like a paradox, but it is a fact. The ignorant man who witnesses a conjuring exhibition has determined beforehand not to be deceived by the artifices of the performer. He glues his eyes on the prestidigitator's hands, and resolves not to have his attention diverted. In other words, he opens his eyes and stops up his ears. Now. as all conjuring feats of any consequence are addressed to the mind, rather than to the sense of sight, it becomes very difficult for a magician to create any illusion in the presence of spectators lacking the imaginative faculty. In the case of educated persons, the conjurer's appeals to the imagination are eagerly responded to. People who have read about clairvoyants, psychometry, telepathy, hypnotism and the like, are ever ready to attribute the experiments of the necromancer to anything save mere conjuring; especially is this the case in mental magic, / e. second-sight business, etc. A magician, says Houdin, should always assign some plausible explanation to all of'his illusions, other than mere nimbleness of his fingers. The public loves to be mystified. It pays its money to be deceived, and does not really thank the performer who gives away professional secrets on the stage, as many of our latterday artists are so fond of doing. Some performers, worse than shortsighted, are in the habit of exposing palmistry; for example, the passes made with coins. Then, when they exhibit handkerchief and billiard ball tricks, accomplished by adroit palming, expect their audiences to be deceived by the feats. It is all wrong. The general public is totally unacquainted with the art of palmistry. A few men and ambitious juveniles, are read up on the subject, but the great theatre-going public, not at all. The conjurer who despises his art so much as to reveal its fundamental principles and laws soon degenerates into a side-show lecturer exhibiting a mechanical illusion. Robert-Houdin deprecated all this foolishness, and sounded the right note when he decided that a prestidigitateur was an actor playing the part of a magician—that is to say, a man gifted with occult powers. He remarks: "Although ail one says during the course of a performance is—not to mince the matter—a tissue of falsehoods, the performer must sufficiently enter into the part he plays, to himself believe in the reality of his fictitious statements. This belief on his

own part will infallibly carry a like conviction to the minds of the spectators." In conclusion, let me say that if the magic art is declining in public estimation, it is not because of the multiplication of books on the subject and the increase of emporiums for the sale of

apparatus, but is due to tlie conjurers themselves. Those whom the

gods wish to destroy they first make mad! II. Robert-Houclin's attention to mise-en-scenc was his great forte. In the "Aerial Suspension," he made believe to administer chloroform to his son, who aided as the assistant in the trick. In order to confirm the impression in the minds of the spectators that chloroform was really used, he had a confederate behind the scenes pour some of it upon a hot shovel. An acrid odor soon filled the theatre, thereby convincing the olfactory sense of the audience at least, that the young Houdin was under the stupefying influence of the drug. Many persons wrote to the journals and denounced the affair, on the ground of cruelty to children. The modern method of performing this trick is for the exhibitor to go through the farce of mesmerizing the assistant, namely a young and handsome lady. This is effective, because of the unusual interest created of late years in hypnotism by the advent of Trilby in literature and on the stage. To Robert-Houdin we a e indebted for a complete revolution in the art of conjuring. His reforms have lasted to this day. I will quote as follows from my introduction to Hopkin's book' "Magic, Stage Illusions," etc.: "Prior to Houdin's time the wizards draped all of their tables to the floor, thereby making them little else than ponderous confederate boxes. Conjuring under such circumstances was child's play, as compared with the difficulties to be encountered with the apparatus of the new school. In addition, Houdin discarded the long, flowing robes of many of his predecessors, as savoring too much of charlatanism, and appeared in evening dress. Since his time, no first-class prestidigitateur has dared to offend good taste, by presenting his illusions in any other costume than that of a gentleman habited a la mode, nor has he dared to give a performance with draped tables. In fact modern professors of the art magique have gone to extremes on the question of tables and elaborate apparatus, many of them using simple little gucridons with glass tops, unf ringed. Houdin's center table was a marvel of mechanical skill and ingenuity. Concealed in the body were vertical rods, each arranged to rise and fall in a tube, according as it was drawn down by a spiral spring or pulled up by a whip-cord which passed over a pulley at the top of the tube and so down the table leg to the hiding place of the confederate. There were ten of these pistons, and ten cords, passing under the floor of the stage, terminated at a key-board. Various ingenious automata were actuated by this means of transmitting motion."

On Thursday evening, July 3, 1S25, Houdin inaugurated his first fantastic evening, and his play-bill was a very modest one, reading as follows: Aujourd'hui Jeudi, 3 Juillet IS45. Premiere Representation des Soiries Fantastiques de ROBERT-HOl'DIN, Automates, Prestidigitation, Magie. Houdin's Fantastie Entertainment started into life the same time as the Hippodrome of Paris. The flamboyant posters of the great Hippodrome posted beside Houdin's unpretentious little bill, resembled a big fish about to gobble up a minnow. But the minnow survived, while the leviathan ran the gamut of theatrical misfortunes. (TO BE CONTINUED.)

.

THI-: Al'l'KARIXC, LADY. Of the many new illusions recently presented in Europe, an ingenious one is that of the appearing lady, the invention of that clever Hungarian magician Buatier de Kolta. On the stage is seen a plain round top four-ler table, which the magician has been using as a resting place for part of the apparatus used in hi magic performance. Eventually, the performci removes all articles from the table and covers it with a cloth that does not reach the floor. On command, the cloth gradually rises from the center of the table as though something were pushing it up. In a few moments it becomes very evident that some one, or something, is on the table covered by the cloth. The magician now remove*the cloth and a lady is seen standing on the table as shown in our illustration. The secret of this, as in all good illusions, is very simple, as the illustration will show. In thestage there is a trap door, over which is placed a fancy rug that has a piece removed from it exactly the same size as the trap, to which the piece is fastened. When the trap is closed the rug appears to be an ordinary one. The table is placed directh over the trap. Below the stage is a box, open athe top, with cloth sides and wood bottom. To this box are attached four very fine wires, thai lead up through the stage by means of small holes where the trap and floor join, over small pulleys in the frame of the table and down through the table legs, which are hollow, through the stage to a windlass. In the table top is a trap that divides in the center and opens outward. The top of the table is inlaid in such a manner as to conceal the edges of the trap. The lady takes her place in the box in a kneeling position, the assistant stands at the windlass, and all is ready. Figure i of our second engraving

DETAILS OF THE APPARATUS.

shows the arrangement beneath the stage, and figure 2 the under side of the table top. The magician takes a large table cover, and, standing at the rear * From Magic, Stage Illusions and Scientific Discoveries, including Trick Photography; edited by Albert A. Hopkins. Copyrightel 189S, by Munn & Co. '

THE APPEARING LADY.

of table, proceeds to cover it by throwing cloth over table, so that it reaches the floor in front of the table, then slowly dra^ws it up over the table top. The moment that the cloth touches the floor in front of the table, the trap is opened and the box containing the lady is drawn up under the table by means of the windlass, and the trap closed. This is done very quickly, during the moment's time in which the magician is straightening out the cloth to draw it back over the table. All that now remains to be done is for the lady to open the trap in table and slowly take her place on top of the table, and close the trap. The top and bottom of the box by means of which the lady is placed under the table are connected by means of three strong elastic cords placed inside of the cloth covering. These elastics are for the purpose of keeping the bottom and top frame of box together, except when distended by the weight of the lady. Thanks to this arrangement of the box, it folds up as the lady leaves it for her position on the table top, and is concealed inside of the frame of table after her weight is removed from it. A somewhat similar trick is called "The Disappearing Lady." In this illusion the process is worked in the reverse order. BLACK BALL INTO AN ORANGE. Take an orange and wind black cotton around it (such as is used for socks) until you have the entire orange covered. Cotton must be wound around evenly. Cut some small stars out of silver paper and glue them on the cotton, which greatly adds to the deception, and at a distance it looks like a black enameled ball ornamented with silver stars. Take this ball, vest it, produce it magically, and holding it between the two hands work the cotton off of it secretly, then produce the orange thus obtained, getting rid of the cotton which you have in your hand. A good time to do this is when you lay the orange on the table, then drop the cotton on the servante. This trick may be varied for changing balls, etc. If you don't wish to work off the cotton between hands, cover black ball with a handkerchief, keeping the cotton in there after producing orange. Cotton can also be gotten rid of by " Bautier Varnish" if desired. o Kellar is meeting with his usual success. He has without doubt the finest magic show ever put upon a stage. Powell opens in Philadelphia Opera House, May 2d. Jewett reports a very successful season. Elliott, of Boston, will be in New York City June 1st, to take charge of his card class. He's a good fellow and we wish him luck. Stevenson, the magician, is contemplating a trip to Europe MAHATMA back numbers for sale, No. 2, 5, 6, 7, 8, 9, 10.

Mahatma PROGRAMME, RING AND ENVELOPE TRICK. • EFFF.CT.—A ring is borrowed, also a programme, and the latter is torn in two. Volunteer is invited on the platform. Half of the p programme is spread over the hand, and the ring placed on it. The ' I notice with regret a tendency among performer then squeezes up the programme and ring, and commands I magicians of a certain class, to select some the programme to change into a series of envelopes, with the ring in ' trick of minor importance and to expose the the centre one, and this is found to have been done. Volunteer has • to open the four envelopes before he finds the ring. Performer now secret to their audience. Now this is not repeats the trick with the other half of the programme, and the ring only extremely bad art, but in many ways is found in the innermost envelope, and is returned by the volunteer it militates directly against the performer to the owner. The broken envelopes are then taken in the hand, up, and transformed into programme again. Very elaborwho indulges in such questionable methods. squeezed ate effect. . In the first place, when the audience find SECRET.—The ring is changed on wand (old dodge). The first; how easily they have been deceived, they series of envelopes is perfect (made out of similar programmes, of, imagine that all tricks are of the same nature course) and carefully sealed up with the dummy ring inside, conceal-: ed (say) in right pochette, and (when prograrame is handed) taken' and give the performer no credit for being between root of thumb and finger—forefinger. The programme is skillful. laid on hand, the substitute ring is placed theron under the thumb, Every magician should play his character all squeezed up, and envelopes produced—the programme is slipped into pocket while the audience are gazing at the opening of the enthrough to the end consistently. Now it is velopes. Lay great stress on the fact of each envelope being securelyjust as inconsistent for the magician to ex- fastened, and ask the volunteer if he can take out the ring without, pose a trick that he has carried through breaking the seals, etc. Meanwhile arrange for the repetition of the successfully, as it would be for an actor at trick. The second series of envelopes is open at one end, and has a flat thin tube (a la shilling in ball of wool) down into it not quite the the end of a realistic stage representation bottom of the smallest one (the tube to fit loosely), and place each of a storm, to step forward and throwing succeeding envelope wax side downwards. Whilst the volunteer is aside the character he was playing, explain to the audience that the working with the first set, drop the borrowed ring down the tube sound of rain was produced by a handful of dried peas and a series into the innermost envelope (say in the right pochette), shake the tube, withdraw it, then bend the ends of the envelopes over tightly, of wooden pegs; that the sound of wind was made by a piece of silk and proceed with the trick with the second half of the programme as and a revolving cylinder, the thunder by shaking a sheet of iron, etc. before, asking the volunteer if he would like to do tr.e trick. This may all be useful information and strictly true, but the audience A good finish is made by collecting all the envelopes, having a in this case, as in the case of the magician, have paid their good complete programme in the hand, and changing them for it. To do money to be amused and having enjoyed the illusion, the)' prefer to this, simply squeeze up the bundle, bring the programme to the top, let it rest there, assuming, as they have a right to do, that this is and hand it over, immediately taking wand in hand. neither time or place for a discussion of ways and means. Mr. Trewey, of Paris, the great French Shadowgraphist, in My pupils often say to me that they have seen magicians win a speaking of Hopkin's Magic, Stage Illusions and Scientific Diversions, laugh or applause by this kind of work, but the man who has to resort says: "It is to my mind the most complete, artistic, precise and instructive treatise on the magic art that I have had the pleasure of to that method to gain applause is in the wrong business. reading for years. Every professional should possess a copy as well Many excuses are offered by these men, the favorite one being as every amateur who is interested in what the French conjurers call that others do the same thing. Granted, but are they the highest science JIIUIUJIIL: A valuable part of the book is that relating to theatype of magicians ? Are they the successful ones, and if so, have tre secrets." they succeeded on account of this kind of work, or in spite of it? T H E SECRET OUT. That is, have they so many good points that this weakness is forgivMagic taught in all its branches. Personally or by mail. able in them ? If such is the case it seems to me that it were far Sleight of hand a specialty. Pupils fitted for drawing room or stage. better to imitate what is best in their work, rather than to perpetuate PROF. BROWNIE, care MAIIATMA. their weaknesses, if, indeed, it is necessary to imitate at all, which I am by no means willing to allow. DIE ZAUBERWELT. As I have intimated, there are many otherwise good performers Illustrated Journal in German language of who are victims of the "exposure habit," in whom it is so firmly PARLOR MAGIC and MODERN WONDERS. Published ftionthly. Subscription price for 6 months, Si.25, delivered postage prepaid. established that to drop it suddenly might prove disastrous, and to Single copies, 25 cents. such I would suggest a remedy which is a sort of tapering off toward C A R L W I L L M A N N , Editor, Neue A B C Strasse, Hamburg. Ger. legitimate methods. It is to pretend exposure only and really to repeat the trick in a different form, leaving the audience more mystified than before. ' By this means the belief in the performer's cleverness of June I am in New York where I conduct my card class. If you want to join write is augmented and the continuity of a performance remains unbroken. me 1stSpecial instructions to beginners and advanced pupils improved. Satisfaction guaranteed. Then to Chicago and Philadelphia, etc., classes. Will play few privates dates in each city, after I suppose many will think that I am rather old fashioned to make which will tour Europe through London, Paris, Berlin, Strasburgand Vienna, etc. P. S.—The so much ado over so small a matter, in these days, when books are U. S Government has procured my services to hypnotize the Spaniards in Cuba with the published continually exposing the latest and best tricks. But let cards—I'll keep 'em guessing. 1 am sincerely yours, The Challenge Champion Kard Manipulator of the World. Private I'. <>. l.od< Box No. me say in defence of my position that I am not discussing the value 1S51, Boston, Mass., U V A - I . A . ICIC-II A I t D S O N, l t a r k e r a n d M a n a g e r . of the secrets, (as a matter of fact, I consider the secret as being an unimportant part of a well performed trick), but what I do claim is that it is illogical and inartistic for a man while playing the part of the magician to show by word or act, that his wonders are not all the result of absolute magic, even when he knows that many in the audience are in possession of some of his secrets. and BESSIE HOUDINI, original introNobody in a modern audience for one moment believes that the ducers of "Metamorphosis," ghost in Hamlet is a real disembodied spirit, but it would ruin the The finest and greatest Trunk Mystery the play for Hamlet himself to show that he did not think so, and whether world has ever seen. playing Hamlet or the Wizard, real success only comes from playing In connection with our challenge Hand the part for all there is in it. . Cuff act.

" D O N ' T GIVE I T AWAY."—BY SARGENT, THE MERRY WIZARD.

"Oinac igiwtum pro magnified."

"Why So Because Now Already."

HARRY HOUDINI,

Chevalier Thorn's magical show draws crowded houses nightly at the Eden Theatre, Constantinople. Chevalier Thorn is a great favorite with the Turkish audiences, but no wonder, as he offers a attractive programme consisting of the latest illusions.

Permanent address, 221 E. 69th St., New York City.

Mahatma.

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PAPER RIBBONS for Hat Trick, Tambourine, etc . of unequaled perfection which we now offer at such low prices so as to be at the reach of all. The rollsare wound H A R D the hole in the center is only 1 inch and colors extremely brilliant, so that effect of tricks is immensely increased. =, inch diameter ^ colors. $ inch wide per roll. 7c, doz.7sc. To performers ordering in lots of 100 cr more rolls we quote special rates.

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VOL.

1. No. XII.

NEW YORK, JUNE, 1898.

PROF. ELLIOTT. This month we present to the readers ol MAHATMA the peer of all card manipulators up to the present. Great originality is the one characteristic of his card work and he has truthfully been called "The Card Wonder of the 19th Century." This educated artist has catered to the amuse-

SINGLE COPY,

IO CENTS

difficult, and at the same time almost unknown card effects. Whilst securely blindfolded he not only deceives the general public but completely staggers card conjurers, so they are free to confess they do not understand his original and ever perplexing card tricks and sleights. He has contributed in no small degree to the progress of magic in America and hi«

THE CHALLENGE CHAMPION CARD MANIPULATOR OK THE WORLD.

ment seeking public as a specialty card expert for the past 15 years. He is by far the most popular and ablest instructor in card work in America, and he is widely known at home and abroad paiticularly for his original achievements, he being the first to perform some of the most

name will always be an esteemed one in card conjuring annals. Throughout the civilized world he has achieved a reputation as the foremost card manipulator. He is a very careful and painstaking teacher and his genial ways ingratiates him with all who are fortunate enough to meet him

Mahatma

MAHATMA. I S S U E D T I 1 K 1ST O F E A C H GEO.

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bulb under your arm which opens shutter and displays figure one, etc. Another method which is much simpler is to have a fake button on the back of your dress coat, the button is made with a flap which by pulling a piece of black thread fastened to the vest. When you pull the thread it pulls cover of the button over and shows a white spot on the button, giving the person blindfolded the tip. Another way is to have a piece of tape that you pull up from the back of the neck of the coat. I have even trained my right ear to move up and down and thus give my assistant the tip. HAMI.EV'S

NEW SYSTEM

CARD DIVINATION

II.I.ISION.

This forms a capital trick for evening parties, smoking soirees, etc. It is easily learnt and can be worked with great effect after very The sole agents for the sale of "MAHATMA" in England is the celebrated and old established tirm of Messrs. H n m l c y .Brothers, and little practice, it is performed with any pack of cards, and a perfectly it may be obtained at their Grand Magical Saloons, 229 High Holnew and unopened pack may be used, the effect is as follows: A l)orn, London, where also advertisements are received for it and card is selected from the pack by any lady or gentleman and placed every information given respecting it. faced downward on the table, the performer or thought reader at MAIIATMA would ask as a favor that all magicians will send their once names the card, which is then turned up to show that he is coraddress and all news appertaining to magicians to this office, and also names of persons interested in magic. The aim of this paper is rect, if preferred any one may take the pack into his own hands, to reach all magicians There are many persons interested in magic look the card through and select any card, showing it to the others who have never heard of this paper, please send us the address of any but taking care that the performer does not see it. He then lays it whom you may know. Anything new in magic will be published face downward on the table and yet the performer at once names it. and credit given to person sending it. Any number of cards may be told one after the other and the pack ELLIOTT.—CONTINI in. may be changed if desired for another one. This marvellous yet simple illusion is performed as follows: personally. He is a clever thinker, and is never too conservative to aid the struggling amateur into the vast field of card mysteries. He A confederate is required, who before the trick commences, lights is firm in his convictions and unflinching when he is confident he is a cigar and then stands behind the others, apparently only engaged right, and with that tact which-is never at fault how to impress his in smoking it, but really he is giving the signals to the performer as audience with the belief that he is their warm personal friend as well to what the card selected is, the performer should place his hand to as magical entertainer, and that no case interests him as much as the his forehead or before his eyes as if to control or govern his thoughts one which he is at that moment attending. He is a card genius of whilst solving the mystery of the hidden card, but this really gives exceptionally rare ability and his many years of experience gives great him an opportunity of looking unobserved at his confederate and weight to his opinion regarding card tricks. At some future time he getting the key from him. The code is follows: If the card is an will publish his complete work on card manipulating. He is the ace, the cigar is held in the right hand by the thumb and first finger. treasurer of "The Magic Mystic Fraternity," the only magical society If a 2 is held in the same hand by the thumb and second finger, if in existence. He contributed greatly to "New Era Card Tricks," the a 3, the same hand by thumb and third linger, if a 4 the same hand book published by A. Roterberg. Amongst professional card players by thumb or little finger, if a 5 the same hand by thumb and two first he is called "The Boston Kid," and just now he has a standing challingers, if a (> the same hand by thumb and two middle fingers, if a lenge to tin- world tn manipulate cards with any person, and for any 7 the same hand by thumb, third and little finger, if S the same hand amount. by thumb and all the fingers, if a o it is held in the left hand by thumb and first finger, if a 10 in the left hand by thumb and second SILENT SECOND SIGHT. finger, if a knave in the left hand by thumb and third finger, if queen BY MARRY IIOUDINI. in the left hand by thumb and two first fingers, if king in the left I generally open the act with the talking code, then the silent hand by thumb and all the fingers To give the different suites the curie of motions, I then call for a committee of six, three on each cigar is placed or held as follows: Clubs, put the cigar in the right side, and nave them hold a slate or pad in front of me and the hand corner of the mouth; hearts, put the cigar in the left hand cormedium will tell in an instant what ever the committee writes on ner of the mouth; spades put the cigyr, in the middle of the mouth; the pad. You must have coat fixed to hold a disc; first have two diamonds, hold the cigar away from the mouth. plates of tin made, one eight and the other eight and a half inches in o—:— diameter. The larger one is sewed on the inside of the coat, which T H E LIGHTNING R E V E R S E . is double, and serves as a track for the eight inch dial to run on; the eight inch is rivited loosely and runs on tiny wheels, this has been This is a simple trick with a pack of ordinary playing cards, but with some well conceived patter it can be made into a rather effective little trick. ^ pack of cards is handed to a gentleman with a request to select the four aces. This being done the pack is passed on to a lady for her to pick out the four kings. The performer receives the cards back and after calling attention to the fact that there are no more aces or kings therein, desires the lady to place the four kings in the centre of the pack at the same time cutting the cards in two portions, in order that he may place the kings in the pack. The pass is then made, and the four kings are secretly counted and pushed a trifle off the top of the pack in readiness for the bottom change. This can be done while you are inquiring of the gentleman whether he can find any preparation about the aces he has in his custody. Taking these cards from the gentleman, remark: "These four aces I will place in the tumbler which you see on my table." In indicating the glass on the table the hands are momentarily brought together, and the aces are changed for the kings unperceived by the company. The aces are apparently placed in the tumbler, but in reality they are at the bottom of the pack. While you are engaged in putting the cards in the tumbler with the right hand, make a single-handed pass with the left hand, which brings'the aces to the center. The pack is painted black with the figures from 1 to o, in white, this enables the next handed to a lady and a change commanded to take place. On medium to read the figures easier, medium has a fake blindfold. inspection the cards are found to have reversed their positions. The coat has a trap or a shutter flap which is closed until you squeeze HUCAI.I. BENEDICT, The Thanet Wizard, London.

Mahatma can only be acquired by the true artist. Mr. Leroy's concluding Illusion is a masterpiece of the conjurers ingenuity, and was presented in a masterly manner by this clever little disciple of Mcphisto. Every lover of magic should see him whenever the opportunity presents itself. Personally Mr. Leroy is a very agreeable and unassuming gentleman. F. D. IIKWES. o CLKVELAND NEWS. Maurice Raymonc, hypnotist and necromancer is en-route. Freund, magician, is producing an original trunk mystery with his own show. W. J. Watson is doing a clever act in sleight of hand. Karl Mattmueller reports a prosperous season, his succession of surprises in comedy conjuring takes everywhere. BOSTON NOTES. At Keiths, May 25th, the Gockers, jugglers, and DeYilliers, French magician and illusionist. At Howard, Sparrow, clown juggler, and the Tanakas, Japanese magicians. May 2d, Kellar, opened at the museum for 3 weeks, playing to full 1 houses with the greatest magic show ever seen in Boston. At Keiths, John J. Harty, waiter juggler. At Howard, Emma Cotrelly, lady juggler. May yth, at Keiths, John LeClair, expert juggler. Prof. Lawrence, hypnotist is in city preparing for a western trip.

SERVAIS LEROY. Through the courtesy extended by Manager Aarons, the Editor of MAHATMA and I visited Koster & Bial's. The bill presented was one of exceptional merit. Each act a feature, and every performer an artist. Being of a magical turn of mind, I was particularly interested in the work of Mr. Servais Leroy, who presents himself as "The Devil" in full dress. Mr. Leroy is far superior to the generality of The above are good likenesses of Mr. and Mrs. W. E. Robinson, modern magicians, he is graceful and artistic, his clever witticisms who have just closed another season with Herrmann the Great Co., are as pleasing to the ear, as his wonderful dexterious palming is to making their twelfth season. Their act the "Maid of the Moon'' the eye. All of his tricks are performed with that peculiar skill that proved the feature of the show.

Who Says Magic

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Jnst out. My new 60 page Catalogue No. 5, brimful of new ideas. Send stamp for same.

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WIZARD OF THE ATLANTIC, On Board the Steamship Germanic, 7O Cliatluuu Street, LIVERPOOL.

is Dead ?

T.Nelson Downs "King of Koins." f>th week ,11 ILiminerMi-in's Olyinpia. (largest and most magnificent amusement resort in the world ) Permanent address, 154 W . 15th St., N. Y.

C I STRQHMENSCR JR 4 9 3 Si*th V>,

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DEPOT FOR THEATRICAL HARDWAREJAND SUPPLIES. Agent for J. R. Clancy, of Syracuse, N. Y. Sole Manufacturer Excelsior Profile, Keystones and Corners. Estimates given for Stage Supplies.

Mahatma We are indebted to Mr. LeRoy, of Boston, for these old programmes which will prove of great interest to MAIIATMA'S readers. AUSTRALIA. LYCEUM THEATRIC. IMPORTANT ATTRACTION'S FOR ONE WEEK ONLY. MAGIC WITHOUT APPARATUS AND TRIUMPH OF SLKKilll ub HAM).

To-night, Monday, May 4, 1863, and during the week. WASHINGTON SIMMONS, from St. James" Hall, London, will give his Grand Soirees Funtastiques of Magic and Mystery.—Astonishing Illusions ! No apparatus. No confederates. New Tricks every night. Washington Simmons, the American Frickell, is pronounced by the Victoria and South Australian press to be the most extraordinary performer that has visited the Colonies. THE GKF.AT SPIRIT SWINDLES.—By which Messrs. Foster and

Home imposed upon Fashionable and Literary World of London, as recorded in the Times and other journals in March, 1S62, will be performed, including the -'Mysterious Writing on the Arm," "The Raps Under the Table," and ''The Writing by the Invisible Hand." Among the more extraordinary feats of Prestidigitation performed by Professor Simmons are the following:—Resurrection of the Cards—Little Tommy—Transmigration—Money Making—Spiritual Calculator—The Right Thing in the Wrong Place—Telegraph Eclipsed—Gordian Knot—Mysterious Writing on the Arm—(Foster's Great Imposture), Adventures of a Pocket Handkerchief,—The Language of Money,—Secret Attraction,—The Seals of Love,—Mysterious Disappearance and Reappearance,—The Hat that Holds Everything,— The Apple of Fortune,—Balls and Basin,—The Raps Under the Table,—The Demon's Handkerchief,—Transformation Extraordinary, —Diminishing Eggs,—Miraculous Bowls of Fish,—Two Hundred Balls and Goblets,—The Great Postal Trick,—FlyingCards,—Metampsychosis,- Writing by the Invisible Hand ! This is the once famous " Dr. Lynn," who created such astir in the London Egyptian Hall in 1S73.

S1GN0R RECANATI. ROYAL LYCEUM THEATRE, MARCH 26, 1855.

RECANATI, the Wizard, the man that can take the shine out of all the wizards. In short, he may exclaim, with William: " I am myself alone!" No puff. Come and judge. Recanati puzzles the wise, confounds the ignorant, mystifies the sensible, and, as William says: "Amaze indeed the very faculties of eyes and ears." WHO IS HE ? Sage Man; Italian Magician; Grave Preceptor; Necromantic King; Oh, Mighty Wizard; Reign Thyself Alone. Renowned Logician; Eccentric Illusionist; Conjurer Mysterious; Australia's Star, Nature's Son of Science; All great Philosopher; Thou art wonder wise; I'll never look upon thy like again.

CONJURERS IN AUSTRALIA. April 6, 1S54—Professor Horace Sidney. December 5, 1854—B. Lennot, " Wizard of the South." March 12, 1855—Professor Jacobs. March 26, 1S55—Signor Recanati. March 24, 1S56—Mons. Theo, " The French Magician." June 21, 1S58—Professor Anderson, " Wizard of the North." June 16, 1S60—Professor Bennett Clay. —December 24, i860—Mr. Harry Houdin. May 4, 1863—Washington Simmons (" Dr. Lynn.") Prof. Kellar has closed his season. Powell is still mystifying the people at the Grand Opera House, Philadelphia. Servais Leroy is still at Koster & Bials. The Professor is receiving a well merited and cordial reception at this house. , Prof. Jewett is still playing dates with his usual success.

PRINCE OF WALES THEATRE—MARCH 24, 1856. MONS. TIIEO.—THE FRENCH MAGICIAN.

The Enchanted Orange Tree and the Mysterious Butterflies; the Telescope of Mephisto; the Magic Casket; the Obedient and Intellectual Clocks; the Travelling Half Crowns; the Atmospheric Washerwoman; the Mysterious Portfolio and Animated Pictures; the Bowls of Neptune; the Shower of Gold Fish; the Horn of Plenty; Showering Gifts from Flora to the Audience. MAGIC CAULDRON—THE HARLEQUIN—PYRAMIDS.

Mysterious Packing Case and Flying Handkerchief; the Mesmeric Canary; the Magic Bouquet and Card Target; the Pyramids of Egypt; the Enchanted Half-crowns and Mysterious Lampshade; Dissolving Mirror and Hora"s Basket; the Decanter of Wine and Cameleon Ball; the Enchanted Rose; the Cornucopian Hats. The Magic Clock; the Speaking Bell; Enchanted Bouquet; Travelling Coins; a n e w method of making Coffee; the Bird, dead and alive; the Enchanted Bottle, ROYAL HOTEL,(LARGE SALOON,) GEORGE ST., TUESDAY EVENING,

DECEMBER 5, 1854,

AND EVERY EVENING.

B. LENNOT, the Wizard of the South, has the honor to announce to the nobility, gentry and public of Sidney and its vicinity, a series of his unrivalled entertainments in Natural Magic and Legerdemain. He accomplishes by the combination of physics and mechanics with his prestidigitation, such extraordinary wonders that unless seen would never be believed. Among the experiments will be introduced: PART FIRST.—The Genius of the Night; the Magic Cage and Invisible Canary; the Invisible Handkerchief; Travelling Cards; Multiplication of Cards; Mysterious Plumes; the Magic Mill; the Cornucopia. Interval of ten minutes. The Crystal Balls, inroducing wonderful feats of sleight-of-hand and proving the fallacy of the axiom that "but of nothing, nothing comes." The Mysterious Cannon Ball, the most novel delusion of the day, the Ink Vase Illusion '. the Magic Target, or the Mysterious Flight of Handkerchief; Burnt Handkerchief Restored; the Wizard's Patent; Flying Rabbit; " Tempus Fugit," " O h , where is my Watch?" To conclude with The'Inexhaustible Bottle, acknowledged by all to be the most surprising.delusion of the present age.

Zanetti is receiving favorable newspaper comments on his clever work. Crane, the magician is playing Proctor's houses, this city. J. NELSON DOWNS, " T h e King of Koins," is now at Hammerstein's Olympia in his fifth successive week at that famous Music Hall. He is booked all up solid for the next two years in Europe, opening at Crystal Palace, London; Berlin, Germany and Paris. GOLDIN, the Humorous Wizard, is booked to open at Pastor's next week, making his sixth week at this popular house this season. Mr. Goldin has remained in New York successfully for three years.

HEW

TRICKS,

New 100 Page Pictorial Catalogue, with Pictures of Leading Professionals.

LATEST EUROPEAN NOVELTIES. Magic, Second Sight and anti-Spiritualism. Up-to-date. Send 15c. for same. No free list. W. D. L E R O Y , 103 Court Street, Boston, Mass. GEO. H. L I T T L E , Teacher of Magic, Shadowgraphs, Chapeaugraphy. For terms, etc., apply to 493 6th Ave.

SOMETHING NEW UNDER THE SUN. WM. E. ROBINSON, the Man of Mystery offers is original illusions for sale. Evanishment, The Weight of Love, The Ladder of Fame, The Witches Daughter, Cupid, Kyoto, Mumbo Jumbo, Satan's Bride, Schrive of Buddha, Birth of the Lily, The Smuggler, Life and Death, Creation, Youth and Old Age, The Woman of Flames. The above and more to follow are duly copyrighted and fully protected. I will prosecute one and all infringing on my rights. Illusions improved upon. Your ideas carried out. When in doubt write me Books on Magic, etc., bought, sold and exchanged. Photographs of magical celebrities for sale. W I L L I A M E . R O B I N S O N , Care of MAHATMA, 493 Sixth Ave., New York.

Mahatma COIN TRICK. The performer calls attention to a piece of newspaper and makes a cornucopia of it and places it in a glass that is on a common dinner plate that is upon your table. Rolls his sleeves up showing nothing concealed in sleeves or hands. He then picks up from his table a half dollar and passes it inside the cornucopia which he has shown empty, this he continues to do until he passes four coins, or any number that he wishes to, and upon opening the cornucopia four half dollars fall upon the plate from the inside of the cornucopia. How it is done: In the first place the cornucopia is made from a piece of newspaper that has already been prepared in the following manner. The newspaper is doubled over making half the size of the paper, the sides and top are pasted together to resemble one piece of paper; but before doubling over you paste two or three pieces of tissue paper four inches square in the center of paper, making four separate pockets, so coins do not rattle, and you leave top of the pockets open, in which you place your coins before the entertainment, as many as you wish to use, being careful when picking up the paper to make the cornucopia not to let the coins fall out. Now have a dozen coins on your table and the first one you pass inside the cornucopia you really palm it, keeping in it the hand, or if you wish to show your hands empty pocket it, the second one in the same manner, making as much of a noise as you can with the coins when you pick them up, the third coin you pick up, you again lay it on the table to assure your audience that as your sleeves are rolled up it is impossible for it to disappear up your sleeves and as your hands do not come in contact with your person the coin must actually pass inside at your command. This time you make believe you pick up the coin, rattling them as though picking up one; then call their attention to the tact that by passing it from one hand to the other it gradually becomes smaller, until it is has really vanished, and when you take in consideration that you had nothing in your hands to commence with—a very easy matter—but to the audience a very clever piece of work. The fourth coin you merely palm and when you open the cornucopia you drop it with the three you have already in it upon the plate. The reason for using the plate to place the glass upon is simply to make a noise dropping the coins upon it. FLAG OR HANDKERCHIEF TRICK. A clever little deception is that of passing a small silk flag or handkerchief from an envelope into a potato. Take three envelopes each a little smaller than the first one so that they will fit inside of each other. Have some person in the audience place the (lag inside of the envelope, seal it, and place it inside the second one, and likewise the third, which vou place after all three being sealed, upon a small easel upon your table where all can see it. You show the potato perfectly sound, and then command the handkerchief to pass inside of the potato. Cut the potato open in the center and you find the handkerchief. You open the envelopes and the handkerchief has disappeared. Explanation: Take one of

those knives you use to core apples and make a hole through the potato; place the handkerchief inside, then take the two ends that your knife has taken from the potato making the same as two corks or stoppers, the potato looking as though never having been touched. Have your easel made of card board so that you can have a dummy envelope on the back of it, and when you pick up the real envelope you pick up the dummy with it. Tear open the first envelope of the dummy and take out the second one and saying perhaps the gentleman would like to open it himself, you lay the torn envelope on the table with the real envelope that has the handkerchief in it, the audience not noticing it. Of course when the second is opened you find the third envelope and when opened the handkerchief has disappeared. Or you can switch the easel by placing it from one table to the other—merely turning the easel around so the fake envelope is facing the audience. You could then take it down and let a person open the three envelopes.

"Tricks in Magic, Illusions and Mental Phenomena." VOI.OLE III. Contains explanations of the following three tricks by the well-known writer. Prof. HofT" mann. '*The Magic Tambourine," "The Great Dictionary Trick," and "The Climbing Ring,1 also Maskelyne's '"Spiritualistic Couch," "The Revolving Bust Illusion," "Bautier's Human Cage," "Bautier in a Fix," "Morritt's Cabinet," "Denstone's Metempsychosis," "David Devant's Flying Thimble," "McLaughlin's Patent Thought Reading Trick," and "Euclid Outdone, or The Spirit Mathematician;" all fully illustrated with from one to five illustrations lo each trick or jllusion. In all twenty-eight illustrations The Sketch of the career of Frederick Bancroft, the American Conjurer, with reasons for his non-success, is given. The book contains also a complete Bibliograph of magic, conjuring and amusements, in English, German and French, being the most thorough work on this subject ever published. The Bibliography alone makes this a work ol inestimable value to the professor, amateur and general reader. 378 works listed. Price 2$ cents.

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FINAL NOTICE 2 N. Y'ers. On and after June 14th, I am in New York City, where I take charge of my card class. If U—R—A—B—ginner I'm your man, and I have got some new ones for advanced pupils. Better write me now. lam, Sincerely yours,

ELLIOTT, The Challenge Champion Kard Manipulator of the World. Box 1551, Boston, Mass. J. A. Richardson, Backer and Manager. P. S.—After June 14th address me care of MAHATMA.

Mahatma THE KING OF CONJURERS.—CONTINUED. BY HENRY KIDGELY KVANS.

Robert-Houdm's career was an extremely romantic one, particularly that part relating to his Algerian adventures. He went to Algeria as an ambassador from the French Government to counteract the baneful influence of the Marabout priests (the Moslem miracle-mongers) over the fanatical Arabs. He succeeded in his mission by showing that a French wizard, who depended solely on his dexterity and the resources of science, was the superior of the Marabout magicians, who pretended to genuine occult powers. Was ever a conjurer more honored by his country ? The autobiography of the great French Fantaisist ends somewhat abruptly with his retirement from the stage. After ceding his theatre to his son-in-law and associate, M. Hamilton, he settled in the country, on the left bank of the Loire, at St. Gervais, not far from the historical old town of Blois. 'Twas here he built a magic villa, full of surprises for those who visited it. Houdin's personal appearance is thus described by a writer in Larousse's "Encyclopedie:" " He was a man of small stature. His manners were exceedingly engaging and vivacious. His clean-cut profile resembled some of those old medallion portraits of the noblesse of the XVIII. century. His face was clean-shaven, showing a large and eloquent- mouth. In his old age, his head was crowned with snow white hair; his eyes up to the last retained thefireand brilliancy of a man of twenty-years." The closing scenes in the life of this really remarkabie man (the "Father of Modern Conjurers" he has been called) is a sealed book to English-speaking admirers. Who would not like to know about it ? Houdin passed out of this our mortal life, June 13th, 1871, at St. Gervais; his age being sixty-six years. Not very old; but a life

recently visited the widow of Robert-IIoudin's son, and obtained from her some interesting data. She exhibited to him some of the apparatus manufactured by the great Houdin, among other things the ''magic clock." She also had in her possession several photographs of Houdin, and a little book in English (privately printed) by Houdin's admirer, William Manning. It is entitled: "Recollections of Robert-Houdin. By William Manning, Seer, to the Sette of odd volumes. Delivered at a meeting of the Sette held at Limmer's Hotel on Friday, Dec. 7, 1890. Imprinted at the Chiswick Press, Tooks Court; Chancery Lane, London, mdcccxci. This edition is limited to 205 copies, and is imprinted for private circulation only, No. 146. Presented to Madame Veuve Emile Robert-Houdin, by W. Manning." This work contains the following list of illustrations: (1) Portrait of Robert-Houdin, (2) The Inexhaustible Bottle, (3) The Suspension by Ether, (4) The Chinese Tumbler, (5) The Writing Automaton, (d) The Mysterious Clock, (7) The Electric Clock, (8)

FACSIMILE OF ROBERT-lIOUDIN's AUTOGRAPH, USED ON VISITING CARDS.

Cigarette Smoker, (9) Robert-Houdin's own Alarum, (10) RubertHoudin's visiting card. Madame Houdin stated that her father-in-law's body was buried in the cemetery of Blois. BIHLIOGRAI'HY OF WORKS BY ROI1KRT-7IOUDIN.

Card-sharping exposed. Translated and edited, with notes by Prof. Hoffman(Angelo Lewis). London and New York, 1882, i2mo., 316 pp. Memoirs of Robert-Houdin, Ambassador. Author, and Conjurer, written by himself. Translated from the French by R. Slielton Mackenzie. Philadelphia, 1859, I2mo., 373 pp. The Secrets of Conjuring and Magic; or, How to Become a Wizard. T.anslated and edited, with notes, by Prof. Hoffmann. London and New York, 1878. 121110. 373 pp. The Secrets of Stage "Conjuring. Translated and edited, with notes, by Prof. Hoffmann. London and New York, 1S81. i2mo., 252 pp. o LONDON NOTES. Mr. Jacobi, conductor of orchestra at the Alhambra, has just returned after twenty-six years of service. He has produced 103 ballads. On March 2d, a grand complimentary benefit will be given. Madame Decka, a fascinating little Parisian Illusionist, has been crowded with strange incidents. It is said by occultists that man's performing at the Empire with marked success, a very pretty feat sojourn on this earth-plane is for the purpose of gaining experiences. being a large number of white balls which she produces in a mysIf so, Houdin had his full share of them. Perhaps in the musty files terious manner from behind her dainty fan. Another illusion worked of some of the French newspapers may be found accounts of his by the above artist wr-ich is being well received is as follows: A death. During his lifetime his exploits filled the pages of the press. small proscenium is erected on the stage, nothing else being visible, Everything appertaining to Robert-Houdin has always possessed out of this appears a life-size model of a clown, the limbs are dea fascination for me. The widow of his son resides at Boulogne-sur- tached one by one and placed in a basket. Professor Vents, has been performing at the Royal Standard Seine. A year ago when I was preparing my chapters for Hopkins' "Magic," etc., I wrote her several letters couched in my best Ameri- Music Hall. Victor Andre, the celebrated conjurer has been doing a big busican-French, asking for information as to the last days of her distinguished father-in-law, but she never replied. The Theatre-Robert- ness at the Free Trade Hall, Manchester. Houdin, which ran for so many years on the Boulevarddes I/aliens, Mr. Maskelyne's new programme for the Easter Holidays at the is now closed; for lack of patronage, it is said. This is not the origi- Egyptian Hall, London, has been going well, several new magical nal theatre of the great Houdin; that miniature abode of the Magi feats being introduced. was located in the Palais Royal. That clever conjurer, Mr. Dcvant, has also some new magical Through the kindness of Mr. Charles L. Burlingame, of Chicago, problems. author of a number of works on conjuring, I am enabled to present Imro Fox, who has been performing at the Empire, has finished to the readers of "MAHATMA," the autograph of Robert-Houdin, such there after a very successful engagement. as was used by him on his visiting cards. A little imp with a forked Fred. Russell, the clever coster ventriloquist, has put in some tail is depicted writing the name of the great conjurer. Some of the French journals were wont to speak of Houdin as Robert le Diable, good work at the Alha-ubra, Brighton. We hear this gentleman may in playful allusion to his powers as a necromancer and sorcerer. be visiting Australia and the States shortly. Perhaps this nom de theatre suggested to Houdin the idea of the Prof. Hartz, the celebrated conjurer, has been a big draw with "imp-autograph." Mr. Burlmgame's cousin, who resides in Paris, his " Le Chapeau and Diable," at the Palace of Varieties, Chatham,

Mahatma

INDIAN JUGGLERY. BY \VM. E. ROBINSON, The trick of popping corn in a sheet held by two assistants is a most barefaced proceeding. A quantity of raw corn is placed in the sheet. This corn the juggler now starts to toss back and forth in the sheet with a little instrument called a suplce which looks for all the world like a dust pan without a handle, the same as are used by our good housewifes. There is a peculiarity about the suplce the aii'Mrnce is not aware of, and that is the fact that it is double and contains corn already popped between the sides or bottom. This corn is released with the sheet as the raw corn is stirred up. There is a trick in which a couple of rabbits are produced from a small empty basket. Two rabbits are placed in a small cloth bag and placed in the large bag of tricks on the ground by the side of the juggler. He now places the small basket upside down on the ground in front of him; he then goes to his bag and brings forth his god Rhamsamee which he places on top of the basket. He goes to the bag again and brings forth a square piece of cloth which he spreads over the basket. The cloth is large enough to reach to the large bag. He now goes again into the bag and brings forth a torn torn or one of their peculiar pipes or reeds they play upon. This he places on top of the cloth. When procuring this pipe he has stealthily sneaked the bag of rabbits out of large bag underneath the cloth. After playing a short while on the pipe he introduces one hand under the cloth and brings the bag of rabbits close to the basket; he now lifts basket and bag of rabbits with this one hand still covered with the cloth, and asks the spectators to feel that Rnamsamee is still under the cloth on top of basket; he now replaces the basket but holds it with one hand outside of cloth, while the other hand under cloth releases the rabbits from bag and place them under the basket as it is being lowered to the ground. Some more pipe playing, incantations, cloth removed and bag concealed in it, basket lifted from the ground and rabbits are seen. From the above description it might strike the reader as a very commonplace affair, and not amount to much, but you should see these chaps work it, and the air of mystery they give it, and the astonishment it causes. The boat trick or hubble bubble is as unique and perplexing a trick as was ever presented by these wonder workers. The apparatus is composed of a cocoanut shell hollowed out from a small opening at the eye end, and having a very small hole one quarter of an inch in diameter, and about two inches from the aperture mentioned. A round stick like a chair rung answers the purpose; about eight inches long with a hole one sixteenth of an inch diameter, drilled its entire length, is a small boat about eighteen inches long, five inches wide and two deep, with a small hole bored through the side near the bottom. A small seat bar is at one end, in which is drilled a hole large enough for the chair rung to fit tightly. The cocoanut is now filled with water, holding at the same time a finger over the hole in the side; insert one end of the chair rung tightly into cocoanut, fill the boat with water, and gently place rung with cocoanut into the hole or seat in boat, at regular intervals of a few seconds the water and air will throw a stream from the small hole in the side of cocoanut into the boat; it appears to stop and flow at command of the conjurer. As seen it is simply a very clever application of the natural laws of atmospheric pressure and hydraulics. Of course the juggler impresses his audience with the fact that the water flows and stops at his command, as though he alone was the power that controlled it. Simplicity and boldness is what often makes a trick more bewildering than many of those upon which time, trouble and expense has not been spared. The following will exemplify what I mean. It is called the 'Dancing Duck," it is very amusing and defies detection. The juggler seated crossed legged upon the ground is beating a torn torn,

and in front of him is a half of a cocoanut shell setting upon three small stones; the shell is filled with dirty water, after a few gestures and nonsensical talk, a small duck either of china or wood, suddenly appears on the surface of the water and begins to dance at command of the juggler and then finally disappears into the water again. The secret of this is the magicians old standby, the reliable black hair, one end is fasten to the duck, and then goes through a minute hole in bottom of cocoanut shell and thence to the juggler's hand which of course gives the motive power to the string and thence to the duck. Of course when the juggler slackens the hair the duck immediately floats to the surface, and the hand of conjurer beating the torn torn easily makes it dance. The reason of the cocoanut setting on the three small stones is to prevent any pressure ou the hair or thread. The juggler splashes a little water around the shell before commencing the trick so as to disguise what little might leak out through the hole the thread passes through. Another seeming impossibility is the apparent lifting, by means of cords attached to the juggler's eyeballs, of a heavy weight of about twenty pounds. The ends of the cord not fastened to the article to be lifted, are each tied into large knots or balls or fastened to small round buttons or silver nails. The weight is now resting on the floor. The juggler inserts the prepared end of cord into the socket or cavity of the eye at the corner at the side he is leaning over, or in a bent position. If he were now to lift up it would be an utter impossibility to lift the weight as it would pull the cords out from the eyes. But he throws his head well back and bends the knees until his eyes, the cord and weight are all on a straight line, if we were looking at him side view. He now gradually straightens himself up without disturbing the position of the cord, and the weight is easily lifted, and the cord remains in the eye because it is a straight downward pull. Just cut a slit in center of a piece of card board, and tie a knot on a string and place it in the slot, pull down on cord and see if it does not stay there. If the card board and string are kept perpendicular. This article would not be consid ered complete if I didn't touch on the subject of the basket trick. Now let me state right here that there is more than one way em ployed. It depends upon circumstances and surroundings which method shall be put into use. I shall describe the usual mode that can be done anywhere and under severe circumstances. The juggler takes one of his assistants and envelope him with a net which is tied securely together. The man thus secured is laid across the mouth of the basket; the basket is of a somewhat peculiar shape, it is considerable larger at the bottom than at the top, and it is about three feet long, eighteen inches wide and two foot deep. The shape of the basket makes it look considerably smaller than it is. A sheet is now placed over all and within a very short time the net is thrown out from under the sheet and in it is enclosed the man's turbin; the juggler has apparently disappeared, the sheet is down on the basket showing the man is not there, and to further prove it the conjurer jumps on the sheet and into the basket, stamping ah around in it, and even sets down in it; after this he gets out. He now places the lid on the basket, and he removes the sheet or tucks the ends all back into the basket, all the time however keeping lid over basket, and binds basket with rope, and now with a sword pierces the basket in all directions through small holes in top. This convinces the skeptic the basket is empty and as the basket has been previously examined and found devoid of trap door it greatly bewilders him. There is now a commotion in the basket it begins to rock to and fro, and roll about as if endowed with life. The ropes are now unfastened and the cover removed and there is found the juggler completely filling the basket. Now how is this all accomplished, it seems hardly possible without resource to some application of trap door, double basket, etc. The net is an ordinary looking affair, all of the cords forming its meshes are tied at the junctions of the mesh, with the exception of one, running from top to bottom ; this cord is simply given a turn around each cord of the mesh and finally tied to the bottom. This cord is untied and unlaced and allows the juggler to get out, and he immediately relaces and ties it, and then throws it out from under the sheet and coils himself around the bottom of the basket, some lay with their back outward and legs bent against body; others with their back inward and the whole body in a circle. It is now that the conjurer jumps into the basket; when the cover is placed

Mahatma on, and basket tied and the sword thrusts are made; he is kept busy dodging the point of the sword. Sometimes instead of producing the man from the basket, he is made to appear from out of the. crowd. Really a double who resembles him. Another dodge is sometimes used by which the man is actually gotten out of the basket; at the rear of the basket is assembled the five or six assistants of the conjurer, setting on the ground close to the ring formed by the spectators, after conjurer has stamped around in the basket he gets out of it standing at the rear of it and taking hold of the sheet slowly lifts it out and draws it toward him and completely ojt of the basket and throws it over his assistants, at the same time giving the basket a severe kick, sending it bounding away from him towards his audience who eagerly inspect it. In the act of drawing away the sheet the man under cover of it has made his escape to his companions and the sheet covers them all. In their endeavors to get out from it they jostle the crowd and Ihe man escapes through it. The main attention being given to the basket. S.ime baskets are made with a trap in them, and a small boy is used. One of the conjurer's assistants wearing a loose robe, is asked to tie the rope across the basket, and as he does so the boy escapes from the basket under the robes of the assistant and hangs on to a belt or strap at the waist, and when the man retires to the edge of circle the boy makes his escape with the crowd. Still another method is that of preparing the ground before hand by digging a hole in it, and then covering it with boards and earth, the boy escapes from the basket, through trap, also down into hole through trap in the boards. Numerous other devices are used of more or less deceptive powers. I will now close my article with a short reference to the mango tree trick. In all descriptions given of the effect of this trick it invariably states that the juggler planted a seed in the earth and a small twig made its appearance which gradually, before their very eyes, grew into a mango tree, varying in height from twelve to twenty feet in height. People writing or describing the above are fit subjects for a lunatic asylum. Everytime the trick is done a large cloth is employed, and the size of the mango trick is also limited in size according to how much the conjurer can conceal about him or on in his bag of tools. He commences by planting in the earth a mango seed, and covers it with the cloth, on removing it a small twig is seen having been planted there by the conjurer, again this is covered, and the cloth again removed, and a tree about a foot high is seen. This operation is repeated until a tree about five or six feet high is seen. Of course each time the cloth is covered over the preceding branch a larger one is introduced from its concealment. The manner of concealing a tree of five or six feet high is by bending it so it takes one-half its height, the two ends are tied together, one end a little lower down than the other, this end is planted in the ground; now the cloth is removed, at the same time the tree is untied and it springs to its natural height. Several conjurers have written tales, fairy tales, good solid lies of the wonderful feats they have seen these Hindoos perform, and acknowledge the impossibility of explaining them. They write what they never saw, but what they allow their imaginative powers to write, One of them wrote of his trip to the land of the Orient, his wondrous findings in the caves of the mystics, and all the time he was supposed to have been travelling and investigating, he was in the State of New Jersey, perusing books of travel fur his information. So when these chaps lie, why won't others. I will write again some some future day at more length on the subject of Hindoo Jugglery.

WEAVER'S PAPER FRAME AND RIBBON TRICK. The effect is as follows: The performer calls the attention of the audience to a frame with a piece of white paper in it, and which has remained suspended on a silk cord running across the stage all the evening; the frame is then taken down, opened and the paper and frame given for examination. The silk cord is then lowered until it reaches the chin, the paper is then replaced in the frame again ; the conjurer then calls particular attention to the fact that he only takes hold of the two extreme ends of the frame and hangs it upon the cord again. The sleeves are then turned up and hands shown empty. A hole is then made in the paper and the right hand inserted, when

to the astonishment of the audience the conjurer produces yards and yards of red, white and blue ribbons; again his hand is inserted and he produces in rapid succession a dozen silk handkerchiefs of various colors, a beautiful bouquet, an English and American flag, then more red, white and blue ribbons. The frame is then taken down again and shown back and front and placed on the seat of a cane backed chair while he shows he has nothing concealed up his sleeves, he hangs the frame on the cord again and produces a live pigeon, also a Union Jack with the Stars and Stripes on the other side of it. The conjurer then takes one of the flags first produced and rubs it between his hands when it gradually disappears and in its place is found three streamers of red, white and blue ribbons, four yards in length. Explanation. The properties necessary for this trick are as follows: a frame two foot square with a smaller one made to fit inside <>f it, which is hinged on the back of the other, and also one dozen handkerchiefs, tw<> silk flags, a packet of a hundred spring flowers with strings attached to them, and also two rolls of three inch red, white and blue coils, these are made into as small a packet as possible between the two coils, which are all connected together by wire which is left about six inches long and at the end of which a loop is made about i inch in diameter. This is then placed in the left breast pocket with the loop left protruding across the black waistcoat where it is not noticeable. Also on the back of a chair which is covered with black velvet is suspended a bag made out of two flags, one a Union Jack and the other the Stars and Stripes with a pigeon in it. Now for the introduction of the said articles into the frame. The frame has five hooks screwed on the back of it, the center one of which is turned upside down, so as to catch the loop left across the waistcoat and thus introduce the articles out of the breast pocket and suspend them behind the frame so that when the performer introduces his hand, all he has to do is to produce the articles. When the performer takes down the frame and places it on the chair to show his hands empty he introduces the bag and the pigeon behind the frame and then proceeds as before. For the next part of the trick a double vanisher is required attached to the hips by a piece of elastic. In one end of it is placed three pieces of red, white and blue ribbons, about four yards long. When the performer takes one of the flags first produced and rubs it between his hands he obtains possession of the vanisher and works the flag into it and takes the ribbons between his hands and releases the vanisher and throws out the ribbons. NKII. WEAVER, the Boy Magician, London. o—— Clivette, the juggler, necromancer, silhouettist, was at the Harlem Opera House, week of the 23d. John J. Whalen the American Wizard, will star the Middle States this summer under the management of Otto Kempa. Mr. Edgar Willis, of London, has removed to iof>, High Street. Til 10 SECRET OUT. Magic taught in all its branches. Personally or by mail. Sleight of hand a specialty. Pupils fitted for drawing room or stage. PROF. BROWNIE, care M . \ I I . \ I \ I \ .

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