' Office Copy Please Do 'lot Remo\: The King's School

The King's School

OFFICE COPY PLEASE DO 'lOT REMO\'

Grade 1 Clarinet Scales

(J = 72):

The following sca les to be performed '"!f; tongued or slurred as requested by the examiner: F and G major (one oc tave) A minor (on e octave): ca ndidate's choice of either harmonic or melodic or natural minor Arpeggios (}= 120): The following arpeggios to be performed '"!f; tongued or slurred as requ ested by the examiner: F and G major (one octa ve) A minor (one octave)

Jazz Clarinet Scales 72) and arpeggios

U= 60):

The following to be performed '"!f; straight or swung

(n

- h

= ) » ); tongued or slurred as requested by the examiner:

Using the tonal/modal centre G: The major scale followed by the major 7th arpeggio (one octave) The dorian scale foll owed by the minor 7th arpeggio (one octave)

F major scale (one octave)

6' 4 J J J J

I

•

J

II

F major arpeggio (one octave)

6'4 '*J

J J j

J J.

II

G major scale (one octave)*

gJ J J

JJ

J

J J

G major arpeggio (one octave)

J 2

J

J j J.

II

JJ

II

G major 7th arpeggio (one octave)*

-f:g

j 2 J :J

J

04

II

..I J

Og

II

··Jm

7/T

Dorian scale on G (one octave)*

G minor 7th arpeggio (one octave)"

mmmJ

J J

A harmonic minor scale (one octave)

.J-J J J ;71 A melodic minor scale (one octave)

'J

A natural minor scale (one octave)

JmJ

J

J.

J . J J :J

J ] J1 J

J "

A minor arpeggio (one octave)

J

J

II 3

Grade 2 Clarinet Scales (J = 72): The following scales to be performed 1IIf; tongued or slurred as requested by the examiner: F major (two octaves) C major (to 12th) G minor (two octaves): candidate's choice of either harmonic or melodic or natural minor E minor (one octave): candidate's choice of either harmonic or melodic or natural minor

Arpeggios 120): The following arpeggios to be performed 11!1; tongued or slurred as requested by the examiner: F major (two octaves) C major (to 12th) G minor (two octaves) E minor (one octave)

Jazz Clarinet Scales

r,; = 72) and Arpeggios cJ = 60):





The following to be performed 11!1; straight or swung (,)1 =;, ,jI); tongued or slurred as requested by the examiner: Using the tonal/modal centre D: The major scale followed by the major 7th arpeggiO (one octave) The darian scale followed by the minor 7th arpeggiO (one octave) The mlxolydian scale followed by the major arpeggio with a lowered 7th (D7) (one octave)

C major scale (to 12th)

(Fr r r-C rj

,J

C major arpeggiO (to 12th)

J 2L

r rt rJ

D major scale (one octave)'

tera

-...

j

JJ

.. l H I

oJ

J j

.

D major 7th arpeggio (one octave)'

J J 4

j.

II

II

J J

Dorian scale on D (one octave)*

i-J Uj J L

r

j Cm f

iif

J.;;

J

J j

J

Ii

D minor 7th arpeggio (one octave)*



J

, OJ

..

J

OJ

J J ....-

..

J J -------

;)

ED

Mixolydian scale on D (one octave)'

D major arpeggio with a lowered 7th (D 7) (one octave)'

,#U J

J J J

IIJ

J j J

II

E harmonic minor scale (one octave)

E melodic minor scale (one octave) 11

E natural minor scale (one octave)

g g J j J JU :rJ J OJ g J g

II 5

Grade 2 continued

E minor arpeggio (one octave)

'I@ . . g J

J g

j

..

d.

II

F major scale (two octaves)

F major arpeggio (two octaves)

,. @J- J- J - _mm

Jr· J -

G harmonic minor scale (two octaves)

G melodic minor scale (two octaves)

G natural minor scale (two octaves)

G minor arpeggio (two octaves)

6

r

I

mm f'@- d,m

J

Grade 3 Clarinet Scales (; = 84): The following scales to be performed

1tJI; tongued or slurred as requested by the examiner:

C and major (two octaves) A major (one octave) A minor (two octaves); candidate's choice of either harmonic or melodic minor D minor (to 12th): candidate's choice of either harmonic or melodic minor Chromatic scale starting on G (one octave)

Arpeggios ()= 132): The following arpeggios to be performed

1tJI; tongued or slurred as requested by the examiner:

C and Bb major (two octaves) A major (one octave) A minor (two octaves) D minor (to 12th)

Jazz Clarinet Scales (J = 84) and Arpeggios (J = 66): The following to be performed

-j---

1tJI; straight or swung (.11 =.J

)I); tongued or slurred as requested by the examiner:

Using the tonal/modal centre F: The major scale followed by the major 7th arpeggio (two octaves) The dorian scale followed by the minor 7th arpeggio (two octaves) The mixolydian scale followed by the major arpeggio with a lowered 7th (F7) (two octaves) The pentatonic minor scale (one octave)

C major scale (two octaves)

r r r f tr F [1' r r [ J,.

II

C major arpeggio (two octaves)

tid J

OJ

(

E r IT

rJ

F)

D harmonic minor scale (to 12th)

j-) ,;

OJ (

j 1ft

r C- f

j

J

II

r erE [nJ J J J J :rH

D melodic minor scale (to 12th)

7

Grade 3 continued

D minor arpeggio (to 12th)

'tUL •.. 3 rJ.i . F

IT

ri.J J .J.J

F major scale (two octaves)*

F major 7th arpeggio (two octaves)-

Dorian scale on F (two octaves)*

'I 4

F minor 7th arpeggio (two octaves)*

? 'Ilp

.t j J l r r f F r :J..

Mixolydian scale on F (two octaves)*

:GRiN M) J M) fr (be E 3d J lWJJd F



major arpeggio with a lowered 7th (F7) (two octaves)-



J R L r r:r 'Pm r J pFj J I

.

F pentatonic minor scale (one octave)*

8

;- J J 1 JJJ

JJ

:J

Chromatic scale starting on G (one octave)

A major scale (one octave)

A major arpeggio (one octave)

#4 # J -;

J

J J.



A harmonic minor scale (two octaves)

A melodic minor scale (two octaves)

A minor arpeggio (two octaves)

Bb major scale (two octaves)

Bb major arpeggio (two octaves)

9

Grade 4 Clarinet Scales (j = 96): The following scales to be performed 11!f; tongued or slurred as requested by the examiner: G, D and A major (two octaves) E, Band G minor (two octaves); candidate's choice of either harmonic or melodic minor Chromatic scale starting on F (two octaves) Pentatonic (major) scale starting on G (one octave); candidate's choice of starting G

Arpeggios (;\= 13B): The following arpeggios to be performed 11!f; tongued or slurred as requested by the examiner: G, D and A major (two octaves) E, Band G minor (two octaves) Dominant 7th in the key of C (two octaves)

U= 69)

Jazz Clarinet Scales 96) and Arpeggios (J = 69): The following to be performed 11!f; straight or swung

(n ".J











)\); tongued or slurred as requested by the examiner:

USing the tonal/modal centre C: The major scale followed by the major 7th arpeggio (two octaves) The dorian scale followed by the minor 7th arpeggio (two octaves) The mixolydian scale followed by the major arpeggio with a lowered 7th (C7) (two octaves) The pentatonic minor scale (two octaves) The melodic or jazz melodic minor scale followed by the minor arpeggio with a major 7th (two octaves) The chromatic scale (two octaves)

C major scale (two octaves)*

.

oJ

W

3

.......

. . :. . ; r:-. r rEtE . . '.. rUf . r. . .@4r -- .E:riJffr

C major 7th arpeggio (two octaves)'"

If] J Jj r r F f efa J Dorian scale on C (two octaves)'"

10

C minor 7th arpeggio (two octaves)*

i J J J :J c r F r f f i;

i J; c: r r

j :J

J)11

C major arpeggio with a lowered 7th (C7) (two octaves)*

!

:f':

i



r! J d

C pentatonic minor scale (two octaves)*

C melodic minor scale (two octaves)*

1:r ; JIIJ qJ :J OJ

IT F r

rqrqt r r ret iT

J J J JJ

C minor arpeggio with a major 7th (two octaves)*

11

Grade 4 continued

Dominant 7th in the key of C (two octaves)

D major scale (two octaves)

E harmonic minor scale (two octaves)



ffl JiHHH/

E melodic minor scale (two octaves)

E minor arpeggio (two octaves)

12

.





Grade 4 continued

A major scale (two octaves)

;lJ ..... . : j J J .J CE

r • j r Err r j T• iJ Ja ·J·rn J

.... ...

.

A major arpeggio (two octaves)

B harmonic minor scale (two octaves)

B melodic minor scale (two octaves)

B minor arpeggio (two octaves)

J J :t;c4L f. r r (JiL:p]

14

Grade 5 Clarinet Scales

(J =116):

The following scales to be performed 11!f; tongued

or slurred as requested

by the examiner:

A, E, Ab and El> major (two octaves) C, F C# and F# minor (two octaves): candidate's choice of either harmonic or melodic minor Chromatic scale starting on E (two octaves) Pentatonic (major) scale starting on C (two octaves)

Arpeggios (;'= 152): The following arpeggios to be performed mf; tongued or slurred as requested by the examiner: A, E, Ab and Eb major (two octaves) C, F C; and F# minor (two octaves) Dominant 7th in the key of G (two octaves) (J = 76) Diminished 7th starting on G (two octaves) (; = 76)

Jazz Clarinet Scales (j= 116) and Arpeggios (J= 76): The following to be performed 11!f: straight or swung

(n =.J



J",

.)I); tongued or slurred as requested by the examiner:

Using the tonal/modal centre of either low E or A at the candidate's choice: The major scale (two and a half octaves) followed by the major 7th arpeggio (two octaves) The dorian scale followed by the minor 7th arpeggio (two octaves) The mixolydian scale followed by the major arpeggio with a lowered 7th (e or A7) (two octaves) The pentatonic major scale (two octaves) The pentatonic minor scale (two octaves) The melodic or jazz melodic minor scale followed by the minor arpeggio with a major 7th (two octaves) The chromatic scale (two octaves) The blues scale (two octaves) The diminished 7th arpeggio (two octaves)

C harmonic minor scale (two octaves)

WE; II C minor arpeggio (two octaves)

:e

IF· i J J.. . . ;. oj

II 15

Grade 5 continued

C pentatonic major scale (two octaves)

. Frrfrr or:! J m

3J j3

j

ClI harmonic minor scale (two octaves)

J1;;} J J J 3 i-.. I. 3-C ·E r rEM f#r= I r E.. j CI[}'u J J J J m

ClI melodic minor scale (two octaves)

J J OJ j JnJ#:l 3 rrr

r:qjqr r [1 j

J JJ J

Cf, minor arpeggio (two octaves)

j J

j

r r r f r J .r J jj.

II

Eb major scale (two octaves)

j

j;

3r EE r E·e ir:frf f:tHr . . r r .. J J J E T

Eb major arpeggio (two octaves)

j

JO

rttf r !

E major scale (two octaves)

16

[IT: J. I

....

..

E major scale (two and a half octaves)*

E major arpeggio (two octaves)

E major 7th arpeggio (two octaves)*

'Ib gJ J J J J a J E Err ; J J J g

I'

Dorian scale on E (two octaves)*

, giH JJil j #J J J Jllj IT E rill; J Dun JIiJ J JJJ g I

'I 3J

E minor 7th arpeggio (two octaves)*

J

J J J J E F r r ; J J Jg

I

Mixolydian on E (two octaves)*

, giW JW j Ju;!) J air EEp' J J!Jffn 3Ft J J J 4g I ff ff

E major arpeggio with a lowered 7th (E7) (two octaves)*

II 17

Grade 5 continued

E pentatonic major scale (two octaves)*

E pentatonic minor scale (two octaves)'

E melodic minor scale (two octaves)*

E jazz melodic minor scale (two octaves)*

Chromatic scale starting on E (two octaves):!:

18

Blues scale on E (two octaves)'

Diminished 7th arpeggio starting on E (two octaves)'

F harmonic minor scale (two octaves)

I, C I,

¥9J J J J 3 3 J) r E r r r! J J J J J J g

I

F melodic minor scale (two octaves)

r J..

II

F# harmonic minor scale (two octaves)

19

Grade 5 continued

F* minor arpeggio (two octaves)

Dominant 7th in the key of G (two octaves)

i! BJ @H IT f t.rr : J JillF1

Diminished 7th starting on G (two octaves)



major scale (two octaves)



major arpeggio (two octaves)

. -7 I, =pi]



c: t

S-..

A major scale (two octaves)

A major scale (two and a half octaves)*

20









=

.

Grade 5 continued

A pentatonic minor scale (two octaves)*

, J J J j rL r r r Err Ee r r

j

J JJ J J

A melodic minor scale (two octaves)*

A jazz melodic minor scale (two octaves)*

A minor arpeggio with a major 7th (two octaves)



-J-=

. j ,OJ [

#f! t #r . . J Fr ' . . E-;:;=: .J ]

r

Chromatic scale starting on A (two octaves)*



J #4.':JJ ill J #J

l

! F=[- F' - F- qe,

if

J J #J

IIF

J

1 . .

,J J 3. . Ifc r r r - -

- ..

,.-->-11 j,J J qj&J. q; '

Blues scale on A (two octaves)

Diminished 7th arpeggio on A (two octaves)

if J J r r 1'[ if r

22









FIr;J d J J'

.

J bJ..W=.

Grade 6 Clarinet Scales

(J = 120):

The following scales to be performedforp; tongued, slurred

or staccato-tongued as requested by the examiner:

E major (three octaves) A major (two and a half octaves) B, Eb and Db major (two octaves) E harmonic and melodic minor (three octaves) F harmonic and melodic minor (two and a half octaves) C, C#, and G# harmonic and melodic minor (two octaves) Chromatic scale starting on E (three octaves) Whole-tone scale starting on G (two octaves) Arpeggios

(.1.= 63):

The following arpeggios to be performedfor p; tongued, slurred or staccato-tongued as requested by the examiner: E major (three octaves) A major (two and a half octaves) B, Eb and Db major (two octaves) E minor (three octaves) F minor (two and a half octaves) C, C#, and G# minor (two octaves) Dominant 7th in the key of A (two octaves) (J 69) Diminished 7th starting on E (two octaves) (J =69)

Jazz Clarinet Scales () = 120) and Arpeggios

(J = 69):









The following to be performedfor p: straight or swung (,;-:J =J jl); tongued, slurred as requested by the examiner:

or staccato-tongued'

Using the tonal/modal centres of C#Db (two octaves) and G (two octaves, except major scale two and a half octaves): The major scale followed by the major 7th arpeggio The dorian scale followed by the minor 7th arpeggio The mixolydian scale followed by the major arpeggio with a lowered 7th (Db 7 and G7) The pentatonic major scale The pentatonic minor scale The melodic or jazz melodic minor scale followed by the minor arpeggio with a major 7th The chromatic scale The blues scale The diminished 7th arpeggio 'Swung scales and arpeggios to be prepared tongued and slurred only_

23

Grade 6 continued

C harmonic and melodic minor scale (two octaves) C minor arpeggio (two octaves)

see Grade 5

see Grade 5

major scale (two octaves):!:

.

; J j L r E·: r ri mmmt f f f .... t r c- r F r E1

Db major arpeggio (two octaves)

E r ;J 0 t :

' fc ._.

,



11'"

....

11'"





f': ... ...-.........). . . . -8····" C..

== ..

..31

major 7th arpeggio (two octaves)-

J J J- OJ r r rEf IT L r

I J J J 24

C# minor 7th arpeggio (two octaves)*

r . J J; J

Mixolydian scale on Db/C# (two octaves)-

,

m1



& . J J9;"C····-- I'S @)

major arpeggio with a lowered 7th (Db7 ) (two octaves)*

j J E F r f { r

24

pentatonic major scale (two octaves)-

J I,J J J J II

C# pentatonic minor scale (two octaves)*

@)

lJ

merJ rt f

r rFr

OJ

JU J

II

C# harmonic minor scale (two octaves) - see Grade 5 C# melodic minor scale (two octaves):!: - see Grade 5 C# minor arpeggio (two octaves) -

see Grade 5

C# minor arpeggio with a major 7th (two octaves)'

J J :JFJ..

c j r#CfT r r J#J J]

18

:i #1 #.=: ] .. b ; :J J 2 J #r =FiF .. r #r--€#€ r , 'f t er-If::! ebe, 'ee Eor J J,J q3 iJ=!

Chromatic on C# (two octaves)'



.,i

H...-D- -

.11 JN lie r r t r

G- - - -

Diminished 7th arpeggio on q/Db (two octaves)'

ph;

J JFI 25

Grade 6 continued

Eb major scale (two octaves) - see Grade 5 Eb major arpeggio (two octaves) - see Grade 5 E major scale (three octaves)

M:'r1";-#JJ J; {iu=m r j



r

Fr @£l J#¥R#-fa

E harmonic minor scale (three octaves)

. J t!!t;ii:

=-









































26



r rkf4t gi .





tiU

F Ht f

Chromatic scale starting on E (three octaves)

, J 4J M J 0 M J fi; J J ,3 :l Dol j liS J CUE GIr , j rIr r Elf t ef eHl t] qen , EI'per r 'E 'II' I,J jhJ hOJ ,J,J qJ 0,0 qJ JJ,J q4 J I liE

Diminished 7th on E (two octaves) - see Grade 5

F harmonic minor scale (two and a half octaves)

F melodic minor scale (two and a half octaves)

F minor arpeggio (two and a half octaves)

I,

4J J



OJ



-

r J fj

J d.

I

G major scale (two and a half octaves)*

G major 7th arpeggio (two octaves)*

gJ J J t

IT

F ifF F ; j

J J 3g

I 27

Grade 6 continued Dorian scale on G (two octaves)*

, g J J Sm] r r r G minor 7th arpeggio (two octaves)*

Jf1'g jJ J L r F r EmF F ;

II

Mixolydian scale on G (two octaves)*

, gJ J J ; J S j

l r r r r r r r ErE ;J J J J J J J J:}-

G major arpeggio with a lowered 7th (G7) (two octaves)*

G pentatonic major scale (two octaves)*

g J J j J J J j r r r r " J J J :J J -v OJ

II

G pentatonic minor scale (two octaves)*

go iJ J J "

3

r F r Fer f r lJJUJ -

I!

G melodic minor scale (two octaves)* - see Grade 2 G jazz melodic minor scale (two octaves)*

j Ej r G minor arpeggio with a major 7th (two octaves)

28

Crt Ff1 JOJS

Chromatic scale starting on G (two octaves)*

, JJ J #4 JJ I) J ,3

3 3113 J 13 3IIJ

e

Etic f Ie E f if

, r gF r lIe ilr j IIJ d 113 Jd qJ&Jq3 J &0 qJ 3qg

I

Blues scale on G (two octaves)*

, J&0 J aJ J J J

SliS F F F r

I

Diminished 7th arpeggio on G (two octaves)' - see Grade 5 Whole-tone scale on G (two octaves)

, g J Ja1 #J nJ j

J r lIS IF jT FIIr IF #or j

J J n3 #J aJ 0 3 g I

G# harmonic minor scale (two octaves)

G# melodic minor scale (two octaves)

G# minor arpeggio (two octaves)

I A major scale (two and a half octaves) - see Grade 5 A major arpeggio (two and a half octaves)

r J..

j

j

J J.

I 29

Grade 6 continued

Dominant 7th in the key of A (two octaves)

II B major scale (two octaves)







rr rr J J J J J m,--, err ± - - - -

B major arpeggio (two octaves)

J# #11

II ;# J

30

J1

IT

r

r



CI

F [1 J J J.

I"

r

Er

I" r

r ;-1 - '"

=l

4ii

J 3J -

Grade 7 Clarinet Scales

(J = 132):

The following scales to be

performedforp; tongued. slurred or staccato-tongued as requested by the examiner:

E and F major (three octaves) A major (two and a half octaves) B. F# and Db major (two octaves) E and F harmonic and melodic minor (three octaves) B harmonic and melodic minor (two and a half octaves) Bb. Eb. and harmonic and melodic minor (two octaves) Chromatic scale starting on F (three octaves) Pentatonic (major) scale starting on B (two octaves) Whole-tone scale starting on Bb (two octaves)

G*

Arpeggios (J.= 69): The following arpeggios to be performedfor p; tongued. slurred

or staccato-tongued as requested by the examiner:

E and F major (three octaves) A major (two and a half octaves) B. F# and Db major (two octaves) E and F minor (three octaves) B minor (two and a half octaves) Bb. Eb. and G# minor (two octaves) Dominant 7th in the key of Bb (three octaves) (J =104) Diminished 7th starting on F (three octaves) (.I = 104)

Jazz Clarinet

!I

t

L

Scales

(.I = 132) and Arpeggios

104):

The following to be performedfor p; straight as requested by the examiner:

or swung (n =J ),); tongued. slurred or staccato-tongued'

Using the tonal/modal centres of F (three octaves) and B (two octaves): The major scale followed by the major 7th arpeggio The dorian scale followed by the minor 7th arpeggio The mixolydian scale followed by the major arpeggio with a lowered 7th (F 7 and B7) The pentatonic major scale The pentatonic minor scale The melodic or jazz melodic minor scale followed by the minor arpeggio with a major 7th The chromatic scale The blues scale The diminished scale (beginning with a whole-tone) followed by the diminished 7th arpeggio

I !

Ir

r

Using the tonal/modal centre E: The whole-tone scale (three octaves) The augmented arpeggio (three octaves) (J= 69) *5wung scales and arpeggios to be prepared tongued and slurred only.

Grade 7 continued

Db major scale (two octaves) - see Grade 6 Db major arpeggio (two octaves) - see Grade 6 Eb harmonic minor scale (two octaves)

J J J er'f Ere Err r f EtJ' J J J

Eb melodic minor scale (two octaves)

q



J J j J Cllrijr r r r r rqf et e r r r r j J J J J

Eb minor arpeggio (two octaves)

J J J ( r r ( r r Er



II

E major scale (three octaves) - see Grade 6 E major arpeggio (three octaves) - see Grade 6 E harmonic and melodic minor scale (three octaves) - see Grade 6 E minor arpeggio (three octaves) - see Grade 6 E whole-tone scale (three octaves)"

,



g#J #9 #4 #0..

II

, r fir Ii' IJ IQ J J PnO ;g J g

I

E augmented arpeggio (three octaves)'

, g1& iJ Ji J iJ [ne ttc t 'i: Ie EIe -' ;I iJ nil g 32

II

F major scale (three octaves):t:

•



-J :J =

r; r r f f t § r f

L

4£fiU r EeL nJ J JJSBr OJ

F major arpeggio (three octaves)

gJ1 J J ; Er t fE t-C U i'Jg 1

II

F major 7th arpeggio (three octaves)*









..









j F IT Ft t f r F r









J

::j



Dorian scale on F (three octaves)*

F minor 7th arpeggio (three octaves)*





I,

JJ )-0 e- r IT t •••••

. .

FE f f f fp : E FF F J JJ J

j_ F

-

==H J==H :;i: .

33

Grade 7 continued

Mixolydian scale on F (three octaves)-

, r r I,



II

F major arpeggio with a lowered 7th (F7) (three octaves)-

"H N

r

r f l'

r cFE

eU r E''f r

F pentatonic major scale (three octaves)-

, -J



Hrfffffu









F pentatonic minor scale (three octaves)-

"IV JJJJ J- H r rr rtfHfFrr rc iJJ 3J JJ T

F harmonic minor scale (three octaves)



,

I,

I,

f



rr

f

j J

11f" r J


JJ

j J

..

; l

r liE r r f

J J J J gJ

II

f qf t qf

f

mlooc ) 1& 4



".ale (three octaves)*mj T

J qJ qJ 3 J -

rt r r - .. . .

:J J liE i"

jqf

f it .



F minor arpeggio (three octaves)

J JJ j

3J

cr f f tJ ECr EJ J J

II

II

Blues scale on F (three octaves)*

4 J,; r"err f) f"tf'erT, EIt ppJ,J Jd JJio,g

II 35

Grade 7 continued

F# major scale (two octaves)

G# harmonic and melodic minor scale (two octaves) - see Grade 6 Gil minor arpeggio (two octaves) - see Grade 6 A major scale (two and a half octaves) - see Grade 5 A major arpeggio (two and a half octaves) - see Grade 6

Bb harmonic minor scale (two octaves)

36

II Bb minor arpeggio (two octaves)

1',

, "

j

Whole-tone scale on Bb (two octaves)

Dominant 7th in the key of Bb (three octaves)



· rrffEftr . . . - rr L .



II

J

B major scale (two octaves):!: - see Grade 6 B major arpeggio (two octaves) - see Grade 6 B major 7th arpeggio (two octaves)·

II Dorian scale on B (two octaves)·

I B minor 7th arpeggio (two octaves)*

$'rj:3 rEFfrEr--JUd] -;$ A j J L' 37

Grade 7 continued

Mixolydian scale on B (two octaves)*

rCfErJJJJ;A B pentatonic minor scale (two octaves)*

B harmonic minor scale (two and a half octaves)

&il JJ 9J J J EE ltrffEEH:Wrr r r Eill" J1) Jl B melodic minor scale (two and a half octaves)

B melodic minor scale (two octaves)* - see Grade 4 B jazz melodic minor scale (two octaves)*

38

B minor arpeggio (two and a half octaves)

I B minor arpeggio with a major 7th (two octaves)*

Chromatic scale starting on B (two octaves)*

, J :; #....ImmJ oJ #

, t qr

J IJtj. J rrirm[ #[- -F r»r _ _ _

Ii

r#r r #[mm

gr mri'e qr i!F J IIJ d MJ 11-JmmJmmJmJ J! I &- J -

-

-

..

.

m

Blues scale on B (two octaves)*

II

Diminished 7th arpeggio on B (two octaves)*

, JJ J g r F c 2 m&3

mm

IT

[Ta- JD J 7"

m

I

39

Grade 8 Clarinet Scales

U= 132):

The following scales to be performed for p; tongued, slurred, staccato-tongued or uSing mixed articulation* as requested by the examiner: F, G, E and major (three octaves) All other major scales (two octaves) F, G, E and F# harmonic and melodic minor (three octaves) All other harmonic and melodic minor scales (two octaves) Chromatic scale starting on F, G, Eand F# (three octaves) Chromatic scale starting on all other notes (two octaves) Whole-tone scale starting on F (three octaves) Arpeggios (;.= 69):

The following arpeggios to be performed for p; tongued, slurred, staccato-tongued or using mixed articulation' as requested by the examiner: F, G [ and F# major (three octaves) All other major arpeggios (two octaves) F, G, E and F# minor (three octaves) All other minor arpeggios (two octaves) Dominant 7th in the key of C, A, Band Bb (three octaves) (J 104) Diminished 7th starting on F, E and F# (three octaves) (J 104)

*3

*Mixed articulation scales and arpeggios to be prepared with the following articulation:

;J

J 3 . tJ J J

etc.

II @

emf) d r'

etC.

'-..,./

Jazz Clarinet Scales (: = 132) and Arpeggios

(J =104):

(n =J <'

The following to be performedforp; straight or swung as requested by the examiner:

J ,

JI); tongued, slurred or staccato-tongued*'

Using the tonal/modal centres of E (three octaves), C (two octaves, except major and chromatic scales two and a half acta and Ab/G# (two octaves, except major and chromatic scales two and a half octaves): The major scale followed by the major 7th arpeggio The dorian scale followed by the minor 7th arpeggio The mixolydian scale followed by the major arpeggio with a lowered 7th (C7, [7 and A.7) The pentatonic major scale The pentatonic minor scale The melodic or jazz melodic minor scale followed by the minor arpeggio with a major 7th The chromatic scale The blues scale The diminished scale (beginning with a whole-tone) followed by the diminished 7th arpeggio Using the tonal/modal centre F: The whole-tone scale (three octaves) The augmented arpeggio (three octaves) (... = 69) **Swung scales and arpeggios to be prepared tongued and slurred only.

40

For scales and arpeggios other than those listed on the following pages, please

see previous grades.

C major scale (two and a half octaves)*

:& J3 n n r UrtfFC€EEHer,.c (f r E(fJ aJj

I

Chromatic scale starting on C (two and a half octaves)·

:&::f 'f e€ § f #f ffr fn: CfY T 'r bEl" rIr J

Diminished scale on C (two octaves)*

ti] d d

Diminished 7th arpeggio on C (two octaves)'

IIF

r iT· oJ iJ d Jt1 r·

b

6

Dominant 7th in the key of C (three octaves)

5J J J J- r r FL·

§

f -:

IT! J J

JJ g

II 41

Grade 8 continued

E major 7th arpeggio (three octaves)'

,11#' il J J-pr:#tLtf t r Er r::t=U'J

E minor 7th arpeggio (three octaves)'

g ·rp ;. J i .... J J J J.

E major arpeggio with a lowered 7th (E7) (three octaves)'

i#U## .....

:gQqJ

ne r f fir r rgg

E pentatonic major scale (three octaves)*

q







.

...

· : l I T r l tf±fC rE ............... . -tJ4JJ J J l .... CC-fj;Ef}J4Jj crt ..

i#U#f . . -:;;

42

T

E pentatonic minor scale (three octaves)*

E minor arpeggio with a major 7th (three octaves)*

Diminished 7th arpeggio on E (three octaves):!:

·, 9J&0

: . . . . E- t'O'f ('f't e j 1 -J &3-&3 .



g. I 43

Grade 8 continued

Augmented arpeggio on F (three octaves)*

F# major arpeggio (three octaves)

44



melodic minor scale (three octaves)

J.JJ . ,. J J J-3 Ie- It U . . . l#J nJ 3 _.. y

f t. . r .r [liE .. fJ- J JqJ qJ J J J 9 - - Lf

J II.

F# minor arpeggio (three octaves)

45

Grade 8 continued

G major arpeggio (three octaves)

rtf f f

FOJrrJ

@)

"fIT

r r rJ

:J

J J g.

II

#

G harmonic minor scale (three octaves)

¥-n Jl ; Una J-n e f (Ie r H ,



I,

f f!:



J

j'

rt

E_.



FE!- tExt

f f t r r- #r_ E L,. J J........ . J JOJ J J J J J g

G minor arpeggio (three octaves)



mil D

!'-

I

[f·J J j



II

Chromatic scale starting on G (three octaves)

:i JJ lJ:; 1J Jnj 3 )13 JIJ r cit fiE EOr-cnC #

#

#

'

4H"E Ene HIE fntee'n i't!tT'r 'c If r'n 4J)14l.3J # I.J-J ,J ,J -r,; ,1M J II

46

AI, major scale (two and a half octaves)'

JJJ . Jmc:jlECEtf[!'lUrrcccriJJan J L :;J-Jl aJ

m

AI, major 7th arpeggio (two octaves)*









..





:J









..,.1"".

I

r!

Dorian scale on G#/Ab (two octaves)*

-4 #JJ JPifhJliS ,J rliS 't ilj IF 'r IPE'flC l' 1!ii1Q i.1 J;JJ

II

G# minor 7th arpeggio (two octaves)*



gs $- 3 t r Fr f j F;

j J

J Jg I

Mixolydian scale on Ab/G:t (two octaves)*

Ab major arpeggio with a lowered 7th (Ab7 ) (two octaves)'

JJ J r r t' if r

pentatonic major scale (two octaves)'

JJJ

iE

J WJE

r J U JJ J

I

r r er rC;JJ:;JJ I

G# pentatonic minor scale (two octaves)*

g J. J:;;r:E J J :J

r Fr r j E r:J 3D J g3 47

Grade 8 continued

G# jazz melodic minor (two octaves)*

G# minor arpeggio with a major 7th (two octaves)*

Chromatic scale starting on G# (two and a half octaves)*

tj J#J J# hJ H ,hLtJ J j1"lEf ripe E'N F'tWr--ir 'Pf- ntH 'E t-r

:p gd P.24+tp -q;; ,J a J '4 Blues scale on G# (two octaves)*

Diminished scale on G# (two octaves)*

Diminished 7th arpeggio on G# (two octaves)*

48

n.;j LJ

r

Dominant 7th in the key of A (three octaves)*

Ii

. j :r l J i .J

dJJ -,

m

$l.t!:.f!:.

r r- r r t irE F f: ••

• ••••

Dominant 7th in the key of B (three octaves)*

I

# .



t!:. f: f:. f!:. 1!:. : r - ! J=EE1=+- r r"..

#QJjJCrFjL,

rCrIJJ]Jd

II

Dominant 7th in the key of C (three octaves)*

···=itJJjrrFJ·· atE tm_m+mL;=iJgS Fri" o?

49