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[ The Voice of Temples ] ENGLISH –

`≥Å∞QÆ∞ – u“ãty

Rs.5/-

Perundevi Thayar of Kanchipuram, Varadarajaswamy Temple

HÍOpѨÙ~°=Ú ÃÑ~°∞O^Õq J=∞‡"å~°∞, =~°^~Œ å[™êfiq∞ ^Õ"åÅÜ«∞=Ú Vol. 20

MARCH – 2019 'VAK' is available on www.archakaseva.com

No.3

2

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náÈ`«û=O, Jâ◊fi"åǨÏ#O ''ÅOHÍ^ŒÇϨ #=Ú—— Jf+πÉÏl, ÉÏH±ã"¨ åi ѨÙ+¨ÊÜ«∂QÆO, ^•fi^Œâ◊ P~å^è#Œ , ^Õ=`å qã¨~#˚° O ^èfiŒ *Ï=~ÀǨÏ}=Ú ã¨áêÎ=~°}=ÚÅ∞, âı+"¨ åǨÏ#=Ú, =¸QÆ|e, Ѩ=oOѨ٠¿ã=

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Pk"å~° = Ú LII u~° ∞ Hõ ¯ àϺ}À`« û =O ™êII QÆ [ "åǨ Ï #O ¿ã= ™È=∞"å~°O LII =∞Ǩ  aè ¿ +Hõ O , x[~° ∂ Ѩ ^Œ ~ ° ≈ #O ™êII ~° ^ ä À `« û =O =∞OQÆ à ◊ " å~° = Ú LII ™ê=¸Ç≤ Ï Hõ ‰õ Ω O‰õ Ω =∂~° Û #Å∞ ™êII ÅOHÍ^Œ Ç ¨ Ï #O

27-3-2019 |∞^è Œ " å~° = Ú LII K« „ Hõ f ~° ÷ O ™êII NѨ Ù +¨ Ê Ü« ∂ QÆ O |ãπ ~ ° ∂ \ò : ÃÇ· Ï ^Œ ~ åÉÏ^£ , Hõ _ ®Î Ö ò , Hõ Å fi‰õ Ω iÎ , ëê^£ # QÆ ~ ü #∞O_ç ^Õ = Ùx Ѩ _ » H õ Ö ò ‰ õ Ω |㨠∞ ûÅ∞ Hõ Å =Ù. CONTENTS Editorial

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Anecdotes on Vishnu Sahasranamam-216

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ã¨Oáê^ŒH©Ü«∞O q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o–216

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ÃÊúÁtN˛yÆ

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uƒ…mÏÓœÁåÁ™Áƒ¬y TÁsÁ - 216

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Ahobilam and Ahobila Mutt - 75

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N~å=∂#∞Ax Hõj‡~°∞ âß~°^•Ñ‘~î° Ü«∂„`«-19

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Ramanuja's Journey to Sharada Peeth-xix ......... 18 News

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Devotee's Experiences

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March '19

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EDITORIAL...

Second wave of Bakthi movement required….

The innate potential of Hinduism produced the mystics and saints, philosophers and poets, to inspire people through their God-intoxicated lives and to teach the people to cast aside the heavy burdens of rituals and customs, hair-splitting logic and vain polemics, and to simply and wholly express their overwhelming love for God. The nectar of Bhakti or devotion not only flowed from the devotee towards the Lord, but also flowed into the hearts of millions of Indians down the centuries. Right from the seed of Bhakti in the fervent prayers of the seers in the Vedic period to Vedic gods, through the more articulate conception in many upanishads such as Shvetasvara Upanishad, Taittareeya Upanishad, Chandogya Upanishad etc., the emotion of Bhakti coursed through the centuries of Indian history. It went on widening its influence through the epics like Ramayana and the Mahabharata, deepening its intensity through the Puranas like the Bhagavata Purana and the Vishnu Purana, and rationalizing its approach through the works like Narada Bhakti Sutras and Sandilya Bhakti Sutras. Although the flow seemed to have ebbed, the passion of love can never dry out of the Indian heart. Thus arose a great movement in the religious and cultural history of India—the Bhakti Movement or the Bhagavath Movements. The most profound influence and contribution of the Bhakti Movement to the Indian Culture is in composing of songs and poetry and in revitalizing music and group singing. The intertwining of Bhajan and Bhakti, song and devotion, is largely due to the fact that the path of Bhakti from its very beginning was preached through songs. The intense emotional attachment the Bhakti saints had towards their Divine inspired copious volumes of excellent religious poetry and played a major role in propagating religious aspirations and sentiments through these songs. Throughout India, the temples began to function as the nucleus of religious life and social congregation. They became the seats for disseminating religious and cultural values through discourses and discussions and acted as a stage for evolving collective dance and music art forms. It was in the temples that the Hindu ritualistic practices and theistic devotional aspirations met and achieved confluence thereby integrating Vedic traditions and Bhakti aspirations. Right from the Alvars and the Nayanmars, the Bhakti saints showed through their lives that saintliness and devotion is not dependent on caste or birth. That the so-called untouchables like Tiruppanalvar, Nandanar, Ravidas, etc., sinners turned saints like Vipra Narayana (Tondaradipodialvar) and Arunagirinathar, ‘uneducated’ Kabir, Nanak or Tukaram, divine women like Bibi Nanchari, Meerabai, Karaikal Ammaiyar and Akka Mahadevi could turn into saints following the footsteps of divine consort Andal. That these saints were revered and followed even by the orthodox sections of Hindu society showing that saintliness was given more importance than caste, birth, education or gender. Ramanuja, through his doctrine of sharanagati (self-surrender to God), which is special Bhakti yoga state discovered that the gates of salvation are open to all, even to the lowliest and the meek, and reinstalled confidence and dignity in their social living. India’s spiritual culture regained its strength to resist pressures from socio-political forces from abroad and the decadent atheistic reform movements within the nation, and marched on with its unparalleled adaptability to the needs of time and to inspire generation after generation to regain faith in their religion and spiritual heritage that was rightly theirs. There is a strong need to revive the Bhakthi Movement through Bhagavatha and Bhajana Samprdaya in the rural areas and to promote the artisans who have been tirelessly protecting the same for centuries. This action will help strengthen our masses towards Devotion to Sanatana Dharma. Chilkur Balaji Temple and Temples Protection Movement will surely play an active role ! in this.

There should be no regional boundaries for temples.

March '19

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ALWAYS ALERT AND AWAKE Dr. V.S. Karunakaran B.E.(Mech.), M.A. (Sanskrit), Ph.D As per the preagreement Arjuna had to set out for a one year long Pilgrimage as explation for having accidentally seen the romantic Dharmaraja and Droupadi. During his one year pilgrimage Arjuna had visited the Azhagar hills and other holy places in Pandya Desa of Tamil Nadu. In the course of this part of his pilgrimage, he came across Chitralekha the pandya princess. Captivated by her beauty, Arjuna proposed to marry her. He expressed his desire to Chitralekha. Chitralekha directed Arjuna to her father to get his permission for their marriage. Her father laid down a condition that if Arjuna marries Chitralekha, he should not take the child born out of their wedding with him. He should hand the child over to Pandya Desa. Arjuna was puzzled by this weird stipulation ordained by him. He met Chitralekha again and made fun of the peculiar proviso of her father. “Your country has got strange laws it seems! How can a father give away his dear child to his father-inlaw? Does this sound good?” he asked. Chitralekha replied, “Please don’t make fun of the laws of our country! In this Pandya Desa which is ruled by Goddess Meenaakshi, the rulers will beget only one offspring. If that offspring is a male child, he will become the next king. But if it is a female child, before giving her in marriage, the father will lay down a condition to hand over her first offspring to the Pandya Desa itself so that he can be coronated as the subsequent emperor!” She added, “Our ancestors, the great Pandya kings, evinced keen interest in ensuring the safety of each and every citizen of the nation. They were ready to sacrifice anything in order to abide by the laws. Do you know about Porkai Pandian?” “Who is that?” asked Arjuna. Chitralekha narrated the following episode: — Long ago, a Brahmin living in Pandya desa wished to go to Kashi on a pilgrimage. He told his wife, “Darling! Be safe! I will complete my pilgrimage and return within a month!” The young timid woman politely told him, “Hardly one month has passed since our marriage! How can I stay alone in this new place, new atmosphere and new surroundings?”

The Brahmin said, “No my dear! Our Pandya king always takes care of the welfare of all his subjects. He will ensure that you stay safely till I return from the pilgrimage!” The Pandya king, who had come for rounds in disguise, had sat for a while outside their house. He also happened to listen to their conversation and felt elated. “This citizen has placed a lot of faith on me! I should stand true to it!” said the king and went back to his palace. The next day onwards, the king used to visit the house of the Brahmin every night in disguise, and would ensure that the lady was sleeping safely. A month passed by. The Brahmin returned home by a late night. He was speaking with his wife regarding his experiences during the pilgrimage. The king who came to inspect the house heard some voices from inside and suspected that some strangers had entered the house. “Oh my God! That Brahmin had placed a lot of trust on me and my protection and left his newly married wife alone! I should stand true to his trust!” exclaimed the king and knocked at the door. “Who is that man knocking the door of my house at midnight?” shouted the Brahmin. The king realized that the voice was not that of any stranger but the Brahmin’s and silently left the place. The next morning the Brahmin went to the king’s court. “Revered king! Last night an anonymous person had knocked at my door. I want to know who that person is. More specifically, since I had been away from home for the past one month, I want to know whether he had come to my home in that period!” The king said, “I am extremely sorry to hear that somebody has caused disturbance at midnight to a couple in my country! Can you tell me what kind of punishment you wish to give to the person who knocked at your door?” “The hand which knocked at my door should be cut!” said the Brahmin. The king immediately pulled his sword and cut off his hand. The Brahmin was shocked.

q[Ü«∞O ™êkèOK«QÅ Æ =∞<Õ qâßfiã¨O L#fl"å~°∞ q[Ü«∞O ™êkèOz f~°∞`å~°∞.

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The king then explained that to be true to the trust placed on him by the Brahmin, he had visited the Brahmin’s house every night in disguise to ensure that his wife was sleeping safely. But since he heard some voices, he knocked at the door on that day. Since it had caused disturbance to the couple, he accepted the punishment prescribed by the Brahmin. The Brahmin then pleaded apology from the king. The king then made a golden prosthetic hand as a replacement for the cut off hand and came to be known as Porkai Pandya – the Pandya with a golden hand. — Chitralekha, who recalled this anecdote, told Arjuna, “Our kings used to follow the governing laws with this much sincerity! So don’t make fun of our laws!” She added, “The Lord incarnated as fish in our Pandya Desa. We worship that Lord Matsya who is called ANIMISHA – the One who never sleeps. By the grace of that Lord, our rulers also render justice to people without sleeping. Since the species of fishes resemble the Lord Matsya called Animisha, fishes also came to be called as Animisha in Sanskrit dictionary.” Arjuna, after completing his pilgrimage, told all these to his elder brother Dharmaputra. Later on, in the Yaksha prasna episode, in one of the questions, the Yaksha asked Dharmaputra, “Who doesn’t sleep?” “The Fish!” answered Dharmaputra. After answering all the questions put forth by the Yaksha, he saved his brothers. When his

N˛Á™z æ Á∫ÁÆ N˛Á™ÁÆ N˛Á™úÁ¬ÁÆ N˛Áu™åz @ å™: N˛Á™uƒ“Á∫ÁÆ N˛Á™øúá∫ÁÆ Y@@ HÍ"Õ∞â◊fi~åÜ«∞ HÍ=∂Ü«∞ HÍ=∞áêÖÏÜ«∞ HÍq∞<Õ I #=∞ó HÍ=∞qǨ~åÜ«∞ HÍ=∞~°∂Ѩ^~Œè åÜ«∞ K« II Kaameshwaraya Kaamaya Kaamapalaya Kamine Namaha Kaamavihaaraya Kaamarupa dharaayacha Marriages get finalised by Chanting this Sloka. Also this sloka bestows intimacy, mutual affection and trust between couples.

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brothers were appreciating his prowess on Marine Biology also, Dharmaputra said, “All credit goes to Arjuna, who narrated me the episode on the fish!” After the epic battle of Mahabharata, while Bheeshma narrated the Vishnu Sahasranama to Dharmaputra, as the 216th name ‘ANIMISHA’ came, Dharmaputra looked at Krishna and smiled at Him because Krishna was always agile and alert in rescuing the Pandavas and is rightly referred to as the Sleepless One. In the 215th name NIMISHA, Veda Vyasa explains that the Lord sleeps in the case of sinners. In the 216th name ANIMISHA, Vyasa explains that the Lord is always alert and awake with regards to rescuing His devotees. These days, we see a logo in the advertisement for soaps that reads, “Hard on Dirt, Soft on Clothes”. The Lord is Sleepy for Sinful and Agile for Devotees. Among all creatures, fishes are said to have no sleep at all. The mother fish would nurture its offspring my her mere sight itself. Since the Lord is also ever agile and awake and always intent on rescuing His devotees, He is called ANIMISHA. Nirukti summarizes this as:

øqmz \ÁTøN˛: À™w o Áz ÿuåu™ ≈Y Ã:@ Those who want to get the divine glances of the Lord always, can meditate on the form of VISA Balajee at Chilkur and chant "OM ANIMISHAAYA NAMAHA"

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!

Chant 28 times

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~ÀE 㨇iã¨∂Î<Õ L<åfl#∞. Pâ◊Û~°ºHõ~°"≥∞ÿ# suÖ’ =∂ =∞^茺 J=QÍǨÏ# ÃÑiy KåÖÏ J<Àº#ºOQÍ LO@∞<åfl=Ú. XHõ Éèí‰õΩÎ~åÅ∞, =∞OQÆà◊yi =∂ J=∂‡~ÚH˜ 38 Uà◊√§. Z<Àfl ã¨O|O^è•Å∞ =zÛ<å ÃÑo¡ ‰õΩ^Œ~°ÖË^Œ∞. J~Ú`Õ D â’¡HõO K≥Ñ≤Ê# H˘xfl ~ÀAÅÖ’ =∞Oz =~°∞_ç`À ÃÑo§ ‰õΩkiOk. XHõ Éèí‰õΩÎ~åÅ∞, Chant 28 times

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March '19

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XHõ =ºH˜Î ZO`« L#fl`« ã≤u÷ x KÕ~∞° H˘O>Ë J`«_O» `«\˜ f„=`«~° Hõi#î ѨsHõÅ ∆ #∞ JkèQqÆ ∞Oz =ÙO\Ï_»∞.

March '19

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q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o – 216 Jxq∞¿+Ü«Ú_»∞ POQÆ¡=¸ÅO : _®II q.Ü«∞ãπ. ‰õ~°∞}ÏHõ~°<£,

B.E.(Mech.), M.A. (Sanskrit), Ph.D.

áêO_»=ÙÅO^Œ~∂° ™ê=¸Ç≤ÏHõOQÍ KÕã∞¨ ‰õΩ#fl x~°Ü ‚ ∞« O „ѨHÍ~°O ^è~Œ ‡° ~åA, „^ÒѨk UHÍO`«OÖ’ LO_»QÍ J#∞HÀ‰õΩO_® "åix K«∂_»@O [iyOk QÆ#Hõ J~°∞˚#∞_»∞ XHõ U_®káê@∞ f~° ÷ Ü « ∂ „`« Å ‰õ Ω |Ü« ∞ ÖË Ì ~ å_» ∞ . P<å\˜ áêO_» º ~å[ºO (`« q ∞à◊ < å_» ∞ )Ö’ L#fl Jà◊ Q Æ ~ ü Ѩ ~ ° fi `« „áêO`åÅ#∞ 㨠O ^Œ i ≈OKå_» ∞ . `« # D f~° ÷ Ü « ∂ „`« Ö ’ J~° ∞ ˚ # ∞_» ∞ áêO_»º~å‰õΩ=∂i z„`«ÖËY#∞ HõÅ=_»O `«@ã≤÷OzOk. z„`«ÖËY JѨÓ~°fi ™œO^Œ~åºxH˜ =ÚQÆ∞ú_»~Ú# J~°∞˚#∞_»∞ P"≥∞#∞ q"åǨÏ=∂_®Åx JaèÅ+≤OK«_»O, P"≥∞ =ÚO^Œ∞ `«# =∞<ÀQÆ`åxfl LOK«_O» , P"≥∞ `«# `«O„_ç J#∞=∞u fã¨∞HÀ=∞x ã¨∂zOK«_»O [iyOk. z„`«ÖËY `«O„_ç XHõ x|O^èŒ##∞ qkèOKå_»∞. J~°∞˚#∞_»∞ `«# ‰õΩ=∂Ô~Î#∞ q"åǨÏO KÕã¨∞‰õΩ#flѨÊ\˜H©, "åiH˜ [x‡OK« É ’ÜÕ ∞ 㨠O `å<åxfl =∂„`« O J`« # ∞ `« # "≥ O @ fã¨∞‰õΩáÈ~å^Œ∞. áêO_»º ^ÕâßxˆH JѨÊyOKåe. D+¨~`° ∞« #∞ q#fl J~°∞#˚ ∞xH˜ JO`å JÜ≥∂=∞Ü«∞OQÍ JxÑ≤OzOk. JO^Œ∞ˆH J`«_»∞ z„`«ÖËY#∞ =∞~˘Hõ™êi Hõeã≤, P"≥∞ `«O„_ç qkèOz# D qz„`«"∞≥ #ÿ +¨~`° ∞« #∞ HÍã¨OÎ `« ¿ÇÏà◊# KÕã∂¨ Î WÖÏ J<åfl_»∞ - ''K«∂_»É’`Õ g∞^ÕâO◊ Ö’ U"À qz„`«"∞≥ #ÿ xÜ«∞=∂Å∞ L#fl@∞¡ HõxÑ≤™ÈÎOk. U `«O„_çÜ≥ÿ∞<å `«# ã¨O`å<åxfl `«# =∂=∞QÍiH˜ WK≥ÛÜ«∞ºQÆÅ_®? Jã¨Å∞ W^Õ=∞<åfl ÉÏQÆ∞O@∞O^•?—— z„`«ÖËY ^•xH˜ ã¨=∂^è•#O Wã¨∂Î, ''^ŒÜ«∞KÕã≤ =∂ ~å[ºxÜ«∞=∂Å#∞ ¿ÇÏà◊# KÕÜ«∞HõO_ç! g∞<åH˜∆ J=∞‡"åi ^ŒÜ«∞`À ѨiáêeOKÕ D áêO_»º~åAʼnõΩ ˆH=ÅO XHõ¯ ã¨O`å#O =∂„`«"∞Õ HõÅ∞QÆ∞`«∞Ok. Ѩل`«∞_»∞ [x‡¿ãÎ ã¨ÇϨ [OQÍ<Õ, J`«_»∞ "å~°ã¨`«fiOÖ’ `«~°"åu ~åA J=Ù`å_»∞. HÍx ѨلuHõ [x‡¿ãÎ =∂„`«O P"≥∞ q"åǨxH˜ =ÚO^Œ∞ `«O„_ç D x|O^èŒ# `«Ñ¨ÊHõ qkè™êÎ_»∞. `«# ‰õΩ=∂Ô~ΉõΩ [x‡Oz# ã¨O`å<åxfl áêO_»º^ÕâßxH˜ JѨÊy¿ãÎ, J`«_Õ Éèíq+¨º`«∞ÎÖ’ ~åAQÍ ã≤OǨã¨<åxfl Jkè+≤ì™êÎ_»∞. =∞Ǩ`«∞‡Å~Ú# =∂ ѨÓsfi‰õΩÅ∞

J#∞"å^ŒO : _®II ã¨∞=∞<£Å`«

`«=∞ ~å[ºOÖ’x „Ѩuáœ~°∞_ç Éèí„^Œ`«ÃÑ·# ^Œ$+≤ìx xeáê~°∞. x|O^èŒ#Å#∞ Ѩi~°H˜∆OK«_®xH˜ "å~°∞ ZO`«\ ˜ `åºQÆ=∞~Ú<å K≥Ü«∞º_®xH˜ ã≤^ŒúOQÍ LO_Õ"å~°∞. g∞‰õΩ 'áÈÔ~·¯ áêO_»∞º_ç— (|OQÍ~°∞ KÕu áêO_»∞º_»∞) QÆ∞iOz `≥Å∞™ê?—— ''Z=~°∞?—— J#fl J~°∞˚#∞_ç „Ñ¨â◊fl‰õΩ ã¨=∂^è•#OQÍ D „H˜Ok QÍ^äŒ#∞ `≥eÜ«∞*Ëã≤Ok. --KåÖÏ HÍÅO H˜O^Œ@ áêO_»º ^Õâ◊OÖ’ x=ã≤OKÕ XHõ „ÉÏǨχ}∞_»∞ HÍjÜ«∂„`« K≥Ü«∂ºÅx ã¨OHõeÊOKå_»∞. PÜ«∞# `«# ÉèÏ~°º`À „¿Ñ=∞QÍ ''#∞=Ùfi *Ï„QÆ`«ÎQÍ =ÙO_»∞. <Õ#∞ <å HÍjÜ«∂„`«#∞ =ÚyOK«∞H˘x XHõ <≥Š֒ѨÙ# uiy=™êÎ#∞—— J<åfl_»∞. P Ü«Ú=u HÍã¨Î ã¨OHÀzã¨∂Î WÖÏ JOk, ''<å^ä•! =∞# q"åǨÏ=∞~Ú XHõ<≥Å ‰õÄ_® HÍÖË^Œ∞. H˘`«Î "å`å=~°}O, H˘`«Î „Ѩ^Õâ◊OÖ’ XHõ¯^•x<Õ ZÖÏ LO_»QÆÅ#∞ K≥ѨÊO_ç?—— ''h=Ù U=∂„`«O ÉèíÜ«∞Ѩ_»#=ã¨~°OÖË^Œ∞. =∞# áêO_»º~åA `«# „Ѩ[ÅO^Œi =∞Oz-K≥_Ť» #∞ KåÖÏ *Ï„QÆ`QΫ Í K«∂ã¨∞‰õΩO\Ï~°∞. <Õ#∞ uiy =KÕÛ=~°‰õÄ, h Éèí„^Œ`«‰õΩ PÜ«∞# ÉÏ^茺`« =Ç≤Ï™êÎ~°∞!—— =∂~°∞"Õ+O¨ Ö’ `«# „Ѩ[Å Hˆ =∆ ∂xfl `≥Å∞ã¨∞‰õΩ<ÕO^Œ∞‰õΩ =zÛ# áêO_»º~åA P ã¨=∞Ü«∞OÖ’ J#∞HÀ‰õΩO_® "åi WO\˜Éˇ·@ ‰õÄ~°∞Ûx LO_»@O =Å# gi =∂@Å#∞ q#_»O ã¨OÉèqí Oz, ZO`À P#OkOKå_»∞. ''D áœ~°∞_»∞ <åÃÑ#· ZO`À qâßfiã¨=ÚOKå_»∞. <Õ#∞ ^•xH˜ `«y#@∞¡ LO_ç, J`«_ç =∂@Å∞ ã¨`«º=∞x x~°∂Ñ≤OKåe!—— Jx ÉèÏqã¨∂Î, P~åA `«# HÀ@‰õΩ uiy "≥àϧ_»∞. =∞~åfl\˜ #∞O_ç ~åA =∂~°∞"Õ+¨OÖ’ P „ÉÏǨχ}∞_ç WO\˜ =^ŒÌ‰õΩ ~å„u"Õà◊Ö’ =zÛ, P Ü«Ú=u ˆH∆=∞OQÍ x„^ŒáÈ`ÀOk Hõ^• Jx x~åúiOK«∞‰õΩ<Õ"å_»∞. JÖÏ XHõ <≥Å QÆ_çzOk. XHõ<å_»∞, P „ÉÏǨχ}∞_»∞ ~å„u á⁄^Œ∞áÌ È~Ú# `«~"° å`« `«# WO\˜H˜ uiy =KåÛ_»∞. J`«_∞»

=∂#ã≤HOõ QÍ â◊H=Θ O`«"∞≥ #ÿ "åà◊√§ ZÖÏO\˜ Hõëêì#fl~Ú<å =∞~°∞ã¨\˜ ~ÀAHõÖÏ¡ =∞iÛáÈQÆÅ∞QÆ∞`å~°∞.

March '19

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`«# ÉèÏ~°º`À Ü«∂„`« J#∞Éèí"åÅ#∞, qâıëêÅ#∞ ѨOK«∞‰õΩO@∂ ã¨OÉèÏ+≤ã¨∞Î<åfl_»∞. „Ѩu ~ÀAÖψQ =∂~°∞"Õ+O¨ Ö’ =zÛ# ~åA‰õΩ ֒Ѩe #∞O_ç Z=i"À Q˘O`«∞HõÅ∞ qxÑ≤ã¨∂Î LO_»@O`À, WO\˜Ö’H˜ Z=~À Ѩ~å~Ú"å~°∞ „Ѩ"ÕtOKåˆ~"≥∂#x J#∞=∂xOKå_»∞. ''JÜ≥∂º ÉèíQÆ=O`«∞_®! P q„ѨÙ_Õ"≥∂ <åÃÑ·# ZO`À #=∞‡HõO`À `«#∞ H˘`«ÎQÍ q"åǨÏO KÕã¨∞‰õΩ#fl ÉèÏ~°º#∞ <Õ#∞ ~°H˜∆™êÎ##fl qâßfiã¨O`À XO@iQÍ =ke "≥àÏ¡_»∞. <Õ#∞ J`«x #=∞‡HÍxfl ==Ú‡ K≥Ü«∞º‰õÄ_»^Œx!—— ÉèÏqOz `«Å∞Ѩ٠QÆ\ ˜ìQÍ `«\Ïì_∞» . ''<å WO\˜ `«Å∞ѨÙ#∞ J~°~ú å„u "Õà◊ `«_∞» `«∞#fl Ѩ~å~Ú Ñ¨Ù~°∞+¨µ_≥=~°∞?—— Jx „ÉÏǨχ}∞_»∞ QÆkÌOz J_çQÍ_»∞. HõO~î°O q#fl ~åA P Q˘O`«∞ „ÉÏǨχ}∞_ç^Õ#x "ÕÔ~=~°∂ ~åÖË^Œx, x~åúiOK«∞‰õΩx =∞ø#OQÍ "≥#∞kiQÍ_»∞. =∞~åfl\˜ L^ŒÜ∞« O P q„ѨÙ_»∞ ~å*Ï™ê÷<åxH˜ "≥àϧ_»∞ - ''=∞Ǩ~å*Ï! QÆ`«~å„u Z=~À QÆ∞~°∞Î `≥eÜ«∞x =ºH˜Î <å WO\˜ `«Å∞ѨÙ#∞ `«\Ïì_»∞. J`«_≥=~À `≥Å∞ã¨∞HÀ"åe. QÆ`« <≥Å ~ÀAÅ∞QÍ <Õ#∞ WO\˜Ö’ ÖËx ã¨=∞Ü«∞OÖ’ J`«_»∞ <å WO\˜H˜ =KåÛ_® J#flk =∞s „Ѩ`ÕºH˜Oz Hõ#∞HÀ¯"åe!—— J<åfl_»∞. ''JÜ≥∂º! Z=~À Ѩ~å~Ú=ºH˜Î =Å# <å ~å[ºOÖ’ ^ŒOѨ`«∞ʼnõΩ J~°ú~å„u"Õà◊ f„==∞~Ú# W|ƒOk HõeyOk. `«Å∞Ѩ٠`«\ ˜ì# P =ºH˜ÎH˜ Uq^èŒ=∞~Ú# tHõ∆ qkèOKåÖ’ g∞ˆ~ K≥ѨÊO_ç q„áÈ`«Î=∂!—— ^•xH˜ P q„ѨÙ_»∞, ''<å WO\˜ `«Å∞Ѩ٠`«\ ˜ì# P KÕux YO_çOKåe!—— Jx tHõ∆ `≥eÜ«∞*Ëâß_»∞. Wk q#fl ~åA "≥O@<Õ `«# Y_®æxfl fã≤, `«# KÕux YO_çK«∞HÀ=_»O K«∂ã≤# „ÉÏǨχ}∞_»∞ J"åHõ¯Ü«∂º_»∞. ~åA ѨÓiÎ q+¨Ü«∂xfl WÖÏ K≥áêÊ_»∞ `«#ÃÑ·# „ÉÏǨχ}∞_»∞ LOz# #=∞‡HÍxfl ã¨_Å» hÜ«∞‰õΩO_® LO_»\ÏxH˜ `å<Õ =∂~°∞"Õ+¨OÖ’ „Ѩu~å„u XO@iQÍ L#fl J`«_ç ÉèÏ~°º Hˆ =∆ ∞OQÍ x„^ŒáÈ`«∞O^À ÖË^À Jx ѨsH˜O∆ K«_®xˆH =KÕÛ"å_ç#x, J~Ú`Õ P~å„u U"À Q˘O`«∞HõÅ∞ qxÑ≤ã∂¨ Î LO_»@O`À `«Å∞Ѩ٠`«\Ïì#x, K≥ѨÓÎ, `«# Ѩx=Å# ^ŒOѨ`«∞ʼnõΩ W|ƒOk HõÅQÆ_»O =¸ÖÏ#, „ÉÏǨ Ï ‡}∞_» ∞ K≥ Ñ ≤ Ê # tHõ ∆ # ∞ JO^Œ ∞ ˆ H `å<Õ J#∞ÉèíqOKå#x K≥áêÊ_»∞. Wk q#fl P q„ѨÙ_»∞ ~åAQÍix Hõ∆=∂Ѩ} HÀ~å_»∞.

~åA YO_çK∞« ‰õΩ#fl `«# KÕux J=∞~°∞Û‰õΩ<ÕO^Œ∞‰õΩ ã¨fi~°‚ ǨϙêÎxfl KÕ ~ ÚOK« ∞ ‰õ Ω x ÃÑ@∞ì H À=@O =Å# Ѩ Ó sfi‰õ Ω _» ~ Ú# PáêO_»º~åA‰õΩ ''áÈÔ~·¯ áêO_»∞º_»#fl——(ã¨fi~°‚ǨÏã¨Î áêO_»∞º_»∞) ¿Ñ~°∞=zÛOk. D L^ŒO`åxfl QÆ∞~°∞ÎKÕã¨∞‰õΩ#fl z„`«ÖËY J~°∞˚#∞x`À WÖÏ JOk - '=∂ ~åAÅ∞ JO`« x+¨ªQÍ `å"Õ∞~°Êiz# ~å[ âßã¨<åÅ#∞ PK«iOKÕ"å~°∞! JO^Œ∞ˆH =∂ x|O^èŒ#Å#∞ ˆQe KÕÜ∞« =^Œ∞.Ì —— Ѩ~°=∂`«‡ =∂ áêO_»º~å[ºOÖ’ =∞`åûº=`å~°∞xQÍ „Ѩ É è í q OKå_» ∞ . "Õ ∞ =Ú =∞`åûº=`å~° ∞ _≥ · # Ѩ ~ ° = ∂`« ‡ #∞ 'Jxq∞+¨µ_ç—QÍ Ñ¨Ól™êÎ=Ú. Jxq∞+¨µ_»O>Ë - Z#fl_»∂ x„kOK« x "å_» ∞ . P Ѩ ~ ° = ∂`« ‡ ^Œ Ü « ∞ =Å# =∂ ѨiáêʼnõΩÅO^Œ~°∞ ‰õÄ_®, x„^ŒáȉõΩO_® `«=∞ „Ѩ[ʼnõΩ <åºÜ«∂xfl ã¨=∞‰õÄ~°∞Û`å~°∞. g∞# *Ï`«∞Å∞ ‰õÄ_® Jxq∞+¨µxQÍ Ñ¨ÓlOѨ|_Õ =∞`åûº=`å~° ã¨fi~°∂áêxfl áÈe LO\Ï~Ú QÆ#Hõ ã¨O㨯 $`« xѶ¨∞O@∞=ÙÖ’ g∞<åÅ#∞ ‰õÄ_® Jxq∞+¨µÅ#fl Ѩ~åºÜ«∞Ѩ^ŒO HõxÑ≤ã¨∞ÎOk.—— z„`«ÖËY WzÛ# D ã¨=∂Kå~åxfl JO`«\ ˜h `«# f~°÷Ü«∂„`«Å∞ =ÚyOK«∞‰õΩx ã¨O=`«û~°O `«~°"å`« =zÛ# J~°∞˚#∞_»∞ J#flQÍÔ~·# ^èŒ~°‡~åA‰õΩ q=iOKå_»∞. `«~"° åu HÍÅOÖ’ Ü«∞Hõ„∆ Ѩâfl◊ Å ã¨=∞Ü«∞OÖ’ Ü«∞‰õΩ∆ _»∞ ^è~Œ ‡° ~åAH˜ XHõ „Ѩâfl◊ - 'x„^ŒOK«x "åÔ~=~°∞?— Jx ã¨Okè™êÎ_∞» . ''=∞`«ûºO—— Jx ^Œ~°‡~åA ã¨=∂^è•#O WKåÛ_»∞. Ü« ∞ ‰õ ∆ Ω _» ∞ J_ç y # Jxfl „Ѩ â ◊ fl ʼnõ Ω 㨠i Ü≥ ÿ ∞ # 㨠= ∂^è • <åÅ∞ WzÛ Ü« Ú kè + ¨ µ ª ~ ° ∞ _» ∞ `« # `« = Ú‡Å#∞ „|uH˜OK«∞‰õΩ<åfl_»∞. uiy =zÛ# `«=Ú‡à◊√§ J#flQÍiH˜ ã¨=Ú„^Œ r=q*Ï˝#OÖ’ ‰õÄ_® L#fl „áêg}º`«#∞ QÆ∞iOz „Ѩâ◊Oã≤ã¨∂Î LO>Ë ^èŒ~°‡A_»∞ WÖÏ J<åfl_»∞ ''D Q˘Ñ¨Ê^Œ#O JO`å J~°∞#˚ ∞xH˜ K≥O^Œ∞`«∞Ok. J`«_∞» =∞`åûºxfl QÆ∞iOz q=iOK«_O» =Å# <Õ#∞ `≥Å∞ã¨∞‰õΩ<åfl#∞.—— =∞ǨÉèÏ~°`« ã¨O„QÍ=∂#O`«~°O cè+¨µ‡_»∞ ^èŒ~°‡AxH˜ cè+µ¨ ‡_»∞ q+¨µã‚ Ǩ Ϩ „ã¨<å=∂=ox `≥eÜ«∞*Ëã∂¨ Î 216= <å=∞OQÍ ''Jxq∞+¨—— J#fl <å=∞O K≥ѨÊQÍ<Õ, ^èŒ~°‡~åA NHõ$+¨µ‚x =OHõ K « ∂ ã≤ z~° ∞ #=Ùfi #"åfi_» ∞ . NHõ $ +¨ µ ‚ _ » ∞ ZÅ¡ " Õ à ◊ Ö Ï áêO_»=ÙÅ#∞ ~°H˜∆OK«_®xH˜ J„Ѩ=∞`«ÎOQÍ, Hõ#∞fl=ÚÜ«∞º‰õΩO_® ~°Hõ∆} HõeÑ≤ã¨∂Î<Õ LO\Ï_»∞. Jxq∞+¨µ_»∞ J#_»O ã¨iÜ≥ÿ∞#^Õ!

rq`«O F Ü«Ú^ŒÉú ∂íè q∞. áÈ~å_ç`Õ QÔ eKÕO^Œ∞‰õÄ J=HÍâ◊O LO@∞Ok. T~°Hõ xÅ∞K«∞O>Ë =∂„`«O F@q∞ `«Ñʨ ^Œ∞.

March '19

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215= <å=∞O xq∞+¨ Jx K≥ѨÓÎ "Õ^Œ"åºã¨∞_»∞, ÉèíQÆ=O`«∞_»∞ áêѨHõ~°‡Å∞ KÕ¿ã"åiѨ@¡ x„kã¨∞Î#fl@∞¡ L<åfl, 'Jxq∞¿+Ü« Ú _» ∞ —QÍ PÜ« ∞ # `« # Éè í ‰ õ Ω Î Å #∞ ZÅ¡ Ñ ¨ C _» ∞ J„Ѩ=∞`«ÎOQÍ ~°H˜∆ã¨∂Î<Õ LO\Ï_»∞. Jx 216= <å=∞OQÍ 'Jxq∞¿+Ü«∞— <å=∞O QÆ∞iOz q=iOKå_»∞. D ~ÀAÖ’¡ XHõ ã¨|∞ƒ HõOÃÑh "åºáê~° „ѨHõ@# ''=ÚiH˜H˜ Hõi#î OQÍ - |@ìʼnõΩ „¿Ñ=∞QÍ—— JO@∂ =ã¨∞OÎ kHõ^•! JÖψQ Ѩ~°=∂`«‡ áêѨÙŠѨ@¡ x„kã¨∞Î#fl"å_çQÍ - Éèí‰õΩÎÅѨ@¡ Jxq∞+¨µ_çQÍ =º=ǨÏi™êÎ_»∞. r=ÙÅxfl\˜Ö’ =∞`åûºÅ∞ x„kOK«=O\Ï~°∞. `«e¡ KÕÑ,¨ `«# ã¨O`å<åxfl ˆH=ÅO `«# ^Œ$+≤ìx =∂„`«O „Ѩã¨iOѨ*Ëã≤ áÈ+≤ã∞¨ OÎ ^ŒO\Ï~°∞.

ÉèíQÆ=O`«∞_»∞ ZÅ¡"Õà◊ÖÏ `«# Éèí‰õΩÎÅ#∞ ~°H˜∆OK«_®xH˜ Ô~ѨÊ"åÅÛ‰õΩO_® "åix HõxÃÑ@∞ì‰õΩx LO\Ï_»∞. JO^Œ∞ˆH PÜ«∞#‰õΩ 'Jxq∞+¨µ—_»#fl <å=∞O =zÛOk. x~°∞H˜Î „ѨHÍ~°O øqmz \ÁTøN˛: À™w o Áz ÿuåu™ ≈Y Ã:@ Z=Ô ~ · ` Õ Ñ¨ ~ ° = ∂`« ‡ k=º gHõ ∆ } ÏÅ∞ `« = ∞ÃÑ· # „Ѩãi¨ OKåÅx HÀ~°∞‰õΩO\Ï~À, "å~°∞ zÅ∞‰õÄ~°∞Ö’ "≥Åã≤# ÉÏÖÏr ~°∂áêxfl ^蕺xã¨∂Î, 'Jxq∞ëêÜ«∞ #=∞ó— J#fl <å=∂xfl „â◊^ŒúQÍ [Ñ≤ã¨∂Î LO_®e. „Ñ≤Ü«∞"≥∞ÿ# '"åH±— áê~î°‰õΩÖÏ~å! ~°O_ç P Ѩ~°=∂`«‡ Hõ~°∞}ÏHõ\ÏHõ∆ gHõ∆}ÏÅ#∞ „Ѩã¨iOѨ*Ë~ÚOK«∞‰õΩ<ÕO^Œ∞‰õΩ - ''FO Jxq∞ëêÜ«∞ #=∞ó—— Jx [Ñ≤^•ÌO. ''FO Jxq∞ëêÜ«∞ #=∞ó—— !

EãJmy \ÁÆoz Ã˘Áz áåÊ ∆yV¿ ™ ƒÁúÏ Æ ÁoΩ @ @

™åσu| åoÁ ÃÁqÁ˘ÁzTy N˛À™ÁëÁ úÓ\Æzo@Ω å NÏ˛ÆÁ|tΩ ƒwu\åÊ åÁÆÁ|: NÏ˛ƒwÊ å À™∫zoΩ uœÁÆ:@@ Every woman is my direct embodiment. One should not commit a wicked deed involving a woman; one should not (even) think about sinful acts in connection with a woman. (Source : Lakshmi Tantram 43rd Chapter)

=∞`«Î#∞~°fix`å ™êH∆Í`ü Ü≥∂w Hõ™ê‡#fl ѨÓ[ÜÕ∞`üI # ‰õΩ~åº^Œfi$l#O <å~åºó ‰õΩ=$`«ÎO # 㨇ˆ~`ü „ã≤ÎÜ«∞óII „Ѩu =x`« <å â◊s~°O. 'P_»"åiѨ@¡ Jã¨ÉèíºOQÍ „Ѩ=iÎOK«_»"Õ∞ HÍ^Œ∞. qHÍ~°OQÍ PÖ’zOK«_»O ‰õÄ_® ã¨Ç≤ÏOK«#∞— JO@∞<åfl~°∞. J=∞‡"å~°∞. (¿ãHõ~°} : ÅH©;`«O„`«O 43= J^蕺ܫ∞O) ѨxÖ’ „Ѩu™ês ã¨O`À+¨O ÅaèOK«Hõ áÈ=K«∞Û. HÍh Ѩx J#flk ÖËHáõ È`Õ Jã¨Å∞ ã¨O`À+¨=∞<Õ^Õ LO_»^∞Œ .

✍ March '19

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March '19

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uƒ…mÏ Ã“œÁåÁ™Áƒ¬y TÁsÁ - 216

Euåu™ zÆ å™: -gÁ} .ƒy.LÃ. . ƒy.LÃ. N˛ªmÁN˛∫åΩ

B.E.(Mech.), M.A. (Sanskrit), Ph.D.

ÃÁ∫z úÁl‰gƒÁı Nz˛ ÃÁ™Óu“N˛ øúÃz u¬L TL uåm|Æ Nz˛ EåÏÃÁ∫ ÆÏuáu…e∫ EÁ{∫ ¸Á{úty N˛Áz LN˛ÁÊo ™ı ∫“oz Ã™Æ Gã“ı ÃÊÆÁzTƒ∆ tzQ ¬zåz Nz˛ N˛Á∫m E\Ï|å LN˛ ƒ | ß∫ Nz˛ u¬L oys| ÆÁfiÁLÊ N˛∫åz üÀsÁå uN˛ÆÁ@ onN˛Á¬yå úÁlgΩÆ∫Á[Æ (ou™¬åÁgÏ) ™ı uÀso EpT∫ úƒ|o ütz∆ N˛Á ÃÊt∆|å uN˛ÆÁ@ Fà oys|ÆÁfiÁ ™ı E\Ï|å úÁlgΩÆ ∫Á\NÏ˛™Á∫y uYfi¬zQÁ Ãz úu∫uYo “ÏEÁ@ uYfi¬zQÁ Nz˛ EåÏú™ ÃÁ{ãtÆ| ú∫ ™Ázu“o “ÁzN˛∫ E\Ï|å åz uƒƒÁ“ N˛∫åÁ YÁ“Á EÁ{∫ Gà Nz˛ Ùq üÀoÁƒ ∫QÁ@ FÃz ÃÏåN˛∫ uYfi¬zQÁåz ÃÓuYo uN˛ÆÁ uN˛ ™z∫z uúoÁ\y N˛y EåÏ™uo ú“¬z ¬ı@ E\Ï|å Nz˛ üÀoÁƒ N˛Áz ÃÏå uYfi¬zQÁ Nz˛ uúoÁ åz LN˛ ∆o| ∫Qy@ Æ˘uú E\Ï|å Eúåy §zby Ãz uƒƒÁ“ N˛∫åz ú∫ ßy GåN˛Áz \ã™åz ƒÁ¬y ÃÊoÁå N˛Áz Eúåz ÃÁs å“Î ¬z \Á ÃN˛oÁ §u¡N˛ GÃz úÁÊg∞ tz∆ Nz˛ “y ÃÏúÏt| N˛∫åÁ “ÁzTÁ@ Fà ∆o| N˛Áz ÃÏå E\Ï|å N˛Áz E\y§ ÃÁ ¬TÁ@ FÃyu¬L ƒ“ uYfi¬zQÁ Ãz úÏå: u™¬N˛∫ GÃNz˛ uúoÁ Ãz ∫Qz TL Fà ∆o| N˛y NÏ˛Z Eƒ“z¬åÁ N˛∫oz “ÏL N˛“Á - <<¬ToÁ “{ uN˛ oÏ©“Á∫z tz∆ Nz˛ NÏ˛Z E\y§ Ãy uåÆ™Áƒ¬y “{@ MÆÁ N˛ÁzF| ßy uúoÁ Eúåy ÃãoÁå N˛Áz Eúåz ÃÃÏ∫ Nz˛ ÃÏúÏt| N˛∫ ÃN˛oÁ “{? ƒ{Ãz Æ“ MÆÁ EXZÁ utQzTÁ?>> uYfi¬zQÁ åz FÃN˛Á G…∫ tzoz “ÏL N˛“Á, <
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=∞x+≤ ™êkèOz# q[Ü«∂Å∞ ã¨=∂*ÏxH˜ LѨÜ∂≥ QÆÑ_¨ `ç <Õ Õ Jq x["≥∞#ÿ q[Ü«∂Å∞.

March '19

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<<“z ßTƒÁå! Gà uƒü åz ™Ï^ ú∫ EnÆuáN˛ uƒæÁÁà Nz˛ ÃÁs Eúåy åF| åƒz¬y únåy N˛y ÃÏ∫qÁ N˛Á ßÁ∫ ∫QÁ@ GÃz ENz˛¬y ZÁz‰gN˛∫ ÆÁfiÁ N˛∫åz TÆÁ@ GÃNz˛ Fà uƒæÁÁà N˛Áz ™Ï^z uåßÁåÁ “y “ÁzTÁ@>> Fà –‰j ÃÊN˛¡ú Nz˛ ÃÁs ∫Á\Á åz §¿Á÷m Nz˛ V∫ N˛Áz ˚Á∫ QbQbÁÆÁ@ §¿Á÷m åz EÊt∫ Ãz HÊYz Àƒ∫ ™ı úÓZÁ <<™z∫z V∫ N˛Á ˚Á∫ EÁáy∫Áo ™ı QbQbÁåzƒÁ¬Á ú∫ úϪ  N˛Á{å “{?>> Gà Àƒ∫ N˛Áz ÃÏåN˛∫ ∫Á\Á åz uåu≥Áo N˛∫ u¬ÆÁ uN˛ Æ“ N˛le܃uå Gà §¿Á÷m N˛Á “y “{, uN˛Ãy ú∫ÁL √ÆuMo N˛y å“Î@ FÃz uåáÁ|u∫o N˛∫, ∫Á\Á ™Á{å “y ƒ“Á Ãz ¬Á{b TL@ ET¬z utå, ƒ“ uƒü ∫Á\t∫§Á∫ ™ı ú“ÏÂYÁ - <<™“Á∫Á\Á! uúZ¬y ∫Áo Nz˛ EÊuáÆÁ∫z ™ı uN˛Ãy Eå\Áå √ÆuO˛ åz “™Á∫z V∫ Nz˛ ˚Á∫ N˛Áz QbQbÁÆÁ sÁ@ ƒ“ N˛Á{å sÁ, FÃN˛Á úoÁ ¬TÁåÁ “ÁzTÁ@ FoåÁ “y å“Î §u¡N˛ uúZ¬z LN˛ ™Á“Ãz ™¯ V∫ ú∫ EåÏúuÀso sÁ@ MÆÁ ƒ“ √ÆuMo ™z∫y EåÏúuÀsuo ™ı ßy ™z∫z V∫ EÁÆÁ sÁ? FÃN˛y uƒ∆z  \ÁåN˛Á∫y ¬zåy “ÁzTy@>> GÃåz ∫Á\Á Nz˛ Ùq EúåÁ EÁ∫Ázú ∫QÁ@ <<E∫z! uN˛Ãy ú∫ÁL √ÆuO˛ Nz˛ N˛Á∫m ™z∫z ∫Á[Æ Nz˛ ƒÁÃy tÊúuo N˛Áz EÁáy∫Áo Nz˛ Ã™Æ “ÏF| EÃÏuƒáÁ ú∫ ™Ï^z Qzt “Áz ∫“Á “{@ Eo: “z uƒüÁz…™! EÁú ÀƒÆÊ GÃNz˛ u¬L tl‰g ßy ÃÏåÁFL u\à Nz˛ N˛Á∫m EÁúN˛Áz EÃÏuƒáÁ “ÏF| sy@>> <<“z ∫Á\åΩ! ™z∫z V∫ Nz˛ ˚Á∫ N˛Áz QbQbÁåz ƒÁ¬z Gà “Ás N˛Áz Qul‰go N˛∫åÁ “ÁzTÁ@>> FÃz ÃÏåoz “y ∫Á\Á åz Eúåz QgΩT N˛Áz GeÁÆÁ EÁ{∫ Eúåz “y “Ás N˛Áz QÊugo N˛∫ u¬ÆÁ@ FÃz tzQ, uƒü EƒÁN˛Ω ∫“TÆÁ@ ∫Á\Á åz úÓ∫y \ÁåN˛Á∫y tzoz “ÏL N˛“Á uN˛ oÏ™ u\à ß∫ÁzÃz Nz˛ ÃÁs Eúåy únåy N˛Áz ENz˛¬y ZÁz‰gN˛∫ ÆÁfiÁ N˛∫åz uåN˛¬z sz, Gà ß∫ÁzÃz N˛Áz ™Ï^z bÓbåz å“Î tzåÁ YÁu“L@ Eo: üuoutå ∫Áo Nz˛ Ã™Æ oÏ©“Á∫y únåy ÃÏ∫uqo “{ uN˛ å“Î, Y{å N˛y uå¸Á ¬z ∫“y “{ EsƒÁ å“Î, FÃN˛y ú∫yqÁ N˛∫åz Nz˛ u¬L ÀƒÆÊ EÁÆÁ N˛∫oÁ sÁ@ uN˛ãoÏ Gà ∫Áo N˛y ƒz¬Á ™ı NÏ˛Z ú∫ÁL N˛le Àƒ∫Áı N˛Áz ÃÏå uYuãoo “ÏEÁ EÁ{∫ ™¯åz “y ˚Á∫ QbQbÁÆÁ sÁ@ Eúåz Fà N˛ÁÆ| Ãz Gà tÊúuo N˛Áz “ÏF| EÃÏuƒáÁ Nz˛ N˛Á∫m, §¿Á÷m Ãz ÃÓuYo tlg N˛Áz ™¯åz ÀƒÆÊ Eúåz EÁú ú∫ ¬TÁÆÁ@ FÃz ÃÏåN˛∫, Gà §¿Á÷m åz ∫Á\Á Ãz q™Á ™ÁÂTÁ@ Eúåz

Qulgo “Ás Nz˛ ÀsÁå ú∫ Àƒm| “Ào ∫Qåz Nz˛ N˛Á∫m Gà ∫Á\Á N˛Á åÁ™ <<úÁzN{˛| úÁlgΩÆå>> (Àƒm| “Ào) ú‰gÁ@ 000 Fà EÁPÆÁå N˛Á À™∫m N˛∫oy “ÏF| uYfi ¬zQÁ åz N˛“Á uN˛ - <<“™Á∫z ∆ÁÃN˛ Foåy uå…eÁ Ãz Eúåz ˚Á∫Á §åÁÆz TL uåÆ™Áı N˛Á úÁ¬å ÀƒÆÊ N˛∫oz “¯@ Eo: EÁú “™Á∫z ∫Á[Æ N˛y uåÆ™Áƒ¬y N˛y Eƒ“z¬åÁ å N˛∫ı@>> ú∫™Án™Á “™Á∫z úÁlg∞ ∫Á[Æ ™ı ™nÀÆÁƒoÁ∫ N˛Á øú áÁ∫m N˛∫ ∆Áu™¬ “ÏL sz@ “™ Gà ™yåÁƒoÁ∫y ú∫™Án™Á N˛y EÁ∫ÁáåÁ <Euåu™ > Nz˛ øú ™ı N˛∫oz “¯@ Euåu™  N˛Á Es| “{, \Áz N˛ßy uåu¸o å“Î ∫“oÁ@ GÃy ú∫™Án™Á N˛y Nw˛úÁ Ãz “™Á∫z ÃÁ∫z ∆ÁÃN˛, ÃtÁ \ÁTøN˛ “ÁzN˛∫ Eúåy ü\Á N˛y ∫qÁ N˛∫oz “¯ EÁ{∫ ãÆÁÆ tzåz ™ı ÃoN|˛ ∫“oz “¯@ ™nÀÆ \ÁuoÆÁ ßy <Euåu™ > Nz˛ øú ™ı úÓu\o ™nÀÆÁƒoÁ∫ Àƒøú N˛y “Ázåz N˛Á∫m ÃÊÀNw˛o N˛Áz∆Áı ™ı ™yåÁı Nz˛ u¬L <Euåu™ > ∆£t N˛Áz úÆÁ|ƃÁYy øú ™ı “™ úÁoz “¯@ uYfi¬zQÁ Ãz utL TL Fà úÓ∫z ÙÁYÁ∫ N˛Áz E\Ï|å åz Eúåz ƒ |ß∫ N˛y oys|ÆÁfiÁ N˛y úu∫ÙÁuõo N˛∫ ¬Á{båz Nz˛ §Át Eúåz ET¿\ ÆÏuáu…e∫ N˛Áz ÃÏåÁÆÁ@ ú∫ƒoy| N˛Á¬ ™ı Æq åz Eúåz ü≈åÁı N˛y ú∫Êú∫Á ™ı LN˛ ü≈å ÆÏuáu…e∫ Ãz uN˛ÆÁ uN˛ - <> ÆÏuáu…e∫ åz G…∫ utÆÁ - <<™nÀÆ!>> Æq Nz˛ ÃÁ∫z ü≈åÁı Nz˛ Óy G…∫ tzN˛∫ ÆÏuáu…e∫ åz Eúåz EåÏ\Áı N˛Áz úÏå\y|uƒo N˛∫ƒÁÆÁ@ ¬Á{båz Nz˛ §Át ÆÏuáu…e∫ åz Eúåz EåÏ\Áı Nz˛ ™ÏQ Ãz Eúåy ü∆ÊÃÁ ÃÏåy uN˛ EÁú N˛Áz Ùϸy \yƒ uƒrÁå N˛y ßy uN˛oåy \ÁåN˛Á∫y “{@ ÆÏuáu…e∫ åz N˛“Á - <<Æ“ ÃÁ∫Á »zÆ E\Ï|å N˛Áz \ÁoÁ “{@ GÃåz ™nÀÆ Nz˛ §Á∫z ™ı uƒÀoÁ∫ Ãz \ÁåN˛Á∫y ty sy u\ÃNz˛ N˛Á∫m ™¯ G…∫ tz ÃN˛Á@>> ™“ÁßÁ∫o ÃÊT¿Á™ Nz˛ ú≈YÁoΩ ∆∫∆´ÆÁ ú∫ ¬zbz ßy…™ uúoÁ™“ åz ÆÏuáu…e∫ N˛Áz uƒ…mÏ Ã“œÁåÁ™ÁƒÁ¬y ÃÏåÁF| sy@ 216 ƒı åÁ™ Nz˛ øú ™ı <<Euåu™ >> åÁ™ Nz˛ N˛“oz “y ÆÏuáu…e∫ åz »yNw…m N˛y EÁz∫ tzQN˛∫ ™Êt“Áà uN˛ÆÁ@ Nw˛…m ÃtÁ úÁl‰gƒÁı N˛y ÃÏ∫qÁ N˛Á ßÁ∫ GeÁoz “ÏL ÃoN|˛ ∫“oÁ “{, ú¬N˛ ^úNz˛ u§åÁ GåN˛y ∫qÁ N˛∫oÁ “y ∫“oÁ “{ @ Eo: Euåu™  åÁ™ ú∫™Án™Á Nz˛ u¬L ÃÁs|N˛ “{@

g∞~°∞ L#fl`«OQÍ Z^ŒQ\ Æ ÏxH˜ g∞‰õΩ „ѨÑO¨ K«O HÍ"åe. g∞~°∞ Zky# `«~∞° "å`« „ѨÑO¨ KåxH˜ g∞~°∞ HÍ"åe.

March '19

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ƒzt√ÆÁà åz 215 ƒÁ åÁ™ ∫QÁ@ Gã“Áıåz N˛“Á sÁ uN˛ ú∫™Án™Á uåu™  EsÁ|oΩ úÁúN˛u™|ÆÁı Nz˛ u¬L uåu¸o utQoz “ÏL ßy Eúåz ßO˛Áı N˛y ∫qÁ N˛∫åz Nz˛ u¬L Ãt{ƒ <Euåu™ > EsÁ|oΩ ú¬N˛ ^úN˛oz “y å“Î@ FÃyu¬L 216 ƒı åÁ™ Nz˛ øú ™ı Fà Euåu™ zÆ N˛Áz ∫QÁ sÁ@ EÁ\N˛¬ LN˛ ÃÁ§Ïå N˛y NÊ˛úåy N˛Á uƒrÁúå EÁ ∫“Á “{ - <<™{¬ ú∫ N˛eÁz∫ EÁ{∫ N˛ú‰gÁzÊ Ãz õÆÁ∫!>> ƒ{Ãz “y ú∫™Án™Á ßy úÁúuÆÁı Nz˛ üuo uåu¸o EÁ{∫ ßO˛Áı Nz˛ üuo <Euåu™ > Nz˛ øú ™ı √ƃ“Á∫ N˛∫oz “¯@ N˛“Á \ÁoÁ “{ uN˛ ÃÁ∫z \yƒÁı ™ı ™nÀÆ “y ú¬N˛ ^úN˛oz å“Î@ ™nÀÆ N˛y ™Á Eúåy ÃãoÁå N˛Áz Nz˛ƒ¬ Eúåy –u…b Nz˛ üÃ∫m ™Áfi Ãz úÁzu o N˛∫oy “{@

ú∫™Án™Á ÃtÁ Eúåz ßMoÁı N˛y ∫qÁ N˛∫åz Nz˛ u¬L ú¬N˛ ^úN˛oz “y å“Î Eo: Gã“ı <Euåu™ > åÁ™ ú‰gÁ@ uåªuO˛ Nz˛ EåÏÃÁ∫ : øqmz \ÁTøN˛: À™woÁz ÿuåu™ ≈Y Ã:@ \Áz √ÆuMo YÁ“oz “¯ uN˛ ú∫™Án™Á Nz˛ ut√Æ ƒyqm Eúåz ú∫ üÃÁu∫o “ÁzÊ, ƒz uY¬NÓ˛∫ ™ı uƒ∫Á\™Áå §Á¬Á\y Nz˛ øú N˛Á ÜÆÁå N˛∫oz “ÏL, <Euåu™ ÁÆ å™:> åÁ™ N˛Á \Áú §‰gy »ÚÁ Ãz N˛∫ı@ <ƒÁN˛Ω> Nz˛ uüÆ úÁeN˛Tm! EÁFL Gà ú∫™Án™Á N˛y N˛ªmÁ –u…b N˛Áz “™ ú∫ üÃÁu∫o N˛∫ƒÁåz Nz˛ u¬L úÓ∫y ßuMo EÁ{∫ »ÚÁ Nz˛ ÃÁs <<Euåu™ ÁÆ å™:>> N˛Á \Áú N˛∫oz ∫“ı@ @@H Euåu™ ÁÆ å™: @@ å™:@@

ã¨~°Ê^À+¨O áÈ=_®xH˜ Ãú|tÁz  uåƒÁ∫m “zoÏ

QÆ~°∞_» Hõ=K« ™È΄`«=Ú - Tªg N˛ƒY ÀoÁzfi™Ω

1. 2. 3. 4. 5. 6. 7. 8. 9.

J㨺N QÆ~°∞_» Hõ=K« ™È΄`« =∞„#Î㨺 <å~°^Œ |∞∞+≤ó "≥·#`ÕÜ≥∂ ^Õ=`å J#∞+¨µìÑπKè«#ÌóI =∞=∞ QÆ~°∞_» „Ѩ™ê^Œ ã≤^Œúºˆ~÷ [¿Ñ qxÜ≥∂QÆó t~À "Õ∞ QÆ~°∞_»ó áê`«∞ ÅÖÏ@O q#`å ã¨∞`«ó I <Õ„`Õ `«∞ ã¨~°ÊǨ áê`«∞ Hõ~“‚áê`«∞ ã¨∞~åiÛ`«ó II <åã≤HõO áê`«∞ ã¨~åÊió =^Œ#O q+¨µ‚"åǨÏ#ó I ã¨∂~°º ã¨∂`å#∞[ó HõO~î°O Éèí∞*∫áê`«∞ =∞Ǩ|Åó II ǨϙœÎ YˆQâ◊fi~°ó áê`«∞ Hõ~儈Q `«fi~°∞}ÏHõ$f I #MÏ<£ #MÏÜ«Ú^èŒó áê`«∞ HõH∆“ =ÚH˜ÎѶ¨Å„Ѩ^Œó II ã¨Î<Ò "Õ∞áê`«∞ qǨÏQÆó ǨÏ$^ŒÜ«∞O áê`«∞ã¨~°fi^• I <åaèO áê`«∞ =∞Ǩ`Õ*Ïó Hõ\ ˜O áê`«∞ ã¨∞^è•Ç¨Ï~°ó II T~°∂áê`«∞ =∞ǨÏg~À *Ï#∞h K«O_»q„Hõ=∞ó I [O¿Ñ¶∞ ^Œ∞}ϤܫÚ^èŒó áê`«∞ QÆ∞Ö∫Êù q+¨µ‚~°^èŒó ã¨^• II ã¨∞Ѩ~°‚ó áê`«∞ "Õ∞ áê^Ò `å~°∆ ºó áê^•OQÆ∞b`«^• I ~À=∞‰õÄáêx "Õ∞ g~°ó `«fiK«O áê`«∞ ÉèíÜ«∂ѨǨÏó II W`Õº=O k=ºHõ=K«O áêѨѶ¨∞flO ã¨~°fiHÍ=∞^ŒO I Ü«∞ó Ѩˆ~î`ü „áê`«~°∞`å÷Ü«∞ q+¨âı+¨O „Ѩ}â◊ºu II „uã¨#úºO Ü«∞ó Ѩˆ~îxfl`«ºO |#ú<å`ü =ÚK«º`Õ #~°ó I ^•fi^ŒâßǨÏO Ѩˆ~î^Œºã¨∞Î =ÚK«º`Õ â◊„`«∞ |#ú<å`ü II UHõ"å~°O Ѩˆ~î^Œºã¨∞Î =ÚK«º`Õ ã¨~°fiH˜eƒÃ+·ó I =„[ ѨO[~° <å"Õ∞^ŒO Hõ=K«O |#ú "≥∂K«#O II

EÀÆ »y Tªg N˛ƒY ÀoÁzfi ™ãfiÀÆ åÁ∫t J u : ƒ{åozÆÁz tzƒoÁ@ EåÏ…bÏúΩ Zãt:@ ™™ Tªg üÃÁt uÃÚΩÆsz| \úz uƒuåÆÁzT: @ 1. 2. 3. 4. 5. 6. 7. 8. 9.

u∆∫Áz ™z Tªg: úÁoÏ ¬¬ÁbÊ uƒåoÁ ÃÏo: @ åzfizoÏ Ãú|“Á úÁoÏ N˛mÁ{| úÁoÏ ÃÏ∫ÁuY|o: @@ åÁuÃNÊ˛ úÁoÏ ÃúÁ|u∫: ƒtåÊ uƒ…mÏ ƒÁ“å:@ ÃÓÆ|ÃÓoÁåÏ\: N˛leÊ ßÏ\Á{ úÁoÏ ™“Á§¬: @@ “ÀoÁ{ QTzæÁ∫: úÁoÏ N˛∫ÁT¿z nƒªmÁNw˛oy @ åQÁåΩ åQÁÆÏá: úÁoÏ N˛qÁ{ ™ÏuO˛ ¢˛¬üt: @@ ÀoåÁ{ ™z úÁoÏ uƒ“T: ”tÆÊ úÁoÏ Ãƒ|tÁ @ åÁußÊ úÁoÏ ™“Áoz\Á: N˛ubÊ úÁoÏ ÃÏáÁ“∫: @@ HøúÁoÏ ™“Áƒy∫Áz \ÁåÏåy YlguƒN¿˛™: @ \ÊVz tÏlgÁÆÏá: úÁoÏ TÏ¡¢˛Á{ uƒ…mÏ∫s: ÃtÁ @@ ÃÏúm|: úÁoÏ ™z úÁtÁ{ oÁflÆ|: úÁtÁWï̬y otÁ@ ∫Áz™NÓ˛úÁuå ™z ƒy∫: nƒYÊ úÁoÏ ßÆÁú“: @@ FnÆzƒÊ ut√ÆN˛ƒYÊ úÁúUåÊ Ãƒ|N˛Á™tÊ @ Æ: úezoΩ üÁoªnsÁÆ uƒ ∆z Ê üm≈Æuo @@ ufiÃãÜÆÊ Æ: úezuëÁnÆÊ §ãáåÁoΩ ™ÏXÆoz å∫: @ ˚Át∆Á“Ê úez˘ÀoÏ ™ÏXÆoz ∆fiÏ §ãáåÁoΩ @@ LN˛ƒÁ∫Ê úez˘ÀoÏ ™ÏXÆoz Ã|uN˛u¡§ {: @ ƒ\¿úÊ\∫ åÁ™ztÊ N˛ƒYÊ §ãá™ÁzYå™Ω @@

ǨÏ$^ŒÜ∞« O Ѩq„`«"∞≥ #ÿ ѨÙ_»∞ ^•i qâßÅOQÍ HõxÑ≤ã∞¨ OÎ k. QÆ=∞ºO ã¨Ê+¨=ì ∞=Ù`«∞Ok.

March '19

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AHOBILAM AND AHOBILA MUTT - 75 – M.V. SOUNDARARAJAN

I would like to remind VAK Readers about my preamble to the current series 2 months ago where I pointed out that out of all the four Judgements Justice Indu Malhotra’s judgement stands out as a custodian of Dharma. The rest of the Learned Judges wrote a demonic judgement with no mind to protect Sanathana Dharma. In writing their judgements these Learned Judges did not seem to have exercised their wisdom and thought that they can create a new Dharma book overwriting the existing one. What they have not understood is that the Almighty is not subservient to them and he does not have to follow their judgement in blessing the devotees. Devotees have to still follow the tenets of the religion or dharma sashtra to please the Lord and not the Supreme Court judgements. A similar situation happened long long ago in the ancient times when a powerful demon king not only wanted to change the Dharma shastras to his favour but also made people practice it and also wanted himself to be anointed as the Lord of the Lords and become the Almightly himself. He tortured the whole world and had to be ultimately corrected by Lord of the Lords by taking the form of Narasimha. The whole story of Hiranyakashipu and Prahlada is about how materialistic people or Rajasa and Thaamasa character people are torturing the Sattvic spiritual beings and ultimately the consequence they face. Sattvic and devotional environment is very essential to protect Dharma in this whole country or for that matter any world. If there is Sattvic and devotional environment and attitude to not harm or cause pain to others, the Lord himself will come to protect such devotees and vanquish the hatred coming from Raajasa and Thaamasic people. Lets learn this lesson from the story of how Lord protected Prahlada and vanquished Hiranyakashipu. Prahlada was having Excstasic love and devotion for Lord. He was saved in the womb by DevarishiNarada’s intervention who protected his pregnant mother from being kidnapped by Devendra and tortured. THE MATTER OF AHOBILA NARASIMHA (contd..) VEDANTA DEEPIKAI, SAMBUDAM-4 (1914-1915) Prahlada was born to Kayadhu and right from the birth the child was always thinking about Lord Vishnu. It was in love and devotion with him. He would sometimes cry and some times laugh. He would sometimes sing in himselves and some times dance. He would be quiet sometimes and shout in ecstacy sometimes. Prahlada was a hugely differentiated child and was never like normal child. His mother Kayadhu was worried for him from the point of view that the child is in love with the ardent enemy of his father Hiranyakashipu. She was fearing harm

being caused to the child. Her fear slowly was taking shape of turning into truth. Chanda and Marka, sons of Sage Shukracharya were teachers of the asura children at a primary education level. They were managing the Asura school attached to the palace of Hiranyakashipu and many royal students were admitted into that school.Hiranyakashipu also sent his son Prahlada to the school of Asuras when he attained the age of school going. He was learning there in a residential mode. In those days the student resides only in Gurukul and not with their parents. There he was taught about worldly items and items creating differences among people. While the highly knowledgeable Prahlada was not liking the teaching, he never opposed his teachers and never refused to recite what they said. But he was not letting those teachings enter in his mind as according to him they are not needed and not appreciated by the Lord. Some months passed by and one day Chanda and Marka took Prahlada along with them to meet the king.Prahlada prostrated before his father Hiranyakashipu and was standing in front of him with folded hands and with all humility. Hiranyakashipu took the child on to his lap and caressed him showering fatherly love. He said: “Oh! My child. Tell me a gist of what you remember from what has been taught to you so far” To this prahlada replied as follows:

»ÓÆoÁÊ oÁo ƒflÆÁu™ ÃÁ∫ßÓoÊ oƒÁrÆÁ@ ÙÁu“o™åÁzßÓnƒÁ Æã™z YzoÀƃuÀsoÊ@@ EåÁut-™ÜÆÁão™\Ê EƒwuÚqÆ™XÆÏoÊ@ ümoÁzÀ©ÆãoÃãoÁåÊ Ãƒ|N˛Á∫mN˛Á∫m™Ω@@

“Oh! Father! I will tell with full concentration of mind what is inside my mind and the gist of all I know so far. Lord Achyuta is the one who does not have a beginning, centre and an end. He is not affected by Prakruthi which undergoes changes. He does not undergo growth as well as degradation. He is prostrated by all and is the ultimate cause of all causal items that we see around us.” The words of Prahlada were falling like hot molten tin in the ears of Hiranyakashipu. His eyes were red due to anger. His lips were vibrating when he turned to Chanda and Marka and said: “Oh! Great Brahmins! Brainless ones! How is that you taught the eulogy of my enemy to my child?! Is this to belittle me?”! The tensed Chanda and Marka quickly replied “Oh! Asura king! Your child is not telling you what we taught. He is telling something else” Hiranyakashipu turned to Prahlada and asked “My child! Tell me about the person who taught you this!”

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March '19

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Prahlada responded:

∆ÁÀoÁ uƒ…mÏ∫∆z ÀÆ \ToÁz ÆÁz ”utuÀso:@ o™woz ú∫™Án™ÁåÊ oÁo N˛:Nz˛å ∆ÁÀÆoz @@

“oh! My beloved father, the controller of the whole universe, Lord Vishnu is in the heart of everyone and is the inner controller. Other than him who controls and teaches whom in this world?” Hiranyakashipu’s anger enhanced. He asked: “Oh! Great Mindless fool! Who is the Lord of the universe now?! It is me!. How dare you say in front of me someone by name Vishnu who can't even come in front of me?! Prahlada responded:

å∆£tzTÁzY∫ÊÆÀÆÆÁzuTÜÆzÆÊ ú∫ÊútÊ @ ÆoÁzuƒæÁÊÀƒÆÊuƒæÁÊÃuƒ…mÏ: ú∫™zæÁ∫:@@

Father! His abode cannot be described by words and it is the ultimate goal of all Yogis to reach his abode. He is one from whom the whole universe has emanated and he is himself the universe and is parameshwara meaning Lord of all Lords.” “Oh! Fool! Who is this person by name Parameshwara about whom you keep reciting to me?! By doing so you seem to be desiring death from me” Said Hiranyakashipu.

å Nz˛ƒ¬ oÁo ™™ ü\ÁåÁÊ Ã§¿÷ßÓoÁz ߃o≥Á uƒ…mÏ: @ uƒáÁoÁ ú∫™zæÁ∫≥Á üÃyt N˛ÁzúÊ NÏ˛ª z uN˛™s˙ @@

“Oh! Father! Cool down! Don’t get angry on me. Please leave the anger and protect me. There is no reason for your anger. He is not only creator of me or the universe. He is also creator of you. He is the one who is the ultimate creator of all and also the person who provides energy and sustenance to all beings. He is known as Vishnu and Parameshwara.” Replied Prahlada. “who is the great sinner who has entered the heart of my child and getting him all these feelings?. Hiranyakashipu started venting his anger. Even then he did not realise that he is not the Parameshwara and this is held by only the almighty himself” Like Goddess Sita was not afraid of elephants, nor tigers or lions in the forest as she was always leaning on Lord Rama’s handsome hands similarly Prahlada was not afraid of Hiranyakashipu when he was teling him the truth in his entirety. “Oh! Father ! that Vishnu is not only in my heart but is also in yours and in the hearts of entire living beings in the universe. He makes you, me and all others do what we are destined to do. For all our doings he is the one who grants the fruits of ones deeds in the form of happiness and sorrow in the current birth or for that matter different types of bodies in the subsequent births etc. He is the perpetuator and enabler for all the living beings to do their actions” At these words Hiranyakashipu could not stand his

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son anymore. “Let this cruel and foolish child be taken away from me! Someone has educated him abou my enemy. Take him to Gurukul and leave him there for further proper education under tight discipline!” Roared Hiranyakashipu. His soldiers took away Prahlada and left him back in the GuruKula. There Chanda and Marka, his teachers enquired : “Oh! Child Prahlada! Now tell us the truth and don’t tell us anything but the truth. Who gave you this differentiated knowledge which the other children have not got. We taught you something and you picked up something else! From where did you pick up this knowledge which you are currently having?” “Oh! Teachers! I prostrate before the almighty due to whose maaya there is a feeling to many in the world that each one is a different independent entity and has nothing to do with the almighty paramatma. In reality he is the inner controller of all and all of us belong to him. Due to his Maaya people get an illusion that the body is nothing but soul. Therefore people feel that each one is unconnected different entity. This illusion will disappear when the Lord choses to take it away and it happens to only those whom lord likes due to devotion to him. It is sometimes possible that people who are less educated realise the Lord due to his wish. Even the learned scholars like Brahma, Maheswara etc. could not realise him fully. But here I am to whom the Lord teaches and shows about him from within. That is why I am differentiated. Oh! Great Brahmins!,just as in front of the magnet, the iron gets attracted and magnetized, I am also getting magnetized by the presence of Lord Chakrapani around me and in me.” Thus Prahlada Responded truly to the queries of the Asura teachers. It is true that the Lord has chosen him and through him he wanted to show to the world who he is. The Asura teachers who were not able to bear this started behaving cruelly with hm. They tried to create fear in him in many ways. They then tried to say to all others that ths child is seemingly a differentiated one in the Asura clan and will be the cause for their clan’s destruction. He was termed as a thorny tree in the Chandan forest of Asura clan. Later they taught him the thrivarga education which is the education pertaining to material world known as Dharma, Artha and Kaama. Prahlaada was learning all they taught and served his gurus out of compassion on them and ensuring that they should not be harmed or pusnished by his father, the Asura King. He was a truly compassionate devotee and was kind to everyone. (To be continued)

ÓœÁåÁ™ o…Ï ¡ ÆÊ ∫Á™ åÁ™ ƒ∫Áååz @@

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March '19

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March '19

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HÍ=Ù# r"å`«‡ Ѩ~°=∂`«‡ Ü≥ÚHõ¯ â◊s~°=∞x K≥ѨÊ=K«∞Û. Wk r"å`«‡ Ѩ~°=∂`«‡ ã¨O|O^è•Å HÀ}OÖ’ K≥Ñ≤Ê# JOâ◊O. <å~åÜ«∞}∞_»∞ JKÕ`«# =ã¨∞Î=ÙÅÖ’ ‰õÄ_® "åºÑ≤Oz L<åfl_»∞. r"å`«‡ KÕã¨∞‰õΩ#fl ѨÙ}º áêáêŠѶ¨e`«OQÍ ^•xH˜ ~°∂áêxfl „Ѩ ™ êk™êÎ _ » ∞ . "Õ ^ Œ xÜ« ∞ =∂Å J#∞QÆ ∞ }OQÍ ™êfiq∞ P_»∞‰õΩO@∞#fl P@ Wk. `«#`À LO_»`«y# ã¨O|O^è•xfl `≥Å∞ã¨∞‰õΩx `«#Ѩ@¡ ÉèíH˜Î`À ã¨=∞~°Ê}`À LO_®Åx PÜ«∞# Ptã¨∞Î<åfl_»∞. XHõ¯™êi rq ã¨`åºxfl „QÆÇ≤ÏOK«QÍ<Õ ZO`À ã¨O`À+¨OQÍ J`«xx [## =∞~°} K«„HõO #∞O_ç q_»∞^ŒÅ KÕã≤ Ѩ~°=∞Ѩ^ŒOÖ’ `«# J‰õΩ¯# KÕ~°∞Û‰õΩO\Ï_»∞. q∞QÆ`å r=ÙÅ∞ rq`« ã¨`åºxfl `≥Å∞ã¨∞‰õΩ<Õ =~°‰õΩ WO^Œ∞Ö’<Õ, WHõ¯_Õ u~°∞QÆ∞`«∞O\Ï~°∞. XHõ"Õà◊ JO^Œ~°∞ Ѩ~°=∂`«‡ S`Õ, Ѩ~°=∂`«‡ =∂Ü«∞KÕ „ѨÉèÏq`«∞_≥·`Õ, PÜ«∞##∞ "åà◊√§ ZÖÏ `≥Å∞ã¨∞ ‰õΩO\Ï~°∞? XHõ"àÕ ◊ "åà◊√§ Ѩ~=° ∞ã¨`º« O J~°O÷ KÕã∞¨ ‰õΩ<åfl =∞m§ =∂Ü«∞KÕ „ѨÉèÏq`«∞Å∞ HÍ~°∞ Jx ZÖÏ J#∞HÀQÆÅO? D "åºMϺ<åÅ∞ "Õ^•ÅÖ’ ã¨∂zOK«ÖË^Œ∞. HÍ=Ù# "å\˜x =^Œe"≥Ü∞« º=K«∞Û#∞. ''™êfig∞! Wq Jhfl Ü«ÚHõÎ"≥∞ÿ# ["å|∞Å∞. D JOâ◊OÃÑ· aè<åflaè„áêÜ«∂Å#∞ "åºÑ≤OѨ KÕã¨∞Î#fl J<Õ‰õΩÅ∞ =∂ P™ê÷#OÖ’ L<åfl~°∞. "å~°O^Œi`À g∞~°∞ K«~°ÛÅ∞ [~°áêÅx <Õ#∞ HÀ~°∞‰õΩO@∞<åfl#∞. ##∞fl *Ï˝#=O`«∞x KÕã≤#@∞ìQÍ "å~°O^Œix ‰õÄ_® *Ï˝#∞Å∞QÍ K≥Ü«∞ºO_ç, ^•x`À <å ~å[ºO ‰õÄ_® ã¨∞*Ï˝#∞Å`À nѨ=O`«=∞=Ù`«∞Ok.—— JO@∂ H˜∆u~åA ~å=∂#∞AÅ#∞ „áêi÷OKå_»∞. ''F ~å*Ï! K«~°ÛÅ∞ K≥Ü«∞º_®xH˜ <Õ<≥ѨC_»∂ ã≤^Œú"Õ∞. HÍh <ÕxѨC_»∞, "Õ^Œ"åºã¨ =∞ǨÏi¬ t+¨µº_»∞ É’^è•Ü«∞#∞_»∞ ~°zOz# „|Ǩχã¨∂„`« ÉèÏ+¨ºO =$uÎ „QÆO^è•<Õfi+¨}Ö’ L<åfl#∞. P ѨÙ~å} „QÆO^è•xfl J^茺ܫ∞#O KÕ¿ãÎ <å Hõ$+≤ ѨÓ~°Î=Ù`«∞Ok. `«^•fi~å <å‰õΩ ÅaèOz# *Ï˝#O`À W`«~°∞Å`À K«~°ÛʼnõΩ QÍh "å^Œ „Ѩu"å^Œ#ʼnõΩ <Õ#∞ J~°∞›_#» =Ù`å#∞. <å D „ѨÜ∞« `«flOÖ’ #∞=Ùfi ã¨Ç¨ Ü«∞Ѩ_Q» ÅÆ "å? „Ѩã∞¨ `Î O« P ѨÙã¨HÎ Oõ J#O`åk`«∞ºx ~å[ºOÖ’x âß~°^• Ñ‘~î°O ÖËHõ ã¨~°fi*Ï˝# Ñ‘~î°OÖ’ L#fl^Œx q<åfl#∞. ##∞fl P K«„Hõ=iÎH˜ ѨiK«Ü∞« O KÕÜ∞« QÆÅ"å <åÜ«∞<å? P Ѩq„`« „QÆO^è•ÅÜ«∞OÖ’x =$uÎ „QÆO^è•xfl K«∂_»_®xH˜ J#∞=∞u WÑ≤Ê™êÎ"å?—— Jx ~å=∂#∞AÅ"å~°∞ J_çQÍ~°∞. ''™êfig∞! g∞ HÀiˆH <å‰õΩ âßã¨#O. Ѩq„`å`«∞‡Öˇ·# g∞=O\˜ =∞ǨÏhÜ«ÚÅ =^ŒÌ t+¨ºiHõO K≥Ü«∂ºÅx <å =∞#ã¨∞ Lqfià◊¥§~°∞`«∞#flk. ^ŒÜ«∞KÕã≤ ##∞fl g∞ t+¨µºxQÍ ã‘fiHõiOz, "≥∂Hõ™∆ ê^è#Œ ‰õΩ ã¨~Ô #· =∂~ÀæÑ^¨ âÕ O◊ K≥Ü∞« ºO_ç Jx ~å=∂#∞AÅ áê^•ÅÃÑ· Ѩ_ç „áêi÷OKå_»∞ H˜∆u~åA.

''x#∞fl <å t+¨µºxQÍ JOwHõi™êÎ#∞. ˆ~Ѩ٠ZO`À Ѩq„`«"∞≥ #ÿ ~ÀA ~ˆ Ѩ٠„á⁄^Œ∞#Ì Ug∞ u#‰õΩO_® WHõ¯_çH˜ ~°=Ú‡. hÖ’ *Ï˝<ÀnÌѨ#O KÕ™êÎ#∞.—— J<åfl~°∞ ~å=∂#∞AÅ"å~°∞. g~°∞ WÖÏ ã¨OÉèÏ+≤ã¨∂ÎO_»QÍ, "≥Å∞ѨŠã¨O^Œ_ç qxÑ≤OzOk. „Ѩ[Å∞ H˜u∆ ~åA#∞ K«∂_®Åx HÀ~°∞‰õΩ<åfl~°∞. WO`«Ö’ XHõ ~°HH∆õ Éõ @íè ∞_»∞ ~åA =^Œ‰Ì Ωõ =zÛ ''~å*Ï! =∞#O |OkèOz# P KÀ~°∞x WHõ¯_Õ „Ѩ"Õâ◊ÃÑ@ì<å? qKå~°} „áê~°Oaè™êÎ~å?—— J_çQÍ_»∞ Ããx· ‰õΩ_»∞. (PÅÜ«∞OÖ’ XHõ KÀ~°∞_»∞ „Ѩ"ÕtOz ~å=∂#∞AÅ"åi ã¨g∞ѨOÖ’ uiy# ã¨OѶ¨∞@# áê~ Ωõ ʼnõΩ QÆ∞~°∞OÎ _Õ LO@∞Ok. JÖÏ Ñ¨@∞ì|_ç# ^˘OQÆx H˜u∆ ~åA =ÚO^Œ∞ „Ѩ"âÕ Ã◊ Ñ\˜ì qKåiOKåe. PÅÜ«∞ ÉÏ^躌 `«Å∞, ~°H}∆õ H˜u∆ ~åA"Õ.) ~åA JOwHõiOz ~å=∂#∞Ax =^ŒÌ ÃãÅ=Ù fã¨∞‰õΩx KÀ~°∞x qKåiOK«_®xÔH· =∞iÜ«Ú „Ѩ[Å#∞ HõÅ=_®xÔH· KÕã≤# `å`å¯eHõ ^Œ~åƒ~°∞‰õΩ "≥àϧ~°∞. PÅÜ«∞ „ѨǨÏs QÀ_» #∞Oz K«∂¿ãÎ Jk XHõ J^Œ∞ƒù`« ^Œ$â◊ºO. P ~ÀAÖ’¡ PÅÜ«∂Å#∞ HÀ@ÖÏ¡QÍ Hõ>"ìË å~°∞. q`«ëê÷#k (WѨÊ\˜ rÅ"£∞ #k) X_»∞¤# HõÅ K«„Hõ^èŒ~åÅÜ«∞O J@∞=O\˜k. P HÀ@Ö’ 5000 =∞Ok Ãã·x‰õΩÅ#∞, QÆ∞„~åʼnõΩ, U#∞QÆ∞ʼnõΩ =∞iÜ«Ú W`«~° Ããx· Hõ ™ê=∞„yx `«#Ö’ ÃÑ@∞ì‰Ωõ x ~°H}∆õ W=fiQÆÅ ™ê=∞~°úºO L#flk. P PÅÜ«∞O H˜∆u~åAx Pnè#OÖ’ L#flk. D J=HÍâßefl H˜∆u~åA, ~å*Ï J#O`åk`«∞ºx "Õ_»∞‰õΩx ™êkèOK«∞‰õΩ<åfl_»∞. PÅÜ«∞O Ü≥ÚHõ¯ Ѩ_»=∞~° „ѨHõ¯ ÃÑ^ŒÌ ÃÑ^ŒÌ ~åà◊§`À xi‡`«"≥∞ÿ, tÖÏÊÅ∞, HõàÏHõ$`«∞Å`À JÅOHõiOK«|_ç# =∞O@ѨO L#flk. D PÅÜ«∂xfl ^Õâ◊, q^ÕâßÖ’¡x tÅ∞ÊÅ#∞ Ñ≤ez "åiKÕ xi‡OѨKÕâß~°∞. Q˘Ñ¨Ê Q˘Ñ¨Ê tÅ∞ÊÅ∞ JHõ¯_çH˜ =zÛ, ^Õg^Õ=`«Å∞, [O`«∞=ÙÅ∞, =∞#∞+¨µÅ∞, =Ú#∞Å tÖÏÊÅ#∞ JHõ¯_ç ã¨ÎOÉèÏÅÃÑ· r=Hõà◊ L\˜ìѨ_ÕÖÏ K≥Hͯ~°∞. WHõ¯_ç tÅ∞ÊÅ tÅÊHõàÏ Kå`«∞~°ºO ZO`« Q˘Ñ¨Ê^ŒO>Ë, XHõ =∂#= â◊s~°OÖ’ `˘q∞‡k ~°O„^•Å∞ LO\ÏÜ«∞x `≥Å∞ã¨∞ J=hfl ֒ѨŠXHõ^•x`À XHõ\ ˜ J#∞ã¨O^è•#O Hõey LO\Ï~Ú. JÖψQ, =∞$QÍʼnõÄ, tÅ∞ÊÅ∞ =∂#=, =∞$QÍÅ â◊s~åÅ#∞ K≥H˜¯ ^•xH˜ ~°O„^•Å#∞ ÃÑ\˜ì, P ~°O„^•Å‰õΩ XHõ ^•x`À ֒ѨÅ#∞O_ç XHõ\ ˜ ã¨O|O^èŒO L#fl@∞ìQÍ K≥Hͯ~°∞. L^•Ç¨Ï~°}‰õΩ XHõ "≥O_çfQÆ#∞ P tÅÊO =Ú‰õΩ¯Ö’ ^Œ∂i¿ãÎ Jk J`«x K≥q#∞O_ç "≥Å∞ѨeH˜ =ã¨∞OÎ k. JO`Õ H͉õΩO_® W`«~° ~°O„^•Å QÆ∞O_® ‰õÄ_® "≥Å∞ѨʼnõΩ =ã¨∞OÎ k. JѨÊ\˜ tÅÊHõàÏKå`«∞~°ºO J@∞=O\˜k. P =∞O@ѨO #_»∞=∞ XHõ `å`å¯eHõ ã≤OǨã¨#O LOK«|_çOk. ã¨fi~°=‚ ∞Ü«∞=∞~Ú# P ã≤OǨã¨<åxH˜ J=¸Åº"≥∞#ÿ ~°`åflÅ∞, =„*ÏÅ∞, "≥_· ∂»è ~åºÅ∞ Z<Àfl á⁄^ŒQ|Æ _ç =Ù<åfl~Ú. (ã¨âı+¨O)

PtOz rqOKÕ =ºH˜Ö Î ’ #@# LO@∞Ok. PtOK«‰Ωõ O_® rqOKÕ =ºH˜Ö Î ’ Pf‡Ü«∞`« =ÙO@∞Ok.

March '19

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Ramanuja’s Journey to Sharada Peeth – Kashmir Serial - 19

CSL Narasimhan

Lord Ramanuja, the great Vaishnavite seer whose 1000 th year birth day was celebrated this year throughout India with pomp and glory. He was a seer who brought to light the concept of the whole universe as one family : Vasudhaiva kutumbakam and brought to light the right understanding and interpretation of Vedas and established equal chance for all living beings to attain salvation at the end of the current birth by surrendering before the Lord – Saranagathi. In order to putforth his understanding Lord Ramanuja had to first understand what his predecessor Acharyas have done to explain the Vedas. On this account he visited atleast twice to Sharada Peetham of Kashmir which was the seat of Goddess Saraswathi and a huge store house of learning known as Shree Bhandaram. VAK is attempting to bring the interesting items of this effort of Lord Ramanuja to its readers. Story so far: Obtaining the ordainment of Lord Varadaraja of Kanchi, Lord Ramanuja and Kuresa set out to study Boudhayana Vrutti Grantha at Sharada peetham in Kashmir. They had taken a fast route and reached Kashmir in just about 6 months time from Kanchi travelling almost everyday. They reached Chakradhara theertham at the outskirts of Kashmir and had been well received by a learned scholar Keshavacharya who till recently served as the Prime Minister of the King. When they had the darshan of Lord Chakradhara there, Kshitiraja arrived in the temple and was camping. Keshavacharya was planning to take his help to help Lord Ramanuja. He was trying to understand how Boudhayana vrutti Grantha is important and missed the attention of the great saint Yamunacharya. A plausible explanation provided to this seemed to be due to foreign invasions and unrest. While the discussions were happening a stealth person with royal looks visited the place, escaped and was captured. Next early morning when the three people went to Chakradhara theertha for morning rituals they met the royal family member Kshitiraja who was one of the Satraps and cousin of King Ananthaditya who agreed to learn about their mission and help. Lord Ramanuja with the help of Keshavacharya could have a conversation with King Kshitiraja about his mission. The King who was already carried away by the Radiance of the Great Saint bowed before him and requested him to deliver a discourse at the temple…

“He said that Lord owns everything in this universe which is called Leela Vibhuti. Lord also heads the Paramapada which is known as Nitya Vibhuti where people who attain salvation reach. The Paramapada is far away from this universe and one has to cross the entire nature’s circle called Prakruthi mandala to reach there. Only people who are highly devoted to Lord are granted this abode by the Lord pleased with their devotion. In this abode there is only Pleasure, Aananda and always the souls there enjoy Lord’s company and watch all his games (leela).

There is no hunger, no thirst, no desires and everything there is Lord. He is the ultimate material for enjoyment and is known as ultimate Rasa. The Universe you see around you is the Leela Vibhuti. Its size is three times lower than the Nitya vibhuti or Parama pada. In this universe the souls are subjected to birth-death-re-birth cycles. Lord as part of his leela does creation, protection and destruction in this universe out of compassion for the upliftment of souls and he does that following the prescriptions in Vedas. It is ones own deeds which makes one noble or ignoble in this universe. Ultimately only the Lord who gets pleased by devotion or love will be able to relieve the souls of this misery and take them to his abode and provide them ultimate and everlasting bliss from where they don’t return. So my dear devotees please understand that the purpose of everyone’s life is to attain the Lord’s abode Paramapadam which can be obtained only by pleasing the Lord. Hence please surrender at the feet of Lord and be devoted to him to please him” Lord Ramanuja concluded his short speech after the discourse, Kshitiraja came and prostrated before the Acharya and said. “Oh! Revered one, it is for the first time after a lot of discourses from several saints I am hearing about Paramapadam and that is the item as ultimate bliss. This is different from what I heard from other saints who said that the whole universe is an imaginary item created by illusion due to defects from within and not real and one has to realize this from within. Ultimately everyone is Paramatma. Once that realization happens then the liberation happens. What are your views on this understanding” “Oh! Kshitiraja, please don’t go by the words of the people who advocate world is an illusion. It is not. This is also against vedas. There are three main eternal items in the world. The Souls, the non-living items (Achetanas or Prakruthi) and the Eshwara or Paramatma which owns all. The Lord Eshwara is blemishless and bestower to all the fruits for ones deeds. The Lord is the inner controller of the souls or the antaratma or soul of the souls and hence one can refer to ones self also as a body of Paramatma from the angle of body-soul conventions. Lord also pervades the non-living beings and gives bodies to various souls according to their deeds. It is a righteous game played by the Lord

Jã¨=∞~°∞Å ÷ ‰õΩ J=~À^è•Å∞QÍ JxÑ≤OKÕq ã¨=∞~°∞Å ÷ ‰õΩ J=HÍâßÅ∞QÍ HõxÑ≤™êÎ~Ú.

March '19

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as per the vedic rules. He expects people will realize their relationship with him and surrender to him and be devoted to him. Once that is attained he gets pleased and liberates them from this universal birth-death cycles and takes them to his abode. The rest continue till they realize. If everyone were Paramatma and paramatma can be affected by illusion or defect how can they get realized themselves? If they get realized what is the guarantee that they will not be affected by illusion again? These interpretations are not as per the vedic scriptures and hence they have to be discarded” “Oh! Swamy these are very pertinent responses and I request you to have a scholarly debate with some key scholars of the kingdom who perpetuate various concepts and like you have now enlightened me if you also enlightened them then my kingdom will become enlightened” Requested Kshitiraja. “Oh! King, I will be happy to do so. But first I am in search of an ancient text called Vritti Grantha written by Sage Boudhayana who was disciple of Veda Vyasa and who wrote elaborate commentary to Brahmasutra. Once I study that text my mission is complete and I will be in a position to enlighten people better. Can you help me on this mission? I heard that this book is at the Sarada peeth or Sarvajnyana peetham in the kingdom of emperor Ananthaditya. Can you please make an introduction to him and grant me permission to look at the Vritti Grantha in the sacred library?” “This will be an ordainment for me oh! Great soul and holy one. Please accept me as your disciple and teach me further and show me the right path for salvation” requested Kshitiraja falling at the feet of the saint once more. “I accept you as my disciple. I will enlighten you and initiate you tomorrow which is an auspicious day. Please come to me in the morning without having food” ordained Lord Ramanuja. When this conversation was happening there was commotion and many people were waiting for the audience of King Kshitiraja outside. An armed soldier approached the king and said “Shall I arrange for the enquiry of the captured thief

here itself? Asked then soldier” (Readers may recollect from previous episodes that a thief who intruded the temple and also wandered close to Lord Ramanuja’s place of stay was captured and waiting for the audience of the king who was owning the responsibility of the temple) The king said “yes”. He then took leave of Lord Ramanuja and went on to the make shift enquiry durbar to enquire the thief and also to meet people. It was a great sight from the ramparts of the temple fortification. In those days many temples were built like fortresses. The Chakradhara temple on the Banks of Vitastha river (modern day Jhelum) was also one of them. It had a capacity of house 5000 soldiers, horses, elephants and other army paraphernalia for the kings. The temple was under the kingship of Kshitiraja. He requested for this opportunity from the emperor king Ananthadeva and he got it. On the eastern side of the main temple there was a large stone walled mantapa with finest engravings and sculptures. The temple was built long ago with sculptors from all over the kingdom and also outside the kingdom. Famous sculptors made mystic images of the gods and goddesses, animals and human beings, sages etc. on the pillars as if they were standing alive in front of us. The human body has nine openings and connected in itself from inside. Similarly on the bodies of animals the sculptors could build human and animal statues with nine openings exactly to similar design of a real human or animal body with the connections between the openings from inside the body. For example if a small silver wire is inserted in the nostrils of the sculpture the wire could be coming out from ears, nose or any other opening where the connections are there as per the internal design of human or animal bodies. Such were the greatness of the sculptors in those days. A large makeshift throne was placed on the central elevated platform of the mandapa. The throne was made of pure gold and was having many diamonds studded in it. The diamonds were priceless. Other than diamonds there were rubies of various colours and jades on the (to be continued...) throne.

FO <å~°ã≤OÇ¨Ï =Ѩٿ+ #=∞ó FO ˆH∆„`«*Ï˝Ü«∞ #=∞ó G åÁ∫uÃÊ “ ƒúÏ   z å™:

G qz fi rÁÆ å™:

In moments of distress and despair For aspirants of Plots and own residence.

PѨ^ŒÖ’ L#flѨC_»∞ 㨇iOK«O_ç.

All slokas Chant 108 times

FO *’ºuëêOѨ`«ÜÕ∞ #=∞ó G [ÆÁz u o ÁÊ ú oÆz å™: For good eye - sight.

ã¨fiO`«OQÍ áê¡@∞¡, WO_»∞¡ H˘<åÅ#∞‰õΩ#fl "åiH˜. ã¨Ê+¨ì"≥∞ÿ# K«∂Ѩ٠H˘~°‰õΩ.

#∞"≥fiO`« Hõ+Ñì¨ _¨ ç ѨxKÕã∞¨ <Î åfl"À K≥á⁄Ê^Œ∞.Ì ZO`«Ñx¨ ѨÓ~°~Î ÚO^À K≥ÑC¨ .

March '19 NEWS

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Multi-regional culture festival 'Arth' to begin tomorrow New Delhi, Feb 7 The mega cultural festival 'Arth' organised to celebrate the essence of "Indic thought and philosophy", will begin here on Friday with participation of more than 250 writers, scholars, artisans and artists from India and abroad. The three-day festival, touted to be India's first multiregional fest, will be held here at the lawns of the Indira Gandhi National Centre for the Arts (IGNCA). Participants include prominent names like Union Minister Smriti Irani, senior leader Subramanian Swamy, actor Raveena Tandon, classical dancer and Rajya Sabha MP Sonal Mansingh, economist Bibek Debroy, authors Ashwin Sanghi and Amish Tripathi. Among the international contingent it has Lord Meghnad Desai, Karen Attiah (Global Opinions Editor of Washington Post); Domenic DiGiovanni (Homeland Security Department of USA); Tess Davis (Antiquities Coalition); Imam Tawhidi from Australia, Shimon Lev from Israel and Hasan Kerim Guc from Turkey, among others. According to the organisers, the festival will bring to the audience myriad activities including panel discussions, cultural performances, workshops, visual art installations, live art etc. "For the national edition, we have tried to bring a microcosm of India on to stage those 3 days, through several accomplished artists, writers and individuals and also various arts and crafts workshops to enthral the audience. "We will be discussing some really pressing issues that have rocked the nation in recent times. It is extremely important that these relevant topics are discussed on such large cultural platforms and engage with not only experts but also the citizens of the country," Vikram Sampath, festival director, said. Also, exclusive sessions, comprising of creative workshops, theatre, history, philosophy, puppet performances and master classes, have been created for children, he added. For music lovers, the festival will also witness performances by renowned artists like Bombay Jayashree, Pandit Vishwa Mohan Bhatt, Teejan Bai, Bombay Bairag and Gautam Das Baul, among others. (Outlook India Feb7) Sant Ravidas belongs to all, says Rangarajan Hyderabad: Trustee of Chilkur Balaji Temple CS Rangarajan on Tuesday said that Sant Ravidas and his teachings in the form of poems and songs belong to the entire society and not just to one community. Participating in Sant Ravidas Jayanti celebrations at Hanamkonda, Warangal, the senior archaka from the Chilkur Balaji temple, said that Sanatana Dharma treated everyone as equal before God and the discrimination based on caste and class had crept into the system in later times. “Sant Ravidas was born in a cobbler’s family and gained knowledge from his Guru Swami Ramananda, who was a great disciple of Ramanuja philosophy. There is a definite need for more community interaction and recognising the message of Sant Ravidas,” Rangarajan said. In his speech during the celebrations, the senior archaka referred to the ‘Munivahana Utasvam’, which was

performed by him last year when he carried a Dalit devotee Aditya Parasri on his shoulders into the temple. It was nearly 2,700 years ago that Tiruppanalwar, born in a ‘lower caste’, was carried from the banks of the river Cauvery into the Srirangam Ranganatha Swamy temple by a priest. “It is heartening that my small step coincided with the millennial appearance celebrations of Bhagawad Ramanuja, who had fought for a casteless and egalitarian society,” he said. (Telangana Today Feb20) Idol theft : Former executive officer of Trichy temple arrested Trichy : The idol wing CID Policeon Tuesday arrested a former executive officer of Sri Tharuganeswarar temple in Thirupparaithurai in Trichy in connection with the theft of three idols in the temple several years ago. The idol wing CID police arrested K Anandkumar Rao, 44 on charges of stealing the idols of deities Chandikeshwarar, Angalamman and Bhoga Sakthiamman when he was the executive officer of the temple. He was the brain behind the idol theft, said the idol wing. Rao had been absconding for the past seven months after the Madurai bench of Madras high court denied him anticipatory bail. His accomplices Thirumalaikatti Ramanathan was arrested few months ago while accountant S Kannan, 57 of Thirupparaithurai arrested on January 30 this year. The trio indulged in lifting the three antique idols, and Kannan replaced the idol of Angalamman with a modern replica at the instigation of two others. They melted some of the antique utensils of the temple to make a replica. The crime came to light in 2017 when the temple trustees decided to put the idols on display for the temple festival. (Times of India, Chennai 5-2-2019) Man held in Kanyakumari for idol theft Chennai : The idol wing of the CID has made one more arrest in connection with the theft of 3 kg Lord Murugan statue dated 1,000 AD, which was stolen from a temple at Nemili near Arakonam three years ago. Police had recovered the idol from a lathe shop in Ekattuthangal and arrested two suspects on charges of idol smuggling on December 23, 2018. Police said Mukesh was nabbed from a hideout in Kanyakumari on Monday and was produced before the special court for idol theft cases in Kumbakonam on Tuesday. Additional superintendent of police Rajaram, deputy superintendent of police Azhagu Sundaram, police head constables Venkatesan, Natarajan, Samiappan, Arul Moses, and policemen Praveen Mohan and Karthik kept a watch on Mukesh's movements. Desikan Adigal from Nemili village, Mukesh from Kanniyakumari and Ismail, a tea shop owner from Kirumambakkam in Puducherry, were planning to sell the idol for Rs.1 crore, said officials. (Times of India, Chennai 13-2-2019) Idol theft: HC asks why no action on erring officer yet CHENNAI: Censuring the Commissioner of Hindu Religious and Charitable Endowments Department (HR & CE) for failing to take action against N Tirumagal, additional commissioner of the department, who was allegedly involved in an idol theft, the Madras high court directed the commissioner to appear in person and explain

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the inaction. “Commissioner is the supreme authority of the department. Why had he not issued even a memo to the officer even after the high court dismissed her anticipatory bail plea with detailed observations about her involvement in idol theft and destruction of government documents? So, even the high court order is not sufficient for the commissioner to take action,” a special division bench of Justice R Mahadevan and Justice PD Audikesavalu said on Friday. The court made the observations while hearing a plea seeking to stay an inquiry ordered by the department into the allegations parallel to a probe conducted by the idol wing CD. Counsel for HR&CE said the commissioner could not take any action against the officer as he did not have any materials to prove her involvement in the offence. Wondering whether a complaint alleging her involvement in idol theft is not sufficient for initiating action, the bench pointed out how an executive officer of a temple in Kancheepuram had been suspended by the department for not bring present during a puja session. “Officers are suspended and issued memo for such petty issues, but no action has been taken against the additional commissioner even after three joint commissioners of the department have deposed against her,” the bench added. To this, counsel submitted that if the court passed a direction to that effect the commissioner would initiate action on the basis of such order. However, the bench said: “We are not here to administer the department. If the commissioner needs court orders to act, then what is the point in holding the post.” (Times of India 26.1.2019) Restore temple to its original condition: HC Tiruvattar temple authorities to carry out directions within 6 months. The Madurai Bench of the Madras High Court on Tuesday issued directions to the authorities of the iconic Adi Kesava Perumal Temple at Tiruvattar in Kanniyakumari district to take necessary measures in order to bring the temple to its original condition. Justice R. Mahadevan observed that the temple had to be restored in tune with its fame, antiquity and importance and preserved with utmost care. Restoring the original condition of the temple meant carrying out measures to bring the inscriptions, sculptures and images found in the temple to their original shape and preserving them, the judge said. The court took cognisance of the report filed by the Advocate Commissioners appointed in the case and observed that Indians, particularly Tamilians, should be proud of having the most number of Divyadesams. The Adi Kesava Perumal Temple was older than Sri Anantha Padmanabhaswamy Temple in Thiruvananthapuram, the court said. The court directed the authorities to carry out civil works to restore the temple’s mandapam and other structures, while protecting the architectural marvels of the temple. The kodimaram had to be made with stability, strength and durability. Murals had to be preserved with the help of experts, for which assistance could be obtained from Archaeology department. Necessary records of stone inscriptions had to be maintained. Wooden carvings, roofs, copper plates and antique utensils should also be preserved, the court said. In order to enhance safety of the temple, the court directed the authorities to provide proper lighting, instal

CCTV cameras and increase the strength of employees. Encroachment on temple properties should be removed expeditiously, it said. The directions had to be carried out within six months from the date of issue of the order, the court observed. The court was hearing a petition filed by M. Ayyappan, who sought a direction to Hindu Religious and Charitable Endowments department and the temple authorities to appoint an expert committee to restore the temple to its original condition in order to perform its consecration. (Recently... in The Hindu)

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FO ǨÏ$+‘ˆHâßÜ«∞ #=∞ó G J  yNz ∆ ÁÆ å™:

For overcoming bad habits

ã¨O`ü t~À=∞}˜ ~°q^•ãπ Pâ◊Ü«∂Å∞ J#∞ã¨~°}©Ü«∞O zÅ∞‰õÄi ÉÏÖÏr ^Õ=™ê÷#O „Ѩ^è•# J~°Û‰õΩ_»∞ N ~°OQÆ~å[<£ =~°OQÆÖò, Ѷ≤„|=i 19 : ã¨O`ü t~À=∞}˜ ~°q^•ãπ Pâ◊Ü«∂Å∞ J#∞ã¨~}° Ü © ∞« "≥∞#ÿ =x N zÅ∞‰õÄi ÉÏÖÏr ^Õ=™ê÷#O „Ѩ^•è # J~°Û‰õΩÅ∞, =Úx"åǨÏ# ¿ã=‰õΩÅ∞ N ~°OQÆ~å[<£ J<åfl~°∞. ǨÏ#‡H˘O_» 39= _çq[<£ HÍHÍr HÍÅhÖ’x Ü≥∂QÍxÅÜ«∞OÖ’ ™ê=∂lHõ ™ê=∞~°`« "ÕkHõ ã¨=∂QÆ~ü "≥∂z ã¨OѶ¨∞O P^èŒfi~°ºOÖ’ ~°q^•ãπ [Ü«∞Oux =∞OQÆà◊"å~°O x~°fiÇ≤ÏOKå~°∞. „Ѩ=ÚY q^•º"Õ`«Î QÆ∞A˚Å #~°ûÜ«∞º J^茺Hõ∆`«# [iy# D HÍ~°º„Hõ=∞OÖ’ PÜ«∞# =∂\Ï¡_∞» `«∂ ã¨O`ü t~À=∞}˜ ~°q^•ãπ ÉèHí =Θ ∂~°Oæ ^•fi~å ‰õΩÅ q=Hõ∆ ÖËx ã¨=∂*Ïxfl PtOKå~°x PÜ«∞# É’^èŒ#Ö’x ^ŒÜ«∞, Hõ~°∞}, =∂#=`«fi qÅ∞=Å∞ ZO`«QÍ<À ^ÀǨÏ^ŒO KÕ™êÎÜ«∞x ¿Ñ~˘¯<åfl~°∞. D ã¨O^Œ~°ƒùOQÍ ã¨=∂QÆ~ü "≥∂z ã¨OѶ¨∞O HÍ~°ºHõ~°ÎÅ∞ 25 =∞Okx Ѷ¨∞#OQÍ ã¨<å‡xOKå~°∞. JO`«‰õΩ=ÚO^Œ∞ ǨÏ#‡H˘O_» KÒ~°™êÎ #∞Oz ™ê=∂lHõ ™ê=∞~°`« "ÕkHõ ã¨=∂QÆ~ü "≥∂z ã¨OѶ¨∞O P^èŒfi~°ºOÖ’ ǨÏ#‡H˘O_» KÒ~°™êÎ #∞Oz HÍHÍr HÍÅhÖ’x Ü≥∂QÍ xÅÜ«∞O =~°‰õΩ ~åºb KÕѨ\Ïì~°∞. HÍ~°º„Hõ=∞OÖ’ ã¨=∂QÆ~ü "≥∂z ã¨OѶ¨∞O lÖÏ¡ J^茺‰õ∆Ω_»∞ ‰õΩO@Å ~°q, UÅ ã¨`º« <å~åÜ«∞} zÅ∞‰õÄi ã¨Or=, Ñ≤. =~°„Ѩ™ê^£~å=Ù, JáêÊÅ „Ѩ™ê^£, =∂`«Oy ~°"∞Õ +π ÉÏ|∞, #Hõ¯ ~å[Ü«∞º NÅH˜¯ ã¨=∞‡Ü«∞º, N ɡe¡ =∞¿ÇÏO^Œ~,ü H˘O_»Ñi¨ Î ã¨^•#O^ŒO, QÆO_≥ „HÍOu‰õΩ=∂~ü, |O_®i ~°Ñ¶¨Ú áêÖÁæ<åfl~°∞. ã¨O`ü ~°q^•ãπ ¿ã=Å∞ z~°ã‡¨ ~°}Ü © ∞« O : ã¨O`ü~q° ^•ãπ ã¨=∂[ JÉè∞í º#fluH˜ KÕã#≤ ¿ã=Å∞ z~°ã‡¨ ~°}Ü © ∞« =∞x HÍHõfÜ«∞ Ü«¸x=iû\© J^Œ#Ѩ٠ѨsHõÅ∆ xÜ«∞O„`«}ÏkèHÍi _®Hõì~ü ZÖòÑ‘ ~å*ò‰õΩ=∂~ü J<åfl~°∞. =∞OQÆà◊"å~°O HÍHõfÜ«∞ Ü«¸x=iû\© "≥Ú^Œ\ ˜ Qˆ @∞ =^ŒÌ |Ǩï[# ã¨∂_ì O≥ \ò ÃÑ_¶ ~ˆ» +¨<£ (cZãπZÑπ) Hˆ Ü«¸ Hõq∞\© P^èfiŒ ~°ºOÖ’ HõÖÑ¡ˇ e¨ ¡ „ѨâßO`ü, W<£Kåi˚ Hõ@∂¯i ~åǨïÖò P^èŒfi~°ºOÖ’ ã¨O`ü ~°q^•ãπ [Ü«∞Oux x~°fiÇ≤ÏOKå~°∞. HÍ~°º„Hõ=∞OÖ’ cZãπZÑπ ~åR J^茺‰õ∆Ω_»∞ K≥_»∞áêHõ JxÖò, <åÜ«∞‰õΩÅ∞ ~åˆHâò, Ѩ=<£, ‰õΩ=∂~°™êfiq∞, l. „âß=}˜ áêÖÁæ<åfl~°∞. (PO„^èŒ*’ºu 19.2.2019)

FO Ѩ~°=∂`«‡<Õ #=∞ó G ú∫™Án™åz å™: For self employed people, for promotions and success in games.

„H©_®HÍ~°∞ʼnõΩ, ã¨fiÜ«∞O LáêkèÖ’ L#fl "åiH˜, L#fl`« Ѩ^Œ=ÙÅ∞ PtOKÕ "åiH˜.

^Œ∞~°Å"å@¡#∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜. FO =+¨\ϯ~åÜ«∞ #=∞ó G ƒ bΩN˛Á∫ÁÆ å™: FO Éè∂í `«ÉÏè =<åÜ«∞ #=∞ó G ßÓoßÁƒåÁÆ å™: For Success in Business, Interviews, Visa For better health. =∞Oz P~ÀQͺxH˜. Interviews, building relationship FO ѨÓ`å`«‡<Õ #=∞ó G úÓoÁn™åz å™: "åºáê~åaè=$kúH˜, WO@~°∂fi ºÅÖ’ ã¨Ñ¶¨ÅO To remove mental stress and for mental HÍ=_®xH˜ 㨇iOK«O_ç. peace FO N=∞`Õ #=∞ó G »y™oz å™: =∂#ã≤ H õ P~ÀQͺxH˜ =∂#ã≤ H õ XuÎ _ ç #∞O_ç Please Chant for Handsome Appearance and wealth.

â◊s~° ™œO^Œ~åºxH˜, ã¨OѨ^Œ‰õΩ. FO JHõ∆~åÜ«∞ #=∞ó G Eq∫ÁÆ å™: For Education and better Financial strength.

q^•ºaè=$kúH˜ =∞iÜ«Ú Sâ◊fi~åºaè=$kúH˜.

q=ÚH˜ÎH˜.

FO â◊~°‡}Ë #=∞ó G ∆™|mz å™: For Job Satibsfaction

L^ÀºQÆOÖ’, KÕ¿ã ѨxÖ’ JOH˜`« ÉèÏ"åxH˜, `«$Ñ≤ÎH˜.

JO^ŒOÖËx Ö’@∞#∞ =∞Oz ã¨fiÉèÏ=O ѨÓiã¨∞OÎ k, HÍh =∞Oz ã¨fiÉèÏ=O ÖËx Ö’@∞#∞ JO^ŒO ѨÓiOK«Ö^Ë ∞Œ .

March '19

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=∞Oz ѨxH˜ q∞Oz# ѨÓ[ÖË^∞Œ . =∂#=`åfixH˜ q∞Oz# =∞`«O ÖË^∞Œ .

March '19

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FO ã¨÷qëêªÜ«∞ #=∞ó

FO ѨÙ+¨¯~åH∆ÍÜ«∞ #=∞ó

G Àsuƒ…eÁÆ å™:

G úÏ … N˛∫ÁqÁÆ å™:

To keep Evil forces at bay.

For overcoming bad times.

^Œ∞+¨ì â◊‰õΩÎÅ #∞O_ç HÍáê_»∞H˘#∞@‰õΩ.

HõëêìÅ #∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜.

|∞∞} q"≥∂K«# #$ã≤OÇ¨Ï ™È΄`«O

Chant one time

1. ^Õ=`å HÍ~°º ã≤^Œúº~°÷O ã¨ÉèÏã¨ÎOÉèí ã¨=Ú^Œƒù=O N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞ 2. ÅH∆͇º eOy`« "å=∂OQÆO ÉèíHÍÎ<åO =~°^•Ü«∞HõO N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞ 3. PO„`« =∂ÖÏ^èŒ~°O â◊OY K«„HÍÉÏ˚Ü«Ú^èŒ ^è•i}O N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞ 4. 㨇~°}Ï`ü ã¨~°fiáêѨѶ¨∞flO Hõ„^Œ∂[q+¨<åâ◊#O N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞ 5. ã≤OǨÏ<å^Õ# =∞ǨÏ`å kQÆúOuÉèíÜ«∞ <åâ◊#"£∞ N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞

6. „ѨǨ¡^Œ =~°^ŒO Nâ◊O ^≥·`Õºâ◊fi~° q^•i}O N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞ 7. „‰õÄ~°„QÆÃÇ·Ïó Ñ‘_ç`å<åO, ÉèíHÍÎ<å=∞ÉèíÜ«∞„Ѩ^ŒO N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞ 8. "Õ^Œ "Õ^•O`« Ü«∞*Ë˝â◊O „|Ǩχ~°∞„^•k =Ok`«O N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞ 9. Ü«∞ W^ŒO Ѩ~î°`Õ x`«ºO |∞∞}"≥∂K«# ã¨Ol˝`«O J#$}©*ÏÜ«∞`Õ ã¨`Àº ^èŒ#O j„Ѷ¨∞=∞"åѨÙflÜ«∂`ü

FO Éèí∂`å^ŒÜÕ∞ #=∞ó G ßÓoÁtÆz å™:

FO ^è•„`Õ #=∞ó G áÁfiz å™: For issueless couple. ã¨O`å# „áêÑ≤Î H˘~°‰õΩ FO q^è•„`Õ #=∞ó G uƒáÁfiz å™:

Chant this name to amend soured friendship or any personal relationship

D ™È΄`åxfl Jxfl JiëêìÅ∞, ^ÀëêÅ∞, Pi÷Hõ W|ƒO^Œ∞Å`À L#fl"åà◊√§ ™êÜ«∞O ã¨=∞Ü«∞OÖ’ XHõ™êi 㨇i¿ãÎ K«Hõ¯x Ѷ¨e`«O Åaèã¨∞ÎOk.

q∞„`«∞Å`À ¿ãflǨÏÉèÏ=O ÃÑOK«∞HÀ=_®xH˜, ^ŒOѨ`∞« Å Pregnant ladies to chant for healthy babies. P~ÀQƺHõ~°"≥∞ÿ# tâ◊√=ÙÅ H˘~°‰õΩ J<Àº#º`«‰õΩ. Runa Vimochana Nrisimha Stotram Devataakaarya-siddhyartham sabhaastambha-samudbhavam Sri Nrisimham mahaaveeram namaami runamuktaye Lakshmyaalingita-vaamaangam bhaktaanaam varadaayakam Sri Nrisimham mahaveeram namaami runamuktaye Aanthramaalaadharam Sankha Chakraabja aayudha dha arina m Sri Nrisimham mahaaveeram namaami runamuktaye Smaranaat sarvapaapagnam kadrooja visha naasanam Sri Nrisimha mahaaveeraam namaami runamuktaye Simhanaadena Mahataa Digdhanthi Bhaya Naashanam

Chant one time

Sri Nrisimham mahaaveeraam namaami runamuktaye Prahlaada varadam sreesam daityesvara-vidaarinam Sri Nrisimham mahaaveeram namaami runamuktaye Krooragrahaih peeditaanaam bhaktaanaam abhayapradam Sri Nrisimham mahaaveeram namaami runamuktaye Vedavedaanta-yajnesam Brahma Rudraadi vanditam Sri Nrisimham mahaaveeram namaami runamuktaye Ya idam patathe nityam runa mochana samjnitam Anrunee jaayate satyo dhanam sheeghram avaapnuyaat

^è#Œ O L#fl"å~°O^ŒiH© ^•#QÆ∞}O LO_»^∞Œ . ^•#QÆ∞}O L#fl"åiH˜ `«y#O`« ^è#Œ O LO_»Háõ È=K«∞Û.

March '19

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Pk`«º ǨÏ$^ŒÜ«∞O 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31.

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W`庈~¬ N=∞„^•=∂Ü«∞}Ë "åb‡H©ÜÕ∞ PkHÍ"Õº Ü«Ú^ŒúHÍO_Õ Ñ¨OKåkèHõ â◊`«`«=∞ ã¨~°æó II `«ÑC¨ KÕ™ê~°x „Ѩu XHõ¯ih ^Õfi+≤ã∂¨ Î áÈ`Õ „¿Ñq∞OK«_®xH˜ Z=~°∂ q∞QÆÅ~°∞.

March '19

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Éè‰í Ωõ ÅÎ J#∞Éè"í åÅ∞ –

DEVOTEES' EXPERIENCES

Chilkur Balaji's Grace - 171

zÅ∞‰õÄ~°∞ ÉÏÖÏr J#∞„QÆÇϨ O – 171

<Õ#∞ âßã¨#ã¨Éèí∞º_çx JÜ«∂º#∞...

I BECAME MLA I came to Chilkur after filing my nomination papers. My Adversary was a strong candidate. During the counting time also the lead was oscillating. At last I won by a margin surprisingly high. This is purely Balaji grace. I performed 108 pradakshinas recently. A Devotee (MLA, Telangana 2019)

âßã¨#ã¨Éèí ZxflHõÅÖ’ áÈ\© KÕÜ«∞_®xH˜ <åq∞<Õ+¨<£ ^•YÅ∞ KÕã≤# "≥O@<Õ zÅ∞‰õÄ~°∞ =zÛ 11 „Ѩ^ŒH˜∆}Å∞ KÕâß#∞. <å „Ñ¨`«ºi÷ J`«ºO`« ã¨=∞~°∞÷_»∞. ZxflHõŠѶ¨e`åÅ ã¨=∞Ü«∞OÖ’ ÖˇH˜¯OѨÙÖ’ Ǩϟ~åǨϟs Pkè H õ º O „Ѩ u ~“O_» ∞ ‰õ Ä =∂~° ∞ `« ∂ =zÛOk. PYiÖ’ K«=∞`å¯~°OQÍ <å‰õΩ =∞Oz PkèHõºO`À q[Ü«∞O ÅaèOzOk. Jk ÉÏÖÏr J#∞„QÆÇϨ "Õ∞. W\©=Å 108 „Ѩ^HŒ }∆˜ Å∞ ‰õÄ_® KÕâß#∞. XHõ Éèí‰õΩÎ_»∞, `≥ÅOQÍ} âßã¨#ã¨Éèí∞º_»∞ 2019 Chant 28 times

N˛Áo| ƒ yÆÁ| \ Ï | å Áz åÁ™ ∫Á\Á §Á“Ï Ã“œÁƒÁåΩ @ oÀÆ À™∫m™Áfiz m ToÊ å…bÊ Y ¬•Æoz @ @

HÍ~°Îg~åº~°∞˚<À <å=∞ ~å*Ï ÉÏǨï ã¨Ç¨Ï„ã¨"å<£ I `«ã¨º 㨇~°} =∂„`Õ} QÆ`«O #+¨ìO K« ÅÉèíº`Õ II Karthaveeryarjuno nama Raaja Baahu Sahasravaan | Thasya Smarana Maathrena Gatham Nashtam cha Labhyathe|| Please chant this sloka to locate lost objects, persons and belongings.

`«Ñ≤ÊáÈ~Ú# =º‰õΩÎÅ∞, =ã¨∞Î=ÙÅ∞ uiy ÅaèOK«∞@‰õΩ D â’¡HÍxfl ÉèíH˜Î`À ѨiîOK«O_ç. HAVE YOU READ THE BOOK ....... "THE LORD AT YOUR CALL" Vol. - II We at VAK are blessed to bring out the second volume in the series of books on Anecdotes on Vishnu Sahasranama authored by Sri V S Karunakaran Swamy. Sri V S Karunakaran Swamy started this mammoth never before project of explaining the significance of the 1000 names. Since the English meaning of this hymn is given in this work, many in this country and those living abroad, will welcome it. Every name is a mantra by itself, some with two and some ranging up to eight words. The hymn is an antidote for all ills. As the author mentioned the benefits which will accrue by reciting the various name of Vishnu, it has been practically experienced by Devotees at Chilkur Balaji temple who are the regular readers of VAK in which these Anecdotes have been serialised. There is immortal ecstasy that can be experienced by chanting these names individually. The second Volume has been released on 6th September 2017, as a part of the Saptatipoorthi celebrations of the Author Sri V S Karunakaran. You can find the devotees chanting these names endlessly at the Balaji Temple Chilkur. The benefit of chanting individual names for particular needs to be granted by Almighty is being practiced and is yielding expected results. Books available at : Manager 'VAK', 2-2-647/77/D, Srinivasanagar Colony, Bagh Amberpet, Hyderabad-500 013. Price : Rs.500/- (Exclusive of postage)

∫nåüßÁúb¬YN¿˛™åÁz“∫Á nƒ nƒÊÊ úˆÁªmÊ útu™tÊ nƒuÆ ∫WïßoÏ|:@ ™ãÆz otzotÏßÆÊ ™umúÁt∫qz@ YN¿ Á £\™lg¬™uN˛ØÁå∫qmÁs| ™ Ω @@@@ ~°`«fl „ѨÉèÏѨ@Å K«„Hõ=∞<ÀǨÏ~å`«fiO Ѩ^•‡~°∞}O Ѩ^Œq∞^ŒO `«fi~Ú ~°OQÆÉèí~°∞Îó I =∞<Õº `«^Õ`« ^Œ∞ÉèíÜ«∞O =∞}˜áê^Œ~°ˆH∆! K«„HÍ|˚ =∞O_»Å=∞H˜OK«# ~°Hõ∆}Ï~°÷(~°›)"£∞ II

Oh Manipaaduka! You describe a circle of lustrous halo of supreme charm. The Lord's Feet present a picture of lotuses of red hue. The circle and lotus constitute, to my mind, a Chakrabja mandala (people offer their worship to a Yanthram(geometric pattern) consisting of a lotus inside a disc.)(500th Sloka from Paduka Sahasram)

F =∞}˜áê^Œ∞HÍ! =∞}∞ÅHÍOu ã¨=Ú^•Ü«∞O Ü≥ÚHõ¯ =∞O_»ÖÏHõ$uKÕ`« =∞#ã¨∞û#∞ PHõi¬OKÕ^•#=Ù h=Ù. hÜ«∞O^Œ∞ Hõ=∞ÅѨÙ+¨ÊO =Öˇ J~°∞}=~°‚O HõÅk N~°OQÆ „ѨÉèí∞áê^ŒO. Jn, Wn Ô~O_»∞ JH˜OK«#∞Å ~°Hõ∆}‰õΩ Ü≥∂Qƺ"≥∞ÿ# K«„HÍ|˚=∞O_»ÅOQÍ ÉèÏq™êÎ#∞.(K«„HÍ|˚ =∞O_»ÖÏ~°Û# KÕ¿ã"å~°∞, Uk‰õΩ¯ ÖËx"åˆ~ J~Ú<å, ã¨HõÖÏ~°÷ ã¨OѨ#∞flÅ=Ù`å~°∞. Ѩ~°=∞Ѩ^Œ<å^äŒ∞x ã¨xflkèÖ’ âßâ◊fi`« ÔH·OHõ~°ºO „áêÑ≤Îã¨∞ÎOk.) (áê^Œ∞HÍ ã¨ÇϨ „ã¨O 500= â’¡HOõ )

=∞#O W+¨Oì QÍ KÕ¿ã ѨxH˜ ã¨=∞Ü«∞O ÖËHáõ È=_»O JO@∂ LO_»^∞Œ .

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Date of Publication 1st of every month

Title Code : TELMUL00053 RNI. No. AP/2000/2474 Postal Registration No. HSE/738/2017-19 No.3

∆ÁzN˛Áz åÁ∆Æoz á{Æ˙ ∆ÁzN˛Áz åÁ∆Æoz »Ïo™™ΩΩ @ ∆ÁzN˛Áz åÁ∆Æoz Ã˙ åÁuÀo ∆ÁzN˛Ã™Áz u∫úÏ: @@

Sorrow destroys a man's courage, a sorrow destroys his learning, sorrow destroys all that is good in him, in fact there is no greater enemy to him than sorrow. (Ramayanam, Ayodhyakandam)

â’HõO =∞x+≤ ^è≥·~åºxfl #tOѨKÕã¨∞ÎOk... q*Ï˝<åxfl, q"ÕHÍxfl

â’HÀ <åâ◊Ü∞« `Õ ^è~·≥ º° O â’HÀ <åâ◊Ü∞« `Õ „â◊√`«"∞£ I =∞iÜ«Ú =∞x+≤Ö’ L#fl Jxfl ã¨∞QÆ∞}ÏÅ#∞ #tOѨKÕã¨∞ÎOk.

â’HÀ <åâ◊Ü«∞`Õ ã¨~°fiO <åã≤Î â’Hõã¨"≥∂ iѨÙó II

â’HõO Hõ<åfl ÉèíÜ«∞OHõ~°"≥∞ÿ# â◊„`«∞=Ù ÖË<ÕÖË^Œ∞.. (JÜ≥∂^ŒºHÍO_»=Ú, ~å=∂Ü«∞}=Ú)

zÅ∞‰õÄ~°∞ ÉÏÖÏr ^Õ"åÅÜ«∂xH˜ xkè.... ''_≥~Úb ѨÓ*Ï Ñ¶¨O_£——^•fi~å ã¨=∞‰õÄ~°ÛO_ç. D Ѷ¨O_£H˜ kQÆ∞= ã¨∂zOK«|_ç# ÉϺO‰õΩÅÖ’ K≥e¡OѨÙÅ∞ ã‘fiHõiOK«|_»∞#∞. 1) C. A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with State Bank of India, Moinabad Branch (R.R. Dist.) (¿ãì\ò ÉϺOH± PѶπ WO_çÜ«∂, "≥Ú~Ú<åÉÏ^£ âßY, ~°OQÍÔ~_ç¤ lÖÏ¡) from any branch of State Bank of Hyderabad situated in any part of the Country. 2) C. A/c No. 091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Andhra Bank, Pedda Mangalaram (Moinabad Branch PO„^è• ÉϺOH±, ÃÑ^ŒÌ=∞OQÆàÏ~°O ("≥Ú~Ú<åÉÏ^£ âßY)) (R.R. Dist.) from any branch of Andhra Bank situated in any part of the World. „ѨѨOK«OÖ’x U „áêO`«OÖ’ #∞O_≥·<å [=∞ KÕÜ«∞=K«∞Û. 3) C. A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara Bank, 113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. ÔH#~å ÉϺOH±, 113, "≥∞~Ú<£ ~À_£, Ç≤Ï=∂Ü«∞`ü#QÆ~ü, "≥Ú~Ú<åÉÏ^£ =∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡, from any branch of Canara Bank situated in any part of India. (=∞#^ÕâO◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.) 4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with UCO Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. Ü«¸HÀ ÉϺOH±, zÅ∞‰õÄ~°∞ „ÉÏOz, "≥Ú~Ú<åÉÏ^£ =∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡, from any branch of UCO Bank situated in India. (=∞#^ÕâO ◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.)

Éè‰í Ωõ ÅÎ ∞ ~°∂.100/- Hõh㨠K≥eO¡ ѨÙQÍ D xkèH˜ [=∞ KÕÜ∞« =K«∞Û. D âßâ◊fi`« xkèx ã¨=∞‰õÄ~°Û_®xH˜ Éèí‰õΩÎÅO^Œih ã¨Ç¨ÏHõiOK«=Åã≤#kQÍ „áêi÷ã¨∞Î<åfl=Ú. JÖÏ ã¨Ç¨ÏHõiOz Éèí‰õΩÎÅÖ’ ÉèíH˜Î=∂~åæxfl ÃÑOá⁄OkOKÕ qÖHõ∆}"≥∞ÿ# zÅ∞‰õÄ~°∞ ѨÓ*Ï q^è•<åxfl PK«O„^•~°¯O xeKÕÖÏ `À_»Ê_ç#O^Œ∞‰õΩ P ÉÏÖÏr Hõ$Ѩ‰õΩ áê„`«∞Å=Ù`å~°∞. CONTRIBUTE TO CHILKUR BALAJI TEMPLE'S "DAILY PUJA FUND " The Fund donations can be remitted in the Following Banks with the following Particulars:1) C. A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with State Bank of India, Moinabad Branch (R.R. Dist.) from any branch of State Bank of Hyderabad situated in any part of the Country. IFSC Code 'SBIN0020637'. 2) SB A/c No.091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Andhra Bank, Pedda Mangalaram (Moinabad Branch) (R.R. Dist.) from any branch of Andhra Bank situated in any part of the World. IFSC Code 'ANDB0000911'. 3) SB A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara Bank, 113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. from any branch of Canara Bank situated in India. IFSC Code 'CNRB0003063'. 4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with UCO Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. from any branch of UCO Bank situated in India. IFSC Code 'UCBA0002473'. Devotees can remit their contributions with a minimum of Rs.100/- to this Fund. The Devotees who contribute to this Fund will have the blessings of the Lord Balaji for participating in the continuation of this unique way of worship which inculcates Pure Devotion in the Temple system….. Andhra Bank Ph : 08417-252064, SBH Ph. : 08417-252071, Canara Bank : 08413-235088, UCO Bank Ph.: 08417-200023 All business communications and payments may be addressed to The Manager VAK, 2-2-647/77/D, D.D. Colony, Bagh Amberpet, Hyderabad-500 013. Ph : 27425640. Cheques and DDs drawn in favour of Manager VAK will be accepted. Subscriptions can be sent through Money Orders also. Give your correct address.

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Owned, Edited, Printed and Published by : Dr. M.V. Soundara

Rajan, Advocate, 2-2-647/77/D, Andhra Bank Lane, D.D. Colony, Bagh Amberpet, Hyderabad-500 013; Website : www.vakchilkur.org Phone : 27 425640 Cell : 9246505058 Printed at : M/s. Vakdevi Printers, # 1-8-732/22/B, Nallakunta, H y d erabad - 50004 4 . (TS)

If undelivered please return to : VAK, 2-2-647/77/D, Hyderabad-500 013.

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